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#so everything ifylita-related i write is basically a love letter
pharawee ยท 1 year
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As it turns out, I unfortunately don't have the time to both gif I Feel You Linger in the Air and write commentary (also, it kind of feels like cheating since I've read the novel and know what's going to happen. I've read some of my mutuals' theories but joining in on the conversation kind of feels like ruining people's fun ๐Ÿ˜”).
That being said, I love the novel not just as a BL novel but as a beautifully written and crafted (and translated - it comes with so many footnotes!) story in general. Definitely check out the official translation if you like IFYLITA and want to support its writer. It's well worth the money.
I've written before that I was very curious about how the series would approach the way the novel almost treats the past as its own character. Descriptions of history and culture and architecture (and language but unfortunately some of that gets lost in translation by necessity) are so vivid and colourful, and it's such a big part of why I love the novel so much.
You'd need a huge budget (and lots of cgi) to translate this attention to detail into visual form - to the point where it would probably detract from the story itself - but IFYLITA found such an amazing workaround that adds so much depth and colour to the narrative: instead of relying on the environment to tell a story about the past it concentrates on the characters itself.
And tbh at first I was a bit irritated by the large cast of secondary characters (most of which exist only at the very fringes of the story in the novel) because I thought it would take away from Jom and Yai's story. There's an episode early on where 20+ minutes pass without either of them appearing or being talked about.
Only, the story as it exists in the series would simply not have the same impact without Ming and his aging mother, or Fongkaew's tragic backstory, or Prik's family background, or Ueangphhueng and Mei's quiet love story, or the sympathy the series extends towards characters like Khamsaen and James (Robert can get f'ed in both the novel and the series though). It's the intricacy of their relationships and social standing that paints a picture that's just as vivid and vital as Jom's observations of the past in the novel - and I love that. It's such a natural, visual way of storytelling and it complements the novel incredibly well. It's like the novel offers an inside look through Jom's perspective, and the series provides an outside look through showing the characters and their lives.
There's so many other things I'd love to write about eventually (like how the series portraits Yai when in the book we almost always view him through Jom's eyes, or how the series visualises the mystery and horror of Jom's time travel, or how both novel and series treat karma) but giffing comes first because silly moving images is what I'm here for. ๐Ÿ™
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