#so instead of running you go over to her

[binah-beloved]

listening to Binah's meltdown theme again. invigorating

[cak31ssuperi04]

fun fact: Them

[thedrotter]

not-yet-dead-person

silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww

(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)

i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!

the head circles are there for emotional support

very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.

(i will now comment on my process and it is not brief sorry)

usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.

according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it

the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!

Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.

background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!

for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway

that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it

[deus-ex-mona]

such is the tale of a ✨chronically online hypocrite✨

[brightwoods]

Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?

Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too

Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift

Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now

Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC

Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead

(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)

And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later

I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff

And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together

And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC

Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?

And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation

Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?

[miabrown007]

girl who sucks at making OCs needs to make a DnD character send help

[dutybcrne]

From a very young age, Kaeya held such a fondness for handholding. Whether it was his father clinging tightly to him to make sure he didn’t get lost, Adelinde’s gentle, grounding hand closed over his to comfort him whenever his nerves got the better of him, Crepus’s rough-palmed, firm yet comforting grip as he brought him back home, or, as it was most often of all, Diluc’s warm, yet at times uncomfortably tight hold as he dragged him anywhere, everywhere, determined to always keep Kaeya close and eagerly show him all there was to see, Kaeya treasured the gesture greatly.

Of course, being as shy as he was, initiating it himself was always the harder part. So much so, he would tend to hold pinkies, rather than outright take a person’s hand in his own. Eventually, it would become his most common way to go about the gesture of affection.

[im2tired4usernames]

Every single time I defend someone shitty who has done nothing but be a cunt to me because they did 1 (ONE ) decent thing THEY ALWAYS TURN AROUND AND DO SOMETHING SO MUCH WORSE TO ME

[another-whump-sideblog]

Tied to the railroad tracks for whoever you like? 👀 I've yet to see any whump where a character is tied to the train tracks!

-- @whumperofworlds

Ooh, that’s a good one!

Puppy is trying to appreciate that she's getting some time outside. It's better than being tied up in the basement.

Except... there are no trains in the basement, and therefore no risk of getting run over by one.

Still, at least there's sunlight and fresh air. That counts for something, right? It could be worse. She could be tied to subway tracks.

Jane is reciting some villainous monologue from some movie where some damsel got tied to train tracks. Puppy hopes that the damsel in that movie gets rescued.

She hears a train whistle in the distance and a low vibrating in the tracks that gets more and more intense by the second. She can't look at the train with the way she's tied down, but she can see its shadow getting closer through the corner of her eye. Thoughts flash through her head. Oh shit, she's actually going to die. She's thought so many times that she'd rather die than be tortured by Jane one more day, so she's distantly surprised by the way her heart pounds from terror.

She squeezes her eyes shut, but she doesn't feel the train run her over. Instead, she hears shouts of confusion, and then Jane's laughter.

She opens her eyes. There is no train, but there are a lot of people, when it was just her and Jane before.

...Did Jane-

"I teleported the train!"

[monty-glasses-roxy]

I still think it's hilarious that in Meteors AU, literally every single person knows about the haunted pile of robot spaghetti that is Tangle, except for Roxy. Who has been unknowingly visiting them and staring them right in the face, for literally years now. She has no idea. Fucking Cassie's dad Eddie knows about them. The Sewerhell guys know about them. The fucking horsies probably know about them. DJ, who is too big to get anywhere fucking near Tangle knows about them.

But not Roxy. It's a mystery to everyone. Half of them think it's a denial thing or willful ignorance. They're completely wrong she genuinely has no idea they're there. Tangle has willfully made their presence known to so many of the others and have tried a hundred times over with Roxy but she just. Has no fucking clue.

If it's haunted, Roxy doesn't know it exists. That's just how it is. She can see Glitchtrap pulling puppet strings on Vanessa and the others, but she can't see the spooky spirit spaghetti. This isn't even just Meteors. She just has no idea. The guy is like glass that gives her a headache, she can't see them but wow does her head hurt after staring into the darkness outside the pizzeria for a minute. Strange. Weird, even. Bizarre, perhaps.

Why does everyone keep freaking out at the shadows?? There's nothing even there. If there was? She'd know! Even in Meteors with her almost complete blindness in the dark, she'd know! Roxy knows everything that's down here and nothing gets past her without her knowing! They must be seeing things smh smh such overreactors smh

[localcouchgremlin]

'I have bad vibes about lola today she's probably being run by --'

who cares. who honestly cares. you aren't defeating racism or standing up for victims by beating a dead horse about a woman who hasn't been online for years, we already know Lindsey's a dickhead. but I promise you can dislike her without inventing other reasons to do so or say that everything surrounding her is eeeeeevil + if she's nicely interacting with fans and liking their work thru lola hey thats a neat thing at least. ill give her that for once

[lupismaris]

In my fear and spite that a cishet white woman with residual racist habits would be in charge of our university's pride social messaging I have somehow found my way into internal meetings for university pride planning she is not party to

[autisticlee]

when places have "sensory hours" or whatever they call their sensory friendly times, but it's always at the most inconvenient times possible. they always do them at the times people are least likely to be at/want to go. it's either way too early in the mornings or in the middle of work time, and it seems to always in the middle of the week and never weekends. they never care if they inconvenience disabled people. but how dare they ever inconvenience the ableds and take away their time! 🙄

[uitzinnigmp3]

guys i dont think this season is that good anymore actually sorry

[zayadriancas]

[vonlipvig]

amy brookheimer is so 'woman who doesn't want kids but keeps obsessing about her biological clock' and i think that's so real of her tbh