#so it may or may not be 100% accurate

[aceofwhump]

Is it true in America you eat sweet potato with marshmallows melted on top at Thanksgiving? :O I just want an explanation

LOL! Yup! That is a very popular American American Thanksgiving dish. It's not one that my family is into so I can't tell you if it's actually any good but it is indeed popular in the U.S. We like our marshmallows and our sugar here lol.

I was curious why how it came about so I did a little research (historical research is honestlyone of my favorite pastimes lol). Turns out it's a dish that has been around a while. Sweet potatoes have always been popular in the states but it was in 1917 when the creators of Crackers of Jack created the Angelus Marshmallows, the hired the founder of Boston Cooking School Magazine, Janet McKenzie Hill, to come up with a book of marshmallow recipes “to encourage home cooks to embrace the candy as an everyday ingredient.” Among the recipes that Hill incorporated marshmallows into was sweet potato casserole.

So basically the dish was invented because of capitalism and the desire to sell marshmallows. And it became a Thanksgiving dish because we were already eating sweet potatoes at that time so the casserole just kinda took its place.

That was probably more information than you wanted but I like sharing fun facts like this so I hope it was interesting!

[nattikay]

OC lineup! All the characters that currently exist in this "story"

[jimjamjommeron]

Big Ron's errand boy

[rose-tinted-vision]

Hi hello I was toying with the idea of subbing this drama so here's one of my favourite parts from it:

Floating Youth (冰球少年) Ep 1

English Dub | Original Chinese (no subs) | Indo subs

[quirkle2]

drew this all the way back in november, before i wrote the ending to recondite; this is what i originally planned in my vague outline, but the fic ended up going in a different direction, so this is inaccurate now. think of this as an alternate ending for funsies i guess VGEAIVGIY

[poohsources]

🐝  *  ―  𝑷𝑳𝑶𝑻𝑺 𝑰𝑵𝑺𝑷𝑰𝑹𝑬𝑫 𝑩𝒀 𝑫𝑰𝑺𝑵𝑬𝒀 𝑴𝑶𝑽𝑰𝑬𝑺 𝑷𝑻 𝑰.  (  these are made to work in either a platonic or romantic context, whatever works best for you. feel free to expand on them.  )

THE LION KING ― [ muse a ] and [ muse b ] are childhood best friends. they used to spend almost every day together until [ muse a ] had to leave town and has never come back since. one day, [ muse b ] comes looking for [ muse a ] because of some trouble at home. although it took some time, [ muse b ] finally finds [ muse a ], but [ muse a ] doesn't want to come back. [ muse a ] explains to [ muse b ] what happened all those years ago that made them leave their home; and that this is the reason why they can never come back. [ muse b ] is surprised by that, but still determined to get [ muse a ] to come with them because now that they finally have them back in their life, they don't want them to be gone again.

THE LITTLE MERMAID ― [ muse a ] and [ muse b ] metaphorically are from different worlds. [ muse a ] has been fascinated by [ muse b ]'s world and their differences for a long time, while [ muse b ] has no idea [ muse a ] even exists. this changes when [ muse b ] gets into a life-threatening situation and [ muse a ] who happens to be there at the time saves them. however, [ muse a ] leaves before [ muse b ] can see them, and although [ muse b ] has no recollection of that moment, they wish to find who has saved their life. meanwhile, [ muse a ] is unable to forget about [ muse b ] which leads to them going back to [ muse b ]'s world, hoping to overcome their many differences and get [ muse b ] to like them in the short amount of time [ muse a ] has before they have to go back to their world.

ALADDIN ― [ muse a ] is a rich person from a wealthy and influential family, while [ muse b ] is a poor person who has had to take care of themself since they were a child. randomly, [ muse a ] and [ muse b ] paths cross and they find an immediate connection between them. but since they are from such different backgrounds, they can't be together. this results in [ muse b ] pretending to be somebody else, someone worthy of being around [ muse a ]. surprisingly, they are able to fool everyone with this scheme ... everyone except [ muse a ].

CINDERELLA ― [ muse a ] hasn't always had it easy living with their last remaining relatives who treated them like dirt. but everything changes one evening when they sneak out to a masquerade party hosted by [ muse b ]. they start talking and have a generally good time, but when [ muse a ] notices their time is over, they have to leave [ muse b ] without another word, and without ever telling them who they are. in their haste, [ muse a ] leaves behind one item that will eventually help [ muse b ] to find them. so [ muse b ], determined to figure out who [ muse a ] is, goes off in search of them until finally the item [ muse a ] has lost brings the two of them back together.

[rinbylin]

galaxy-brained mlc take of the day: mlc is wuxia, yes and maybeee not exactly? it very much is a wuxia aesthetically, but it's actually - conceptually - xianxia story in the core. (this is different from suggesting that it is a xianxia show.) however xianxia can (or should) be considered a subgenre of wuxia, not its own separate distinct genre despite the idea of 仙 xian being fundamentally at odds with the idea of 侠 xia, because they both stem from the same belief. (as seen in mlc, it works with the conventions of traditional wuxia aka li xiangyi the sigu sect leader, to get to the real bits of xianxia concept aka li lianhua's story.) so, mlc is wuxia through and through, inside out. send tweet 🫡👍

-

ok wait I can explain

so, this must be premised on the understanding that any discussion of "仙 xian/deities" in this context is only as its abstract idea of living a life distanced, detached from worldly, human woes instead of the possibility of immortality existing in mlcverse. (if you think about the deities in xianxia stories being basically human beings who have cultivated themselves into immortality.)

this is the explanation of xianxia as a wuxia subgenre (古仙武侠) in the baidu article of wuxia genre:

武侠中的侠，是脱胎于墨家“以天下为己任”的使命感；而仙侠的侠，通常是传达着“能力越大，责任也就越大”的朴素精神。侠乃入世，仙为出世，道教阴阳的无情大道（无情指寻求自我的不断体悟，以达精神的成仙，非没有感情之意）与武侠江湖的有情众生，即是矛盾也是循环，象征着太极之道，这也就是为何古仙武侠也属于正统仙侠流派的原因。

rough tl:

the xia of wuxia is born from the mohist ideal of bearing a sense of responsibility for the world

while the xia in xianxia focuses on the idea of "with great power comes great responsibility"

the idea of 侠 xia is secular. the idea of 仙 xian is beyond the secular - it is to pursue a life of suppressing/taming your own emotions (it does not mean to be completely removed of the ability to feel. it's a pursuit of self-realisation that makes one attain the status of a "deity" spiritually.) 仙 xian is then inherently at odds with wuxia jianghu's deep empathy and connection with the secular world, but it's also connected back to it. this is why 古仙武侠 is considered to be a part of the wuxia genre.

the relationship between xian and xia is conflicting because the former is all about distancing yourself from worldly issues while the latter necessitates an active effort to do something about them.

but it also means that both wuxia and xianxia acknowledge this weight of human emotions and connection to the world. it's just their respective responses and the outcomes they want that they differ in. what is the ideal person? wuxia says it's to be someone who can propagate and execute the ideal of doing something about this weight of your connection to the world, while xianxia says it's to learn to be at peace with that connection, and it's ok to not do anything about it actually - which might even be harder than trying to do something. (and focusing on your own cultivation can be a good thing for the world, in fact.)

with this, I hope it sounds less absurd that I'm connecting mlc's story to the concept of xianxia. lxy's life was a traditional wuxia archetype. (I've already harped on enough about how he fits into the quintessential mohist model of a xia leader.) what happens after, aka his journey as li lianhua, is the real story of mlc. it's a breakdown of that quintessential wuxia hero. it is a story in which the main conflict faced by the protagonist is to struggle with all the worldly woes including his own past and the cases' victims, in defense of the serenity he has found in the past 9 years. it is a natural battle to fight for someone such as llh because as long as you're still human, you will face the implications of human connections and the innate feeling of compassion and urge to do something about it (part of this, I guess, manifests physically in bicha breaking him down and the resistance to cure).

and relating that to an excerpt from an article discussing xianxia in relation to wuxia:

武侠剧的精神内核也是仙侠剧的精神内核，而“仙”实际上是实现新形式的“侠”的手段，由此扩展了“侠”的深度和其实施的时空范围。武侠之中的侠义精神，可以强调其自在，更强调其是自为的，前者是需要逐渐成长和觉醒的。然而对于高于人的仙而言，作为上位者的“侠”之精神，则应该是内在自觉且自为的。

rough tl:

the spirit of wuxia dramas should also be the spirit of xianxia dramas. xian should in fact be another way to bring out and explore the idea of xia.

the spirit of xia in wuxia can be an emphasis on the spirit of freedom, and even more so, the idea of agency and autonomy. the former is gained through growth and awareness. but for xian aka people who occupy a realm above the people on the ground, the xia spirit they embody should manifest in their inner awakening and agency.

it goes without saying that nobody is a deity in this show, and never will be. only in ep 40.5 it came so close to possessing that otherworldly, surreal edge, but that's all to it. deities do not exist in the mlcverse.

but but. it's interesting to point out in the ep 3 flashback when lxy walked through town in the aftermath of the sigu sect vs jym battle, commoners were heard describing it as 神仙打架 百姓遭殃 when immortals fight, commoners suffer. of course they didn't mean it literally but figuratively, that those people of wulin jianghu are high above, detached from the people on the ground. which is. contradictory to the idea of 侠 xia to begin with. so... it could even be interpreted that li lianhua living the spiritually "immortal" life embodied the xia spirit even more deeply than he did as li xiangyi the sigu sect leader, the "immortal" in the eyes of the commoners. actual immortals do not have any real attachment to the people, but a cultivated "immortal" does and is destined to feel and learn to deal with it over and over like llh did. it all comes back in a circle indeed.

[cursed-anduknowit]

DRAKEN

[ugartecoco]

they are so stupid (about their outfits)

[a-sketchy]

i think it simply would’ve been absolutely impossible for kotone to have the same personality as minato while being a girl. she would’ve killed herself for realsies out of necessity by the time she was 13 if she outwardly displayed his same behaviour. ideation would not have cut it with the reactions she’d receive for being that visibly depressed and autistic WHILE A GIRL. have you seen saori? it’s die or mask out there man.

this is absolutely true and very very likely not the actual reason she was written so different from minato, that’s probably cause the writers couldn’t conceptualize a girl acting like minato, or more charitably that they knew such a character as a protagonist wouldn’t be received well by their main fanbase. misogyny begets misogyny in that through the misogynistic writing of — lets be real — the entire persona franchise, a very high percentage of the female characters’ personalities and actions are reasonably explained by in-universe misogyny, sometimes intentionally and more often as a byproduct. and of course the ways they’re written and reacted to are easily explained by real life misogyny. god name a stronger relationship than persona and misogyny, i’ll wait

[tatersdoesstuff]

havent been arting in a while but inspiration struck when i reread read At Your Service by @snailberries and nightaspira :] the visual was so good i had to draw it

[iknowwhereyousleepatnight]

kinda need to go through the manga and anime at the same time to determine if there are any manga-exclusive or anime-exclusive outfits (for light but tbh i will want to do Everyone)

[tracle0]

Next - here Previous - here

[that-foul-legacy-lover]

oooo we makin progress oooooo

also please ignore my hand ;v;;;

[zharizard666]

SCREAMING CRYING THROWING UP

[lisutarid-a]

K - DOG AND CAT - TRANSLATION

CHAPTER 4 The Dragon Tower

TUMBLR VERSION