Okay but does Peri KNOW that Dev has a robotic leg when he shows up? Something about the fact that Peri's wand is a cane and the fact that Dev could have kept his leg and just had a cane for the rest of his life instead tickles my brain.
I mean he doesn't know immediately, he wasn't like briefed or anything, but he basically lives in Dev's house so he definitely finds out. Peri doesn't comment on or react to it all though really, there's no reason for him to think anything of it, plenty of people have missing limbs, a lot of people are born without them, it doesn't necessarily mean anything sinister happened. He had no reason to pry or ask and I think Peri's lack of reaction to it helped Dev feel a bit more comfortable in his skin. (Not by much but.. a little bit.)
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zoro who is so caught off guard by sanji’s kinder actions towards him is one of my favorite tropes. sanji crafting him specialized post workout snacks personally adjusted for him but still down to fight and call him names. he’s still the biggest asshole zoro has ever had the displeasure of knowing, and he’s horribly considerate. he’s a little confused but doesn’t reject any of sanji’s specialized treats. it’s not like sanji is fawning and doting over him like he does nami, so zoro feels like he can cross off sanji actually liking him from his list of reasons as to why sanji is acting like this. but it’s still fucking strange..
meanwhile sanji is in his kitchen wondering how zoro hasn’t taken a damn hint yet
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Every time I'm forced to remember that I am infact an angst writer first and a smut writer second
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So excited for today's post- @hydrachea has given me permission to share these text messages she made! ♡
The second one nearly had me crying because BOOTHILL TRYING TO FLIRT, DAN HENG MISUNDERSTANDING BECAUSE OF HIS SYNESTHESIA BEACON, AND BOOTHILL JUST STRAIGHT UP OFFLINING ABOUT IT SNZKKZMSKZKSKKS
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"The newly widowed Elizabeth (Woodville) was exceptionally vulnerable. Several of the trustees responsible for her jointure refused to hand over the manors that were meant to sustain her in her widowhood. Moreover, her brother-in-law, Edward Grey, had seized estates that her son Thomas should have inherited from his paternal grandfather, while her mother-in-law’s new young husband, Sir John Bourchier, had prevailed on Lady Ferrers to settle her principal properties on them jointly for life, ensuring that Thomas would have to wait far longer for this inheritance too. Rivers and Scales were pardoned in July 1461 and swiftly moved into the Yorkist establishment, which perhaps explains the success of the chancery suits Elizabeth launched to regain her jointure. Her son’s inheritance proved harder to recover. By 1463, Rivers was often in (Edward IV's) company and on his council, but Elizabeth needed someone with much stronger influence over the King. She turned to a distant kinsman, William, Lord Hastings, the King’s chamberlain. Hastings drove a very hard bargain for his aid but it was probably amid these negotiations that the King’s desire for Elizabeth was kindled."
-J.L. Laynesmith, "Elizabeth Woodville: the Knight's Widow", Later Plantagenet and Wars of the Roses Consorts: Power, Influence, and Dynasty
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Literally every time I see the famous "romanchiku darou?" i ceased to be a rational being and I become an eternal scream that cant help but explode with tenderness.
AAAAAAAAAAAAAAAAAH
my honest reaction:
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So I read A Stitch in Time and one result of that which I was certainly not expecting was that I feel so much sympathy for Enabran Tain. Garak's life is a tragedy, but Tain's is a fucking black comedy.
I mean, he's a terrible person and an absolute shitbag, but can you imagine? You have this kid. You go to all the trouble of arranging for him to be raised in a family situation where he won't be rejected from society for being your bastard. You get him into the nicest indoctrination school where he can hobnob with plenty of uppercrust kids. You get him a job in your Order and all the proper training. And he's actually, like, really good at it. But he has this fatal flaw of being completely incapable of not making stupid, short-sighted, emotional decisions.
A scene I imagine has to have happened just prior to Garak and Tain's confrontation at the end of part II:
Like goddamn. When Tain asked "what's your plan for getting rid of her husband?" and Garak's just like "plan what plan." Dude. I'M disappointed, I can only imagine the guy who's job it is to know and plan for everything isn't at least as disappointed.
I know he didn't actually, but do you think there was ever a time when Tain wanted to be like, You know what. Just go back to Tolan and become a gardener. Join that illegal hippie cult. It's fine.
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was kinda thinking about this when I saw Renee Rapp live recently-- I didn't know her visual vibe, I'd heard a few songs here and there but I hadn't really *seen* her, and her attire at Osheaga was really casual, a jersey (baseball/basketball?) and slacks. And that was so amazing! I couldn't help thinking, the work Billie Eilish has done for how women in pop music are allowed to dress is incredible. Seeing her up there all comfortable you just know that Billie walked in her oversized tops so that Renee in her slacks could run; Billie walked through all the critcisms about how she dressed slobbily and having to assert that she didn't owe anyone a display of skin, so that Renee could be comfortable and unquestioned running up and down the catwalk in front of 10,000 people. How iconic.
And I don't think we even realised at the time how much something as simple as letting Billie dress the way she as a (then-) 17-year-old teenager dressed, could end up meaning for a future generation of women in music.
Obviously there is still way to go, there were weirdos complaining about how 'plain' Dua Lipa's Glastonbury outfit was this year (in 2024!!), l have to ask, are you at Paris Fashion Week?? She is the musical HEADLINER of an entire day of music at one of the biggest music festivals in the world, and you can't grant her the space to exist as an artist, you have to moan about her dress not being excitingly revealing enough. There's work to do, it's still dismal out there. But the space Billie Eilish has created for a most ordinarily-dressed woman popstar is still heartening.
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