The latest installment of my unintentional series of analyses of narration in 1990s solo comics of teenage heroes (Part 1: Tim & Kon & Bart and Part 2: Grant): Ray, who has two solos.
The 1992 miniseries is short on narration. It usually occurs very briefly at the beginning of each issue to set the scene. But what there is a lot of are thought bubbles for Ray, which keep the reader on track with his running commentary on life, and first-person accounts from the characters themselves. At the beginning, Ray relates his life story to a cousin he has just met, he first learns a piece of the truth about his past from his dying foster father/uncle, and his actual father tells various versions of his history which may or may not be true. The subjectivity of these stories is important to the narrative, with its themes of hidden truths and being kept in the dark (both literally and figuratively). None of these narrators are fully reliable, for various reasons.
Ray's understanding of his past is limited by how little he knows and what he can or can't remember, and the visuals sometimes juxtapose what actually happened with his hazy memories. (He says he can't remember what happened to end his eighth birthday party so abruptly; the art reveals that he had a flare-up of his powers when a camera flash went off.)
Thomas Terrill, the uncle whom Ray believed was his father, tells a story on his deathbed that is presented as his own history but is in fact about his brother. Yet...he never really says that he did or experienced anything in this account. Every sentence begins with a verb, no specific pronoun subject. Things like "Quit...didn't want the burden...wanted a normal life...a family." Never "I quit..." Because he didn't. This is a story about Ray's real father, a completely different man.
...whose own accounts range from claiming that he is "not of this world" and that Ray is thus half-alien (a blatant lie) to a more detailed and relatively plausible-sounding scientific background of how he acquired his powers. He doles out information as he finds it convenient, and the frustrating inconsistency establishes him as less than trustworthy.
Narration is more at the forefront of The Ray 1994, the longer-running series. In previous analyses, I've focused on the association of the narrator with a guiding/parental voice for the young protagonist. Ray's stories are frequently told in first-person, usually by him. Like Tim, he is telling his own story because he doesn't have a solid parental presence in his life and thus has to be his own guiding voice. Of all the young heroes whose solos I've read, Ray is the most introspective, more so than even Tim. He's constantly in his own head, observing, overthinking, getting emotional. The greater thoughtfulness can be partly credited to the fact that he's older than the protagonists of comparable books--eighteen and later nineteen, technically a young adult although still a teenager. But his upbringing has left him very internally-focused too. He has grown up isolated, spending his time reading and watching TV and tinkering with computers. There were very people around to talk to, and even fewer with whom he could open up. Interacting with the outside world is strange and foreign, so he has a very active inner life instead.
And yet he still longs for connection, which is where the narrative device of the earlier issues comes into it. Ray met Dinah Lance one (1) time, developed a crush on her, and has started writing her unsolicited letters in which he pours out his soul to her, relating every detail of recent adventures, every difficult emotion and insecurity. Even as he overshares, though, he self-censors sometimes to put himself in a better light (as in his account of his encounter with Kon, which opens the series). The letters are very revealing of his character and allow the reader to not only get in his head but understand how he wishes to be perceived. The letters to Dinah come to an end for plot-relevant reasons, so the narration style takes a different turn, but always we are given access to Ray's thoughts so it's as if he is narrating indirectly.
The lack of a third-person narrator for Ray's POV underscores how lacking he is in guidance, as I said earlier. His father is a recurring, unwelcome, intrusive presence (he can read Ray's thoughts if he chooses and shows up at inconvenient times, like on the bus) who comes to scold and criticize and belittle, and Ray repeatedly rejects these attempts at mentorship. "You're not really my dad," he keeps saying. "You haven't earned it." As caught up as Ray is in the mess created by his father's lies, he refuses to let him set the tone for his life or identity.
But Ray isn't the only narrator of this series. Sometimes Dinah narrates, and we learn how she feels about this infatuated teenager who persists in writing to her. Not only does it provide insight into her character, it clarifies actions she will take and acts as a counterpart to Ray's limited perspective.
Another issue is narrated through an account written by Happy Terrill as a young man in 1941, recounting his acquaintance with a mysterious young man with an inexplicable earring (a time-traveling Ray!) and how he acquired his powers. Again, this allows us to better understand Happy, who has evidently always been a self-important jerk--a trait only exacerbated by his becoming the Ray. So much hubris.
Later on, third-person limited narration shows up for Joshua Terrill, who is too young to have thoughts introspective enough for first-person but whose perspective needs to be given for him to make sense. Joshua is just a child and in need of the guidance represented by a third-person narrator commenting on his actions--but the narrator doesn't comment. Only reports his thoughts. Like Ray, Joshua is alone in the world, no thanks to their father.
But the most surprising narrator is in a very late issue: a version of Bart Allen as an adult. This is jarring; Bart doesn't narrate normally. He thinks in pictograms. It's weird getting introspection from him, even twenty years into his future, and he comes across as a completely different character. But the narrative point here is less to develop Bart's character and more to reveal how badly future!Ray has gone downhill through the commentary of a close friend who has (mostly) maintained his moral compass where Ray hasn't. Future!Ray's thoughts and narration aren't a thing anymore because he's no longer self-reflecting. He has sold out to money and power and has left behind his essence in the process.
By the end of the series, the narration has more or less ended. Happy tells his final version of "the entire truth" (or is it?), another very subjective account designed to make himself look the hero despite his questionable actions. And Ray...he's finally reunited with a mother who now knows that he's her son. Things are about to change for him. He doesn't need to narrate his own life totally alone anymore.
(And he won't. Never again. The comics quit caring about his POV from here on out.)
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I need to rant about Ivan guys guys I neeed to rant about Ivan (<--- keeps trying to write fics of him but Never finishes him) like God this man is so gay and so in love it genuinely hurts it Hurts and I am Injured by it and the imagrey is Sooo Good (and Yes this is probably me just parroting stuff Everyone has already said before but shut up it's my turn now!! (aka please I've been holding in these thoughts for Months now I must let them out of their cage before one of them Dies)) [Edit I am Not fucking proofreading this I spent 2 hours on it if there is a mistake you Imagined it </3]
Just like,
You can see it in the way he sees the stars in Till. His own hopes for freedom and the only real light in this world that he lost sight of in Till. He is the hope and wish for freedom that he has shut away and repressed and it makes him fall So Hard
Or how you only really see that red in his eyes (after. Almost Dying) when he's with or singing/thinking about how Till has Inspired him, like a fire has been lit inside him. A fire lit in the darkness. . hmm...
even at the end of the song, where he knows full well that he absolutely Crushed his opponent and also knows full well that Till is his next one. I'm sick. I'm so sick.
Or like. When he frees Till and everything is just Engulfed in that red now. How Till has that same fire in his eyes, he and Ivan are on the same page now. They see that same hope for freedom and they both share it. They're running towards the light (like the sky's lighter there, more on that in a sec), hell, the corners of the right side of the screen are literally tinted in LIGHT GREEN. Till's color. God dammit the whole scene is tinted in red and green. They are literally Complementary Colors. I'mmm soooooooo (God these scenes are soo pretty too I was genuinely Stunned when I first saw this)
DID YOU EVEN NOTICE I ONLY NOTICED NOW the Stars are fucking green. You can see it better in some of the Later Images but they are Literally Green because Ivan sees the stars in Till and uuuughsdfbshb
OR LIKE WHEN TILL TURNS BACK?? AND. And that red is no longer in his eyes and before The Realization hits Ivan his eyes are just Glowing with red. Because he was just Filled with that hope. Freedom was, potentially, Right There
Did you guys even notice in that like. 5 frames in the half-second animation of Till turning away he's totally engulfed in his shade of green. Like of Course. That's such a Till thing to do because of Course he's running back he never actually liked Ivan that way in the first place.
And also the lighting of the sky Flips. Because the light has always been with Till. And Ivan's left in the darkness. In the. Haha. Ha. Black Sorrow. Aha *sits down cries*
And Again with this mf's stupid eyes how they revert to just black because that hope's been stripped away again, how it's even reflected in his present self singing as he reminisces on it. Fucking. Ivan's Expression when Till runs away.T here's so fucking much like the irony. Like did he even see Till hesitate or did he just see him turn and run away.
Like the irony that the guy who's always breaking the rules and fighting and defying and clearly hating living in a world like this won't run away with him, who has always been passive and obeying the rules and just accepting captivity and has been repressing his desire for freedom is so Bitter and Awful but also he always Knew this would happen what the Hell was he thinking this was such a stupid idea like
this man gets No Breaks No Breaks Ever oh yeah btw they're facing off against each other in a literal Death Match. That they might've had a Chance of avoiding if they ran away. Ahah. Hh *sob*
Also this art brings me so much Joy as much as it hurts me on a visceral level like. Ivan Always has his eyes on Till but it goes from a fond smile. Like So Fond flat out lovestruck affectionate gaze because he loves this man and loves spending time with him to a grimace once they're on stage. How Till never really changes or really Has Changed, and that's why Ivan loves him as much as he is resentful towards him. How that's what brought them here, to the stage. How Ivan changed for Till and Because of Till but still Till is like a god damn immovable object with how he stubbornly sticks to his ways. There's such resentment but isn't he himself also stubborn for always sticking to Till anyways? Hell, he's singing all about him in Round 3 and loses control over his own emotions and expressions during it I'mmm Guhhh
Also the first image is titled Observation while the second one is titled Decision(? I think). Like mf What are you deciding. What happened Last Time you decided to do something I'm going to punt you into the next planet
Speaking of observing,
Just. How Ivan's Always Observing. I saw one person point out he's like a background character and it's like he sees himself as one too. He is a passive observer in his Own Life. How he watches all the other children in Anakt garden play. How his childhood leading him to Anakt Garden just kind of. Happens around him while he watches indifferently.
How he's always trailing behind Till. Or how he tends to just. Observe quietly and is portrayed as such.
Not to mention how he doesn't appear in the memories of Anyone else's rounds, not even Till's, even when he literally (temporarily) freed him from the city. He doesn't even appear At All in Luka's round even though we get a clear shot of Till getting his hopes and dreams shattered (though it Does parallel another shot of him from Round 2)
And then the One Times he tries to take action. Or start something. It gets rejected and he's resigned to just. Trailing behind again. Because of Course he'll always follow after Till. And of Course he's fucking bitter about it and bitter about himself because he Knew this would happen and Till is Always looking at someone else and that Never Changes but. He just thought for a moment that he could change something. Man.
Oh I forgot to talk about the competitions themselves huh? Wellll, (and I'll Attempt to keep it brief because I've been writing this post for Much too long but)
Till spends his first round singing completely devotedly to Mizi. Hell, his song wasn't even in the program, it's likely- no, almost definitely something he wrote entirely for her, and Ivan has no part in it, just watches bitterly as he passes out after his, er, stunt at the end
And continues to be passed out for almost the entirety of Ivan's song
Oh but he woke up for the emotional/musical climax at least, going over Ivan's most important memory of them together, that's cool at least right?! Surely Till felt something from that
Maybe they can talk something out, or at least acknowledge their relationship in Some way. Maybe Ivan could at least be seen by Till-
Aaand Till's Actual love interest Supposedly gets shot and now he probably thinks she's dead. His attention is turned to her once again, like it's always been from the start. He never really changes huh?
Better luck next time Ivan--
Just. This mf Never Wins and it makes me Laugh as much as it makes me So Sad
Gets hopes and dreams and future crushed by aliens (standard stuff). Sold off in an auction. Put in prestigious singing school and up to that point he hasn't really cared about Anything and has simply been going through the motions.
Meets boy that basically embodies the freedom and hope he used to have. Falls badly in love. Boy loves someone else. Tries to free him and give him the thing he'd surely want most. Rejected. Back to school you go loser.
Oh btw this school is to train you for a competition to the death. Btw you're facing off against that boy you love in the semi-finals of said death competition. And you might kill him or he'll kill you. Because you didn't run away when you had the chance.
Also he didn't sing or think about you at all during his round. In fact I'm pretty sure he wrote a whole ass song that wasn't even registered in the Alien Queue or whatever for someone else. Also he probably has hardly looked at you. Also he was unconscious for almost the entirety of your song. Except for the part where you lost control of your emotions.
Oh but that doesn't matter now because now he thinks the person He likes was just killed. So he's kiiinda gonna be distracted by that. And that might fuck up your round with him. Sorry man
This was Originally a rant about how much I love Black Sorrow's imagery and the portrayal of Ivan's love because this man clearly has Complex Emotions and then Kinda derailed into me just ranting about how many L's he's being handed before getting the executioner's blade. Uhhhhh oops. Congrats on sticking to the end though?
I just love Ivan very much. He is So Bitter and so Horribly In Love and looks up to and is inspired by Till So Much and I wish people explored him on a deeper level/more personally.
I wish I saw more deep looks at Ivan/Till, there's clearly Complicated Things going on there. Hell, we don't even know what Till's pov on the whole thing is aside from that One scene of him hesitating before running away from Ivan. As much as I love fluffy interpretations of them, I (did I mention that I'm an angst addict btw. Could You Tell) wish all their Complexities could be acknowledged. Like how Ivan Clearly puts Till on such a spotlight and it is Such a downfall for him through and through and he Kinda knows it but also What Else does he Have and he really looks up to him Sooo Much (just. Look at them in that official art of them in Anakt Garden !!!) and deep down just wants to run away from this horrible place and wants to run with Till, the Light of his life the fire in the darkness the fucking stars the universe his black sorrow just. Oh My God I need to end this post already I was supposed to be studying but spent those 2 hours Writing instead
But anyways yeah uuhhh long story short? This guy is a gay loser. He tries to look sooo cool and smooth but he is suuuch a gay lovestruck loser and his rose tinted glasses are so thick he can't see shit (I'm pretty sure I quoted that from something (but also no genuinely when I first got into alnst after just watching the first 3 rounds videos and saw Ivan in official art I was So Surprised like "Oh he's actually That kind of mf that tries to look Cool and Hot but is actually just Pathetic and Sad and Gay I thought he was Just Sad and Gay")) he's probably also touchstarved as hell idk and his love is doomed by the narrative (unless Hyuna saves his and Till's asses. Buuut we'll see </333)
Love ya Ivan keep taking L's <3333 mwah
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I cannot believe that season. truly just. there was not a single episode I didn't sit down to without a genuine conviction that *this* would be the episode where they spit all over everything I loved about the show. I braced constantly throughout the episodes as they kept setting themselves up for Very Stupid story choices only to pull the rug and go "HAHA surprise, idiot!!! We've given you exactly what you wanted <3". until the final episode which was NOT what I wanted and also exponentially better storytelling and character development than any of the ideal scenarios I'd constructed.
something deeply meta about it all. truly a chaos season for the chaos god, where the most chaotic, unexpected, transformative thing they can do is to be good.
Spent the day processing my love for this season only to have your message sum my thoughts and feelings up perfectly, thank you so very much for sending it 💖
Same as you, not for a second did I go in truly expecting anything from s2. Owen and Mobius have my heart, always will, so primarily the show was a vehicle to provide whatever crumbs of his scenes and chemistry with Tom I could get and with the start of every episode I braced for the moment that would get ruined in some way, only to be continually hit with everything I've ever wanted in a show or pairing right up until the finale. Which, while not what I would've chosen, was beautifully crafted and an almost Shakespearean tragic romance that will haunt me for the rest of my days and is still infinitely better than the nightmare scenarios I'd been floating around in my mind so at least there's that and it's impossible not to be thankful for eps 1-5 for giving content anyone could dream of and more 😅
Besides the obvious ending, I'm mostly crushed our Loki and Mobius didn't get a proper goodbye but honestly believe Loki decided to seek out s1 Mobius instead knowing s2 Mobius loved him too much to ever let his sacrifice happen and it would've been too much to bear, so having made his mind up already he at least tried to visit a version most likely to validate his choice. Just wish the Mobius now waiting until the end of time had at least a similar opportunity, but I'm just thankful he didn't lose his memories and could make his own decision that his faith in Loki is what's carried him before and will continue to do so now.
The flip of their characterization from order or chaos is exactly what has me convinced Lokius will reunite because how can they not with such an open ended future?? Even in separation they revolve around each other and they're the only ones left wanting. Mobius and his life are in ruins with nothing but the passage of time and possibility of some spent with Loki ahead while Loki's surely going to find a way to meet halfway when the choice of order has not only made him potentially the most powerful being in existence but one who spends eternity looking at the only person who ever saw him back.
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