#so they keep asking for changes that are basically like. dont draw in your style.

[myrfing]

i cant even just commission random artists for Drawing I Want it always has to be specific artist with their specific style and specific sensitivities. this is the problem i open skeb fp & I’m like no…no….backing away. none of these

[nilufleur]

BEING HARUCHIYO'S CLOSE FRIEND / 29. 10. 2022

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sanzu haruchiyo, one of the most irritating, stubborn and difficult people one can meet. though he most of the time is an insufferable person theres people he enjoys being around with and people who enjoy his (overwhelming) presence aswell

at first it is easy to assume that he is not a trustworthy person, but haruchiyo is very devoted to people he cares about. hes basically a 'ride or die' for the people he loves

the things that draw him close to people are little characteristics that are often overlooked. he creates an image of someone's personality by just having small conversations here and there

the people he is close to are usually the people he has been friends with since a long time, childhood friends to be more precise. he is not afraid of meeting new people, he likes changes he likes seeing new faces but as i said, letting them get close to him is a different matter

so getting to the point, what drew haru close to you was your persona. honest, laid back and humourous. he has a strange sense of humor, he squeezes his sharp jokes in his sentences that often go unnoticed. he was slightly impressed when you laughed at them, since he thinks that 'only smart people get his jokes' (yes, he is an egomaniac)

after that he started to always say hi to you whenever he saw you. sometimes it was loud and audible and sometimes it was just a little smile while passing next to you, but he would always acknowledge your presence

haruchiyo has a creative mind and you got convinced of that more day by day when he would randomly show up and ask you the strangest question with no context, nod after hearing your reply and just go away

this little habit still continued after you two became very close friends. it was hard to understand him sometimes but it was also very fun to you to be in his chaotic presence

as a filmbro myself i am sensing that haru would definitely enjoy watching films. he would also invite you to movie marathons at the most absurd time something like

"theres 3 al pacino movies in a row at the cinema can we go?"

"haru its the final exams week and its currently 2am shut the fuck up and keep studying"

yes studying with him is a pain in the ass

he would always be the one to invite you to study at a cafe but end up getting nauseous from all the milkshakes he had just because 'he got tired from all the studying (he didnt study) and needed a treat' and throw up in the public restroom

he is lactose intolerant but acts like he isn't

it's hard being friends with him cause he is generally a very spontaneous person

but you got used to it so it doesn't surprise you anymore when he does stupid shit like showing up at your apartment drunk with a board game in his hands in the middle of the night

he loves board games but he sucks like he is so bad its actually painful to watch him play

haruchiyo would definitely force his best friend to get a matching tattoo with him. at least hes got good taste so the tattoos turn out pretty cool

and he would also pretend to be surprised whenever he saw your tattoo saying shit like "stfuuu omg we have the same tattoo!!♡" punk ass bitch

constantly gossiping and its honestly so fun to do it with him cause he always has to most out of pocket information about people

would definitely introduce you to his close friends circle and after meeting them he would ask you about what you thought of each one of them

hes actually annoying and has no clue about what privacy but we can ignore that cause he always bring you something to eat when he gets in your apartment without permission

would he be a jealous friend? possible. but i dont think he would be overly jealous or protective. only gets a little annoyed when you talk about "you guys' stuff" with someone else and act all hurt and dramatic so you would eventually apologise

he has a very good sense of style and would buy you random clothing piece so you could match with him. yes. he loves matching outfits it's his guilty pleasure

i can imagine this mf saying the most philosophical gut wrenching intelligent thing humanity has ever heard and and then just say "anyways i gottta pee"🗿

sleepovers but he always sleep in your bed and takes up all the space

he once threw out one of your sweaters bcs he didn't like it

"sanzu my dead grandma made that for me"

"but it looked ugly 😐"

cooking a recipe with him at 3am but you guys got distracted and ended up causing a mini-fire

he has all of the CDs of the cars movies and always say "he just like me fr" when lighting mqueen does that kachow thing

overall he would be a good friend i think. funny and spontaneous not very reliable but always trustworthy

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this was disguised sanzu slander if you coudnt tell

© nilufleur

[the-s1lly-corner]

Which of the creeps (that you write romantically for) be okay/like a bada$$ s/o? Like every1 is intimidated and every1 thinks that if you try to fight them you’re stupid? Have a great day!!

Creeps with a badass reader!

i actually really like this idea!! also im so so sorry it took me so long to get to this </3!! ive kinda been focusing on art these past few days, and when i havent been drawing ive kinda been. laying in my own. feelings. sleepy.... yk how it is!!

with that said! yeah! i wont be doing all the bare bones list of characters i usually do with non specified characters! to keep true with the prompt im going to stick with characters i feel would like this kind of S/O and/or compliment the readers fierce nature... also going to aim for a more comedic style

LIST OF CHARACTERS: Laughing Jack, Eyeless Jack, Hoodie, Splendorman

CW; mentions of violence

Splendorman;

No because just think about it; a soft easy going cryptid with a strong and ready to fight partner

"he asked for no pickles" dynamic basically imo LMAO

he would rather you tone it down, or at least dont fight for him... he doesnt want you to get hurt, or in trouble..! mostly trouble, he knows you can handle yourself

he wont ever say it but hes internally swooning anytime you fight for him, though. like. "oh? they would do this for me just because someone said something vaguely mean about me?"... hes red in the face

tries to introduce you to new people to make potential friends since he kinda thinks part of your bloodlust(/j) is from loneliness, which in turn makes people see you as.. mean... so its a loop. he doesnt mean it in a bad way! he just cares about your well being!

overall he secretly thinks its hot but hed rather you stay out of trouble and hed try to find ways to make you less fierce...

Laughing Jack;

like splendorman he thinks its hot but he WILL vocalize it

also he thinks its really funny whenever people try to antagonize you

pulls a bag of popcorn out of thin air and watches the show/hj

he will literally cheer for you from the sidelines and becomes the fights personal announcer

absolutely treats you when you win; showered in praise and love and gifts

hes flustered; depending on what color you think he blushes (personally i think he blushes a purpleish-grey), his entire face is that color when he watches it happen

again, hes really into it

smh ive been on a lj trip these past few days and i hardly got anything for him here god mfing damn!!!!

Hoodie;

ngl he probably throws himself into the fight and yall both kick the shit out of the person

basically think something like this scene (ive never seen jjba my friend showed me this) where he just joins you after watching for a few seconds (we can say the third person is masky/j)

anyways it wont let me move the gif up so pretend the gif is under the above bullet point instead of at the end of this segment

really yall are kinda the same but hoodie is more likely to sit back and access the situation before jumping in and fighting someone unless like. its an immediate life or death thing

now how does he feel about you being a proclaimed badass?

he respects it, and he knows that you can defend yourself when hes not around so it also puts him at ease

maybe you two will spar every now and then to get better at defense and offense stuff (he will not go easy on you btw, bro will give it his all)

Eyeless Jack;

he doesnt really like the fighting since hes also likely the one who has to patch you up afterwards. like even if you win the fight youre still going to be hurt in some way, this applies to all the other characters too. ej is just the only one who has the knowledge when it comes to tending wounds...

with ej, in my au, he doesnt really. like conflict, especially since his own body is changing into something that isnt human; he already has enough on his plate already, doesnt need to go bury an extra body because he let his temper get the better of him

and every now and then, that mindset of avoiding conflict bleeds to how he views you and your attitude

hes happy that you can defend yourself, like hoodie he admires it; but at the same time he gets so scared that youre going to pick a fight with the wrong person or get hit in the wrong spot, and..

he does not pity those who are dumb enough to rile you up, though..

overall he worries for you and already has enough on his plate with himself ... but dont think that he sees tending to you as a burden! hell do it regardless of what caused your injury

possible idea for an angst post? ooo? maybe, if you guys want it

[gettinshiggywithit]

!Kirishima x Artist!Reader!

Scenario:- kiri with an s/o who’s an artist!

Pairing:- kirishima x gn!reader

Type:- headcannons

I imagine you working on the couch while kiri comes back from a mission

Hes tired and waiting to see the one person he loves most but ur complete fixated on your screen

Hed just come up behind you and sorta just bury his face in the crook of ur neck from behind the couch,his arms going to wrap around you

But soon he lets go to go and clean up

If ur still working when he comes back he doesn’t disturb you but just sits on the couch beside you,simply basking in your presence

He’s 100% you’re model

Need a pose and cant find a reference??

KIRI TO THE RESCUEEE

If youre ever feeling insecure about your art too he’d completely shut down your insecurities

Not with blind positivity

But with actually good points

Telling you that you shouldn’t compare your art to others because a) your style and speed is unique to you and no one does it like you b) the best part about art is to have fun and the moment you stop overthinking it’ll be fine

Also while he can appreciate good art nothing looks better in his eyes than your art!

Other stuff just doesn’t hit him the same way urs does

Is it because he loves you and therefore your work just has the same hold on him that you do?

Or is it just that he has a great And unbiased eye for art?(yes)

I guess we’ll never know!(oh but we dooo)

Oh also a really good point that the loml( @cloudy-zephyr) brought up,

HE WOULD DEFINITELY SHUT DOWN ALL THE BITCHES THAT SAY ART ISNT A REAL JOB OR THAT ITS EASY

If anyone even insinuates that

Buddy just gets offended af

I doubt hed cause a scene just for an off handed comment but if the offender keep goin on he’d 100% step in with a forceful and passionate couner-argument

Oh also imagine like if you ever get messages on ur socials asking for free art and you’re just LOSING IT, (because honestly entitled karens and kens are genuinely tiring to deal with🤬)

Kiri will definitely just ask for your phone and then ask you to go take a nicee warm bath to calm urself

When you come back out,the entitled folk are all dealt with! (Buddy basically just killed em with kindness and the way he handled em left no room for it to be turned on you to make u look like the bad guy!)

Also i can totes imagine you teaching him how to draw🥺

He’d be such a keen and enthusiastic learner tooo😩

God Bless this man honestly!

And i def think that all around your apartment,theref be framed pictures of your art

And youve even hung up a few of his!

He thinks they dont look good enough to which you reply with the same stuff he tells you

His style and speed are unique to him and you wouldn’t change anything for the world🥰

He kisses you on the lips and spins you around at that

I WILL ONCE AGAIN SAY THIS BECAUSE NO ONE CAN EVER SAY IT TOO MUCH

THIS MANN IS A GODDAM BLESSINGG(HES LIKE TOM HIDDLESTON IN FICTION!!)

~The end

!Wait bonus point!

I feel like at some point when the rest of the bakusquad learns of your art and how great it is they all ask you for lessons and then you have like this workshop where all the pieces created in the day go to a charity project(like raise money for kids in need and stuff cos Holy Shit does celebrity art get a lot of money) or to a lil room in your home which acts as a lil gallery for all your little group art projects!!

🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿

Tagging:- @izueli

please dont repost my work here as your own on any platform all rights belong to me except that of the mha characters used,their right belong to their respective owners.but this story? mine.

feedback,likes,reblogs and comments are so very appreciated tbh :’)i hope you enjoyed and ill catch ya next time!

Comments & Reblogs w/ tags >>>>>>>>>>>likes please

[delulluart]

could you post some work in progress stages of you're drawings and paintings? i am trying to improve my art and i like you're style but i don't really know how to get there. and many tutorials are for digital art only or there very anime style so it dos not very help in what i want to draw :(

but only if it is not to much work of course!

have a good day :-)

thank you, anon!

starting is really tough, i get you, and yes, i finding the tutorial for a style that you want to work in is often a struggle, but often you can apply the general rules to any style!

the most important thing is to not stop drawing! just keep going, a little bit every day/every few days and you WILL see the improvement! its super frustrating when you dont get the results you want immediately, i know that - ive been doing this for so many years now and i still produce pics that i dont like, where im disappointed in myself. but you cant let this drag you down too much, because everytime you fuck something up you learn something, too! you know then that this thing doesnt work - in a way failures are actually way more helpful. (still sucks a lot...)

as for wips: i found a few photos i took of two recent paintings; i dont know if it will help you, though. generally i just do some outlines roughly, then clean them up and then just...fill it either with paints or pencil. i dont do the whole grid method or assisting lines thing or something like that. before i start the proper drawing i often make a small quick sketch to know where everything has to go (see: first pic; youll notice its mirrored - i decided to change the entire orientation last second; i kinda wish i kept it, but its too late now) and then i just...idk? put it on the paper in a way that would make every art teacher cringe in pain (i know that, because it happened multiple times).

as for water colours its the basic rules: start with the bright parts and then go darker; make sure to use good paper, let the stuff dry before going for a new layer etc. add fine details/highlights at the end,

(hello no-hair-papa-anons, have some food here)

if you have any specific questions dont hesitate to ask, ill try to help! if you can afford it i recommend going to a proper class of an artist in your area, that can be lots of fun and really helpful. in 1st grade i was for a few weeks in a free weekly thing of a local artist and she introduced me to oil paints and taught me to just let GO sometimes of the perfectionism and the control of paints (yes, even tiny 5-6 year old me was already a control freak). the things she taught me are still with me.

[trinkerichi]

TEKVENTURES! I wanna ramble about Tekventures.

if you remember them you qualify for a veterans discount

So they were Sgt.Frog ocs that my best friend SARAZA and I made on flipnote for edgy amvs and comics. I wanna say I wassss 13? give or take. But these little guys were my EVERYTHING. We thought of a billion stories about them. Then I got sick of drawing frogs eventually and wanted to make them more of an original thing. Our first sketches were of anthro goats, but over time with my style changes, an the fact that I hate spending more than 2 seconds drawing anything, they no longer resemble any specific animal and turned into fuzzy nondescript species of alien thing. ANYWAY I wanted to make them into a "real comic series" when i was 17. That's when I started the chapters that are still up on tumblr n webtoons! and a few other sites probably that I forgot about.

I've been harsh on it in the past but honestly I still love it to bits. What's there is a solid little comic and i still think it's adorable!

The only thing is, that's judging it based on what's there. It's a basis for a cute episodic thing with low stakes! Like the early mlp fim episodes or the new care bears cartoon. But that's NOT what it was planned for in the long term. Oh no, I was so ambitious. I had at LEAST 50 episodes planned which would weave together into this massive arc that would introduce other space teams, wayward space travelers with secret pasts connecting to the main cast, sad backstories for everyone, ALL of the family members of the main cast, a villian team with like... 'anti-versions' of the main cast, and a dramatically foreshadowed final confrontation with robot clones that want to destroy their planet. OH AND ROBIN too! Besides all that, they ALSO have multiple side story episodes about crashing to earth and befriending a human girl named Robin who has to keep them secret.

That might have been um. a lot.

But when you start writing a story with your best friend when you're 13 you most likely have NO CONCEPT of "too much". Who am I kidding I STILL have trouble pacing myself. But when you come up with a story it's hard not to think it's just GOLD! And that you've gotta keep it no matter what! Because that stuff is fun!

I went full force into the comic in my senior year of highschool and eventually I finished the first chapter! It took me a year. And then I looked at my plans for the other 49 episodes and thought "maybe I need to rework some things.."

I rebooted the comic once, tried making smaller stories, all that, but I wasn't quite feeling the same drive anymore. I realized I was comparing my work to high budget tv shows with like. a full team of writers and artists. and studio funding. and greenlit seasons and all that. And it was making me feel TERRIBLE about my art!

So I quit comics! I started hating comics! I hated how long they took and how restricted I felt (with my own expectations) and I lost my confidence in finishing projects because I was so sad about giving up on my big magnum opus. and I just kinda gave up and started only doing fandom art for a couple years. I did a jyushimatsu ask blog and kept it up for ages! And then a new season of Osomatsu came out and I realized when comparing it that I was basically writing an oc at this point. And that I CAN commit to long term projects if i dont get self conscious about it!

I still didnt wanna jump into comics again. But I thought of some new characters that I was becoming attached to. the very very beginnings of what could turn into a new idea.

I thought "well i still love cartoons about space! even if im not making tekventures anymore maybe i could do another space story. a really tiny one."

so i started making an rpgmaker game! and it started taking forever. so in the meantime i made a really rough doodle comic about how the characters first met. as a little side story thing.

and THAT was the key. I had to stop thinking about it like i was making a big cool tv show and starting my career and all that. its just a fun thing, off the cuff, not overthinking it, just for fun and personal expression.

so im still going with it! and its GREAT! Rocket chip has 12 planned chapters, and I'll be halfway done by the end of the year.

But BOY did it take me forever to learn that.

[soktokki]

*inhales deeply*

Woah, your art is so beautiful. How HOW!? I mean, practice of course 😂 blah it's so goodd!! Like the lighting! And the backgrounds! And the EVERYTHING!

*pokes fingers together*

So, do you have any tips or anything for aspiring artists?

BDLSSJKDODHDSKSS THANK YOU SO MUCH?!!?! oh goodness genuinely asks like these make me so happy because thank you for taking time out of your day to send this in?!?!? 😭😭💗💕💖💕💗💕

TIPS?!?! oh man im not gonna tell you to practice, practice, practice because its so basic and everyone always says that AHAHAH hmmmm....

I think what helped me a lot honestly was saving/bookmarking art that i like and think is pretty!! It inspired me a lot to draw more and try to get to their level 😂 also for more practical reasons!! You can look for one(1) thing to apply to your own art. Things like how they draw eyes, how they color skin, what kind of brushes they use!!! If you like it, you get used to it. If you don't, you try something else or tweak it until you do. Once you start mixing things in your routine and get used to it, it eventually becomes your own style!!

I also used to watch a lot speedpaintings to see what other artists processes were. So when i first started out i actually had much looser lineart and rendered a LOT. I dont do this anymore, i dont know what changed, but thats just what happens when you keep drawing!! Things change and thats okay!!!

Also genuinely, and i think this helped me the MOST, draw a character you're obsessed with and WANT to create for. Who cares if it gets repetitive!!! I drew yamaguchi so much i could draw him in my sleep 😅😅

ANOTHER IMPORTANT THING!! Whatever gets your creative juices flowing, just go for it. Dont be scared of messing up or not being good enough to make what you imagined!! It'll all build up and help you get better!!! Then one day, you could go back and redraw your old art and feel better about yourself 🤣🤣

[famous-pprophet]

I've been trying to learn how to draw and I love your art style so much I've been practicing by copying it (just in my notebook not like sharing it anywhere) as I love the way you capture characters and emotion but I was wondering how do you go about simplifying a character? I'm not sure if this makes sense but like what do you look for when taking realistic looking characters and translating them into a stylistic version?

Thank you for the ask! keep tracing and copying, its a great way of building the muscle memory and familiarizing yourself with breaking things down into shapes. It means a lot that my art is something that you wanted to use that for! https://twitter.com/meatgirI/status/1606375868959543298?s=20&t=ve-GgU0nMrUBRZnTj0kI3Q I would say that this tweet by meatgiri is a good way of finding different facial features and breaking the face/eyes/nose into shapes, and that its a really good way of getting started. However I also think that learning proportions and anatomy is a really good way of further pushing this skill. im going to explain it a bit, but if it feels overwhelming or makes art something thats not fun, you dont have to use any of it. youll pick up these things through practice and observation.

I like trace out these lines on my face. they follow these proportions that are applicable to almost all people. once ive got this figured out, i start to fill in the eyes, nose and mouth.

(some examples of characters... see how this rule still applies even though they look very different.

again see the tutorial i linked above to get a feel for breaking these facial features into shapes. this is what i would suggest to practice different types of faces if you dont have a super good understanding of facial structure

as you observe more in faces, you notice a lot of difference in face shape and structure. but this is a really good way to play with JUST facial features and maintain them consistently

if you want to get into facial structure, then you wanna start looking at the actual anatomy

try to picture where your face sits on your skull. this can help you decide how MUCH of the bone sticks out from under the face. if you are underweight, older, or have shaper facial features, youre going to see a lot more off things like cheekbones

so now even though im using the same skull as a base, i can still have a different face shape. because this person might be older, they have a stronger jawline, and their features are sunken in

and the cool thing is that this isnt just applicable from a 3/4th angle. the proportions are always like that!! they might change because of perspective or the angle but honestly at that point youd want to start trying to develop your sense of 3d space

this is just a really simple way of diversifying one single method of drawing faces. notice how i only used the one "base" shape

and here you can see examples of how their faces sit on the skull. obviously you dont need to be drawing perfectly anatomical skulls every time you draw a person, but it does make good practice to trace those shapes. basically training yourself to get better at observing different features!

you can get into even more varying features when you start to use different skull shapes too. all of these characters have different skull shapes and their features change depending on how they sit on that skull

here is a good demonstration of anatomically correct differences in skulls of different races. Obviously i tend to think of it as masculine/feminine rather than male/female, but this is a scientific model used for identification (which is based off of sex and not gender)

age can also play into your skull shape and facial proportions. combining all of this knowledge you can not only have a wide range of different characters, but you can also tell a story.

again the less fat you have on your face, the more sunken in your features are going to be. so you can tell your audience about your character just from this alone

this is a good example. its a soldier before and after war. you can see how the stress, trauma, living conditions, etc, have all changed how he looks.

obviously this is getting into the real nitty gritty anatomical aspect of it but i do think its a really good way to have your characters feel like they belong to the environment they are in. it also just further illustrates my point earlier, how you can have MANY different types of faces even if you are using the same base for all of them. again if this seems overwhelming, its ok! a lot of this is stuff you pick up via observation as you continue practicing. draw what makes you comfortable, draw what you think is fun, and start off simple. Also know that you really dont need to be going into such detail and drawing the skulls haha. thats really just moreso to demonstrate the fundamental understanding. Good luck with art, keep pushing yourself to learn more and draw what you see!! youll pick up on all these subtle details as you keep at it

[huckleberryblossom]

hey can i ask for a tutorial or guide on how to draw a cat body? i've been struggling for days

just to get it out of the way since anyone you ask is going to say this, references are your best friend and will make this a lot easier

a friend of mine shared this site which has lots of good references, not just for cats but lots of things. if im looking for something specific, i usually google something like "cat curled up" and just scroll for a while or use multiple references to get what i want.

but as for how I draw a cat body, i use references but honestly a lot of what i do is a result of just having spent so long studying references (and how other artists drew them! sometimes studying what artists are doing can help you translate realism into whatever style you're going for) that i kind of just know where certain bones go/how the muscles would stretch or contract

this is how i tend to visualize the body at its most basic. the parts i highlighted are the pieces i use to ground the anatomy: the shoulder, the haunch, the elbow, the ankle, the paws, and the skull. their shape tends to change very little from pose to pose, which is why i exaggerate/define them so strongly. they're usually what i sketch first and use to get the pose the way i want it. everything else is stretchy and fluid to "connect" these pieces of the body.

here's an example of the parts using a photo from that site i linked

and the way it looks without the ref, vers what i drew by looking at the ref!

these are pretty standard walking/standing poses, but the idea works for more complex poses.

i havent really said much about it, because most of what i draw are refs, and they dont really have dramatic poses or difficult perspective, but its up to you to decide how much anatomy you're willing to sacrifice to get a more fluid motion, or a dramatic shot. i think this is where those guiding "pieces" of the body is helpful for me, because i can lay down those pieces and then do what i need to to connect them, so i may lose a little bit of exaggeration but the body doesn't look broken.

you can see that in action here, with this anniversary piece i did. my first sketch was only meant to get down expression, pose, and movement (i changed raven's completely, lmfao) and unfortunately i dont have anything for the steps inbetween because i think i refined on one layer. but i kept the vibe the same even after cleaning up the sketch and fixing the anatomy issues.

fur is one of the last things i draw when i draw cats. i like to get the body shape and movement down first, and then cover it with fur if i have to. i think this ref is a pretty good example of that

on the left is how i start most of my drawings, getting the pose down and everything where i want it. i make edits to this until i like the body shape (notice how the belly is much larger, and all of the limbs are thicker + the paws are big) then i use that sketch as guiding lines for all of the fur placement. the fur here ends up covering nearly all of the body, but it still looks fine because the anatomy was there to start with

i hope this helps anon skjfdhfkgjh ive never made a tutorial like this before. there's definitely better ones out there by other wc artists, but i dont have links to those posts on hand, maybe some of my followers can link them? good luck to you!! ill leave you with one last piece of advice you'll also hear a lot: just keep drawing! we all improve with time and practice, and are always learning and trying new things.

[caligmaera]

Sorry I know this is the ask that no one wants 😭 But do you have any spare drawing tips? My style has not changed very much in the past five years and I’m a bit stuck. Anyway I love your art and seeing how much you’ve improved was really cool, hope your doing well <3

AGH!! thank you so much! it always makes me so happy to hear that people like my art <3

if your feeling stuck and like your art isnt improving I find it helpful to go back to the basics!

people always say it but; practice anatomy, learn colour theory, step out of your comfort zone and draw something u wouldnt normally draw! try drawing backgrounds, dynamic poses, all that fun stuff! (ive found the Morpho art books to be a super helpful resource for anatomy.)

I also like to look at work from artists I really admire. take a mental note of stuff you like in their work, maybe the colours they use!

dont stress about finding an 'art style' or having 'consistency'. I found that as soon as I stopped worrying about that, art started being alot more fun again. trying out different stuff and changing up the way you draw just shows ur range 💪

and dont be afraid to draw stuff that looks bad. make messy sketches dont worry about stuff looking good. keep it loose. have fun with it!

[pathos-p]

"Weirdly Specific Artist Ask Game" but i got tagged in it so i am gonna answer all of them 'cause theyre fun

questions by @/i-like-eyes

thanks for the tag @king-chook!! ^^

1. Art programs you have but don't use

i thiiink i have a license for clip studio paint that came with my old wacom tablet but i never rly used it. also used to have krita installed for the longest time but just always felt off to me idk why. don't currently have it installed anymore tho

2. Is it easier to draw someone facing left or right (or forward even)

to their right is a bit easier i think. not smth i consciously notice, mostly i'm just thinking abt when im doodling on the margins of stuff they usually are looking to the left of the page

3. What ideas come from when you were little

uhhh idk tbh, i dont think much of my art draws from that

4. Fav character/subject that's a bitch to draw

cityscapes !!! i love cities they r so pretty and cool looking but goddamn theyre so hard to draw

5. Estimate of how much of your art you post online vs. the art you keep for yourself

80-20? i post everything that i finish. basically the only stuff that doesnt get posted is sketches i give up on

6. Anything that might inspire you subconsciously (i.e. this horse wasn't supposed to look like the Last Unicorn but I see it)

hmmmm not that i can think of rn...

7. A medium of art you don't work in but appreciate

watercolour !! i've tried it a few times and Struggled but i love seeing ppl's work in it

8. What's an old project idea that you've lost interest in

so many animatics ..................... also many comic ideas ..................... i get so many ideas that i just never start on or start and only do a little before losing the hyperfocus/fixation and just Cannot continue them. it sucks

9. What are your file name conventions

usually the character name, maybe a bit of description of what theyre doing... idk not much of a convention to it

10. Favorite piece of clothing to draw

hmm i like jackets :)

11. Do you listen to anything while drawing? If so, what

yes, usually music. sometimes random youtube videos like stream highlights or video essays.

12. Easiest part of body to draw

uhhh hair? maybe idk. hard question bc it varied a lot depending on what kinda style and just. sometimes smth is hard in a particular drawing then easy later idk

13. A creator who you admire but whose work isn't your thing

i cant think of anything i will edit it in if i think of anyone

14. Any favorite motifs

in my drawings i dont feel like i use any much. mostly i pull motifs from whatever im doing fanart of lol. in music, i like religious motifs (but not like. ones abt christ or bible stories, rather heaven, hell, god/divinity, angels)

15. *Where* do you draw (don't drop your ip address this just means do you doodle at a park or smth)

at home pretty much exclusively. in bed lol

16. Something you are good at but don't really have fun doing

idk i feel like the stuff im better at is the stuff i like bc i practice it more for fun lol

17. Do you eat/drink when drawing? if so, what

not usually

18. An estimate of how much art supplies you've broken

surprisingly little. mostly bc i do more digital art lol

19. Favorite inanimate objects to draw (food, nature, etc.)

weapons and nature. especially ice for nature

20. Something everyone else finds hard to draw but you enjoy

i cant think of anything ill add it if i do

21. Art styles nothing like your own but you like anyways

i love rougher styles, like ones with a lot of visible brushstrokes and bold lines and shit. so cool. idk how to make it look good lol i dont have the confidence in my lines for it

22. What physical exercises do you do before drawing, if any

none... probably i should change that

23. Do you use different layer modes

yeah, often i use a multiple layer for shading then a variety to colour adjust at the end

24. Do your references include stock images

sometimes

25. Something your art has been compared to that you were NOT inspired by

cant think of any

26. What's a piece that got a wildly different interpretation from what you intended

there was this poem i wrote about capitalism and how shit it is and someone thought it was abt interpersonal relationships/smth along the lines of a breakup. i rly didnt mind it tho i thought it was cool bc the emotion was not far off, the sense of betrayal and abandonment. just a very very different subject

27. Do you warm up before getting to the good stuff? If so, what is it you draw to warm up with

no lol

28. Any art events you have participated in the past (like zines)

i ran a zine (digital only) for the dimension 20 zine jam! and also made art+writing for others in that :D also was part of a polygon yt fanzine a while back

29. Media you love, but doesn't inspire you artistically

spider-man (not the MCU, mostly tasm and a few of the comics)

30. What piece of yours do you think is underrated

IS IT BAD TO SAY A PIECE THAT GOT QUITE A BIT OF POSITIVE ATTENTION ?? maybe

i rly like the cj comic i did i am genuinely so goddamn happy with the result so . even tho it did very well by the standards for the fandom its for and my current follower base it is underrated

alternatively this one https://www.tumblr.com/pathos-p/704380503765221377/tridential-sovereignty?source=share bc it didnt get all that much attention on any social media site but i think its cool !!

(mostly only using recent ones bc i dont wanna dig back further esp onto my old twt acct, too much work lol)

[themmmefatale]

Tez's Updated Commission Info (as of 2023) Official Post!!

hewwo i am a broke college (now dropout until i move) who works multiple jobs and still struggles to afford to live! if youre interested in some commissions check out the read more!

[reblogs/boosts are super appreciated!]

basic commissions:

Prices

sketch:

headshot- $3.00

waist-up- $5.00

full-body- $6.00

lineart:

headshot- $4.00

waist-up- $7.00

full-body- $8.00

flat:

headshot- $5.00

waist-up- $11.00

full-body- $14.00

full:

headshot- $6.00

waist-up- $12.00

full-body- $18.00

(+25% of base price for additional characters, background price depends on complexity)

reference sheets / character turnarounds:

[ Reference Sheet/Character Turnaround: $30.00*

- Reference sheets are usually a very involved process-- especially if it is the character's first artwork

- It takes a lot more time & effort to make sure the artwork is what YOU want for your reference sheet!

- Therefore, if you have no existing art of your OC, it will be $35.00 ]

simple icons:

Price: $3.00

these are meant to be very quick and simple! they will be done in a style like shown above with minimal shading and details!

some more important things:

- all prices listed are in USD

- i reserve the right to deny any commission for any reason

- i usually ask for payment after a rough sketch has been approved by the commissioner. i do my best to keep my clients updated throughout the process in case any changes are needed. a finalised piece will not be given until after payment is received.

current accepted payment methods:

paypal- themmmefatale

vemno- nerdyzodiac

cashapp- themmmefatale

finally, here is a non-exhaustive list of things i will and will not draw:

i WILL draw:

furries

mild gore

nsfw/nudity

OCs

fanart

i will NOT draw:

hate art

heavy gore

heavy mech

anything i am personally uncomfortable with

honestly, i am willing to try drawing most things even if they are outside my usual subjects! if youre unsure, dont be afraid to ask!

sorry for the long post but ty so much for reading if you made it this far <333

[tamelee]

Can you do your drawings more the manga style? The others are fine but anime characters shouldn’t be drawn in a realistic style because it looks weird. Your art is good but maybe you can draw actors your one style and then anime for the other. I read you were practicing for the manga. Dont worry I want to read it! The thing about realism is that you cant represent a character factually in their true cultural foundation since it doesnt exist. The character doesnt exist. How can you draw Sasuke as a Japanese person and represent him as one in real life when you dont know what he looks like? Same with Naruto. This is no hate but just advice for your future career. I see many artist making mistakes like this and this is just a warning to prevent you from making it worse. I hope you can see it as such and not make a big deal out of it. I like your analysis’s though, keep up the good work have a nice day. Peace ✨

“Can you do your drawings more the manga style?”

No matter how much you try to formulate a question like this in order to make it sound “polite”, you don’t grasp the severity of the thing you’re “asking”. 

You’re asking an artist (in my case someone who’s practicing to become one professionally), to change their art-style. An art-style is something that belongs to a person. It’s something that develops and an artist can play around with it, but you (and anyone else) don’t get to decide how they should do that. 

It’s impossible, even if we "wanted to".

And quite rude. 

When I first started with commissions people always asked me to “draw me this like that artist does” and basically they always wanted a copy. It used to be so confusing to me, because if they wanted something that looked exactly like the other artist’s drawing.. then why ask me? Why tell me you “like my art so much”, come to me for a commission because of it, but then don’t want it the way I draw it?

It made me really insecure about the way I draw.. and it still does to be honest. 

“Copying” an artist’s art style can be a good way to practice art and figure out what you like, there is no shame in that, but it isn’t part of “us”. 

What do you even mean with “manga-style” anyway? You do realize that there is not one “manga-style” either right? Have you seen the ‘Naruto’ tribute drawings made by other Mangaka’s? They look very different from Kishimoto’s “manga-style”. 

Hirohiko Araki: 

Mitsubishi Shimabukuro:

Masanori Morita:

Toshiaki Iwashiro:

Kentaro Yabuki:

Takeshi Obata:

And these are only a few... (lmao to fan-artists getting criticized for slightly different facial proportions being part of their art-style when it's more than normal (in the Manga world), but ok.)

“The others are fine but anime characters shouldn’t be drawn in a realistic style because it looks weird.”

This statement in itself is ridiculous. Anime characters drawn (semi-)realistic-looking being “weird” regardless of how it’s drawn or by who, is your opinion. Your own personal opinion which is weird to send to someone. Meaning: your opinion is not factual. Now that, is not my opinion, that’s commonly accepted as a fact. 

Kishimoto himself drew his characters more "realistic" as well. 

Not just him, but there is another Mangaka who did. 

“Dont worry I want to read it!”

I wasn’t.

“The thing about realism is that you cant represent a character factually in their true cultural foundation since it doesnt exist. The character doesnt exist. How can you draw Sasuke as a Japanese person and represent him as one in real life when you dont know what he looks like? Same with Naruto.” 

You talk like you have zero understanding of what “art” even means in the first place. 

I don’t even have to explain myself to you, but:

.. these aren’t even all.. 

(Please guys, I’m aware of what is happening.. and yes I get them too. I’m not going to talk about other blogs, my blog isn’t a call-out blog, but this is going against my style specifically.. so here we are.) 

Adding “realism” is just an interpretation, a way to enrich the fictional fantasy of a character. It’s true that you can’t represent a character “factually in their true cultural foundation since it doesn’t exist” as you say. 

Because Konoha doesn’t exist. Ninja’s (from Naruto) don’t exist. 

Konoha isn’t an accurate representation of Japan and its culture either as Kishimoto is also influenced by different media from all over the world. His fantasy world in which this creation was born from exists, because it isn’t limited to one cultural region and it doesn’t have your personal boundaries. His childhood as far as we know was full with superheroes that were created from minds all over the world with super-powers that aren't tied to our realistic (cultural) representations. We can't manipulate Chakra like these characters do, now can we? 

That’s why it’s fiction. 

That’s why you’re right and also contradicting yourself because of it. 

Why the hell would I want to take the beauty out of something that not only entertains us, but perhaps even helped us cope or forget this dumb “real life” you talk about and bring it ‘back to Earth’ when the mouths that lick the asses of those that embrace this ‘cancel culture’-mentality so-lovingly want to steer us towards all these ‘problematic’ things they call “reality”. Seemingly: you.  

The beauty in art or fanart, fan work, fiction, fantasy is exactly that it does NOT have to represent anything exactly in real life, but it can be whatever the creator wants it to be. Interpretation is never the same for everyone. And frankly, you don’t have to agree with it. You can turn on your news-channels, discuss shit on Facebook or focus on something else if you want to see something that “represents your reality” and even then that’s questionable to say the least :’) 

Art, this platform, entertainment, humor or this story that exists from the mind of a man that somehow, someway came up with the most beautiful.. tragic, love story of all time, discussing it, getting lost in the charm or artistry that went behind in making it- it’s supposed to be fun. A way to escape that reality, but all this backlash and criticism towards not just fan-artists, but also fan fiction authors who do nothing, but share their works for free does not make it very attractive to do so. One day this fandom will die down, because of this, yet it doesn’t have to. 

People will always do what they love to do. 

Let them. 

(Morally)

“This is no hate but just advice for your future career. I see many artist making mistakes like this and this is just a warning to prevent you from making it worse.“

No, artists following your advice is the mistake. Uno reverse warning. 

Have fun on your journey drawing, writing or anything that you love to do. You’re the only one having access to your mind. In art specifically, there is not one art-style, it’s something you develop overtime through drawing the things you love drawing. Every time you’ll think to yourself “hey, I liked that, I want to incorporate that the next time I draw too!” It’ll build from there. 

“I hope you can see it as such and not make a big deal out of it.”

I hope you see the hypocrisy in this sentence. 

Have a nice day too. I left you a drawing. (It’s the latest one.) 

[puppyeared]

I love your work so much!! Do you have tips on finding a style?

omg thank you so much!!! and yeah id be more than happy to give u some pointers, i put them under the cut because i ended up rambling lol

my biggest tip: EXPERIMENTATION 👏 IS 👏 YOUR 👏 BEST 👏 FRIEND

the only reason i've been able to work on (and still improving!) my art all these years is because ive taught myself to kind of learn from different artists. if you wanted to make the best tasting cake in the world, wouldnt you want to experiment with different flavors before moving on to what you like?

what i mean by this is, dont restrict yourself basically!! any invisible rules you make for yourself should be ones you know you can follow reasonably, not because other people told you what does and doesn't work.

which brings me to my next point, which is to really take the time to study what you like in another artist's style. don't just take things from an art piece because you think it looks good. instead, try to point out what you really like and why, and then you can start asking yourself questions for your own art!

let's say you really like the way this artist chooses colors for their art. do they follow a certain pattern, or is it a different palette each time? what makes it work, do they make them really saturated and energetic, or are they toned down and calming? what colors do they use the most, and why? when you start breaking down one thing (i like the way this artist colors) into smaller things that you can ask yourself, then you can kind of set up goals you want for yourself. this way you're not making the artist's goals yours, it's more like you see what they see and what those goals look like to you.

another thing thats part of my process and kind of related to what i talked about above is having a references folder handy! for me, i tend to split up my references into 2 main categories: art references and art inspiration

what does this mean? well, art reference is like what i mean when i say to study other peoples art. when i see an art piece i like, i tend to put it in my folder so i can go back and look at it anytime. on the other hand, art inspiration could be photographs or paintings that you dont want to study the style of, but you just really like the overall tone it has, and maybe it gives you ideas for stuff you wanna draw

I dont take this art to steal credit or show to anyone else, its strictly for personal use!! and even so, when I do do this, i make sure to type in the artist's username or URL just because. when you go to the museum and take pictures of the paintings, you are saving them for reference, not to tote as yours on the internet!!

if you're uncomfortable with saving other peoples art, you could also just keep it on hand through a draft or save it! on instagram i bookmark art i really like, and on tumblr I sometimes save art to my drafts. whatever works for you honestly!

you can even go the extra mile and make more subcategories if you want! are you unimaginative when it comes to designing outfits? bam, outfits folder, now i can go back and look at outfits i really like! do you want to try different palettes, but you can't come up with funky colors? bam, palette folder for color palettes you like and want to play with!! anything to go with your needs baby!!!

you might have also noticed this if you've been following me for a while, but playing with your tools is also something i recommend! i tend to change my brushes any which way the wind blows, and like, nobodys really stopping me lol. maybe you feel like watercolor isnt your thing anymore, and you want to try coloring with oil pastels. or maybe you dont like the way this textured brush looks, so you're trying this one instead and before you know it, it's like oh my god where has this brush been all my life.

and finally, i want to share my personal opinion on art clones. "but puppy!" you wail, "art clones are copying other artists art styles, its lazy and theyre not putting in the work!" you're not wrong! but at the same time, do you think you would be able to make that super yummy blueberry muffin without that recipe on pinterest? i know thats not the same thing, but what i'm trying to say is, we all have to start somewhere and i think we should learn to respect the way other artists grow.

back in 2017, lots of people were drawing their ocs with big round shiba eye brows, and nowadays some people have moved on from that, while others continue to use it. and thats ok! its nobodys job to say what goes in art! did you know when rebecca sugar, the creator of steven universe, was 15, her art style was based on the invader zim art style? it's true!

so before you start calling yourself an art clone for even drawing the same angle of a line another artist does, ask yourself: am i pretending to be this person? if the answer is no, then great! nothing in this world is original as much as people want you to believe, and while i can't tell you what is and isn't okay for everything that goes in art, at the end of the day whatever you draw should be for you. i know this gets a lot of flack, especially when it comes to vivziepop clones because her art style is so distinct, but like!! if you know it's not her and that person isn't trying to copy exactly everything about her, then that's it!

i could go on about this more, but i really don't want to start anything and i think i made my main points clear. TLDR: open yourself up to different art styles, DON'T STEAL ART AND MAKE SURE YOU CREDIT THE ARTIST, clones are more nuanced than you think, and at the end of the day, look back on how far you've come and feel proud of yourself!

[highdio]

Got an ask and follow-up re: whether Dio is an "archetypal villain" so doing it as one reply (fwiw I just did a reply re: Dio's nuance so keeping this to the 'archetype' part of the ask).

“so, i seen some people say Dio is simply a archetypal villain, perhaps even flat. what would you say to someone that told you he was without nuance? i plenty believe he has, but sometimes i dont know exactly what to say”

“someone i asked about what was their favorite villain told me he was a archetypal villain. and i think two years ago i saw a meme pic about how Dio fans are obnoxious or something. i mostly got my liking from him by analyses, alongside the fact that i do think personally that he DID change as a character, not completely, but he had some development.”

I partly agree with that, although maybe there's not one single 'archetypal villain.’ The person you spoke with probably meant that Dio's is Evil with a capital 'E,' as opposed to a villain who does the bad things for understandable reasons, or who gets corrupted by events outside their control. Araki's vision for Dio (in Part 1 especially) is, morally speaking, black-and-white, with Dio's Evil defined by Araki as an innate trait rather than the effect of his circumstances.

fwiw David Mamet's got a good list of eight villain archetypes - the anti-villain, the beast, the bully, the machine, the mastermind, the evil incarnate, the henchman, and the fanatic - and I thought for the purpose of this reply it's helpful to defining Dio's specific brand of badness. Of those archetypes, two stand out as defining Dio's *specific* type: the Evil Incarnate and (technically not on the list but inspired by it) the Anti-Hero.

(fwiw you can read my convo here about why Dio isn't a bully type. I see him mistyped this way especially by people who want to expand Jonathan's role in the series. tl;dr, basically it comes down to the fact that Dio's charisma - his most important character trait btw - draws people toward him while a bully actively seeks out confrontation. The bully barges into a room, the charismatic character gets you to barge into a room. Dio is the latter.)

Evil Incarnate's almost self-explanatory - Dio's literally called that in the series (邪悪の化身) - although I can talk more about this if you want. By contrast, his anti-hero role's maybe less obvious ... but that designation offers us a way of reconciling some of the stuff listed under Mamet's 'Evil incarnate' that doesn't work with how Dio's written. Specifically, an Evil incarnate-type villain's primary role in the narrative is usually as an obstacle to the hero's journey, ie, as an antagonist. imo, Dio functions instead primarily as a parallel protagonist.

(I've written about this before but) Araki's said this a lot: Dio joins Jonathan as a dual protagonist in Phantom Blood, and Dio's own story follows a Hero's rising arc.

(Was surprised I didn't notice this until I hunted a gif for this reply: while the Part 1 OP features both main characters throughout, it's Dio alone who's given a special manga panel mini-montage during its bridge, emphasizing his hero-style arc.)

In a lot of ways Dio's more fleshed out than the actual hero since Araki had already worked out the specifics of his personality in a prior series (whereas Jonathan was vaguer to Araki, even as Part 1 was being published: "just as Jonathan was unsure how to live his life, I was unsure as to where to take his character.") Phantom Blood starts off with Dio's introduction, not Jonathan's. As Araki puts it,

The title of the series is Jojo’s Bizarre Adventure, but first and foremost, I actually wanted to draw Dio.

The hero's introduction is inserted within Dio's introduction, as a story-within-a-story recalled in a flashback by Dio's dad. We don't get to meet Jonathan on his own terms until the next chapter, and, because of this ordering, if you read Part 1 cold you could start off thinking it's Dio who's going to be the hero. Dio's story's a riff on your stereotypical rags-to-riches tale but with the obvious twist that he's written as unapologetically Evil. Like the rags-to-riches protag, Dio's faced with increasingly difficult setbacks and challenges throughout his story's progress, and, in spite of these, he keeps moving forward. Araki, again:

Dio moves in a rising direction, like Jonathan. Dio accepts and embraces his evil nature and follows his dark path without hesitation. In other words, both Dio and Jonathan are living life with everything they’ve got, and both always maintain a rising personal arc.

In other words, Dio has his own upward rising arc by design and it's independent of the hero's. ofc his interactions with the Joestars throughout the series are significant and their back-and-forths drive the larger story, but the trajectory of Dio's arc remains largely the same throughout all this.

If you see Dio as a protagonist then you also recognize that Jonathan's (and later Jotaro and company's) relentless pursuit (yes, they pursue him, because charisma is a gravitational force) provides the antagonistic force to Dio's arc. (And going back to the Araki quote, that "without hesitation part" is really important - Dio's willful embrace of his Evil nature and the intentionality of his actions throughout Part 1 again align him with a heroic type: it's a positive character trait, just in Dio's case it's executed wrongly.)

So call Dio an anti-hero or, if it makes you more comfortable, a Villain who thinks he's the Hero in the story. This isn't a unique situation (and probably as you're reading this you might be thinking, well all villains have their own story arc too)  but imo Araki writing Dio with this specific perspective and intent sets him apart from what we think of as the more generic model of a villain, whose role within the narrative is secondary to the hero's and whose arc is cleanly set up as in opposition to that hero.

Ofc, a villainous anti-hero is by nature appealing because we know we really shouldn't root for him. We should hate him ... but we still sort of love him, especially when, because of that rising story arc that Araki gave him, he keeps coming back after stupidly impossible odds. Usually when you get decapitated you lose but Dio's not like that, and there's something compelling about a character who repeatedly breaks the narrative flow by improv-ing his way through impossible situations.

tl;dr, basically if you're looking to characterize what 'type' of villain Dio is (and why he's attractive), Dio is Evil personified fused with the inconvenient fact of his also being more or less protagonist-identified. Araki wrote Dio with a hero in mind, and that fact keeps him interesting on his own terms and places him in the contrarian posture of a particularly reprehensible anti-hero.

[heatwa-ves]

7, 17, 8, 3 (for the art ask game)

show us a WIP

I've had this kanao piece unfinished for like, a year now 😭 i still like it and want to color it but just haven't got round to it, and also the way i draw has changed a lot since then

what do you love getting compliments about

any compliments make me blush and giggle and kick my legs and roll around in joy <3 but especially ones about how i paint/color

what's the most fun and the least fun parts about your process

most fun- adding the colorful details, i like the second stage of painting best, after ive added in the basic shapes and stuff so i can start sorta detailing them and stuff if that makes sense

least fun- the initial stages of trying to sort out anatomy,,, also i dont like drawing the face because im still not sure how exactly i want to stylise it so drawing it takes a while every time

what's your least favorite thing about your style

my style currently is very painty and messy, id like to be able to add more detail while still keeping the same painty feel because rn thats something i struggle with, i also dont really like how i draw anatomy although im definitely improving, im doing a lot of anatomy practice sketches