#sociologically speaking and stuff

[5-htagonist]

the boondocks is so good. i dont know what black american archetypal character is missing from that show other than ahhh favorable portrayals of black queerness but 2005 (presumably) cishet man creation so you know how that goes.

[fishhjuice]

Uotora was there? 👀

"sth sth wish you also looked at me that way" Uotora WAS there! I think of them all as this childhood friend group.

Well. Sort of. It was more in the lines of "We are both Beika's friend so I guess we are hanging out.", even though Uotora disliked Ichiya heavily. Let me tell you all about it.

The rest is under the cut!

The reason for Uotora disliking Ichiya was not anything he did (at first, before everything at least). Tora made up a lot of reasons to dislike Ichiya at first (very loud and too friendly), but it was mostly two things.

I think of Tora as having been a debilitatingly anxious and "shy" child, barely speaking to anyone and all, and Beika with all her earnestness and cheer was somehow the first one to be able to reach out to and befriend Uotora. Minitora deeply appreciated and loved Beika for all she did, but wiht how reserved he was, kept mostly quiet about it and showed his love quietly FOR YEARS, to the point Beika wasn't really aware of how much she was appreciated and didn't think of Uotora as close as Uotora thought her as. She really misjudged how much Tora would be willing to do for her, and thought Uotora just liked having someone to hang out with, that's it.

With all this, having "one true friend" made Uotora anxious about possibly losing that friend, which made the idea of sharing Beika extremely difficult for Tora. Not only that, as i talked about it, Ichiya and Beika were extremely close, to the point there was almost no one for Beika other than Ichiya, which made Uotora made extremely jelaous. However, being as anxious and quiet and afraid of confrontation and unable to stomach the idea of losing Beika he was, he said nothing and neither Beika or Ichiya were aware how much Uotora couldn't take Ichiya.

The other reason was again jelaousy, but this time about how easily Ichiya talked with people and made them like him. His social butterfly status and rockstar charm was something Uotora really admired and envied, as someone who couldn't say two words without feeling like exploding. It made him feel bad about himself, which he displaced onto Ichiya.

As years passed, I think Uotora grew self aware of basically what I've been telling you and tried to act friendlier to Ichiya, or at least not actively act like he dislikes Ichiya, to not much of a success, but again, Ichiya wasn't aware at all and thought Uotora as shy and "nice :)". It had the side effect of Uotora getting to hang out more with Beika, which is what truly mattered to Uotora in the end, anyway.

Then Ichiya and Beika come up with the idea of starting a band. I think much like Beika picking bass for Ichiya, Uotora picked the drums because Beika insisted and convinced him as the rhythm section, they could fall back on each other.

Although Uotora picked up the drumsticks not due to his own volution, in the end he end up adoring being a drummer. Hitting the drums alleviated his anxiety and hitting them as loud as he can without holding back made him grow in confidence, which made Uotora appreciate Beika even more.

Things were going well, until they weren't. Beika and Ichiya fight, Ichiya takes off and becomes famous, crushes Beika's self esteem in process (we talked about this) and leaves only Uotora to pick up the pieces.

Beika being at the verge of quitting music since she's apperantly she's worthless at it or whatever, and Uotora takes this as his responsiblity to prove that wrong, and really steps in, and by stepping in i mean stepping out of his comfort zone. He starts to show his love more outwardly and comforts Beika, and brings the guitarist they were meant to have, Kikura so they can still be band.

I think both being socially awkward losers Kiku and Uotora's friendship was built on "I don't know if you consider me your friend but i really like you". until they kind of accepted they were friends. Nevertheless, the fact he was able to make another friend led him to be more socially open and come out of his shell. (I need to talk a whole lot about Kiku some other time)

To go back to his relationship with Beika a little, although it took a while they grew just as close as they meant to be and know how much both appreciate each other now.

Currently, he is still anxious, but much more well adjusted. I don’t think he has blossomed into a social butterfly or anything, but he has friends (i still like Underpass Bass Drum 4th member headcanon even if it doesn’t make much sense ❤️). But basically now he has an actual reason to dislike Ichiya, which he does vehemently with how much Ichiya devastated Beika.

So ye .

[paper-mario-wiki]

wait so how did you get a "boring" office job? did you have to go to college or did you just apply for basic stuff and work your way up from there?

it was 100% through connections.

i mean, i actually GOT the job and have been able to KEEP the job because i'm smart and capable and good at doing things and have made the company a lot of money, but if i didn't know the right people i would not have even had a chance at it, and it would be disingenuous of me to pretend otherwise.

most of the moment-to-moment skills i use for clerical work (the majority of my job) i gained in highschool through my fascination with computers + all of the programming and software classes i took.

the business and accounting classes i took in university primed me for a basic understanding of how to run a company (or at least how to manage one, as my exact title is "Business Manager"), and all of my anthropology and sociology studies have given me a pretty keen insight for communication, which comes in major handy in a corporate setting. i was able to latch onto Corpo Speak pretty quickly, which has proven to be an indispensable skill (if a bit soul-sucking to utilize).

i got this job after receiving 0 work or callbacks from Indeed after applying to dozens of jobs over several months, which is a very difficult idea to reconcile with for me. i feel like im pretty capable, but apparently people whose job it is to give other people jobs don't agree. in spite of this, in 2 years ive generated hundreds of thousands of dollars of revenue for the company that decided to hire me because the owner saw me down on my luck and wanted to give me a break.

so i have to wonder, are we stupid, or are the companies stupid?

it's the companies. ive seen it firsthand. with this job, i go to business events and meet some of the most gullible people ive ever come across, and they're all CEOs.

they're so ravenously shortsighted with regards to their quarterly profit margins that they'd chase a 5 dollar bill the wind blew off a cliff for their shareholders. or more accurately, they'd push one of their minimum wage workers off the cliff to grab it.

because of that shortsightedness, conditions are getting worse, employment terms are becoming shorter, companies are shuttering left and right, pays are stagnant or lowering, and the growing number of people this inhuman greed affects are becoming more and more restless.

if you can't get a job in 2024, there's a very good chance it's not your fault. you shouldn't give up (unfortunately for now we still need to earn money to live in society), but try not to forget that.

[twsted-kinks]

Biology Nerd (Malleus X Yuu/Reader)

>minors and ageless dni<

MC/Reader goes by Yuu and gender neutral and fat (I don't really mention that but this is self indulgent and I'm fat so reader is fat)

Something kinda fluffy for once with a bit of spice and a dash of angst

Content Warning: cultural and biological differences, Yuu not knowing about cultural differences and doing romantic and sexual things with others, Malleus letting Yuu touch him inappropriately but Yuu doesn't understand that touching him like that is very intimate and/or sexual for fae/dragons, Malleus being absolutely smitten, some slight Malleus angst about him being lonely, Grim being scared, dragon cuddles

(I'm probably gonna write more spec biology stuff with twst but idk)

Yuu will be the first to say that suddenly being ripped from your home and put into a completely different world where everything you know no longer exists or applies to reality fucking sucks. But, Yuu will also admit that they love having a whole new world to learn about. Learning the basics of a whole knew evolutionary and sociological history with multiple sapient species that are both human and non human while having access to a full college library? Sign them the FUCK up! Crowley was thankful for Yuu's enthusiasm. Simply allowing full access to the library appeased them. Grim did not have fun at first, but having a human look at him in awe helped. Yuu was so curious about his ability to speak and his connection to fire magic. They would not stop asking him so many questions!

Yuu went around learning with wide eyes like a toddler. They at least knew not to just randomly touch people and that it's inappropriate to ask in the first place, but still, they would not stop staring. Leona, Ruggie, and Jack can constantly feel Yuu's eyes on their ears and tails. Leona gets annoyed and snaps at Yuu usually while Ruggie will let Yuu touch then in exchange for either money or food. Jack doesn't comment on it while Yuu does nothing to try to touch him, and Jack is happy to keep it that way.

Floyd and Jade find Yuu's reactions to them to be greatly entertaining. During their first interaction, all of Yuu's friends immediately ran, but Yuu stayed, just staring up at the twins.

"I like y'all's teeth." And with a few simple words, the tweels were glued to Yuu. Yuu is always excited to see their mer form, but will gladly settle on hanging out with the tweels when they got legs. Yuu also enjoys being on teeth cleaning duty. They get to look at cool sharp teeth and a second jaw. They also get free food from the twins, and all they got to do is clean some teeth? Hell yeah! Azul could inform Yuu about what Floyd and Jade opening their mouths means for eel mer culture, but this little arrangement keeps the two out of trouble. Plus, Azul is afraid Yuu will go on a question asking tangent and will ask about Azul's mer form, and he does not want to deal with that.

The species and cultures Yuu knows the least about is the fae. Yuu honestly didn't even notice that fae were a thing until Ace pointed out the ppinty ears, and Yuu just went :o "Holy shit" :D "That's so cool!" Then there was Yuu's first time meeting Malleus. Should Yuu be more concerned about a stranger just wandering around outside their dorm? Yes, but he has HORNS! The first words spoken between the dragon fae and little magicless human were:

"Wow, your horns are pretty."

Malleus was taken aback by this human, just talking to him casually, complimenting his horns, and smiling at him with so much wonder. Even though Malleus never gave his name, his friendship with the human grew fast. Yuu came up with a multitude of names for Malleus, having a new one each time they met. Horton, Sir Hornington, Goth Babe, Briar Boy, Fae Bae, and more, but a few reoccurring ones Malleus adores. Malmal is the most recent iteration of his name that has stuck around the longest. But,, whenever Malleus visits Yuu upset, Yuu always calls him sweetie and tries to comfort him. It's gotten to a point that the Yuu always keeps a tub of ice cream in their freezer specifically for when Malleus is upset.

Malleus always knew Yuu had an interest in the different cultures and species of the Twisted Wonderland, but he didn't understand just how fascinated you were until the time for Halloween came and Yuu saw Malleus's tail for the first time. Malleus remembers it clearly. Yuu stopped a couple feet away from him, gasped, and then screamed "CHONKY TAIL!!!" The human immediately went behind Malleus, started admiring his tail, and asked so many questions. One of them being if they can touch it, and he let you, much to the dismay of Sebek who was trying to get Yuu to be more respectful. Lilia was the only one to pick up on the blush on Malleus's ears. Yuu did mistake Malleus's tail as a part of the costume, not realising it was actually a part of him at first, and apologized, but Malleus assured you it was alright and that the can keep touching his tail. He didn't mind at all.

Now, Malleus almost abuses the admiration Yuu has for his tail. Lilia, Sebek, and Silver absolutely notice his tendency to approach them and, if they were focusing on something that isn't him, Malleus will fwip out his tail and Yuu would become entranced. Yuu just adores Malleus's tail and, whenever given the chance, will touch it, pet it, even just hold it. Malleus finds it endearing and adorable.

And well, Yuu already has permission to touch his tail, why not ask Malleus if they can learn more about his anatomy? Yuu asks to touch Malleus's horns one day. Yuu’s already stepped over the line with touching his tail, so why not let Yuu touch his horns? Malleus has now turned into Yuu's personal lapcat much to Grim’s dismay. Malleus has gifted the human with a kit for horn cleaning and visits Ramshackle regularly so he can rest his head in Yuu’s lap and have them clean his horns. Yuu is pretty sure Malleus dirties his horns on purpose just so they wil clean them, but they don't mind.

One day though, during the weekend, Yuu invites Malleus over for a full-blown sleepover. Malleus is ecstatic and quickly informs his entourage. Sebek is fully against it while Lilia and Silver think this wil be good for Malleus, though Silver wants the three of them to tag along as well. It takes some convincing, but Lilia convinces the other to let Malleus have his alone time with the child of man. Malleus packs his essentials and teleports to Ramshackle to find the prefect and Grim gathering pillows and blankets, getting materials ready to build a pillow fort.

Malleus has an absolute blast. Such simple games and activities he’s never experienced before, Malleus enjoys it all. Everything is going smoothly, Malleus is relaxing, face cuddled into Yuu’s chest. A moving picture plays on the human’s little screen device while Grim snores as he sleeps on a pillow twice his size. Yuu is petting Malleus's hair, running their fingers through it when they pause at his bangs. They shift the hair covering his forehead and gasps.

“You got scales there?” Yuu says in astonishment as they study the black scales on Malleus's forehead.

“Hm? Have you not seen them before now?” Malleus asks.

“I guess I haven't.” Yuu runs their fingers across the scales. “They're pretty. I'm surprised you don't have more scattered around.”

“Oh, I do, but I find others are less intimidated when they're hidden. My clothing preferences hide a majority, but I also utilize magic to hide some of the more obvious ones.”

“But they're so pretty!” Yuu whines but then backpedals. “I mean- If you feel more comfortable hiding them then go ahead, but I bet they're very pretty.”

“Glamor is common among the fae. Changing my skin takes little effort and is of little consequence.”

“You mean your makeup?”

“It is similar to that, yes.”

“Huh, well it's your face.” Yuu shrugs. “You can do want you want, but I bet you look cute with your scales out.”

And with that, the fae leans up and parts of his face shift, revealing small scales around his outer eyes, below and behind his ears, and along the back and sides of his neck. Yuu stares at Malleus, making the fae worry for a moment, until, suddenly, the human’s hands are on Malleus's cheeks.

“Holy shit!” Yuu squees as they look over Malleus's face. “How the fuck did you make yourself prettier!”

The dragon fae’s eyes are wide for a moment, the tips of his ears a light pink, and then he chuckles. “You are truly unique, child of man.”

“Me?” Yuu laughs. “You're the one with scales here! Just- look at how the light refracts off of them! They look black, but then the light bounces off and parts of them look purple!”

“Oh?” Malleus has never noticed that before.

“You even got little ones here too!” One of Yuu’s hands moves to Malleus's ear, fingers tracing the shell.

Malleus freezes then gulps. Yuu’s fingers run up the edge of his ear, pauses at the top, then runs back down to his lobe. Malleus buries his face back into Yuu’s chest. The tips of Malleus's ears burn red, he hopes Yuu doesn't notice.

“Ah, shit.” Yuu pulls their hand away. “Do you have sensitive ears? I should've asked.”

“It’s alright.” Malleus pulls away slightly and murmurs. “It felt nice. I do not mind you touching my ears.”

“You sure?”

“I would like for you to continue.” Malleus says with a thump coming after when his tail hits the floor.

“What? Want me to massage your ears and tail?” Yuu asks with a chuckle. “Need me to get your back too?”

“Yes, that should be adequate.”

Yuu laughs, brings both of their hands to Malleus's ears, and begins to rub them. Malleus lets out a deep sigh as he practically melts under the human’s touch. Yuu continues rubbing the dragon falls ears and and coos "If you want me to get your back, you're gonna need to move."

"No." Malleus hums into Yuu's chest. "Ears now. Focus on my ears."

"Alright, alright." Yuu chuckles. What Yuu doesn't know is just how intimate this is for fae. Touching a fae's ears is considered a very intimate activity done between mates because their ears are a major erogenous zone. At this point, Malleus isn't sure about his relationship with Yuu, but Yuu touching his ears feels right to him. The fae's eyes dilate as his breathing becomes heavier the more Yuu touches his ears. The end of Malleus's tails lightly thumps onto the floor again and again.

"I don't get it." Yuu moves one of their hands into Malleus's hair and runs their fingers down to feel the scales on his neck. "I don't get how people can be so scared of you when you're basically an oversized puppy but reptilian."

A deep vibration grumbles from Malleus's chest and he lifts himself up, facing Yuu. The whites of his eyes have turned a glowing green and more scales have appeared encasing most of his neck and shoulders. The thin tips of a forked tongue poke out from and slip back into his mouth.

Yuu cups both of Malleus's cheeks in their hands and smiles. "Just a big adorable boy."

The sound of ripping fabric startles Yuu for a moment as black wings begin to tear their way from the back of Malleus's night shirt and spread open. Yuu looks at them, eyes wide, as they reach out and touch the leathery skin.

"You are truly extraordinary, child of man."

"Says the man who just sprouted wings in front of me."

"But you do not look at me with fear. You do not look at me with an otherworldly reverence. When you look at me you..." Malleus rests his hand over the one against his cheek.

"Malmal." Yuu's face shifts to a look of worry. "You okay? You can talk to me if you want."

Malleus gazes at Yuu. There' so much he wants to say, but he hesitates.

"But-" Yuu adds. "If you don't feel like talking now, we can just keep cuddling, or do you want me to massage your tail? Or maybe your wings?"

Malleus smiles. "I would enjoy that."

~~Meanwhile~~

"Hornton is gonna kill my henchman!" Grim runs on all four into the Diasomnia dorm, screaming at the top of his lungs. He quickly gains the attention of some dorm members including Sebek and Lilia (who drags a sleeping Silver behind him).

"How dare you use such a name for the Young Master!" Sebek is screaming back. Silver finally wakes up from all of the screaming, so him and Lilia get Grim and Sebek to stop screaming and have Grim finally explain why he's there.

"I heard a ripping sound and woke up to see big wings and a pair of glowing eyes on top of my henchman. That prince of yours is going to eat them!"

"Oh?" Lilia coos with a smirk. "I don't think that will be happening, at least not the type you're thinking. Still, I have not had the talk yet with that boy, so maybe we should drop by before we're stuck with a political crisis."

With a quick teleportation spell, all four are just outside the Ramshackle Dorm. The door is slammed open to reveal a dragon (that is way too big to be in the common area) curled up, sleeping like a cat, with a little human laying across his snout and forehead, passed out with a smile on their face.

[mostlysignssomeportents]

Naomi Novik's incredible, brilliant, stupendous "Temeraire" series

One of the finest pleasures in life is to discover a complete series of novels as an adult, to devour them right through to the end, and to arrive at that ending to discover that, while you’d have happily inhabited the author’s world for many more volumes, you are eminently satisfied with the series’ conclusion.

I just had this experience and I am still basking in the warm glow of having had such a thoroughly fulfilling imaginary demi-life for half a year. I’m speaking of the nine volumes in Naomi Novik’s Temeraire series, which reimagines the Napoleonic Wars in a world that humans share with enormous, powerful, intelligent dragons.

https://www.naominovik.com/temeraire/

If you are like me, this may not sound like your kind of thing, but please, read on! Novik is a gifted, brilliant storyteller, and even if you, like me, had never read a tale of naval or aerial battles that didn’t bore you to tears, you should absolutely read these books, because I have never been so gripped by action sequences as I was by Novik’s massive military set-pieces.

Likewise, if you’re not a fan of dragon fiction — I’m not, though I do enjoy some heroic fantasy — or talking animal stories (ditto), you owe it to yourself to read these books! Novik’s dragons straddle the line between fantasy and sf, with decidedly nonmagical, bioscience- and physics-grounded characteristics. In the hands of a lesser writer, this can be deadly, yielding an imaginary creature that is neither fantastic nor believable.

But Novik’s deft handling of her dragons — variegated in biological characteristics, sociological arrangements, and umwelt — renders them as creatures both majestic and relatable, decidedly inhuman in outlook but also intensely likeable characters that you root for (or facepalm over, or sometimes both — a delicious sweet-sour cocktail of emotions!).

Finally, if you’re not a fan of historical fiction — again, as I am not! — you should absolutely get these books. Novik is an exhaustive researcher with a gift for rendering the people and circumstances of the past simultaneously comprehensible and unmistakably different, making the past “a different country” indeed, but nevertheless a place whose contours can be firmly grasped and inhabited.

In other words, Novik has written a work of historical-military fiction with dragons in it that I enjoyed, despite having almost no interest in historical fiction, military fiction, or high fantasy. She did this by means of the simple trick of being consistently and variously brilliant in her execution.

First, she is brilliant in the themes that run through these nine volumes: the themes of honor, duty and love, and the impossible dilemmas that arise from trying to be true to yourself and others. Captain William Laurence — the sea captain who finds himself abruptly moved into the dragon corps — is a profoundly honorable man, bound by the strictest of mores. Nominally, Laurence’s moral code is shared by his fellow gentlemen and officers, but where most of the world — all the way up to the Lords of the Admiralty — pays lip service to this code, Laurence truly believes in it.

But there is something of Godel’s Incompleteness in Laurence’s Georgian morality, in that to be completely true to his ethics, Laurence must — again and again, in ways large and small — also violate his ethics, often with the most extreme consequences imaginable at stake. Novik spends nine volumes destruction-testing Laurence’s morality, in a series of hypotheticals of the sort that you could easily spend years arguing over in a philosophy of ethics seminar — but these aren’t dry academic questions, they’re the stuff of fabulous adventure, great battles, hair’s-breadth escapes, and daring rescues.

Next, there is Novik’s historicalness, which is broad, deep, and also brilliantly speculative. Novik has painstakingly researched the historical circumstances of all parts of Napoleonic Europe, but also the Inca empire, colonial Africa, settler Australia, late-Qing China, and Meiji Japan.

It would be one thing if Novik merely brought these places and times to life with perfect verisimilitude, but Novik goes further. She has reimagined how all of these societies would have developed in the presence of massive, powerful, intelligent dragons — how their power structures would relate to dragons, and how the dragons would have related to colonial conquest.

The result is both a stage that is set for a Napoleonic War that is recognizable but utterly transformed, a set of social and strategic speculations that would make for a brilliant West Point grad seminar or tabletop military strategy game or an anticolonial retelling of imperial conquest, but is, instead, the backdrop for nine exciting, world-spanning novels.

Next, there’s Novik’s action staging. I have the world’s worst sense of direction and geometry. I can stay in a hotel for a week and still get lost every time I try to find my room. I can’t read maps. I can’t visualize 3D objects or solve jigsaw puzzles. Hell, I can barely see. Nevertheless, I was able to follow every twist and turn of Novik’s intricate naval/aerial/infantry battles, often with casts of thousands. Not just follow them! I was utterly captivated by them.

Next, there’s Novik’s ability to juggle her characters. While these novels follow two main characters — William Laurence and the dragon Temeraire — they are joined by hundreds of other named characters, from Chinese emperors to the Sapa Inca to Wellington to Napoleon, to say nothing of the dragons, the sea captains, the Japanese lords, the drunken sailors, the brave midshipmen, and so on and so on. Each one of these people is distinct, sharply drawn, necessary to the tale, and strongly individuated. I am in awe (and not a little jealous). Wow. Just wow.

Finally, there’s Novik’s language: the tale is told primarily through Laurence’s point of view, which is rendered in mannered, early 19th century English. Again, this is the kind of thing I usually find either difficult or irritatingly precious or both — but again, it turns out that I just hadn’t read anyone who was really good at this sort of thing. Novik is really, really good at it.

At the end of one summer, years ago, I ran into Vernor Vinge at a conference and asked him how he was doing. He lit up and told me he’d just had one of the best summers of his adult life, because he’d started it by reading the first Terry Pratchett Discworld novel, and had discovered, stretching before him, dozens more in the series. It was an experience he hadn’t enjoyed since he was a boy, discovering the writers that preceded him.

As I read the Temeraire books, I kept returning to that conversation with Vinge. I listened to the Temeraire books as audiobooks, downloading them from Libro.fm and listening to them on my underwater MP3 player as I swam my daily laps. Simon Vance’s narration truly did the series justice, and I could only imagine how complex it must have been for Vance and his director to juggle all the character voices, but they pulled it off beautifully.

I normally read pretty widely, but almost always within a band of themes, settings and modes that I’ve specialized in. This can be a very satisfying experience, of course. Last year, I read dozens of fantastic books that were in my wheelhouse, for all that that wheelhouse is an extremely large one:

https://pluralistic.net/2022/12/01/bookishness/#2022-in-review

But reading against type, outside of one’s comfort zone, yields new and distinct delights. The Temeraire series joins the very short list of heroic fantasy novels that I count among my all-time favorites, along with such marvels as Steven Brust’s Vlad Taltos/Jhereg series:

https://memex.craphound.com/2017/10/17/listen-up-you-really-owe-it-to-yourself-to-read-15-vlad-taltos-novels-seriously/

Brust is tremblingly close to finishing the Vlad books, which I started reading as a 13 year old and have been devouring ever since. I can’t wait for the final volumes to come out, so I can binge-read the whole series from beginning to end.

There are so many good new books coming out every month, and it can feel like a disservice to those writers to indulge in backlist reading, but there is a lot to be said for revisiting beloved works of decades gone by. I am so glad to have read Temeraire at last — I haven’t been this excited to read something I missed the first time around since I read Red Mars 12 years after its initial publication:

https://memex.craphound.com/2004/05/28/red-mars-a-very-belated-appreciation/

[Image ID: A grid showing the Penguin Random House covers of the first eight Temeraire novels by Naomi Novik.]

[raylaismad]

so i thought it might be a good idea to have an intro post for my account so here it is!

what do i go by?

well i go by whatever pronouns, i don’t really care about them as i am agender. the names you can call me by are Ray, Rayla, or any nickname you have given to me or that you like

what do i do on tumblr?

well i like to post art and talk about my special interests! my personal tags are

Ray actually posts- posts i’ve actually made

important reblogs- stuff i want to remember later on out of all of my reblogs

Rays asks - self explanatory

Rays tag games- tag games!

Timler swift- i made this tag pertaining to my Ariana Griande and Timler swift Au but anyone can use it :)

this may update in the future^

what fandoms are you in?

hermitcraft

traffic series

the nightmare before christmas

WWE

studio investagrave games

empires

barbie

will wood

lemon demon

Lego monkie kid

Gravity falls

this may update in the future ^

who are your mutals? i’m glad you asked!

@thebookshelflord @thecrazyalchemist @ima-bellwoo @tamblerdraws @thebookshelflord2 @wrenbird03 @ass-sassafras @evil-vampire-official @doyouneedmedicalwesistance @eggymcdegy @silvers-not-home @eddiesrockstargirlfriend @puppet-on-string @sproutdawnclover @ruby-raider @iwillcausechaos @rat-detector

(if you have been tagged by this by this point it's just me adding you and I'm sorry for the useless notif 😔💔)

What's your age?

I will not be sharing that but I will say that I am a minor so, while this should be a given, do not be weird about stuff. I am open to asks and if you wanna dm me about shared interests go ahead but don't ask me about anything weird please. It's gross.

fun facts?

i study mainly engineering and robotics along with a little bit of sociology

i have been doing art for 5 years (as of 2024)

my favorite WWE wrestler is The UnderTaker

i love jackets

i’m aroace

my favorite colour is maroon

i’m (sadly) an AMERICAN 🇺🇸🇺🇸🇺🇸

i speak a small amount of german (and by small I mean MINISCULE I swear I'm working on it)

I play the violin

what is the lore of your character, Rayla?

Mmmmm Robot! :D

What does Rayla look like?

this thing

i also don’t know how to end these soooooo

oh yeah and here’s my reblog-blog:

@rays-blogs

[gamerbearmira]

bh6 au bh6 au bh6 au!!! AHUAHSF but heya, hope you're doing well, and we dont have a specific name for this au yet, mayhaps we can find one but yesyes bh6 au!! (i am going insane /lh) me is attempting to write rn hehe <3

BH6 AU💪💪💪

It’s so cool, me and the asker have been working on it <333 instead of gifts, they specialize in certain tech and stuff 🗿

Basically Pedro is there. And it’s Antonio’s presentation at the college (he’s still 5, they’re all prodigies and presented at 5, except Mirabel who presented a little later cause she hadn’t decided her science concentration yet 😭😭). Anyway, Pedro sacrifices himself to save Señora Guzmán and boom died.

Alma hid the project he was gonna show the family that he was working on for a long time: Baymax. Basically Mirabel and the grandkids find him and he’s chill, helping them grieve and stuff. The pressure for this au is Alma taking Pedro’s saying “someone has to help” as the family needed to use their tech and intelligence around the city to help other people. And never expand on their tech. Always the same thing.

Anyway, here’s their sciences (all the Madrigals, including the husbands + Alma and Oedro are like. Literal prodigies, mostly in science, but other stuff 🤧):

Fields of Study:

pedro - robotics

alma - forensic engineering

-------

julieta - health sciences

agustin - language and literature

pepa - meteorology

felix - sociology and music

bruno - physics

-------

isabela - botany

dolores - acoustics

luisa - kinesiology

camilo - neuroscience

mirabel - psychology

antonio - zoology

—————

There’s so much more about this au but like. That’s the gist of it <333 if you guys have any ideas LET US KNOWWWWW ‼️‼️‼️ the adults actually later becomes hero’s and funnily enough they’re all hiding it from each other and Alma is entirely clueless 😭😭

Well, the grandkids become super cool heros and obviously Baymax is there (I didn’t draw him YET 💀) and here are their designs <333 COLOR COMING TO TUMBKR DASH NEAR YOU📸📸

Here’s their tech and stuff:

Isabela, maybe something similar to Honey Lemon, but she uses the chemicals of different plants that has different (non lethal) effects? She throws pollen pods like honey lemon does and whatever plants she makes all disappear after a certain amount of time or something, oh and her vines she uses to swing ofc, they're very durable. CARBON FIBER VINES ❗❗

Dolores, maybe she uses soundwaves and sounds in general, and uses something similar to a giant megaphone and speaks; does a lot of knockback.

Luisa, I feel like she would have attachable enhancements, kinda like gauntlets and boots that allow her to further utilize her strength and stamina etc etc

Camilo, maybe his tech tricks the mind, lots of illusions and stuff, and he definitely has a camouflage suit, so he's good for stealth and sneaking up on enemies. He might also go beyond from just people, might even have animals and objects too since its really illusion (mayhaps an upgrade later down the line in their endeavor) Ohhh, a upgrade would be really good and show how he (and the others) develop his tech further

Mirabel’s tech works with Baymax, so it's pretty similar to Hiro's, though I think she would be a jack of all trades as well. Also mentioned in what i wrote that she has a bag of tech goodies (inspired by her good ol bag in canon and also that one ask i saw about her magic bag)

Antonio, like I said before, uses robot animals. He builds them and sends then out, controlling them maybe via a headset similar to the microbots, and the animals have cameras so he can see what they see. I think maybe when he builds P.A.R.C.E (the giant robot jaguar; a.k.a Precision Automated Robotic Companion Entity) the other grandkids will let him go out to battle. Also lets him be at the final battle.

Still working on the adults 🤭🤭🤭

[fumifooms]

The autism coding of Kimblee - character analysis

Bestie that’s called masking. Also I beg to disagree you fucking suck at it lmao

Notice how he speaks of this difference of being a “heretic” in society’s mind. Not with a focus on what it is or means but with a focus on the perception of it, on the ostracization it creates, on it being created by norms and society. There is little weight given to it but it is treated as a social construct one can easily figure out and avoid because it is superficial, or formulaic. Small talk, what are the right things to say, or to reveal about oneself and when, the “test” is a formula he thinks he has mastered.

So boy! There are some things to unpack here with his character, welcome to this character analysis. This is going to be loooong. I’m autistic, and I think he’s autistic as shit based on a lot of things and moments. I do want to make a disclaimer: you should go into this with a will to humanize, but this is not to mean that I talk of him being redeemable or “a good person deep down”, no. This is an analysis for the goal to understand, and in the end that’s what most of us just wants anyways, being understood I mean. I’ll be analyzing him as a coherent and multidimensional character, not as a plot device for a story. Alas I won’t be analyzing his psychology and ideologies that much, just its ties with autism and stuff, so this isn’t a complete analysis of Kimblee as a character by any means. I’m also speaking exclusively of manga Kimblee. Most manga caps I used are from @everykimblee​, thank you for your resources!

Points:

The polite gentleman

Tone deafness

Logic and lack thereof

Malice?

Strange but strong moral code

Explosions, and stimming

Misc

Conclusion

The polite gentleman

It is oh so interesting, then, that he values his manners so much, isn’t it? He has peculiar priorities and fixations, like good manners, even as he does atrocities. We’ll talk about his tone deafness more later, but for now let’s focus on this angle a bit.

Suits, fedoras, a pure, spotless white. Symbols of the epitome of class.

As stated, he keeps his good manners even as the situation would normally have them dropped, or they are useless, and such. They are treated somewhat like how he would convictions, when he speaks of strong wills and being firm in your beliefs. Then his manners are not something he’s willing to compromise.

But still you have to ask yourself, does he maintain this persona for himself or for others? I think it may be interesting to note that this aspect of his character isn’t much seen before he goes to and leaves prison. In camp he sits like other soldiers do, very unlike how he sits in the rest of the manga, etc etc. This suggests that either manners became more important to him after his 8 years long of incarceration, or that sort of like a chameleon he adapts himself to his environment. With his awareness of being a heretic and how to play around it, allegedly in his own word, the latter is a theory with support. Both are plausible, or perhaps he’s always had a strong taste for suits and politeness and the warzone simply wasn’t a place to show that.

Regardless of him genuinely liking all of these high end tastes or not, I’m fascinated with the idea that it may have developed as a defense mechanism. People who wear suits and act respectable like he does sociologically inspire good faith, that they are, well, respectable. My theory that he doubled down on this angle after prison would be because, well, he has passed 8 years of prison doing very little and being treated with very little respect and empathy. It is not unreasonable that straight out of prison, he would want to reclaim a sense of humanity and respectability through acting out the codes of high society. But again, does he do it for his own self-esteem, or to try to convince others  that he should be respected? Few people see men in suits and imagine that they’ve been in prison once.

To be aware of being a “heretic”, and saying he knows how to pretend to be normal, Kimblee growing up has doubtlessly learned good manners and their importance in this social act and how others see you. Is his politeness genuine or forced? In the end I think it matters little, in the end it’s still as important to him regardless. I’m not going to talk about the social trauma autistic people usually experience, but I do want to reiterate that a nice suit as an instant token for passing as normal + getting charitability is something I think he’s aware of and values. His demeanor and outfit, you could say, is part of his masking.  Listen, in a college essay I studied other essays about how prom dresses are treated as a token for future success in life + social recognition. A suit as a transactional token for entry into respectable society really isn’t a social dynamic that far fetched. 

The way he speaks of masking, as this “easy formulaic test”, does make me think that this is the case, that his choices in demeanor and fashion are part of this role and that he knows what he’s doing. Indeed, if a suit is all he has to wear to be accepted, his loner attitude becoming a “serious & mysterious” aura, his strict demands becoming simply a severe no-nonsense man used to quality and who has things to do, well, the test is easy to trick. It’s all about framing. He’s still taken to it on a personal level though imo, he does speak of his suit with fondness etc etc.

His gentleman attitude might have deeper, more important and personal roots for his character than simply being a cool aesthetic or random taste, is what I’m saying.

Tone deafness

It is ironic that his manners are important to him because they are often severely lacking or misplaced. Like most things, I believe that Solf keeps his manners because they are a judge of character that is important to him, beyond it being for others’ perceptions of him. So even if inappropriate, he stays true to himself and these beliefs of his, he does not want to perform as much as he leads us to believe by saying he pretends to be normal. Though this tonedeafness then is sometimes intentional with a will not to betray his true self, I do think that often this is not the case and his tone deafness is out of genuine misunderstanding. Though very often it seems like a state of being, rather than situational awkwardness, like a disregard for reading a room instead of simply making mistakes.

For example, Armstrong letting ishvalans flee willfully through a hole in the wall, then Kimblee coming and killing them, afterward saying to Armstrong: “What a relief, if it had been anyone else you’d have been court martialed for sure”. It seems he did this genuinely to pick up his compatriot’s slack in a will to help. Is he aware that Armstrong did it willingly and it’s a thinly veiled threat not to do it again? Possible, but the other case seems equally possible, but regardless in either case his delivery and actions were still tone deaf. For example, him telling everyone in camp “do you all not like killing? Why are you all even here, you chose this.” In another example, his detached tone in most situations and amused or casual tone in life threatening situations.

He is shown to be rather perceptive on a technical level, though not so much in social situations. Below is him confronting Edward about having a sniper targeting him.

He is extremely nonchalant in serious and grave situations. It is also the inappropriate emotions he shows that are infamous to him, the thrill and glee he gets by fighting. To me these are easily explained by adrenaline and Solf being generally understimulated and leashed by his polite standards in society (though of course these are still issues he has), but to most it seems like senseless hysterical behavior.

Notably it is this tone deafness that makes him an heretic to others, what ostracizes him. He did not do worse than other veterans in Ishval, Roy and Riza were also extremely proficient killers on the field. The reasons Kimblee gives for being on the field and “doing what they gotta do” are reasonable and cool-headed, most of all he has a point in how he gives everyone a wake-up call that they chose this by becoming a soldier and that they’re all complicit. No, Kimblee is an heretic not because of these concrete things, but because he is not miserable on the field. People, both in world and readers/viewers, simply think that his emotions and attitude while killing others are misplaced for the situation. It’s his tone deafness that unsettles others. He doesn’t have the sense to at least act apologetic, unlike Roy who acts like a martyr yet still chooses to do it every day. Sure his ideologies and enjoyment of killing are disturbing and unhinged, but the tone deafness is what sells it, sells him as a villain. It is an emotional, social reaction.

He is also so, so blunt. His whole speech in Ishval to Roy & Riza is enough proof and yet he tops it on the regular. Below is his meeting with Miles:

He’s so hard to destabilize and it’s so funny. I love his three ?s. This lack of emoting is the sort of iconic autistic trait that makes people see us as emotionless inhuman creatures.

Logic and lack thereof

He is incredibly logic oriented and strangely composed most of the time; does not react to things as one would be expected to, as discussed. He loves to talk philosophy, and debates with others often, even stopping a fight to spend some time discussing with Alphonse. He often engages in hypotheticals, like when he logic’ed his way into challenging Riza that she probably held some pride in her work, or when he proposed a deal to Ed having assumed his priorities and motivations; He does not understand others through innate understanding or empathy but through logically working through what he knows of them and of the human psyche to then turn what they do into a predictable formula. (Oof shit, that hits hard and a little too close to home ngl.) Which is perhaps why he is so fond of people who have strong convictions; they are honest and upfront, they do not waver, they are easy to understand and to predict, he can understand someone like that and their internal consistency. If someone thinks Edward Elric is going to kill them, then they do not know Edward Elric.

Has an hard time understanding others’ mentalities, often encountering people who do not follow his logic which confuses him, like his Ishval speech and when Edward didn’t follow his “self-preservation” deal.

His goal for the better part of the story is to be a spectator to the “battle of wills” between homunculi and humans. You could even say that it is to assuage a curiosity. The fact that he gives no emotional stakes to a sense of belonging with humans that should innately make him want to fight for humanity makes sense as well, especially since humanity doesn’t accept him much. Myself, I scoffed when Edward said this. I have hyper-empathy, but to me there should still be a better reason than a blind sense of community to one’s species to pick a side. It might seem like the obvious reason to most, “side with the humans!”, but to me without sound reason it just seems like blind toxic patriotism, or blind faith and adherence to a cult. Kimblee’s reasoning is survival of the fittest applied to evolution, that the superior species will be the one to survive because that’s how nature works. Personally, I say side with the humans because the homunculi have senseless goals that promise destruction upon the world, but y’know, whatever. The important point here is that Kimblee fundamentally works on a logical basis. The “side with humanity!” argument without further reasoning is an emotional one, yet it is one that appeals to most. /neu He does indeed reveal he has some personal stakes in siding with the homunculi, not only because they let him do whatever he wants alchemy wise, not only because he loves fighting for survival, but also because in a double meaning with the opening excerpt of this post, should humans win then he would have to go back to a life of pretense where his “existence” is threatened.

Malice?

Another interesting thing about him is that he doesn’t say the awful things he says out of malice, neither is it the intent behind most of his actions. It’s always a twisted sense of helping, or just doing his job, or doing his victims the ritual show of respect of battling them with the full extent of his will, and remembering them. He has his own way of looking at things, of what constitutes morality that we should concern ourselves with; honesty is more important to him than compassion and hipocrisy peeves him. By killing the ishvalans that Armstrong lets flee, he “rights a fault”. Kimblee not seeing how ill-intentioned many of his actions seem certainly call back to his tone deafness, that or a blatant disregard for conformity.

Strange but strong moral code

As mentioned several times, Kimblee values a strong set of belief in someone, and this even if he personally disagrees with them. I don’t want to repeat myself too much so this section will be short but yes, then it isn’t surprising that his own code is very strong and he is very confident and unashamed of it. I don’t want to spend paragraphs deconstructing his moral code but his actions are consistent to it and he does not betray them, going to the point of bringing Pride down even in death inside of the philosopher stone because he judged Pride’s actions cowardly and hypocritical. Rigid morality is a trait of autism.

By strong, I do want to precise that I do not mean morally irreprehensible or correct, I mean internally coherent and resistant to external challenging. He is set in his beliefs.

Explosions, and stimming

Lastly but perhaps most importantly, the most iconic thing about him: the explosions.

Apparently there’s no post on here calling what Kimblee does stimming and stims headcanons so -cracks knuckles- heavy is the head with the big brain I suppose.

Understimulation is a state in which the body doesn’t get enough stimuli or sensory input to keep one invested in their surroundings and such. It can be the cause of a meltdown. I myself used to struggle a lot with it, it got easier after I got diagnosed and I understood the issue. For example, I am allowed to listen to music, usually glitchcore, while taking academic tests. Back in the time that was not the case, I used to have songs stuck on loop in my head while I did tests, often hummed them, particularly for mathematics.

Why does Kimblee even like explosions? Well, the cues he gives us is that he loves the sounds it makes, of destruction, not only of the screams it causes but the explosion itself. He calls it musical terms like symphony and calls it artful. As he says himself, it shakes his whole body to the core, and he fixates especially on its sound. That is all sensory input, to see it as music and artful is that it is pleasing to his senses as he himself expresses. Look at the way his body quivers in the aftermath and he goes unhinged and emotional. Sensory issues right there, chronically understimulated guy getting a shred of sensory satisfaction 100%. It is release to him.  Explosions are a deafening burst of loud and short noise, accompanied with intense light and heat. It is, in short, a bomb of stimuli. Explosions are a very intense sensorial experience. This is what Kimblee likes about them, even delighting in the size and length he can make his explosions achieve, making it always more and more intense. Much like his ideal lifestyle and activities of risking his life and his soul battling, explosions give him thrill and adrenaline unlike anything else. In monkey terms, boom boom scratches the brain itch.

Explosions as a stim/intense and pleasant sensory experience is actually a thing I’ve thought to explore with an oc of mine prior to watching fmaB, but that really is how I immediately interpreted Kimblee’s introductory scene. My (autistic) brother when he was a kid very often had to be driven around in a car before he’d sleep, for example. It’s a fullbody sensation of vibrations and floating, being in a car. The brain even registers the sensation as strange, which is how motion sickness happens. Babies are sensitive to stuff like that, my bro wouldn’t sleep without it because, without it, he was understimulated, not stimulated enough to be able to sleep. Rocking babies is the same kinda thing, plus the comforting aspect. Weighted blankets, too. Everyone self-regulates their sensory input, aka stims, to some degree, bouncing their leg, etc. But sensory dysregulation is a trait of autism, and severe states of understimulation and overstimulation are what makes it a neurodivergent experience. 

Screams in the stone being like lullabies to him is another sign of him having understimulation in general. At the very least, he has a strong resistance to overstimulation by, like Pride said, retaining his individuality in the overwhelming storm of souls.  ”Ah yes I am amongst an overwhelming sea of screaming souls. I love it here, it energizes me actually”

Honestly I just think it explains parts of his behavior and glee for war if he generally feels understimulated. It explains that lust for battle and destruction. Like yeah bitch you’ll feel great and manic and thrive if you get sensory bliss from the chaos and “symphony” of war, definitely. /gen 

Also, he was in prison so like who can possibly blame him for being bored af, but stimming wise I do count playing with the rock in prison. The way he rolls it in his fingers and all. Even regurgitation, that’s bound to be a moderately intense sensory experience. If he repeatedly swallows it and regurgitates the stone then that can def count as stimming. Maybe the reason he didn’t go more insane than he did is because he had the one thing to fidget with lmao. The screaming thrumming perfectly sized & smooth evil explosive rock really is a great stim toy, huh.

I get intense and off my rockers too when I’m understimulated ngl, slap happy even. 

He really does seek adrenaline and thrill. I think in the above he was getting somewhat delirious due to blood loss though. He’s definitely prone to manic states. Sure okay grandma whatever you say, let’s get you on the stretcher. 

Misc

And as my usual autistic analysis finisher: he sits weird. More seriously, analyzing sitting positions can be interesting because it’s again about understimulation. Legs crossed, arms crossed, it’s weight on your body plus feels snug idk. But personally I need to have my legs crossed at all times when I’m sitting, except in extra comfy chairs. Body language is a whooole thing to analyze with autism, because infamously people misinterpret them; for example crossing your arms is considered to be a defensive or hostile gesture, when a lot of people would just go “wtf it’s just comfy”. Insistant and direct eye contact is seen as a will to dominate, meanwhile for a lot of people they’re literally just staring thinking nothing of it. Etc. However like discussed at the beginning of this, it can be theorized that he tailors his body language to his environment, like compared to when he was on the Ishval warzone.

Conclusion

Cool motive still murder bro. Def a lot of fun neurodivergence going on in his character though.  I am obsessed with this type of autistic character, who as a survival mechanism becomes hyperaware and very logically and psychologically attuned to social norms and how people work to try to fit in and survive in the group. I am OBSESSED with autistic characters who know the game so well and try so hard yet still feel uncanny to others. Humanity is, after all, a social species. And one who does not take kindly to heresy. Definition of heresy: opinion profoundly at odds with what is generally accepted. Heretic does not intrinsically means harmful, however. Labeling something as heretic is often an emotional reaction, like say how racism or homophobia is initially from a xenophobic gut instinct, and it is an emotional reaction that makes us dislike Kimblee.

Not to say that’s the ONLY reason, of course. Kimblee is justifieably generally disliked. But as someone who values cause and effect, it is ironic to me that Kimblee is considered a worse veteran than others because he refuses to act guilty over it and does “his job” with a smile on his face, worse than Roy who boiled people alive. I find it ironic that straight out of the gate we have a sinister opinion of Kimblee because of the framing when he was in prison, of what it meant that he was in there and why he wasn’t miserable 24/7 in his cell, instead smiling and humming, and it’s all ironic because the reason he was in prison is… He killed his superior officers, who are active agents in malicious corruption and are 100x more times gleeful about the Ishval war than him. Framing is an emotional thing, and if there’s one thing Henry Creel taught me is that it’s quick to rob a character of humanity. If humanity performatively want people to be miserable, then is it so surprising for Kimblee to want to reject it?  Take my hot takes or not, I’m not interested in debating philosophy unlike Kimblee, I just wanted to showcase his autistic traits and it got a little thought provoking by nature lol. Thanks for reading! :)    Is this last emoticon tone deaf and/or uncanny? I can’t tell… Ah well!

[brynnterpretations]

okay, i saw your previous ship request and i'm not used to this type of stuff but i have a massive 'the boys' brainrot so: why not? let's do this! 'the boys' ship ask!

i'm a bisexual girl (what an introduction) from eastern europe (yeah, these beautiful countries with delightful swear words like: suka, kurwa and pizda). i like belles-lettres, fashion, history, a little bit of sociology, art, museums, a little bit of everything if i'm being honest.

i'm kind of jack of all trades but master of none. i have a opinion on every topic and i like to research a lot but i'm not interested in doing anything with the universal knowledge i have. yes, i may know a lot about many topics but i will never pursue a bachelor's degree in any of it. that's why i like to write stories, essays etc. because i can speak my mind freely. one day i can talk to someone about alexander the great and then at midnight i will text you top 10 facts you didn't know about kangaroos.

i also like drama, but i don't like being in the middle of it. i will enjoy when things are getting more and more complicated as long as i'm not included in it. sometimes during in-group arguments i can act as the devil's advocate for certain person but it doesn't mean i entirely agree with them - i just want to prove that not everything is black and white.

i'm in the conflict between my head and my heart, because i make all my decisions by using brains and then wonder if i haven't left someone behind. with my closest friends and family i don't have this problem but with more casual friends i always felt some type of guilt after i did something. the same case is with my humor because i will most likely jokingly bully you if you are the person i care about, but some people take it too seriously and feel offended by it😬 (fortunately, i have a cousin who shares the same absurd and sarcastic type of humor.)

and even though i'm a extrovert i prefer small groups in which i know i can feel comfortable. it's because i deal with a lot of stress in my life and sometimes i feel overhelmed by my intrusive thoughts (mm, i know you will get me). tbh i love those friendships in which you can both be weird but also have a deep conversations. besides all the things i said i'm also more future oriented so i don't hold grudges for long. i also love telling people random stories and love when they answer to me with their own silly stories.

i gues that's it. have a nice day! i hope you're doing well!! :DD

Thank you so much for the request, you seem like such a sweetheart! I hope you like it. ☻

I ship you with...

Frenchie ♡

Boyfriend

GIF Source: @screwsupes ★ (link)

You and Frenchie have what is basically the opposite of a meet-cute. On a drug-fueled suspicion that the cashier at Fumo, a NYC pizza chain, is the supe that The Boys have heard is around the area, Frenchie gets kicked out of the establishment.

But you — bless you — notice the commotion and, both intrigued and concerned (because how TF do you get kicked out of Fumo?), went out to the parking lot. After a brief conversation with him, littered with curses in both French and English, you eventually are able to calm him down a bit, and get him the pizza he was going to take back to the coup.

Frenchie's quite charmed by you — you're a good conversationalist, and the boys really needed that pizza — and you two exchange names, but neither of you expect to see each other again. However, you end up running into each other in the city a lot, particularly at the local Jitter Bean or the scattered NYC pizza places not including Fumo.

You start out as casual friends, often sharing a smoke together (or coffee if you don't smoke) outside and chatting. Frenchie loves art, sociology, and other cultural topics, so you two have very long conversations about any and all of the above. And, similarly to you, Frenchie is very much interested in these without the distractions of pseudo-intellectual academia slop and jargon, so you two hold very interesting conversations.

Probably a month or two after this takes place, he would start developing a lot of interest in you romantically. You're funny, smart, beautiful, and you two definitely share the same sense of humor. He'd start inviting you to simple dates, like watching documentaries in his apartment or getting pizza and cheap wine from a late-night shop.

From the get-go, he wouldn't hide his involvement in dangerous work from you. Honesty and transparency is extremely important to Frenchie, and he believes that, if you two are to pursue a relationship, you should know the shit he's in.

And, you do! It's not the typical roses-and-candles affair, but it's extremely sweet, and it's extremely Frenchie; after a couple months of going out, he flat-out asks if you'd like to be together. When you say yes... queue the biggest, sweetest kiss + embrace ever.

You two have a lot of late-night conversations about philosophical topics, like life, death, forgiveness, and religion. As mentioned, Frenchie is endlessly drawn to your intellect and curiosity, and will gladly sacrifice sleep to be able to hear your input.

Frenchie loves you reading to him, and while he's not the biggest reader (he's more of an art/audio guy), he'll take on even the most difficult books if he knows you like them.

Because of your shared spontaneous nature, expect a lot of fun, random dates, like impromptu museum getaways, thrift shop ventures, and long drives. Frenchie loves showing you his favorite spots in the city, especially at the city limits.

You two are the creative duo, and your relationship will reflect that, with you two often cooking and crafting (he'll make you a cute, raggedy locket to wear) together.

As evident by his friendship with Kimiko, Frenchie is a big pet-name guy, and will call you petit feu (little fire), ma moitié (my other half), and mon rêve (my dream).

Frenchie 100% understands the conflict between head and heart — it's one of his biggest challenges in life — and will always be an ear for you to talk at when it concerns making decisions, figuring out what to do next, etc. While not as much of a small-group person as you, he respects it (Kimiko's the same way), and will go out of his way to make sure wherever you hang out is comfortable.

Early on, Frenchie will introduce you to the coup, which brings us to...

The Boys ☻

Friends

GIF Source: @vcugifs ★ (link)

You and M.M. are the most well-knit in the group. M.M.'s a very, very well-read guy, which is why you start talking; English was his favorite subject in school, and you two both share a certain love of belles-lettres and other literature. After he spots your favorite book in your bag and starts a conversation about it, you two become peas in a pod.

Additionally, you two have a lot in common mentally and emotionally, and you are essentially rocks for each other. You both struggle with balancing rationality and empathy, battling intrusive thoughts, etc., and would always be there for each other. M.M. and you exchange numbers pretty early on, and you can expect a lot of sweet, dad texts from him (you will be blessed with that anxiety-breathing-triangle GIF at least once a week).

Also, don't be fooled by his serious exterior — M.M. is a funny guy, and your senses of humor match up perfectly.

While you and Annie got off to a bit of a rocky start (she can have some difficulty with sarcasm and thought you did not like her ass), you two become extremely close. While you may see her mentally buffer when you make an off-key joke, she'll get it in a few seconds and genuinely laugh. She also isn't extremely familiar with a lot of your interests but loves learning new things, especially since she didn't have the opportunity to go to college and really immerse herself in sociology and the arts, so she loves taking book recommendations from you.

Hughie would be the same, though he'd take better to your humor — the guy's first introduction to the boys was Butcher, so he had to get used to it pretty quickly. He really, really likes you and Frenchie together, and thinks you're a sweetheart.

On the topic of Butcher, you and Butcher wouldn't really mesh at first, but you wouldn't not mesh, either. Butcher isn't the most intellectual guy, so a lot of your fun facts and conversational topics would fly over his head, but once you hang around the boys more, your sense of humor would click with his. Additionally, even if he wouldn't show it often (he's not that type of guy), he appreciates your future-oriented mindset as he tends to be a right-here-right-now person.

And, lastly, Kimiko: Kimiko loves you. Similarly to Annie, it took a bit for her to warm up to you, mainly because she's pretty averse to change and also very shy. However, as you found ways to communicate with her, she'd become enthralled with you. In the Shining Light Liberation Army, Kimiko didn't get any exposure to anything else but the Shining Light Liberation Army, so she is obsessed with your input on the arts and history, and loves to hang out with you. She'd definitely invite you to hang out a lot, particularly at museums and parks.

Honestly, I could see Kimiko forming quite the crush on you, but she'd never interfere with you and Frenchie.

So, girl: you've got a lot of good friends on your side.

[metanarrates]

hi as someone who's been browsing your utena and ORV meta, please I'd love to hear your thoughts on villainess isekai

my off the cuff answer is that most people are not revolutionary leftists OR revolutionary feminists and therefore don't even think about those ideas, since current oppressive systems are the air they breathe. their concept of wish fulfillment only occurs within those systems, or ones that have a strong resemblance to existing systems (ie feudal european fantasy world where the protag is/becomes landed gentry.) sure, the character is still in the system, but she's at the top of the class system, and she has Special Qualities that render her somehow immune to patriarchal violence. that sort of thing is the only escapism a lot of people can imagine, since existing outside the system is, well, a revolutionary idea!

FURTHER ANALYSIS UNDER THE CUT:

under patriarchy, there exist only a few models of womanhood that are okay for women to relate to and aspire towards. obviously, this is a complex sociological concept and those models are not uniform for every society, or even every person's perception of that society, but those models do have a tendency to shape what women fantasize about. and literally every one of those models has the common feature of being subservient to men in some way. this is, again, because of patriarchy lol.

patriarchy also has this effect of presenting heterosexual love, romance, and reproduction as the ultimate way for a woman to find fulfillment. there are other acceptable avenues of fulfillment, but all of them are supposedly inferior to the fulfillment of having a man who loves you and wishes to protect you. this essentially has the effect of making it so most, if not all, of popular fantasies targeted to women end up also treating heterosexual romance as the ultimate path to fulfillment!

you've identified that power fantasies written for men tend to be about gaining, yknow, power. they get skills and Do Cool Things and also often gain hot chicks as a secondary aspect of wish fulfillment. power fantasies for women are often an inversion of this: the primary wish fulfillment is that of a hot guy who loves them, with any extra powers or skills or Stuff the main character gets acting as a secondary component to that fantasy. this reflects real life gender expectations, where men are meant to be career holders first and husbands second, and vice versa for women. and a Lot of this ties into what I was talking about earlier with both acceptable modeling and patriarchial romance standards.

you see, i have a theory in relation to escapist main characters. in a lot of other genres, it's somewhat acceptable that the main character of a story is not someone you have to 100% identify with. they can do socially unacceptable things and the story can still be very enjoyable to a vast audience. but when it comes to a character who functions more or less as an audience self-insert, the standards change entirely. an audience isn't usually quite as comfortable placing themself fully in the shoes of someone who defies social acceptability too much, just because those are actions that make them feel uncomfortable in real life. they don't like having fantasies that feel wrong by the standards of societal structures.* and so, a LOT of the time, the main character must fit acceptable models of womanhood in order for the fantasy to sell.

(*generally speaking. see above on societal stuff not being uniform. i have a lot to say about how an Actually Evil villainess functions as a fantasy but for now I'm just gonna talk about patriarchy in shoujo fantasies lol)

and what are these acceptable models of womanhood? like i said, they're highly tied to the female character being desired and protected by men. this familiarity is comforting to readers. it's unchallenging. it's even desirable.

and this is what I keep identifying in escapist fiction: the need for comfort/familiarity above all else, even if that comfort is found in opppressive power structures. a key component of the fantasy is the power structure seemingly without the oppression that makes those real-life systems unbearable. sure, the protag is essentially the property of the man who loves her, but maybe he lets her do what she wants, or he won't hurt her in ways she doesn't like in the course of possessing her. it makes gendered structures that are implicitly violent in real life explicitly nonviolent (or not violent to a point where it cannot be tolerated by the protagonist) inside the fantasy. it is, in essence, softening patriarchy to a point where it can be viewed as safe. and to a reader of these fantasies, that feels safer than dealing with the uncertain territory of someone who tries to escape those structures!

[femmefatalevibe]

Not exactly femme fatale stuff, but do you have any tips for note taking and essay writing in A levels? I'm taking Sociology and English lit in college and honestly am struggling rn. Just general studying tips - how do I study, make notes and revise etc. Plus how can I be more vocal in class?

Thankyou!!

Hi love! I didn't go through the British schooling system but have experience excelling in high-level English courses/essay writing back in the day, so I hope these tips can be helpful:

For studying:

Keep a high-level itemized list of the overarching topics/chapters, etc. you need to cover in your study session

Create a plan with a schedule to tackle each item on your agenda in 30-60-minute chunks (throughout the day/week). While reviewing, create outlines of the key themes/takeaways/character profiles, timelines, with relevant examples, etc., you need to remember (factual information) and then a list of concepts/general lessons or insights you take away from your learnings (applied knowledge/analysis)

Devise acronyms or relevant analogies to help you memorize key information, concepts, and events. Perceive each subject as a storyline where you're filling in the gaps with the plot, characters, metaphors, derived conclusions, etc.

For essay writing:

Develop a multi-layered thesis that offers a new perspective to the work(s) you're discussing. Back in secondary school, I had a lot of success with connecting the dots between a theme running through the text(s) and a juxtaposing literary concept to frame my fresh perspective. Consider how drawing parallels between different characters/literary works, historical events, cultural movements, etc. allows you to offer a new interpretation/way to understand the text

Use this multi-layered thesis as a framework to structure your essay. Make sure to clearly distinguish your arguments from each other (new paragraphs) with logical transitions. Ensure each point concludes with a new way to interpret the characters/themes, etc. you're describing

Write your thesis, then the body paragraphs, then your conclusion/introduction (these two can depend on the particular essay I believe)

Always cite your sources, and check for proper grammar, syntax, etc. Varying your sentence length, syntax, and structure. Consider your word choice carefully

Show don't tell; Don't be repetitive with your arguments. Consider including a counterargument and use its fragility as a way to strengthen your multi-faceted thesis

For speaking up in class:

Keep a bullet point list in your notebook of insights/meaningful contributions you can offer to a certain discussion. Don't be afraid to raise your hand to confidently share this point after giving it some thought (helps eliminate nerves and garners positive attention from teachers/peers alike)

Think of meaningful questions to ask about a given lesson or as a follow-up to a point made during a discussion. By offering a question instead of a statement, you don't have to worry about offering a "wrong answer" and invite more intellectual thinking to the overall classroom dynamic

Hope this helps xx

[tiofrean]

Oh boy... OH BOY... I was reading through comments and tags under that Flint vs. Stede post (and before that in Silver vs. Oluwande post) and OH BOY RANT INCOMING

Feel free to ignore. No, I'm prickly about this.

I LOVE how people are like "Black Sails fans are so mean why are they like that T.T ?" in the tags and comments.

LET ME TELL YOU.

So we have this show that has been marginalized and has been pushed to the side for years. A show that has excellent plot, wonderful intrigue, magnificent representation and well-written, 3D characters that are complex and relatable. You get your edgy queer men (whether you want to characterize Flint as gay or bi, doesn't change the fact that he likes dick whichever way), you get your edgy queer girls (Anne), you get your flamboyant whatever-the-fuck-Jack-Rackham-is (<3), you get sweet gays (Thomas), you get confused bisexuals (Eleanor, Silver), you get straight sweets (Miranda) and straight angery dicks (Woodes Rogers), and competent, edgy straights (Vane). Oh! A competent, master-of-the-house lesbian? Check (Max). You even have asexuals, or that is what I shall forever classify Billy as. You have a f/f sex scene in the first damn episode, ffs. You get threesomes (sexual, romantic), you get couples, you even have Silver in a brothel orgy.

But sexual representation is not ALL! You get goofy pirates (Jack Rackham), you get serious pirates (Blackbeard), you get balls of rage (Flint), you get chill, laid-back sea dogs (Gates), you get competent little weasels (Silver), you get incompetent rats (Dufrense). You also have marvelous extras and side characters (Beauclerc the marksman, Captain Fruit-Fruit, Idelle... OHMYGOD IDELLE <3333).

There's the political plot that's historically accurate, the story's plot that's Flint's big gay rage, there's the sociological context of being painted as a monster, there's the gold hunt, there are ships correctly operated by crews of more than five fucking people, there are guns, blood and realistic injuries. You get quotations and allusions to Shakespeare, Cervantes, Julius Caesar, Marcus Fucking Aurelius, a metric ton of other classical writers. You get so many tropes done right it's astonishing and too effing long to list them all here.

On top of that, there is the picturesque landscape, absolutely gorgeous ships and very accurate portrayal of how life looked back then.

We had to defend that show when it first came out, the actors had to fucking fight homophobic assholes upon the airing of season two (IMAGINE THAT), people who loved it had a hard time going around, although admittedly it's a "fandom" hard time, not a "real life" hard time. We persisted, we persevered, and now we're here, clinging to what's left of our fandom, because we are admittedly all over the place and we don't have "troops" on any one social media, which makes our numbers small in comparison to other fandoms, and makes fandom interactions very limited.

Now imagine that there aired a show... a pirate show promising a lot. And then the show turned out to be an office-type comedy with no lesbian/bi women representation (I may be wrong, but I did watch it out of curiosity, didn't see any, just guys). A show that the whole plot of is just a rendition of the Beauty and the Beast for pirate times with so many historical inaccuracies (couching your crew like a bunch of office workers? Plz. The way they speak and the concepts they talk of that weren't there? It's like they were sitting around a fire, holding hands and singing kumbaya). And don't get me wrong, there's place for those shows as well, and maybe it works for you (and great for you too!).

We tried to ignore it, really we did. We basically gave it the eyebrow-raise-huff-ignore thing that you do on the internet when you want someone to enjoy their stuff and are not interested in it yourself.

But you know what happened? Suddenly there were people on twitter tagging everyone and their dog from Black Sails with renditions of Flint/Izzy (Izzy who comes across as an extreme asshole at best and a homophobic shit at worst and you can't fault people for reading it like this). Let that sink in - our fandom babe Flint, who had his whole life ruined due to homophobia and homophobic assholes is suddenly being shipped with a guy who suspiciously fits the description a bit too much for our tastes. Wouldn't you get angry? Of course you would, we're all very protective of our babes. We are, you are, everyone is. We asked you not to do this, and while I admit that hurling curses your way might not have been the most polite way of asking you to stop, the message was clear enough. What does OFMD fandom do? They all double down. Double fucking down on fanfiction and tagging everything in BS again, pairing Flint and Izzy together, writing things way out of the realm of any possibilities because most of the writers didn't watch BS (I did read their comments on that. They weren't even sorry). If you take such character and throw him into a work of art that can and will be seen as controversial, you should at least have the decency to do your homework on the original work he comes from. Otherwise, to our eyes, you're taking the most wronged man from our beloved show, wronged due to his sexuality, and throw him together with a literal asshole just to see them fuck because they would look pretty (and that's an actual comment from one of the artists, I shit you not). Wouldn't you feel a bit angry about that? I bet you would.

What's worse, people loving Black Sails and not liking OFMD usually point out how narrow the representation is, how improbable the show is and how they're not remotely invested in the plot. It's a cheesy show for your average Sunday afternoon, don't make it into something it's not. It's not a political statement any more than Guess The Tune is.

What's more, when I've seen attempts at people pointing out the obvious flaws in plot, in logic (how many people crew that ship exactly? How is he not dead after being stabbed clean through with a sword?), all we've gotten was "Oh it's not that type of show, OBVIOUSLY", "it's just a comedy, duh" and my personal favorite "you just DON'T UNDERSTAND IT BOOMER". (I'm a late Millennial, thx). Every attempt was chucked out the window. What got me most, tho, was the high praise of OFMD IS THE FIRST SHOW TO [insert whatever queer thing it did supposedly]. No, it's not. There was even a post on twitter that debunked all those claims one by one. I get it, you're happy that you got your gay pirates, good for you. But give credit where credit's due, otherwise you're gonna piss off a lot of people. People who watched our show struggle and crawl so that your show can run today and be fine and accepted widely.

And personally, I felt disappointed watching it because of the lack of representation. Disappointed that Ed turned out to be just as rainbowy as Stede. Don't get me wrong, I don't have anything against rainbowy, ultra-sweet characters that are big softies. I love them. But not everyone in the lgbtq community is like that. Actually, it's the minority. There are your sweets, there are your glittery rainbows, but the majority is on the more... inconspicuous part of the scale. And there are edgy people (like myself) who don't like glitter, pink, feathers, fluff and a shitton of other things this show had in abundance. You know what made me wince while watching? When I realized that the only person who I could remotely like for the way they weren't so glittery-rainbowy-sweet was Izzy, and I hated him because he was an asshole. Even Jim got the fluffy af oranges arch. So not my (and others') cup of tea.

So yeah, our recent anger and rabidity is not based solely on one post about an insignificant poll (that you're winning only because our fandom is significantly smaller and most people are dispersed between different sites). It's all those things combined and it's the result of them.

And no, I'm not going to finish it with a "please forgive us if we seem a bit angery, we're coping". Flint wouldn't.

[listen-to-the-inner-walrus]

so benjamin zephhaniah passed away yesterday.

though id reckon more people might recognise him as jeremiah jesus in peaky blinders, he was also a writer and a dub poet, and he was unquestionably one of the best british poets ever.

i dont want to write like a whole biography for him in this post because other people have done that much better than i can, but instead i just want to recommend his work. he has countless books, plays, poetry collections, albums, etc.

one of my favourite things about his poetry is how accessible it is and how he writes poems the way he speaks them, and in regard to that, i just want to share one of my favourite poems of his, Dis Poetry:

Dis poetry is like a riddim dat drops De tongue fires a riddim dat shoots like shots Dis poetry is designed fe rantin Dance hall style, big mouth chanting, Dis poetry nar put yu to sleep Preaching follow me Like yu is blind sheep, Dis poetry is not Party Political Not designed fe dose who are critical. Dis poetry is wid me when I gu to me bed It gets into me dreadlocks It lingers around me head Dis poetry goes wid me as I pedal me bike I've tried Shakespeare, respect due dere But did is de stuff I like. Dis poetry is not afraid of going ina book Still dis poetry need ears fe hear an eyes fe hav a look Dis poetry is Verbal Riddim, no big words involved An if I hav a problem de riddim gets it solved, I've tried to be more romantic, it does nu good for me So I tek a Reggae Riddim an build me poetry, I could try be more personal But you've heard it all before, Pages of written words not needed Brain has many words in store, Yu could call dis poetry Dub Ranting De tongue plays a beat De body starts skanking, Dis poetry is quick an childish Dis poetry is fe de wise an foolish, Anybody can do it fe free, Dis poetry is fe yu an me, Don't stretch yu imagination Dis poetry is fe de good of de Nation, Chant, In de morning I chant In de night I chant In de darkness An under de spotlight, I pass thru University I pass thru Sociology An den I got a dread degree In Dreadfull Ghettology. Dis poetry stays wid me when I run or walk An when I am talking to meself in poetry I talk, Dis poetry is wid me, Below me an above, Dis poetry's from inside me It goes to yu WID LUV.

[ganseyenthusiast]

anyways since the theme of post-TRK seems to be that every single character ignores any development they had and gets worse, I'm listing everything out here + with a rating of how likely I, the authority of everything ever, think it was. greywaren spoilers obviously

1. Declan: Decides Dad was good all along, disregards real actual emotional abuse and parentification as "misremembering" how great Niall was. 6/10. CDTHEU Declan is a very different character to TRK Declan, I still think he's been too self aware throughout to suddenly walk it back THIS severely. I predict a severe breakdown for him age 30 since I've never witnessed someone do Denial as their last stage of grief.. it’s gonna be explosive

2. Ronan: Disregards his family for the majority of his arc, is worse to them than in TRC. does not call gansey for months. finds a new FP instead of a therapist. emotionally worse off. does find himself via terrorism I guess? 9/10. pretty on brand for Ronan to go scorched earth and suffer zero consequences. I do wish he was made aware of his birth circumstances and displayed the same love/grief for aurora/niall that he's shown in every book except greywaren. are you telling me he can look at the New Fenian and be OKAY?????

3. Adam: ‘Reinvents’ himself, suffers, lies, suffers again. Does not call gansey. Suffers in the VoidSpace, apparently with no lasting consequences. becomes a narc. 7/10. I was hoping for a more self aware adam post TRK but him choosing to pull a Henry Cheng is also pretty on brand. wish he'd actually broken up with Ronan for at least a week. him becoming a narc is unfortunately pretty accurate to character but government jobs are not famously well paying so it really does feel random? the only thing he’s done that’s close to sleuthing is inventing pedo murder charges for his teacher/keeping with the bryde stuff. plus he's still not utilizing his magic skill so this just feels like a continuation of the Harvard arc for the rest of his life which is REALLY baffling when u compare how many times TRK insists he's a magician and will remain a magician/psychic despite everything. seems he's growing MORE disconnected with himself. i’m all for negative development but it’s really being framed as a happy ending which is baffling ngl

4. Gansey: has a sociology degree + is only associated with blue (and nobody else) in the 4-5 years since TRK. Completely reversed his stance on henrietta being home, on "I'd take all of you anywhere with me", on his dedication to history/archeology. does not seem too concerned about Ronan going insane, still odd despite the time he's had to get used to it. 5/10. horrible representation of gansey but I DO like that he's focusing on himself instead of raising pynch. as i say this i remember the ring thing and grit my teeth. complete ignorance of Henry AFTER his whole "friends forever and ewer" TRK thing gives me a good playground to make things worse so I like it but it's definitely weird. how did being a teenager specifically suck for you king because I think Being Dead trauma is unrelated to age

5. Matthew: nearly found independence + love in the abrasive way that lynches give it, then was disregarded emotionally and still not given an apology for the Everything from declan. 8/10. extremely on brand for the lynches to not hold each other accountable. Matthew seems to have improved somewhat + Declan is less overbearing about him, so I like it, I'll take it

6. Henry: went into Seondeok's black market low level mob business, got divorced?, does not speak to bluesey. 10/10. it’s so bad. absolutely off brand for the entire theme of him rejecting the Orders his mother who Literally Forced him to come to henrietta gave him (did not begin this game looking for a friend etc). refutes the entire "find your own something more" theme, refutes the "three of us" theme, refutes the "im going to make something great" motives. and I love it. TRULY my worst ending for Henry is becoming yet another fairy market nepotism casualty. he will Literally never escape and it’s FANTASTIC it is so much fun. Ha Ha You Have Become Your Mother

7. Fenian/Mor: live at the fucking barns now. 1/10. you are telling me a series whose entire THING is based on growing up/overcoming grief/moving on ends with THE FUCKING LYNCH FAMILY BACK AT THE BARNS?????????? WHAT THE HELL???? WHY IS EVERYONE OKAY WITH ANY OF THIS??????????????????????????????????????????????????

[laviejaguardia]

Is Latino not an ethnicity????

It isn't (and it isn't a race either). Latinidad is a political identity with some sociological, cultural and historical background. What it does not have -and I cannot stress this enough- is shared genetics/common ancestry which is how I see it most referred.

Here's the definition of ethnicity from Wikipedia:

And to use roughly the same source, here's the Wikipedia disaggregation of Latin America today (which ofc I have issues with lol I'm not missing the irony of telling you "Latin America is sooo diverse" while using the "Asian" category, but I need to make do:

See what I'm getting at?

Let's continue, you can say "well I didn't mean genetics, I meant everything else"

Okay language:

Latin America includes hundreds of native languages like Quechua, Mayan, Guaraní (oficial language of Paraguay!), Aymará or Nahuatl, and always has! Without counting the beautifully mixed and improved Spanish, Portuguese (which I called Brasilero for years as a kid lol) and French, or even later additions like Welsh, Japanese, Chinese or Arabic from immigrant clusters that still speak it or are currently arriving into the continent.

So language isn't it either.

I don't even need to get into traditions c'mon look at Carnaval in Brasil, día de los muertos in Ecuador, an 9 de julio in Argentina and tell me those are all the same. Look at empanadas, tacos, humitas, pizza brasilera, tequeños, asado, sudados, etc

Religion? Argentina alone has the second biggest Islamic and Jewish populations in America after the US. Sure Christianity is paramount given the invasion and imposition by Catholic monarchies by the Spanish and Portuguese, but to say it's the only religion is to spit in the face of again, hundreds of native people's whose religions have been systematically erased since 1492. It is also quite reductive to only take institutionalised religions as valid forms of worship, or to ignore the fact that most Catholicism here would give European orthodox Catholics a stroke.

Now, history and social treatment, here's where the good stuff is.

Independencias:

These all look super different but these are processes and most of them took place in the first 3 decades of the 1800s so they're not that far off. These were carried out with an idea of hermandad. They used to be virreynatos under the same rule, we (patriotas) were all getting independence from the same monarch power (realistas). There was a lot of collaboration between administrations and armies. This was a decision from the leaders of the time, to seek strength in numbers.

The fact that we had to gain independence is a point of contact as well. At that time "patria" was understood as the desire to be independent, there were no neat lines to separate the territories. At this point in history you'll find lots of key people like San Martín, Juana Azurduy and Bolivar talking about "pueblos americanos" as a way to claim independence from imperialist/colonial European rule. (Brasil had a different history with the Portuguese court moving there)

The term Latin America or Latinoamérica came by a little later, the earliest it's been found used is 1856 by a politician from Chile, as you can see, the context it is used in is purely political.

Historically, the term when used by Americans is heavily tied to a way to gather strength in solidarity for independence and rejection of foreign imperialist aspirations, from the United States, France, Spain, etc etc.

I think latinidad is in a way a self fulfilled prophecy, we were invaded and as such "unified" where before were hundreds of different peoples. We took that very same unification and made it ours, in part because the rest of the world insists on putting us all in the same bag (included with things like the School of the Americas in the 1960s-1980s where all of Latinamerica was deemed safer for the US to be ruled by genocidal military governments than democracies that smelled just a little communist. Spoiler! it wasn't safer for us who had to actually live under them)

I reject the idea of latinidad as an ethnicity because it stems from the idea of "la raza latina" which is very very racist ("latinos" were the white Europeans from Romance language countries aka Spain, Portugal, France and Italy, there was a clear hierarchy there usual to the era that still affects our social and economic framework). It's reductive and it pretends to obscure and muddle a very clear and deliberate political choice that is to identify as latinoamerican.

This also applies to the latin people who emigrate to the US and their descendants, both the ones fixing the lawns and the ones emigrating without need of a visa to work a stable 9-5. Even if it seems only the first ones get the name.

So what's latinidad? It's whatever we say it is, hope this helps ✌️

[archivalofsins]

Real talk don't expect well thought out long posts that lean more on facts and statements from the series for a minute. I'm kind of actually getting out of being in an incredibly abusive and demeaning position for half a year. Where I was,

A. Verbally chastised for my interests which caused me to stop engaging in them at all. (Literally I watch YouTube essays and political videos all the time. I am a very average person I enjoy things that have a sociological focus. Got yelled at for doing that. And lectured for writing about Milgram on and offline too.)

B. Degraded and ghosted repeatedly while having multiple people speak poorly about me privately and publicly. For just engaging with the things I enjoy differently than they do.

C. When this happened told by a good deal of people it's not a big deal and victim blamed.

But let's get off the pity party in good news. I have been watching stuff I enjoy more often. I got the new Gravity Falls book and may be going out of state soon to relax. And I'm working on getting back into Omniscent Readers Viewpoint, which couldn't recommend more.

But at this time, I'm taking a more casual approach to discussing Milgram. Ultimately, people participate in fandom for community and personal enjoyment. My involvement in this one has yet to actually make me feel a part of a community more so heavily scrutinized by it. It's important to remember that even when things are difficult or seemingly unfair, they can get better.

Sometimes by simply going lol fuck those people and returning their own energy back at them.

All that to say, if I talk about Milgram at all before trial three, it will be mostly short snippets or thoughts nkt in depth as what I usually do.