#some of us love them

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[queerdraws]

projecting on luffy again. get bited.

[novelconcepts]

The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.

[totalshockwaves]

2013: *fall out boy comes back*

monkey paw curls and my chemical romance disbands, leaving millions devastated

2023: *fall out boy comes back, again*

monkey paw flips off brendon urie, and frees ryan ross from having to see him continue to butcher his old band

[ruporas]

endless love!

[ID Two drawing collage pages of Vash and Wolfwood from Trigun Maximum. In the first collage, top corner, Wolfwood looks upwards disgruntled with a flushed expression, lying against a pillow, as his hair is being pet by Vash's hand. Next shows Vash and Wolfwood from behind, Wolfwood with his top bare and hickies covers around his nape area. Vash lifts hair away from his nape and asks, "More?" Wolfwood nervously says, "No." Next is a side profile of Vash, his arms around Wolfwood from behind while Wolfwood rests his hands against Vash's arms. Next to this are two smaller drawings; Vash turns to Wolfwood and says repetitively, "Wolfwood, Wolfwood..." Wolfwood, not looking at him, says "What?" He finally turns his head and looks shocked as he exclaims, "So close!" Vash says plainly, "You just noticed?" Below these is a drawing of Vash and Wolfwood sitting together as Vash kisses and hugs him from behind with his right arm around Wolfwood's neck and his left hand around his side. He also has his right leg propped against Wolfwood's knee. Bottom of the page has a comic. Wolfwood looks annoyed, speaking to himself, "Where is that idiot?! Need to get out of town before--" A chat bubble exclaims, "Wolfwood!" The next panel shows Vash running from the townspeople, small text saying "Get him! Vash the stampede!". Wolfwood, mad and about to pull the Punisher off his shoulder, says, "Argh, you fucking dumbass!" Vash exclaims, "Ah, don't!" before pulling Wolfwood into a quick kiss. He then tugs on Wolfwood's collar and says, "There's no need to shoot, just run!" Wolfwood stammers, "R-right..." with a flushed, dumbstruck expression.

Second collage; Top left, Wolfwood spoons Vash in bed, his arms around his chest and the other beneath Vash's head. Vash has his hand on top of Wolfwood's as he sleeps while Wolfwood lies awake. Behind this drawing is faint sketches of Vash's face. In a small panel, Wolfwood hides in Vash's neck as he mumbles to himself "Stop. Stop thinking embarrassing things, Wolfwood..." Beneath this drawing is another of them in bed, Vash now turned to Wolfwood and a hand on his cheek as he kisses him good morning. In a simpler style, Vash wraps an arm tightly around wolfwood with the text "snork mimimi" next to him while Wolfwood says, "We need to get up. Spikey! HEY!" In this corner, there are faint sketches of Vash and Wolfwood; one of them looking at each other; Vash kissing Wolfwood's forehead; Wolfwood saying, "Hand" with an outstretch hand and Vash says "ok" behind a drawing of them holding hands, both turned away from each other shyly. Next is a 4 panel comic. First shows Wolfwood's face getting squished by Vash's hands with the text "squish" around his face. Next, his cheeks are stretched with the text "Chee--" Wolfwood then hits Vash's face with his palm, exclaimining "That hurts!" The last shows Vash on Wolfwood's lap, smiling to himself as he continues to have Wolfwood's face in his hands. Next to this is another comic; A close up of their hands, Vash holding Wolfwood's with both of his. He then kisses the palm of Wolfwood's palm and says, "They're soft!" Wolfwood looks at him with flushed cheeks, "There's no way that's true..." END ID]

[obsidianbit]

I love this gay ass show with its literally life ending injuries that heal immediately, but only when convenient to the plot, and its ridiculous use of modern phrases, and its laughing in the face of historical accuracy, and its kissing the face of the fans instead of trying to outwit them, and the way everyone involved in the show seem to go 'I KNOW RIGHT! I'M EXCITED TOO!' instead of mocking the fans

[bizarrelittlemew]

calling it right now that season 3 starts like this

[redysetdare]

Some of you people need to stop acting so shitty over aspec stereotypes because it's starting to get to a point that you are just shitting on the people who experiences match the stereotypes and it's hurting a lot more aspects than it's helping.

[egophiliac]

"IT WAS SUPPOSED TO BE A JOKE" As someone who's been playing TWST since march and stopped going out of my way to be spoilerfree after I got stuck at Overblott!Jamil? That's honestly been one of my favorite things about it - seeing something in fanart or a comment you think is just fans joking, only for it to be canon. "The economy!", "May I also throw a tantrum?", Malleus' gargoyle thing, and... everything about Rook being my top examples.

there's a whole bit in Trey's platinum birthday card where he goes on about how he became increasingly obsessed with mustard for like a week straight until the other students held an intervention. how are you supposed to talk about this. how can you bring up something like Trey's descent into mustard obsession to the point that the other characters are worried for him without it sounding like the most obvious lolrandom "he mentioned it once and now fandom acts like he puts mustard in everything" joke. also, how can I slip this into every Twst post from now on, because I need everyone in the world to know that this is a real canon fact about Trey "I'm just an average normal guy (who sticks my hands into people's mouths and owns 20 toothbrushes and used to eat flowers off the side of the road)" Clover.

for bonus points, 1) the punchline is that he still doesn't even like mustard that much, 2) he's saying all of this to Leona, and 3) Leona is actually kind of invested in Trey's mustard story for some reason, which is the most unbelievable part of all of this to be honest. (then Trey gets distracted by a painting of the Cheshire Cat and Leona takes the opportunity to powerwalk away to freedom before they can start talking about dijon versus spicy brown or whatever and extend this bit even longer)

[rushinintolove]

[shorthaltsjester]

the mighty nein - critical role

this is a place where i don't feel alone. this is a place where i feel at home.

[rileyclaw]

ohhh season 3 you wanna be here so bad....pssspsspss

i missed the kids so I gave them all bikes

extra:

[laddertek]

@countthelions (tumblr ate this when I tried to save my answer as a draft, so we improvise 🙃)

This one? :D

This whole stream was delightful. What a way to return 🤗

Tango was so happy energetic.

And from Tango calling Etho's storage system cute and Etho in gamechat going "CUTE?!" (00:41:07). To the razzing (and laughing) over shops (00:49:00 and 01:03:49). Etho taking Tango's head twice, and it all being so playful (00:58:11). Etho using Tango's catchphrases 🥹🥹🥹 It gets me every time! "porkchop power" "flee with extra flee!" And the way he said it was the cutest, and Tango's giggle about it too (01:00:59). Etho offering to give the tour Tango wanted. More mail talk and laughing guilt and planning and razzing and teaching Etho to do the stamps. Tango complimenting the path (and that Etho showed it to him when he first came back when Etho came to say hi) (01:15:41). They still plan on doing their sand-collection-off (01:35:06).

And of course the whole TNTificating with Etho's new "boom boom tech" (01:39:43--02:15:17) was just…the most fun. They are having the most fun together...it's an absolute joy. (And it's also them collaborating on how to figure out a redstone thing together which is just so satisfying.) Just...TOO MANY (!!!) (so many) fun moments in that whole TNT section that I can't even start on highlighting them all 😭 I'd need another mammoth paragraph...

Honestly??? Still smiling. Great great great stream 🥹

Timestamps are for YouTube not Twitch because Tango was so fast on getting the VOD up lmao

[poorly-drawn-mdzs]

Assisting Acquaintance Acquired.

[First] Prev <–-> Next

[piko-power]

"I never knew you were a hugger..."

"No body protects nature better than you, sweet Amy."

Whoa, he's bisexual! I didn't know that!

[little-pondhead]

[this is kind of a messy ramble, sorry about that]

Demon Twins AU, except Danny is loyal to the League.

The League of Assassins is a “cult” for a reason. They know what they’re doing. Ra’s has been around for a very long time; he’s seen every trick in the book and then some.

So when his daughter Talia gave him two, near-identical twin grandsons, he had already planned out their lives by the time the sun had set on their first day living. He knew the plans weren’t perfect. Nothing ever went exactly how he wanted it to. But that was the joy of being absolutely fucking ancient. Ra’s adapted better than anyone. If something went wrong, Ra’s will simply work around the issue and live to see another day.

So the boys were raised as he wished. Ruthless, with sharp blades and even sharper wit. They matched each other in every way, blow for blow. Neither won more than the other, and Ra’s encouraged the competition between the twins. Eventually, the battle for title of Heir came, and Damian won that particular match.

Danny was fine with this. Thrilled, even, for his brother to earn the title of Heir. The boys were very close, and worked well to take down targets twice their size. Ra’s approved this, and granted Danny title of Shadow. He was to be Damian’s eternal shadow, a guard. Both Talia and the boys were pleased with this.

But then came the time for the boys to learn how to live without each other. They’d gotten too used to someone guarding their back. Too complacent and too confident in their roles. Ra’s knew it would happen, and so sent Danny off at a very young age to live with some sleeper agents in America.

The Fentons.

Damian would stay here, with Talia, to learn how to be the perfect Heir. He needed to learn how to fight without the assistance of his brother.

Danny would go to Amity Park, and be fostered by the Fentons. He needed to put his skills to practical use and learn how to live without constant orders.

This was their Test.

Damian did quite well, for a while. Until Talia sent him off to his birth father, The Bat. Reports on his behavior declined in quality after that, and Ra’s couldn’t help but feel dissatisfaction with how the Heir had been corrupted.

Danny’s reports were always immaculate, however. His mask never slipped, and he’d worked himself into the hearts of the townspeople. The sleeper agents, Jack and Maddie, had a daughter who was quite enthusiastic about the properties of the mind, and accept Ra’s instructions to teach Danny with ease. It was the ideal situation.

In Ra’s eyes, Danny was thriving. Damian was not.

And then Ra’s died. The League was in shambles. Damian was at peace with his family, away from the cult he grew up in. He assumed Danny had defected years ago, since their mother stopped giving him reports about his twin.

Then Danny showed up at the Wayne’s doorstep, decked out in full League attire, angry and hostile.

“Tell me, dear brother,” he spat. “Why did you not inform me that Grandfather had died? I had to find out through his spirit when it came to visit from the afterlife!”

Damian didn’t know what to say.