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#some shitty guy is outed as abusive and everyones like
txttletale · 2 years
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everybody who is searching rick and morty for retroactive validation that justin roiland is a domestic abuser should be lightly dusted in flour and left out in the rain. i think that the proof that he’s a domestic abuser is the domestic abuse that he did and not that there were edgy jokes in his lame cartoon. tbqh.
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scarletiswailing347 · 10 months
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also saw the screenshots of subz talking in his discord but i dont remember where i first saw it and i cant find it anymore but apparently hes had a problem with zam since s4?? and now hes taking this situation as something to his benefit which is. weird to say the least
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haunted-house-heart · 2 years
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living with someone with untreated mental illness is like. i understand why you're like this and i do empathize but also like. jesus fucking christ get some help before i throttle you i stg
#i hate my sis so much. like i get it. i really do. a lot of how she acts is due to mental illness and trauma but at the same time she also#just really shitty. like ik recovery is different for everyone and you move at your own pace but she just. isnt recovering at all it seems#like its been 6yrs since we got out and my mom and i have worked really hard on getting better and changing our behaviors#all the while shes just getting worse and worse to be around. like shes legitimatrly turning into my (abusive) father#its terrifying honestly but we cant do anything about it bc you cant talk to her#you say like ''hey this thing you did upset me can you please try to not do that again'' not angry or anything and she starts crying and#yelling bc youre triggering her and its not fair and nobody loves her and like. i get that some people cry a lot and thats fine! i get that#but its literally impossible to talk to her about anything bc she acts like shes the victim and youre fuckin evil for telling her to please#not put her dirty clothes on my shelf i dont like that please. like thats not an unreasonable request and im not being mean about it! but#im the bad guy for doing anything that critisises her.#and she treats my mom like shit. like i could deal w her being a bitch to me but to momma? fuck no.#i dont believe you owe your parents shit but my mom has been a fucking saint when life dealt her a hand that shouldve made her a devil#she did her absolute best and *she* was the one that sacrificed everything to get us out#and my sister treats her like shes an incapable selfish idiot.#and she never lets me talk. shell talk for an hour about smth she knows i dont care about but when i try to tell her like. hey my fav band#is putting out a new album or smth im real excited about. she gets on her phone and just ignores me.#and she KNOWS this triggers me badly its made me suicidal before and yknow what happened then? i had to apologize for making HER feel bad#she talks over both of us but it you start talking when she was THINKING about talking she has a fit#and she actively tries to gaslight my mom. like im dead fuckin serious my mom has to ask me if smth really happened bc my sis told her it#did/didnt and she has to get me to confirm the truth for her#and she treats her pets like crap she should not be allowed to have pets bc she just loses interest in them and stops taking care of them#and we have to pick up the slack#its literally just like being with my dad again. walking on eggshells all the time#my mom cant watch tv at night bc ellie gets pissed at her for ''waking her up''. even tho she claims she never sleeps.#i hate her so so much i want to punch her i want her to move out i want to never ever see her again#but rn we cant afford to live on our own. so we have to stay with her#anyway.#vent#tw abuse
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snekdood · 3 months
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bitches prolly out here psychoanalyzing my old art on behalf of my abuser to cushion their belief that im a Horrible Person but then dont see the irony when I point out the shitty things my abuser has drawn and how I see it as clear evidence of their mindset and beliefs (of what's okay to do and how to treat people) descending and pairing that along with everything else they've done and it paints a clear picture of how this person got to the point of thinking it was okay to abuse me the way they did and then the people looking for reasons to hate me through my art will act like "they're just drawings !!!" about their art. which one is it. does someones art say something about them or not? or does it only say something about them if you hate them?
#personally I think me making fun of a douchey type of dude is less bad than drawing 'rape is fun' but yknow#ig I can just weigh the gravity of how bad each thing is accurately idk#vent#'yeah but you started to identify with the douche bag character !!' well- even before i realized I wanted to be him- the plot was#already that he was going to grow out of being a dick. him and mj were going to help eachother realize their flaws and become better#to eachother and everyone else. so by the time i DID realize I wanted to be a guy I already had in mind the mature version of him#floating around but I didn't really post about it bc I didn't want to spoil anything at the time#and it took me a LONG TIME to accept that I wanted to be snake. I was trans before that. and then when I was close to accepting it#I had that whole 'lsd' thing that made me slink back into my shell bc the people I was around made me feel like I would never be a guy#so instead I figured if I couldn't be snake then the next best thing was to be *with* him and started to self ship myself w him and he#evolved even more into an even more mature version of him that by the time I got out on the other side of feeling like I couldn't#be a guy I had this more serious and mature version of him in my mind and started to accept that I wanted to be him and basically was him#and just didn't know bc that version of snake was more like me than the one I made in 2013/14#in 2013/14 I was only ever considering my comic in the context of some sort of comedy and just wanted to make a douchey character#to make fun of bc I had a lot of douchey people in my life who I felt like needed to be knocked down a peg and I figured the best way#to do that was to make an example out of them via the old version of snake and have him be an overly confident asshole whos hubris#often gets himself humbled even if hes too prideful to accept or admit it#at this point in time I didn't really see much of myself in any of my ocs. maybe a lil bit in mj and (mostly)peaches bc I didn't know it wa#ok to id with a guy... but even when I did subconsciously id with him here n there...i didnt relate to snakes douchey-ness like at all.#sometimes I jokingly act like a douche but again its for the same reason that I made snake a douche back then in the first place-#to make fun of people like that- to hopefully show them how foolish they are by me mirroring them or. alternatively. making people#laugh at me acting that way because pretending to act like a douche is easier to enjoy and laugh at than dealing w an actual douche#i'd do it with my ex-bestfriend all the time- I made snake such a dick because we'd laugh about it together and bc we wanted to make#fun of the dicks around us who lacked any self awareness and if not that any actual fuck about how lame and shitty they come off#what can I say. it's fun to mock people sometimes.#when I actually started to accept it my first pic I drew of him being obviously trans was in 2016... soo a couple months before I remet#my abuser...#which honestly explains why that whole relationship was so rough on me. I had just finally accepted myself and then this person comes#along and tries to smear me and gaslight me into thinking im Horrible for who I am. like. hello???????#my first time fully being myself was with them and their friend group and they all accepted me until their cult leader told them not to
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astro-g0re · 9 months
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tempted to make a story that'd cause so much discourse on this app and would probably get me doxxed if it got noticed
#i want to make “problematic” stories with shitty characters#like yes they're great for these aspects but also they're a murderer#and i want to take a character of mine and make two of them to study how people would react/treat them#my stories will probaby never get any notice but i like the idea of it causing discourse#the mc is a girl who's a fucked up burnt out people pleaser that easily gets manipulated and turns into a god against her will#i think people would find a way to find bad stuff about her like 'she didnt have to kill those guardian angels or kill that capitalist scum'#but she had to because she thought jt was the only option to and she's stuck with someone highly manipulative#and on top of it the manipulative guy is a major fucking liar who's like “yeah these guys are actually killing humans lol”#people would probably really like or hate this one character from the cult the mc kind of breaks up?#she doesnt full on destroy the cult as its existence still lingers but its still there haunting the narrative and the character#as hes constantly in some kind of hiding and terrified of any strangers as he sees everyone as some sort of threat#also i think a funny part i havent revealed to people i know is that hell does and doesn't exist at the same time because its just earth#heaven doesnt exist either#god(s) exist in the world just because they're technically just what makes up the universe/crucial things that hold up existence#but gods are really easy to kill tbh#hard to make but easy to kill#also angels are technically like fucked up lice/dandruff that tried to find a purpose and build a society#and the only way they can travel to earth is through black holes#all of this is more of background info tbh#some major themes would be about the affects of abuse/mental issues and thay family doesnt have to be blood related#also of course dog metaphors will fit some of the characters#and of course how obsession left unchecked is really unhealthy for every side sometimes#a lot of the themes are a little vent related but id rather put my soul into a story rather than make it plain and going into purity culture#edit: also most of the characters are trans and queer but not explicitly said because its not important to the story/whats going on#like yes this kid in hiding is trans and queer but he's in hiding from a cult to really think of romance or more about his gender#also i think itd be kind of silly that even through the worst living conditions that he was still given a binder and gender affirming care#considering how his life goes in there#like “your family will miss you please dont leave us my faithful daughter” “hey actually im a guy sorry” “oh okay. dont leave us my son”#they can excuse child torture and cannibalism but they draw the line at transphobia
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mylordshesacactus · 1 year
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Okay so like I'm sorry to everyone else's Modern AU Headcanons or whatever but the actual modern equivalent here is that your plane has crashed in rural Nebraska and the survivors are
You
A homeschooled goth girl who was raised in a bunker by a bunch of excommunicated Scientologists
A pissed-off bisexual who grew up in some kind of sovereign-citizen compound and has vastly overestimated her current class rankings at West Point
The disgraced son of some politician who made a deal with the mob to protect someone and then took a dive to protect his father's reputation rather than try to explain
Straight-up a human trafficking survivor who's using a fake ID to try to flee the country
Genuinely a really sweet young woman trying to get out of an abusive relationship whose shitty ex-girlfriend destroyed her highly-controlled and incredibly expensive heart medication out of spite to punish her for leaving, and who also lost her health insurance when she ran
and of course
Some guy from the Hamptons who is otherwise honestly super friendly and normal, except that he's managing his terminal leukemia by sucking the dye out of shoes and it actually seems to be working
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keefechambers · 7 months
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I wanna be blunt about this ongoing James somerton suicide threat issue but I don't want to connect it to my IRL Twitter to comment on the dogshit takes I'm seeing there or the good and well meaning but maybe too kind takes I'm seeing here.
Obviously, I hope that this is a false alarm cry for help fake threat. Yes, it would reinforce that Somerton is a self-centered egomaniac who can't handle consequences but that's preferable to dead.
But I work in local news and let me tell you something. I've covered half a dozen family annihilating murder suicides and heard hundreds of men making suicide threats over police scanners and a huge swath of these don't happen because they're depressed or because people are mean to them on the Internet. They're punishment. A person with an enormous amount of entitlement towards people around them gets backed into a corner and they punish the people closest to them by killing themselves or threatening to kill themselves.
No one wants to talk about this feature of suicide because...you want to help people who are struggling and guide them away from this path and being blunt about the fact that sometimes people die of suicide as a consequence of their own shittiness towards the world does not really help actively suicidal people. But suicide rates are higher in men not just because they have higher rates of untreated mental illness (a societal issue we must address for the sake of all) but because some people, often men, use suicide (but more often the threat of suicide) as a tool of abuse and control.
I'm not saying somerton is like, an icky abuser bad guy, he's just a run of the mill grifter scumbag, but his actions in the past show a clear pattern of escalating behavior that aligns with this.
Somerton gets called out -> somerton alleges physical threats of violence against himself and his fans rally around him supportively -> Harry calls somerton out in a bigger way -> Somerton says he's hospitalized but there are inconsistencies with the story but no one wants to talk about that because you wanna be nice-ish about a guy who just tried to kill himself and now he's trying to be framed as tragic but it doesn't really stick -> somerton apologizes again but his apology is rightly called out for lies and manipulative framing as well as his continuing attempts to profit off the community he betrayed -> James posts a suicide note publicly putting the onus of his own suicide on the loss of his friend Nick who he repeatedly threw under the bus and now everyone is rallying to say nice-ish shit and wring their hands in concern over poor james -> indefinitely repeat this vicious cycle forever until he actually does die or finally gives up and gets real, intensive therapy and a day job.
Thats not to say anyone's concern is misplaced, it's 100% better for him to be a living scumbag than a dead one. He deserves the chance to grow and learn and have a life outside of youtube.
But you don't have to portray this as the action of a sad depressed man who got bullied off the Internet. It's manipulation, whether he intended to go through with it or not and whether someone intervened or not. Not denying that internet bullying is a thing, I'm sure there were some people who were shitty directly to James but he made the choice to not unplug from this and to try and keep being a public figure rather than taking care of himself. He could have deleted Twitter, blocked anyone who was an asshole, gone to therapy and tried to move on with his life but if he'd deleted his channel he'd have lost monetization... Can't have that, right? So he posts some apology videos so his channel stays active and then complains about how ruinous this is while never trying to take real accountability.
But the reality is that people would have forgotten about him so quickly and maybe his job prospects would've been impacted but...that's on him, and that's for him to figure out but it's not actually life ruining. He chose to continue to engage knowing he'd get backlash and hate and he'd feel worse and worse and things would never get better without the time and space for people to forget.
He made the choice to make a public spectacle of his own alleged suicide. That is the action of someone who wants to put the weight of their suicide on someone else's shoulders and is morally wrong. He can be held to account for that, alive or dead.
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cutebat · 2 months
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You know what, fuck it. I'm going to write my own neglectful yandere batfamily cause everyone else is doing it, but I'm going to do it in a different way.
Yandere Batfam x Neglected, but Defiant Reader
Prologue (Diary Entry)
Warning(s): Mentions of yandere themes, neglect, emotional abuse, mentions of physical abuse, forcing to drop out, attempted guilt tripping, reader is just venting out her feelings
(I made this in the reader's POV to make the whole 'diary entry' thing more sense.)
~~~~~
July 22, 2024
It's funny when someone tells their story.
Only to be told back that it's unrealistic.
Almost as if they're afraid to believe it's real...
Oh, God, that sounded dark.
~~~~~
For everyone who doesn't know,
Bruce is a billionaire who's also a shitty dad
Dick is a dick, like actually
Jason uses his trauma to let all his frustrations on me
Tim is a delusional bitch
Cass was okay until she knocked me to the ground
Damian is just a thing who you want to burn to ashes
Alfred... I guess is just Alfred
~~~~~
I was basically raised as what people would call a 'black sheep'. Kind of like... actually, I don't need to explain all that.
Basically, I was adopted by the infamous Bruce Wayne when I was ten for whatever reason. After the first day of living with him and the family and giving me the new role of Batgirl, everyone just pretended as if I didn't exist.
I tried to interact with every one of them and all I got were "sorry, can't talk right now" and "can you shut up".
Like, WHAT THE FUCK DID I DO TO THEM?!
Is it because I'm prettier than all of them and had barely any trauma in my past? Seriously, why are people so jealous about these kinds of things?
Bruce really signed all that paperwork for nothing.
Of course, my little ten year old brain would think that if I tried to impress all of them with what I could do, maybe I could gain their attention.
So by the time I was twelve with my ten year old mindset goal in my head, I did nine different after school activities, won over fifteen awards for my achievements, and went out to patrol at least six nights a week.
And none of that worked! Those fuckers wouldn't even spare me a glance!
~~~~~
After a while, you don't see a point in trying your best.
I dropped out of most of the clubs I regret joining, I just laid back in my classes, and most of all...
I quit being Batgirl.
I didn't want to, but like I said, where's the point in that?
So with that, I just gave up on everything and just... stopped trying.
~~~~~
But then one year all of that almost changed?
For the first time ever, I found myself suddenly really pretty, and after a month I entered eighth grade, I was suddenly asked out by one guy, then two, and all the way up to ten!
It was like really cool!
The popular girls became my best friends, more guys would ask me out, and the teachers started pointing out that I was their favorite student, even the ones who weren't my teachers.
It felt like I was on top of everything. That I was special. The world is revolving around me.
Finally, I was in a place to build a great reputation.
And then life was like FUCK THAT!
~~~~~
After the first semester of eighth grade, Bruce was weirdly in my room and he said wanted to have a 'talk' with me.
So, during this talk, he was basically talking about the last three years of me being neglected by him and his family. To be honest, I forgot everything he told me, but honestly, I don't really care.
He also told the others about all this and now they suddenly feel bad which I don't give a shit about. But, I knew he was doing all this to guilt trip me, which was honestly so stupid.
Now, after he dropped that bomb, he told me that I had to drop out of school to do some "bonding time" with the others along with him and the people who actually cared about me didn't really matter at all!
I JUST GOT SETTLED IN!
All I said was "FUCK YOU" and just stormed out of my room with the only thing that I took was my diary that I had for quite a while that I never used before.
~~~~~
So, yeah. I'm currently in the attic, venting my feelings all out on this stupid glitter diary with a random pen that I found on the ground.
But whatever.
It doesn't matter.
Nothing matters...
My life is just a game.
A sick, hopeless game.
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spaghettioverdose · 5 months
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I've never really talked on here about how I figured out my gender, and since this whole egg discourse is going on, I feel like I should.
I'm not one of the trans women who figured out their genders at age 4 and became fully confident of it. Up until around 16 I didn't even begin to consider that I may not be a cis guy and it took me up until almost 19 to fully realise I was a trans woman. Before this, at 18, after feeling particularly shitty for weeks (from what I later learned was definitely dysphoria), I attempted suicide.
I only really started to understand myself once I started hanging out with other trans people on discord servers. My perception of transness was the more mainstream-accepted version (at that time) of "I always confidently knew I was a woman basically from birth and I exhibited x, y and z feminine behaviours at all times etc." which I didn't fit in with, so I always thought "well I can't be a trans woman because that's not me". Being around other trans people, and especially having other trans women point out behaviours I had, and tell me "that's also how I thought before I realised I was trans" helped me immensely.
I didn't get any of the rigid online definitions and examples, nor did I get the perfectly sanitised videos from the handful of trans people who made it on youtube. None of that felt like me at the time. I didn't have any point of reference. I only really understood myself once I related to someone who used to be in the same position. If some trans girl didn't call me an egg, I might still be a completely miserable "cis" guy to this day still, or even dead.
I understand that others have had worse experiences when it comes to this, but we must recognise that the problem in these situations is outing or harassment. The porblem is abuse, and as with all things interpersonal, you can always turn it into abuse. As with all things interpersonal, you have to have some amount of tact and caution.
I don't think we should harass anyone into getting their egg cracked (and this happens vastly less often than people here seem to think but it does happen), but also we shouldn't be constantly agnostic about if someone is trans or not, because in the end not everyone is capable of coming to that conclusion by themselves, and by the time you've "let them figure it out" they might've spent several more years being miserable and not knowing why or they might be dead.
It is also very important to point out that this discourse is only really happening because there is a particular bias against trans women. This isn't a discussion of how to approach the subject, or a handful of people talking about their experiences with it, it's a discourse where one side is trying to problematize another aspect of the transfem community. Notice that people are arguing this when it comes to transfems and not cis gay people or even transmascs. Notice that this website always cycles back to attacking some aspect of the transfem community every couple of weeks.
Do you really think these arguments are being made in good faith? Do you really think it's worth adding to the sea of transmisogyny that is this website and most of the world?
As always, this post is meant for people who are genuinely well-meaning. The dipshits who keep jumping on any excuse they can to harass trans women can go fuck themselves.
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inf3ct3dd · 9 months
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streamer!ellie pt.2
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summary: i hated the other one of this that i made, so REMAKE TIEM!!!
warnings: miiinor sexual content, shit talking, gay people 😒
authors note: heheheh ples don’t flop this time..
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- during her faceless days, she opened up a po box so ppl could send her things, and she made an amazon wishlist and she unboxed stuff on stream 😍😍
- one day she was unboxing a giant box of cat toys. string, those little feather stick things, even that weird automatic flapping fish thing (that she secretly loves and taped to her back one time)
- she was playing with this one toy that was a little fishing reel, and it had string and a little fish on the bottom. she went on and onnn about how shes a self proclaimed “fishing master” while garf chased it around, letting out little meows and growls of frustration.
- eventually, she lost her grip and let go of the pole. she bent down to pick it up, forgetting that her face would be in view. thus, the chat started blowing up.
ewwwbruh: FACE REVEAL
ewwife: EW WE CAN SEE UR FACE
ewwife: JUST THE SIDE BUT WE CAN SEE YOUU
ewssidechick: her nose looks so rideable…
- she got distracted petting garfield, and didn’t realize anything until she stood up. she was getting tagged over and over again on twitter, blurry pictures of her face (curtesy of the shitty webcam) circulating through her subreddit.
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- “guys. im gonna erase this from ur memory…” and she literally held up this goofy ass hypnotizer pendelum and started fake hypnotizing everyone like “that never happenedddd” “you don’t know what i look likeeee” “that was fakeeee” “chat that was not reallll”
- and everyone literally js went along with it and pretended it never happened. like ppl were tweeting about it and everyone was like “huh??? what are u talking about bruh??”
- she did the same thing after falling off her rainbow unicorn scooter 😞
- one time she revealed that the “ew” in her username stood for her initials, and everyone was making the most horrendous guesses. elliam willace being the favorite one.
- “guys, my name is not edward wilson??? i am…not a man”
- shes gotten into so much drama…multiple notes app apologies have been issued via her instagram story.
- people would ask her opinions on other streamers, and she’d literally just be like “…i have no idea who that is.” and people would get so MADDDD but homegirl is literally just blatantly unaware
- or she would know , and would literally be like “they’re honestly super annoying and i would rather kill myself than watch them but whatever floats ur boat ig!”
- she played that “womp womp womp womppp” sound effect on her soundboard afterwards.
- SPEAKING OF. she abuses that soundboard sooo much. its so obnoxious and annoying like I SWEARRR!!! she’ll tell a horrible pun and play the crowd laughing and cheering sound effects while literally no one laughed.
“guys. whats the best way to watch a fly fishing tournament??”
“…live streaming.”
(crowd cheering sound effect)
“nooo thank you thank you, you’re all too kind, really!!”
- meanwhile chat was dead silent.
- every time she gets to choose her own name on a game its some dumb shit like "jizzmaster" or "chris fucker"
- “it appears you have entered innapropriate content.” “OHHH LOOK AT EPISODE LOOK AT THESE CORPORATE BIGWIGS TRYING TO CONTROL THE LITTLE MAN???”
- she just ended up naming him “chris phucker”
- like when she played episode on stream and made up really annoying voices for all the characters and made her character look like an elderly man, and made the love interest look like you 😍😍
- she messes up sm on games when she streams normally, but when you're there? she is LOCKED THE FUCK IN. sitting there so focused the entire time just to show off
- whenever she randomly goes silent she just starts SINGING. it's either nicki minaj or some fucking fnaf song
"IS THIS THE THANKS THAT I GET FOR PUTTING U BITCHES ON???"
- speaking of, her favorite fnaf song is def “stay calm” cuz she loves saying “hey kids. Nice to eat ya.”
- bought one of those "i paused my game to be here" tshirts…ironically. you refuse to let her wear it in public
- beefs w kids on fortnite sm... she has definitely gotten banned for saying she was gonna bomb a kids house or fuck their mom 😞
- every time she plays a game, she'll literally sit there and watch an 8 hour long video about the lore. she'll plop down on the couch and watch it like a movie
"did you know everyone actually thought that fnaf one took place in 1993, but it was actually 1992?"
- she definitely had you sit next to her when she played through fnaf because she was lowk scared the entire time whenever she heard you walking around the house while she was playing she'd hear footsteps in the hallway and be like. WHAT THE FUCKKK
-she'd have you right next to her, laying your head on her shoulder and messing with her free hand. if you fell asleep, she would be sitting there slapping her hand over her mouth whenever she gets jumpscared bc she doesn't want you to wake up 😞
- sometimes, while she streams , she plays one handed games and lets you sit and draw on her arm for fun. even got you a whole set of those skin markers so u could go ABSOLUTELY HAM. she got one drawing you did that said “r + e 4eva” tattooed in ur handwriting…such a sap
- she loves watching fan edits of herself...AND OF YOU. she'll be on her burner account with a whole collection on tiktok of edits of you.
ewwsbiggestfan: shes so bad i want her to hit me w her car...
- speaking of. imagine her using that account to make shitty capcut edits of you like
- shes ur biggest fan ongod
-WHILE WE’RE ON THE TOPIC OF “fans”…what if i made a completely new origin story for streamer!ellie and reader. what if they were both streamers….
- OKAY SO BASICALLY.
- you had started streaming about a year before ellie did. butttt, you two did very different types of streaming.
- you weren’t very into like, SERIOUS video games. sure, you played some stuff, like animal crossing and roblox and the sims, but nothing more than that.
- that wasn’t what you were streaming though.
- ever since you were younger, you had been wayyyy into…literature.
-by literature i mean fanfiction. heaps of it.
- actors, anime characters, BOOK CHARACTERS, you were in DEEP
- sometimes, for fun, you used to read them out loud in stupid voices. when you were alone, or with your friends, it was very entertaining
- that’s when you got the idea to start streaming it. if it could entertain your friends, and you, whos to say it wouldn’t entertain other people.
- well, it definitely did. in your first year, you hit 10k followers. people loved you. theyd make edits of you, send in requests of fics for you to read, everything.
- a while later, ellie started gaining more and more popularity. out of all the incomes of fame, fanfiction was the most. abundant!
- one day, you got a request to read an ellie x reader fic. at the time, you barely had any idea who she was, but you decided to just go with it 🤞🏽
- “who the fuck is elliam willace???”
- the fanfic was definitely very…graphic!
- “your hips rolled onto her thigh, her slender, tattooed hand palming at your waist. ‘you’re doing so good babe, fuck.’-“ “GUYS. ISN’T SHE NOT ON MUTE RIGHT NOW???”
- you couldn’t help but giggle the rest of the fic, feeling a nagging heat in your core. you didn’t even know who the girl was, but if this fic was accurate, someone would have to sedate you.
-“im actually. gnawing at the iron bars of my enclosure. GUYS. who is this woman…is she real… if she is. things are about to get WICKED.”
- not very thankful to you at the moment, she was very real. apparently, you and her were streaming at the same time, and your followers raided her stream telling her she was reading about you. her curiosity was obviously piqued, and why would she NOT join the stream?
- creeperewman: im definitely real!
- the text on your screen literally made your stomach fall into your ass. you stood up and legit just walked out of the room, camera still on. was she there the whole time???
- creeperewman: aww 😞 where’d she go she’s so badddd
- you eventually returned after a minute of calming yourself down, and low and behold, she gifted you 100 subs and followed you on instagram.
- she was definitely very real!! and that fanfic was…lore accurate. to say the least 😊
- after you two started dating, the two of you would often show up on eachothers streams. ellie, teaching you how to play cod, and you, reading with her.
- she secretly loves reading the fics people write about her and making fun of them, and every time you stream with her shes “subtly” hinting that you should read about her
sitting there pulling on her collar, looking away like “gee, wonder who you’re gonna pick today” with the worst fake laugh ever.
- “ellie can barely ride a scooter, idk why she’s in the mafia rn…” “you fall off ONE TIME and all of a sudden you cant ride a scooter. bullshit.”
- she makes fun of all the dumb pet names like “babygirl” and “darling” and randomly calls you them and bursts out laughing
- you still read those fics when you’re bored sometimes. and ellie MERCILESSLY makes fun of you for it
“yknow, if you missed me that bad, you should’ve just told me.”
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faraway-archive · 9 months
Text
Sleeping n' Fucking
Yan(ish)!Nerd x GN reader
Tw: cnc/dubcon, somnophilia, semi-degrading
AN; didn't proof read/edit and please welcome my nerd OC <3
˚₊‧꒰ა❤︎໒꒱ ‧₊
Your teacher has decided to do a partner project right before the school semester ends. Fortunately for you, you got a partner who you sorta know. You have seen him a couple of times outside of the classroom, but never really talked to him a lot. So you went and sat next to him.
"Hey, your name is Luka right?" "Yeah, that's me. Nice to meet you. Do you want to meet at my house to work on our project together?" "Yeah sure, that works." "Alright. See you then." "See you."
As soon as you finish the conversation, the class has ended and everyone left. Luka slowly followed you from behind. Avoiding your line of sight, he made sure that you made it safely to your next class. Classes went by and you were finally able to meet up with Luka again at the end of the day.
"Hey, hop into my car I'll drive us to my house." "Alright."
Once you arrive at his house, you follow him to his room and sit down on his bed. Looking around at the posters and decorations. While you were looking Luka left to make some snacks and tea. Of course, he added something to make you sleepy and drowsy. He is giggling inside as he anxiously mixes the drink and carefully brings it up back into his room.
"Hey, sorry for taking so long, here is your drink and some snacks." "Oh! Thanks."
You take the drink and slowly sip it. Luka sits next to you and pulls up the project requirements. Both of you threw ideas at each other to see what the project could be about to make sure it fit the criteria. After both of you agree on what to do, you start to feel sleepy and drowsy. Of course, Luka takes notice and his dick starts to harden. The more you fight to stay away the more obvious his bulge is. He carefully guides you to his pillow and watches you fall asleep as he turns his back to you, trying to pretend to work on the project. As he glances back at you after a couple of minutes, you have fully fallen asleep and groans as he watches you. Looking so peaceful and innocent. He feels slightly bad but he's tired of watching guys flirting and or talking to you so that guilt quickly washes away. Carefully taking off your clothes, giving petals of kisses as he removes each piece of clothing. Sighing at the beauty of your body. His dick keeps twitching and he finally undresses himself.
He aligns himself in front of your entrance and rubs his pre-cum all over your hole. Sighing and biting his lip as he slowly enters your hole. Holy shit it feels so good to him as your hole clenches onto his dick. Giving you kisses as he keeps slowly thrusting back and forth. It feels so good seeing how weak you are underneath him. After thrusting slowly he picks up the pace and starts going ham. Groaning as he hears you softly whimpering and moaning as he abuses your poor little hole.
"Fuck, fuck, fuck. You like that huh? Being unable to defend yourself as I take your hole and training it to only love my cock, and only my cock. God, I love seeing you hopeless as I ram my cock into you. Oh, how I love seeing you and admiring you from afar. You have no idea how much I wanted you to myself. How I want you to whimper and moan for me, begging how good my cock is. God, I wish you were awake right now but I can't risk you screaming at me. Not yet at least. You will be with me. You will be mine."
He grabs your waist and slams you into him as he cums into your hole. Panting as he dumps his load into you and slowly pulls it out, watching his cum come out and puts on your undergarment. Taking his cock and carefully puts it into your mouth. Taking your head and slowly rock back and forth as you 'suck' his dick. Once he feels satisfied he cleans himself up and dresses you back to normal. Sighing at your beautiful and wrecked body wishing you were his.
AN; sorry that this ending was shitty </3
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girlystories · 11 months
Text
Being the Bowers gang girl
*ೃ::Both platonic & romantic headcanon
– pairings: various x reader
addition warnings: swearing, bullying, very few depictions of sexism, few derogatory names, toxicity, abusive parenting.
words: 2.6k
this was entirely inspired by z0mbiekittyy, so please check them out!
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Meeting/joining the gang
you were at first the quiet, loner girl who kept to herself, only having a few acquaintances, with very few friends.
it wasn't because you were a loser. only the opposite. everyone wanted to become friends with you or get to know you in some way but you never let anyone get close.
everyone had heard of you of course. when they realized you were different they stopped trying to read you or make their mind about you.
that was until greta keene couldn't get enough. she hated the attention you got. so one day she started spreading rumors about you.
it was relatively easy, since no one knew you enough to disprove them in any way. one word went to another and everyone in town now started talking shit about you.
despite that, you didn't care. you had your mind somewhere else. popularity and school drama weren't your thing.
you didn't mind hearing the remarks spat at you when you wandered the halls or when you were in class. you were completely and utterly unbothered.
word got fast that it even reached the all too feared bowers gang.
you were making your way to biology class when you were shoved against a locker, all your books falling one by one on the floor.
"well well well, if it isn't derry's most favored whore", henry was the first to indulge in the act.
he was followed by vic, or – as he liked to refer to him as his 'right-man', "hey, hank. why haven't we ever tried to mess with her before?"
you tried to back up slowly, but your back hit against another frame. when you looked up your eyes met with a pair of green ones, followed by an unsettling smile.
it seemed like no one noticed what was happening – or in better words, no one gave a shit about what was happening.
"dont worry, [name], we're not gonna kill you, jeez," belch revealed.
that made henry groan and turn his head towards his friend. "shut up."
patrick, still behind you, held onto your shoulders, which was very easy due to his height. "or we will, you will find out soon."
"both of you shut up," henry silenced them before it could escalate to something else. "so, how about you come with us for a ride? ya'know, get some air n' stuff."
"you mean like skipping school?", you asked.
"why? are you scared? I'm sure your reputation is as shitty as it can get. can't get any worse than that. even ours is better."
you shrugged, and just decided to follow them. just as you sat at your seat – between vic and patrick, you couldn't make out the read ahead of you, as they were driving recklessly. where you were, you hadn't the slightest clue.
they were laughing and howling, sometimes shouting at the drives passing by.
you? well, you were scared shitless. you clung onto your seat belt, and holding back the urge to start shrieking.
after a while you got used to it and had to admit deep down it was kinda fun.
when you stopped, you realized you were at a junkyard. they prepared a fire when the sun began to set down and opened some bottles of beer.
as you all circled around the fire you began to talk about whatever. you also found yourself to... tolerate them. or, better yet, even enjoy their company.
before you knew it, little by little you hang more and more with them, slowly becoming one of them. it was the first time you were a part of something. they felt like home and you could trust them, despite the hardships and more extreme emotional outbursts.
your reputation got even worse but you didn't care. you had found your people.
Activities
other than hanging out in the junkyard, you guys do other stuff (of course).
it's like you all live together, while you also don't. frequent sleepovers, meet-ups on each other houses take place, ect.
vic once convinced you all to go camping a few towns away. despite being the one who recommended the idea, he ended up despicing it. on the other hand, patrick who hated the idea ended up having the most fun. scaring vic by hiding bugs in his tent and pretending he was hearing bears or wolves. belch had enough and kept demanding they'd stop fighting, while you kept laughing at vic's reactions everytime. you never went camping again.
every morning belch picks everyone in order, first henry, then patrick, then you, and lastly – the sleeping queen himself: vic.
then, you make a stop at the local diner, everyone choosing their own specific order that the waitress had already memorized.
unless vic had a hangover from the party the day before, he wouldn't stop complaining about who-knows-what.
sometimes, when you were really bored, you'd go out of town in search of abandoned places, owning them for a while until someone else found them and ruined them almost immediately.
it was expected and common sense you'd show up at ever party. then you all would split for a while but meet up in order to leave. belch was in priority not to drink or get high until anyone else got a license. that's what you all agreed on but that possiblility seemed unlikely.
at school you avoided bullying anyone, but giving up on trying to stop them from terrosizing another kid since it was the only thing they ignored you on. the only time you fought back was to defend yourself. not that you needed to, but because you wanted them to know that you weren't as incompetent as you seemed.
when you had the change you'd shoot empty beer bottles with henry's dad's gun.
Henry Bowers
you and henry would share your deep wounds together. him about his alcoholic and insane old man, and you about your hard time fitting in, both in family and friends.
you would joke around, but to an extent. if you said the wrong thing he'd refuse to speak to you for days, weeks or maybe even months – depending how much it affected him. if he was too stubborn, vic would have to somehow find a way to talk him out of his bitchy attitude.
despite him trying to seem hard-shelled, deep down he was very sensitive. he knew you knew that, and he hated it. it was the only thing he hated about you except the fact that tend to be pushy sometimes.
he had never cried in front the guys, but one day he couldn't hold back when he was only with you. it happened only once, but he still feels humiliated about it and hopes you'd never bring it up. he made you swore to never tell anyone.
butch seemed to like you for a reason, only approving of you from the gang. he hated the rest. when you find yourself at their house, he'd warmly greet you.
at first he and patrick made a lot of sexist joke about you. later when he noticed you went silent you, he started using them less, only saying them once or twice.
always offers you cigarettes, and makes sure to buy your favorites.
sometimes (when he's not in a shitty mood) he pays for your food when you go at the diner without saying a word or giving you the chance to convince him otherwise.
all good things considered, let's be honest here cuz we all know he has more negative that good qualities.
for example; gets jealous super easily and gets mad at you for it, making you apologize for something that isn't your fault.
NEVER admits he's wrong. ever.
when you have a different opinion he tells you to shut up or straight up threatens you.
needs a lot of attention, while also can't have on his tail all the time, making him indecisive and confusing.
sometimes doesn't realize you need help and leaves you deal with your problems alone while you clearly do need some sort of hand.
still, you always have a way to be together again, unable to keep any distance between you both. on weekends you usually take the bus to his house, helping him with the choses around the farm.
Vic Criss
you and vic already knew each other from middle school. you were in the same class and he used to help you with homework.
then, when kids started growing up through that phase everybody did about that sort of rivalry against girls and boys. because of that, your 'friendship' fell apart.
you weren't really friends back then but you could've been.
he never admitted it but he always stared at you from away, wishing you would somehow start talking to each other again.
he was the one who convinced henry to approach you that day. the idea popped into his mind just as those rumors started going around.
he was glad henry agreed. even though he always did, he was anxious of saying no. later, he lied to you, saying it was henry's idea instead and that first interaction you had with him was henry's way of being kind (despite calling you a 'whore').
you and vic were close, in a different way you were with the others. he understood you better and he was very good at telling advice. he was also fun gossiping with. definitely the best when having a sleepover. the others found him annoying or bitchy about it, but with you he was himself.
he also was kinda subtle about his true personality, not showing his true small but intresting quirks only you knew.
speaking of gossiping, almost every weekend he crashed at your place, the excuse being his siblings giving him a headache, while his mom being 'a pain in the ass'.
everytime he had a problem with the others you would be the first to know. he was still henry's 'right-man', but sometimes henry was, well... henry.
at parties he'd get wasted and you'd be 100% sure he'd be found in the bathroom pucking his guts out.
you guys are so close he would be showering while you were doing your business at the toilet, gossiping about everything single detail.
still sometimes helps you with school after some persuation, but keeps reminding you that 'he is not your tutor'.
loves braiding your hair when you're hanging out, especially during class when it's something super boring (even for him).
Patrick Hockstetter
you were honestly pretty scared of patrick at first, and most definitely the only one from the gang who gave you the creepes.
the alligations weren't few, to say the least, and at first you kept your distance from him.
he also didn't try to make a move on you, which you found stange, yet grateful. maybe henry threatened him or something. either way you were considerably on good terms with patrick.
one day at school, while you were waiting for the other three to come at your usual spot during break, he offered you a cigarette. you received it with gratitude, since it was rare for an offer coming from patrick. he even stricked up a conversation, which was... maybe a bit thought provoking.
then he smirked – that one charismatic he wore when you would stop being able to read his mind. he was like a puzzle, but most pieces were missing or switched with incorrect ones. "are the rumors true?", he asked, closing his zippo with a 'click' after he light your cigarette.
"i dont think that you care if they're true or not," you answered back, the tobacco filling your lungs with nicotine.
clouds of smoke escaped his nostrils with each chuckle. "maybe."
on your ride home Black Sun Morning by Screaming Trees was playing from the radio and you found yourself singing alongside patrick. he rose his brows, "you know 'em?"
"duh, of course."
the next day on the ride to school, instead of gossiping with vic you ended up having a deep conversation with patrick about music. you never imagined that you'd be having a conversation about art with him of all people.
since then, you hit it off well. he stopped using sexist comments as well, and even attempted physical contact at the diner, brushing his fingers against your hair. when he realized you let him or try to stop him, he smiled to himself.
in the end you were usually seen together, you sitting on his lap during breaks or at the gym stands, in the car or diner. he would wrap his arms around your waist and rest his head on your shoulder. it was making the others sick.
sometimes you attempted to help him with homework, but he only agreed so you could just hangout. he wasn't really interested in attending college. the thing he was good at was certainly playing the guitar. both bass and lead guitar. vic jokes about him making a band but it something told you he didn't view it as a light joke.
one day he invited you to his house to show you his vinyls and discs. that's when you met his mother and was pretty surprised to find out she was vietnamese. he made sure to never speak vietnamese around you or the others.
when meeting you he became less... interested at the fridge at the junkyard, viewing it less and less. maybe therapy was starting to work out? even for a tiny bit.
extremely protective of you, especially at parties. makes sure to keep an eye out even though you wouldn't know it.
Belch Huggins
belch was the most chill and the most independent one of the gang. aways making sure everything was in check and going smoothly. it was no surprise he was super welcome to you and tried to make you at ease the first few weeks, asking you if you were okay or needed a ride home.
is a gentleman, of course. doesn't tolerance any disrespect towards you, no matter how small it may seem to you.
offeres to pay for you when going out, no matter how many times you don't let him.
one time you both got so drunk you couldn't stop laughing; your bellys hurting and your eyes filled with tears while your faces were bright red. it made henry mad (as usual) but it's a memory you'd never forget. you had no way to get back home, though.
on fridays you watch him play basketball, sitting at the stands, and smoking and encouraging him. sometimes vic or patrick came too, but it was very rarely.
he offers you the ball but you immediately decline, being reminded of the day the ball hit you in the face after you missed your shot.
you requested him to teach you how to drive, which was a bad idea honestly. at first you didn't understand his instructions at all, but when he asked you if you had any questions you lied saying 'no'. after that instead of stepping on going forward you accidentally went backwards, almost crashing his beloved trams-am that he named 'daisy'. then you turned the wheel too far, almost falling at a ditch before he saved you two.
swore that you'd never get a license in your life and forbid you anywhere near the wheel, not even the passengers seat.
his dad owes a workshop, fixing cars. he helped too, supporting him in any way he could. you also helped him here and there while he taught you the basics and answered any questions you had.
he promised that he'd let you fix a car entirely on your own without his help. he said he'd also let you keep it for free.
you have a drawer contained only of belch's clothes. at first you'd ask him to try his sweatshirts on. then you'd complain you were cold and he'd sigh, saying you could give it back another day. but you never did.
you loved it when he gave you biggyback rides. his, especially. he could never refuse, despise how tired he was.
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atlabeth · 5 months
Text
dance until we're bones
pairing: aaron hotchner x fem reader
summary: you and hotch both confront a lifetime of things left unsaid when a case forces your past into the light.
a/n: so i started this. two years ago. got 1k in and left it, came back now for some reason, wrote like a freak until it was done. lol. this is quite heavy and different than most things i usually write and it is SO much longer than expected but im very proud of it 🫶 i didn't really pay attention to the canon timeline so just know that reader and hotch were in their early and late 20s in law school (90s) and early and late 30s in present day (early 2000s). title from i lied by lord huron and allison ponthier
wc: 17.2k
warning(s): a lot of angst. typical bau case stuff, murder (familicide), implied/referenced past child abuse, reader and hotch go at it basically the whole time, character death, kidnapping, slight mention of drugging, injuries, mentions of blood. i wouldn’t say a happy ending but a hopeful one
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Hotch can barely stay awake. 
He got the call thirty minutes to 4 a.m, and if he hadn’t already been up, he would likely be in a much worse mood. He can only hope that the rest of the team has gotten used to rude awakenings at this point. 
It’s poor planning on his part—he already got out late due to extra paperwork, and once he got home, he found himself staring at the wall, and then staring at the ceiling. If he’s lucky, he’ll get to sleep on the jet. If things go the way they usually do, he won’t be out until their first night in a hotel. 
He started making calls to the team on his way to the office, but to no one’s surprise, he was the first one there. He had time to wash down a shitty office coffee and get started on a second one by the time everyone’s there. 
Morgan, Prentiss, and JJ all have coffees—JJ comes prepared with her own thermos, but Morgan and Prentiss fall victim to the BAU’s supply—Reid is fighting back yawns as he tries to fix a hastily made tie, Garcia is slightly less energetic than normal as she passes out files, and somehow Rossi looks the same as always. 
Hotch just hopes he’s put together enough to make the team feel better about being here at an ungodly hour. 
“Welcome, welcome, welcome,” Garcia greets, setting down the last folder in front of Reid before taking her spot next to Hotch at the front. “As lovely as it is to see all of you this morning, I’m afraid that we’ve got a grisly one on our hands, hence the hour.” 
“Great,” Prentiss mutters. “How bad is it?” 
“Three married couples have been murdered in St. Louis, Missouri in the past two months, with the most recent one happening yesterday,” Hotch says, and Garcia grimaces as she clicks onto the pictures. “Mom and dad are killed, but the children are spared.”
“Awful lot of similarities between the parents,” Morgan says dryly as he flips through the folder. “Looks like our killer has some family issues.” 
Reid nods. “The unsub likely stalks these families once they see the similarities. I’m guessing he was abused as a child, seeing as they kill the parents but keep the children alive.”
“Probably has a grudge against his father,” Prentiss remarks. “They make it out the worst every time.”
“There’s no method to the torture,” Morgan says. “It looks like he’s just trying to make it hurt as much as possible.” 
“Our guy probably isn’t trained in anything, then,” Rossi says. 
Reid flips to another page in the file. “Serial killers like to see their victims suffer. If he’s not torturing the mom physically, then he’s likely making her watch.”
“He doesn’t kill children, though,” JJ notes. 
“Maybe he thinks he’s doing them a favor,” Reid says. 
“The unsub sees himself in the kids?” Morgan suggests. “He’s doing what he didn’t get the chance to do.” 
“Whatever it is, we have to keep a tight hold on this,” JJ says. “The press eats this stuff up, and the last thing we need is a terrified city making it harder to do our jobs.”
“Especially with families being killed,” Morgan murmurs. 
JJ sighs. “I’ll draft something on the jet and make some calls when we land.” 
Hotch nods and he closes his file. “Wheels up in thirty. I hope you’re all ready for a long day.” 
-
The jet is silent the entire way to Missouri, full of sleeping agents trying to delay the inevitable—save for JJ scribbling down notes on a legal pad for the first thirty minutes, but even she knocks out sooner rather than later. Thankfully, Hotch manages to fit an hour in himself, though it doesn’t do very much for him. He spends the rest of the time reading through the case file. 
The team settles in quickly at the city’s precinct, and Hotch takes charge as usual. The uniforms are just as tired as they are, but he makes it work. Soon enough, JJ is off to work with the local liaison to craft a narrative, Reid has situated himself in an empty conference room to get to work analyzing maps with Garcia, and Hotch and the rest go to check out the crime scene. 
It’s brutal—much too brutal for this early, but Hotch forces the emotions out of it and gets to work questioning the present officers. Morgan follows suit, with Prentiss and Rossi going to investigate the rest of the house. 
They don’t learn much from the officers that they don’t already know. This is the most recent crime scene—George and Marsha Springfield, undeserving of such a grisly fate. Their two kids, 8 and 9, were off visiting their grandparents in Nebraska when it happened, and though they avoided the same fate, they’re going to deal with a lifetime of guilt. 
It’s all Hotch can think about as he examines the first body. The six children left to deal with the carnage, about their past and future marred against their control. 
All he can think about is Jack, and the dreary fate that awaits him if his father falls in the field.  
Hotch swallows his doubt and his guilt all in one and forces every thought out of his mind. He has to be unshakable for the team, for what’s left of these families, for a city on the brink of hysterics. 
They’ll find whoever did this. That’s what gets him through it. 
They spent early morning at the crime scene, collecting evidence and gathering information from the officers and trying to make sense of the killer’s motive. Progress is slow, partially because of the hour, but they make enough that Hotch feels comfortable moving onto the next job.
Their four a.m. start time was too early to go knock on doors and get interviews, but now it’s a more normal 10 in the morning. After a quick stop back at the station to share information with Reid, Garcia, and JJ and down a few cups of coffee, they get right back on the road.  
Hotch and Prentiss take one van and Morgan and Rossi take the other, splitting up to get what they can from interviews. It’s difficult working with kids, especially with such recent trauma, so they hold off on it for now, allowing the local uniforms that have been with them for a bit longer to set things up before the BAU tries anything. 
First they go to a neighbor’s house, then an alleged eye witness. They don’t get much other than personality reads, but it at least gives them the beginnings of a profile. The third place they hit is their earliest idea of a suspect. 
“Lucas Hartford,” Prentiss reads off the file one of the local officers had put together. “Thirty-nine, born and raised in St. Charles, Missouri. High school degree, but never got to college because he was in and out of jail.” 
“What has he been charged for?” 
“Booked a few times for public intoxication and convicted three times for assault. Once was for third-degree assault, Missouri’s version of aggravated assault,” she says. “He got out of jail a little less than a year ago, and it looks like he’s been living in St. Louis for some of that.”
“Assault and drinking is a far cry from serial killing, even aggravated,” Hotch says. “What makes him a suspect?”
“Both parents are dead,” she says. “And from the looks of it, it was not a happy home while they were around. He’s got a sister, so it fits the initial theory of trying to replicate his family.”
Hotch lets out a loose breath and nods. “We’ll start there. Try and get a story from this guy, build a profile, see if it matches the one Morgan and Rossi have made for their guy.”
“And hope we pin something down before more bodies show up,” Prentiss murmurs. 
They’re at their destination soon enough, and Hotch parks in an open spot on the other side of the road. His eyes dart around as they walk up to the front door, filing things away in the back of his mind. 
The house number and last name—1432, Hartford—on the mailbox plagued with rotting wood. What there is of a yard is poorly cut, and a small garden of wilted flowers has their own corner, victims of the winter weather. One car is parked slightly crooked in a small driveway—there’s no garage, so at least he’s probably home. Two potted plants sit on either side of the door, thankfully alive. 
“Remember,” Prentiss says as they come to a stop together, “be nice.” 
“I’m plenty nice,” he murmurs, and she huffs the slightest laugh. 
Hotch knocks on the door as Prentiss fishes around for her ID, and thankfully, they don’t wait long. The door cracks open after a few seconds to reveal a woman—certainly not their unsub, but something a whole lot more surprising. 
You.
Your brows furrow at the sight of him, and Hotch has to hold back his shock. 
You don’t live in St. Louis. And your last name certainly isn’t Hartford. 
“Aaron?” you ask in disbelief, and he doesn’t even have to look at Prentiss to know the questions he’s going to get later.
He says your name, able to control his surprise with only the slightest crease of his brows giving it away, then corrects himself just as quickly. “Miss Hartford. My name is SSA Aaron Hotchner, and this is SSA Emily Prentiss. We’re here with the FBI.” 
Your frown deepens as they show their IDs, and you actually take it from Hotch, skeptical eyes scanning over it for much too long. You glance back at him as you hand it back over. “What is the FBI doing here?” 
Emily clears her throat as she puts her credentials away. “We’re here investigating the latest murders in St. Louis. Can we come in?”
“The murders?” you ask with exasperation. “What— what murders? And what do I have to do with them?” 
Aaron notices the way your grip tightens on the door just the slightest bit, and a shred of sympathy strikes him before he speaks up.
“We’ll be able to explain everything if you let us in,” he says. 
You swallow thickly in your throat, your gaze darting back to Aaron before you finally nod. “Okay. Sure. Why not?”
You move and Hotch and Prentiss walk inside, gesturing with a hand towards your living room as you shut and lock the door behind them. “Take a seat. Uh— do you guys need anything? Water, or coffee, or…” 
You trail off, and Prentiss shakes her head. “Thank you, but that’s not needed.” She takes a seat on the sofa, but Hotch can’t stop himself from looking around the house. 
It’s a small place, one story—likely rented, seeing how paintings sit on countertops and mantels rather than hanging on the wall. It has a certain charm to it, but something is off about it all. 
Two styles clash—decorative pillows at odds with a filled and painted-over hole in the wall, an attempt at neutral tones ruined by dark articles of clothing scattered around, one person’s mess barely being held back by another’s cleaning efforts. You lived with someone else. Likely Lucas Hartford, possibly their unsub. 
“Are you gonna sit down, Aaron?” you ask, snapping him out of his profiling haze. “Or do you want to look around some more?” 
“I’m sorry,” he says, clearing his throat as he walks over and sits down in an open chair near Prentiss. “Just curious.” 
“That makes two of us,” you say, and you cross your arms as you look at him. He notices that you don’t sit down yourself, and there’s still a coldness in your eyes. “You’re FBI now?” 
He nods. “I had a change of heart.” 
You huff a laugh. “Thought at least one of us would be a lawyer by now. I guess not.” 
Hotch frowns, but Prentiss takes over before he can continue on that particular thread. “Miss Hartford—”
You interrupt by saying your first name, and it spurns something strange in his chest. It’s been over a decade since he’s heard your voice. “You can skip the formalities.” 
Prentiss nods and repeats your name. “As you know, we’re investigating the murders that have been occuring in the St. Louis area.” 
“And you think I have something to do with it?” you ask, the accusatory edge to your voice not lost on him. 
“Not you,” Hotch says. “Do you know a Lucas Hartford?”
“He’s my brother,” you say, and your frown deepens. “You’re not saying—”
“No,” Prentiss interrupts, “we’re not saying anything. We’re just asking.”
And just like that, your entire stance, your visage, it all changes. Hotch can sense the walls slamming up around you, and he immediately realizes two things: 
Getting information out of you is going to be much harder than planned, and you’re not anywhere near the same person you used to be. 
Hotch doesn’t know what he expects, really. He graduated with the intent to prosecute for at least a decade—now, he’s with the BAU. It’s not fair to assume you’re that same girl he met in law school. 
“My brother is not a murderer,” you state clearly.
“And we aren’t accusing him or you of anything—” she starts. 
“Me?” you interrupt, and you let out a harsh laugh. “I’m a suspect too?”
“If you would allow Agent Prentiss to finish her sentences, you would be less upset,” Hotch says. 
You glower at him, but you stay silent. 
“We aren’t accusing either of you of anything,” Prentiss finishes. “We’re just trying to gather information with what little we know.” 
“I know my rights,” you say, unflinching gaze still meeting Hotch’s. “I don’t have to tell you anything.”
Prentiss looks at him as well, but his eyes don’t leave yours. “That’s unfortunate to hear, Miss Hartford.”
“You know my name, Aaron. Use it.”
He does, and the letters feel strange on his tongue after so long. “This is a serious matter. This isn’t an accusation—we’re in the early days of this case and we need all the information we can get.” 
“Ask away,” you say. “Doesn’t mean I’ll answer.” 
“Lucas Hartford,” Prentiss starts. “He’s your brother?” 
You nod. “He lives with me.” 
He lives with me, not we live together. Makes him think that you pay for the place, he came knocking, and you didn’t have the heart to turn him away. 
“Why is that?” Hotch asks. 
You look at him, those scrutinizing eyes attempting to peer into his soul the same way they did all those years ago. But Hotch has changed since law school, and he’s much better at guarding his emotions. It seems you are, too. 
“He’s a student,” you finally say. “He goes to community college. I’m giving him a place to live while he gets his associate’s.”  
“Community college and living with his younger sister at 39?” Prentiss is trying to get information out of you, even if it isn’t in the kindest way. Your jaw clenches, and he knows her words have some effect. You’ve probably heard it more than once, the way things are going. 
“He’s getting his life back on track,” you say defensively. “I’m the only one left that can help him, so I am.” 
“What about your parents?” she asks. “Surely they’re a better option than this.” 
“Both dead,” you answer. “And no one else cares enough to help him. Are you here to do anything other than dig up my past?” 
Hotch feels Prentiss’s eyes on him, likely because it’s a step in the right direction for a really shitty reason, but he can’t look away from you. 
“Really?” 
He knows your parents are dead—it was in your brother’s profile, and by extension it applies to you—but it still hits him. 
He met your mother, had countless lunches and dinners with her. Helped her move out of her old house. Spent two Thanksgivings and a Christmas with her. 
And he didn’t even know when she died. 
You shrug and wrap your arms around yourself, and for the first time you look something other than defensive or standoffish. You look— well… sad. 
“Mom went a few years after you graduated,” you say, looking at Hotch. “Dad went last year.”
“I’m sorry for your loss,” Prentiss says. 
You nod your thanks, the notion a bit numb. 
“You never told me,” Hotch says with a slight frown.
“We haven’t talked in ten years,” you say. “Sorry that I didn’t know you still wanted updates.” 
Hotch tries to think of something to say in response, but Prentiss starts getting a call and she stands up. “Excuse me.” 
His jaw clenches for a moment as Prentiss ducks into a nearby bedroom, but he’s recovered by the time you look at him again. Your arms are crossed, but your expression is even. 
“I take it this was as much of a surprise for you as it is for me.” 
Hotch nods. “We came here looking for your brother.” 
“Does your team know about our history?” you ask simply.
“No.” 
“Do you want them to?” 
“…No.” 
You huff a laugh, your eyes narrowing a bit. “‘Course not. Probably counts as conflict of interest.” 
You wait another beat, then ask another question. “How’s Haley?”
“Good, last I heard,” he says, and then he hesitates. “We’re… divorced.”
Your eyebrows shoot up. “Really?”
He nods. “This job isn’t easy for anyone.”
You look like you want to say more, but once again, Hotch is saved by Prentiss as she walks back in. Her phone is closed in her hand and she looks at him. “Morgan and Rossi have a lead. The chief wants everyone back at the precinct to go over everything we’ve found.” 
Hotch nods again and stands up. Prentiss takes her card out of her pocket and holds it out to you. 
“Thank you for your time, Miss Hartford. If you find out any information, or want to tell us anything else, please give me a call.” 
“Pass that along to your brother, too,” Hotch says. 
You reluctantly take the card, but you don’t look at it. “You can see yourselves out.” 
Prentiss nods. “Thank you again. Have a good day, and stay safe.” 
She leads the way, and Hotch follows after her. He fights the urge to look back before he shuts the door. 
Prentiss looks at him as they walk back to the car, and he can only imagine what is going through her mind. But eventually she just shrugs and pulls out her phone again. 
“Garcia?” Prentiss asks after she picks up. 
“You’ve reached the office of all that is holy.” Penelope’s voice comes out through the speaker, and Hotch can’t help the smallest twitch of his lips. “What’s up?” 
“Dig up everything you can find on Lucas Hartford,” Emily says, and her glance at Hotch does not go unnoticed. “And throw in his sister, too. He’s one of our only suspects, and we need to know if she’s in on it.” 
“On it,” Garcia says. “I’ll call you back when I’m done.” 
“You’re the best,” she says, and then she hangs up. They get back to the car, and it only takes Prentiss all of five seconds after they get in for her to start drilling him.
“Alright,” she says, buckling her seatbelt with a click before she sets her attention on him. “What was that back there? You two know each other?”
Hotch busies himself with his own seatbelt and starting the car, answering as casually as possible as the engine revs to life. “We were friends in law school.”
“Sure,” Prentiss nods. “The way you were around her, that’s not just ‘law school friend’ stuff.”
Hotch is once again reminded of how, sometimes, it was a downfall to constantly be around profilers. It was nearly impossible to keep anything a secret. 
“It’s nothing,” he says as he pulls back onto the road. “We knew each other, we fell apart, we’re here now.”
Emily hums. “Is it too far to ask if you were together?”
“Yes,” he says sternly, maybe a bit too hasty. “It is.”
“Fine,” she says breezily, and she looks out the window. “But that tension was thick.” 
Hotch knows what she’s thinking. Hasn’t he been with Haley since high school, what kind of history did you and him have, were you together, would he be okay to work this case— 
He doesn’t really want to answer any of them. You were a part of his past he hadn’t expected to resurface any time soon—if Hotch is being honest, he didn’t know if he would ever see you again once he graduated. Not after the way he broke things off.  
You’ve changed a lot. So has he. 
And now your brother is a murder suspect, and you could be covering up for him. 
That’s the only thing that should be on his mind. 
-
“For the last time,” you huff as you storm down the stairs, “I don’t want to deal with this.” 
“Because you know that Mia is a lying bitch!” Cleo exclaims, following after you. “I’m sick of you stealing my clothes!”
“I’m not stealing your clothes,” Mia scoffs in your wake, just behind Cleo. “They’re too ugly for me to want anyways. I bet I wouldn’t even fit into them.”
“You are! And you’re stealing my fucking jewelry, too!” she yells. “All of my shit is going missing, and I know it’s not Little Miss Law School, so it’s got to be you!” 
Mia draws out a mirthless laugh. “You are not accusing me of this.” 
“I don’t have anyone else to accuse!” Cleo shouts. 
They both look at you, and Mia says your name. “You have to settle this before I kill her.”
“Oh, I’ll kill you first!” she hisses. “At least I’ll get all my stuff back!”
You clench your jaw as your nails dig into your palms, and you’re about to bite back when the doorbell rings. You don’t even try to hide your sigh of relief. 
“That’s Aaron,” you say as you grab your coat and your bag from the table. “I’m leaving. If you kill each other, don’t get blood on the furniture.”
You don’t give them a chance to say anything before you rush to the door, open it, and shut it behind you. 
“You have no idea how happy I am to see you,” you breathe. 
“What’s going on in there?” Aaron asks, amused. 
“My roommates are fighting again.” You roll your eyes. “It doesn’t matter. You’re much more interesting.”
“You know this is a study date,” he says wryly, and you cut him off with a kiss. 
“Still a date,” you murmur against his lips. “And something seriously needed.”
Aaron chuckles as he wraps an arm around you, pulling you into his side, and the two of you walk to his car. “You’ve gotta get out of this house, honey.”
“I know,” you grumble. “But I can’t afford a place on my own.”
“Doesn’t have to be on your own,” he says as he opens the door for you. “It just has to be away from the girls that are making you miserable.”
“The lease ends at the end of the semester,” you sigh. “Just have to make it until then.”
“You know,” Aaron boxes you in against the car when you lean against the side of it, smiling softly at you, “I do live alone.”
“Oh yeah?” You ruffle his hair with your fingers and grin. “What are you proposing?”
He shrugs, letting his hands linger on your waist. “Just that you hate your roommates, and you don’t hate me. You could spend your time somewhere else.” 
“Careful,” you warn. “You keep saying things like that and we might not make it to the library.” 
“You keep saying things like that, and I might not mind,” Aaron muses. 
You grin as he leans in and kisses you again, once, twice, three times as your back hits the side of his car and you card your hands through his hair. Mia and Cleo are probably killing each other inside, but you don’t really care at this point. They’ve made your life hell for a semester and a half—they can bother each other for once. 
“Aaron,” you whisper against his lips, and he gets one more in between words, “I’ve got a test on Tuesday.”
“And today’s Sunday.” He nips at your neck and you laugh, your eyes falling shut as you lean your head back. “You’ll be fine, honey.”
“You have one on Monday,” you remind him, and he sighs. You feel his hot breath against your neck. 
“Ruining our fun in the name of schoolwork,” he says. “No wonder all your professors love you.”
“Everyone loves me,” you correct. “Including you.”
You steal one more kiss before you open your door yourself and get in, and Aaron lets out a breathy laugh.
“You’ve got that right.”
He closes your door then gets in the other side, and you’re already rifling through the glove box full of cassettes. You pull out the mixtape you made for him for your six month anniversary and pop it into the player, and Aaron smiles as the first few notes of Stairway to Heaven come on. 
“You’re a threat to my grades, y’know.”
“Maybe it’s all part of my plan,” you say. “Distract you with kisses to make sure I’m a shoe-in for this fellowship.”
“A dastardly plan,” he says with mock austerity. 
“I’ve been told I have to be more of a shark,” you muse. “Consider this me taking down my competition.”
Aaron laughs, and you find yourself smiling just at the sound of it. You love the way his eyes crinkle at the corners, how they soften just so, how he acts like himself around you, and not some perfected or stoic image that he thinks he needs. 
Falling in love with Aaron Hotchner has been the easiest thing in the world. 
“Don’t let anyone know,” he says, and he reaches over to intertwine your fingers together. “But I’ll happily fall to you every time.”
“As long as you don’t tell everyone how whipped I am for you,” you tease.
“Looks like we’ve both got reputations to keep up.”
“Looks like it.”
You share a smile, yours just on the edge of a grin as you try to bite it back. You hold hands the rest of the way, just soaking in each other’s presence with songs from bands you introduced to each other floating through the air. 
(It is a goddamn struggle to get any work done at the library with that face across from you the whole time.)
You had sky-high aspirations when you were younger. 
Ones that would make your teachers offer a smile and tell you to shoot a little lower, that would make your friends’ eyes widen, that your father would scoff at and your mother would humor you on just to get you to move past it. 
You didn’t listen. You’ve wanted to be a lawyer since you went on a class field trip to a courthouse in elementary school and saw all the attorneys hustling about, dressed to the nines, making last-minute deals outside the courtroom.  
They were just… so confident. So smart, so stoic, always knowing the answer to everything. The good ones had money, sure, but more importantly they had the power to change lives for the better. And as a kid that had to cover up bruises before the school day, nothing sounded more appealing. 
All you’ve ever wanted to do is help people. 
And as you sit in a cold, empty interrogation room, you can’t help but wonder where the hell you went wrong. 
You don’t want to be here, obviously. But you know the FBI won’t stop bugging you until you give them answers—you know Aaron Hotchner won’t stop bugging you. 
Because god— what are the odds? 
What are the fucking odds of your ex-boyfriend from a decade ago showing up at your door with a badge and an attempted case against your brother? 
It’s ridiculous, and it’s such bad luck that you think it could only happen to you. You’ve thought about Aaron Hotchner more than you’d like to admit over the years, especially when you found your old GW crewnecks, and the box of school supplies you used for a decade, and those photo albums from what should’ve been your golden years. 
It’s not like any of it matters, though. You only agreed to come in and talk because you want them off your back and you don’t want them poking around your house. You saw it in Aaron’s eyes—he was profiling you and your place the entire time. 
If the cops want to invade your privacy even further, they can get a goddamn warrant. 
Your thoughts are interrupted when the door opens, and you hold back a mirthless laugh, because of course it’s Aaron. He greets you with your name, and he has a file in his hands. You wonder if it’s on you or your brother. “Thank you for taking the time out of your day to come in and talk with us.”
“Well, you seem to think my brother is a murderer.” You cross your arms as you sit back. “I’m not really gonna let that stand.”
“I’m surprised you haven’t asked for a lawyer,” he says as he sits down across from you. 
“I don’t plan to be here for very long,” you respond tartly. “But don’t worry—that can always change. I know my rights.” 
“I’m the last person you need to tell that to.” Hotch sets the file down and looks right at you. Though he’s obviously older—more grizzled, more hardened; harsher, sharper lines that define his face; lips set in a taut, unflinching line—you still see that young man from law school. The passion, the care he puts into everything, the penchant for striped ties. 
You wonder what he sees when he looks at you. 
“Your last name wasn’t Hartford when I met you,” he says. “Why is it now?” 
“Not one for small talk,” you remark. 
“I never have been.” 
“I remember.” You hold his gaze. “It’s my mom’s maiden name. I changed it to put some distance between me and everything else.” 
You can practically see the gears of his brain working, neural pathways branching off with every word you say to make sense of it and reason a thousand different meanings from it. Aaron’s always been like that, but it’s tenfold now. 
You suppose one has to be like that, to try and get anywhere with the types of criminals they face. 
“How long have you been living in St. Louis?”
“Seven years. I’ve had that house for three.” 
“Rent or own?”
“Rent,” you scoff. “I don’t make enough for a down payment, and I don’t want a place tying me down.”
“What inspired the move?”
“Close enough to home to be familiar, far enough to not be.” 
“And home is?” 
“St. Charles,” you say, and you purse your lips. “Shouldn’t you already know all this?” You nod at the file in front of him. “It’s either on me or my brother, and we share a lot of the same info.” 
“We prefer to get our information from the source,” he says. 
“Sources can lie.” 
Aaron doesn’t waver. “And we can charge you with obstruction if it harms our investigation.” 
Your lips twitch for a moment, not entirely without heart. “Ask your questions, Aaron.” 
He opens the folder and slides the first picture over to you—your brother’s first mugshot, taken when he was only twenty-one. You still remember riding your bike to the station in the sweltering August heat to drop off his bail and pick him up. 
You had to catch the bus home together, you had to pay his fare, and his bail drained everything you’d been saving from your waitress job. But your dad refused to pay it, and you refused to be alone in that house any longer than you already had. 
You swallow the memory. It still tastes as sour as the day it happened. 
“Lucas Hartford is our main suspect,” he says. “He matches our initial profile—in and out of jail since his twenties, his parents are dead and he has an unstable home life, and he’s got a sister.”   
“None of those sound like questions,” you say. 
“Where is your brother?” he asks firmly. He’s given you a bit of leniency, but you can tell he’s getting tired of you. Some things never change, you think to yourself bitterly. 
“I don’t know,” you admit. 
“You don’t know,” he repeats. 
“I let him stay with me, and my only requirement is that he goes to his community college classes and stays out of jail,” you say. “He’s done both, so I stay out of his business.”
“And you’re telling me you haven’t questioned it?”
“I called him the other day after you left,” you say. “He didn’t pick up, and I didn’t get a call back until the next night.” 
Aaron’s eyes sharpen. “What did you say to him?” 
“I called to see where he was,” you say evenly. “I think you all are wrong, but I wanted to make sure he was okay.” 
“You didn’t tell him—” 
“No,” you interrupt, “I didn’t tell him about your investigation. If I think you’re wrong, why would I need to let him know?” 
He still has that look in his eyes, and you know you’re getting on his nerves with the constant interrupting, the constant backtalk. But he probably deals with much, much worse. 
“Good,” he nods. “You could be putting lives in danger if you do—including yours.” 
“Please,” you scoff. “He won’t hurt me. He never has.” 
“Why do you let him stay with you?” Aaron asks. “You’re straight-edge, he’s a borderline alcoholic that’s been in and out of jail for years. You’ve got a law degree, he never made it past high school. You’ve got your life together, his is falling apart.” 
“That’s why I do it,” you say. “Our parents are dead. I’m all he has left, and he’s all I have left. I want him to get better, so I’m trying my best to help him get there. How can Luke put his life back together if he’s got no support?” 
“That’s an awful lot of faith to put in someone who hasn’t earned it.” 
“I’ve gotten good at that over the years,” you reply. 
Aaron stares at you, and you stare back. You let the moment linger. You hope it stings, even fleetingly. 
“And you’re wrong, by the way.” 
“About what?” he asks. Again, unshaken. 
“I don’t have a law degree,” you say. “I dropped out.” 
And for some reason, that is what gets him. He frowns, and you wonder what it means that this is the most unexpected thing he’s gotten out of you. 
“Why? You were only a year out. You had stellar grades.” 
“My mom got cancer,” you say. “Luke was serving his second stint, Dad fucked off to some corner of the country to drink himself to death a couple months before. I was the only one left to take care of her, and I couldn’t do that from DC.” 
“I had no idea.” This is the first time he looks taken aback since you’ve met him again. “And she’s—”
“Dead,” you supply without waiting for an answer. You know he already knows it, but it still seems to have some effect on him. “Went a couple months after I was meant to graduate.” 
“…I’m sorry for your loss,” he says. He’s just repeating what his agent said at your house, but it feels genuine, at least. 
“It’s been a decade,” you say. “I’m just sorry it was her instead of my dad.” 
Aaron’s brows knit together again, and less work goes into covering it up this time. “You seem to have something against your father.” 
You huff a mirthless laugh. “Excellent profiling.” 
“Child abuse is common for serial killers,” Aaron says. “We find it’s typically the root of their problems later in life, or plays a part in their MO.” 
You stare at him again. This isn’t just an interrogation with Supervisory Special Agent Aaron Hotchner—it’s revealing parts of your past that you never told your ex-boyfriend Aaron. 
“Yeah,” you finally say. “Our dad beat us. Is that what you wanted to hear?” 
“You know th—” 
Aaron cuts himself off before he can finish whatever he wants to say, and he lets out a short sigh with a nod. “It’s valuable information for the profile.” 
The room feels a lot colder all of a sudden. “Sure.” 
He still looks like he wants to say more, but he bites his tongue as he takes the picture back and closes the file. 
“I’ll be back,” he says. “Would you like anything? Water?”
You shake your head and remain silent. He takes the folder and stands up, and you watch him the entire way to the door. Just before he can open it, you find words escaping without you thinking. 
“Look, Aaron,” you blurt out. He pauses, and he turns to look at you. “I know this is your thing, and this is your investigation, but I’m telling you—my brother and I don’t play any part in it.” 
“The profile—” 
“I don’t care what your profile says,” you interrupt. “He didn’t do it. He couldn’t have done it.” 
“He’s rough around the edges, I know. In and out of jail isn’t good for anyone.” You hold onto the edge of the table as you continue rambling, needing something to do with your hands. “But he’s working to get better, and he is not the kind of person to do something like this. If you believe anything I say, believe that.” 
“I suppose we’ll find out,” he says evenly. 
He leaves the room, and your hands fall into your lap as your nails dig into your palms. You don’t mean to be desperate, but you feel it. You’ve been defending Lucas at every chance, but you’re terrified of being wrong. You’re terrified that Aaron might be right—that he might be behind all of this. 
For his sake—and your sake, honestly, because you think you deserve to be selfish when he’s all you have left—you hope you’re right. 
You have to be right. 
The room feels even colder. 
Your stare drifts to the one-way mirror, where you know his team is watching. You saw the way Agent Prentiss watched Aaron when they came to your house—he said he doesn’t want them to know, but you think they already do. 
You wonder the kind of things they’ve come up with about you and him. 
-
Morgan whistles when Hotch walks out of the interrogation room. 
“She does not like you.” 
“Did you gather anything else?” he asks placidly. He sets your brother’s file down so he can fix his tie. 
“Abusive dad, dead parents, criminal background,” he says. “Lucas is looking like a stronger suspect. Oh— and she really doesn’t like you.” 
“If you don’t want to go back to building a file on your suspect, move on,” Hotch demands. 
Morgan shrugs, clearly unfazed, but he keeps his mouth shut. Reid, meanwhile, is still staring through the glass at you. You haven’t exactly relaxed, but you’re not as tense as you were while talking to Hotch. You pick at a loose strand of thread on your sweater, and when you pull it out, you let it fall to the floor. 
“Her brother feels like a prime suspect,” Reid murmurs. “I feel like I could just figure it all out if I could talk to him.” 
“I told Penelope to keep an eye on him,” Prentiss contributes. “She’s tracking his cards, the car registered in his name, even called the person in charge of the AA meetings he goes to to keep an eye out—everything. We’ll know if she gets anything.”
“Serial killers want to see the damage they’ve done,” Reid says. “Things are falling apart here—the whole city is terrified. He’s gotta be in St. Louis still.” 
“You’re sure that he’s still in the running.” Hotch glances back at you, and he knows he has to at least ask, for your sake. He doesn’t want to put you through anything more than he has to—not after what you’ve told him. 
And Hotch knows your past is your business—he just can’t believe you never told him. 
He’s turned over your relationship in his head just as many times in these past few days as he did the months after he ended things. 
“I’m sure, sir,” Reid says. “I’ve read over both their files, and Lucas matches with our preliminary profile. His stressor could have been his father dying.”
Morgan frowns. “Explain.”
“Family annihilators typically go after their own family for a myriad of reasons,” he says. “Paranoia, to cover up their lies, to free themselves from what they see as oppression, sometimes just pure jealousy.”
“He’s killing the parents but leaving the children alive,” Hotch says. “Sounds like a liberator to me.”
“That’s what I think,” Reid nods. “If Lucas has been banking on killing his father for that attempt at freedom, and then lost the chance?” He shrugs. “That could be why he started going for other families.” 
“Other fathers to take his place,” Morgan realizes, and he nods again. 
“You should talk to her, Spence,” Prentiss says. “You’ve got a handle on the profile, and you’re pretty good at conveying info. She seems like a reasonable person—just can’t accept her brother doing something like this.” 
“It’s typical for someone to deny their family member’s involvement,” Reid says. “No one wants to think their sibling is a murderer.” 
“If you lay it all out for her like that, with facts and the profile, I think she’ll listen.” Prentiss looks at Hotch. “She’s too closed off with you.”
“That’s how she is,” Hotch claims.
“Maybe,” she shrugs, “but it’s much easier to hate you than it is to hate Reid.” 
Hotch glares at her, and Reid clears his throat to insert himself back into the conversation. 
“I’d be happy to talk to her,” he says. “I know what it’s like to be in this kind of position—I can put her at ease, sympathize with her.” 
They all look at Hotch, and he wants to say no. He wants to be the one to get this out of you—some part of him wants as much time with you as possible. But he decides to swallow his ego. 
“Fine.” He nods, and he hands the folder to Reid. “I trust you to handle it.” 
Reid nods too, far too many times, and he takes the file. “Thank you. Uh— sir. I appreciate your trust.” 
“Yeah, yeah,” he says, but it has no bite to it, and Reid walks inside. 
He says your name and sits down across from you. “I’m Spencer Reid. I know we’ve already said it, but thank you for talking to us. It may not seem like it, but it goes a long way towards figuring out this case.”
You nod. You already seem more at ease than you were with him, and it makes Hotch… 
Not jealous, because that would be insane. But it makes him upset that he doesn’t understand you the way he used to—that he doesn’t hold that key to you anymore. God, it feels like he doesn’t know you anymore. 
Hotch doesn’t get why a side of his brain still thinks this way about you. 
“They sent a new one in,” you say. 
“You looked like you needed a break from Hotch,” Reid says. “Don’t worry. We all do sometimes.”
You huff a slight laugh and your posture eases, your expression softens just so. Reid was right, as usual. 
“I can imagine.”
He starts talking to you about the case, laying out all the facts, and though you don’t look happy, you don’t cut him off like you cut Hotch off. 
“She’s pretty,” Morgan offers, glancing at Hotch. “And stubborn. I see why you like her.” 
“Shut up, Morgan,” Hotch mutters.
He chuckles and holds his hands up, and focuses back on the interrogation. 
The rest of it passes in silence, save for the occasional input from Prentiss or Morgan to elaborate on a point. You talk much more with Reid than you did with Hotch, and you don’t stare daggers at him the entire time. 
Time doesn’t always heal all wounds, he thinks. 
When Reid is finishing up inside with you, Morgan glances back at Hotch. “You think she’s part of this?”
He shakes his head. “No. She has no reason to kill, nothing to gain. She talks about her past too plainly—it hurt her, obviously, but it hasn’t taken over her life.”
“What about her brother?” Prentiss asks. 
“The more we learn, the more I suspect him,” Morgan says. 
She nods in agreement. “We just have to find him.”
Hotch isn’t sure yet. 
But for your sake, he hopes his gut feeling is wrong. 
-
Spring has finally sprung in DC, and you couldn’t be happier. 
It’s hard to feel down on your walks to class when the birds are singing and the sun is beaming down on you, when you see students sitting on blankets reading and talking and actually enjoying life for once. 
You’re two years into law school, and it feels like you’ve spent 90% of your time studying in either the library or your room. A bit of a sad existence, but it’s made better with Aaron. 
You’re laying down on a blanket—one you crocheted yourself in undergrad—resting your head on Aaron’s chest as he reads a book, the spring sun shining down on you. It feels like the first moment of relaxation either of you have had since classes started, and you chose to spend it together in the University Yard. 
You should probably be studying or doing some kind of homework, but you don’t care. It has been too damn long since you’ve gotten to just sit around and exist with Aaron, and you’ve got at least a couple days until your next quiz. That’s far enough away for you. 
It’s been a rough semester for both of you, between classes and endless homework, between your internship and your endless family issues—Luke is two years in, and his parole was denied, and your dad still insists on being the reason you stay on campus year-round. 
You don’t think you’re pushing it when you say Aaron’s support has been the only reason you’ve gotten through it, your grades—and your mental state—relatively unscathed. 
Aaron says your name, and you hum. 
“Are you listening?” he asks. 
“Of course,” you say. 
“Your eyes are closed.” 
“I don’t need my eyes to listen,” you say wryly. “What’s up?” 
You feel him tense for a moment, feel him adjust his position slightly. 
“I got a call from Haley,” he says carefully. 
Your eyes open and you frown. 
You know the name, but only in the way that you talked a bit about your past relationships while you were still getting to know each other. She was his high school girlfriend, and it was a big deal then, but they broke up before college because they both wanted different things.
It shouldn’t be a big deal now. But he’s treating it like one, and that makes you hesitate. 
“Yeah? What’d she want?”
“…She’s in DC for the weekend,” he says. “Some conference for school. She asked if we could grab a coffee or something and catch up.”
You finally sit up, his hands falling from where he’d been playing with your hair, and you look at him.
“Your high school girlfriend wants to catch up.”
“An old friend wants to catch up,” he corrects. “I haven’t really talked to her since we graduated high school.” 
“…Okay,” you say slowly. “Do you want to see her?” 
He shrugs. “I thought it would be nice.”
“Do you think she thinks it’ll be more than nice?” you ask. 
“I don’t know,” he admits. “I don’t even know how she got my landline. I think my mom might have given it to her.” 
Your eyebrows rise. “Your mom gave your ex-girlfriend your number?” 
“It’s the only way I can think of her getting it,” Aaron shrugs. “Like I said, I haven’t talked to her since graduation.” 
You chew on the inside of your cheek, trying to think as you look at Aaron. 
You’ve met his mom a dozen times. You’re insistent that she doesn’t like you, despite Aaron’s assertions towards the opposite—it wouldn’t surprise you if she gave this girl his new number in an effort to push him in a new direction. 
But that train of thought feels a little crazy. You’re confident in your relationship with Aaron—you love him, and he loves you. God, he made an off-handed comment about marriage the other day. You’re not threatened by a girl from his past wanting to catch up. 
“Go for it,” you finally say. 
He frowns, like he was expecting the worst. “Really?” 
“I trust you, Aaron,” you say. “You say she’s just a friend, I believe it.” 
You lean forward to kiss him, your eyes fluttering shut, and it lasts much longer than it should. When you pull away, Aaron’s smiling softly at you. 
“Thank you,” he says. 
“‘Course,” you say, tipping a shoulder. “I’m known to be rational from time to time.” 
He chuckles, and you smile as you lay back down on his chest. Soon after, you feel the weight of his hand on your shoulder. 
“I love you,” he says. It feels more like a reminder than anything. 
You entangle your fingers together and press a kiss to the back of his hand. 
Sometimes you need reminders. 
“I love you too.” 
-
“Four more bodies,” Prentiss mutters. “God.” 
“You can say that again,” Morgan murmurs. 
Hotch is silent as he examines the father’s body. They’ve been so busy the past few days trying to nail down the profile, both on their unsub and geographically, that this happening again hadn’t been at the top of their list. There was a month between the first two, and two weeks between the second and third. 
No one expected this to happen so soon. 
The entire family was killed this time, and once again, the parents look similar to the other victims. It’s the work of their unsub, no doubt. 
Hotch and the team had already been at the precinct for an hour going over all the information they’d found when they got the call at 8 in the morning, the bodies discovered by the family’s maid when she arrived for work. 
An entire family, parents and children, senselessly slaughtered for one man’s deranged quest for liberation. 
Hotch has been in this business for a long time, seen things that most people only imagine in nightmares, and he still has to take a step back when children are involved. 
He sees Jack in every single one. He can’t help it. 
Hotch took Prentiss and Morgan with him to the crime scene—JJ has a kid, Rossi had a kid, and he just didn’t want Reid to see it. They’ll all be more valuable working together back there anyways, and it’s imperative that JJ controls the narrative before this can break to the press. 
Again, Prentiss talks to the officers at the scene and Morgan helps him examine the bodies. After all, there are double the amount. 
“It just doesn’t make sense,” Morgan says as he stands back up. “Our guy is killing surrogate parents to get back at his own, fine. Dad was tortured again, mom was killed with a bullet. But bringing the kids into it isn’t his thing.” 
He uses a gloved hand to gingerly lift the father’s arm away from his body so he can examine the underarm. “Look at this. He’s been stabbed at least ten times, and his arm’s nearly severed from his body.”
“And his neck,” Morgan mutters. “He’s half decapitated.” 
Hotch sets the arm back down. “The unsub always wants the father to suffer, but this is a new level.” He looks up at Morgan. “I don’t think he has a reason for killing the children. I think he’s getting sloppy—he’s getting overwhelmed by his anger.” 
“You think he’s devolving,” he says, catching on. 
“Something tells me we’re coming to the end of the line,” Hotch says. “Whatever he does next, he’s going out with a bang.” 
-
The mood in the precinct has fallen dramatically since the last hit. The uniforms aren’t happy that they’re working around the clock, the chief isn’t happy that the BAU hasn’t figured everything out yet, and the city isn’t happy that ten murders have been committed with what they think is no end in sight. 
JJ and Rossi have gone out to bring in the suspect that he and Morgan found together for the sake of covering their bases—they still haven’t been able to find Lucas, despite Reid calling you every day to check in and upping police presence around the city. 
The rest of the team sits around a conference table, over a dozen coffees between them, going over everything and racking their brains for information. 
“This just isn’t matching up,” Reid complains. “Lucas has just been at home for the first two, but for the third and the fourth he’s got alibis.” 
“What are they?” Hotch asks. 
“He was on the road all night when the third happened,” Reid says. 
“And how do we know?” Prentiss asks. 
“Garcia picked up his debit card being used a couple times from Des Moines back to St. Louis when the third set of murders happened,” Morgan contributes. “Must’ve been a road trip, because there are stops at a gas station, a restaurant, and a rest stop.” 
“The last one happened during an AA meeting he was supposed to attend,” Prentiss says. “I called the leader and she said he was there.”
“Do we have footage from any of those places?” Hotch asks. “We need to make sure.” 
Reid nods. “I asked her to check it all this morning, including the AA meeting. She must still be going through it—I can’t imagine it’s easy to get all that access.” 
“What about a second unsub?” Morgan suggests. 
Hotch shakes his head. “These are all meant to be personal for liberation—catharsis. Involving someone else would take away from the feeling.” 
“What about your suspect?” Prentiss asks, looking at Morgan. “Could he be the unsub?” 
“Patrick Fenton,” Morgan says, and he shrugs. “He fits it—dead parents, jail time, child of abuse. But he’s got two sisters, and his parents died when he was in his twenties from a car accident. I don’t see why he would start killing almost twenty years later.” 
“Maybe we’ll figure something out in questioning,” Reid says hopefully. 
Morgan’s phone suddenly goes off, and he hits the button to answer. “You’re on speaker, babygirl.” 
“I found the security footage from those three places, the ones that Lucas was at on his supposed road trip when the third family was hit,” Garcia says, voice slightly tinny through the phone.  
“And?” Hotch asks. 
“I was getting there,” she says. “Lucas wasn’t there. He wasn’t on any of the footage—his sister was.” 
Hotch frowns. You? 
“You’re sure?” he asks. 
“I’m always sure,” Garcia responds. “And I don’t know if Spencer is there, but he also wasn’t there at the AA meeting—I combed through the whole meeting, and he didn’t show up at any point. Just another guy that looked like him.” 
“And you’re sure about that, too?” Hotch asks again. 
“What is with this questioning of my abilities?” she asks, offended. “Yes. I’ve stared at so many pictures of Lucas Hartford over these past few days that I’ve got him burned into my brain.” 
“Thanks, babygirl,” Morgan says. “We’ll call back if we need anything.” 
“And you’re always welcome in this house of miracles,” she muses. Morgan chuckles before he hangs up. 
“Lucas gave her his card,” Reid realizes. “It’s an easy alibi, but it falls apart when you look into it even a little bit.” 
“Probably seemed solid to him at the time,” Morgan says. “He doesn’t seem like a detail oriented guy.” 
Prentiss frowns. “That means he’s back on the chopping block. We can put him at the scene of every murder.” 
Hotch leans over the table and grabs Lucas’s file, and he pulls out the page compiling his family. “His father died a year ago from liver failure. Hartford got out of jail nine months ago after a six year stint.” 
“If he’s been plotting some elaborate murder of his father for years, just to get out of jail and find out he drank himself to death?” Morgan shakes his head. “He’d snap. It doesn’t feel like justice.” 
“He thinks he’s saving the kids of these parents that he kills,” Reid says. “He sees himself in them—he can’t look past his own childhood, and he assumes those kids must want their parents dead too.” 
“He’s trying to get back at his dad,” Prentiss says. “We know that.” 
“But that’s not his main goal,” Reid insists. “If his dad died when he was a kid, the abuse would have stopped. His mom wouldn’t be the battered wife anymore, and he wouldn’t be the battered kid.” 
“His goal has always been protection,” Hotch realizes. “Yes, he’s getting his revenge by killing his father over and over, but ultimately, he’s trying to save himself.” 
“But he didn’t anticipate the kids being home this time,” Prentiss says. “He had to kill them too.” 
“If he‘s seeing himself in these children, recreating what he never got to do, then that means that he effectively died in this scenario,” Reid says. 
“He didn’t get what he wanted,” Morgan says. “That’s gonna take a toll on him.”
“He’s coming to the end of the line,” Prentiss nods. 
Hotch’s brain is working overtime as they work information off of each other. They’re so damn close—they just need the last piece of the puzzle. If they find Lucas’s next victim, they find him. 
“His next crime will probably be his last before he goes out himself,” Reid says. 
“You think it’ll be a murder-suicide?” Morgan asks. 
“It’s common with family annihilators,” Reid says. “Hell, it’s common with anyone who sees no future beyond their murders. It’s their way out.” 
And then the answer hits Hotch like a ton of bricks. Reid is still rambling next to him. 
“If his dad was still alive, I’d say he would be the target. But the only one left—”
“—is his sister,” Hotch grits out, and he’s dashing out of the conference room before anyone can stop him. 
“Hotch!” Morgan yells, and he turns to Prentiss with wild eyes. “Where the hell is he going?” 
“The last victim,” she says as she starts following him. “The one person he never managed to save.” 
“Goddammit,” Morgan curses, and he grabs his phone from the table, dialing Garcia as fast as she can while he runs. Reid is close behind him.  
“What’s up, sugar?” she asks. “Got anymore leads?” 
He laughs dryly. “We’ve got a big one, babygirl. Lucas has finally reached the end of the road — he’s going for his sister. I need you to call JJ and Rossi and—” 
“Send them the Hartford address and fill them in on everything?” she interrupted, and he could hear her fingers flying across the keyboard. “Already on it.” 
“What would I do without you?” he asks. 
“Be half the man and twice as sad,” she says. “I’ve got to call JJ. Be safe, my love.” 
“Always,” he responds, and he hangs up. 
Hotch distantly registers Prentiss stopping by the chief to alert him of what’s going on, because he’s in the fog of a rampage. He’s in the driver’s seat before he knows it, starting the car, and he sees Prentiss, Morgan, and Reid running out after him. 
Prentiss takes shotgun and Morgan and Reid file into the back, and they’ve all got Kevlar vests in their hands. He didn’t really think of that through his haze. 
“We’ve got an extra one for you,” Reid says, reading his mind. 
“Thank you. I— I know what you’re all thinking—” Hotch starts, but Prentiss shakes her head.
“Just drive.” Her lips set themselves in a taut line. “We’ve got a murder to stop.”  
And he does. 
-
You sit on the curb, surrounded on either side by a box of your things. Packing up everything made you realize how little you had at his place. You thought you’d integrated yourself into his life fully, but it really just took an afternoon while he was in a lecture to disappear. 
Summer has fully turned to winter, and you’re as morose as the weather. This side of town looks so depressing without the warmer months to pick it up—the sidewalks are lined with dead trees, the grass is shriveled up and yellowing, and you feel like you’re living in grayscale. 
A shiver runs through you, the weather only partly to blame. 
Amy is supposed to pick you up, but as usual, she’s running late. You don’t know if it’s a personal issue or DC traffic has just struck again, but it doesn’t really matter. Either way, you’re stuck here, and your bad luck seems intent on making it worse, because you watch a familiar car pull around the corner. 
It parks a distance away—there’s no space in front of the complex, and he always complained that they didn’t do assigned spots—and you have to hold back a scornful scoff. 
Of course you have to deal with this now. 
Aaron picks up his pace when he gets out of the car, surprise—and what you think is shame—painted on his face. He says your name when he slows down. 
“You’re already packed.” 
You shrug. “I’m nothing if not efficient.” 
“I could’ve helped you with all this,” Aaron says, frowning. 
“Why do you think it’s done already?” you ask. 
His throat bobs and he opens his mouth, but nothing comes out.
“Let me save you the pain of chivalry,” you say. “I’ve got a friend coming to pick me up. I’ve already found a place. I called your property manager the other day and argued my way out of the lease, but I still paid my next month. You’re welcome.” 
“You didn’t have to do that,” he says. 
“You know what they say about a clean break,” you intone.  
“I’m sorry,” Aaron tries again. To his credit, he looks like he means it. Against his credit, it’s about the fiftieth time you’ve heard it from him in the past two weeks. 
“I shouldn’t have let you get that coffee,” you say with a grim smile, “should I?” 
His lips pull into a taut line. “I didn’t cheat on you.” 
“I know,” you say. It’s the one thing you do believe. “I just don’t think you ever fell out of love with her.” 
Mercifully, you see Amy’s car pulling up in the distance. She’s your only friend with an SUV, so at least your boxes will fit. 
“My ride’s here,” you say as you stand up, and you pick up one of your boxes. Amy throws on her hazards and she gets out to open her trunk. 
“I’m so sorry I’m late,” she breathes. “Traffic was awful, and Jake has been so annoying—” 
“Don’t worry about it,” you say with a slight smile as you put your box in the back. “You’re already doing me a huge favor.”  
“I want us to still be friends,” Aaron calls. When you turn back, he has your other box in his hands, his expression shamelessly desperate. Amy glares daggers at him. 
“Why?” you ask innocently. “So I can go without talking to you for ten years, ask you for a coffee when I’m in town, and then get you to leave Haley?” 
“That’s not what happened,” he says, but you’re already shaking your head. 
You take the box from him and smile thinly. 
“Have a good rest of your life, Aaron. I hope it doesn’t involve me ever again.”
-
You let out a noise of frustration as you struggle to get the key into the lock, gritting your teeth as you try to fit it in. It’s always been finicky, but you just don’t have the energy to deal with this tonight. Thankfully, just when you start getting annoyed, you get it open. 
You get a few steps in before your eyebrows rise, the sight of your brother at the kitchen table a surprise. He’s got his head in his hands, and your surprise turns to concern.
“Lucas,” you say with a slight smile, shutting the door behind you, “I didn’t know you were gonna be home tonight.”
His attention shoots to you immediately as he says your name, and he looks slightly out of it. “I was wondering when you were gonna get back.”
“Stole the words right out of my mouth,” you say wryly, and you ruffle his hair with your free hand as you walk past him. He swats your hand away in brotherly protest, and you snort. “This place has been quiet without you. Well— except for the cops. They were pretty loud.” 
“They haven’t been back, have they?” 
You look back at him and notice his leg is bobbing up and down insanely fast, and he keeps scratching at the soft wood of your table with his nail. 
Your smile fades. “Don’t tell me you’ve been drinking.”
“Of course I haven’t,” he insists, but you turn on the kitchen light, then move closer to peer into his eyes against his protests. 
“At least you’re not high,” you murmur, taking one last look before you pull away. “And stop ruining the table. I need it to last for the next ten years.” 
He huffs, and you can practically hear him roll his eyes, but he stops. 
“Did you go to class today?”
“You don’t have to act like Mom,” Lucas says, crossing his arms again with another huff. 
“And you don’t have to act like a child.” You roll your eyes as you set your tote bag on the countertop and begin unpacking the groceries you bought. “I’m asking you about your day—that’s definitely not acting like Mom.”
“Yes,” he mocks. “I went to class.”
“Good.” You glance back at him. “I’m proud of you, Luke. You’ve been making progress.” 
His smile is a bit thin, but he nods. “Thanks. How was work?”
You scoff and shake your head as you put a couple things in the pantry. “Don’t even get me started. I swear, Marie’s going to get me fired someday if she keeps her bullshit up.”
“She’s still on it?” Luke asks, and you can’t help but smile a bit. 
“Don’t act like you know what I’m talking about,” you say. “Just agree with me.” 
“I agree with you,” he says. 
“That’s it,” you muse. 
Your eyes fall back on your bag, and you’re reminded of what you meant to do next time your brother showed up. 
“Oh—” You go back over to the kitchen table for your bag and pull out your wallet. You slide a debit card out and hold it out to your brother. “Thanks for letting me use it while I was up in Des Moines. I finally got my bank to get rid of the freeze on my card.” 
“…Of course,” he says, and he takes it back. “Glad I could help.” 
“I’ll pay you back, obviously,” you say as you get back to your groceries. “I just have to wait to get paid again.” 
“Don’t worry about it,” he says. “And uh— you never answered me. Did the cops come by again?” 
You huff a mirthless laugh and shake your head. “You have nothing to worry about, Luke. I think they finally realized they were barking up the wrong tree.”
“…Good,” he says. “I can tell they’ve stressing you out.”
“Like that looks any different than my normal state,” you say wryly. “Besides, it wasn’t that bad.” 
You recall the shock you felt when you opened the door to Aaron, and how nervous you were on the drive to the precinct. It’s almost been a decade, and yet he still has an effect on you that he has no right to. 
“You remember that guy I dated when I was still in law school? Aaron Hotchner?”
“I think? I was in jail, so.” 
You roll your eyes. “I know I told you about him when I visited you while we were together.” 
“I remember you telling me how he broke your heart,” Luke says. 
“That’s not what I’m saying.” 
“Then what are you saying?” 
“That he’s with the FBI now. The BAU,” you enunciate, and you huff. “He’s one of the guys on this case, coincidence that it is. They came here—they even brought me in for an interview.”
He frowns. “What’d you say?”
“The truth.” You pull your cutting board and a knife out of a drawer and get to work washing your vegetables. “That I didn’t know anything, and neither of us are involved in either way.” You shake your head with a sigh. “They must believe it, because they haven’t come back.” 
“What have they said about me?” he asks. 
“I’m not supposed to say.” You roll your eyes. “I think you’re innocent, but I could get charged with obstruction, and I really don’t feel like dealing with that…” 
You trail off into a sigh as you finish washing the peppers and set them on a towel. “I hope they find whoever’s doing it, though. It is freaking me out that there’s a murderer out there.” 
You pick up your knife and start cutting them up—they’re not the freshest, but it’s all Kroger had after work—and you glance back at Luke. “You really shouldn’t be going out so often with this going on, y’know. I don’t want you getting hurt.” 
“Don’t worry,” he says. “I’m careful.” 
“I doubt that,” you say wryly. “Still, though. I worry about you.” 
“Shouldn’t it be the other way around?” he asks. “I’m your older brother.” 
“I worry about everything,” you say. “It’s my thing.” 
You hear him huff a laugh and you smile a bit to yourself. You get through your first pepper before you remember what’s been nagging at you your whole ride home. 
“Oh— can you get the TV?” you ask. “Channel 8, I think. Marcy is getting interviewed for something with her nonprofit, and I told her I’d record it for her.”
Lucas doesn’t respond, though you hear the scrape of the chair as he gets up. 
“Thank you,” you say. “I think they have a fundraiser coming up or something…” you trail off and shake your head as you scrape the cut peppers onto a plate. “God. I need to start paying attention in the break room.”
Another few seconds pass, and you don’t hear the television switch on. You huff and turn your head slightly. “Luke, I’m making dinner tonight. This is the least you could do.” 
“I’m sorry.”
The words come out as a murmur, but you can tell he’s much closer than he was before. 
You don’t even get the chance to turn around before something crashes against your head and your vision goes dark. You feel yourself fall to the ground, and your head hits the floor hard. 
Then, there’s nothing. 
-
Hotch has been breaking every speeding law there is. 
The station isn’t too far from your house, but it’s still too far. All he can see is your body, crippled and lifeless just like every other victim they’ve had to look at. 
It should never have gotten to this point. Lucas has been a suspect for the first day, but they looked to other suspects, got caught up in statements from neighbors and the kids of the victims. 
If Hotch just found him and booked him on the first day, this wouldn’t be happening. Your life wouldn’t be in danger. 
His hands tighten on the steering wheel. 
“I seriously think we’re looking at a murder-suicide if this gets to play out,” Reid speaks up from the backseat. “This is his way of ending this for both of them—the ultimate protection of his sister.”
“No one can hurt her if she’s dead,” Morgan mutters. 
“Hotch,” Prentiss starts, treading carefully, “are you sure you’re okay to lead this?”
“Yes,” he says, though he wants to say what kind of question is that?
You were together a lifetime ago in law school, yes, and he might still have feelings for you that he didn’t even realize were there, yes—but he’s an agent and a professional before all of that. 
It doesn’t matter that you have history. It doesn’t matter that you likely hate him. 
It doesn’t matter that he thought he was going to marry you one day, and then was watching you drive out of his life after he got back with his high school girlfriend another day.  
Aaron Hotchner is not going to let you die. It’s as simple as that. 
Hotch’s phone rings and he picks it up and flips it open immediately. “Talk to me, Garcia.”
“JJ and Rossi are on their way,” she says. “Are you headed to their place?” 
“Yes,” he says, and he puts it on speaker. “I’ve got Prentiss, Morgan, and Reid with me still.” 
“Do you think there’s anywhere else he could be?” Morgan asks. “If he’s going to kill her, he might not want to do it in this house.” 
“Already a step ahead of you, my love,” she says, and he can hear mouse clicks through the phone. “They grew up in a house in St. Charles—it’s abandoned, from the looks of it, some place on the outskirts. Never got another buyer after the past owners moved out. I’m sending the address to Emily right now.”
Prentiss gets a buzz on her phone and she nods in confirmation after flipping it open. Hotch immediately switches lanes and makes a U-turn, his jaw clenching. 
“Tell me how to get there, Prentiss,” he says. “He’s there.”
“You need to get on I-70,” she says, and then her brow furrows. “How do you know?”
“He’s killed everyone else in their homes because he sees it as the source of it all. His sister’s rented place isn’t personal enough.” Hotch shakes his head. “Why wouldn’t he want to go back to theirs to end it all?”
“Hotch.” Penelope’s voice rings out in the car, and he doesn’t even realize he forgot to hang up. 
“What?”
“Be careful,” she says, and he rushes to turn it off speaker and press it to his ear. “I… I know how important this is to you.”
Hotch’s throat bobs and his eyes burn with the beginnings of tears. He blinks them away—he can’t be weak now. He can’t let his team see him be weak now. “Dare I ask how?”
“I found an article about GW’s mock trial team,” she says. “Kind of went down a rabbit hole from there.”
Somehow, he huffs the slightest laugh. It feels like a lifetime ago—it honestly is, at this point. Before he saw carnage and gore on a daily basis and tried to solve it, when he thought the DA’s office was the endpoint, when he came home to your smiling face every night. 
And now… 
Hotch’s spine somehow stiffens, and he knows the other three in the car are watching him. He can’t decide whether he cares or not. 
“Thank you, Garcia.”
“No problem,” she says, and he can almost hear her blink in the pause. “Uh— for what, exactly?” 
For the memory, he wants to say. But he doesn’t. He can’t, not right now, so he tries his best to snap out of it. 
“Keep a watch on the patrol cars,” he says instead. “Update JJ and Rossi on our plan, but tell them to stay on their path. I’m sure I’m right, but we need to cover our bases.” 
“Of course, sir.” He hears her fingers flying across the keys. “I’ve got yours and the squad cars’ locations up—I’ll call them now.” 
“Thank you,” he says. 
“Good luck, Hotch,” Garcia says softly. 
Hotch hangs up before he gets too emotional. Penelope has a way of bringing that side out of him. 
“We’ll get him,” Prentiss assures. She’s been watching him this whole time, he can feel it—she’s been attuned far too keenly on this entire part of the case involving you and him. “And we’ll save her.” 
His knuckles go white around the steering wheel, and for once, Hotch can’t find the words. 
-
It feels like your head is slowly being cranked in a vice when you eventually wake up, a dull but insistent pain. Your arm stings too, but you don’t know why. 
You blink a few times as you try to figure out where you are, a low groan slipping out as you fully come back into consciousness, and you move to rub the grogginess out of your eyes. 
Your arms don’t move. You try again, panic spiking your heart for a moment, and that’s when you realize you’re in a chair—tied to a chair, your wrists bound together behind you and your ankles bound to the chair legs. 
Now the panic fully sets in. There’s a murderer in St. Louis, but you don’t fit the victimology from what you’ve seen, but does any of that fucking matter when you’re stuck in something out of a horror movie?
Lucas was the only one there with you. So either he’s in the same situation, or he—
“You’re finally awake,” a voice murmurs. When he comes into view and sits down across from you, your heart stops. 
For a moment, all you can do is stare at your brother with wide eyes. You see the gun in his hand through your peripherals, but you don’t look away from his gaze. 
“I was worried I was too rough,” he says softly. “But you’ve always been resilient.” 
“Lucas,” you breathe. “What the fuck is this?”
“It’s finally going to be over,” he says, ignoring your panic. “We’ve been hurting our whole lives because of that bastard of a father, and I can finally make it all stop.” 
Your brother is fucking crazy. He’s fucking crazy, and he’s going to kill you.
You’ve spent two weeks telling Aaron he was crazy and your brother was innocent, and now he’s going to be proven right when he finds your dead body. 
You try to tamp down on your panic. You don’t have a law degree, sure, and you never officially practiced, but you’ve been a good speaker, a persuasive one, all your life. 
And if there’s ever been a fucking time to be persuasive, it’s now. 
“You don’t have to do this,” you whisper. “We— we can talk if you want to talk.” You tug at your ankle restraints. “This is unnecessary.” 
He shakes his head. “I know you. You’d run.” 
“Come on.” You manage as much of a smile as you can. “I’ve always been there for you, Luke. Why would this be any different?” 
“…You’ve always been too nice,” he says, and he sets the gun down on his leg. At least he doesn’t have his finger on the trigger. “Anyone rational would’ve kicked me to the curb when I asked you for help.” 
“You’re my brother,” you whisper. “I— I love you, Lucas. I’d never do that to you.” 
“Family’s supposed to be everything, right?” He shakes his head. “You were the only one of us that understood that. You were there to pick me up every time my sentence was up.” 
“I’ve always believed in you,” you say. 
He huffs a monotone laugh as he stares at the ground. “You’re definitely the only one.”
You shake your head. “That’s not true.” 
“Mom didn’t care enough to stop anything,” he says, leaning back in his chair. “And Dad wished I was dead every goddamn day. He didn’t have the guts to do it himself, but he definitely tried.” 
You can’t defend your parents. Your dad’s a piece of shit, and your mom didn’t stop anything he did—but you could never find it in yourself to fully hate her because he hurt her too, with more than just bruises. 
“I’ve dreamt of killing our dad every day for twenty years,” Lucas says. “And that old bastard had to fuck me over one last time and die while I was in jail.”
You remember when you got the news. You were next of kin—your mother was dead, and your brother was incarcerated—so you got the call from the hospital. You deliberated for hours before you bought a plane ticket to Montana—apparently that was where he fucked off to drink himself to death—and you don’t know if you’ve ever felt more numb than when you were sitting in some lawyer’s office, listening to him drone on about his will and how his estate would be divided. 
“So you killed all of those people?” you asked. “Because you didn’t get to kill our dad first?” 
“I was saving those kids!” Luke yells, and you shrink in on yourself. “Saving them before their parents could fuck them up like ours did to us!” 
“You don’t have to do this,” you repeat. “You’re just letting Dad win. Proving every shitty thing he said about you.” 
“And that’s the zinger, isn’t it? Luke laughs and shakes his head. “He was right. We’re a whole family of fuck-ups. An alcoholic abuser, a battered wife, a nonstop jailbird, and you…” He shakes his head with a sigh. “You should be out there prosecuting people like me.”
“He ruined us,” Luke murmurs. “And I’m finally going to fix it.” 
All you can do is stare at your brother, wide and teary eyed. You can’t find the words, but you don’t have to. 
Police sirens begin to filter through the air as they get closer, and Luke huffs. “Of course.” He eyes you. “Don’t go anywhere.” 
“I wouldn’t dare,” you say weakly. 
When he leaves to peer out the front door, you take a second to look at your surroundings. It takes a second because they’re so decrepit, but you could never forget. 
Luke brought you back to your childhood home—the place in St. Charles, rotten down to its bones. It’s abandoned by now, but the atmosphere is nothing less than oppressive. There’s a reason you graduated high school a year early, why you never came back once you got to college—except with Aaron, to help your mom move her things out. 
You refuse to die here. Even if you have to claw your way back through the gates of Hell inch by inch—you will not die here. 
You hear footsteps, and when Lucas comes back in, he has a crazed glint in his eye. He shakes his head as his finger returns back to the trigger, and you can’t help but flinch. He won’t. Not now. 
“Looks like your friends the FBI are here,” he drawls. “You said you didn’t tell them anything.” 
“I didn’t,” you insist. “They’re profilers—they figure things out.” 
He shakes his head. “They don’t realize that I have to do this.” Luke kneels down in front of you and takes your chin in an iron grip. “This is the only way to end our pain.” 
He lets go of you then stands up, moving behind you—you want to protest, but you don’t get the chance. He presses his gun to your temple and then the door is broken down. Four agents rush in, guns at the ready. Aaron leads them, and he’s got fire blazing in his eyes.
“FBI,” he barks. “Hands up.”
Lucas doesn’t seem fazed, his breathing staying the same. You stare right at Aaron, unfiltered fear in your eyes, and you feel torn bare. He’s going to watch your brother put a bullet in your head. 
“I’m afraid I can’t do that,” he says smoothly. “This is a family matter.” 
“Put the gun down, Lucas,” Aaron says. 
“You know my name,” he says. “I know yours too, Aaron Hotchner. My sister told me you were with the feds. She also told me you broke her heart.”
“Put the gun down,” he repeats. 
“I don’t think I will,” Luke says. “You see, I don’t go around just kidnapping people for fun. I have a purpose here.” He tilts his head to the side. “But you know that, don’t you? You’re all profilers.” 
“You’ve been targeting families that look like your own,” he says. “You think that killing them will end the pain inside you, and protect those kids in a way that you never got.” 
“I don’t think it,” he bites, “I know it. If my dad had been shot thirty years ago, we wouldn’t be here right now.” 
“This isn’t going to bring you peace,” Aaron says. “Your sister has been the only person to stay by your side through every part of your life. Do you really want to lose that?” 
“Trust me,” Luke says. “I’m not losing her.” 
He flicks the safety off and you flinch. He’s going to kill you. 
“Put the gun down,” another agent warns. 
“If you all don’t leave right now, I’ll shoot her.” Your whole body stiffens as he presses the gun harder into the side of your head, your breathing going off kilter. “Except you, Aaron Hotchner. You can stay.”
“We’re not doing that,” the woman says. Agent Prentiss, you think. 
“Really?” Luke chuckles. “You think you hold the cards here?” 
“It’s okay,” Aaron says. “Go.” 
Agent Prentiss frowns, and the other two men look different levels of puzzled. They obviously doubt the decision, but they don’t doubt Aaron, because one by one, they leave. 
“Wow,” Luke muses. “They really trust you.” 
“Because I know you don’t want to hurt her,” Aaron says. “Deep down, you know you’re not protecting her. Not by hurting her.” 
“I’m not hurting her,” he says. “She’s always been the one to keep me safe over the years—I’m finally paying the favor back. I’m finally taking her pain away.”
“You were abused as children. Both of you.” Aaron looks at your brother. “Your sister always tried to protect you, but it never worked. It just made it worse for her, and it made you feel worthless. You’re her older brother. You’re the one that was supposed to protect her.”
“My sister said you’re profilers,” he says, and though his tone is lazy, you know your brother. You can tell it’s starting to get to him. “Is that what you’re doing right now? Profiling me?” 
“You would never be good enough for your father, and your mother would never do anything to stop it,” Aaron continues. “All you had was your sister, and even that wasn’t good enough—you hurt her just as much as your dad did. At least your dad didn’t think he was a good person.” 
Luke growls, and he puts a hand on your shoulder to pull you closer to him. “Shut up.” 
“Your sister has told me you can be more than this,” he says. “And I think she’s right. You’re better than this—better than living between the margins and jail.” 
“I’ve had a hole in my chest since I was born,” Luke mutters. “And I’ve tried to stop it, but it’s just grown and grown and grown. This— this aching pit of pain, and he caused it. You’ve got it too— I know it.” 
“I— I do,” you say. And you’re not lying. You’ve had a pit of despair in you for as long as you can remember. The only difference is that you’ve fought every goddamn day of your life to keep it from consuming you. “And it hurts, Luke. Trust me, I know. It took me so long to even be able to deal with it, but I know how to. I can help you—we can both walk out of here.” 
“No,” he whispers. “No—we can’t.”  
“Yes, we can,” you plead. “I love you, Luke. I’ll spend every day of the rest of my life helping you if that’s what it takes to get rid of that hole.” 
For a moment, he doesn’t say anything. For a moment, you think you’ve gotten through to him. Aaron never takes his eyes away from you. 
“I’ve never been able to protect her,” Luke murmurs. “Not from our dad, not from the world, not even from you, Aaron Hotchner.” He presses the gun harder than ever into your head, like he wants to bury the metal in your skull along with the bullet. “But that all ends now.” 
You screw your eyes shut. You don’t want to see Aaron’s face when your brother kills you. 
And then it happens so quickly you barely process it. 
There’s two gunshots, almost at the same time. You scream, first because of the gunshots, then because of the sudden roaring pain in your side. There’s a thud next to you, your eyes shoot open, and you see your brother’s lifeless body fall to the ground. 
You scream again—you can’t even control it, it just rips out of you at the sight of the hole in his head and the blood pooling beneath it—and Aaron drops his gun to rush forward. The rest of his team thunders in after him, all in guns and bulletproof vests, and they’re talking, but you can’t focus on a single goddamn thing because your brother’s dead body is right next to you. 
Aaron pulls out a pocket knife and begins to cut through your restraints, and the instant he finishes you collapse. He catches you without a second thought, and you immediately wrap your arms around him. 
Torrential sobs wrack your entire body as you bury your face in the crook of his shoulder, every part of you shaking as the reality of it all hits with full force. 
Your brother is a serial killer. He killed ten people, he tried to kill you. And now he’s dead. 
The only part you had left of your family—gone, just like that, with four other families ruined in his wake. 
Aaron’s soft voice in your ear is the only thing bringing you back from the edge of hyperventilation, his own hold on you the only thing keeping you from collapsing.
“I’m so sorry,” he murmurs and he shrugs off his windbreaker to wrap it around your arms. “You’re safe now. You’re safe.”
“He’s gone,” you choke out, voice muffled as you speak into his chest. “He’s gone, and he tried to—”
A fresh round of emotions hit you, unable to get the words out, and you fully break down in Aaron’s arms. 
“I know.”
Aaron’s fingers linger on your side and you feel some dull pain, but you feel his breath still for a moment. 
“You were shot,” he says with your name. “We have to get you to a hospital.” 
You don’t even feel it. God, you don’t feel anything. There’s a distant ringing in your ears, an insistent pain in your skull, and you finally realize Aaron is right when you pull away and see the blood on his fingers. 
But black spots start to fill your vision. You may not feel it, but your body holds the score. The pain intensifies in your side as your adrenaline starts to slow down, and you collapse against Aaron. 
“Get an EMT in here!” he yells, keeping an arm wrapped around you. “We’ve got a GSW— she’s losing blood fast!” 
You can feel Aaron’s rapid heartbeat, can feel his steady arms as he keeps you propped up. You feel the warmth of his body, feel the warmth draining out of yours. 
“Aaron,” you whisper, your strength fading. You don’t think he hears you.
He helps you up and you’re suddenly hoisted onto a stretcher, and he’s beside you as the EMTs run you out of your childhood home. The night is a blurry canvas of red and blue lights, and your eyelids feel like they’re made of concrete. 
“Aaron,” you try again, and you have enough left in you to grasp his cheek. “Thank you.” 
And as the world goes black around you for the second time, you see his lips form your name. 
It’s not a bad thing, you think before darkness overtakes you, for Aaron Hotchner to be the last thing you see before you die. 
-
You wake up in the hospital alone.  
You don’t know what you expect. You have few acquaintances, fewer friends, and the last part of your family is dead after he tried to kill you. 
The real surprise is that you wake up at all. 
Lucas is dead. 
He tried to kill you. You thought he succeeded. 
You let out a slow, even breath, accompanied only by the sounds of beeping machines. It still doesn’t exactly feel real. 
You’ve spent the last two weeks defending your brother against every accusation, and you ended it in the hospital—well and truly alone for the first time in your life. 
You look at the television. Some muted soccer game is playing, and you’re thankful. You were worried that you and your brother would be the topic of the day. 
Who are you kidding? You’re going to be the topic of the year. He killed ten people. He tried to kill you, and you think he nearly did. He shot you, after all. 
You let your head fall back against the pillow. All of your limbs feel insurmountably heavy, your side aches like hell, and you’ve got the worst headache of your life. 
And you can’t stop playing it all over in your mind. 
He was going to kill you. 
Your own brother, your flesh and blood, the only person you had left, tried to kill you and would have killed you had it not been for the BAU. 
Had it not been for Aaron Hotchner. 
The door opens and someone walks through, your eyes following the movement, and when he sees it, he pauses. And so do you—apparently the devil appears even when you think of him. 
“You’re awake,” Aaron says after a moment. It’s the third time he’s sounded surprised since you’ve met him again. Seeing you, finding out your mom is dead, seeing you. 
But there’s relief there, too.
He has a coffee in his hand and his tie is undone, the sleeves of his white undershirt rolled up to his forearms. It makes you realize his suit jacket has been slung over the back of the chair near your bedside. 
“How long have you been here?” you ask, your brows furrowing ever so slightly. 
Aaron closes the door and sets his coffee on the table before he answers you. “Three days.” 
“And how long have I been here?” 
“Three days,” he says. “You suffered head trauma, they discovered drugs in your system, and… you were shot. You had to go into emergency surgery.” 
You frown, and he answers before you can ask any of them. “…Your brother. After he knocked you out, he used something to… keep you out. And after I shot him, he still got one off—thankfully, as he was falling. The bullet hit you in the side instead of the head.”
“How bad was it?” you ask. 
Aaron glances away. “You died on the table. They managed to bring you back, but…” 
“I guess Luke did succeed,” you say absentmindedly. Aaron doesn’t laugh, and you glance away too. “Sorry. Bad time for jokes.” 
He shakes his head. “If anyone’s allowed to joke about this, it’s you.” 
Your lips twitch for a moment, but then you look back at him as he takes a seat at your bedside again. He looks— god, he just looks tired. Tired and ragged and downtrod, and you can’t imagine you look much better.  
“You were out for two days after,” he explains. “This is the first time you’ve woken up.”
“Why are you here, Aaron?” you ask quietly. “Why have you been here?” 
Aaron frowns. “Where else would I be?”
Your throat feels like it’s closing up, and you feel the telltale pinpricks of tears. You blink them away before they can start. 
“My brother was a serial killer, Aaron.” Your hands clench into fists as you stare at the wall. “He killed ten people while he was living with me and I— and I didn’t even fucking notice.” Your gaze moves back to him. “I went against all of you because I thought I knew him, and look where it got me.” 
“It’s not a crime to want to see the best in people,” he says. “Especially your family.” 
“It’s a crime to fucking murder people,” you huff, and it’s only slightly unhinged. “I— I thought I knew him, and I didn’t. And if I did, maybe none of these people would’ve had to die.”
“Don’t blame this on yourself,” Aaron demands. “Lucas was lost. Mentally ill. He was on a path for revenge, for his deranged idea of protection—nothing you could have said or done would have stopped him.” 
You shake your head. “It might be easy for you to say that, Aaron, but I— I can’t. He’s my brother. I gave him a place to live, I gave him easy access to families— god, I fought with you all for two weeks about his innocence, all while he was planning his next fucking murder!” 
“It is not your fault,” he repeats, slower and enunciating the words. “He was the only member left of your family, and you loved him. You were just stubborn, and that’s nothing new.” 
“I just don’t know what to do.” You’ve had these walls up for so long, especially this past week, and now that everything’s come to a head and you’re in the hospital and your fucking brother is dead, the floodgates have opened. “I have to plan a funeral because I’m the only one left to plan one, but— but does he even deserve one? He’s a serial killer, and he tried to kill me for god’s sake, but he’s my brother and even though he’s gone he’s still all I have left and—” 
You break off as you suck in a huge breath of air, the notion shaky as you clench your hands into fists to keep the rest of your body from doing the same. 
“And I just don’t know what to do,” you repeat, barely a whisper. 
You meet Aaron’s eyes, almost desperately. You feel like you’ll shatter into a million different pieces if you even breathe wrong and he might be the only solid thing in your life. 
“Whatever you do,” he says, “you don’t have to do it alone. Not if you don’t want to.” 
“Aaron,” you start shakily, but he continues. 
“I know what you think, and that’s not what I’m suggesting.” Aaron pauses for a moment, and it’s obvious how carefully he’s crafting his words. “I’ve… always regretted how we left things. And I regret losing touch with you. This isn’t the way I would’ve liked to meet you again. But I’m thankful I have.”
He pulls a card out of his shirt pocket and holds it out to you. You realize it’s his business card, and it’s got his number. 
“I’m sorry for the formality,” he says dryly, “but I don’t exactly go around prepared to give out my number for purposes other than work.” 
You take it without giving yourself the chance to think about it. You run your finger around the sharp edge of the cardstock, pressing the pad of your thumb against the corner. 
“Years ago, you wished me a good life, and that you didn’t want to be involved in it,” he says, still treading carefully. You can’t believe he remembers the last thing you said to him. “But— but a lot has changed since then, and I hope that has as well.” 
“I’d like you to be a part of my life again,” Aaron finally says, “if you want to be a part of mine.”
For a moment, all you can do is stare at him. Two and a half years of law school flash behind your eyes—coffee shop dates and endless hours spent studying at the library. Movie nights cuddled on his couch, hauling boxes out of your house at an ungodly hour to get away from your roommates. An unhealthy amount of all-nighters immediately followed by going out to celebrate a miracle of an A on an exam. Getting through every soul-sucking part of earning a J.D. together, falling apart before either of you could make it to the other side, and somehow…
Somehow, you’ve ended up on a completely different side together. 
“My life isn’t going to be easy,” you say faintly. “Especially… moving through this.” 
“My life isn’t easy either,” he says. “I’m divorced with a kid and I try to solve murders every day.” 
“It’s not a contest.” An attempt at a joke, but it falls flat for you. Aaron’s lips still quirk at the edges the slightest bit. 
“Getting through this certainly won’t be easy,” he agrees. “But I have more experience than most in these sorts of things. So if you ever need anything, call. Please.” 
“I imagine you’re pretty busy,” you murmur. “Unit chief and all.” 
Aaron shrugs. “I make time for the things I care about.” 
Thankfully, you don’t have to figure out how to respond to that, because there’s a knock on the door, and a nurse walks in after you call a come in.
“It’s good to finally see you awake, sweetheart,” the nurse says with a smile. It warms you from the inside out. 
“It’s nice to be awake,” you say. Her smile widens and she moves over to the computer in the side of the room—to add some things before she makes her checkup, you assume. 
“I’ll give you some time alone,” Aaron says.
Before he can stand up, you grab his hand. It’s fully on instinct, and he looks just as surprised as you feel.  
“Don’t go,” you plead, and it’s almost a whisper. “I— just— please.” 
Aaron stares at you for a moment, that shock glinting in his eyes before it transforms into something a lot warmer. He nods and sits down. 
“Okay.” 
And he stays. 
This time, he stays.
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Text
Claws, Katanas, Compassion and Ketamine
Summary: You were the link between Vanessa and Wade during their breakup. They get back together, creating the perfect triangle. And then Wolverine shows up too, because you totally live in a suite apartment that can fit everyone.
Notes: God I love poly, mutant!reader, gn!reader, I wrote this in one day and thirty minutes last night and I’m pretty sure it’s gonna be obvious
Warnings: Gets real suggestive near the end but it's a fade to black, typical Deadpool content, from swearing to sex, reader does drugs and is very unhinged Wade’s just worse, not betaread we die like Worstie’s X-Men
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The three of you ‘broke up’ in your shitty but homey apartment. Vanessa knew that her death caused Wade to try and kill himself numerous times, and dying shook her up a bit. After being rejected by the Avengers, Wade spent too much time hating himself and wondering where he went wrong, unintentionally neglecting his relationship with both of you
You were the red rope, the link, the buckle on the belt, it seemed. Shit got messy, Wade assumed too fast, but Vanessa wanted to be with you and you still loved Wade, vice versa. Vanessa tried to work stuff out herself, moving out, you stayed at the apartment, and Wade went to live with Blind Al again. You video chatted and texted everyday, and did your darndest to be by both sides.
Vanessa called you one day. She'd gotten the therapy, she said. Wanted to get back with Wade, try again at the least. You encouraged her to try and ask at Wade's surprise party, an extra present to add to the love in the late mutant’s life. Vanessa blew you kisses through the computer, and you mimicked catching them and placing the kisses on your cheek.
Then Wade got kidnapped, and came back two days later, claiming to have saved your entire universe, with some extra company.
“You must think saving the world's sexy, huh, Vanny?” You joked to Vanessa, lightly elbowing her after she and Wade made the promise attempted to try again over his second birthday dinner.
“Shut up and kiss me.” Vanessa put a finger to your chin in jest, and you accepted, embracing her with a gentle kiss to the lips.
“Already getting on it without me?” Wade interrupted, a metaphorical eyebrow raised in light-hearted query, poking in from the room you were in. Your response was simply to blow a kiss, which Wade quickly grabbed and pressed his hand against his cheek, swooning like a teenage girl. Vanessa simply giggled, and dragged you both back to join the party.
You all moved into Blind Al's apartment, in truth because you wanted to take Blind Al's coke. Wade said you couldn't, however, because that was the one thing Feige said they couldn't do. “What a pussy.” You grumbled, throwing the stash back into the floor where it belonged. And then Mary Puppins pissed on your leg, because apparently the nicest Deadpool hadn't potty trained his dog for some reason. Dick.
Oh, and the motherfucking Wolverine was here for some reason.
“Disney's gonna make him keep at this until he's 90, so we gotta give the senior citizen a house otherwise we'll get canceled for elderly abuse.” Wade 'explained’ to you in a whisper, and you nodded intently like you understood. Logan gave a middle finger in response.
He existed, that was for sure. You found him napping in the cupboard once because apparently Logan thought he was too good for the floor. He minded his business, staying out of the way. You accidentally caught him showering with the sweet smelling pink soap Wade and Vanessa shared and good god, those man’s abs were carved by Michalangelo. Fucking beautiful.
You, Wade and Vanessa sat down one night, Logan out at the bar that was full of football obsessed lunatics. And at the same time, you all spoke.
“I need that werewolf cock in me.”
“My god you guys, we need to get Peanut into bed with us, have you seen him?”
“We shouldn’t let him fourth wheel us, ask if he wants to be included.”
Vanessa glared at you both. You shrugged, while Wade did his best to look innocent.
The timing could’ve been worse, with you offering the deal with a Logan who was nearly hungover. Wade on the sofa like ‘one of those French girls’, Vanessa wore a casual hoodie with those really short shorts, and you were snorting heroin. Vanessa explained everything, and you’re pretty sure you hallucinated cartoon birdies as you spoke. Turns out, Wade did the same thing too, once. 
Logan accepted anyway, so he knew what he was going to get himself into.
Eventually, you grew to accept that Logan was a weasel, not a werewolf (which is so much cooler), and that you liked seeing him smile. Made you feel good, especially when he smiled because you were running his hands through his hair.
Like some fucked up hivemind, Vanessa and Wade shared your feelings too. However, unlike last time, Logan was the one who ‘confessed’, when the dude straight up purred in contentment when you tried to sit him down at your shitty table and well, you didn’t need to do much to gather the context as to why.
You and Logan shared the ‘Good’s Cabinet’, containing your most precious drugs and Logan’s more costly drinks, both saved for the most special occasions. You offered to take him to different bars that weren’t full of football frat-bros, and both of you found a new enjoyment in clubbing.
You would wear your best jewelry and drip, while Logan would wear an oversized jacket over his ‘wife beater’ shirt, worn over his Wolverine suit. Perfectly balanced, as all things should be.
“They asked for no pickles,” He hovered above you like your evil shadow clone, the worker at the front desk sweating on their head and probably under the collar.
“Haha, reference.” You jokingly poked Logan’s chest, before turning to the employee. “Don’t mind him. Never worked a day of retail in his life, doesn’t get the struggle.”
“Fuck you.” Logan added compulsory, though with the vitriol of a man whose moments of swearing have entirely lost their impact. You did get a new meal, no pickles included, so maybe the guard dog privileges are necessary.
Wade and you would often go out to the park on weekends, chilling on a bench as you gave your very persuasive remarks on all the cars Wade would sell on his job. He’d challenge you to get more ridiculous, and you'd do so with a wink and excessive references to sex.
“Get the boss to add truck nuts to all your autobots,” You suggested as you and Wade both got ice cream cones from the greatest truck of all time. “Would add some blitz to your bis, yaknow?”
“You wanna have a fivesome with our Honda Odyssey?”
“Give the objectums something good.” You shrugged, and Wade responded with a look to the audience, cosplaying as a bunch of trees in Discount Central Park.
Vanessa liked to drag you shopping, and you were content watching her search for the perfume bottles with the most ornate casing. God, she was so pretty, her hair put into that messy bun and casual dress.
“This bitch is ugly.” Vanessa said, holding up a silver bottle with a diamond bottletop. You heard a crunch, and tears quickly welled up in your eyes.
“Oh, so sorry sweetie, I wasn’t talking about you-” Vanessa held up her hands and shook them in a panic, putting the bottle back.
“It’s not that,” Your voice was barely a whisper. “I think I stepped on a ladybug.”
Vanessa looked down at the red flakes on the floor near your foot. “Sweetheart, that was an M&M.”
“Oh.” You stood there in silence for a few seconds, before turning back to Vanessa in the unnatural, freakish sort of way. “You getting anything from here?”
Vanessa smiled. “I think we should have an early lunch.” And you grinned too, as she rushed you over to the food court.
Your nights were chill nights, all four of you curled up on the bed, Mary Puppins curled beside Wade’s leg as he kept changing his position every few minutes. You would braid Vanessa’s hair as she scrolled through her phone, and Logan would lie down and accept head pats and bellyrubs with a content purr. Apparently weasels can do that.
Movie nights were great, too. Logan always got the best popcorn and you all had your designated seats. With a combination of heroin and ketamine you called ‘ketarin’, you snacked on your stash while you were all forced to share two bottles of Pepsi.
“Try it, babes,” You gestured your bucket of drugs towards Wade and Logan, the former sitting on the weasel’s lap as he tried to get comfy. “You’ll be able to smell sounds and taste colors. Stereotypical, I know, but life changing.”
Logan glared at you. “Get this fucker off me and I’ll consider it.”
“Wade, get off, I want Logan to taste my ketarin.”
The mercenary huffed in exaggeration, arms crossed. “No can do, sugar tits. Peanut here needs to learn his lesson.”
“What lesson?” You huffed. “Anyways, I forgive Logan, now get off I need him to try it.”
“He was a very bad boy today, and you know this, Y/N.” Logan rolled his eyes.
“Get off him, Wade.” Vanessa spoke in that stern voice, and even though it was not directed to you, your collar was getting hot already. “We’ll sort it out later tonight, mkay?”
“Yes, ma’am.” Wade gave a mocking salute before getting off of Logan with a grumble.
“She’ll be making ya say that seriously later, you know?” You raised an eyebrow at the mercenary, who made a heart symbol with his hands as he winked.
You thrust your special bucket towards the huge, jacked man (hehe), his demands met. Logan sighed before digging his hands in, and shoved it down his mouth.
“I prefer corn starch.”
“You fucking take that back, you little slutty shitter-”
You would’ve beaten him to a pulp for disrespecting your recipe, but Vanessa gave a mock cough, getting you, him and Wade to look at her. “Legally Blonde or Die Hard?”
“It’s August, the fuck are we suggesting Die Hard for?” You huffed, arms crossed, snatching your ketarin back.
“Yeah, too early for festive cheer, sweetcheeks. And I can’t miss out on international girlboss Ms. Woods, who do you take me for?”
“Die Hard is barely a Christmas movie,” Logan scoffed, but didn’t oppose when Vanessa selected Legally Blonde with the remote.
You all relaxed, in your own fucked up way. You and Vanessa arm-wrestled over who got to have a sip of Pepsi (she won, you were trying to hold your bucket in the other hand). Wade’s commentary was louder then the movie, causing Logan to punch him, and Wade let out a murmur of ‘harder, mummy’. You snickered at Logan’s look of repulsion and confusion, looking over to Vanessa, who was most likely the mummy in question. Unfortunately for Logan, she was going onto the balcony to let Mary Puppins piss, so he looked at you.
“Something something we’ll deal with you later, something something what would Elle Woods think?”
Wade seemed to think Elle Woods thought badly of him, standing upright and flopped onto his seat. You put your hands through Logan’s hair, watching him relax from your movement, before yelping when Vanessa came back and accidentally sat down on your hand.
“Shit, so sorry.” Vanessa gave a quick kiss to your hand, and you dramatically swooned as you watched Elle Woods be a girlboss.
“Forgiven, honeybuns, for I could never be mad at such an exquisite princess, who’s hair was made from silk that Willy Wonka once commissioned-”
“Shove your Shakespeare-ass monologues up your ass and get a room.”
Blind Al spoke up, and all four of you turned to see her standing behind you, having just come home.
“This is our room, Al,” Wade countered. “We rented it fair and square while you played poker with all the other little old ladies like you.”
“You’re early.” Logan noted, holding onto a bottle as he turned back to the television.
“Wilson’s clients took a car on a joyride and crashed into the club. Drunk on that high, I reckon.”
“Were they driving with the truck nuts?”
“How the fuck would I know, stupid?”
“Ah.” You hung your head in exaggerated shame, before Al grabbed the wall and let it guide her towards her room.
“Your clients?” You asked Wade with a raised eyebrow after she was gone.
“Karen, Kenny and Twinkletoes.” He ‘answered’. “Now, back to our regular scheduled program of Elle Woo-......and the movie’s over.”
Logan snorted, and Wade gasped, turning to face him. “I’ll have you know that it was a sacrifice I made, I tell you! I gave it all up!”
“You’d give anything up for a cornchip,” Logan shot back, but Vanessa gave a loud clap that stopped the conversation. You placed your empty bucket in the sink halfheartedly before turning to your girlfriend.
“Back to bed. We’ve got some behavior to correct.” Vanessa commanded, heading to your shared room.
“Yes, mummy.” Wade answered in his most ‘uwu’ voice, leading you to groan and Logan to shove him lightly as he followed Vanessa.
“A bit too early on the petnames, buddy.”
Wade stuck his tongue at you, and you flipped the bird before following Logan, who was following Vanessa, and Wade then followed you like some fucked up, freakish line of baby ducks crossing the road.
And you would change none of it.
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snekdood · 5 months
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durr well i know this person sexually abused u but lyke... i think they're cool? so i'm going to pretend that didn't happen
-everyone who likes my abusive ex
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showtoonzfan · 4 months
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Helluva Boss and Hazbin Hotel is concerningly a trojan horse of white feminism. White feminism identifies with white patriarchy and strives to find a place of power within it, whether or not they acknowledge white men would never see them as equals. This type of feminism enforces the same patriarchal values that hold them down.
On both shows, the male characters are favored, the actions of the shitty male characters are justified to be right and that they are to be sympathized with little to no regard to their victims that are made to be at fault for being being imperfect at reacting at the abuse they receive.
And what is most perplexing to me as an outsider, is that Medrano is supposed to be a victim of abuse by some guy, and yet identifies and upholds her abusive male characters. In her attempt to humanize them, she disregards the weight of their actions. Her actions with her ex-employees and ex-friends show that the victim became the abuser to regain a sense of power, which is typically what white feminism is.
I know I shouldn't be psycho-analyzing her as a distant observer, but I'm tired of people mystifying a suffering deer with fungal-mutated horns and not thinking there's something wrong with it and that it needs help.
No you’re completely right. Vivienne has shown for many years that she isn’t a girls girl. On the outside she’s tried to paint herself as pro feminism and that she cares about other women, when in reality she’s transphobic, has put other women down, and has slut shamed them in her work. She’s basically that obnoxious girl in middle school that acts like she’s a girls girl but in reality is constantly and desperately seeking male validation, like how she once made a tweet questioning why she hasn’t been acknowledged for being a famous female content creator in a world dominated by men even though there were many other female content creators before her that were already rising to the top. I never came out of watching or reading something she made and thought “she hates men”, cause she doesn’t. She hates women and it shows in how she writes them and uses them. Her males are allowed to be 3 dimensional yet 90% of her females are one note. Viv also caters to the male audience who lusts over her female characters and I don’t need to explain that one.
Meanwhile she hasn’t got a single favorite or popular female character. There’s a reason why for years she’s said her favorites are Alastor and Angel and how she loves writing Adam, hell…she confirmed Adam is her favorite HH character. She doesn’t care about her female characters and only her males, whom she can find enjoyment in, either woobifying or sexualizing them. I think it kinda tells you something when you learn that Val is supposed to be based on her abuser yet she constantly likes tweets by Val apologists and sexy/silly fanart of him.
Meanwhile (as everyone has been saying), her content is for white queers/white fujoshi’s, no one else. She tries so hard for some reason to act like she’s new and progressive, challenging the world that’s been dominated by white people and their bland perspectives, but she hasn’t really added anything new to the table, and the way her fandom (and she herself at this point) treats black people is fucking nuts.
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