#sometimes i feel like that entire thing just fucked me up so much and they never even realised how bad things had gotten

[snakeredbirdbatkatana]

It was another competion the entire family all shoving and pushing each other into the car to see more of Damian's art.

Tim is excited for Damian.

He knows what it's like, to stand there and have no one show up. To be there all by yourself for hours the only one to visit your booth being the art teacher.

Ms. Carrington who would ask questions and ignore the tears that pooled in his eyes before helping him pack everything up, sometimes even driving him home because of course neither his parents or Bruce could be bothered to pick him up.

He can't really help the envy that he can feel building in his chest mixing with a good chunk of repressed anger.

A elbow being jabbed into his ribs distracts him.

"Hey what's with the face? Perk up Boy-Loser it's Damian's night."

He turns to Steph the smile that he had been attempting to plaster on falling. It's such a stupid thing it's a nickname so what if it's demeaning, he gets called pretender or replacement by Jason what does it matter.

"Do you ever think it's kinda fucked up that not a single person in this family calls me anything that isn't an insult?" He snaps.

She looks shocked. How fucking dare he have an ounce of self esteem. Someone alert the Media Tim Drake isn't a dormat.

He turns away sliding into the crowd.

There's less then half an hour left before he can leave. Pratically throwing himself down in the empty hallway as far as he can get from this entire night.

"Baby bird and Timmy aren't insults? Or are they I can't seem to keep up with the kids these days."

He turns, of course. You might be able to run from Batman or lie to him, but you can never escape the grasp of Big Brother Nightwing.

"So your admitting that your old?" he joins the banter.

His muscles start to unclench another superpower only Dick Grayson seems to have.

"Never, something you want to talk about?"

Does he? No. Should he? Yah.

"Maybe I just don't want be insulted every day of my life. So weird who doesn't want to be reminded they suck?"

He can hear the whine, he can also hear that everything he just said isn't gonna matter. You don't take whiny little boys seriously. And that's what he is.

"Hmm you know I get called Dickhead or really a lot of just penis related jokes. Always hated them not that it really stops anyone."

He looks finally making eye contact with his big brother. Because he's right. How many times has he heard anyone in the family other than him and Damian call Dick anything nice. Never not once. Maybe Bruce but he can't really picture it.

"Also don't think I didn't notice how annoyed you are with Bruce about this entire night, which I don't blame you for. You know I love Damian kiddo, but yah Bruce is not winning a mug from me or you."

He doesn't really want to acknowledge any of that already exhausted and he will have to apologize to Steph and if he opens the box it will be a car ride from hell home.

"Luckily for you I have a car parked a block up we can escape get ice cream and have a nice sleepover in bludhaven."

He wants to so bad, he wants to throw himself at Dick who knows him so well, who followed him out here, who isn't blinking, the only adult who has ever not somehow fucked him over.

"What about Damian? He will be pissed at me for stealing you or something. He doesn't need another reason to stab me."

He turns to look back at the floor.

"Foolish Drake I will be coming with you Father is being insesently annoying and I much rather talk about art with someone who has a brain cell."

Both him and Dick whip around to see Damian standing there a slight blush on his face hesitation making the corner of mouth twitch. He sees Dick looking on unsure. He doesn't hesitate.

"Thank god I know a great place with that Vegan Cookie Dough you like. What you waiting for Big Bird? Let's go. "

Climbling to his feet he grabs Dick and Damian dragging them to the exit he hears Dick's confused muttering sharing a secret smile with Damian before ignoring it.

The night is finally looking up.

[pauls1967moustache]

this is insane but I’m a uni law student and I did a deep dive into the 1970 McCartney vs Beatles and Apple case and Omg Allen Klein is not seeing those pearly gates, attempting to weaken the opponents case through a con recording session?? the other three members on trial refer to Paul as ‘spoiled child’ bc he didn’t trust Klein?? Actually insane behaviour the story of that trial is fckn mental and the bit where the judge called klein a second rate hack was the best part of it all. I admit I’m a little Paul pilled but omg Paul is stronger than me if my band members suddenly decided to hand over everything to a well known untrustworthy figure in music circles and then literally Point Blank refused to let me leave the partnership while slandering me in the press for having a hissy fit literally leaving not many choices other than levels action and then when being sued call me a ‘spoiled child’ to the judge (who would then go on to see through all that bs and side against klein/the remaining Beatles) I would have blown the whole entire world up, maxwells hammer would have been an autobiography

i kinda get where they're coming from because having the eastmans manage them would've felt completely unfair from their side, and someone pointed out in a discussion about this topic before that paul had a history of being the last hold out about something and then eventually giving in (quitting touring, lsd, etc), so it's not completely wild for them to assume it would happen in this case. but also, obviously the communication at that point in time was at an all time low, so i don't think they got the full sense of just how much paul was not fucking down with klein (or all the harrassment klein was doing like???), and tbh even if they did i don't think they were in a place where they were extending paul much empathy at that point in time. it's easy to be like "why couldn't they see" with hindsight, but we forget sometimes that they're all extremely gullible and frequently petty.

i agree though, it does feel silly given that klein seems like the archetype of like the evil music exec villain in a musician biopic lmaoo. the con recording session is genuinely absurd (although, shout out to that which resembles a grave but isn't!) it's actually insane that they thought ganging up on paul and pressuring him to the point where he had almost no agency would work. those are two things he famously hates!!!

[howlsofbloodhounds]

I feel like Killer often had to act dumber than Nightmare around him. I just know that Nightmare is the kind of guy who wouldn't take kindly to not being the smartest person in the room at any given time. It mostly stems from his own childhood traumas (I'm sure that the fact that nothing he ever did was good enough to make him deserving of not getting abused stuck with him post corruption), but to me he's a walking inferiority complex.

And the thing is that Nightmare isn't stupid. He's a very studious person and he probably retains a lot of the stuff he reads about. But Killer is undoubtedly more observant and logical than he is. I feel like he probably picks up on stuff much quicker (even though he also probably forgets a lot of it just as quickly because of his memory issues).

And, well, I saw a couple of comics of them playing chess and Killer winning every time. And I do think that, realistically, if he played at full capacity every time, he would win against Nightmare. Chess is a game that rewards his kind of smarts so much more than Nightmare's.

But I also think he'd know not to win most of the time (unless his purpose is to piss off Nightmare that day). But, here's the kicker. I think it would be just as humiliating for Nightmare if Killer dominated the entire game only to make some very obviously porpuseful fumbles at the end. Of course, Nightmare could call him out on it, but then he'd need to admit that he would have lost had Killer not thrown the game. And he's not gonna fucking do that. Not when they both already know and Killer is staring unblinkingly at him, challenging him to say something, to admit defeat.

No, he's gonna take that fake victory and he's gonna massage his bruised ego with it. Denial is always a powerful shield.

Yeah absolutely. Killer knows how to stroke people’s egos and notice their insecurities, he will use both against someone for his own benefit. He knows he needs to walk a fine line with people like Nightmare and Chara—those that tend to have huge egos, that are also very fragile. Those whose first instincts are to lash out, and in Chara’s case, throw violent tantrums.

It’s like managing the moods of very explosive, highly dangerous bombs. It’s just that sometimes Killer can’t resist playing a little careless, in a calculated way. He is not above putting himself in huge danger and playing with his life just to gain momentarily pleasure in pissing them off, or to provoke them into hurting him just to alleviate his soul crushing apathy and boredom in controlled bursts.

Like micro-dosing on a drug that is pain, or simply because he knows (or thinks) it is inevitable that they will hurt him today, so he will provoke them earlier and take away their satisfaction in hurting him by taking away their control and bruising their egos.

Let Chara think he loves them. Let Nightmare think he’s stupid and blindly loyal. Those are the things he knows to maintain control over them. On the flip side, a way to keep Killer under control (particularly Stage 2), is to let him think he has more control than he actually does.

Imagine how powerless Nightmare could make him feel if he were to say, find a way to destroy any pleasure and satisfaction Killer gets out of pain. If he takes away the framing of torture, punishment, and pain as “fun” and “playing” in Killer’s mind.

I wouldn’t be suprised if Killer finds a sense of pride in his ability to not only endure but enjoy vast amounts of suffering—especially if he ever got some form of validation or approval for it. He views it as him still having power and control even as he is being “dominated”—because he can say that he enjoys it and therefore it means nothing and has no genuine impact on him beyond the satisfaction and pleasure.

People being unnerved and annoyed when you laugh in their face after they’ve broken your bones just means that Killer still has control over their emotions.

Yet another way he is views himself as sort of, above others. Not in the self loving ego stroking way, but still in a superior, ‘I’m above you, so don’t try me’ way. He’d likely look down on anyone who runs from or hates pain— or anyone who obviously lets it show. Viewing them as inferior and weak.

If Nightmare can take that away, then pain is just pain. Potentially sending Stage 2 deeper into his apathetic, nihilistic, fatalistic worldview—“just get it over with if you aren’t going to make it fun.”

Which is probably the reason why physical punishment wouldn’t work on Stage 2 at all—not until you can take away his sense of control in these situations—psychological stuff like isolation and sensory deprivation certainly would.

I feel like another way would be to greyrock him whenever he tries to provoke someone into violence and hurting him—not giving him the reaction he expects and craves. Which would either make him quickly lose interest, or motivate him to keep escalating until he gets what he wants.

Killer has definitely greyrocked Chara and Nightmare before as well— refusing to give them any type of satisfaction or control over him by not giving any response or reaction they want from him. And sometimes giving the exact opposite of a reaction or response that they want.

All in all, I can definitely see Killer underplaying himself and his own abilities to satisfy others egos and play into expectations if it benefits him or avoids inconvenience. And he’d definitely use their egos to lure them into little mind games and traps—like the one you described.

{ @stellocchia }

[angelnumber27]

It’s so embarrassing and heartbreaking being in so much pain over losing someone while knowing they don’t give a fuck if you live or die. Your favorite person becoming a stranger is a special kind of hell.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[carnivalcarriondiscarded]

i only just found your au and i need everyone to have a happy ending so badly im gonna cry ;-; sally is gonna be so freakin upset when she wakes up for real and sees she decimated barnaby.

oh, Barnaby already has his arm stitched back on when she wakes up! and really, even if he didn't, that'd be the Least of her worries. she wakes up into a Real nightmare - partially of her (unintentional) making

[faaun]

ok let's catch up quickly

[54625]

dude

[sherlock-is-ace]

.

[wild-at-mind]

Today's events and the past few months of bullshit have made me feel so rejected from my local LGBTQ community.

[maxgicalgirl]

Archive 81 tv show made Melody Pendras straight we cannot trust podcasts in the hands of mainstream media !!!!!!!

[ardate]

.

[nomairuins]

i just fucking hate having ptsd all of it. so many stupid fucking things send me into fucking hysterics it sucks and i hate it and i dont want itttt anymore i dont want it.

[silouvertongues]

gotta get up early for class tomorrow im so sleepy but i suddenly felt the urge to calculate how much money's been spent on my post secondary education till now and i literally feel nauseous

[vamptastic]

it's just like. okay. when i say i like men in a gay way and women in a lesbian way i don't mean that i think straight attraction is icky or my attraction is somehow more enlightened and progressive. i mean that I've spent the formative years of my sexuality in a place with my gender presentation where people are equally as likely to see me as a man or a woman and often seem to think of me as both, and i cannot separate both my attraction to men or to women from that. ive always felt drawn to butchness because its this concept that your love for the same gender shapes your gender presentation and vice versa, but it's specific to womanhood and attraction to women as a woman in a way i can't entirely relate to. like, in many ways i am both a man and a woman, and i am attracted to both men and woman in a way both shaped by and reflected by that fact.

[barkingangelbaby]

I feel like such a broken fucking person lol

I talked way too much in the tags don't read them