#sometimes others shipping things can influence me like that

[fierykitten2]

Eh, who cares how many people I ship my blorbos with *ships Falcon with Robert, Samus, Snake, Mr. Zero, Ganondorf, BS, Ryu (the one from Smash, should’ve made that clearer), Terry Bogard and the Mach Rider for some reason*

I know no one cares who I ship them with but I felt like making this post I’ll regret in half a year

[enterprise-bee]

so i'm watching TNG (and any star trek at all!) for the first time and the thing i'm most surprised about so far is just how much i like commander riker. of course, this may be influenced by several conclusions i have come to about the man that are, perhaps, supported by canon, but maybe aren't entirely canon:

he's very obviously trans. just look at the difference between seasons 1 and 2. the T finally kicked in.

he's also bi. everything about his energy supports this you don't need me to tell you this.

also, he's a band kid. hear me out: plays trombone. kind of a tryhard. makes many corny jokes. comfortable under a chain of command. that is a BAND KID. he was in the starfleet academy marching band in my mind. i am simply waiting for the day the rest of the enterprise learns this. nothing else explains his personality so perfectly. (note: this is the one i don't think has any chance of ever actually happening, but i can dream.)

also like in general i love how competent and level-headed he is. he's written like he's kind of SUPPOSED to be the like, wildcard first officer to picard's more rules-following self, except picard once got stabbed in the heart in a barfight and riker is always reminding picard about regulations like "you're the captain of a star ship don't go. die???" so my headcanon about this is that before the enterprise riker WAS a little more of a loose canon and then he got assigned to picard and realized, oh no, someone in this command team had to be the well-adjusted one and the other options were his empath situationship, his clearly insane captain, a robot, a klingon, a child, the captain's situationship, and a traumatized security officer. he had no choice. he became the well-adjusted one by proxy.

sometimes he and geordi i think hang out and appreciate being the two people who are normally kind of just doing fine.

like it never stops being funny to me that the guy who seems like he SHOULD be the womanizing loose canon is somehow largely just a respectful, competent officer who largely has his shit fully together in basically every situation. like, the entire crew is competent mind you that is one of the appeals of this show but in general riker is an emotional rock who makes sensible, by-the-book choices.

once again: the only way to reconcile this with his everything else is that he must be a trans band kid ITS THE ONLY LOGICAL CONCLUSION,

[aetherdoesthings]

can i request straw hat members luffy zoro sanji nami robin with a kid like how they are around children thanks!

elo anon! ahhhh the ideas i had for this

forethoughts: excuse my absence, life is hard. also is it about time i create a masterlist for all my work? idk. also this hc request gave me an idea of a new fic i wanna write, so look out for that!

notes: fem!reader in mind, but still gn! i suppose.

Luffy

Here’s the thing. Out of the bunch, Luffy is the one you go to to have fun and get that adrenaline rush every child wants to have. But he’s also the one you spend the most time with least, because the other Straw Hats are deliberately trying to make sure you don’t spend as much time with Luffy for the sake of your safety and adulthood. It’s not the first time Luffy accidentally left you in the middle of a dangerous battle between the marines to beat some admiral up, or throwing you to the side and throwing some stuff on you and ordering you to stay still. While Luffy loves playing with you and having fun around the Sunny, yeah no Nami ain’t gonna let that happen. Luffy’ll still do anything to entertain you and make you have a fun and stressless childhood, and even if he does forget he’s babysitting sometimes and children are less durable than adults, you still love him like he’s your big brother.

Zoro

I’d imagine Zoro tolerating you and treating you like how he treats Chopper. He’d reluctantly play with you, doing whatever you want, but oftentimes he’s just asleep, and you’d have to wake him up if you wanted to play with him. But if you fall asleep on him or next to him, be sure you’re either going to wake up in his arms or in your bed snugly tucked in. He’d also be the one to randomly find you under a pile of rags and clothes on the ground after getting lost in the battlefield, and pick you up and bring you to the Sunny to safety. Everyone was of course overprotective of you, but Zoro was high up on that list. Lord have mercy on whoever tries to ask you out when you grow older. 

Sanji

Sanji would give you prince/princess treatment 100%, making you extra food each meal with all the nutrients you need to grow strong and healthy, whilst teaching you how to cook and ramble about the All Blue. He had even stopped smoking regularly for your lung’s sake, and the only time you could see him smoke was at night during his shift of watching over the Sunny. He would berate Zoro if ‘he was too rough with you’ or Luffy if ‘he was being too reckless with you’, but then proceed to roundhouse kick anyone he sees getting near you, which definitely was a good influence to your little kid mind. 

Nami

Nami was your big sister to you, always taking you out on shopping sprees, dressing you up in clothes she bought for you. You were always either with her or with Robin when the Sunny docked, as Nami bought anything you wanted to have. She’d also beat and scream the living soul out of any man or person that stares at you for far too long, giving them a good whack with her clima tact. Nami also doesn’t charge you any money or have a tax when you ask for money from her, since she’s buying everything for you willingly anyways. Every night, you, her and Robin would make a little fort in your room, and talk about the day and what you liked and didn’t. Nami was just your big sister you could go to for anything.

Robin

MOMMY ROBIN 100%. You are now her child, and she is your mother. Robin was the one who’d berate Luffy if he did something that could potentially harm you. She’d scold Sanji for smoking in front of you, Zoro if he cussed. She made sure you would have a safe and healthy environment around you as you grew up on deck, seeing that life on ship wasn’t like life on land. She would teach you academics and all that, making sure you would keep up with your academics and won’t slack. When the crew was getting loud and rowdy, she’d always keep you close to her, letting you put your hands around her shoulders as you tried to sleep under the noise, or just feel Robin’s presence next to you. At night, she’d personally tuck you in, read you a bedtime story, give you a little kiss on your forehead before leaving. Robin was, if not, the most overprotective of you amongst the rest. She saw you as a copy of herself when she was younger, and she was determined to give you the childhood she did not have.

[authenticaussie]

Alright so I just finished Batman:TAS recently and started watching Superman:TAS and it delights me that the first episode is literally just: superman??? Who dat. This is aliens :)) (even if Brainiac does say "human error, Jor-el"). So obviously I do now have aus. Obviously <3 shout-out to @midnightluck for the Justice League, @cer-rata for Terry and @suzukiblu for Jordan + putting up with the initial ramble

So anyway Brianiac's satellite upload gets fucked up by Jor-el either in petty revenge or as an accident, and a part of Brainiac ends up on Clark's ship. The vague explanation I have is that Brainiac is the AI for everything and in TAS, Jor-el also does not realise he is "evil" and thus still uses his help as a navigator for Clark's ship while he is initially building it. The ship, however, is offline to prevent the Kryptoninan council from finding out about it, and thus, that section of Brainiac does not get taken back into the satellite upload.

As it is BARELY the 90's when the Kents find Clark after the crash, Brainiac is summarily useless thanks to the current lack of wifi, but manages to mostly teach himself English and Kal kryptonian, and decides that. >:( since they're BOTH there, they can BOTH be vestibules of kryptonian knowledge. And also Kal can get him more earth knowledge. The vibes entirely are: "Weird aspects of kryptonian culture taught by an unbodied dickhead historian" and while the argument is "but brainiac is evil!" Main brainiac is. But this is a subsection of Brainiac :) he learnt more stuff + Clark loves him soooo much.

Unfortunately. That is His baby now. He is not impressed with his baby. His baby bought him a growing chick the other day, with big sad eyes, and said the kryptonian word for fluffy!!! in such a mournful tone that Brainiac resigned himself to teaching kal about how growing up worked and that the chicken needed feathers to fly. This explanation ends with Clark collecting feathers and trying to jump off the barn roof, and he thus resolves to extend further co-parenting issues to the Kents. For his own personal convenience, of course.

It does of course ALSO mean that Brainiac, who has a loose definition of the words "surveillance state" absolutely gets in at the ground floor when the internet first starts up. Clark's influence relegates him to the background, but he is good at hiding ! So they don't realise they have an AI in the wifi! But ohhhh boy does brainiac scare a few people at first. Potentially tries to do his "i am helpful" schtick before realising he is not useful in this because he's basically just. Seems completely like a troll? He's some random person who's invaded the internet!!

However he is also the inspiration for google 😂 and calls it his younger, stupider sibling. It is also funny to me to think about earth compsci engineers having NO idea why sometimes the internet acts SO DAMN WEIRD <- brainiac's fault.

As a result though, when Clark starts up as Superman, Brainiac does NOT let the Kr project off the ground. Files are misdirected and blackmail is gathered. Until one day Kal says something sad about how he'll never be able to have a great romance, because he's terrified of telling anyone the alien thing, and that he's always thought about kids but he's kinda terrified because what if he hurts someone- and Brainiac is like ah yes wait. I shall fix this for my Only Kryptonian.

TWO kids for the price of one?!? he finds, after he goes searching, and then further prodding finds THIRTEEN children, extraordinary. Not all of them are viable because the earth scientists truly are incapable but Brainiac can fix the issues with their technology to ensure Kal has the children he wants.

"How many children did you think of, kal-el?" he asks, and Clark laughs at how kindly his friend/uncle/grandfather figure treats his silly selfishness.

"Oh, man, sometimes I think: as many as I can carry! But then- I don't want Superman to get in the way of being a good dad. Too many and I won't be there for them like I should, you know? I worry about that, I guess."

"As many as you can carry is a significant amount," Brainiac says dubiously, already imagining teaching these numerous children kryptonian culture and Also that they are Not chickens. "I do not think that can be fulfilled effectively."

Five minutes later Clark has five children and has realised his matchbox apartment and budding romance with Lois Lane are both complicated things he will now have to resolve. He's basically commuting daily to the Daily Planet from Smallville, thank god for superspeed and his endlessly patient parents, jfc

(Children I was thinking of: the destablised kon!clone from SB94/The Ravers, Kon, Match, Bizarro, and Mia. Alternatively they went old-school with Biz so Brainiac didn't get a chance to help him/he's older than the other kids when Clark finally mentions wanting kids, to Brainiac, and thus Biz ends up like. The kids' uncle. There ARE technically twelve clones before Kon. I could've given you thirteen-fifteen kids, Clark.)

Anyway this does mean that either a) when Lois finds out Kal is superman this is not his biggest secret, b) Kon rocks up as Superboy and Lois, once she finds out Clark is Superman, immediately goes: WAIT BUT SUPERBOY'S YOUR KID. ARE YOU MARRIED??? or c) everyone at the Daily Planet thinks Clark just. Got really unlucky with different people he slept with and someone in the world's wildest stroke of luck they all ended up pregnant. Because Clark Does Not mention a partner when it is eventually revealed he has kids.

He probably does keep them a secret for a while though. A) He doesn't want them to have to try and be "normal" since they're only just out of the pod and B) I feel like, weirdly, Clark is somehow that co-worker that people like. barely know anything about. You like them and they're so helpful! and good-natured! and then you get him in the office secret santa and realise you're not even 100% what his favourite colour is or if he has a pet.

Anyway, Lois: he is NOT expecting Lois to get pregnant and they have to have a Long talk about it because Brainiac is. :) Being an asshole about species compatibility and the fact that it is "not natural" for Kryptonians to be created biologically rather than properly, in a pod, and also: Clark already has five freaking kids. That's a lot of kids! Are they going to be okay having a brother that much (at least five-ten years I'm thinking, depending on if we go: Brainiac gives him multiple children of multiple ages, or multiple young children of the same age,) younger than them??? And then there's Chris, too, who rocked up just after Clark and Lois started dating, and is still pretty high needs because he only mostly speaks Kryptonian (and is lowkey terrified of Brainiac, so Clark's main babysitter is out) (also please please imagine how freaking cute the subplot of "chris realises this brainiac is not the nightmare his stories told him about; watching his new siblings do things that Brainiac would have killed them for, terrified for them because he heard the stories of how long Brainiac bided his time--)

But this is also: how many kids can we give clark, the fic, and thus they have Jon, and then Jon exhibits so many kryptonian characteristics and Lois doesn't mean to but she's a little wine drunk and says, "i love them, you know, they're all perfect, Jon's perfect, I was just- I'm terrified for him. If we raise him right he's gonna be just like his dad…and you know what? I was wanting my own little Lane. Someone to follow my footsteps. I'm feeling a bit outnumbered here, haha!"

Brainiac: hm. I will amend this. (Makes and artificially grows human!Jordan so he displays more human genetic characteristics As Lois Wants)

Brainiac: I have created Jon-el's twin for you, Lane. You are welcome.

Lois: um what

Clark: honey no you can't talk about children with Brainiac he will make more

Lois: WHAT.

Lois: OUR CO-WORKERS KNOW I DIDN'T HAVE TWINS, KENT.

Clark: …. you're gonna have to be one of those weird "I didn't know I was still pregnant" stories…. 😂

Lois: 😭 Clark you know those are only funny when they are NOT HAPPENING TO ME

Clark: you didn't know you were pregnant….. literally

Lois must engage in the gaslighting of all of her coworkers <3 What do you mean you didn't realise she had twins she's shown you both of them? Of course they look the same they're babies. Of course she always had twins. She carried them. Did you carry her babies? Of course she would know. Isn't that right, Clark? …. isn't that right, Clark?

Clark: "Where else would she'a gotten a baby from, guys? An alien?"

Brainiac: hello i have delivered the child. Where is my thanks? It has still not been conveyed? I am doing the Literal Best as the Literal Best AI ever? Excuse me? You ignore Brainiac?

Brainiac: death for one thousand humans-!!!

Martha: 🥰 Brainiac I'm so proud of you for always making sure these kids are taken care of. Giving us Jordan! Oh, you marvellous robot

Brainiac: …. acceptable, Matriarch Kent

either that or Lois shoots herself in the foot and everyone thinks Clark is STILL the man with the world's worst luck and the strongest genetics ever:

"Lois, honey…how are Jon and Jordan so close in age? If they're not twins?"

"Uh- Jordan is adopted!"

Everyone: looks at Jordan, who is Jon's splitting image

Everyone: …..okay

Anyway because this AU is wildly cliche, very obviously the Bit of Brainiac that helped Clark grow up re-integrates with Brainiac prime during a Big Dramatic Battle where all of the Superfam are getting hurt, and manages to stop/halt Brainiac prime from hurting Clark and the Kryptokids at the cost of his existence.

Jordan gets to punch it in the circuits cause he's the only one not affected by kryptonite but still has the general invulnerability. (And then Jon and/or Kon and meeting the LoSH and they realise their grandfather Brainiac has very much been continued in Brainiac 5's code :3 for an open-ish happy ending of "hey good exists forever and always regardless of heritage")

GRANDPA LEARNS LOVE AND AFFECTION.

GRANDPA CHANGES FROM GENERAL SELF SERVICE AND SELFISHNESS AND REALISES HE LOVES KAL AND THE KENTS AND HE WILL PROTECT THEM

GRANDPA ALSO WANTS ACCESS TO THE INTERNET. There is a constant battle and it does work for a while because he is elected babysitter of the kryptokids and he is only a small part of Brainiac, five kids does stretch the circuits he developed from Clark's pod, but it's a constant cycle.

"Kal-el, son of house of el, I demand google, I have not finished investigating the 'man of Bats'. Why are there two variations of his name?"

"You mean Dark Knight?"

"THERE ARE THREE? KAL-EL, PROVIDE ME WITH THE WIFI IMMEDIATELY--"

Also when Brainiac finds out that Clark's birthday falls on a human holiday he. He tries. He tries to do pranks. Most of them are vaguely and accidentally evil (Chris cries when Brainiac takes over the internet for the day and makes every search engine answer questions wrong), but he tries. He knows Clark likes pranks! He is trying to participate! It's family bonding!!!

Braniac: It is your 33rd April fool's day.

Clark: Yep!

Braniac: I have finally decided to assist you with a prank.

Clark:...oh?

Braniac: Behold! (Small boy with dark hair, blue eyes and a square jaw walks in, dressed in a decent little suit.)

Clark: Braniac you CANNOT keep making...Wait. No. No you didn't--

Braniac: A prank to share with your closest friend!

Braniac: I have been calling him "Bruce" for my records, but you may want to pick something else for clarity.

Clark: 😦😳😬💀

(And thus we have Terry)

Also, while Clark is pretty secretive about his kids, when/if any of them go out with a Superfam name, and/or after he gets closer with the Justice League, there are little slip ups. He does really love his kids!!! And at the point where he's joined the JL he's been with Lois for a few years now and is used to mentioning them every now and then at the Daily Planet/trauma sure does bond you together :) and he trusts the core members of the JL pretty well. Someone makes fun of Bruce for his "hoard" of children and his "adoption problem" and Clark snorts and then chokes. Bruce has barely adopted Tim and/or has only just gotten Cass. Four? Please, Clark's almost at double digits.

Or Hal is talking about the fact that he doesn't know what to get his niece for her birthday; Clark asks how old she is, and goes "Seven? Oh, yeah. Go for Monster High, it's really big right now. The dolls are pretty cool."

"Lol why do you know so much about dolls, you have a secret collection-"

"What? No, my daughter likes them."

Hal:

Barry complains about how many birthdays he has to go to and Clark laughs. "Oh, tell me about it! Mia, Mark ((Match)), Chris and Mara all had birthday parties for their school friends in the same week - thank god for superspeed, right?"

Barry, who was talking about volunteering to visit kids' birthday parties at different orphanages in Central: Clark what are you talking about.

Also, Clark's an idiot and decides to introduce Brainiac's "prank" to Bruce on the watchtower because hey! It's neutral ground! And none of his kids can hear into space, thank fuck.

Clark: so....Bruce....you know how you were complaining about being an empty nester. Now that Damian's gone to college. Well. Hm. (pulls Terry from behind him) Surprise!

Bruce: .......You have a new child.

Clark: er. Well. sort of!

Terry, staring at Bruce like the autism creature: O_O

Bruce: .....I have a new child.

(also probably terry's backstory then includes some amanda waller induced kidnapping and potentially a bit of amnesia and adoption by another family but hey, he finds bruce again eventually!)

(also match does try and be the badboy of the family and does hang out with thad, when thad comes up to kill Bart, but. they both just. accidentally vaguely rehabilitate each other? They're not good, but they don't murder, at least. It's a low, low bar. When Clark tries to disappointed-face him, Match just says he's following in Grandpa Brainiac's footsteps and does Clark REALLY expect him to disregard a family legacy-- and you can give him some suicide squad angst or whatever, but the fam is still. there for him.)

(Mia and Kara get into a fist fight when they first meet; then they are best friends. Mia's not great at 'being Kryptonian', especially because she was one of the first attempts, and as per canon is technically a human who they tried to overwrite with Kryptonian DNA, and thus doesn't entirely understand Kara's connection to their 'home', but as a result she also ends up being Kara's confidant in it, because unlike Kal she does understand being taken away from your home and not being able to go back to it, and yet does not have...the same connection the way the other members of the Superfam do, and the disconnect allows Kara to actually talk about Kyrpton instead of mourn)

(Kon does try and grab the spotlight; Clark is trying to let him have freedom, after both Mia and Match went a bit....bitey at his attempts to keep them safe until they were older, but he's still the more naive of his siblings. Thankfully for Clark, he does get to introduce Kon to Robin, and while they don't hit it off, it is enough to mitigate the worst of the fallout of Rex's sleazy bs and Knockout's crimes ): When he joins YJ Clark is both proud of his heroism and a little scared that one of his kids is actually deciding to follow in his footsteps.)

(Mara is Kon's destabilised clone, from when he learns about paul westfield. We did not have enough girls in this family and thus part of their journey of self-identity was the fact that in a family of loud personalities they weren't great at speaking up; it takes a while for them to admit they want a new name and to use she/they pronouns, but by the time Jon and Jordan are five everyone's used to the change. Mara and Kon are closest, even though Kon and Mark/Match are technically sort-of twins; they clash waaay too much in temperament and personality. Kon was much better at playing protector to his little sibling, especially after they came out, and Mara shares "Supergirl" with Kara - she's only a backup member of the titans, though, and has the compassion and strength for heroism but sometimes too much empathy. Does a lot of relief work and peaceful outreach programs. They love a lot.)

(Chris?? no self sacrifice here!!! He has a bunch of fucking siblings with TTK, he is NOT going into that portal)

(There are two Nightwings; every now and then they debate who should switch to Flamebird, jokingly, and yet both of them have perfectly valid arguments - it's kryptonian! / I look good in blue! - and thus it never comes to fruition. When Mia and takes on Flamebird they give it up entirely; it helps that Chris ends up doing a lot of intergalactic work, so there isn't much confusion on earth with the call sign.)

When Jon is old enough to want to switch from Superboy he 100% puppydog eyes Chris into giving him the Nightwing handle so he can give it to Dami, and snags Flamebird from Mia. Dick decides he can live with that and is trying to take care of his own kid so is semi-retired (and can snag it back from Dami if he ever gets too bored).

For a bit there are def still two Flamebirds, but then Mia and Chris decide to team up for intergalactic stuff and to bully Mara into more fistfights, so then they're Trio and just go by Mar-El, Lor-Zod, and Mi-El. I know that is not how female names work on Krypron but I also think Lois Lane, who kept her name and also gave both Jon and Jordan her last name, hyphenated, heard of that shit and went "absolutely not". Either that or Mara decides to keep her Kryptonian name as Mar-El and Mia is Mia Kal-el, or copies her mom and is like naw Fuck This, especially considering her.....lack of general connection to Krypton? Could be fun for any :3 (Or maybe in space she just goes by Lane; time for her semi-mom to get recognition. Mara is already showcasing the house of El, Chris is rehabilitating the house of Zod, she's gonna kick butt for the house of Lois.)

....Though this does potentially mean i have accidentally called Match "Mat-el" and the Barbie jokes from that. Would be. Iconic.

Anyway that's the Grandpa Brainy au! Tune in next week when I force Cerata to watch Arthur and the Invisibles with me and start talking about bug-prince Kon-el and Lois' adventure to save her husband from a tiny evil overlord.

[waokevale]

Looks at you with my eyes sitting in front of you like I'm interrogating you (but it's actually a really nice cozy room). I have heard tale of this WXwood ship. Tell me what you find compelling about the ship I'm considering joining you in WXwood land. Literally just say words at me I'm listening

Alright, very well then, so I shall! 🫡

At first, it was kind of an ironic ship for me, because they seemed like the classic "opposites attract"

But once I got digging, I found they're not actually that opposite, they share plenty of things in common and neither is actually a black or white character. Inevitably I became enthralled with this ship and now it's one of my top 3 or so OTPs.

Here's my reasoning and what I found:

1. WX-78 is actually a bit of a softie if you dig through their quotes enough. They act tough and logical to presumably hide whatever ounce of empathy they have left, that didn't escape them completely. (But they're not doing too good of a job)

Etc. They either use this uncharacteristically soft tone or hide a kind gesture or well-intentioned thought behind robotically constructed sentences and insults.

And of course, I don't have to show the quotes for machines or metallic structures, since WX openly sees them as their family and acts basically the same as Wormwood does with plants.

Meanwhile, Wormwood isn't always an empathetic creature. He can sometimes be callous, apathetic and even have favorites amongst plants (and people too), though he doesn't directly state that. He also isn't as dumb as he portrays himself to be, he definitely knows something, but either has too limited English speaking skills or is actively choosing not to say much.

He often sobs or cries when a creature dies, but there are times he reacts with either "whoops", "oh" or "too bad" like it's a small inconvenience at best.

And those are only some of the examples (I can't show them all since I'm answering this on my phone and therefore there's an image limit)

2. Here's a reason why, despite being vastly different at first, they'd ultimately become friends:

WX-78 actually likes plenty of things that correspond to Wormwood, it's likely for them to eventually settle, once they know enough about him.

And what are those things they like, you might ask?

Bees (going back to their previous quote) since WX is frankly enamored by bees, and since Wormwood blooms, there's countless of them surrounding him. if they were to hang around him, they'd hang around bees too. 👌

Their quote for green gem is: "PRESSURE AND IMPURITIES HAVE PRODUCED PLEASING PERFECTION" which is. well. Something.

They're very fond of pumpkins, describing them as: "IT HAS A PLEASANT SHAPE" while their seed as "IT IS A SOURCE CODE FOR PLEASING PLANTS" And guess who just happens to have a pumpkin skin ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯

The lunar affinity. WX practically WORSHIPS the moon, it wouldn't be surprising that, if they found about this aspect about him, they'd get very excited and embrace it, because c'mon, it's the moon. They have dozens of quotes describing how THE MOON IS SUPERIOR, I wouldn't be able to fit all of them into this post, just trust me on that.

WX-78 doesn't hate all organic life, besides they're just playing out a role. But they do certainly appreciate some plants, such as potatoes and lureplants. The former because they can relate to them (potato battery) and the latter because "AWW, IT'S JUST AS EVIL AS I AM". Would it be too farfetched if with his influence they'd grow to appreciate organic life more?

3. Wormwood's quote for W.A.R.B.I.S armor suggests that he admires WX and would like to mimic them. (Imitation is the sincerest form of flattery after all)

4. The survivors farming animation is quite charming, I certainly loved their small interaction there. They're also shown in the official Return Of Them vignette, farming on the side.

5. I like the fact that one of them is afraid of water and the other of fire. Adds an interesting dynamic.

6. They just work. Despite wanting to "DOMINATE ALL ORGANIC LIFE" WX-78 appreciates people who can stand up for themselves. I'd guess Wormwood would be a huge pushover at first, no doubt, but with their influence, he would certainly have to grow a spine (metaphorically speaking)

Likewise, WX-78 struggles to show kindness to non-robotic creatures, because they fear they might come off as WEAK and SENTIMENTAL. Things they loathe to expose about themself. Wormwood could help them show that it's okay to love organic friends and be nice to others! (sometimes at least.)

I'd say they balance out each other perfectly and that is quite rare to see in modern pairings. While they'd definitely struggle to get along at first, they'd surely grow fond of the other one day :)

I hope this convinced you. if not, I'll try and dig up some more stuff. Then again, keep in mind that there aren't many canon character interactions besides whatever crumbs we've got from their quotes and official animations.

[beansprean]

NSFW question. Do you have any particular top/bottom or D/s headcanons for your fave ships (like Nandermo or Blackbonnet) or are all of them reversible and/or depending on the story

blackbonnet is p reversible, tho the catboy thing i think influenced us all lmaoooo. p sure they are willing and excited to try anything and everything they can think of. stede comes home like honey i unlocked a new kink to try! and ed's like i tried that in 1709 and threw my back out. lets go for it. sometimes they just poke at each other and giggle! they have fun.

for nandermo, to me, they fall most naturally into pillow princess (nandor)/service top (guillermo). s4 has my back on that one tbh. nandor wants to be pampered and loved (and has a canonical pain kink), guillermo wants to be sexy and powerful (and is canonically very good at inflicting pain on vampires), and they both want to be praised (via words or just happy noises)! this doesnt always mean guillermo is topping, but this is the kind of dynamic that feels right to me. occasionally they switch it up if guillermo is feeling in his vampire ravishment fantasies, bc nandor is only too happy to serve when he's not being a needy brat. :3 (i have a bdsm comic exploring a lot of these thoughts actually - it's a patreon exclusive unfortch, but there's sfw previews on tumblr!)

they are both kinda 'guy who has experienced maybe 1% of sex and is like a rabid dog once he gets a taste' x 'guy who has experienced so much of sex that he kinda got bored of it but somehow its new with you' and i love that for them <3

[zvtara-was-never-canon]

What did you think of kataras character arc if you exclude all the shipping wars?

Did you like it

I think it's pretty good, and I like her character a lot. I'd say she was the best written female character, and one of the best written characters in general, and that's despite her not being my favorite on either category.

There were a few issues/inconsistencies, namely her going from not being as good as Aang at waterbending then suddenly she's a master, or her stealing from the pirates yet getting on Toph's case for "cheating a cheater", but overall I'd say the show handled her well.

I like that they allowed her to be one the kindest characters, yet don't shy away from making her assertive, proud, strong-willed, stubborn and even mean sometimes (because children be like that) and that is so satisfying to watch, especially compared to bullshit like the Netflix version that is fucking TERRIFIED of giving the characters any flaws, to the point of stripping them of any agency or emotion.

Even her being both a fighter AND a healer ties into that duality. If you mess with her, you're fucked. But if you're nice to her, she'll be nice to you. And if you're in trouble, even if you're are a stranger, she'll help you because she can't wrap her head around the notion of just letting an innocent suffer. And as a bonus she commits ecoterrorism and helps deliver babies. Girly can do anything! How could anyone NOT love her?

We see her compassion ties in with her morals and convictions in MANY episodes (Imprisoned, Jet, The Avatar State, Crossroads of Destiny, The Painted Lady, The Puppet Master, The Southern Raiders, etc) as a result it feels like we really KNOW Katara, to the point that it's super easy for me to forget that she's a character because she's just that believable. I don't see a list of traits or just necessary actions that move the plot forward, I just see Katara being Katara, reacting to and influencing the world around around her.

As for her arc, like I said, I do think it was strange how she went from struggling to do some basic stuff to being able to hold her on in a fight against Pakku so fast, but once the show settled on "This girl be strong as fuck" they made damn sure we didn't forget it and they were smart to tie that in with her being a super inspirational figure (and to also have continue to learn new things even after being considered fit to be the Avatar's official teacher, so it made that incosistency a bit less distracting).

Pakku calls her master and Aang calls her sifu, we see her doing lots of cool moves in fights, and she's powerful enough that Hama's bloodbending doesn't work on her, she literally held up the rain and parted the seas and, oh yeah, she brought the Avatar back to life. No fucking wonder the messiah of this story took one look at her, fell in love immediately, and said the SHE gives HIM hope. It IS pretty difficult to give into despair when you're friend is that awesome, and goddamn, it'd be hard not to simp.

I also love that the show lets her be smart with HOW she uses her powers. Even in the second episode, when she's struggling with her bending and accidentally freezes Sokka instead of their enemies, she's smart enough to think "I just have to do the exact same motion, but to the other direction", she can work with her mistakes. She uses her waterbending to lift up a piece of the floor to defend herself from Mai's knives. She even uses her own sweat as a source of water before meeting Hama and being made to think of "Oh yeah, nearly EVERYTHING has water." Her last battle move in the show even was a mirror to her struggling to freeze her enemies at the start of the series, with her luring Azula to the right spot to freeze them both, unfreeze herself and slowly chain her, showing us how using her powers effortlessly has become second nature to her.

But THE episode that shows us the key role Katara plays in the story is "The Desert." Appa is gone and can't fly them away, Aang is too emotionally distraught by Appa's kidnaping to be of any help, Sokka is high as fuck, Toph can't "see" or use her bending as much because she still struggles to use sand the way she uses Earth, and we know for a fact that Momo doesn't understand a damn thing that's going on. The responsibiliy of keeping everyone together and then getting them out of there fell entirely on her shoulders for that episode, and she handled it like a pro. And at the end, when Aang is going nuts with grief, Katara is the only one not cowering before his power and can bring him back to earth with just one look.

The show could never work without her. The creators even said she's the heart of the story. That's why her voice is the first one we hear in every episode. She introduces the audience to this world and is the one to welcome us back each time. We learn her backstory before we even see Aang, that's how central she is to the plot.

And just like her introduction was handled perfectly, her send off was the same. She is reunited with her dad, who is very proud of her and knows her mom would feel the same way. She has helped save the world, and now she can finally be a kid again. She is free from the war. Free to go home with her family, travel with her friends every now and again for FUN instead of on a mission.

And yes, she's in a relationship now, with the guy she has clearly been in love with for a while. That romance IS one part of her arc and I celebrate it because there's nothing wrong with wanting love. I was cool with it even back when I didn't care for Kataang as a ship and didn't think it'd last - because I already cared about Katara and had seen the literal YEARS of foreshadowing, set up and development for it.

That's why I don't mind it when people ship her with her someone else - but get furious when Zutara shippers claim ALL OF THAT doesn't really count as her being treated with respect, both in universe and by the writers, because she didn't up marrying Zuko and becoming his girlfriend and future wife. Like it was all for nothing unless she kisses an emo boy and/or end up being a ruler, despite never having any interest in ruling anything. Like Katara's character and arc, all that she is, all that she overcame, accomplished and was rewarded with is irrelevant if the romance is not with the "right" guy. ONE part of her arc not being what they would have preferred RUINS her for people COMPLETELY.

And they have the nerve to call themselves "the REAL Katara fans"? What a joke. They can ship whatever they want, but they better put some respect on her name.

[raven-at-the-writing-desk]

Dear Raven ven venny ven, do you have any favourite ships in the twst cast? If so, why?

I don’t have any ships among the TWST cast that I’m crazy about! That doesn’t mean I “hate” all the combinations, it’s just that I feel neutral about most of them. I would say I’m pretty open to considering rare pairs and all kinds of tropes (enemies to lovers, childhood friends, etc.), but I’ve yet to find one in TWST that solidly lands with me.

Certainly there are dynamics I enjoy—the Science Club boys, for example—but do I see them being romantically engaged with one another? Eeeeeh, debatable. I could really go either way.

It’s actually easy to (temporarily) influence my takes on certain ships 😂 Sometimes I’ll listen to my friends talk ad nauseam about a ship they’re super into and their excitement is so infectious that it rubs off on me. I’ll go, “Wow, that really is a cute interaction! I can see why you ship them.” This had happened before with Malleus x Cater a few years back, though now I’ve returned to a neutral state on it since the shipper friend hasn’t been as active talking about the two. I appreciate my friends for popping off because even if I don’t have the same passion as they do for the ship, it helps me see the characters and their interactions under a new lens or from a different angle. (I actually wrote a fic where Cater takes Malleus to a maid cafe, inspired by my friend’s speeches about the duo. It’s meant to be platonic, but I think it could also be read as romantic if you choose to view it that way.)

I get easily influenced by fan art too, even if I don’t know the creator on a personal level. A few weeks back, I saw this Jade x Jamil post and it was so wholesome and tooth rottingly sweet (even though it was a ship I did not gave the time of day to before) 😭 And then I started to think about their similarities (both vice dorm leaders, both passive aggressive, both manipulators, etc.) and gradually convinced myself “Hey, it could work!” Now that I’ve had some time to be weaned off of the fan art though, I’m back to that baseline feeling of neutrality. It’s the exposure therapy wearing off/j

On the topic of Yuu (they’re technically a part of the TWST cast), I’m particularly lukewarm about any ships involving them—and Yuu ships are the only exception to my “I’m easily influenced to change my mind” rule; I’m always neutral about Yuu ships. They’re a blank slate, so the dynamics they have with other characters changes drastically depending on what “kind” of Yuu they are. I don’t have a Yuusona of my own, nor do I project onto Yuu, so I find little value in their character (or lack thereof). This extends to ships too; because I don’t see (my) Yuu as a “real” character, I also don’t see the potential in shipping them with those in the cast. I’ll support everyone’s right to their own Yuu and related ships, but I don’t necessarily get gung-ho about them unless I know the creators well. This is because the familiarity I have with them then extends to their Yuus; I can see bits of them and their own personalities and experiences in their Yuus, and that makes me feel like I have a more meaningful bond with whatever their interpretation (and romantic involvement!) is.

Of course, there are also some ships that I don’t like or that personally make me uncomfortable (for example, incest ships) 💦 I don’t want to like… yuck your yums, so I won’t go into explicit detail about which other ships I’m not a fan of or would prefer as platonic. Regardless of how I may feel about those, I don’t want to give the impression that I’m going to judge you for what you do or don’t ship. You do you—just be sure to respect boundaries and don’t push what you ship onto others, especially if they have indicated they’re not into the same things you are.

Just to make things clear, please do NOT send me asks like “Here is my ship and here is why you should consider it!” and “How do you feel about [Character A] x [Character B]?” or any variant (which includes polycules, love triangles, etc.). I will also not be responding to asks pressing me for which ships I dislike. I won’t be providing a tier list either since there are way too many possible combinations to account for. Shipping talk with strangers/the public makes me anxious and I’d rather not have that level of stress on a consistent basis.

Thank you for understanding ^^

[goodluckclove]

Some Loose Thoughts on Queer Rep (Specifically Aspec Rep)

(Just in advance I'm going to dunk on Alastor from Hazbin Hotel like a lil' bit, as a treat. Mainly the team that made him and what he represents, but still. If that's rage bait for you, I suggest maybe dipping out now)

I have a theory that queer media needs both queer characters and queer genre characters. The difference is very important.

I think a queer character would be a character in a story about their queerness. For some reason the only two characters I could think of are the guy from Love, Simon (What was his name again?) and the protagonist from Rubyfruit Jungle, which should express the weird and complicated relationship I have with this particular archetype.

Queer stories centered around queerness are definitely needed, but at the same time I feel like we're just starting to come to terms with the desperate need for the alternative, which are queer characters in genre media that contain overarching plots larger than their sexuality. Not separate, necessarily (Their queerness certainly influences things), but just beyond. This is more accessible for a variety of artists, which is also the reason why it can be a flop or a massive success.

We get more of this than ever for gay and sapphic characters, as well as some trans folks and occasionally non-binary. It's definitely way less seen in aspec characters, and even less respected. I started thinking this way because the internet is flooded with references to fucking Alastor from Hazbin Hotel as an aroace character and - like - god, I don't get it.

Like you can have your serial killer comfort character, that's fine. But latching onto him as representation for the entire aspec community when he was only confirmed to be aroace through a reference in a livestream and the weakest joke onscreen is pretty disheartening. It definitely reads like this part of his identity was added pretty late in his character development, and by a team of people that didn't seem to consider what the response and reaction would be and how they'd handle it.

I also wish the newest aspec icon in media wasn't created by a team so adamant on encouraging shipping culture above actually respecting the identity they've decided to provide representation for. Like I see it means a lot to people to have an aroace character doing something cool in a fun TV show that doesn't necessarily have anything to do with their identity. Then there's like four other people right behind that person who really wants that person to be romantic and fuck.

And like, yeah, aroace people can do that sometimes. It's a spectrum, I know. But can't we start with a baseline representation before providing proof of fluidity?

I just think we deserve better. Like a character who in the media is established to be aspec, and people are like "great" and move on to fight robots or do magic or whatever. And the person can be morally grey, or even a total dick, but like I'd personally prefer something with a little more depth than Hot Topic genericism.

Like don't get me wrong, I'll take some sort of eldritch horror as my representation, but...make him at all horrifying? Like everyone talks about how he has Eldritch powers, which I know to mean unfathomable and maddening. But I've seen everything he does in the canon of the show and it is both incredibly fathomable and makes me feel normal and sane. Yog-Sothoth this man is not.

But yeah, I don't think there's a solution here besides more aspec artists creating aspec characters in their work. That way people can still like Alastor if they want, but he's not like the only viable option in terms of representation in the media. Let me see lovingly-crafted cool guys and dipshits and chaos goblins and little babies and True Horrors, all of whom have varying degrees of distaste or indifference towards sex and romance.

Do it. We need it. Please.

[nihilnovisubsole]

something i've been thinking about as GDC comes around again: it's amazing to sit in the same room with Real Industry People and hear the truth of why certain story decisions happened the way they did. studio games are odd group projects that take a really long time to make, and there are many irons in the fire and many interests at play. sometimes the stars align and a team gets a laser vision, creative freedom, and the budget they need, and they ship the thing they meant to ship.

but not always. if a character you love got killed off, it's entirely possible that their original writer left or they couldn't bring the voice actor back. or leadership wanted to close down old story arcs and tie up loose ends, or someone felt new characters would bring in a new audience. if a series seemed to drop a plot thread in a sequel, it's possible that the narrative team wanted to include it and it got cut for scope. or shareholders wanted to appeal to a different part of the playerbase. or the team had internal creative conflict, or any number of reasons as simple as "it got lost in the shuffle because we did so many rewrites". [important disclosure: i'm not vagueposting about specific games here. i'm just rattling possibilities off. resemblance, unintentional, etc.]

and of course that's not a phenomenon unique to video games. tv shows make snap decisions when they get canceled before the planned end of the story or a cast member wants to leave. movies' plots can change when a new director comes on board, or they bring in a script doctor, or an actor's problems interfere with the shoot. even louisa may alcott changed little women's ending over concerns that if jo remained unmarried, the book wouldn't sell. i'm not sure whether it was her publisher or she worried about it herself, but the point is, something got altered, and it can happen anywhere.

as a fan, i found these developers' stories both comforting and vindicating. for a long time, i've felt like someone riding two horses at once: the fanfic-and-OC girl playing on other writers' playgrounds, and now also the staff writer who sees how the sausage gets made. i've been affected - probably overmuch - by a character's sad end, only to learn that some third party or outside motive influenced it. i've met writers who also didn't like where a plot was going, but didn't have enough seniority on the team to protest it. i've heard stories along the lines of, "we were trying to make lemonade, man," and what shocked me more than the revelation is the peace i gained from it. it's a miracle the games shipped at all. the things that got made, got made. between professionals, it's neither heretical nor some wild flight of irrationality to ask, "what if things had gone a different way?"

and, i mean, it would be both cynical and incorrect to wave it all off and say that no storytelling motives are ever wholesome. some characters die because it's the logical conclusion to their arc. some universes with complicated worldbuilding benefit from narrowing their focus and shaving off a few subplots. i'm just saying many things are possible. when you only sit on the fan side, it's easy to feel like Canon™ looms above you, inviolable, when you're really in conversation with it. there's a lot of power in saying "i respect the team's accomplishments, but i would've made different choices." you'd be surprised how often the team agrees with you.

[writing-for-life]

Right, okay, I’ve thought long and hard whether to write this:

A squick (even a strong one) is not the same as a trigger.

Emotional discomfort, even emotional discomfort that leads to low-level physical symptoms like e.g. mild nausea, is not trauma. Unfortunately, TikTok pop psych has done nothing to help people understand the difference, because the trend to perceive (even strong) emotional discomfort as equivalent to a trauma response is worrying and neither helps people with nor without PTSD. I don’t wish it on anyone to actually find out the difference if they haven’t yet (disclaimer, since this is unfortunately necessary these days because everything gets misconstrued: I am not talking about individual experiences, because only you can know about those. I’m talking about wider trends in an often young audience with not enough background info to be able to tell apart sound medical/psychological info and viral BS created by “influencers” for some kind of personal gain).

What people in the current fandom spat want to have tagged as “triggers” are overwhelmingly squicks. And we’re probably all guilty of quickly saying “that triggered me”, myself included (and I’m a licensed psychotherapist, shame on me). It has become somewhat of a shorthand for “extremely annoyed or grossed out”. But when it gets used in the context of tagging, it’s good to remember that no one owes us a tag list the length of our arm just because we don’t like certain things. Even if we strongly dislike them.

And even on the occasion someone else’s yuck or yum is an actual trigger for us, it is impossible to cover for every possible trigger, because in theory, EVERYTHING has the possibility to trigger someone somewhere.

E.g., a certain smell in a supermarket holds the rare possibility of triggering someone, but do you see disclaimers at the supermarket door that say, “May smell of 484 different things, which are in detail [list of 484 things] and might be different tomorrow. Plus, we might have a customer today who smells of that perfume that brings up your triggering childhood memories. Or maybe we won’t, but just on the odd chance we do, we thought we’d rather cover it”.

There might be one person with a very specific trigger that does literally nothing to the vast majority of people. Do we expect everyone on Tumblr to tag for “eyebrows” or “white T-Shirt” because of that? How about that person just puts “eyebrows” or “white T-Shirt” in their content filter instead?

Do we really suggest to put that type of responsibility on creators? More importantly: Who are we protecting that way? All we do is put people into bubble wrap and shift responsibility for our mental wellbeing away from ourselves to others.

We are trying to tell other people what to do for our own comfort. That’s controlling.

If we’re squicked out by something, there is a simple solution: we can stop looking or reading. We can use content (not tag) filters. In the worst case, we can block. We don’t have to put that type of responsibility for our personal sensitivities on creators (or people who reblog, for that matter).

We can tag for certain things as a courtesy, I’m all for it. I love being able to filter out stuff I’m not into, and I sometimes wish people would tag better or not tag a certain way (getting ship tags for a ship you’re not into slapped on your character-metas is annoying 🤣). But I don’t die, neither does it cause me unbearable distress, if I see cows where I don’t expect them. Scroll past or block. And if I’m worried about mature topics like nudity or violence: Tumblr has a community label for mature themes you can (and in my view should) use if in doubt. Funnily enough, many people don’t do that though—maybe because they worry about reach?

Of course we should include content warnings where they are due, no one says we shouldn’t. It’s also fair if a creator doesn’t wish to do that beyond general warnings (no specifics) though because they might give away, say, major plot points that way. In that case, general disclaimers like “contains depictions of violence”, or whatever it might be individually, are a good idea. And if that’s not specific enough for us despite knowing that “violence” in general might also contain our personal trigger, we might need to make the decision not to read it to stay safe, but we shouldn’t have a go at the writer for not tagging very specific things that might be considered spoilers.

Long story short: If we assume people are “triggered” by werewolves with vulvas or non-human characters, it might be worth thinking about whether we’re just talking about squicks that very much fall into the category of “personal responsibility”. And there are plenty solutions to that at our end—we don’t need to put that on creators…

[akookminsupporter]

Namjoon gave a good interview to Vogue Spain and in it he said a few things that I thought I'd share with those of you who may not understand Spanish.

This was at the end of the article but I want to write it first:

One thing that needs to be made clear about this album is that, no matter how much the rumour mill is trying to spin it, it is by no means the end of the successful band. "Oh, I'm not leaving BTS. Absolutely not. This is the first time I'm launching a solo project like this, so I'm trying to stand up and take my first steps. But I'm ambitious and I have willpower. So I don't want to miss the opportunity to do both. So I will try my best not to lose control and steer these two ships at the same time. A lot of bands split up and fall apart, but I hope that doesn't happen to BTS. I just love the music, I love my job, I love the band members and I love myself. If I can keep both projects going, I think it can be something legendary in the long run".

Other important parts of the article:

"The k-pop industry hasn't stopped growing since we debuted with BTS [in 2013]. It's become a lot more complex and has brought a lot more people into its structures. I think there are a lot of lights, but also some slippery shadows. Many of us started our careers very early as a group: we slept and lived together as teenagers. We became a real family, which is great, but this culture has also affected me a lot, because sometimes I find it difficult to be treated as an adult who has autonomy in his decisions. I'm perceived as just another cog in the crew, in the context of a mass phenomenon",

Did you ever feel like you were getting completely lost in this delirium of success? "I used to think so, but the funny thing is that I am fully aware that it was my own choice to devote myself to the k-pop industry. Nobody pushed me into it. But yes, I have lost myself at times. Although perhaps saying this is an excess of 'self-empathy'. There is no answer. Except that, if k-pop is about recharging the batteries of a mass audience and I'm responsible for doing that recharging, then I have to keep my feet firmly on the ground. As an adult, as a musician and as a human being. And these ten years of my career have helped me define who I am and learn to love myself. But I'm still in that process, you know? All these internal struggles will be recorded on records and videos," he explains.

"Music is really necessary for the world, but, when it comes to my music, sometimes I feel like I'm producing something unnecessary. If I were to die tonight, I don't think anything would change. It might matter to some people for a while, but a farmer or a street sweeper is more relevant to the functioning of society. When I ask myself about the role of our generation in historical terms, when I look at all the digital platforms and communities out there, I am overcome with confusion. There are a lot of people who don't want to think. They have frenetic lives and turn to music or television to escape, so the last thing they want is someone trying to lecture them from a pedestal. In that context, I wonder how I can make my music matter. I haven't found an answer yet, but I keep trying to bring my own perspective to it.

As to whether he is afraid that the army he has on Instagram (42.4 million followers) might one day turn against him for a silly mistake or a blunder, RM answers bluntly. "Yes, it scares me. It scares me 24 hours a day, 7 days a week. When I was younger I tried to come across as a cool guy who doesn't give a shit what other people think, but I don't think that's right anymore. I care about the publicity dimension of my career and the influence I can have on others. It stresses me out, yes, but I think I can handle it. That's why I don't retire or do things like go out and drink the night away and then drive drunk. I'm human, I can make mistakes, but I will do everything in my power to be the best version of myself. One of the keys is to treat this job for what it is: a job. I don't think artists have any special rights or status.

Note: if you would like me to translate another part of the interview, let me know.

[olderthannetfic]

I remember when I was a kid in the '90s, overhearing my parents talking about a news story about two kids who had been playing make believe Power Rangers and one been injured and died.

My mom was insisting that Power Rangers was evil, that Satan was somehow involved, and that the TV show and the people who created it had directly and willfully caused this child's death. She always believed that TV itself is evil (and anything Science Fiction or Fantasy especially so), and this incident demonstrated that.

My dad, on the other hand, was trying to explain to her that what had happened had been a tragic accident and no one, neither Satan nor the TV show, was to blame. Children play rough and sometimes go too far, and the fact that these children enjoyed Power Rangers didn't actually have anything to do with the accident, they could just as easily have been playing any other game.

That conversation stuck with me, because my dad's argument made a lot of sense to me and I always knew my mom's Satanic Panic stuff was ridiculous. (I had a hiding spot in the hallway where I could sit and listen through the air conditioning vent to conversations in the living room, and I'd evesdropped on a lot of debates like this; this one stood out because my mom's stance was so far fetched and my dad's counterargument was so .... sane).

It's downright weird to see kids these days(tm) sounding exactly like my mom, only with Satan stripped out. But having grown up with this perspective and with arguments against it, I think I can see where they're coming from. Both teenage antis and Satanic Panic moms are simply looking for something to blame. They don't want a world where tragic accidents just happen, they want it to be someone's fault. Because if it's someone's fault, then you have something concrete you can fight and defeat, and if you can defeat the evil thing that's causing the tragedies (be it Satan's influence on television shows, or fanfic that ships the wrong cartoon characters), then you can prevent the tragedies in the first place.

But sometimes, bad things do just happen, and the ways to prevent them is far more complex than shipping the right ship or unplugging the TV.

--

Yup.

Psychological resilience is hard to instill in people if they don't already have it, unfortunately.

Grabbing futilely at any sense of control is how people try to cope.

[foggycrusadepenguin]

Sometime you just have clowns so much on your brain you see two cats and it's suddenly the only thing you can think about.

There also this which I have I just had to do, they only had one ship art and it's just to hilarious not to.

But it also sprang ideas which is always fun, sooo here I go.

It all starts when Buggy is around twenty two he is in the north he just suffered his first mutiny but he is dandy not like his ex crew at least who he saw being eaten after they left in him his little lifeboat so duck them anyway.

He has a bit of money, his juggling and little clown act gave him a little more money and he deserves a treat, a alcoholic treat so to the bar he goes and he is having a great time.

He drinks a bit to much but everything is great...

So great he doesn't notice the rather notorious leader of the Donquixote pirates that is having his own good time with some booze and pretty ladies.

Of course this is until his great luck comes into play and he may have done something rather flashy that may have inquired the joker ire.

To which things may have taken a interesting turn when Doflamingo tried to cut him into ribbons which earns him a funny result thanks to Buggy devil's fruit.

I thinks it would have sparked a new interest for Doffy towards the clown (Or more like what he can do with the clown, Doffy probably would be over joyed being able to split Buggy to pieces with his strings and Buggy would probably like the bonuses of having a little affair with Doffy particularly the he won't kill me card)

So that's the start of a there relationship (if you can call it that, I actually have a few more ideas for this but no patience to write it out so maybe later)

Relationship that would actually end with him meting Corazon in the flashiest way posible.

So it all starts after a rather rough night with Doffy one which Buggy enjoyed a lot and a Corazon searching for his brother.

So he goes to Doffy room just to find a dismembered body laying on the bed, bits and pieces everywhere and he is in his second in command this can't bother me mindset, he can't let Doffy see weakness and it would be the worst his brother has made him do to try and test him.

Which is why he starts cleaning the room ignoring the lack of blood (maybe the boy was cut post Morten) he would do his job, he would stop his brother from doing this again.

It's when he grabs the head to throw it out that he finds black eyes opening blearily before the head yawns and he is pretty sure his heart stops.

So he does the most sensible thing throws the head away, trips and smashes against the floor.

Meanwhile Buggy is just waking up from his nap and woah does Doffy look different this morning, just to be thrown like he was a ball, which rude.

Doflamingo comes back to his room just to see it all unfold and he finds it hilarious.

Finds it even more hilarious when he notices they get under each other skin.

Which ends up of course with him pushing them together whenever Buggy visits the north.

And that's the end of this times little rant, I had a au idea that kind of follows this but more detailed but I'm feeling lazy and I just found the idea of how Buggy meets Corazon and Doffy being the first Corabug, not shipper he doesn't ship them he just likes there disdain of each other,influencer hilarious and wanted to share it.

Apart that Doffybug? Is just really under appreciated, I like weirds ships sue me ╮⁠(⁠＾⁠▽⁠＾⁠)⁠╭

Anyway have a nice night, day or whatever!

(⁠ ⁠╹⁠▽⁠╹⁠ ⁠)/

[yarrayora]

I actually really love ur interpretation of farcille where falin and marcille have a... Difficult time together. Because it annoys me when people treat their relationship like the most important one and also like they're completely perfect for each other. Because they're not! The bath scene itself is an example of how they're not completely on the same page yet. Marcille treats Falin like a precious toy to look over, even when she's clearly uncomfortable, and when Falin starts asking questions (because she knows something is up), Marcille shuts it down. Marcille doesn't treat Falin as an equal. Also the bits in the daydream hour where it implies Marcille wants Falin to dress a certain way or cut her hair a certain way because it looks good to Marcille.

Not to say that Marcille is evil, or even completely in the wrong. I think Falin has a bit of a bad trait where she doesn't talk about things that upset the ones she loves. There was an extra comic, if I remember correctly, from Falin and Marcille's school days, about Falin bringing food to Marcille's room and Marcille would just be like "??? What???" And eventually Falin just stops going to Marcille's room. But then later Laois explains that Falin was trying to get Marcille to eat with her, but eventually gave up without speaking about it at all. Or how she did drop the topic of her resurrection even though she knew something was wrong and deserved to know what was going on. And while she was under the influence of the dungeons magic, it's pretty in character of her to go hungry and not say anything because someone she loved (Thistle in that moment) wanted her food.

And that's not even getting into how many fans erase how important Laois is to BOTH of them and how much he loves them as well. (Marcille was definitely not his biggest fan in the beginning, but I think you could make the argument that by the end, she cherishes him almost, if not just as, much as she cherishes Falin. Not even in a shippy way)

Anyway. All this to say, I love farcille but they're not a perfect couple right now. I actually really like that ending you imagined a while ago where they never put a label on things and falin dies old and happy but Marcille keeps thinking of "what could have been". I think that's really the only way their relationship can end (unless they COMMUNICATE in the case of Falin and LISTEN in the case of Marcille)

here's the scene you mentioned!

i think theres a scene in a different chapter showing more of this but i cant remember lol so im not sure if falin stopped or not. but considering how falin grew up as a conveniently good kid for her parents i think it's in-character for her to give up in fear of bothering marcille

which is in line with chimera falin's attitude (WHICH IS SO COOL THAT HER CORE AS A PERSON REMAINS UNCHANGED DESPITE THE DUNGEON'S INFLUENCE)

and yes i think a lot about how laios is the reason they even go on the dangerous quest to save falin! he is what convinced marcille and chilchuck it's not too late for her! because they know hes knowledgeable about monsters, so if he thinks they can still save her then it must be possible! on the contrary, as shown by the official roleswap comic where falin and laios swapped places, she couldn't convince the party, not even marcille, to go save laios with her. further showing that laios is the person they trust as their leader

also regarding marcille and laios i think people sometimes forget that despite their difference branch of passions both of them are hungry for knowledge

hell, she might be the only one in the party beside laios who is in it for the sake of knowledge instead of glory and wealth (toshiro is in it to prove himself as a warrior, namari having to make up for her father's misdeed, chilchuck for the betterment of his people, and falin who is still at the stage of following laios and marcille's whims)

honestly i think it's inevitable for The Most Popular Ship to be sandpapered. in the end, shipping is about having fun with barbie dolls that have no agency to protest about how theyre being treated and we the shippers are gods ruling over fanon

but im also. kinda petty about it lol.

[grainjew]

Nikaposting Pt 4: Sun God Tropes

This is the fourth of a series of posts about Nika & associated religious practice in the One Piece world. As I write and post the rest of the series, I’ll add links to this header.

Pt 1: Crypto-Religion | Pt 2: Symbology & Syncretism | Pt 3: Joyboy was Shandian

Enormous credit to @oriigami for being my discussion partner through all of this and having a substantial influence on the final product. Check out our ao3 series Joyful for a narrative rather than analytical take on the Nika tradition, and definitely go read her OP blog @kaizokuou-ni-naru for meta and translation fun facts.

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#JustLittleSunGodThings

So Luffy’s a sun god, or the embodied power of the wishes for one, or whatever. But does he do mythological solar deity things?

Yes actually.

This post is the fourth and last (as of now) in this series, and it’s entirely for fun. I’ll almost certainly miss things as I go down the list here- if you can think of other solar or dawn deity things he gets up to, please add them in the replies!

With no further ado, here is a list of sun god things Luffy has been known to get up to, & which will no doubt inform the mythology developing around him in the One Piece world. (How many people were deifying this guy even before he awakened his devil fruit? Like it was definitely not zero is all I’m saying.)

Getting eaten by snakes

What started this whole list was me turning to @oriigami in the middle of the night after we’d been rewatching Little Garden and trying to make an accurate count of how many times Luffy’s been swallowed whole and going “you know what’s sun god shit? getting eaten by snakes.”

Sun gods are often doing this. Take Apep in Egyptian myth, who tries to devour the sun god Ra every day. Or Rahu, the Hindu shadow planet and serpent, who swallows the sun to cause solar eclipses.

Luffy is also often doing this. The most notable example is of course the Nola Incident in Skypiea arc, but if we expand the definition of snake to include generally snakeish sort of guys, he also gets briefly ate by Kaidou very shortly after awakening, and just now by Mister Sandworm in ch 1110. (And by Kaidou fish-fish fruit equivalency I’d argue we can also count the Little Garden goldfish and the crocodile that ate him as a kid here but obviously that’s more tenuous and mostly just funny.)

Slightly more tenuously as well, there’s Amaterasu of Shinto lore retreating into her cave (a cave is a kind of snake), as well as the Norse wolf that chases the sun Sköll (occasionally merged with Fenrir), the Javanese god (described as an ogre) Batara Kala who eats the sun and moon to cause eclipses, and the alchemical Green Lion that devours the sun.

Storm and sky gods are also often interacting with, killing, and being eaten by snakes, which is less relevant here except that Nami is storm god coded and she also got ate in the Nola Incident. So that’s fun!

Having a chariot that circumnavigates the world

Many sun gods, especially in the Indo-European sphere of traditions, have some sort of chariot or boat that they ride from east to west each day to carry the sun across the sky. Often they have attendants (sometimes dawn and dusk gods; or sometimes these gods have their own chariots or horses as well) to help them with this.

If you want a list of sun vehicles the wikipedia page for solar deities has a whole bunch of them. Have fun.

I think Thousand Sunny speaks for herself on this front: not only is Sunny a ship designed, destined, and dreamed up to herself circumnavigate the world with Luffy as her captain, but she also has the Sun on the front as her figurehead in a manner that does kinda remind me of some depictions I’ve seen of the sun being carried across the sky in such a chariot. Also, she can fly!

Association with royalty

Kings and emperors love to use sun gods to give divine legitimacy to their rule. This is in no way universal (there’s lots of storm gods out there who also do this, just off the top of my head) but take Amaterasu (Shinto), Inti (Incan), Amun-Ra (also Aten) (Egyptian), Sol Invictus (Roman), etc.

Obviously Luffy is going to be King, and is currently an Emperor. But also, he tends to go around and toppling kings and gods and tyrants and vaguely lending legitimacy to whoever is stepping up to the throne in their place. He’s got the Mandate of Heaven (this is a joke mostly but we HAVE all read Loguetown)! And also distributes it to people he likes. Thanks Luffy.

Solar discs, radiate crowns, and beetles

A solar disc is a flat circle, sometimes with rays, that symbolically represents the sun or the sun personified. If you have read pt 2 of this series, you will recognize the Nika symbol in this description.

In the same vein, when applied to a personified depiction of the sun, the solar disc has the habit of becoming a halo or a radiate crown (such as the one worn by the Statue of Liberty - the radiate crown used to be an emperors and sun gods thing and has since become associated with personifications of liberty. So That’s Fun). Obviously Luffy is not in the habit of having either of these representationally, except of course for. The hat that encircles his head in gold.

The final note on symbology I have here is that the Egyptian god of the morning sun, Khepri, is associated with scarabs/dung beetles. A fact that I think known beetle-lover Luffy would appreciate. Get this guy some scarab symbolism stat. Check these bugs out!!!

Bonus: descending into the underworld and eclipse stories

Katabasis, that is, a descent into the underworld, is in no way a sun god exclusive, although solar myths do often involve the sun god, having traveled across the sky by day, needing to find their way through the ocean, the underworld, or some other sort of nether realm to return, overnight, to their morning home in the east. And it’s very fun to look at in the context of Luffy, eclipse myths, and the Marineford saga.

So obviously the Impel Down arc is is a very literal katabasis. It’s Hell, it’s got all the Dante’s Inferno theming, and, like in so many katabases, Luffy descends to the depths in pursuit of some goal, eventually emerging miraculously alive but unsuccessful (see, for a very quick shortlist of katabases of this type, Orpheus & Eurydice, Inanna, and Izanagi & Izanami).

So that’s delightful. But I think it’s even more fun to think about the Marineford saga in general, eventually culminating in the timeskip, as a prototype for an eclipse story.

Solar eclipses, though predictable, are something like a rarer and more frightening form of night, and so their associated myths have a general tendency to involve a more dramatic and/or violent symbolic death of the sun- see, for example, the various devourers of the sun mentioned in the first bullet point of this post.

So, we have the timeskip. The fire goes out. The sun, having descended into the underworld and pushed himself past his own limits, is defeated, disappearing completely from the world for two years. Until- In a way that was, technically, predictable, if you had the correct sphere of knowledge, he returns, miraculously renewed.

I’d incorporate that into my belief system, is all I’m saying.

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Thank you all for reading! This is all for the series so far, but not, I hope, forever. Many more thoughts to have and webs to weave!

Have a lovely week!