#sometimes they collaborate

[birrdies]

'SUNBLEACHED' (1.6k words) Our collaboration piece for the Flowers in the Desert zine! writing by me (birrdies) art by @fishbloc

Sunflowers. 

Over the flat, endless plain they stretch as far as Scar can see. Roots and leaves branch like veins and arteries through the soil on the verge of something alive. The sunflowers face the limitless blue above— no beginning or end— the stretch so vast that time itself feels as inconsequential as a marble rolling around in his hand. 

Scar doesn’t understand it.

One second his feet had been on the stone where Pearl had fallen, where lightning had struck with finality, and the next he’s up to his waist in sunflowers. Each golden petal stands on edge. As if they know something he doesn’t. He reaches out to touch one of these petals; they tickle the pads of his fingers. Shy, pretty things. 

It’s quiet here and Scar isn’t sure if it’s a silence he finds comforting or damning. He thinks he should be afraid, but how can he be? It’s warm here. The earth smells of freshly fallen rain beneath his feet, despite not a single cloud in the sky above. The fresh, dewey scent that soothes him, almost convinces him that this is a good place to be. 

“You’re here,” a voice says behind him.

There, enveloped by the countless sunflowers, is Grian. His hair is pale, sunbleached, and his cheeks are pink. Everything about him has been touched by the light in some way, down to the faded red poncho draping his shoulders and the speckling of freckles across his nose bridge. 

He’s drowning in it— this light. He’s made of it. And Scar’s eyes fall to find the sunflowers around him withering and decaying quickly. The yellow petals curl and desiccate into gray husks, breaking off their buds and fluttering to the ground. They’re dying. Not by lack of sunlight, Scar realizes, but by an excess of it. Burnt to a crisp. 

And like the sun, his skin blisters. The skin of his hands and the redness slathering them have no beginning or end. Gashes and swelling bruises and split knuckles. The blood never clots, a constant red drip falling from the fingers held limp at his sides. A quiet drip, drip, drip the only sound across the windless field. Not even so much as the sound of a breath. Just that blood.  “Grian,” Scar says. “I’m here.”

He doesn’t know why. He doesn’t know why Grian’s here either. But he’s grateful he is. Their nightmare— or, had it been a dream?— ended long ago, the desert gone and buried several games past. The Grian in front of him now isn’t the Grian he’d fought with moments ago. This Grian was younger. More afraid. More capable of burning. 

“Where… where is here, exactly?” Scar asks.

Grian curls those bleeding fingers into the nearest living sunflower. As if he’s unsure whether he wants to caress it or yank it from the ground, roots and all. His face is twisted, it’s always twisted when Scar’s around. But he yearns for the days when that twist had been of wicked delight, the way green-lit eyes exploded into starbursts at the sight of their mutual destruction. 

“You won,” Grian says simply, taking a sunflower by the stem and starting to pluck the petals. One by one. “Congratulations.”

Scar falters. A victory. A bolt of lightning striking the earth, the loud thud of a gavel. It’s over Scar, he hears, a constant echo in the back of his mind. You won. Grian’s anger burns. A second petal falls.  “You’re upset.” Scar will do anything to make it stop, to untie the knot tied between Grian’s eyebrows, to take those cracked, bleeding hands in his own and mend them until the skin is whole again. To take away the pain, the regret, the guilt. 

Grian never left the desert, no matter how much he wanted to. And Scar could never go back. No matter how often he wished he could.

“This is your dream, Scar.” Grian turns his face away. “It’s been a long time coming— a victory.”

“I don’t feel like I’ve won anything,” Scar says honestly. A victory implies the heavy yet welcome weight of a crown, the fleeting yet intoxicating rush of excitement. But all Scar feels is the emptiness in his chest, the air around his crownless head. Blood on his hands that he can’t see, but knows is there all the same. The same way it stains Grian’s. 

Grian plucks a third petal. He barks a cruel laugh, but it sounds more like he’s about to cry. “How do you think I felt?”  Scar frowns. “It’s still about the desert? After all this time?” 

Grian plucks another petal. Four. It flutters to the ground to join the others, yellow petals torn and crumpled, slowly turning gray. The edge of his mouth tugs into a knife-like smile.

“I’m sorry,” he says. It’s all he can manage, though he doesn’t mean it. Nothing can make him regret that day, knelt in a cool pond with the weight of a diamond blade against the junction of his neck. The hand he used to hold onto it, digging it into his own skin— asking for it. “You deserved to win.”

“I deserved this? To be alone?” Grian throws his arms out to the sides, to the endless curvature of sunflowers drowning the both of them. Nothing to shield them from the unrelenting sun above. “Because that’s what winning means. You’re alone, Scar.” 

Scar’s heart plummets into his stomach. “You’re here.” 

“Am I?” A fifth petal. “Or do you just want me to be?” 

Scar stares at Grian, uncaring if the scalding brightness gives him sunspots, or if the pain of looking at the spoils of his own choices burns him up from the inside. You won, Scar, his voice echoes again and again in Scar’s mind, a scratched record. His fists curl up at his sides, into the black cloak sewn with lilacs and poppies along the hem. 

Is that what this is? A cruel illusion to make him realize what it truly means to be the man at the edge of the world, to be the last man standing? If this is victory— Scar grits his teeth and twists his fists into his cloak— then he doesn’t want it. He’s never wanted it. It was never about winning, it was about— 

“About what, exactly?” Grian snaps, plucking the through straight from his mind just as he does with a sixth petal. “Is it about this? Sunflowers? You can’t hide behind them forever. Not here. Not from me. Not from yourself.” 

“Stop it.”

Grian’s in front of him now, bloodied hands shoving him by his shoulders. Scar stumbles back and barely keeps himself upright. This isn’t right. This isn’t Grian— not the one he knows, not the one he needs. 

“Why aren’t you angry, Scar?” Another push. “After everything that’s happened to you. All the people that have betrayed you. All the times I left you behind.”

Scar grapples for self control, to reign in the flash of anger burning the back of his throat. “What are you trying to prove?” 

“Stop lying. For once in your life, look me in the eye and tell me you’re angry.” Grian yanks a sunflower from the ground and shoves it, decaying leaves and all, against Scar’s chest. “Tell me these are just a sham.” 

It’s on the tip of his tongue: the truth. A terrifying, bitter thing that burns crawling up the back of his throat. Because it betrays everything he’s worked so hard to build, the masks he’s sported like second skins, the confidence which he flaunts like a shield. Without it, what does he have left? He’s stripped clean, Grier’s hands against his chest burning like sweltering charcoal. Sunflower petals slip between his fingers. 

He opens his mouth to let it up, to tell the truth, and then—

The sky above him changes. Only slightly. If he had blinked he would’ve missed it. But clear as day he sees them overhead: clouds. Slowly rolling across a blue sky.  And he’s on his back, blinking spots from his eyes as breath rushes into his lungs. The air tastes fresh, crisp, like seawater. Eyes fluttering, he tries to remember what he’d just been about to say.  “Scar?” 

Eclipsing the sun beating down on him overhead, a head peers down at him. Dark, wide eyes, a slanted mouth. A sporting of freckles across dusty cheeks. 

Something knotted unravels in Scar’s chest. “Grian.” Grian’s lips wobble into an uneasy smile. He wipes sweat from his brow, and Scar catches a glimpse of his hands: dirty, packed with mud, but bloodless. “Whatcha doing down there, pal?”  Scar’s arms lie limp at his sides. He’s not sure he could move even if he tried. If he wanted to. Something about this peace is fragile, uncertain. As if simply breathing the wrong way will make the world shatter in two and send him back to that place. One wrong move and he’ll be alone again. 

“Dunno,” Scar says breathlessly. Stalks of wheat tickle his arms as the wind kicks up, ghosting over his body. A sunflower stands over him, waving in the breeze. “Appreciating the view. Clouds. They’re nice.”

“Come on.” A hand reaches out to him. “Stop trampling my wheat.” Scar has to stare at it to remember that it’s not covered in blood. That it’s just dirt from a long day tending to wheat and sunflowers. That the Grian smiling down at him is the real one. Not the one made to torment him. 

Scar reaches for that hand, allowing their palms to slot together. Grian’s skin is callused and warm. He’s there. He’s real. Scar isn’t alone.

[this-is-a-love-story-isnt-it]

Claudia Black and Ben Browder being captains of their own ship since 1999.

ComicCon 2009 Wintercon 2019 Wintercon 2023

[eribent]

i'm gonna be thinking about this smosh screenshot forever

[xx-disco-inferno-xx]

just realized i probably look insane doing my own book of bill hunt

oh, the realizations a having a roommate will make you have

[leonardcohenofficial]

opened my last department show at school tonight and not only one it one of the most incredible pieces of theatre i’ve ever had the privilege of working on as a dramaturg but also the weight of this being my final show within my phd program hit me like a freight train (which is why i am so honored to have a show this impactful as my final show like there is no high note as high as this)

[lucid-daydreaming-art]

this is like the third time ive had to post something like this but you guys need to stop treating unodum like a celebrity or fangirl over him or act like its some sort of gift to be talked to by him or especially treat his friends weirdly because they talk to him regularly. ive gotten word that his friends are being treated as special just because they have connections to him and being asked to like say stuff to him or whatever??? which is legitimately very very gross behavior. cause its not only really uncomfortable for uno but it gets very awkward and uncomfortable for me and his friends. im aware my popularity in the regretevator fandom is largely because im associated with him and in all honesty from the START that concept has made me pretty upset. neither me nor his other friends want to be seen as special just because we’re close to him. its part of why i didnt make much outside of the blog AND why i just abandoned the blog and the fandom altogether. i think a lot of you guys are a younger audience and are still learning internet etiquette and social boundaries, but this needs to be a lesson in how NOT to treat others on the internet, especially content creators. this isnt to say dont attempt to build friendships with people you think are cool and feel like you have things in common with, but you cant go into that with the mindset of “i worship you notice me.” you need to understand that no matter how popular your favorite creator is, theyre literally just a person. thats it. just a person. not a god, not a character, just a person. im really fed up

[wanologic]

Your art style is.awsom. keeeep going.

By the way do you have any ocs? If you do could you show a reference of them?

Thanks, it is impossible to stop so i will keep trudging along hahaha

I have a ton of ocs, but my main ocverse is collateral damage.

You can find it all in the #collateral damage tag, which is actually pretty extensive. Theres not really like, reference sheets for each of them, but this post is a lineup with the full extended cast.

I've also explored a little with an ex-young adult adventurer/protagonist named logan and the transition from Very Important Teen to jaded adult with baggage.

Lastly ive got a project all written out and half designed about a magic university - it was supposed to be a 2023 project that i started, but i was hit super hard with a bunch of really intense life stuff last year (I didn't draw much bc of it) so its a bit tainted with that at the moment - no plans to finish right now. might come back to it eventually.

Theres a few stragglers that i have designs for as well like alice and blair but they dont really have much of an internet life beyond a few posts here and there.

[my-anime-goods]

Tokidoki Bosotto Russia-go de Dereru Tonari no Alya-san (Alya Sometimes Hides Her Feelings in Russian) - Karetez Collaboration featuring goods with new illustrations announced.

[lord-squiggletits]

Thinking about IDW Optimus again and the fandom's aversion to even acknowledging he exists bc he's a cop or whatever and like. Most of the time people literally just replace him in fic with some white bread knockoff archivist/librarian, not even bothering to keep in IDW OP's personality (which just bolsters my theory that the problem isn't him being a cop the problem is that he's too multifaceted but I digress).

And it's annoying because you could totally write IDW Optimus as not a cop while still keeping his canon personality. You just have to realize that the reason IDW OP became a cop in the first place is because his formative experiences when he was young shaped him to basically have two priorities: 1. To help people and 2. To do it by being on the ground actively doing something about the bad things happening to people.

IDW OP would not be a fucking librarian or archivist because even though those are noble pursuits that can help people and change the world, and Optimus is educated/smart enough for the profession, he wouldn't be satisfied just teaching people or spreading information about activism or social-historical studies or whatever. He's a mech of action: he needs to be doing things right now, in front of him, to people he sees/interacts with in his own eyes, improving society with concrete actions rather than indirect action or abstract inspiration.

So basically the alternate job ideas I can think of for IDW Optimus are something like being a firefighter (or any first responder really) or even whatever the equivalent would be to international charity organizations, those ones that send volunteers across the world to do stuff like build housing/infrastructure or distribute food or whatnot. I mean I can't imagine that the equivalents to these things would be exactly the same in IDW Cybertron, so you'd have to get a little creative with it, but these are just some ideas of jobs that would fit IDW Optimus' personality while still filling the niche of "not a cop" for people who are just that opposed to it.

Though I think the revulsion against coptimus is annoying in general tbh because IDW is already a continuity that rejects the idea of easily defined good/evil people or groups. It feels like people really want Optimus to be a good person in a very sanitized and academically approved way, so he has to be nice and squeaky clean but also like, a perfect leftist who knows theory and holds the most progressive opinions on every single issue....

There is no room for the idea that good people join bad institutions, there's no room for the idea that the reason people think cops are good guys who help people is bc of the government propaganda everything is saturated with. Hell there's even later issues of the Optimus Prime series by John Barber where Optimus like, MULTIPLE FUCKING TIMES, is shown in flashbacks grappling with the fact that he as a cop/Zeta's regime that he works for might not actually be improving society like they say they are, and dealing with the fact that he feels more like a lesser evil compared to the Decepticons (perhaps not "lesser" at all).

It's like there's this idea in fandom of like, fictional media and opinions on media having to strictly adhere to progressive ideals at all times. So people just go "cops bad, this character is a cop, therefore they suck" without being willing to engage with the idea of like. IDW OP is born wanting to fight injustice and protect people -> a good way to protect people is to fight the people who are hurting them and committing crimes -> surely following the law is a reliable moral code to guide him in this -> becomes a cop because he's been indoctrinated into a society (much like our own) where he was told that the state/the law exist to protect the people and being a cop means you get to fight bad guys that hurt people. There's really so many interesting concepts there that could be (and CANONICALLY IS) explored about how good, well-intentioned people can be led to harmful actions simply because they have been fed the idea that the things they're doing are good/helpful/noble. Which is especially important for a character like Optimus, I think, who has a cultural icon status as The Irrefutable and Perfect Good, so it's really important actually to use IDW Optimus as an example of how even the most noble people you know have held problematic beliefs or done bad things at some point in their life. You know, because no one is born perfect and ideologically pure, and in fact society is constructed in exactly a manner to make people drink the kool-aid and believe that the systems designed to hurt them/others are just a normal, if flawed, society.

I mean the writing in IDW literally has Optimus deal directly and indirectly with the harm he's done as a cop and how people don't/didn't trust him because of that. I don't know what the fuck else this fandom wants if the source material literally saying "OP realizes that cops suck and he hurt people and earned their disdain by doing the things he did" doesn't stop them from going EW cop bastard sucks and is the worst Optimus. Like the narrative barely stops short of outright saying ACAB and Optimus himself would agree with this sentiment.

At that point, the collective fandom beef with IDW OP isn't because he's a cop and the narrative didn't do enough to condemn that. The problem is literally just that people don't read and don't care

TLDR: Consider the fact that good people can do bad things sometimes especially when living from birth in a corrupt society that thoroughly disguises its vices/oppressive structures as completely normal parts of existence

[thedupshadove]

Horatio and Ophelia are never confirmed as being in a scene together, and do not share so much as a single line of dialogue.

[ardentpoop]

NOOOOOOOOOOOOOOOOOOOOOOOOOO

[manekijinx]

The New Department Heads of Vandelay Technologies! ✨

Meg, Head of Production, Sorbet, Head of Marketing, and Haricot, Head of Finance.

[street-corner-felines]

Zero Day (2002)

[good-fwiend-in-wome]

you know what it's 2023 and I'm done arguing. next time someone goes "oh man scp used to be cool and scary but now LONG and YOU SOMETIMES NEED TO KNOW STUFF ABOUT THE SETTING like oh no what happened to the good ol days of spooky monster men that kill you that was peak horror" I'm just gonna explode them

[somer-writes]

I’m going to cryyyyy

I hit 1k comments today (I’m sure a chunk of these are replies but still!!!) and so I decided to check stats for fun

this is such a boost fr

part of the reason I stopped posting online in high school is bc I decided my writing wasn’t worth sharing and that no one would ever really read it or care about it. I just wrote for years and kept 99% of it to myself

I got into LU and then into the fandom and I spent probably 2 weeks binging fics left and right before I finally was like why not, at least someone out there might like it

I’m finally in a place where I view my own writing as good and this fandom and new friends have given me the reassurance and confidence I need.

writing is a way I work out my own issues past and present, destress when I can’t work out, and engage with something I love creatively

idk if these are small numbers relative to other writers and I’ve learned that I don’t care bc they’re not small numbers to me. Every comment and kudos and bookmark makes me just as giddy as the first. I do go back and see what people tagged their bookmarks as, I do reread comments when I need a boost.

maybe it’s egotistical of me but why be put on this earth if not to be a little proud sometimes

I never thought when I posted one Okay at Best fic about 9 characters I still didn’t have down comfortably walking through a field that I would make friends and see so much engagement with my work <3

I love you all so much this just made my decade probably XD

you’re also all probably stuck with me for a long while so let’s have fun with it :D

[sabraeal]

Have you ever written any collaborative fanfic with another author? I think you'd be incredibly fun to work with!

I have indeed, though right now it's mostly just bits and pieces of an AU. Me and @bubblesthemonsterartist both write this Concubine AU series, which was originally inspired by @onedivinemisfit 's artwork. Though half the time I feel like that's cheating because part of both mine and Joanna's writing process is "yell in DMs at each other until it's kinda like an outline" and then go off and write. Only this time we wrote different parts of the same thing instead of different things entirely 🤣I did something similar with both the Obi-Works-For-Izana AU with @krispy-kream, and then also the Shirayuki Sedai AU with both Sharon and @claudeng80.

Otherwise I don't think I've done a typical author collaboration-- An Economy of Suffering was just a happy accident, where I wrote something that haunted Joanna so much she had to write a fic, and then those haunted @another-miracle so much SHE had to write her OWN fic, and then we put them all together on AO3.