Bruce Hornsby Continues on the Trail
Bruce Hornsby performs at the Pabst Theater in Milwaukee, 10/17/23
BY JORDAN MAINZER
At one point last Tuesday in Milwaukee, in response to one of many moments in the night fans shouted their requests at him, Bruce Hornsby joked, "I love the battle between disparate elements of my audience." Funny enough, I can't think of a statement that better defines the virtuosic pianist and singer-songwriter. That is, what's amazing about Hornsby is not just that he's traversed the worlds of rock, jazz, bluegrass, but that he has diehard fans of each of his endeavors. Go to a Hornsby show--even a solo one like at the Pabst Theater, sans defunct backers The Range or current band The Noisemakers--and you're bound to find both classical music appreciators and Deadheads alike.
In that sense, 1998's Spirit Trail, a storied and purposeful left-turn into modern rock after the jazz-focused Harbor Lights and Hot House, exemplifies Hornsby's multi-pronged approach. On Friday, Hornsby will release a 25th anniversary reissue of the record via Zappo Productions and Thirty Tigers. It contains a remastered version of the record, four "lost" songs from an unfinished record that was meant to be Spirit Trail's follow-up (shelved in favor of the almost piano-less Big Swing Face), and previously unreleased live performances of many of the album's songs. In Milwaukee, venue employees were handing out early CD copies of the reissue, the night a celebration of both Spirit Trail and Hornsby's discography as a whole.
Per usual, audience members requested songs both by shouting them out and via written submission, dropped off on stage prior to the show. As expected, they were all over the place, from Spirit Trail and even Lost Trail tunes to songs he simply refused to play because they were too boring or didn't age well, like "Dreamland" and "The Old Playground". Ever cheeky, at one point, Hornsby asked for requests and responded to the various audible shouts, "I haven't heard what I'm looking for yet." It was clear he wanted to give preference to Spirit Trail. He led off the night with "Preacher in the Ring Pt. I", his jaunty piano playing covering the song's ground in totality. You didn't even miss Sonny Emory's clacking drums from Live Trail, nor the dulcimer from both the studio and live versions of "Shadow Hand". Hornsby's finger exercises were simply a masterclass. He wrote standout track "Sneaking Up on Boo Radley" by learning to play over a left-hand ostinato, appropriating György Ligeti's "Etude 13: The Devil's Staircase", and nailed it live. It was a perfect Spirit Trail song to play without a band. His voice, too, was on point, wailing on the Black Crowes-inspired Lost Trail tune "Living in the Sunshine", doing justice to the studio version that indeed sounds like it could be sandwiched between the Southern rockers' "Remedy" and "Thorn in My Pride".
Yes, Hornsby's reach and influence goes beyond Spirit Trail. "The Show Goes On" has been featured in everything from Ron Howard's Backdraft to The Bear. During the set last Tuesday, he segued "Sidelines"--a duet from 2022's terrific 'Flicted with Vampire Weekend's Ezra Koenig--into his most famous song of all, "The Way It Is", during which he invited set opener/Bon Iver drummer S. Carey out to harmonize. That over the past decade Hornsby has fostered fruitful collaborations with the likes of Justin Vernon and Blake Mills is more evidence that he's as shaped by his contemporaries as his organic musical interests. So put yourself in his shoes in the mid-1990s, and you can hear his response to the sociopolitical and musical landscape of the past decade in many of the songs on Spirit Trail. He's asking himself tough questions about his own Southern heritage, challenging institutional racism on songs like "See the Same Way". The strummed mandolin of "Preacher in the Ring Pt. II" recalls Steve Earle's "Copperhead Road", "Resting Place" and "Pete & Manny" the radio-friendly heartland rock of Mellencamp and Petty. Yet, Hornsby's also dipping his toes in the worlds of electronica and hip hop, songs like the shuffling "Line in the Dust" written on a synth bed and with a drum machine beat like much of the second disc of Spirit Trail. And of course, the goofily titled "Sunflower Cat (Some Dour Cat) (Down With That)" is built around a sample of Jerry Garcia's riff on "China Cat Sunflower", as Hornsby was trying to explain the appeal of the Grateful Dead to producer Mike Mangini, a hip hop head. Mangini was so taken aback by the former band member's performance that he wrote a groove around the riff.
On fan favorite piano ballad and Spirit Trail highlight "Fortunate Son", Hornsby sings, "I've stared down the devil and had to look away." The song is ostensibly written from the point of view of a wheelchair-bound military veteran, lucky to be alive but maligning society's penchant to ascribe sacrificial glory to a life of physical limitations. I've always heard it, though, as the general antithesis to tough guy nihilism, whether action heroes or strong and silent singer-songwriters. Hornsby is the ultimate reflector, yet not quite ready to face mortality like many of the characters in his songs. After last Tuesday and 25 years of Spirit Trail, it certainly does seem like he's only just getting started.
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I DON'T WANT A PICKLE...
Opening this weekend:
The Bikeriders--There are many variations within the genre, but overall, biker movies tend to fall into two broad categories. There are those, exemplified by The Wild One (1953), in which the bike gang is seen from the point of view of mainstream society, and those, like The Wild Angels (1966) or Easy Rider (1969), where mainstream society is seen from the point of view of the biker.
This new "wheeler" manages to have it both ways. Adapted by writer-director Jeff Nichols from the 1967 book by photojournalist Danny Lyon, the film traces the growth of a fictitious Chicago area club, The Vandals, based on The Outlaws, with whom Lyon embedded off and on throughout the '60s. It's very much an insider's view, focusing less on riding action than on the tempestuous relationship between Johnny (Tom Hardy), the club's founder, and Benny (Austin Butler), his beautiful, stoic, monosyllabic right-hand man. The Vandals begins as a racing and social club--Johnny, a truck-driving family man, is initially inspired by seeing The Wild One on TV--but criminality and ugly violence gradually creep in.
Wisely, however, Nichols makes a mainstream viewpoint central to the film as well. The story is narrated to Lyon (Mike Faist) by Kathy (Jodie Comer), a respectable young working-class woman who stumbles into a biker bar one night to meet her girlfriend, and is unimpressed, not to mention understandably scared, by what she sees. She's unimpressed, that is, until she gets a look at the angelic Benny at the pool table, and can't keep an infatuated smile off her face. Despite Benny's anomie and recklessness, before long he and Kathy are a couple, and she's in competition with Johnny for Benny's devotion.
The beguiling Jodie Comer's Kathy is the live wire in The Bikeriders. A Brit of course, Comer lays on a Chicago accent as thick as a deep dish pizza as Kathy tells us, in hilariously bemused terms, about both the follies of bike gang life and her own folly in loving the seemingly emotionless, self-destructive Benny. Her sensible, self-deprecating take is pre-emptive to how many of us in the audience may feel, and keeps The Bikeriders from skidding into cornball melodrama.
None of this is to say that the movie's other elements aren't top-notch. It's full of fine performances: Hardy, sporting a sort of buzzy, mild-mannered Brando voice, has a quietly tragic appeal as Johnny. By the nature of his character, Butler is asked to play Benny very close to the vest, but he brings a star presence to the part. Damon Harriman, Boyd Holbrook, Emory Cohen and others are strong in supporting parts, and Norman Reedus drops in as "Funny Sonny," an unnerving representative of a California club. As the frazzled Zipco, who wanted to serve in the Army, Michael Shannon makes his big monologue a knockout.
The Bikeriders is also one of the best-looking movies of the year, stunningly shot in Grant Wood-esque midwestern tones by Adam Stone. Like the biker pictures from the period it depicts, it seems to be made up of images of real people, objects and places, lovingly captured but rock-solid. In our computer-generated era, this is refreshing; for all its brutality, this movie takes the world in a love embrace.
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Rules, Guidelines, etc.:
[Used to be: ronaldrx]
I'm a hobby writer and mostly write (x Reader) FanFictions and Headcanons. But I am also working on my original story whenever I can, so that I’ll hopefully publish it as an actual book someday.
My Ao3.
Here’s a link to my Ko-Fi, in case you want to support me financially. It would mean a lot to me! (Obviously no obligation whatsoever! You never have to pay for anything on my blog, it’s merely an option for donations.)
Also, here are my sideblogs if you’re interested:
Dead Poets Society
Horror
Raúl Esparza
The Simpsons
Only ask for the characters I’ve got listed, please. I’ve written down all of the ones I actually write for, and the list is being updated regularly, as I often find new (actors, whose) characters I write for! (And yes, I always write for every character, so don’t ever worry if you wanna ask for one I haven’t written for in a long time, or ever, it’s fine!)
Please always be patient with me. If I haven’t outright declined your request, it’s definitely in the works; even if it has been weeks or months since you’ve sent it in!
And only send your requests via ASKs. No DMs or comments, please.
If you have a request, send an Ask to my inbox.
NO sexual NSFW requests, please (more details further down).
Requests = CLOSED (Max. Limit: 10)
Current number of requests: 10
Last updated: October 29, 2023
Masterlists are linked with fandoms/actors/characters below.
I WRITE FOR:
ALFRED MOLINA characters:
Doctor Otto Octavius/Doctor Octopus
DAVID DASTMALCHIAN characters:
Abner Krill/Polka-Dot Man
Bob Taylor
Denham
James Lewis
Johnson
Kurt Goreshter
Lonny Crane
Murdoc
Philippe/Abra Kadabra
Simon Lynch
Thomas Schiff
ETHAN HAWKE characters:
Arthur Harrow
Ellison Oswalt
Goodnight Robicheaux
James Sandin
EWAN MCGREGOR characters:
Alex Law
Catcher Block
Christopher Robin
Curt Wild
Dan Torrance
John Bishop
Mark Renton
Obi-Wan Kenobi
Roman Sionis/Black Mask* (Birds of Prey - Masc!Reader only) [Any other version of Roman Sionis/Black Mask can be with a Gender Neutral/Female!Reader.]
HUGH DANCY characters:
Adam Raki
Cal Roberts
Luke Brandon
Executive ADA Nolan Price
Will Graham
KARL URBAN characters:
Billy Butcher
Black Hat
John Kennex
Dr. Leonard "Bones" McCoy
Markiplier EGOS:
Darkiplier
Illinois
Wilford Warfstache
Yancy
PAUL DANO characters:
Alex Jones/Barry Milland [Platonic only!]
Dwayne Hoover [Platonic only!]
Edward Nashton/The Riddler
Eli Sunday
Jay (Okja)
Joby Taylor
Klitz
PEDRO PASCAL characters:
Agent Whiskey
Dave York
Dio Morrissey
Eddie
Ezra
Francisco “Catfish” Morales
Marcus Moreno
Marcus Pike
Max Phillips
Maxwell Lord
Oberyn Martell
Ricky Hauk
RAÚL ESPARZA characters:
Bobby
Dr. Frederick Chilton*
Jackson Neill
Jonas Nightingale
Rafael Barba
Characters from 9-1-1 (Lone Star):
Carlos Reyes*
Eddie Diaz
Evan “Buck” Buckley
Howard “Chimney” Han
Josh Russo*
Mateo Chavez
Paul Strickland
Bobby Nash
Tim Rosewater
TK Strand*
Characters from Law and Order(: Special Victims Unit):
Detective/ADA Dominick “Sonny” Carisi, Jr.
Sergeant Mike Dodds
Detective Nick Amaro
Executive ADA Nolan Price
ADA Peter Stone
ADA Rafael Barba
Deputy Chief William Dodds
Little Miss Sunshine:
Dwayne Hoover [Platonic only!]
Frank*
Our Flag Means Death:
Edward Teach/Blackbeard*
Frenchie
Izzy Hands
Stede Bonnet*
Prisoners (2013):
Alex Jones/Barry Milland [Platonic only!]
Bob Taylor
Detective David Loki
Renfield (2023):
Count Dracula
Robert Montague Renfield
Tedward “Teddy” Lobo
SLASHERS/Horror Film Characters:
Asa Emory/The Collector
Ash J. Williams [I will usually default to Ash from the TV show, unless requested otherwise!]
Billy Lenz (1974)
Billy Loomis
Bo Sinclair
Brahms Heelshire
Bubba Sawyer/Leatherface (TCM 1974 and TCM 2)
Charles Lee Ray/Chucky
Chop Top Sawyer
Corey Cunningham
Dewey Riley
Drayton Sawyer
Herbert West*
Jesse Cromeans/Chromeskull
Lawrence Gordon
Lester Sinclair
Luigi Largo
Mark Hoffman
Nubbins Sawyer
Pavi Largo
Stu Macher
Vincent Sinclair
William Easton
Star Wars:
Anakin Skywalker
Obi-Wan Kenobi
Qui-Gon Jinn
The Girl Next Door:
Klitz
Eli
Characters from The Simpsons:
Cecil Terwilliger*
Fat Tony
Frankie the Squealer
Grady*
Jack Lassen
Johnny Tightlips
Julio*
Legs
Louie
Moe Szyslak
Ned Flanders
Otto Mann
Seymour Skinner
Sideshow Bob
Sideshow Mel
Snake Jailbird
Timothy Lovejoy
Waylon Smithers*
What We Do in the Shadows:
Anton (Movie)
Deacon
Guillermo de la Cruz*
Laszlo Cravensworth
Nandor the Relentless
Viago
Vladislav
* Please note that an asterisk (*) means that these characters are Male/Masc/GenderNeutral!Reader only (including non-binary, of course).
Platonic relationships with Female!Reader are possible, but no romantic ones.
If it’s a character that is open to all Readers, and you do not specify in your request what you want, I’ll usually opt for a Gender Neutral Reader by default.
SHIPS, such as:
BlackBonnet (OFMD)
SteddyHands (OFMD)
Black Pete x Lucius Spriggs (OFMD)
Buck x Josh Russo (9-1-1)
Dracfield (Renfield 2023)
Buddie (9-1-1)
Eli x Klitz (The Girl Next Door)
Nandermo (WWDITS)
Herbert West x Dan Cain (Re-Animator)
McKirk (Star Trek: AOS)
Oluwande x Jim Jimenez (OFMD)
Barisi (Law & Order SVU)
Renfield x Teddy Lobo (Renfield 2023)
Sickrent (Trainspotting/T2)
Stobotnik (Sonic Movie)
Tarlos (9-1-1: Lone Star)
AnderPerry (Dead Poets Society)
ZsaszMask (Birds of Prey)
Lastly, I would like to add things I will NOT write (about):
Sexual NSFW fics/headcanons (I used to write those as you can see in my Masterlists, but I have my reasons for not writing them anymore. Any hints at sexual topics are fine).
Anything related to death as the main subject (this includes deadly diseases, anything fatal, really, etc.).
Anything that romanticizes Mental Illness (my Vent Fics about my own disorders obviously do not romanticize any of it and I do not stand for that).
(Recreational) Drug Use
Extreme Possessive Behaviour and/or Jealousy
Yandere
If you have something you would like me to write for, but you do not see it listed anywhere, please ask me before requesting it, so we can talk about it. I hope you enjoy yourself on my blog and have a good time!
My Asks and DMs are always open for any questions or simply to talk!
- Jesse
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TV characters and their mentors
I have realized as I watch TV and find myself liking a character I also start considering who their mentor in @lorata's THG District Two system would be, almost as a personality test. I've put too much thought into it to not publish it somewhere. So, here is a very niche character analysis. TV characters and their District Two mentors. If you are a fan of these shows and have no idea what I'm talking about because you don't read Lorata, do it now. I haven't read the Hunger Games since middle school but I return to Lorata's District Two every few months.
The Mentalist:
Patrick Jane: Callista. The way this fits is actually one of the reasons I decided to actually write a post. He considers himself immune to the rules. He hates authority. He is charming and manipulative, with only fleeting indications he has a conscience. A chaos agent. Exactly what Callista looks for. He would absolutely break up the career alliance early because he decides he doesn't want to kill the youngest tributes if he doesn't have to for his survival and he would rather kill his "allies." It gets Callista in hot water with the other alliance mentors but she is just like "he's excellent."
Teresa Lisbon: Brutus. Lisbon is actually a lot like what Petra would probably become in twenty years. Still hot-headed, still stubborn and rules-focused, still wanting respect at all costs... but a little more chill about it. She's a pretty easy choice for Brutus because she gets things done and doesn't resort to the flashy nonsense of certain Calli tributes. Speaking of... Jane and Lisbon kind of work as an inversion of the classic "back-to-back Victors are a wild girl and chill boy" and would probably hate each other at first before slowly becoming closer as time goes on.
SVU (this is a weird case because I've published a THG AU, but lets just say all of them are Two in this case):
Alex Cabot: This is the hardest of all of them for me, but I'm going to say Devon. She fits the dreamer archetype of always wanting to make things better for everyone (even with the weird season 18 twist SVU pulled, Alex is still fighting for what she perceives as justice). That twist however does rule her out for most of Brutus' branch because it's coloring too far outside the lines. She's very charming and witty, but is focused on trying to do right in the world, rather than the more self-focused goals of Callista or Misha (my runner up for this character).
Olivia Benson: Brutus. Pretty much for the same reasons as Lisbon. She is very closely tied with the rules; even when she disagrees with them, she never really thinks about leaving. She is District Two in the AU I published, so I'm to promote myself and say for more insight into how she views the Games as a Career, go read that.
Rafael Barba: Lyme. The essence of a Lyme tribute. Abusive childhood, attachment issues, using flash to cover for insecurities, depression, and ambition. Has a very tough time in early recovery because he has difficulty squaring the horrors of the Games with his motivation for volunteering---a Claudius-esque (though less intense) desire for family and acceptance.
Sonny Carisi: Tough to decide between Devon and Emory but I'm going to go with Emory. He bakes for everyone. He tries to be a good person even the face of horrors. He has no real desire to do violence to people except when under massive amounts of pressure. He didn't even necessarily need to be volunteering, he just did his best, tried to make friends, and figured they'd tell him to stop when he failed.
Bones (this is another interesting case because I have written a THG AU but have not posted because of how much it uses Lorata's characters in the absence of mentor characters in Bones, and in the AU Temperance is from District Nine, but they will both be Two in this case):
Temperance Brennan: Artemisia. She isn't really sorry about anything from Career training, viewing the Program as the only rational choice given the Capitol's governmental system. She often insults other candidates on accident, because she is the best according to the rankings so why do they take offense when she points it out? She avoids serious injury because she really is the best. It cracks Misha up just reading the file. After it becomes clear in recovery that many of her nightmares come from the foster family that she was sent to after he parents and brother abandoned her, Misha tracks them down to make sure they...understand her displeasure.
Seeley Booth: Emory. He is Two in the AU I'm writing so I've thought this through at length. In the show, he is very pre-occupied with being a good person despite having killed people, and Emory is described as the most decent of the Victors. I've thought of an argument where as Lyme is to Claudius, so Emory would be to Booth growing up in District Two. He also has a habit of pushing all his emotions down because he views them as unimportant, something Emory is shown to have a very good way of countering as a mentor. Emory and Misha meet up to talk about how their Victors are clearly infatuated with each other, Emory dismisses it because Misha had a crush on her, but Misha is like "no this is different." They wager a batch of cookies (Misha's would be baked by Devon). Misha accepts her cookies at Seeley and Temperance's wedding.
ER:
Kerry Weaver: Lyme. A lot of the characters I like have similar vibes, so the explanation for this one is kind of similar to Rafael. She has a harsh persona that is used as a cover for someone struggling with abandonment issues and wanting to belong. As a District Two candidate, she likely would be a lot like Petra (quick to anger, sensitive to being disrespected or not taken seriously), but with less regard for duty and more personal investment. She cares about the people of her district, but she wants to win for herself and the family she would be promised. I've almost written an essay on Kerry and how she behaves and her mental health while she thinks she has a shot at fitting in to ER's found family, and how it declines after she realizes that they will never accept her around season 7 and 8. She really, really wants a family, and Lyme is drawn to those types of tributes.
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The original Earth, Wind & Fire.
The band was founded in Chicago by Maurice White in 1969, having grown out of a previous band known as the Salty Peppers. Other prominent members of EWF have included Philip Bailey, Verdine White, Ralph Johnson, Larry Dunn, Al McKay, Roland Bautista, Sonny Emory, Sheldon Reynolds and Andrew Woolfolk.
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The Forgotten Blues Legend: Buddy Moss
This photograph is titled Jailhouse Rock and was taken in a convict camp in Greene County, Georgia, in May 1941 by Jack Delano. The guitarist was later identified as Eugene “Buddy” Moss, a blues guitarist, singer, songwriter, and harmonica player. Moss is considered to be “the most influential of all the Atlanta blues musicians” by blues historians despite his dying legacy today.
Buddy Moss was born in Jewell, Georgia sometime around 1914 as one of 12 children in a sharecropping family. When his family moved to August, Georgia, he picked up the harmonica and taught himself to play so that he could perform for people at parties. Later at the age of 16, he followed other Black artists to Atlanta who desired to showcase their talents. Historians say “Decatur Street, right in the heart of Atlanta’s African American community, would have rivaled New Orleans Storyville, Beale Street in Memphis, or 18th & Vine in Kansas City for its profligate night life.” There, Barbecue Bob Hicks and Curley Weaver and was immediately recognized his great proficiency with the harmonica and started recording with him as the Georgia Cotton Pickers, producing songs including “I’m on My Way Down Home” and “She Looks So Good”. By 1933, he was self-taught on the guitar and shortly began playing with Blind WIllie McTell. Moss continued to collaborate with other artists in the Blues scene and produced a prolific amount of tracks. In 1934, his career reached a peak in the south and overshadowed big-name artists of the time like McTell.
Like many other Black blues artists, Moss’s career was hindered by criminal charges. In 1936 at the age 21 Moss was convicted of a crime and was put behind bars. Some claim he murdered his wife, others that he killed one of his rivals. Even at the time the reasoning for Moss’s arrest was questioned but never given a concrete answer.
7 years later, he was released on account of good behavior and the requests of future sponsor and recording manager James Baxter (JB) Long. In Long’s custody, he moved to Long’s home in Elon College in North Carolina where he spent 10 years “working in the fields during the weekdays and in Long's store on the weekends.” During this time he met other artists managed by Long including Sonny Terry and Brownie McGhee, whom he recorded with in New York under Columbia’s label. Moss’s time in prison seemed to only enhance his skills and he felt like he could make a comeback. However, events of World War II lead to the banning of shellac material used for record discs and the entire industry collapsed, halting blues recording productions. Subsequently, only a handful of songs that he recorded in Columbia were ever published.
Though he continued to perform locally in areas like Richmond, Virginia; Durham, North Carolina; and even Atlanta, Georgia, Moss could no longer make a living off of his musical talents and was forced into working various medial jobs such as tobacco farming, truck driving, and elevator conducting for the next 20 or so years.
His career lived a short revival in 1964 when he came into contact with Josh White at Emory College. There, he was recognized for his prior work and was invited to play for the college and nearby festivals over the next several years. However, the recordings from this time were not published until years later by Biograph Records.
In 1951 Moss returned to Atlanta, Georgia. Though he would play for parties from time to time, his musical career had reached a halt. He died in Atlanta on October 19th, 1984.
Despite being one of the most prolific and influential blues musician of all time, Buddy Moss has unfortunately been largely forgotten. Blues historians primarily attribute this to the fact that his career was interrupted by his time in jail and did not maintain enough momentum to remain popular during the music industry’s downswing during World War II. Biograph Records made an effort to publicize Moss’s music in 1970, releasing a majority of his recorded work from 1930-1941.
Moss’s life raises the question that can be asked about many incarcerated Black artists; what would his life and career have been like if he was not arrested? Why was there no justification for his conviction? Why did was a white male sponsor able to get him out of jail? What did this do to Moss’s spirit?
Prior to finding this image, I have never heard of Buddy Moss. It is a shame that his legacy is not greater, and I hope this information inspires someone to give his music a listen.
-Miranda
Sources:
All Music
Kansas Blues Society
Last.fm
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MOON OF THE WOLF (1972) – Episode 224 – Decades of Horror 1970s
“Wild dogs got themselves a taste of human blood! Ain’t nobody gonna be safe out on the island! We get together, or they wipe out the island! You go call the sheriff!” And you know who the sheriff is, right? Join your faithful Grue Crew – Doc Rotten, Bill Mulligan, Chad Hunt, and Jeff Mohr – as they head south for some lycanthropic shenanigans with Moon of the Wolf (1972).
Decades of Horror 1970s
Episode 224 – Moon of the Wolf (1972)
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Decades of Horror 1970s is partnering with the WICKED HORROR TV CHANNEL (https://wickedhorrortv.com/) which now includes video episodes of the podcast and is available on Roku, AppleTV, Amazon FireTV, AndroidTV, and its online website across all OTT platforms, as well as mobile, tablet, and desktop.
After several locals are viciously murdered, a Louisiana sheriff starts to suspect he may be dealing with a werewolf.
Directed by: Daniel Petrie
Writing Credits: Alvin Sapinsley (teleplay); Les Whitten (novel) (as Leslie H. Whitten)
Makeup Department: Thomas Tuttle (as Tom Tuttle), William Tuttle
Selected Cast:
David Janssen as Sheriff Aaron Whitaker
Barbara Rush as Louise Rodanthe
Bradford Dillman as Andrew Rodanthe
John Beradino as Dr. Druten
Geoffrey Lewis as Lawrence
Royal Dano as Tom Sr.
John Davis Chandler as Tom Jr. (as John Chandler)
Claudia McNeil as Sara
Paul R. DeVille as Hugh
Dan Priest as Sam
Robert Phillips as Deputy
Serena Sande as Nurse
George Sawaya as Attendant
Dick Crockett as Attendant
Sonny Klein as Harry
Emery Hollier as Rev. Biggers (as Emory Hollier)
Teddy Airhart as DeWitt (as Teddy Airhart Jr.)
The Grue-Crew go a-hunting in the land of TV horror in this episode and encounter Moon of the Wolf (1972). This surprisingly good TV movie features a pack (yes, I said it) of good character actors with an equally good crew. Can you uncover the culprit in this Southern Gothic whodunit? Is it David Janssen of The Fugitive fame? Maybe Bradford Dillman (Bug, Piranha)? Could it be Barbara Bush (When Worlds Collide, It Came from Outer Space)? John Berardino, Geoffrey Lewis, and Royal Dano are also lurking about. And, of course, the Grue-Crew often distract themselves with tangentials in this talkabout.
At the time of this writing, Moon of the Wolf (1972) is available to stream from Hoopla and Tubi. It’s available on physical media as a Blu-ray from the Vinegar Syndrome Archive Collection.
Gruesome Magazine’s Decades of Horror 1970s is part of the Decades of Horror two-week rotation with The Classic Era and the 1980s. In two weeks, the next episode, chosen by Bill, will be José Ramón Larraz’s Vampyres (1974). The Grue-Crew loves them some vampyres with a “y!”
We want to hear from you – the coolest, grooviest fans: comment on the site or email the Decades of Horror 1970s podcast hosts at
[email protected].
Check out this episode!
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LÉGENDES DU JAZZ
SONNY CLARK OU LA BRÈVE CARRIÈRE D’UN PIANISTE PROMETTEUR
Né le 21 juillet 1931 à Herminie, en Pennylvanie, Conrad Yeatis "Sonny" Clark était le cadet d’une famille de huit enfants. Les parents de Clark étaient originaires de Stone Mountain, en Georgie.
Situé à environ vingt-cinq miles à l’est de Pittsburgh, la petit village d’Herminie comptait à peine une population de quelques centaines d’habitants. Habité par des travailleurs issus de différentes communautés culturelles, le village comprenait des familles de diverses origines parmi lesquelles on retrouvait des Italiens, des Polonais, des Autrichiens, des Russes ainsi que plusieurs Afro-Américains. Véritable village de compagnie, Herminie possédait tous les services d’une petite ville moderne: école, églises (dont un temple expressément réservé aux Noirs), bar, magasin de la companie... Le village avait même son propre hôtel possédé par des Afro-Américains qui accueillait les plus populaires danses de la région durant les weekends. C’est dans cet hôtel que Clark avait fait ses débuts tout en poursuivant ses études élémentaires. Les spectateurs avaient été tellement séduits par le jeu de Clark que le journal de couleur local avait fait son éloge dans le Pittsburgh Courier. Le frère aîné de Clark, Emory, l’avait même transporté sur ses épaules lorsqu’il avait remporté le concours d’amateurs de l’hôtel.
Le père de Sonny, Emory Clark, travaillait dans une mine de charbon et est mort le 2 août d’une maladie des poumons deux semaines après sa naissance. Surnommée communément ‘’black lung’’, la maladie qui avait emporté le père de Clark était une forme de tuberculose qui était très fréquente chez les travailleurs de l’industrie du charbon.
Clark s’est installé à Pittsburgh avec sa famille à l’âge de douze ans. C’est là qu’il avait été élevé par sa mère et les autres membres de sa famille.
DÉBUTS DE CARRIÈRE
Clark visitait une de ses tantes en Californie à l’âge de vingt ans lorsqu’il avait décidé de s’étabir sur la Côte ouest en permance. C’est alors que Clark avait commencé à travailler avec le saxophoniste Wardell Gray. Après être allé jouer à San Francisco avec Gray et Oscar Pettiford durant deux mois, Clark avait commencé à accompagner le clarinettiste Buddy DeFranco en 1953. Clark avait fait une tournée aux États-Unis et en Europe avec DeFranco jusqu’en janvier 1956, alors qu’il s’était joint aux Lighthouse All-Stars dirigés par le contrebassiste Howard Rumsey.
Désireux de retourner sur la Côte est, Clarl avait accompagné la chanteuse Dinah Washington en février 1957. Après s’être installé à New York, Clark avait reçu de nombreuses offres pour accompagner d’autres musiciens, principalement en raison de ses aptitudes rythmiques. Clark avait souvent enregistré pour les disques Blue Note comme pianiste-maison et avait collaboré plusieurs musiciens de hard bop comme Kenny Burrell, Donald Byrd, Paul Chambers, John Coltrane, Dexter Gordon, Art Farmer, Curtis Fuller, Philly Joe Jones, Clifford Jordan, Jackie McLean, Hank Mobley, Art Taylor et Wilbur Ware. Il avait également participé à des sessions avec Charles Mingus, Sonny Rollins, Billie Holiday, Stanley Turrentine et Lee Morgan.
En décembre 1961 et janvier 1962, Clark avait aussi enregistré avec le guitariste Grant Green un album double intitulé ‘’Grant Green: The Complete Quartets with Sonny Clark’’ qui n’avait été publié que plusieurs années après la mort des deux musiciens. De tous les enregistrements auxquels Clark avait participé, il était particulièrement au sommet de son art sur l’album “My Conception”, qu’il avait enregistré en 1959 avec le saxophoniste Hank Mobley.
Clark avait publié un premier album comme leader en 1957 sous le titre de ‘’Dial "S" for Sonny’’, qui avait été suivi la même année de ‘’Sonny's Crib’’ et ‘’Sonny Clark Trio.’’ Clark avait ensuite enchaîné avec ‘’Cool Struttin''’ (avec Jackie McLean) en 1958. En 1960, Clark avait enregistré un second album en trio simplement intitulé ‘’Sonny Clark Trio’’ avec George Duvivier et Max Roach. Clark avait aussi enregistré un autre album intitulé ‘’Blues in the Night’’, mais celui-ci avait été publié plusieurs années après sa mort en 1979.
UNE MORT TRAGIQUE
Sonny Clark est mort à New York le 13 janvier 1963 à l’âge de seulement trente et un ans. Même si le décès de Clark avait été officiellement attribué à une crise cardiaque, il était plus probablement mort à la suite d’une overdose à l’héroïne et de son importante consommation d’alcool. Clark avait d’ailleurs été incarcéré à quelques reprises pour trafic de drogues au cours de sa carrière, notamment sur Ryker’s Island, près de New York.
Au cours des deux dernières soirées prédédant sa mort, Clark avait joué du piano au rez-de-chaussée de l’Hôtel Alvin situé à l’intersection nord-ouest de la 52e rue et Broadway.
On sait très peu de choses au sujet de la mort de Clark à l’exception du fait que la baronne Pannonica de Koenigswarter, une mécène qui avait été la protectrice de nombreux musiciens de jazz dont Charlie Parker et Thelonious Monk, avait appelé la soeur aînée du pianiste pour l’informer de son décès. Nica, comme la baronne était surnommée, avait ajouté qu’elle serait prête à payer pour que le corps de Clark soit transporté jusqu’à sa ville d’origine. La baronne avait également proposé de payer tout ce qu’il fallait pour que Clark ait droit à des funérailles décentes.
Proche ami de Clark, le pianiste Bill Evans lui avait rendu hommage dans le cadre de la pièce "NYC's No Lark" qui avait été incluse sur l’album ‘’Conversations with Myself’’ enregistré en 1963. Les musiciens John Zorn, Wayne Horvitz, Ray Drummond et Bobby Previte avaient également enregistré un album complet consacré aux compositions de Clark. Intitulé ‘’Voodoo’’, l’album avait été publié en 1985 sous le nom de Sonny Clark Memorial Quartet. Zorn a aussi enregistré plusieurs compositions de Clark avec un trio composé de Bill Frisell et George E. Lewis dans le cadre des albums ‘’News for Lulu’’ (1988) et ‘’More News for Lulu’’ (1992).
Caractérisé par son style percussif, Clark démontrait énormément d’énergie dans ses solos.
©-2024, tous droits réservés, Les Productions de l’Imaginaire historique
SOURCES:
‘’Sonny Clark.’’ Wikipedia, 2023.
‘’Sonny Clark.’’ All About Jazz, 2023.
STEPHENSON, Sam. ‘’Sonny Clark.’’ The New Yorker Movie Club, 13 janvier 2011.
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Time for your Rock Report
Iconic British duo Tears For Fears have announced a North American 2023 summer tour, dubbed The Tipping Point Tour Part II, with special guest Cold War Kids. The tour is in support of their latest album, The Turning Point, which dropped last year and was the band's first full-length record in 17 years. The 22-city tour kicks off on June 23rd at Hard Rock Live at Etess Arena in Atlantic City, New Jersey. The trek will feature stops across North America in New York, Toronto, Houston, closest to home in Seattle, and more before wrapping up in Los Angeles, California, at the Hollywood Bowl on August 2nd.
Eric Clapton has announced that he will be playing five North American Tour Dates with special guest Jimmie Vaughan in September. The North American Tour Dates with Vaughan will be Clapton's only shows on the continent for the year.The legendary guitarist's band for these shows will include Doyle Bramhall II, Paul Carrack, Nathan East, Sonny Emory, and Chris Stainton. Sharon White and Katie Kissoon will provide backing vocals. The tour will begin in Pittsburgh on September 8. After visiting Toronto, St. Louis and Minneapolis, the tour will wrap up in Denver on September 16.
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Throwback: R.I.P. Fred White
Throwback: R.I.P. Fred White @EarthWindFire @PhilipBaileyEWF
Founded in Chicago by Maurice White back in 1969, Earth Wind & Fire, which has prominently featured the likes of Philip Bailey, Verdine White, Ralph Johnson, Larry Dunn, Al McKay, Roland Bautista, Robert Brookins, Sonny Emory, Fred Ravel, Ronnie Laws, Sheldon Reynolds, Andrew Woodfolk and Fred White, among others is one of the most commercially successful acts of their day: Earth, Wind & Fire has…
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Radio NET Bulgaria (December 10, 2022)
23:55 ANDREY CHMUT - Don't Loose The Faith
23:51 2UNES - Find Your Way
23:47 CHRIS 'BIG DOG' DAVIS - Blue Light Special
23:43 SLIM MAN - Jingle Bells
23:38 DERRICK HARVIN - New Found Love
23:34 KOOL&KLEAN - Feel Again
23:29 MEZZOFORTE - Sizzle
23:25 CHILLAXONIC - Mellifluous
23:21 JASON PETERSON DELAIRE - Check Please (feat. Chris Camozzi)
23:17 PROFESSOR RJ ROSS - On This Silent Night
23:13 KEITH SLATTERY - Round and Round
23:09 MICHAEL MANSON - You Go to My Head
23:04 AMANDUS - Groove Infection (feat. Uli Brodersen)
23:00 VASSAL BENFORD - Melody Man
22:56 DARRIUS JAMAR - Missing You
22:52 INCOGNITO - Racing Through the Bends
22:48 MIKE MACARTHUR - This Christmas
22:45 SHAUN LABELLE - Drive Time
22:42 MARIEA ANTOINETTE - So Amazing
22:38 MIKAEL - Trippin Over You
22:32 CHIELI MUNICCI - Kickin' It Hard
22:27 WARREN HILL - Under the Covers
22:23 BERNIE MARTINI - Falling for You Like Snow
22:19 HERB PARTLOW - Another Interlude
22:16 TONY LINDSAY - Maybe Someday
22:10 ROBERT CHRISTA - Rise & Shine
22:04 STIX BONES - L.O.V.E.
22:00 DOCTOR X - Magneto
21:56 BOBBY LYLE - Tommy's Song
21:51 JAEE LOGAN - You Can't Love Her
21:48 TON SMITH - God Rest Ye Merry Gentlemen (feat. Preston Smith and Oliver Scott)
21:43 SONNY EMORY - Latina
21:40 DONN BYNUM - Mercy Mercy Me (feat. Lew Laing Jr.)
21:36 STEVE WATSON - Stones Throw
21:32 EARNEST WALKER JR - Palm Avenue
21:27 GREG MANNING - I Can't Make You Love Me
21:23 ANTOINE KNIGHT - Christmas in Maputo
21:19 JAMES LLOYD - Moving Right Along
21:14 AVENUE BLUE - Atlanta Nights (feat. Jeff Golub)
21:10 CHRISTOPHE GOZE - Lazy Sunday
21:05 LAWSON ROLLINS - Quest
21:01 EJAZZ ARTISTRY - We Belong Together
20:56 HIROSHIMA - Brighter Days
20:52 ROB MALETICK - Shape Of My Heart
20:47 SONNY FAIRLEY - Have Yourself a Merry Little Christmas
20:43 ALEX FALDIN - Comfortline
20:38 ROD TATE - I Got U
20:34 JAZZ HOLDOUTS - Morning Breeze
20:30 MARCOS ARIEL - Second Chance (feat. Lulu Joppert)
20:24 KIRK FISCHER - Reach into Your Heart
20:21 JAY PATTEN - Special Kind of Christmas (w. Crystal, Gayle)
20:17 NELSON GARCIA - East Coast Drive
20:14 RANDY MULLER BOOM CHANG BANG - Sunnyside Up
20:10 LASHAWN D. GARY - Transitions
20:06 MICHAEL BROENING - Summer In Blue
20:02 A RAY FULLER - A Coastal Breeze
19:58 WALTER DUDA - Invisible
19:54 BACH & A. KILLIAN - No Next Time
19:50 GEORGE HOWARD - The First Noel
19:45 BLUE SIX - Aquarian Angel
19:37 MARSHALL CHARLOFF - HipNautic
19:34 J3 - Hela
19:29 KHARI, CABRAL, JIVA - Show Me The Way
19:27 GILBERTO GIACONI - Jingle Bell Rock
19:21 GEORGE BENSON - Breezin'
19:18 JIM PETERIK - JIM PETERIK - Mission Possible
19:14 BILLY EVANS - Let's Save the World
19:09 RICHARD ELIOT - Chill Factor
19:03 AXIOM - Magunda
18:59 CHRIS BIG DOG DAVIS - It's All Love
18:56 DOUG CAMERON - Feliz Navidad
18:53 ELENA IOUROVA - Autumn Leaf Fall Again
18:49 RICHARD SMITH - First Kiss
18:44 ANDREW NICHOLS - I Love the Way You Love Me
18:39 KAREN DEVROOP - Sunset in Koh Samui
18:35 MISZ - Our Place
18:32 DEAN GRECH - What Do You Want This Year For Christmas
18:28 MARIUS BILLGOBENSON - Joy
18:24 K'JON - Live, Love & Laughter
18:20 CAL HARRIS JR., TED BELLEDIN - Bella Nova
18:15 TERRENCE RICHBURG - Treasures
18:11 RON KING - Cascade
18:07 XAVIER GORDON - Christmas Without You
18:02 THE BRAXTON BROTHERS - Sunset Bay
17:58 MOTOWN MOE - Shades of Funk (feat. Chris Campbell)
17:54 HAVILLA KING - Morning Soul
17:49 WOLFGANG HAFFNER - Warm Breeze
17:45 REBECCA ANGEL - Just the Two of Us
17:40 RICHARD BROWN - Stars In My Eyes
17:38 MICHAEL BUBLE - All I Want For Christmas Is You
17:34 SHARON RAE NORTH - Heart of Mine
17:29 ER - Mr Kool (feat. John Rathbone, Jack Jones, Chris Otts & Michael Cornett)
17:26 JOHNNY JAMES DR. J - Foolish Heart
17:21 JACKIE'S NEW CAR - Jackie's New Car
17:17 MARCO ALBANI - Freedom (feat. Martino Onorato, Umberto Vitiello)
17:13 CARL ANDERSON - O, Holy Night
17:08 THE V.I.P CLUB - Night Move
17:04 KONSTANTIN KLASHTORNI - Let's Fall In Love
17:00 CAL HARRIS JR., JEFF LORBER - The Neighborhood
16:56 TOM BRAXTON - Lookin' Up
16:52 GREGG KARUKAS - Green Hills
16:47 NICHOLAS COLE - Beyond the Stars (feat. Lynne Fiddmont)
16:44 MICHAEL LINGTON - A Child is Born in Bethlehem
16:39 KEN NAVARRO - Island Life
16:34 TIM BOWMAN - Light of Love
16:29 BRIAN CULBERTSON - All Through The Christmas Night
16:25 ELAN TROTMAN - Lay Back and Ride (feat. Nephrok! & Tyrone Chase Jr.)
16:21 JACOB WEBB - Another Day
16:17 DWIGHT SIRLS - The Pawn
16:13 YOLANDA RABUN - Wishing You a Very Merry Christmas
16:08 JOHN E. LAWRENCE - Step into the Night
16:04 PAUL DOZIER - Dancing by the Sea
16:00 DARREN RAHN - Our Love
15:57 BENNETT B - Groove Time
15:53 RICK BRAUN - The Color of Love
15:50 JS FLOYD - Kukumo
15:46 PEET PROJECT - Veggie Love
15:40 BRIAN LENAIR - This Christmas
15:35 THE SMOOTH JAZZ ALLEY - Midnight Groove
15:31 JULIAN VAUGHN - Initiate
15:26 GERALD ALBRIGHT - Silent Night
15:22 MARCIN NOWAKOWSKI - After Hours
15:19 ERIC DARIUS - Retro Forward
15:15 DEAN JAMES - To Hold You Again
15:12 CHRISTMAS CAROLS - Stille Nacht
15:08 DONALD HAYES - Anytime Anyplace
15:04 PAUL BROWN - Makes Me Feel So Good
15:00 WILL SUMNER - A Last Dance
14:57 DIDIER LABOSSIERE - Back to the Beginning
14:52 RHYTHM LOGIC - You Know I Will
14:47 DARREN RAHN - Give 'n' Take
14:43 KIMBERLY BREWER - Everyday Feels Like Christmas
14:38 NILS - Pacific Coast Highway
14:35 SOLEX - Flying High (feat. Jonathan Dubose, Jr.)
14:31 LEE RITENOUR - Have Yourself A Merry Little Christmas
14:27 ERIC DARIUS, NORMAN BROWN - Just For The Moment
14:23 DAVE KOZ - Honey-Dipped
14:18 WAYMAN TISDALE - Shape of Your Heart (feat. Jeff Lorber)
14:14 MARCUS ANDERSON - What Child Is This
14:09 DREAMING IN COLOUR - The Dream Merchant
14:05 LOWELL HOPPER - Affection
14:00 CANDY DULFER - For the Love of You
13:54 KEITH MASON - Arisen
13:49 GARY METZ - Dreamer
13:46 SMOOTH SOUL HOLIDAY - Carol of the Bells
13:42 WALTER BEASLEY - Come On Over
13:37 CHRIS STANDRING - Mumbo Jumbo
13:34 NATE WHITE - Migration
13:30 RONNY SMITH - The Holidays Are Here
13:25 RANDY SCOTT - Serenity
13:21 VINCENT INGALA - Read Between The Lines
13:16 R.L. WALKER - Memories Kept
13:13 CAROL NETHEN - Peace
13:08 ACOUSTIC ALCHEMY - She Speaks American English
13:04 PAUL TAYLOR - Goodnight
13:00 OLI SILK - In the Thick of It (feat. Elan Trotman)
12:56 JULIAN VAUGHN - Ride Along
12:52 DARREN RAHN - What Cha' Gonna Do For Me
12:48 PHIL DENNY - Stand Together
12:43 STEVE OLIVER - Silent Night
12:39 EUGE GROOVE - Religify
12:34 GABRIEL MARK HASSELBACH - Chill@Will (Raincoast Mix)
12:31 MARION MEADOWS - A Winter Lullaby
12:25 BLAIR BRYANT - Caramel Dream
12:21 DANNY LERMAN - Summer in a Hummer
12:17 YULARA - Flyin' High
12:12 SHAKATAK - Auld Lang Syne
12:09 NORMAN BROWN - Easy Livin'
12:05 PETER WHITE - Coast Road Drive
12:00 NILS - A Walk in the Park
11:56 TIM BOWMAN - Boss
11:52 JAZMIN GHENT - Kickin It Up
11:49 JOYCE COOLING - Toast & Jam
11:45 RONNY SMITH - Chillin After Eight
11:41 SHIN GIWON CHRISTMAS CAROL COLLECTION - I'll Be Home For Christmas
11:37 THREESTYLE - Smoothies (feat. Magdalena Chovancova & Robert Fertl)
11:33 DEE LUCAS - All In (feat. George Freeman)
11:29 TONY CRADDOCK JR. - O Come All Ye Faithful
11:25 MARCUS ANDERSON - Just Like Me
11:21 NICK COLIONNE - Let's Get Serious
11:17 GARY PALMER - Lisa
11:13 DAVE KOZ - Do You Hear What I Hear (feat. Gloria Estefan)
11:09 RICHARD ELLIOT - Deep Touch
11:05 J. WHITE - Valley of the Sun
11:00 CAROL ALBERT - Magic Mirror
10:56 JAY KING - My Song
10:52 BK JACKSON - Yeh Yeah
10:48 RK R. HARRIS - Olde Skool (feat. Greg Minnick, Ignacio Nunez & Dean Rickard)
10:45 BRIAN SIMPSON - Morning Samba
10:41 NICHOLAS COLE - Let It Snow
10:38 ED CALLE - Desert Rose
10:34 PAUL TUVMAN - While My Guitar Gently Weeps
10:30 HARPER, GUS AND GOMEZ - Christmas Dream
10:26 MARCIN NOWAKOWSKI - Let's Do It
10:22 QUINTIN GERARD W. - Have a Safe Flight Home
10:18 JULIAN VAUGHN - Sway
10:13 CAROL NETHEN - O Holy Night
10:08 CHRIS STANDRING - Shadow Dance
10:04 VANN BURCHFIELD - Keep Pressing On
10:00 THE SMOOTH JAZZ ALLEY - Eternal
09:56 RYAN LA VALETTE - Room For 2
09:52 MARQUEAL JORDAN - Behave to Love
09:49 PAUL HARDCASTLE - Rythmn Of Life - Chill Reprise
09:45 JACOB WEBB - Dancing for You
09:41 HERB ALPERT - Have Yourself A Merry Little Christmas
09:35 GREGG KARUKAS - Last Train
09:31 NORMAN BROWN - Ocean Breeze
09:27 PETER WHITE - The Best Part Of Christmas
09:23 SEAN U - Sunburst
09:19 KIM WATERS - Love's Melody
09:15 BRYAN LUBECK - Smoocha
09:12 LELIO LUTTAZZI - White Christmas
09:08 PEET PROJECT - Lightyears
09:05 JAZMIN GHENT - Self Love
09:00 ILYA SEROV - Ironic
08:55 DEE LUCAS - Love Saw It
08:51 MARCUS ANDERSON - Pure Love
08:46 JAZZ FUNK SOUL - Sunset Rock
08:43 RAGAN WHITESIDE - This Christmas
08:38 GARY MEEK - For a Long Time
08:34 RICHARD ELLIOT - Mango Tango
08:29 DAVID GARFIELD - O, Holy Night
08:25 CAROL ALBERT - Crashing
08:21 DAVE KOZ - Don't Give Up (feat. Burt Bacharach)
08:16 NAJEE - Isla Hermosa
08:13 DANA FIELDS - Feels Like Christmas
08:09 DAVID BENOIT - The Bones
08:05 THREESTYLE - Ready to Go
08:00 DOMINIC CAMARDELLA - Headwinds
07:56 3RD FORCE - We Should Be Together
07:51 BRIAN SIMPSON, STEVE OLIVER - The Road Never Ends
07:46 AVERY SUNSHINE - Sunshine for Christmas
07:41 TIM BOWMAN - Flyin Away
07:37 ROBERTO VAZQUEZ - Going West
07:33 STEVE OLIVER - Desert Traveler
07:28 YOLANDA RABUN - O Holy Night
07:24 GERALD ALBRIGHT - The Gospel
07:20 DARREN RAHN - Wave of the Future
07:16 DAVID PETROSYAN - Dancing with My Soul
07:12 LYNNE FIDDMONT - Spirit of Christmas
07:07 KIM SCOTT - Sizzle
07:04 BK JACKSON - Silver Lining
07:00 JOE MCBRIDE, THE TEXAS RHYTHM CLUB - Kickin' It
06:55 PETER WHITE - Wake Up Everybody
06:50 JESSY J - Manhattan (feat. Gregg Karukas)
06:46 EUGE GROOVE - Forever And A Day
06:41 DR. SAXLOVE - It Came Upon A Midnight Clear
06:37 D.A. SCOTT - We as One
06:32 JEREMY HECTOR - St Paul's
06:29 RONNY SMITH - Deck the Halls
06:24 ANDRE DELANO - Face Off
06:21 ERIC DARIUS - Back To You
06:15 MARCUS ANDERSON - Your Will
06:13 NICK DUKAS - Jingle Bell Rock
06:09 ACOUSTIC ALCHEMY - Get Up (Levantar y Bailar)
06:05 ROB TARDIK - The Right Time
06:00 EDGARDO CINTRON - Just A Little Taste of Your Love
05:56 RICHARD ELLIOT - People Make The World Go Round
05:51 MARC ANTOINE - Silk And Steel
05:47 DAVE KOZ - The Closer We Get
05:43 LISA MCCLOWRY - It Wouldn't Feel Like Christmas
05:39 TERENCE YOUNG - Without You
05:34 OLI SILK - Pen to Paper
05:31 SHAWN RAIFORD - Santa Baby
05:26 PATRICK YANDALL - Try the Blue One
05:23 TIM BOWMAN - Watchout
05:18 NAJEE - Song For The Ladies
05:14 CAROL NETHEN - What Child Is This
05:09 BLACK GOLD MASSIVE - Let It Flow (Sausalito Calling)
05:04 VINCENT INGALA - K-Jee
05:00 VANN BURCHFIELD - Friends
04:56 PAUL HARDCASTLE - Angelic Chimes Radio version
04:52 JACOB WEBB - Groovin' J
04:48 PAUL JACKSON JR. - Walkin'
04:43 CHIELI MINUCCI - Little Drummer Boy's Dream
04:39 DANNY LERMAN - South Beach Serenata
04:35 SEAN U - Magic Hour (feat. Blake Aaron)
04:30 STEVE OLIVER - White Christmas
04:26 TOM BRAXTON - What A Friend
04:21 WAKANA - SilK
04:16 AL DEGREGORIS - Times and Travels
04:11 PETER WHITE - Silent Night
04:07 GARY PALMER - Windsurfer
04:03 NILS - Malibu
04:00 MARK HARRIS II - Pocket Change (feat. Bernard Harris)
04:00 RHODA GRAHAM - Finally
03:56 SPECIAL EFX - Lavish
03:50 JAZZ FUNK SOUL - When The Time Comes
03:46 HANK BILAL - Sunny Days
03:41 ERIC DARIUS - All I Want For Christmas Is You
03:37 WALTER BEASLEY - Just Hold Me
03:34 MARCUS ANDERSON - Espresso Shot
03:30 SHARMOND SMITH - Hark The Herald Angels Sing
03:26 DEMETRIUS NABORS - Sugar Love
03:22 JIM ADKINS - Turning Point
03:18 RICHARD ELLIOT - Inside Out
03:14 GERALD ALBRIGHT - This Christmas
03:10 ROBERT HARRIS - Your Memory Lives in Me
03:05 DAVE KOZ - Only Tomorrow Knows
03:00 DANCING FANTASY - Take Five
02:56 JOEL DEL ROSARIO - Delicious Vinyl
02:53 TAKE B - Flame
02:49 SAM BASSMAN JENKINS - It Makes Me Want You
02:45 PATRICK YANDALL - Just My Luck
02:41 TIM BOWMAN - Travelin' Road
02:37 SHIN GIWON CHRISTMAS CAROL COLLECTION - Feliz Navidad
02:33 CAROL ALBERT - Sol Ipanema
02:28 KEN NAVARRO - In My Wildest Dreams
02:24 TONY CRADDOCK JR. - God Rest Ye Merry Gentlemen
02:21 VANN BURCHFIELD - Change Is A Comin'
02:17 OLI SILK - All We Need
02:14 VINCENT INGALA - T.L.C. (Tender Lovin' Care)
02:11 SYLVIA BENNETT - The Christmas Song
02:06 SLIM GAMBILL - Up (feat. Charlton Singleton)
02:03 DAMIEN ESCOBAR - Phoenix
01:57 NICHOLAS COLE - 5th Avenue
01:53 GINO ROSARIA - Ride Along
01:48 DWIGHT SIRLS - Dimensions
01:44 DAVID GARFIELD - White Christmas
01:40 JACOB WEBB - Brazilian Moments
01:35 PETER WHITE - Autumn Day
01:32 JEFF LORBER FUSION - Back Room
01:30 NICK DUKAS - Rockin Around the Christmas Tree
01:26 NILS - Windsurfer
01:21 NORMAN BROWN - Not Like You Do
01:17 DARRON COOKIE - Calling on You
01:12 MICHAEL LINGTON - Winter Wonderland, Let It Snow
01:08 RAGAN WHITESIDE - Funktuation
01:04 BRIAN SIMPSON - Sky Watcher
01:00 MARCUS ANDERSON - Passion Blend
00:56 QUINTIN GERARD W. - Times Like These
00:52 JEANETTE HARRIS - The Ride (feat. Darrell Crooks)
00:47 DR. SAXLOVE - O Little Town Of Bethlehem
00:43 FOURPLAY - Love TKO (feat. Ruben Studdard)
00:39 RICHARD ELLIOT - Boom Town
00:35 RANDY SCOTT - T.G.I.F.
00:32 DAVE KOZ - Let It Snow! Let It Snow! Let It Snow! (feat. Kenny G)
00:27 JONATHAN FRITZEN - Hammers of Love
00:23 MARCIN NOWAKOWSKI - Tonight Is the Night
00:19 BRAD ALEXANDER - Straight Up (feat. Donald Hayes)
00:15 U-NAM - This Christmas
00:10 TIM BOWMAN - Columbus,Ga
00:04 BRYAN LUBECK - Nothing Can Come Between Us
00:00 H ALLAN - Rise
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From Germany: Jeff Lorber Fusion performs Chinese Medicinal Herbs, with Jeff Lorber (keys), Eric Marienthal (sax), Nate Phillips (bass) and Sonny Emory (drums) live at Proberaum Zülpich.
From Germany: Jeff Lorber Fusion performs Chinese Medicinal Herbs, with Jeff Lorber (keys), Eric Marienthal (sax), Nate Phillips (bass) and Sonny Emory (drums) live at Proberaum Zülpich.
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Robin de Jesús (he/him) as Seymour in Little Shop of Horrors
Information
Name: Robin de Jesús
Credits: The Boys in the Band (Emory), Wicked (Boq), in The Heights (Sonny)
Color of the rainbow with which they identify: Gay
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♥︎ Hello and greetings fellow slasher fuckers ♥︎
I’m the local obsessive idiot for big scary fictional horror men~! I’m here to write all your faves to life!
I like writing for people so here we go!
~Things I write~
Matchups: OPEN!
The more info you give the better I can match you!
Give me a picrew of yourself if you just want an appearance matchup!
I’ll do matchups for ocs too!
If you want a specific character to be matched with, tell me! Its easier on me anyways lol
Headcannons: OPEN!
Be as detailed as you want when requesting, dolls~!
Be sure to check what I won’t write for!
You can ask for as many characters you like when requesting <3 I only ask the maximum is 6.
~Heres a few rules~
NSFW requests are allowed BUT I will not do anything bathroom related!
DNI if you are underaged, anti-abortion, racist, homophobic, transphobic, terf, or a proshipper. Thanks ♥︎!
I will not write about racist, homophobic, transphobic or pedophelic topics. I also will not write for things having to do with child abuse or suicide.
If I feel uncomfortable with a topic, I won’t write for it, but I will not be rude. Message me if you’re unsure I’ll be ok with something!
~Characters I write for~
Slashers & Horror Characters
Asa Emory (The Collector)
Billy Lenz (Black Christmas)
Billy Loomis (Scream)
Bo Sinclair (House of Wax)
Brahms Heelshire (The Boy)
Bubba Sawyer (Texas Chainsaw Massacre)
Hannibal Lecter (Hannibal Tv Series)
Harry Warden (My Bloody Valentine)
Jason Voorhees (Friday the 13th)
Jesse Cromeans (Laid to Rest)
Leslie Vernon (Behind the Mask)
Lester Sinclair (House of Wax)
Micheal Myers (Halloween (just the og))
Patrick Bateman (American Psycho)
Pinhead (Hellraiser) (Dead by Daylight)
Pyramid Head (Silent Hill) (Dead by Daylight)
Stu Macher (Scream)
Vincent Sinclair (House of Wax)
Will Graham (Hannibal Tv Series)
Dead By Daylight Killers
Anna / Huntress
Carmina Mora / Artist
Danny Johnson / Ghostface
Elliot Spencer / Cenobite (Hellraiser)
Evan MacMilan / Trapper
Herman Carter / Doctor
Ji-Woon Hak / Trickster
Julie & Frank / The Legion
Max Thompson Jr. / Hillbilly
Micheal Myers / Shape (Different personality than Halloween Myers)
Sally Smithson / Nurse
Philip Ojomo / Wraith
Pyramid Head / Executioner (Silent Hill)
Rin Yamaoka / Spirit
Dead By Daylight Survivors
Cheryl Mason (Silent Hill)
Claudette Morel
David King
Dwight Fairfield
Élodie Rakoto
Feng Min
Haddie Kaur
Jake Park
Jane Romero
Kate Denson
Laurie Strode (Halloween)
Leon Kennedy (Resident Evil)
Meg Thomas
Mikaela Reid
Nancy Wheeler (Stranger Things)
Quentin Smith (Nightmare on Elm Street)
Steve Harrington (Stranger Things)
Yui Kimura
Yun-Jin Lee
Texas Chainsaw Massacre Game
Bubba “Leatherface”
Drayton “Cook” *
Nubbins “Hitchhiker”
Johnny
Sissy
Nancy *
Leland
Julie
Connie
Ana
Sonny
Danny
Virginia *
*-Excluded from matchups and nsfw works
*-Excluded from matchups unless asked for
I’m still adding on to my list of characters! (You can ask about characters not on my list!)
Don’t be afraid to ask!
You know what…
About me under the cut!!!
Name: Itch or Liv is fine!
Age: 20+
Pronouns: Any :)
Likes: Slashers, horror movies, animals, sweets, fall, 70’s fashion, westerns, collecting bones + vinyls, and foggy days!
Dislikes: Hot and humid weather, rude people.
Tiny Bio: I’m a simple ranch gurl 🤠🤠 When I’m not wrangling livestock or horses, I’m drawing, listening to my records, ooooor playing videogames such as TCM, DBD, or RDR2!
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The Winstons - Amen, Brother (1969)
Traditional | Arranged by The Winstons
from: "Color Him Father" / "Amen, Brother"
Instrumental | Funk | Gospel
JukehostUK
(left click = play)
(320kbps)
Personnel:
Richard Lewis Spencer: Tenor Saxophone
Ray Maritano: Alto Saxophone
Quincy Mattison: Lead Guitar
Phil Tolotta: Organ
Sonny Peckrol: Bass
G. C. Coleman: Drums
Arranged and Conducted by Emory Gordy, Jr.
Produced by Don Carroll
Recorded:
@ LeFevre Sound Studios
in Atlanta, Georgia USA
during the spring of 1969
Metromedia Records
Negram Records (Netherlands)
♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪
"At 1:26 of ‘Amen, Brother’ by The Wintsons, true magic happens. A drum break emerges as the horns and bass cut away. Punchy, rhythmic, and powerful, this drum break would go on to be known as the ‘Amen Break’ and would be regarded as one of the most influential samples in modern music."
- Electronic Music Collective
Sample Science: “Amen, Brother” by The Winstons
Six Seconds that Shaped 1,500 Songs - BBC
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When Nature Was Golden
Let’s open with a few passages of deathless prose from the classics.
EMORY’S SOFT-SHELLED TURTLE (18 in.; to 35 lb.) is the only Southwest member of an edible group with long necks and short tempers. Handle with care.
BELTED KINGFISHER Where there are fish there are Kingfishers, beating the air in irregular flight, diving into water with a splash and emerging with fish in their beaks.
THE EASTERN MOLE or common mole makes the mounds that dot your lawn. You are unlikely to see any moles, for they stay underground unless molested.
You saw them in the basement of your third-grade best friend, or in your school library. If you were lucky, you had one or two at home—your older sister read them first, years ago; maybe they’d even belonged to one of your parents. Paperback books just a bit smaller than pulp fiction novels, though equally thick, their illustrated pages of a glossier, higher quality. The typeface was Futura, that design marvel of yore, also seen in the old Hall of Dinosaurs in the American Museum of Natural History. Insects, Seashores, Mammals, Reptiles and Amphibians—which did you have? The Golden Guides gave us our natural world in all its glory, and managed to do it in a singular style, dry yet affectionate, concisely informative and never, ever dumbed-down. They were written for children, but each, too, is a cracking read for any adult eager to learn. Or to remember.
Naturalist Herbert S. Zim, who founded this series of guides and wrote many of them, was born in New York in 1909. Raised there and in Southern California, he finished his B.S., M.S., and Ph.D at Columbia University. He was then a science teacher for twenty-five years—at Ethical Culture schools in New York City, and later at the University of Illinois Urbana-Champaign. One wonders where on earth he found the time to crank out so many books. Each was a loving collaboration with other educators, not solely Zim’s effort. But the synthesis of these people, the meticulous research required to bring together all the info, was his responsibility, from 1949 until the early 1970s. Zim, in 1969, was also the editor of an 18-volume set of encyclopedias named Our Wonderful World.
Of the 84 Golden Guides, Zim wrote or co-wrote 24. Is it confirmation bias that makes me believe those are the best of the bunch? The simple style is charming, with phrases like Rock Ground Squirrels, found in the Southwest, are our largest terrestrial squirrels. What grace: with a hint of pride to be from the United States, he said that the squirrels are ours. (I also appreciate that he uses the word “unique” correctly, without qualifiers. The Barn Owl is unique, not “totally” or “somewhat” unique.) The occasional anachronism amuses. Once in awhile Zim tells us which kind of turtle or ground squirrel makes a good pet, if captured.
You have been seeing birds as far back as you can remember and you will continue seeing them wherever you may be. It’s a real pleasure to see them. You can see more birds and more kinds of birds by learning how to look. This book will help you. It is not written for the expert, but for people who want to see birds just for the joy of it.
First become familiar with the mammals pictured and described. Look through the Key to Mammals on the next pages so that you can recognize the major mammal groups. Try to see the mammal well enough to decide, for example, whether it is a rodent or a shrew.
Familiarity with fishes gained by thumbing through pages at odd moments may enable you to make rough identifications at sight. Use this book as an “arm-chair” guide, but also take it into the field with you, for that is where it can be used best. On fishing trips take it along in a plastic bag.
Originally named the Golden Nature Guides, the series name was shortened to “Golden Guides” when they began branching out into other topics—for example, Guns, Sports Cars, and Casino Games. But these adult subjects did not make it into most family rooms, and the more popular guides about flora and fauna, insects, weather, stars, and the like are the ones most frequently found today. The illustrations by James Gordon Irving and others are remarkably detailed, the beauty of pure accuracy from a time when nature photography was rare.
A particularly enchanting feature of the Guides is the family tree, usually a two-page spread of swooping, color-gradated branches, each limb ending in a small picture of an animal in its biological order, labeled something like “Cutlass Fishes” or “Scorpion-Flies.” No less an artist than Matt Groening would eventually parody this format for his Life In Hell comic, describing the evolution of record-store clerks from sullen teens.
Herbert Zim, in his long career as an educator, was the one who brought lab instruction into science courses at the elementary-school level. Anyone who looked through a microscope before they reached ninth grade might have him to thank. And one attribute of Golden Guides is the way they expect one to get involved, not just in the field, but with “amateur activities” like building a birdhouse or preserving animal tracks in plaster. Through such deep engagement, the reader is encouraged not just to appreciate nature, but to discover new things about it, making new contributions to science.
He demanded no less of himself. Going through what biographical information there is on Zim, which is all very straightforward, one notices the list of scientific associations he belonged to, numbering more than twenty. They included the Audubon Society, the Union of Concerned Scientists, the Everglades Natural History Association, and the International Union for the Conservation of Nature. Truly, this was a vigorous and busy man.
Like so many cultural products of their time, the Golden Guides can look antithetical to today’s progressive values. Just ask the Yuman Indian woman who sits weaving cotton, bare-breasted, in one of the pictures in a guide to the American Southwest. In little vignettes we see depicted dozens of trappers, fishermen, tourists, birdwatchers—all white, mostly male. Under the entry for “Other Suckers,” Zim claims “some are so easily caught that every boy knows them.” If the Guides were written just for boys, this is a great shame, though their ubiquity meant that many girls of all different backgrounds would find them. The scientific language is devoid of prejudice, by its nature, and is there for any young person dedicated enough to study it. It prizes the natural world above all. One passage recently took me by surprise for its passion, on a page about the fishing industry: If you are interested in fishes, conservation—the wise use of all our natural resources—is your problem too.
Maybe it’s our current predicament that makes one particularly fond of the outside world, and of non-humans. Back in March, I started watching a live online feed from The Aquarium of the Pacific each night, comforted by the variety of fish, sharks, and rays that swam peacefully by. Curious about a small fish with long, showy gold fins, I consulted Fishes to identify it, and Irving didn’t disappoint. Meanwhile, Herbert Zim informed me that the species, named Lookdown, belong to the mackerel-like family of “jacks” and are fine eating.
In 1934, Zim married the Russian-born Sonia (Sonnie) Bleeker, who had studied anthropology at Columbia. The couple had two sons. Bleeker, too, worked in the book world—as an editor at Simon and Schuster, then as a full-time children’s book author. They eventually moved to Florida. Just like the descriptions in the guides, these biographical facts fall well short of being dull. They force me to imagine how energetic, how full life must have been in the Zim household as the kids grew up; and how many subtropical species kept Herbert company in his later years. After Bleeker’s death, he married Grace K. Showe in 1978. He died at Plantation Key in 1994, of complications from Alzheimer’s.
LIVE OAK has become a symbol of the South. The low, spreading tree, often covered with Spanish moss, marks old plantations and roadside plantings. The elliptical, blunt-tipped, leathery leaves are evergreen—that is, they remain green and on the tree throughout the year. The acorns are small but edible; wood is used for furniture. Two other southeastern Oaks (Laurel and Willow) have leaves of somewhat similar shape, but they are thinner and more pointed than Live Oak. Several western Oaks are evergreen. Botanists apply the unqualified name Live Oak only to this species. Height 40 to 60 ft. Beech family
In a Manhattan backyard in the middle of June, a couple of mourning doves fly between the trees. I’m aware that the gentle woop-woop-woop sound they make is not their voices but their wingbeats. The dogwood’s cream-yellow blooms have begun to fade, as is proper at this time. Above me a juvenile blue jay, still fluffy, shrieks out his typical noisy cry. I’m intrigued to see a red speck moving among the hairs on my arm—it’s a clover mite, an insect I haven’t noticed in decades. As recently as 1982, I was a four-year-old marveling at the rolling movement of clover mites on a windowsill—smaller than pin heads, bright candy-apple red. Somewhere along the line they stopped showing up, at least with the frequency they did back then. Now, seeing even one evinces a swell of emotion. (Incidentally, the same is true of another brightly-colored beauty, the red eft, which used to be so numerous in summer that we had to tiptoe on New York State gravel roads to avoid stepping on them.)
We learn more from Zim’s texts than he bargained for. His Golden Guides speak of a midcentury United States where all these animals and plants were still commonly seen. Just based upon my memories from the past 20 or 30 years, there seem to be fewer animals everywhere; in the 1950s, then, was the Earth just teeming with them, in every corner of every suburban lawn? Having learned that the biomass of insects, in particular, has started to fall fast, I yearn for the spectacle of clover mites and hastily do a search for them. Yes, the internet reassures me: we in New York City still have lots of the red bugs, enough to warrant a FAQ page from a pest-control company. They’re harmless to humans, pets, houses, and furniture. They munch grass and reproduce parthenogenically, which means every individual can lay viable eggs, without mating.
Of course, the sites telling me this haven’t worded their data quite as eloquently as Herbert Zim would have. Still, I thank him for the spark of curiosity that got me there at all. He taught me not just how to identify a clover mite, but how to care about her.
by Amanda Nazario
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