#sorry for completing this late too!

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[chidoroki]

December 19th - Happy Birthday Chifuyu - ft: his tvtropes

[princeyam]

finally posting my piece for @sheikzine ⭐️ i drew sheik from retro studios canceled sheik game!

[virgothozul]

I-

hum.

[vinestaff]

day 5 royalty

[nebuladreamz]

Thinking about how if i ever had the opportunity to make. a mascot horror game or story that i'd have it take place right before the eventual Big Fall of the establishment

[Big ramble under the cut lmao]

Something something reuse how I thought for Security Breach we'd play as Vanessa and the five nights formula was doing the shift but slowly discovering through each shift that Some Shit is happening and she has to stop it (directly before we found out Vanessa was Vanny/Vanessa was the security guard's name)

LIKE!!! I fucking adore how a couple of standout mascot horror games have been [primarily Indigo Park, I'm willing to give it a shot and it's deadass because of Rambley and his role as an AI assistant], but a lot of what I've seen personally (stares at. Fucking. Garten of Banban), it's a lot of post fall. Always investigating or going through the abandoned place where shit's gone wrong (thank you BATIM for starting the chapter-based formula -bangs head-)

But like. I've always thought about what it would be like for a mascot horror game to take place before the fall, or even during it depending on the execution.

Before the fall, you're either a kid who's a regular at the establishment (daycare, amusement park, whatever) or even an employee working there-

(or even MORE interestingly, if we go with a chapter-based thing or even similar to FNAF in terms of there's a set thing for whatever, the POV keeps changing between different people- wait I'm cooking. i'll get back to that later actually)

-And slowly as it all develops, you watch as everything begins to just. Fall apart. Employees leaving, the place coming down into disrepair, something's up with the main mascots of the place but you don't know what (at least in universe, we all know this formula as players)

Actually, coming back to the changing POVs, you can even draw in inspiration from DBH (I only watched gameplay back then oops) where the perspective changes between different people. A child enjoying their day, a first time employee, a long time employee, a parent of a child. Hell, depending on things, you could even have a moment where (depending on the location) you play as a fucking burglar looking to steal shit (before getting. Fucking bass boosted)

And eventually there'd come the inevitable end where it all closes down, leaving whatever living mascots inside to rot (insert Abandoned by Disney line here /j)

LIKE!!! I want to see people expand on the formula!! I want to see people fuck around and find out!!!

Honest to god, I might take this and run with it myself cause now I'M getting ideas.

[can-of-slorgs]

Final surprise boop attack for @yowassupitsred!!

Faeran would 100% be really obnoxious about Calamari, and would intentionally make others appreciate her boopings haha.

(Secret second boop attack to @starbiology in revenge to the april fools war because even though i didn't know if you had any characters, I think of her as your character by this point and I found this scenario hilarious in my mind)

[nighthaunting]

You ever have a moment where you reconsider something you thought a lot about in the past but then sort of turned your attention away from for a while, and your new perspective just blows the whole thing open?

Me thinking about russ and magnus during ATS/PB today after years of taking a break from HH/40K lore yielded one such series of revelations.

I was thinking about Betrayer and Russ' attempt to give Angron a lesson via the Night of the Wolf. I was thinking about Prospero Burns and Russ' belief that he's had a direct line to Magnus this whole time via Kaspar. I was thinking about that 'please'. And.

I know this is pretty much canon to the text but I've never before really Considered that one of Russ' motives in keeping this guy alive and sending him out on compliances with his Legion was (Russ believed at least) letting Magnus see the SW in action and hoping that this might influence him into trying to Avoid doing anything that might cause Russ to be sent after him.

In the past I've talked a lot about the SW keeping Kaspar around to see what would happen in terms of thinking the TS were up to something or going to do something to the Legion, which is very much the assumption the Chaos entity wanted them to make, but looking back I tbh think i slept on the concept of Russ, who canonically has taken out at least one of the Lost Primarchs in an event which is prefers not to speak (or at least the codex Strongly Implies that Russ has been used against another primarch before), and who also canonically went into the Night of the Wolf fully willing to die to make his point to Angron if only Angron could understand what he was doing.

I'm sort of compelled by the concept because in a sense Russ was letting (what he thought was) Magnus take a peek behind the barbarian mask he likes to put on, to see into a more genuine heart of his legion, letting his guard down a bit by allowing this obviously-compromised spy in. Much the same way he let the mask drop when he went to try and talk some sense into Angron, bringing up philosophy and reading and ideals that Russ' ignorant-but-noble barbarian persona would never admit to being interested in let alone reading.

And both times the gambit failed, in Magnus' case because it wasn't Magnus on the other end of the line, and in Angron's case because he was too far gone to really get what Russ was illustrating for him.

The whole thing was orchestrated so well, ironically giving the "proof" that Magnus was up to something via this sleeper agent spy that the SW were toting around with them, playing on Russ being curious enough to keep this guy around and connect the dots on the (false) links between this guy and the TS. I have this headcanon that Russ and Lorgar were actually fairly close, with Russ actually talking to Lorgar about Lorgar's writings, because he didn't seem surprised that Russ had read them and had thoughts on them in Betrayer, so I actually sort of like the idea that he had a hand in setting up the fall of Prospero? I like the tragedy of the idea that he at least had some input on the idea, being familiar enough with Russ to know he'd take the bait.

Which would make that a third time Russ got genuine with someone and had it either fail or be used against him...

[shima-draws]

Been having a rough couple of days. Send me asks?

[6bluebells]

Desperately wanting the Big Three to be a happy & healthy set of three sarcastic & annoying brothers but even my hcs know it can never be true 😭😭😭😭

Like. Hades & Zeus were best friends during the war. Hades was Zeus’s solace as he dealt with various political & social affairs that have to do with being The Leader and Prophecy Child while Zeus was Hades’s solace as being the only one who would Sit Down And Work With Him bc most of the others just dismissed him bc he was in the background a lot or were scared of him bc he has a Resting Bitch/Protective Face. Hades going through the war and ending it thinking that this friendship and partnership would extend to Zeus’s Reign and they would be near-equals or at least Hades would be a good counsel but next think he [Hades] knows, Poseidon, their anger-filled and not-quite-all-there brother, is laughing directly at Zeus’s side & Hades is banished to the deep depths, forced to hold their Father’s and abusers’ key. Poseidon who they can never seem to explain the difference of morals between squashing ants vs humans, Poseidon who enjoys the interest of torture but hates eating bc it ‘feels weird’ in their body, Poseidon who has inhuman amounts of power and stamina but whose help is just as unreliable as the Ocean’s. Poseidon who could have ended the war as soon as it woke up but found a way to wander away each time. Poseidon who they thought was a traitor for a long while. Hades was Zeus’s best friend, but Poseidon who barely anybody seems to know stands at his side? Hades was known throughout the war as many things, the holder of grudges most prevalent of all of them, and that’s going to bite Zeus who once relied on that best of all the most in the butt.

Anyway. Angsty Big Three Hours :(((((

[Tho I absolutely have more if you want :)))). & specifics! /pos]

Nono it's fine. We can fix this. We'll just create an AU where they have a nice and healthy relationship between them. It's fine. We can have fluffy moments between them.

It's fine.

*sobs*

We can have the sarcastic and happy go lucky brothers trio. Of course we can.

[noctlas332]

when i seen this design (by sleep-nurse) i was like "woa this fucks,,, ive got to draw it," (spooky setting loosely inspired by this drawing by kiwi-does-stuff)

[leqclerc]

@f1blrcreatorsfest Special Weekend Theme: Your Favorite Driver(s) ↳ Nico Rosberg, 2015 - 2016 ↳ Sebastian Vettel, 2015 - 2022 ↳ Charles Leclerc, 2020 -

[alchemiclee]

i know this has been said 473773474833 times by the kavetham/haikaveh shippers and probably even nonshippers, but i'll say it again. I finally finished the genshin summer event and did the little after quest in sumeru and.....every time kaveh is sneaking around trying not to be noticed coming out of alhaithams house it's just such a gay vibe. he's basically screaming "I can't be caught being gay in a homophobic society!" even if that's not what the game writers are *actually* saying. that's just how it comes off and they can't make it come off any other way. with hoyo's gay history, it makes me wonder if it's on purpose and all a cover-up to have a technically different reason for it so they can get away with it lmao but we will never know.

[roachyreblobs]

kinda hate the stereotypes of Asians having this clear soft pale skin like no my culture isn’t just fucking anime and k dramas there’s other things to it :/

[thenwethrowitonthefire]

it doesn't have to be that way.

okay

I need you to know that I've been thinking about this ask non-stop for the last 3 days. This song came for us all and took us under its wing. I live here. It's a gem of a song. (This reply will get very long.)

My first time hearing it was live, as it was for a bunch of us as the album release was at the beginning of the tour. To set the scene, I was obviously really excited for any new songs I'd be hearing that night, and then Russell introduced the song like this:

"This is another brand new song for any of you who feel like maybe you're not on the right course. [He pauses briefly.] It's a song that's called 'It Doesn't Have To Be That Way'."

I was already nearly in tears, and then it started:

They always said that you cannot change your mind, Do it once and you're defined, do it twice and you're divine

...

It doesn't have to be that way, okay?

Every line of the entire song hit me like a brick while also being the most comforting thing I've ever heard. It was beautiful. And coming from the guys who for over a decade have been my personal champions of "things not having to be that way", the guys who are my people, who have by their very existence been telling us all this exact message for all these years. And here it was, in words, aimed at all of us.

They always said that you need to have a plan, Doesn't matter, any plan, any plan they'll understand, It doesn't have to be that way, okay?

... They've not been known to go for songs that bring people to tears, and I'm not known to be the kind of person to listen to songs and cry. And yet here we were.

While I can write an essay on every verse, a part that's especially meaningful to me, as a queer person, as an aspec person, is this:

They always said that it must reflect your life, And incorporate your strife, maybe mentioning your wife, It doesn't have to be that way, okay?

These *are* lines that seem to reflect their life (the entire song seems to, just as it does ours), and they're all things I've always loved so much about them, things that have paved the way for all of us. But I'm going to especially highlight the "maybe mentioning your wife" line. Here we have two (likely) heterosexual men, but they don't bring their love lives to the public eye - very consciously, and by choice. What they do with their lives is all about their music. Their lives are highly meaningful, to them and to so many people, and you don't need amatonormativity or the nuclear family to have a beautifully meaningful life. They show that every day, in all they do. Their work has always attracted many queer people of all sorts for obvious reasons, and it's been so easy to find aspec people among the fans which is a real treat. While they likely both have partners, the beauty is that we don't really know. We don't know that part of their lives and we don't need to know to know them, if they're not telling us it doesn't concern us. There's a lot of people who don't understand this though, people who feel like they don't know who Sparks are as people because these people feel like in order to know who a person is, they need to know their relationship status and whether they have a family. (In reality these people are looking at the wrong things, they're trying to classify and understand life in the only way they know, and therefore they seem to be unable to see what's there.) The added beauty of all this is that it doesn't just gives Sparks some privacy, but also it creates a safe space for all of us who aren't looking to live that way, who aren't looking to build our lives around a romantic partner, for whom the ideal life isn't one where you build a family, or for whom that do wish to live that way but where it isn't the thing that defines you. You don't have to mention a partner or make your life about that. It doesn't have to be that way, okay?

And then there's those parts of the song that go,

I may be wrong, I'll pay for it, I'll pay for it,

No chart-bound song, I'll pay for it, I'll pay for it,

No sing along, I'll pay for it, I'll pay for it

I'll pay for it

Which can be read and felt in a number of ways which all mean so much to me ... There's their own lives in it, where they've always done things their way, where people may tell them to not do things that way, and where it might not work out - I'll pay for it, I'll pay for it. Theres our lives, where we equally all make our decisions, try to just live our own ways to the best of our abilities and where we make mistakes - I'll pay for it, I'll pay for it.

And then, thirdly, to me, there's the feeling to it where they've got our backs. No chart-bound song, no sing along, that can be about an album not becoming the success it was hoped to be, but if you just look at No sing along, I'll pay for it, I'll pay for it, to me there's also an aspect of not wishing it upon another - instead carrying it for you, don't sing along. (This feeling feels further supported by the ending of the song, how 'bout a drink, I'll pay for it, it's been too long, I'll pay for it, which to me reads as paying for that drink for your friend so no one has to go through it alone nor without support.)

I'll look uncool, I'll pay for it, I'll pay for it

I'll look the fool, I'll pay for it, I'll pay for it

I'll look too schooled, I'll pay for it, I'll pay for it

I'll pay for it

The price of authenticity, the price of following your heart and your beliefs. And we all felt that.

As you can tell, this is one really really special song. It had so many of us in tears. We all spoke about it for weeks, I'm still talking about it. It's kind of like Sparks' life concepts we all already understood, that drew us here in the first place, got beautifully distilled into a song. (So much of this recent album has that quality, and it was felt all throughout the entire tour too.)

Every night Russell gave the song a slightly different introduction that hit people right in their heart. There's a quality to it performed live that makes it hit even harder than on the album. I recorded it at every show I've seen. Here's two of them:

... it especially hits hard when you're near the front, looking at these guys with your big eyes, locking eyes for a second and you know they know. (I also did a quick shot of Ron's Jordans here, seeing him wear them was always a dream of mine and here I was, stood right in front of him seeing him wear Jordans.)

[sskk-manifesto]

Finally got around to watching ep 11 (´；ω；｀)