#specifically these are from the 1994 superboy series issue 8

[vinelark]

some vintage kons for your tuesday

[supergirlarchives]

Welcome

Hello! Welcome to my blog, The Supergirl Archives! My name is SK and this is side project born out of my love for Supergirl.

So, what are the Supergirl Archives? This is going to be my incomplete journey through the history of Supergirl comics. I’ve long loved the character, and since I have a DC Universe Infinite (DCUI) account, I thought it would be fun to go back and read through a bunch of old Supergirl comics. And I thought it might be fun to chronicle what I read.

This is what I’m planning to read:

THE ADVENTURES OF EARTH-ONE KARA ZOR-EL

Action Comics (vol 1) #252-359, 364-376, running from 1959-1969

Adventures Comics (vol 1) #278, 340, 360, 368, 374, 381-424, running from 1960-1972

Supergirl (vol 1). Supergirl’s first standalone series that ran for 10 issues from 1972-1974.

Supergirl (vol 2). Her second standalone series that ran for 23 issues from 1982-1984.

Superboy (vol 1) #80, from 1960.

the Brave and the Bold (vol 1) #63 147, 160, from 1965-1980.

Wonder Woman (vol 1) #177, 291-293, from 1968-1982.

Superman (vol 1) #241, 307-308, 335, 368, 414-415, from 1971-1986

Justice League of America (vol 1) #98, 132-134, 157, 231-232, from 1972-1984.

Superman Family (vol 1) #182, from 1979.

Detective Comics (vol 1) 508-510, from 1981.

the Phantom Zone (vol 1) #2-4, from 1982.

the Legion of Super-Heroes (vol 2) #294, 300-303, 314-315, from 1982-1894.

the Legion of Super-Heroes (vol 3) #16, from 1985.

Crisis on Infinite Earths (vol 1) #1-12, from 1985-1986.

THE ADVENTURES OF MATRIX

Superman (vol 2) #16, 19-22, 32-34, 65-66, from 1988-1992

Adventures of Superman (vol 1) #440-442, 444, 451, 453-457, 488-489, from 1988-1992

Action Comics (vol 1) #643-644, 674-681, 685-686, from 1989-1993.

Superman: Man of Steel (vol 1) #9, 10, from 1992.

Supergirl and Team Luthor (vol 1) #1, from 1993.

Supergirl (vol 3). Matrix’s standalone 4 issue mini-series the came out in 1994.

Showcase ‘95 #1-2, 12, from 1995.

THE ADVENTURES OF LINDA DANVERS

Supergirl (vol 4). Linda Danver’s series that ran for 80 issues from 1996-2003)

Supergirl Plus the Power of Shazam (vol 1) #1, from 1997.

Superman (vol 2) #160-161, from 2000

Superman: the Man of Steel (vol 1) #104-105, from 2000.

Adventures of Superman (vol 1) #582-583, from 2000.

Action Comics (vol 1) #769-770, from 2000.

Emperor Joker (vol 1) #1, from 2000

THE ADVENTURES OF NEW EARTH KARA ZOR-EL

Supergirl (vol 5). Kara’s reintroduction to the DCU that ran for 67 issues from 2005-2011.

Superman/Batman (vol 1) #8-13, 19, 23-25, 62, 77, from 2004-2010.

Supergirl and the Legion of Super-Heroes (vol 1) #16-36, from 2006-2008. 

the Brave and the Bold (vol 3) 2-6, 17-18, from 2007-2008.

Teen Titans (vol 30 #48-55, from 2007-2008

THE ADVENTURES OF PRIME EARTH KARA ZOR-EL(incomplete)

Supergirl (vol 6). The New 52 run that ran for 40 issues from 2011-2015.

Supergirl (vol 7). The Rebirth run that ran for 42 issues from 2016-2020.

Supergirl: Woman of Tomorrow (vol 1). The newest mini-series that ran for 8 issues in 2021-2022.

Why “an incomplete journey”? Well, I don’t know if I’m going to read every issue listed, but I’m going to read as many as I can (while still enjoying it), and I’m going to make sure that at the very worst, I’ll sample from each run. Also, I just can’t read everything because DCUI has a lot of gaps in its Action Comics library and there’s probably other issues of Adventure Comics and Action Comics that feature Supergirl, but what I listed are the major runs available to me.

As of right now, I’m going to focus on the Supergirl stories that happened in the main DCU continuity, which means unfortunately right now AU comics like Gotham City Garage, Bombshells, and the Dark Knights of Steel aren’t on my list, even if they are fantastic.

I’m specifically a fan of Kara Zor-El, but I wanted to read the Matrix and Linda Danvers runs, especially because they’re actually the versions of Supergirl that were around when I first got into her.

IF you’re a hardcore Supergirl fan, you know what happened to Kara in 1985. I haven’t decided if I want to read Crisis on Infinite Earths for this, but a part of me does feel like it’s an important enough part of Supergirl’s comic history to justify it.

I’m looking forward to having fun with this! And to read a bunch of comics (admittedly of varying degrees of quality) about one of my favorite superheroes!

- Hope, Help, and Compassion for all

[ufonaut]

With Jared’s return in Infinite Frontier (2021) #4, I thought it was time to finally put together a proper reading list that includes all his appearance in some capacity. So, without further ado:

VITAL

The Book of Fate (1997) #1-12 - miniseries by Keith Giffen & Ron Wagner. While technically acting as a reboot of the earlier Fate series, it is almost certainly the best introduction to the character as a down-on-his-luck petty thief conned into stealing the artifacts of Doctor Fate and finding himself chosen as an agent of true balance. It’s a compelling, humours series built on a heavy subtext of social class dynamics filled with many familiar faces from DC’s magic side.

Batman: Shadow of the Bat (1992) #69-70 - Jared’s singular appearance in a mainstream title but an absolutely delightful one. When signs of some incoming occult apocalypse start appearing all over Gotham, Batman is aided by the man called Fate, now having come into his own as a reality repairman.

Scare Tactics (1996) #8 - Tactics as a whole is a fantastic miniseries starring Jared’s best friend, Arnold Burnsteel, as an unwilling father figure/manager to a band of teenage monsters (two of which are a gay werewolf & a lesbian/bisexual vampire!) but issue #8 specifically picks up where The Book of Fate #6 left off as part of the ‘Convergence’ crossover.

The backups in Impulse Plus (1997) #1, Superboy Plus (1997) #2, Catwoman Plus (1997) #1, Robin Plus (1997) #2 - The backups, read in that order, tell the origins of the Scare Tactics band but also feature Jared & Arnold freeing the kids from a facility known as the R-Complex.

The L.A.W. (Living Assault Weapons) (1999) #1 - Jared’s last appearance before his untimely death but firmly worth reading for the glimpses of him in the reality repairman role.

OPTIONAL

Fate (1994) #0-22 - The original post-Zero Hour series that introduced Jared Stevens as Fate. While a very enjoyable read, it suffers greatly from some of the stereotypes of nineties ‘edgy’ writing and subpar art. Great for a more in-depth look at Jared and Arnold’s friendship and definitely the first stop in the search for more Fate content after the above but not the most gripping introduction.

Underworld Unleashed: Hell’s Sentinel (1995) #1 - Coincidentally one of my favourite Alan Scott stories, it’s also the first time Jared teams up with The Conclave (Sentinel, Phantom Stranger, Etrigan, The Spectre, etc).

More Weird Mystery Tales (1997) #1 - A promo comic for The Book of Fate (1997) featuring a fun little story of Jared meeting The Challengers of the Unknown.

JSA Secret Files (1999) #1 and JSA (1999) #1, #47-48, #58, #63 - The prelude to Jared’s death, the event itself & consequences. Arguably out of character in many ways, these mark Jared’s last major appearances for a good long while.

MODERN

The Multiversity (2014) #2 - In present day, Jared Stevens reappeared as Fate on Earth 13. He’s effectively retained all aspects of his original appearance, with the sole exception of the fact that he’s now part of the League of Shadows with Superdemon, Hellblazer, Annataz, etc.

Superman (2016) #15 - Jared appears as part of the League of Shadows.

DC’s Very Merry Multiverse (2020) #1 - Jared briefly appears in the Earth 13 story.

Infinite Frontier (2021) #4 - Jared’s first major appearance in the modern era happens at the end of the issue, seemingly as a member of Injustice Incarnate. It will most likely be followed up on in Infinite Frontier (2021) #5-6, as he’s even on the cover of the latter.

ASSORTED CAMEOS

Guy Gardner: Warrior (1992) #29

Underworld Unleashed (1995) #3

JLA in Crisis Secret Files (1998) #1

Scare Tactics (1996) #7

Flash Forward (2020) #4

Dark Nights: Death Metal (2021) #5

[aion-rsa]

Infinite Crisis Again: What Rebirth Can Learn From Its Cosmic Cousin

DC Comics’ “Rebirth” is both a publishing initiative and a (somewhat subtle) crossover event. On the publishing side, “Rebirth” relaunched almost all of DC’s main-line superhero titles. On the story side, May 2016’s “DC Universe: Rebirth” special brought back the classic version of Wally West — thought to be lost to the New 52 reboot — and explained that characters from “Watchmen” had given the DCU a case of the blahs.

However, that wasn’t the first time writer Geoff Johns and an all-star artistic roster (including Phil Jiminez and Ivan Reis) had crafted a sequel to a seminal Reagan-era miniseries. In 2005’s “Infinite Crisis,” Johns and Jiminez (with help from Reis, George Pérez and Jerry Ordway) revealed that a trio of survivors from 1985’s “Crisis On Infinite Earths” — most thought lost to “COIE’s” reboot — had a plan to bring back the infinite Multiverse. Oh, and all their behind-the-scenes manipulations and plotting were designed to cure the DC Universe’s then-current case of the blahs.

RELATED: Where to Watch the Watchmen: A Rebirth Guide

“Infinite Crisis” enjoyed a substantial buildup and left a significant footprint. It was at the heart of the “Crisis Cycle” of the 2000s — when DC’s superhero line was either preparing for, in the middle of, and/or recovering from some world-shattering calamity. Since “Rebirth” seems to be using some of “Infinite Crisis'” playbook, today we’ll compare and contrast the two to see how the current event might benefit.

OUR BRAND IS CRISIS: 1982-2004

“Identity Crisis” cover art by Michael Turner

We begin in 1982 because that’s when DC started stealth-promoting “Crisis On Infinite Earths.” The Monitor and his signature satellite first appeared in July 1982’s “The New Teen Titans” vol. 1 #21; while his assistant Lyla made her debut over a year later, in 1983’s “New Teen Titans Annual” vol. 1 #2. (Naturally, 1985’s “Crisis” came from the “Titans” team of Marv Wolfman and George Pérez.) Apparently if you want to convince readers that a pair of new characters have been watching a shared superhero universe for a long time, it helps to show them watching that universe for a decent amount of time — even if the Monitor was never fully seen until “Crisis” issue #1, when Harbinger’s powers were also revealed.

By 1986 “Crisis” was over and DC could start building on its effects; but eventually that too led to conflicts. In the summer of 1994 writer/penciller Dan Jurgens and inker Jerry Ordway produced “Zero Hour: Crisis In Time,” which attacked those problems with a different set of cosmic tools; and ten years after that, writer Brad Meltzer and artists Rags Morales and Michael Bair inserted some nasty elements into the history of the Justice League of America. Through it all, DC was careful to use the “Crisis” name sparingly.

On the surface, 2004’s “Identity Crisis” was a mystery about the murder of Sue Dibny, the Elongated Man’s wife and a fixture of the superhero community. Her death brought out a pattern of memory-altering and other Orwellian tactics used by a handful of Leaguers to protect their secret identities. Seems that years ago, Doctor Light had snuck aboard the JLA Satellite and attacked Sue when the team was away. In the wake of that incident, and another body-switching episode involving the Secret Society of Super-Villains (from 1979’s “Justice League of America” issues #166-68), Zatanna made a habit of erasing any compromising information from the bad guys’ brains. Zatanna also put the zap on a disapproving Batman when he found out.

After seven issues of anguished conversations, a few super-fights, andmore death, Sue’s murderer turned out not to be a supervillain at all. The Atom’s ex-wife Jean Loring did it to get his attention. Jean went to Arkham Asylum, the League started to look at itself a little more carefully, and that was it, right?

THE CRISIS CYCLE: 2005-2011

Detail from the cover of “52” issue #24, by J.G. Jones

Not quite. Here’s the “Crisis cycle” in bullet points:

The murder mystery in “Identity Crisis” (2004) had repercussions for the Justice League, the supervillain community, and Batman specifically.

The “Countdown to Infinite Crisis” oversized one-shot (2005) continued the Batman subplot. Turns out he’d built a killer spy satellite and thought he’d put it away safely. Sadly, no — ex-good guy Max Lord repurposed “Brother Eye” and killed off Blue Beetle because Beetle had learned too much about Max’s anti-superhero plans.

Four six-issue 2005 miniseries then got the readership ready for “Infinite Crisis.” First, “The OMAC Project” had Batman, Superman and Wonder Woman investigate Max, who was so powerful he could only be stopped by Wonder Woman snapping his neck. (“OMAC” also included “Sacrifice,” its own 4-issue sub-crossover about the neck-snapping) Next, “Rann-Thanagar War” and “Day of Vengeance” depicted a couple of time-sucking widescreen-style events to keep DC’s space-based and magic-based superheroes busy. Meanwhile, “Villains United” and the “JLA” arc “Crisis Of Conscience” (issues #115-19) dealt with fallout from “Identity Crisis” in the supervillain community and within the Justice League.

“Infinite Crisis” (2005-06) addressed all the miniseries’ business, revealing the comprehensive plan orchestrated by Alex Luthor (of the old Earth-Three) and Superboy (of the old Earth-Prime) to restore the old Multiverse and make DC-Earth a happier place. In the end, the Joker killed Alex, the Green Lanterns imprisoned Superboy-Prime, and things were back to normal, except just a little different in some areas. For example, now DC had a fun-sized Multiverse.

The regular superhero books jumped ahead one year in March 2006, taking advantage of “Infinite Crisis'” shakeups to make tweaks and other adjustments. However, “One Year Later” wasn’t received as fondly as “52” (2006-07), the year-long weekly miniseries which actually chronicled the missing year.

Even after all that, DC still wasn’t done with big events. It followed “52” with another year-long weekly miniseries, 2007-08’s “Countdown to Final Crisis,” which was supposed to gin up excitement for the next event by tying into a) just about every superhero title and b) several affiliated miniseries (like “Countdown Presents: The Search For Ray Palmer” and “Death of the New Gods”).

Thus, despite the title, 2008-09’s “Final Crisis” wasn’t the last blockbuster miniseries, because 2009-10’s “Blackest Night” dealt with (among other things) all the deaths from the various events and the biweekly year-long “Brightest Day” (2010-11) tried to set the superhero books back on a more congenial path.

Accordingly, the “Crisis Cycle” lasted upwards of seven years before the carnage from its events was resolved. DC then went and rendered all that effort moot with 2011’s line-wide New 52 reboot.

THE ROAD TO REBIRTH

Telos presents “Convergence’s” multiversal spread

Just as “Infinite Crisis” was preceded by an apparently-standalone event miniseries, a one-shot and a handful of lead-in miniseries, “Rebirth” has built on an apparently-standalone event miniseries (“Convergence”), the miniseries which followed it (“Titans Hunt” and “Lois & Clark”) and a one-shot (“DC Universe: Rebirth”).

2015’s “Convergence” was billed as the product of DC’s real-world cross-country move, which forced the publisher to create two months’ worth of (for lack of a better term) fill-in comics for the spring of 2015. The 9-issue weekly “Convergence” miniseries explained that the mother of all Brainiacs had been collecting Multiversal remnants and was pitting them against one another; and the several affiliated two-issue miniseries showed the effects of those battles. “Convergence” had some confusing consequences for DC’s cosmic mechanics, but for the most part it was a nostalgia-fest which marked time until the summer’s “DC You” initiative.

Nevertheless, three miniseries came out of “Convergence.” Nobody read the 6-issue “Telos,” about Brainiac’s Silver Surfer-esque assistant; but the 8-issue “Titans Hunt” established the secret history of the original Teen Titans (Dick Grayson, Roy Harper, et al.) and “Lois & Clark’s” 8 issues revealed that the pre-“Flashpoint” Superman and Lois Lane had been living on the New 52’s DC-Earth since the start of its superhero era.

The rest of the superhero line got a “DC You” makeover, with quirky new series like “Black Canary,” “Prez” and “Omega Men” joining radically-changed versions of Batman, Superman and Green Lantern. When “DC You” didn’t bring in the sales, the publisher responded with the “DC Universe: Rebirth” special; and with a series of one-shots which served effectively as “zero issues” for the newest round of relaunches. Among those relaunches were “Titans” and the Superman titles, which continued what “Titans Hunt” and “Lois & Clark” had begun.

Because the Titans, Superman and the Wally West Flash have been most heavily involved in connecting the pre-“Flashpoint” DC Universe with its current version, a good bit of “Rebirth” clues have appeared in their respective series. This is true for other ongoing series like “Detective Comics” and the upcoming “Button” crossover in “Batman” and “Flash.” In this respect the current “Justice League Vs. Suicide Squad” miniseries — which also promises hints about “Rebirth’s” macro-plot — is an outlier. The strategy looks like an inversion of “Infinite Crisis,” because the “Rebirth”-fueled changes precede their explanation (or at least the detailed explanation) and the buildup isn’t allocated largely among tie-in miniseries.

One important “Rebirth” factor still needs discussing, namely Mr. Oz from Geoff Johns and John Romita Jr.’s run on “Superman” (issues #32-39, August 2014-May 2015). Thought currently to be a disguised “Watchmen” character, the fact that Mr. Oz predates “Convergence” suggests that he may have been intended to fulfill some other purpose, like an alternate route to restoring the New 52 Supeman’s powers. (He also reminds us of the Tangent Comics Green Lantern, but that’s probably just coincidental.) In any event, we’re not prepared to speculate that “Rebirth” might have been in the works for some two years — despite precedents going back to those Monitor and Lyla teases — and certainly not before the one-two efforts of “Convergence” and “DC You.” Nevertheless, Mr. Oz has certainly worked out well as the mysterious personification of “Rebirth.”

LESSONS LEARNED?

Detail from the cover of the “DC Universe: Rebirth” special, by Gary Frank

Again, “Rebirth” is using many of the same tools as the Crisis cycle, but in a slightly different order. Where “Identity Crisis” led to “Countdown to Infinite Crisis” and then into the four feeder miniseries, “Convergence” facilitated “Titans Hunt” and “Lois & Clark,” which then led into the “DCU: Rebirth” special. As noted above, the changes to “Rebirth’s” ongoing series are happening now, as opposed to the “One Year Later” books happening after “Infinite Crisis.” (Actually, “1YL” started just as “Infinite Crisis” was ending, but close enough.)

To be sure, it’s a different strategy for a different set of market conditions, but it has paid off. “One Year Later” didn’t do much for ongoing series’ sales, but “Rebirth’s” ongoing series are performing very well. The question now is whether DC can keep it up for the two years Dan DiDio has said “Rebirth” will take. Right now DC is maintaining a good balance between business-as-usual stories and “Rebirth” teases. While more “Rebirth”-specific arcs are on the way, many of DC’s superhero books have little (if anything) to disclose about the event. For example, “Wonder Woman” is explaining changes to Diana’s origins, but that’s not expressly part of “Rebirth”; and the cosmic adventures in the Green Lantern books likewise are mum on “Rebirth.” However, if the rebirthing won’t be over until the summer of 2018, that will probably change; and more of the superhero line will be connected directly to “Rebirth’s” macro-plot.

It’s also possible that DC will go back to the “Crisis cycle” well by stepping up its reliance on “Rebirth”-related miniseries. “Titans Hunt” and “Lois & Clark” arrived with little fanfare — certainly not as much as the four “Infinite Crisis” lead-ins — but they weren’t expected to play much of a role after “Convergence.” With the two-year clock ticking (a countdown, as it were) and “Justice League vs. Suicide Squad” an apparent hit, DC might feel confident enough to launch a couple more event miniseries before the main throwdown begins.

DC needs to tread carefully with those event miniseries, though. Where “52’s” source material made it necessarily self-contained, “Countdown to Final Crisis” went entirely the other way and paid the price. “Countdown” itself was uneven at best, bouncing haphazardly across subplots as its characters bounced around the new Multiverse. That left its tie-ins without much goodwill, which miniseries like “Countdown: Arena” and “Lord Havok and the Extremists” wouldn’t have enjoyed anyway. So far “Rebirth’s” focus on the ongoing series has been successful. It may not stay that way, but for now there’s no reason to change.

By using event miniseries sparingly, DC can also avoid the dreaded “event fatigue.” While there is the notion that event fatigue is really just another name for poor execution, the reception given “One Year Later” argues that enthusiasm for “Infinite Crisis” peaked with that miniseries and didn’t extend to “One Year Later.” Remember, DC spent the better part of a year hyping “Infinite Crisis” with the goal of getting its readers to stay with DC’s ongoing series. Instead, many of them chose to stay with “52,” the only series which described “Infinite Crisis'” immediate aftermath. By contrast, “Rebirth” is building a readership for the ongoing series first, presumably so that the inevitable event miniseries will be more meaningful to that readership.

If we can map “Rebirth’s” mileposts to those of “Infinite Crisis,” we’re past the point where the main miniseries should have occurred. We’ve already had the standalone miniseries, the prelude miniseries and the oversized one-shot. It might be another year before the main event starts. If that’s supposed to be the peak of activity, when the curtains are finally drawn back and all the questions are answered, then DC can’t get comfortable until then.

As much as we lump in “Identity Crisis” with the rest of DC’s big crossovers, we risk forgetting that it wasn’t billed as such. Instead, it was the publisher’s effort to reach out to the non-comics reader by using a well-known mystery novelist who would write to his strengths. “Identity Crisis” only crossed over with a handful of ongoing series, perhaps because DC hadn’t done a proper line-wide crossover for a few years. Therefore, the hype for “Infinite Crisis” hit a comics marketplace which hadn’t been oversaturated with such a thing.

Phil Jiminez’ clue-filled “Countdown” teaser

The problem was, the successes of “Infinite Crisis” and “52” convinced DC that it could keep going in that vein; so over the next few years it did, to diminishing returns. Ironically, the corporate-driven excesses of “Countdown” were in support of writer Grant Morrison’s idiosyncratic “Final Crisis”; and the success of “Blackest Night” was more a reflection of writer Geoff Johns’ crowd-pleasing work on “Green Lantern.” The ecumenical, almost grass-roots appeal of “Rebirth” may be due similarly to the popularity of the individual series, and not so much the mysteries informing them. If that’s true, DC’s real task over the next year or so will be steering that collective appeal into anticipation for “Rebirth’s” endgame.

The Crisis cycle had a few big accomplishments. It revived DC’s Big Events, which had been dormant for a few years. It rebooted the Multiverse, albeit with just 52 parallel universes. It gave the entire superhero line a soft relaunch, led by the likes of writers Geoff Johns and Kurt Busiek on the Superman titles and Grant Morrison and Paul Dini on the Bat-books. Through “52,” it showed that readers would embrace a quirky, detail-driven weekly miniseries (although “Countdown” would show that such a thing didn’t always work).

On the minus side, it fostered a climate of perpetual change — for example, Bart Allen’s brief Flash career and Wally West (and Mark Waid)’s similarly-brief return — coupled with the near-certainty of character death during each new event. “52” turned Ralph and Sue Dibny into ghost detectives; “Countdown” featured Earth-51’s apocalyptic end and the corruption of Mary Marvel; “Final Crisis” both “killed” Batman and planted the seeds of his return; and “Blackest Night” was all about death (although it featured a number of revivals, including Max Lord but not Blue Beetle). Even “Brightest Day,” which was supposed to focus on restoring happiness and cheer, started with the death of a cute baby bird. While the Crisis cycle wasn’t all bad, there was so much grimness and grit that it took a while to clean up.

We hope that proves to be the main difference between the Crisis cycle and “Rebirth’s” two years. It’s not just setting up a big event and watching the payoff, it’s also how much of the event’s negative effects are allowed to linger. “Rebirth” may be over by 2018, but DC must then get back to business as usual; because the Crisis cycle showed how too much of an event atmosphere can snowball out of control. Fortunately, unlike its en-fuego predecessor, “Rebirth” is doing a slow burn. That low-key approach has worked well so far, and DC should remember its effectiveness before getting too bombastic. It can’t afford to lose the readers it has gained.

How do you think “Rebirth” is doing? Let us know in the comments!

The post Infinite Crisis Again: What Rebirth Can Learn From Its Cosmic Cousin appeared first on CBR.com.

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