#stagelighting

[spiralghoul]

Thinking about the new lighting rig for tours (credit to Erich Bertti their lighting designer on insta for all the photos and ya know for designing the rig and lighting for the show)

like it's just so gorgeous and they do not get enough credit for how much work and money goes into making sure everything is just right so all of the ques go off at the right time and all of the tracking lights are staying on the people they're supposed to I just it's SO COOL and their rig is so beautiful

[sinoswan-mobilestages]

SINOSWAN SS50-Excellent Design, Unlimited Possibilities

The SINOSWAN SS50 is an exceptional hydro-mechanical stage truck, known for its superb design and manufacture. The stage area can be expanded as required. The box skeleton made of high-quality rectangular tubes and steel plates is rust-proofed to ensure stability and durability.

The hydraulic system raises the roof and the left and right wing panels flare out to form a flat stage, with the entrance located on the left side of the compartment. The legs are built-in and can be adjusted manually, and the four corners are equipped with hydraulic legs, each with a carrying capacity of not less than 5 tons. The rear door is of double-opening type with additional stage ladder handrail.

SINOSWAN is committed to designing and manufacturing reliable and user-oriented mobile stages with 26 years of experience. More than 10,000 units sold worldwide, services include churches, events and concerts. Provide professional mobile stage solutions to expand business reach and interact with customers worldwide.

[itmlyljlaaid]

[steveconte]

Beam me up Scotty! (Or beam me down Satan!) #stagelighting #steveconte #onstage #michaelmonroe #uk #tour (at Bronx New York) https://www.instagram.com/p/CpSoyk5Of8Y/?igshid=NGJjMDIxMWI=

[kozel-uwu]

Portrety Pospieszalskich

Yesterday, as usual I was working as a stage technician. I got some free time, so I took photographs of the Pospieszalscy family as they prepared for their concert.

As a big family they have some young children and they came on the stage to play with the instruments, which was just a perfect opportunity for me.

After their show it turned out that the other photographer that meant to be there to shoot them a portrait was gone, so I helped them out and lead the session, even though I only had my smartphone.

[it-is-li7]

LETHE Log 005. Photography by: @glidephotos Model: @byalamaa Design by: @it_is_li7 @fallan.sthlm #light #lighting #lightingart #lightart #lightingdesign #lightingdesigner #lightworker #setdesign #stagelighting #photographer #photography #photoshoot #photograph #stockholm #scifiart #scifi #spacebeam #lethe (at Fållan) https://www.instagram.com/p/ClqHB2nM_lD/?igshid=NGJjMDIxMWI=

[villyroxx]

080622/ illenium’s set at île soniq ✨ #illeniumB2Bexcision

[henry-ian]

INSULA . . . #henryanbo #INSULA #浮岛音乐日 #OIL #musicfestival #shenzhen #music #oilclub #oilclubshenzhen #dj #shekou #insula #djmusic #stagephotography #stagelighting #instagood #instamood #photooftheday #greatshotz #nikon #z6 #ℤ6 #nightshot #art #light #good #stagelights （在 Shenzhen, Guangdong） https://www.instagram.com/p/CkFnskHSYKP/?igshid=NGJjMDIxMWI=

[jonaled]

Indoor led display screen Installation done At Punjab

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[derrick-riches]

Lightbulb

The 400-watt metal halide arc tube lights were, for unfathomable reasons, stored in a cabinet in the projection room of the art museum’s auditorium. It was a quiet, snowy day in December, just after finals week, and the Miller Gallery was as dim as the sky outside. I walked out the museum doors into the lobby. Bounded down the concrete and brick steps, past a young couple suffering from an inability to keep their hand off each other. Across the auditorium lobby, past the glass display cases of Navajo (Diné) blankets. Then through the northernmost of the ten doors and into the dimly lit theatre. Up the slight incline towards the back of the room, down the oddly shaped eight-foot hall, to the projection room door.

            A single, tiny halogen bulb glowed above the door, providing enough light to see the doorknob but not the keyhole. I fumbled with the lock for a moment, pulled open the door, and groped for the light switch. Despite not being labeled, it only took me a minute to find the correct light bulb from the metal cabinet on the opposite wall. Lock the cabinet. Turn. Thump. Freeze. Think. The auditorium was empty. Right? Slowly, I approached the door. It’s two inches thick. Solid oak. My ear against the door found only a slight ruffling.

            The Museum of Fine Arts Auditorium is occasionally used by the University President’s Club. A group of wealthy donors, emeritus professors, and the politically connected. Put on by a team of volunteers, the projectionist for most of these events was Ms. Carol, the retired stagecraft instructor and a woman with a dramatic flair for fashion. One night, a few years earlier, she had locked up the projection equipment after a poorly attended event to look out the window and find a completely empty room. Something took hold of her. Convinced that someone was waiting on the other side of the door, she became frozen with fear. She was found the next morning dehydrated and confused.

            A solution had to be found, insisted the President’s Club. A phone would have worked. A peephole drilled through the oak door would have worked. However, this was a serious situation. So, instead of the obvious, a small CTV camera was placed on the wall outside the booth, connected to a thirteen-inch monitor hung above the console. I reached over and turned on the monitor.

            It was grainy and dark. I turned on one of the projection console lights and turned off the main fluorescents. Yes. Two figures, silhouetted by the light that hits the wall at the opposite end of the hall.

            “I don’t have time for this,” I muttered, sitting down on the one chair in the room. Then again, I wouldn’t want the disturbance. I waited. Five minutes went by. Five minutes, and the best I could tell, they had managed to drop their heavy winter coats. “Get on with it,” I wanted to yell. Another five minutes passed and little had changed. The fuzzy couple on the monitor, which can only be seen from mid-torso up, are still making out. Then it hits me. Mood.

            I look over the console. Bring up the multi-color stage lights while dimming the main overhead cans. Adjust the stage color to a vibrant violet. Aim the primary spot to stage right and set to a deep red. Through the window, I watch, adjusting the luminosity to maintain a consistent foot candle. The monitor shows a slight color change. I notice the taller figure has its back against the wall. The other figure has disappeared.

            Art history professor Olpin kept cassettes of classical music to give his classes a little class. I thumb through them. Schubert? Too fluffy. Stravinsky? Too avant-garde. Haydn? Too comical. Ravel? Perfect! Boléro? If it’s good enough for Bo Derek, it’s good enough for these two. I punch the cassette into the deck. Forward about ten minutes. Volume to zero. Play. Bring up the volume slowly. One. Two. Three. Problem! I can’t really hear the music in the booth. The dial goes to 100, and I have to think. At what volume will it be subliminal and not obvious? Four. Five.

            The monitor hasn’t changed. I could crank the volume to 100 and scare the shit out of them. A few minutes go by while I consider it. Six. The smaller figure reappears. I turn the volume back to five. The kissing continues, but my hope of resolution is dashed when the smaller figure turns, back against the wall. The larger figure disappears. I mean, fair is fair, but still. I have work to do.

            Perhaps out of boredom, I begin modulating the colors on the main spot. I flip the stage lights to asynchronous rotation. This creates a delightful dancing motion on the stage floor and back wall. Toggle the spot to waver. The light begins a slow pulsing. I check the monitor. The one viewable figure seems to have some alien-like thing crawling about in its shirt. Volume to six. Seven. Eight. I don’t dare turn it any higher. I grab the headphones and put them on. I can hear the music. Its slow movement is building.

            Now, the monitor shows nothing. Did they leave? Was the music too loud? Back to seven. Nothing can be seen through the projection window. Of course, they could have slipped quickly out one of the side doors. I step over and press my ear against the door. Definitely still there.

            Back in the chair, I wait. I toy with the lights. Turn the volume back to eight. Then nine. I keep an eye on the monitor and wait for the culmination so I can grab the light bulb and get back to the task at hand. After a few minutes, a head appears. It’s just the top of a head. Probably the smaller of the two. The head bobbs or nods. Hard to tell which.

            Common on, I think, I have a twelve-foot ladder cluttering up a gallery upstairs. I turn the volume to 10. Then I turn to the lighting. I adjusted the cascading colors of the spot to match the rhythm of the bobbing. Then, the stage lights. They weave through a figure-eight motion that makes a beautiful but chaotic pattern. I switched to a simple circle and altered the rate to match the spot and the nodding.

            Once I have everything perfectly synchronized, I notice that the movements of the head are speeding up. I focus on it and, with one hand on the spot control and the other on the stage lights knob, began racing to keep up. Then, suddenly, the head stops moving and drops out of sight. Finally, I think. I kill the music, drop the spot and the stage lights, and bring up the house cans, returning the room to normal.

            There was a pile of clothes to don and backpacks to pick up. Eventually, the figures passed around the corner and out of sight of the monitor. I watch them walk across the auditorium and exit on the other side of the building. I grab the 400-watt metal halide arc bulb and return to the museum gallery.

[amy-lightsky]

Nuevo equipo en camino

Light Sky Super Scope Pro--450W LED Cabeza Móvil Spot & Profile Más información: https://en.lightsky.com.cn/product/super-scope-pro/

[gobofactory]

Enhancing Ambiance with Gobos: Transforming Environment Lighting | DIY L...

[sinoswan-mobilestages]

SINOSWAN-SR40: Creating a Uniquely Charming Professional Audio and Lighting Feast

SINOSWAN's SR40 mobile stage is a breath of fresh air for outdoor events. Utilizing advanced hydraulic robotics, this roadshow vehicle can be set up in as little as 20 minutes, and operated via a wired remote control that puts everything under control.

The SR40 integrates a professional-grade sound and lighting system to ensure that every show brings a stunning experience to the audience, whether it's under the glittering starry sky or amidst the bustling neon of the city. Choosing the SR40 is the ultimate in convenience and quality assurance, adding unique charm to your event and creating unlimited possibilities.

[jerico-deangelo]

Jerico DeAngelo: I created a gothic punk persona for my “Into Infinity” project. Here I am on stage as the futuristitic vampire alien god king, Jerico Of The Angels. #alternativemusician #alternativemusic #singersongwriters #singerlife #alternativestyle #alternativefashion #gothboy #vampireboy #vampirestyle #gothstyles #nycartists #nycactors #alternativeboys #alternativeboy #performanceartist #performanceartists #neoromantic #vampiregoth #stagelighting #psychedelicartist #ritualart #bluelighting #conceptual_art #artrock #theatricalmusic #scififantasy (at New York, city) https://www.instagram.com/p/CqO1_VtMLVO/?igshid=NGJjMDIxMWI=

[ailibao-carpet]

We are the professional manufacturer for #lighting, #stagelighting,#architectural-lighting,high-quality,competitive price www.Ailibaolight.com Light your life,bright your Sky! https://wa.me/+8613450456632 https://www.instagram.com/p/CqJtxrXPqVB/?igshid=NGJjMDIxMWI=

[kozel-uwu]

Pospieszalscy Wierszem

Concert in Olsztyn, Poland