#star trek TOS season one

[electronickingdomfox]

Star Trek TOS slash bits (Season one)

This is my personal rundown of all the slash scenes in TOS season one. Actually, "slash" isn't an accurate descriptor, since slash was born after and because of Star Trek; but I didn't know how to call it otherwise. I've omitted episodes when I didn't find anything remarkable in them. And I've tried to be as objective as possible. Of course, this stuff depends a lot on the "eye of the beholder", so your mileage might vary.

-What I count: lingering touches or affectionate looks, clinginess, actions that show a strong concern/familiarity with each other, suggestive scenes...

-What I DON'T count: friendly gestures (like smiling or looking amused when someone says something funny), scenes taken out of context, physical proximity just because there's not enough space...

I'll try to illustrate some scenes when necessary, though screenshots usually don't do justice to it.

The Corbomite Maneuver:

Spirk: Kirk tells Spock his explanations give him "emotional security" with a loving look. Spock appears a bit embarrassed. Not counting the scene where Kirk makes a video call while shirtless (funny as it may seem out of context), since that scene has nothing to do with Spock himself. He's just calling the bridge, not Spock in particular.

McKirk: McCoy surely likes to cling to the Captain's chair a lot. He gets really close for a good chunk of the episode.

Should I count the scene where he hides a red alert in sickbay, so Kirk can keep sweating shirtless in his med bed? On the one hand, it may seem suggestive, but on the other, McCoy is just anxious about finishing his medical exam on the Captain.

Spones: McCoy tells Spock (with a somewhat hopeful look) that he'd love to teach him strip poker. Remarkable because there's no hint of sarcasm at all, and Spock answers with a mischievous smile.

The Enemy Within

Spirk: The scene where Spock enters the cabin and seems so agitated by the sight of shirtless, absurdly sensual Kirk.

Also a bit at the end, when Kirk thanks Spock on behalf of his two... halves. He has the Look in his eyes.

McKirk: McCoy is again pretty close and physical with Kirk (the good one). He stops agreeing with Spock's logical plan to merge the two halves, as soon as they discover that it may put Kirk's life in danger.

The true couple of this episode, however, is Good Kirk x Evil Kirk.

The Man Trap

McKirk: The way Kirk tells McCoy that he's not counting his errors, and how he smiles and approaches him to apologize, comes off rather flirtatious.

Also, though he's joking, Kirk can't help offering McCoy the most shitty bouquet of flowers ever, and calling him by his pet name "Plum" at the first opportunity.

The Naked Time

Spirk: "Jim, when I feel friendship for you, I'm ashamed". Also at the end, when Spock asks Kirk if he's okay, but Kirk asks Spock about his wellbeing instead, with a loving expression in his face.

Balance of Terror

McKirk: The scene where Kirk is lying in bed and he invites McCoy to enter, and then they stare at each other with such fondness. On top of that McCoy makes a heartfelt speech about the uniqueness of all lives, and begs Kirk not to sacrifice himself.

What Are Little Girls Made Of?

Spirk: This may be a stretch, but Chapel implies that she can recognize the real Corby by his voice alone, because she's in love with him. Later, Spock guesses there's something wrong with Kirk just hearing him (actually an imitation of his voice made by an android). Apart from this, Kirk's way of ensuring that his android copy is recognized as a fake, is implanting in him mean remarks about Spock.

Dagger of the Mind

McKirk: Again, McCoy has to be all over Kirk's chair whenever he's in the bridge.

Spirk: At the end, Kirk ponders about loneliness, but then he looks at Spock, smiles, and seems to get better. Spock kind of returns the smile.

Besides this, Spock's mind meld with Van Gelder is rather... well... intense.

Miri

Spirk: A brief moment, but when Spock says "Whatever happens, I can't go back to the ship, and I do want to go back to the ship, Captain", he and Kirk exchange knowing looks, and Spock even smiles a bit.

Spones: Spock is very tender with McCoy while he's unconscious, after testing the vaccine on himself. He holds his hands for a looooong time.

The Galileo Seven

McKirk: McCoy still seems unable to talk with Kirk at a normal distance in the bridge. Granted, he gets so close because he's gossiping about Spock's emotional reaction. But that makes it even more gay.

Spirk: "Mister Spock, you're a stubborn man." In context, he's just teasing Spock like everybody else on the bridge, but in Kirk's case, it seems more affectionate.

Court Martial

Spirk: It's normal that a First Officer would be loyal to his Captain, and testify in his favor when his career is at stake. But Spock's comparison of Kirk's inability to make a mistake, with a hammer's inability to overcome gravity, is way too much, isn't it? Specially for someone who pretends to be as logical as Spock.

The Menagerie

McSpirk McCoy refuses to believe Spock is the culprit, despite damning evidence against him. And he's barely able to arrest him, sending him to his quarters instead of the brig. Kirk is more firm in his duties as Captain, but still considers the court martial against Spock as the most difficult time in his career. At one point, he almost wishes his shuttle failed, so he didn't have to confront Spock.

This episode also shows how crazy Spock can become to protect those he loves and respects (in this case, Pike). Motherfucker just committed mutiny in the Captain's face!

Shore Leave

Spirk At the very start, Spock stands behind the Captain's chair, and Kirk complains about pain in his back. A yeoman, also behind him, starts giving Kirk a back massage. And Kirk seems to be enjoying it quite a lot... until he discovers it's not Spock doing it. Then he orders the yeoman to stop, annoyed. Also later, when the airplane is shooting at Kirk and Spock, the two of them embrace and grab each other a lot. It doesn't help that Kirk has, as usual, his tits out.

The Squire of Gothos

Spirk The best way for Trelane to ensure Kirk's cooperation is threatening Spock at gunpoint. This changes Kirk's attitude to him at once.

There's also something seductive (and masochistic) in Kirk's promise to Trelane to give him all the excitement he wants with a manhunt game.

Arena

Spones "Doctor, you're a sensualist" "You bet your pointed ears I am..." It's not just what he says, it's how he says it.

There's also a little detail, when Spock raises from the Captain's chair, and Bones purposefully follows his hand with his fingers. It's strange. Might be an unconscious action on DeForest's part?

The Alternative Factor

McKirk A similar example as the previous "sensualist" one, but this time with Kirk.

Tomorrow is Yesterday

McKirk He can't stop doing this, can he?

Besides this, McCoy gets very anxious as soon as Kirk beams down to the airforce base, and argues with Spock because he feels the Science Officer isn't doing enough to retrieve Kirk from there.

Spirk Kirk hits a guard and hurts his hand a little, so Spock goes toward him and checks the poor baby's wrist.

However, nothing in this episode compares to the truly lustful looks that Kirk directs to Captain Christopher, when he first meets him.

The Return of the Archons

Spirk At the end, Kirk keeps looking at Spock with silly heart eyes, even though the conversation is a philosophical one, about the pros and cons of a society run by computers.

A Taste of Armageddon

Spirk "Captain, you almost make me believe in luck." "Why, Mister Spock, you almost make me believe in miracles." Bonus points because it comes absolutely from nowhere, since the day was saved by Kirk's power of bluff and special brand of diplomacy. Spock hasn't done anything particularly miraculous (well, there's the mind meld with the wall, but that was a brief moment). Spock also looks confused, and there's that comedic music in the background.

Space Seed

The only thing I can think of, is the tense scene between Kahn and McCoy in sickbay, when he grabs the doctor by the neck and says he likes brave men. Followed by McCoy's statement that Kahn has a certain "magnetism, almost electric". The final confrontation between Kirk and Kahn is also a bit suggestive at times.

This Side of Paradise

Spones MCCOY: That didn't sound at all like Spock, Jim. KIRK: No. I thought you said you might like him if he mellowed a little. MCCOY: I didn't say that. KIRK: You said that. MCCOY: Not exactly. He might be in trouble.

Notice how quick Bones denies having said he might like Spock... Almost as if embarrassed. Does he think often about how Spock could be more to his liking?

Spirk It's possible to see some jealousy from Kirk about Spock and Leila's relationship. In particular during the fight, when he confronts Spock about his courtship of Leila. That came a bit out of nowhere. On the other hand, I disagree with the common idea that his parting from Leila has spirk undertones. On the contrary, he's just talking about his responsibility to the ship and "that man on the bridge" (the Captain; first Pike, now Kirk). And I think there's genuine regret in his abandonment of the simple happiness in the colony, to take care of these responsibilities. His mention of "purgatory" reinforces that.

The Devil in the Dark

Spirk Spock is very protective of Kirk in this episode. First, he invents some bullshit excuse to stay in the cave with him, instead of helping Scotty with the reactor (Kirk sees through his bullshit, by the way). Then he's quite unwilling to proceed separately through the tunnels. And finally, he gets really emotional when Kirk's alone with the horta, and asks him to kill the creature, even though Spock was the one who wanted to protect her first. Apart from this, Kirk supports Spock for a while, after being hurt by the mind meld with the horta.

Errand of Mercy

One name: Kor. Interesting that the episode that introduced Klingons, did so by showing their commander lusting so much after Kirk. Kor checks Kirk out almost from the second he lays eyes upon him, tells him he'll "teach him how to use his tongue", invites him to a drink while Kirk sits suggestively, and both are somehow fascinated by their similarities as commanders (despite their opposite outlooks on life). Definitely one of the most obvious examples in season one.

City on the Edge of Forever

Spirk This exchange:

SPOCK: Interesting. Where would you estimate we belong, Miss Keeler? EDITH: You? At his side, as if you've always been there and always will.

Some people have said that, since Spock's computer contraption occupies one bed, Kirk and Spock would need to sleep together on the other bed. I don't agree though; I see no reason why they couldn't move the thing to the floor at night. It's not that big.

McSpirk How they run to embrace Bones when they finally find him. Even Spock is overcome by emotion.

Operation: Annihillate!

McSpirk Both Kirk and McCoy are very concerned about Spock having lost his sight (much more than Spock himself). Though they react differently. McCoy is heartbroken and blames himself. Kirk reacts with anger and lashes out at Bones, which makes him feel even more guilty. Though later he apologizes. There's also this scene where the three get ridiculously pressed together.

Doesn't count in part, because there's not that much space. McCoy didn't need to come bumping into the other two, though (someone could have moved a bit forward).

Spones McCoy is offended about Spock not appreciating his face upon recovering sight, and complains that he just can't recognize beauty. He's also quite embarrassed because Spock heard him saying he was the best officer in Starfleet.

Summary

Spirk: 16 out of 29 episodes Spones: 5/29 McKirk: 8/29 McSpirk: 3/29

[mariusslonelysoul]

Watching tng really reinforces just how obsessive and codependant the tos triunvirate is. Picard and beverly clearly have history, but unless she has business there, she's never on the bridge, and riker never beams down with picard, is always one or the other on the bridge. Even deanna, despite being picard's other support, does her thing. Meanwhile, jim was dragging bones and spock, the two most senior officers after him and scotty, on every new, unknown and potentially dangerous planet. Like, we been knew but it's fun to have the confirmation

[kyurochurro]

HAPPY HOLIDAYS EVERYBODY!!! my favorite season of the year is here so of course that means its time to draw spirk decorating a good ol classic christmas tree!! 🎄💫🎁✨ (spirkmas? spirkmas tree. yes) have a warm yuletide season yall >:)

(also yes ive been studying leyendecker HEHEH)

[trek-tracks]

Star Trek, "The Mark of Gideon."

Airdate: January 17, 1969.

Sigh.

[cressida-jayoungr]

One Dress a Day Challenge

August: Fantasy & Sci-Fi

Star Trek (s3e5, "Is There in Truth No Beauty?") / Diana Muldaur as Miranda Jones

In this episode, it appears the costumer has cleverly saved money and given the character's costumes a unifying look by using the same beaded net overdress with three different underlayers. In her first and final appearances, the underdress is made of green and blue printed fabric with cap sleeves coming to little points over the shoulder. Next is a sleeveless blue dress with a gathered neck; it is similar to the green dress from Mission Impossible that I featured recently, and this may not be a coincidence, as the relevant episodes of both shows aired in 1968. The final underdress is black with long sleeves.

Since each of the underdresses complements different colors in the beaded net layer, it really looks different every time!

ETA: I've been reminded that the overdress is actually a sensory net, as the character is blind. I admit I had forgotten that detail about its functionality. That's what I get for not taking the time to do a full rewatch when taking screencaps!

[not-equippedforthis]

really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.

in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:

its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,

oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.

he shows so so much but at the same time reveals so little.

[spirk-trek]

S1E29: Operation: Annihilate!·⋆.˚ ✧ · ˚⊹ ·

[brookbee]

Sometimes I think about the fact that Harry Mudd had a more sizeable role as a villain in TOS than Khan did, which leads me to wonder what a Wrath of Mudd movie would have been like

[designatedfandomblog]

I like to ignore that the reason the tos uniforms are like that is that it was shot in the 60s. Instead, I just imagine that suddenly, there was a huge surge in vintage fashion. And since star fleet technically isn't military, they just ran with it. And the reason why pretty much no woman on the enterprise wears pants is because Uhura liked that style and everyone simply loves her fashion sense.

[vaguely-concerned]

I've been devouring the first few seasons of star trek deep space 9 recently and folks... after several false starts we might finally have found the trek that will take my brain down like the weak gazelle of the herd. I love this shitty little space station and the cast of exclusively weirdos that inhabit it so much

[warpfactor9]

they were out for spock's BLOOD in the apple, for what reason was he gunned down by a flower, revived with copious amounts of uppers, nearly blown up by a volatile rock, thrown a dozen feet after colliding with a forcefield, and then STRUUUCK BY LIIIIGHTNIIINGGG all in the SAAAME EPISODE

[here-for-the-chaos]

hey I think ima already know the answer to this buttt

[instantpansies]

ok i'm finally watching amok time and i'm trying so hard to take it seriously i really am but

"it has to do with biology"

"what"

"biology"

"what kind of biology"

"VULCAN. biology"

"you mean... the biology of vulcans?

bi,ology as in. reproduction ??"

it's just so absurdly, brilliantly awkward. the way spock looks like he would rather be dead. the fact that they're treating pon farr like it's an enemy they need to be real careful of or they'll never get out alive. the way spock says "we must return home. and take a wife." so morosely like okay gayboy we get it marriage to a woman is your worst nightmare. lets get on with the plot. i've seen sixth graders at church youth group talk about sex more straightforwardly than this scene. i'm obsessed. it's awful. i love it so much

as for the rest of the episode... where do i start? the scene where all the ritual stuff is happening before kirk decides to accept the challenge is shot just. so jarringly. the zooms and cuts to random objects and focal points throughout the scene?? like are they trying to build tension rn because this just looks like a high schooler with a video camera trying to make a short film about drugs (i say this lovingly).

the fact that the episode almost perfectly follows the beats of your standard classic western. the VERY FIRST SUCCESSFUL BLOW being the famous titty window slice (wow they were not holding back). the loud musical stings whenever something remotely tense happens - which are a completely different motif and style than anything we've heard on the show previously. the proportional lack of dialogue comparative to the rest of the show (in my perception?), but the simultaneous exponential increase in cheesiness as well. chapel crying??? when she goes into spock's quarters????? what's that about??????? and going off of that, the weird half-one-sided relationship hinted between those two that came out of nowhere and seemed completely arbitrary. THE SILLY LITTLE VULCAN OUTFITS!!!

tldr; this episode just can't fulfill its supposedly angsty and tense premise because the execution is just so absurd and silly. this is a comedy. it's absolutely a masterpiece in campiness and completely missing your goal (but in the process finding something at least as good). it's so good

[arttsuka]

Inktober Day 01

And it's October now. I really wanted to participate in inktober but I can't do it properly this year (damn you exams). Maybe next year. I will try to post something almost every day (and almost all my art is traditional and I use pens and all so maybe that counts?), let's see how that'll go

[trek-tracks]

Because both shows have a beloved character named Jim, they both take place on a ship of some kind, and their fanbases have a lot of crossover, these days on Tumblr I am often playing a fun game called "how far can I get into reading this post before I figure out whether it's about Star Trek TOS or Our Flag Means Death?"

[cressida-jayoungr]

One Dress a Day Challenge

October: Black Redux

Star Trek (the original series, s2e26, "Assignment: Earth") / April Tatro as Isis

What could be more appropriate for Halloween than a black cat? This one has the ability to shapeshift into a human form, with a rather eccentric sense of fashion. Or maybe it's just the fact that it was 1968.

It looks like she's just wearing a skirt and a bib--if there's a bodysuit as a foundation, I can't see it. Which means it would be highly impractical to move around in, and that may be why she pretty much just sits and poses on the couch. But then, cats have been known to do that too!