Paul McCartney Interview in Q Magazine: Cash for Questions. January 1998 Issue.
Hi, all! A photo of one page of this has been around on tumblr for a while (here), but I’ve always wanted to read the full thing. Some lovely soul on Google Groups in 1997 decided to transcribe the full interview (here), so now I’m uploading it so you can read it. Hooray!
Q. When you first wrote a song with John Lennon, did you realise you would play one of the biggest parts in rock 'n' roll? (Michael McConnell, Crawley, West Sussex)
A. Obviously not. But even with all the so-called "historical" events that followed, you're just too inside it all, too busy doing it to realise anything's "historical". You just get on with it. I'm not a great ponderer. Some people would say that's a mistake but it's just the way I am. It's quite cool not to always get the overall picture because it leaves something to be found out. The musicologists get paid to discover the differences between me and John. I'm only just beginning to see it now, based probably on their analysis. So John is often one note, I'm often more melodic. (McCartney is thinking especially of Ian McDonald's book Revolution in the Head, where he describes the ace partnership in contrasts: Lennon's method is "harmonic, dissonant", McCartney's that of the "natural melodist".) It might sound amazing but we never spotted that when we were writing. We just did our thing. But it is kind of apparent when you bother to analyse it.
Q. If John Lennon could come back for a day, how would you spend it with him (Mark Wilson, Deeside, Flintshire)
A. In bed.
Q. Were you ever envious that Brian Epstein didn't fancy you? (Nick Gibson, London)
A. No, I didn't mind. We just used to go to these clubs at night and wonder why there were so many men. It was OK. Brian was very cool about his side to things. I think the nearest any of us got to it was the John-going-to-Spain thing (it inspired the movie, The Hours And The Times) and I'm not sure what the strength of all that was. I think it was power play on John's part. But Brian kept his private life aside. He kept it out of our faces (pause, possibly for effect). He kept it out of mine, anyway.
Q. What were the last records you bought? (Chris Timms, Harrogate)
A. The Prodigy's The Fat Of The Land, Radiohead's OK Computer and Chopin's Nocturnes.
Q. How do you feel about all the animosity between you and Oasis right now? (Christina Vellano, Syracuse, New York, USA)
A. There is none as far as I'm concerned. What happened was I'd said, Good group, good singer, good songwriters. But people asked me about it so much that one time I decided to take it further and say that they don't mean anything to me. I am not related to Oasis. I wish them good luck and everything. But my kids mean something to me, John Lennon means something to me, but Oasis ....
Q. Who would you pick to play with in your dream six-piece band? (Alan Thatcher, Essex)
A. Dream? So we're into fantasy, aren't we? Ringo, John, George, that's three. Me. Jimi Hendrix. That makes lots of guitarists, so Little Richard on keyboards.
Q. With Wings, did you feel pressurised to live up to The Beatles? (Andrew Williams, Neath)
A. Yes, it was a case of "follow that!". Impossible to do. Looking back on it, it's a lot better than I thought, though some of it is just not PLAYED as well as The Beatles. My son (James, co-worker on McCartney's last pop album, Flaming Pie) plays a lot of Wings, so I'm re-listening, and there's good shit that I'd forgotten about. A lot of the lyrics were off the wall, drug stimulated. Things like "Soily - the cat in the satin trousers says its oily". What was I on? I think the answer is stimulants.
Q. Do you still support the legislation of cannabis? (Grahame Woods, Northwood, Middlesex)
A. I would make a distinction between legalising and decriminalising. I'm in favour of the latter. The problem is that jails are stuffed full of kids doing what a lot of people do. Why stuff the jails with young kids? Plus it's one of the best places to score. I remember when I got busted in Japan, nobody made the slightest effort to rehabilitate me (laughs). Just stuck me in a box for nine days. Obviously you come out and you are fairly resentful.
Q. Do you roll a wicked joint? (Steve Kline, Bury)
A. I have nothing to say in answer to that question, m'lud. I wasn't even at the venue.
Q. The critics have been harsh on your solo work. Did this ever discourage you? (Robert Hemauer, Madison, Wisconsin, USA)
A. Yeah, sure, but you don't let it kill you. It's a difficult one, because it's never cool for someone to tell you you're shit. Many people through history were damned by the critics of their own time - Cezanne, Van Gogh, Stravinsky, all great painters! Ha ha!
Q. We'd like to see your paintings but can't get to the exhibition in Germany (McCartney unveils his work for the first time in Siegen, Germany, next year). Any thoughts about putting your paintings on "tour", or publishing a book of them? (Kathy Goodman, San Diego, CA, USA)
A. A difficult one. If you're a so-called celebrity - like Bowie, Anthony Quinn, Tony Curtis - and you exhibit any art, inevitably, people are not going to think of you as a real painter. Gallery owners come up to me and offer to give me exhibitions. I say, You haven't seen my pictures, and they say, It doesn't matter. Well, it does to me. Otherwise, it's just trading on the name. However, this guy from Germany came over, looked at all my paintings, seems to like them. He's telling me what they're all about.
Q. You've done so many things - classical, films, music, art, drugs - is there anything left you might have a go at? (Tim Bowler, Swansea)
A. The thing is how reluctant I've often been to have a go. I think we were brought up pretty repressed. Brought up to be seen and not heard, to stay in your place, particularly a working class thing. And I think - I hope - with The Beatles, we got rid of a lot of that. With the painting, for instance, it was Willem de Kooning who liberated me. I used to go to his studio, took in one of my paintings, said, Hey Bill, I hope you don't mind but can you tell me what it is? (Affects American drawl) "Oh, looks like a couch." Well it looked like a purple mountain to me. And he says, "Well, whatever." Here's one of the greats, his works go for one million, and it was great to see how little bullshit he was bringing to it all. It's really important to explode these myths that surround the arts, music, painting. It's Wizard of Oz time - so many myths, and it's often just a little man behind the screen. The paraphernalia that surrounds them gets in the way. Often you meet leaders in their field and they have none of that. I remember asking a great painter - Peter Blake, maybe - for some advice once, and he said "Just paint a lot". Similar to my approach to music.
Q. How do you know when a song's finished? (Joyce Slavik, Palatine, Illinois)
A. It's full up. You've answered all of your questions. Normally, I start following a thread: "Eleanor Rigby picks up the rice ... " The thread might come out of nowhere, and I follow it and complete it, like a crossword puzzle. When the crossword is full up, the song is finished.
Q. What's more embarrassing: writing Hi Hi Hi or Say Say Say? (Tien Vu, Costa Mesa, California)
A. (Weighs up pros and cons). Say Say Say.
Q. Why did you give such extensive interviews for an authorised biography (Paul McCartney: Many Years From Now) instead of writing an autobiography? (Deena Hochberg, Southampton, Pennsylvania)
A. I don't think I'm a writer. I've never been moved to do it. You have to have a pretty big fire in the belly to do something as big as that. I fancy music more. I'm happier writing in songs rather than in prose, or poetry. Though I wrote something that was never published about the time I got busted in Japan - for my kids. Because I knew one day they'd say, "Hey dad, what was it like, nine days in a Tokyo jail?". So I had a mate of mind, who did all our printing, knock up a few copies, one for each of the kids.
Q. I'd like to know if Sir Paul sings in the shower, and if so, what does he sing? (Jennifer Nash, Bursville, Minnesota)
A. It's normally the bath. I prefer a good bath. And the answer's Firestarter - "I'm a firestarter, de-de-de-de-dera."
Q. As a kid you used to play pranks at school by throwing balloons filled with something "worse than water". If you had one of those balloons right now who would you like to hit with it? (Brett Yuskiewicz, Leipzig, Germany)
A. Jonathan King. He's a prat from way back.
Q. Which football team did/does each Beatle support? (WC Chan, Maryland, USA)
A. None of us were big footie types. We weren't very sporty, unlike other groups who were always having knock-arounds. My dad was an Everton fan, which I was most of my life. But then Liverpool started playing well, and Everton didn't, so I took the unprecedented move of supporting them both. It's not allowed, I know, but there you go.
Q. For years, you've claimed it's you in the Walrus costume in the Magical Mystery Tour film. But watching the footage shows that for it to be you, you and John would have had to exchange all your clothes. Are you winding us up, or have you not watched the film in 30 years? (Dorothy Northcutt, Tucker, Georgia)
A. The big one. Very good question. I tell you what it was. In the stills we had taken, I was the one with the Walrus head on - in the film it's different. So John then immortalised it in Glass Onion, "I've got news for you all, the walrus was Paul". Obviously at the time you don't care, it's just a Walrus head. You don't realise years later people like our friend from Georgia will analyse it.
Q. What is the quality of each of the other Beatles that you like(d) the best about? (S. Breggles, Richmond)
A. All of them - musical talent. All of them - honesty. Ringo -funny, and kind hearted. George - straightforward and open. John - witty with a soft centre, or maybe hard with a soft centre.
Q. Do the copulating beetles on the sleeve of Ram (1970) stand for F**k The Beatles? (Luc Van de Wiele, Wemmel, Belgium)
A. It happened to be a picture Linda had taken. We couldn't resist it just because of the way it looked. She'd caught these two beetles f**king, and then the significance hit us. We saw that pun, yeah, thought why not?
Q. Was there ever a third Lennon song for Anthology 3? (Jake Lennington, Rush City, MN, USA)
A. There was, but George didn't like it. The Beatles being a democracy, we didn't do it.
Q. I have a Beatles t-shirt which I bought from The Grapes (celebrated Liverpool pub). I was told the band are pictured in their favourite seats - adjacent to the Ladies where you would often catch a glimpse of the girls changing for an evening at The Cavern. True? (Alan Tomkins, Goring, West Sussex)
A. I hope so. It SOUNDS true. Had there been an opportunity to spot the girls changing, I'm sure we would have sat there.
Q. If you hadn't been a musician, what do you think you would have been? (Tony Carter, Manchester)
A. The only thing I could have probably qualified for was teaching. So I might have been an English teacher.
Q. Does it do your head in - stuff like the handwritten lyrics to Getting Better selling for $249,000 at Sothebys? (Peggy Robinson, Trinant, Gwent)
A. It's the price of fame - literally. You scribble them on the back of an envelope, and it gets to be famous. People want it, so it becomes a desirable object. Like Mozart's bog paper, which is another highly desirable object, apparently. More valuable obviously if it's been used.
Q. What is the inscription on the ID bracelet you wear? (Rachel Hyland, West Harford, Connecticut)
A. It says Paul - for when I forget who I am.
Q. How does it feel to have a star named after you (the christening courtesy of American astronomy fans)? (John Sales, Barry, Glamorgan)
A. Really cool. The good thing is that as you get on, your fans get on too. And some of them are pretty swotty. Like the people who started Apple, they were just Beatles fans, hence the name. You don't sit around looking at the sky, trying to find it, but it's like getting a very nice birthday present. I'm not religious, I don't believe in any one system - I sort of think the universe is basically benevolent and we f**k it up - but I am spiritual. I saw Stephen Hawking on TV the other night, and he was saying that we are made of the same stuff as the stars. Which is great. We are all stardust, luv.
Q. What do you want written on your gravestone? (Tom Mangold, Exeter)
A. Here lies Gracie Fields. Anything to keep people away.
Q. Hey, is it true you are dead, and if you are, what is it like? (L.A. Patterson, Hamlet, North Carolina)
A. Yes. And it's very interesting. It's a very interesting afterlife.
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FINISHED SEASON 4: my takes time
SO I actually finished season 4 (after this I’m going to go binge season 5) and most of my notes are in the last post BUT the rest of my thoughts shall be below
LOTOR MY MAN you can’t just kill your friend/loyal coworker just because you think they’re a spy. Especially like. idk just saying that you had 3 other people (plus the cat) and you went for the blind person. seems odd :/
LOTOR ALSO BECOMING A CRIMINAL. Trying to sneak over onto the voltron side and you know what I’m down for that. The drama we’ll see. Will he be accepted? not?
They really just got rid of keith for the whole season and re-introduced him by having him just kinda in the background before he does some things. It’s especially odd since there was so much focus on keith in the last season?
Keith was out there doing epic adventure stuff where he could have died a ton while the rest of the voltron team were doing performance shows. hmm.
Shiro whyyyyyyyyyyy do you not get help. please this man needs help. Yeah sure he didn’t nearly die or go through something horrific this season but still there has been NOTHING about his trauma so far. In season 1 and 2 they touched upon the impacts of trauma and how it can mess with your mind but now that Shiro has another year’s worth of captivity testing and general horror, he doesn’t have any symptoms? HMM
also they completely dropped whatever plot was going on with Shiro in the last season. That’s odd right?
Can’t wait for Lotor and Keith to meet PURELY because I think it’d be neat if Lotor like, reforms some and becomes a mentor like figure to Keith. Teach him the half-galran ways without judgement. They can bond over poor childhoods and being broody. I think it could work.
WAIT maybe Keith gets the scar by Lotor switching on them and trying to kill Keith? That’d be dark but is a possibility? All I know is Keith gets the scar at some point but I still have no clue when aelrkgm
Slay Pidge, Slay Hunk <- I enjoy these characters. they deserve good things. They haven’t really gone through any development anymore though :/
Lance’s personality is a pendulum. who is this man. why is he there. why is he sometimes a silly guy and sometimes the only one that can give advice and pep talks. I find myself in the most hilarious position of being confused by his presence but finding him an otherwise meh character. idk my brain keeps going to him and being like “hey.. why are you here”
It’s cool to see them all get used to their lions again, but I’m kind of
disappointed that they broke the character-lion symbolism. Red was passionate and ran with instincts first which matched keith. Hunk’s is grounded and tough, Pidge’s is lithe and connected to nature (which as the show said means the green lion is more connected to the base knowledge of the world, aka smarts) and the black lion is leadership and trust issues. With the shuffle they kind of lose all that.
I vote they should change the colours of their uniforms to match their lions. That’s what they did at first so why not now? /lh
BLADES OF MARMORA LETS GOO!!
Haggar exists and that’s chill. Love how she wants to kill her kid that’s very girlboss of her <- do not do this IRL. it is very bad and very NOT girlboss
Overall the season feels more similar to season 1 and 2 in terms of plotlines and general vibes. The comedy moments are good and funny but sometimes feel like they take away from the story? The story is at least more intact than the previous season but it doesn’t have the same level of building-towards-the-climax as the first two seasons. It’s good, plus it has Lotor and he’s cool.
LOTOR!!! Lotor would be an interesting person to go out and get ice cream with and ask him about his thoughts of the world and interests. NOT a date, I just want to study him like a scientist does a particularly funky octopus and I want to know what sort of ice cream he’d eat. Plus learn his hair care routine lmaoo
OKAY SO I know that Shiro gets married to a man at some point but I don’t know all the details. My theory is that it’ll be Matt. Matt and Shiro already have known each other for a while and after living together on the ship and fighting for the cause together they destroy the previous boundaries they had in the previous field of work and get closer. Plus they’re the only adult characters i think??? So it’d make sense. And then Pidge gets a cool older brother
Reason why the above won’t happen: Matt is straight I think -_- Shame on him /j
I NEED TO MENTION MY FAVOURITE SCENE. THE CLIP WHERE VOLTRON IS DESCENDING ONTO THE PLANET IN THE FOG AND SLOWLY GETS REVEALED. THE HORROR THE MYSTERY THE SUSPENSE. I AM IN LOVE WITH THAT SCENE I LOVE IT SO MUCH. It twists the version of Voltron we’ve come to know and show that HERE IS HOW THE ENEMIES SEE VOLTRON. I love that scene so much I went feral seeing it :3
TIME FOR SEASON 5 LETS GOOO. I’ve officially watched half the show and it’s really cool, I absolutely adore every single artist and animator that worked on it. They did an incredibly job, especially after learning they didn’t have much time to do it all
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