#structured rectangles

[gigivas]

Lila Marigold - Geometric Glam: Vibrant Vision

E06 Single image prompts: for stable diffusion series + Midjourney 6 + DALL·E 3

Prompts Reference Stable Diffusion series POSITIVE PROMPTS (Copy the following)A young woman in an orange dress with a blue sash and gold necklace, styled with a blue headband, portrayed in a modern, contemporary portraiture with vibrant colors and geometric shapes, emphasizing elegance and detailed realism. NEGATIVE PROMPTS (Copy the following)retro, traditional, simple, plain, abstract,…

[0m3n-0f-d3ath]

🏗️Power lines

from my sketchbook 🏗️

[o-i-w-u]

what is on your hear me out cake

hey guys. do i have a type

i thought about making lemon coconut cake to do this with but. i think my family would have questions

(also saying this here but your asks are NOT annoying ive just been really bad at responding to requests rn, im so sorry)

[averlym]

miscellany (again),, tags in the last image by @pyrotechnicarus

[commonlanguage]

Rectangle Roof Structure Manufacturer

Discover our top-quality rectangle roof structure solutions, engineered for long-lasting performance and architectural excellence. Our formal approach ensures every structure meets the highest standards of quality and design. Explore our range and elevate your next project.

[cherrypikkins]

@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!

I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.

If you are able to draw a circle and a couple of lines, you can easily put together a stick person.

Congratulations! You have started to draw. :)

A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.

But what can a stick person teach us about drawing people that look more like… well, people? Lets have a look!

By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.

These simple additions can allow us to explore the wide range of human emotion and individuality.

This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.

For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.

We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.

The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!

Now we can use our stick person to show us an even wider range of human movement, action, and expression.

Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.

By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.

By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!

These basic ideas are the building blocks that will enable us to create more complex shapes.

The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.

For example. Two ovals and a rectangle can be combined to create a cylinder.

Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.

Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.

A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.

Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.

Lets see how these solid shapes can be used to compose the human body.

By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.

An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.

We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!

In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.

You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.

The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.

Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.

For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.

With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.

Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.

Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!

I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.

Cheers :3

[icanseethefuture333]

How does the planets you have in your first house in astrology affect your physical appearance?

How planets in the 1st house affect your physical appearance 🖤

Sun in the 1st house:

Overall feline features. There are two types. Some resemble a kitten, while others resemble a lion. Face shape tends to be oval, diamond, or heart. Their face is long in length and they have a tall nose with a triangular nose tip. Eyes can be upturned and curious, or narrow with a soft gaze. Their skin tone is very vibrant and they tan or get sun burned easily in comparison to others. As they age, they tend to get smile lines or aged wrinkly skin, sun spots are noticeable as well. Body type usually has a singular prominent feature, something about it just stands out, whether that is their height, curves, or physique. They can either have a pear shaped body or be short and stocky in stature. They often have long arms and thick legs. Hair tends to be shiny and voluminous as well.

Celebrities: Doja Cat, Taylor Swift, Demi Lovato, Azealia Banks, Brenda Song, Markliplier, Robert Pattinson, Donald Glover, Joshua Bassett, & 21 Savage

Moon in the 1st house:

Soft, full, rounded facial features. Round face shape. Cheekbones tend to be rounded in shape or something about the cheeks looks “fleshy”. Eyes are big and round or beady looking. The flesh of their nose is thick and you are less likely to see the bone. Round lips, almost as if they’re puckering them. They often have pitch black hair or look best with darker hair colors for it contrasts with their luminescent eyes and glowing skin. Side profile resembles a crescent moon 🌙 . They tend to get “pudgy” in the face as they gain weight. Body type is usually very curvy and luscious, leaning towards an hourglass figure with large breasts and softer bellies. The men are likely to gain muscle in their pectorals and have a rounded frame. They are more likely to gain weight due to emotional eating.

Celebrities: Jihyo, Kali Uchis, Cardi B, Aishwarya Rai, SZA, Baekhyun, Ashton Irwin, Cameron Dallas, Jussie Smollet, & Doyoung

Mars in the 1st House:

Big heads!!! Their heads may be bigger in proportion to their bodies, especially if it’s aspected by Jupiter (Christina Ricci has both Jupiter and Mars in the 1st house and she looks like a real life Blythe doll). Rectangular or square face shape, their jawline tends to be square and angular. Prominent cheekbones with full cheeks. Almond shaped eyes, thin noses, and wide mouths. Martian body types tend to be average in weight or very athletic and strong in muscle. The women have a rectangle body shape while the men are buff and have wide shoulders (apple shaped). Likely to have a scar or bruise on their body from an incident (sports injury or car accident). They often have a “healthy” look. Most of these people have “baby skin”! Their skin is so clear and majority of the time is free from imperfections. Martians have a youthful factor to their beauty due to Aries being the youngest zodiac sign, so as they age, they look very young or have this “forever young” quality about them.

Celebrities: Megan Fox, Erykah Badu, Anne Hathaway, Miranda Cosgrove, Raven Symone, Jackson Wang, Andy Samberg, John Legend, Niall Horan, & Kai Cenat

Venus in the 1st house:

Very luscious facial features! Their face is more alluring in comparison to other planets in the 1st house, similar to lunar people, they both have full features. The difference is that Venusians’ features are more balanced and harmonious. They could fit the “beauty standard” so to speak or their beauty sets trends. Sultry eyes, can have a shimmer to them or they tend to sparkle when it comes to discussing or seeing the things they love. Sloped nose bridge. Plump lips. The men have full beards or a signature mustache, blessed with a nice jawline. Their facial structure has a mix of feminine and masculine elements (sharp and rounded). Oval face shape. When they are young, their body is thin and rectangular, but as they get older, their curves start to spread out, especially when they have children. Small waists with a prominent bust and wide hips. Big butts! Venusian men tend to be smaller in frame but taller than Martian men. Their bodies look balanced and they are often average in height and their shoulders might be more narrow as well. A Venusian man will look more delicate and charming, while a Martian man will look cheeky and mischievous.

Celebrities: Angelina Jolie, Beyoncé, Meagan Good, Olivia Rodrigo, Keke Palmer, Zayn, Ben Affleck, Frank Ocean, Charles Leclerc, & Odell Beckham Jr.

Mercury in the 1st house

Fairies!!! They are so miniature and cute! Mercurians have a “gamine” or “ethereal” essence their beauty. Petite with an otherworldly and boyish charm. Asymmetrical or androgynous features. The men are often spotted with long luscious locks and the women with short hair (especially pixie cuts). If worn long, their hair is thin and sleek. If tall, their necks are long like a swan’s, resembling an alien’s body, they tend to be very lanky. Short torso and long legs. Eyes are very curious and “awake”, one eye might be bigger than the other. Lighter eye color. Tiny mouthes with bigger teeth. Very attractive smiles. They can have freckles or moles. Mercurian women’s curves are slightly noticeable and their shoulders tend to be sharp or angular. Mercurian men are very tall with prominent Adam’s apples.

Celebrities: Selena Gomez, Gigi Hadid, Zooey Deschanel, Anya Taylor Joy, Simone Biles, Christian Ronaldo, Hozier, Mark Tuan, Bryson Tiller, & Alexander Wang

Saturn in the 1st house:

The ones who look like they’ve seen some shit. Saturnians have a darker and intense look to their eyes. If they are healed, their eyes can be very magnetic and draw you in, if they are in a place of turmoil, their eyes reflect the pain they feel inside. Often spotted with heavy eyeliner or a dark Smokey eye. Triangle or oblong face shapes. Eyes can be narrow and slanted eyes, with small pupils, or large downturned eyes. Visible aging is often due to addictions, physical stress, and trauma. Tall stature with a petite bone structure. They can gain “healthy weight” meaning they look less sharp and softer once fat is accumulated. Apple or inverted triangle body shape, physique can look “wider” as well. Muscles are prominent in triceps and thighs. Average to tall in height.

Celebrities: Britney Spears, Lana Del Rey, Tracee Ellis Ross, Cher, Zoe Saldana, Adam Levine, Kevin Hart, Usher, Pedro Pascal, & Travis Barker

Jupiter in the 1st house:

The wild child. Tousled hair, hooded eyes, wide noses, and big smiles. Everything about their features and facial structure is prominent. Bigger foreheads as well. They stand out in the crowd with their effortless style. Often muscular, wide in bone structure, and/or tall. If short, they wear platform heels and chunky boots. Jupiterian women have a big butt, thick legs, wide hips, and their waist leans towards square-ish. Bust grows bigger with age or after pregnancy. While the men also have a squared waist and have big hands and big feet. Something about their presence is daring and strong, they are more adventurous in terms of style and pull off the best risks in fashion. They are also statuesque, if it’s not their height or muscles, their aura dominates the room.

Celebrities: Rihanna, Jennie, Millie Bobby Brown, Willow, Hailey Baldwin, Harry Styles, Big Sean, Cole Sprouse, Dylan Sprouse, & Jaebum

Uranus in the 1st house:

Girl/boy next door type of beauty. Something about their appearance feels natural and familiar. To some, they are viewed as just average or they could have needed to grow into their looks (they experience a glow up as they progress into puberty). Could have experienced bullying on the internet or faced a lot of criticism from their peers for their unique looks or personal style. May have been “forced” to become “conventionally attractive”. Close set eyes, droopy noses, and thin lips. Prominent aegyo-sal or fatty eye bags. These natives are likely to get plastic surgery at some point in their lives because they are constantly judged for their insecurities (poor babies :(!). If they learn to embrace their flaws, Uranians can have so much potential with their unique appearance and can stand out in a crowd that’s pressured to fit into the beauty standard. Experimental in style and may suit “futuristic” makeup. Body tends to fluctuate in weight or their shape seems to change overtime (naturally or cosmetically). Likely to have tattoos, birth marks, or scars visible on their body.

Celebrities: Ariana Grande, FKA Twigs, Kylie Jenner, Rosalia, Soyeon, Jungkook, Chris Evans, Kid Cudi, Jimin, & Tom Brady

Neptune in the 1st house:

The dreamy ones. Something about their appearance people obsess over and fantasize about. Can be over romanticized by people who are romantically interested in them and unfortunately, this diminishes the beauty that they possess inside. Shapeshifters - Neptunians can change their appearance however they desire. Identity complex issues. They wear a mask to hide their insecurities and can often create an alter ego to be deemed as more confident. Alluring eyes, button noses, and heart shaped lips. Heart or diamond face shape. Wide cheekbones and narrow jawline. Eyebrows tend to be thick or bushy unless groomed, similar with men’s facial hair, it can sprout quickly like a weed. Their undereyes or cheeks may have lines or they have noticeable smile lines. Body type leans toward curvy and average in height. Hourglass or they are more likely to wear corsets to cinch their waists. Men are balanced in proportions.

Celebrities: Adriana Lima, Kim Kardashian, Kelly Rowland, Emma Chamberlain, Mila Kunis, Sebastian Stan, Denzel Washington, Norman Reedus, Dave Franco, & Taecyeon

Pluto in the 1st house:

Melancholic beauty. Arched eyebrows, sanpaku eyes, dorsal hump or hooked noses, & puckered lips (looks like they’re getting ready to kiss?). Hair is usually thin and long, with a slight bend or curl. V line face shape. Some can look similar to a bird, a crow more specifically. Swarthy skin complexions. Either very pale or darker skinned. Cool undertones. Their hair and skin lack contrasts, very muted and muddled together. Their eyes are their most prominent feature. Inverted triangle body, wider shoulders or fuller busts. Hip dips are visible as well (yes I know everyone can have them but these people flaunt their natural body very proudly!). Thicker in weight or they feel confident as they grow into their “grown woman/man” body. Men tend to give a “smoulder” look or have flirty expressions.

Celebrities: Lily Rose Depp, Nicole Sherzinger, Melanie Martinez, Sydney Sweeney, Mitski, Justin Bieber, Keanu Reeves, Kendrick Lamar, Jaden Smith, & Idris Elba

[thesillay]

FURIES IN LOVE REDRAW!!!!!!!! UHRHSAAGGHHHHH!!!!!!!!!!!

i gave toothless his patterns back and a more first movie skull structure instead of a rectangle, nubless didn’t get nearly as many changes as toothless but i did change some things ^_^

origional ss for reference!!

[anistarrose]

Imagine, for a moment, that your internet just stopped loading images one day. Your dash might look pretty different (and less usable), but at least you can still make posts — whether about your internet situation, or about completely unrelated topics.

Now, imagine that one or more of your posts blew up, to the tune of hundreds if not thousands of notes. Imagine people started adding images to your posts.

Imagine your post circulating almost entirely in the form with four or five images attached, and with everyone in the notes laughing about those images — except you, who started the post in the first place, who can't even see those images because you're trapped in Tumblr's loading gradient hellscape.

You're excluded from any further conversations on your own post, because someone added a mystery image with the caption "don't leave this in the tags," but you have no idea which set of tags it is, and can't tell if it's one of the good takes from the tags or one of the horrible takes from the tags. You're excluded from the Tumblr users playing with JPEGs like dolls. You can try to guess the contents of the images based on people's reactions, but it's hard. And no one adding images even seems to notice the irony.

This is, of course, a real problem plaguing Tumblr users with regularly slow internet. And it's also a huge, insidious problem plaguing blind and low vision people who rely on either screen readers, or image descriptions in combination with enlarged text on their device.

People with disabilities around comprehending images, people who have images (or gifs) disabled due to photosensitivity, and many others are also affected.

If you add an image to a post without either alt text, an in-post image description, or even both for maximal inclusivity, you don't know if OP — or the person whose tags you're peer reviewing, or whose reply you're screenshotting — will actually be able to see it. From their perspective, you might just be shoving a mystery rectangle in their face, expecting them to be able to guess — or responding to them without them being able to know.

Imagine being on the receiving end of that expectation constantly. Imagine how isolating that must feel.

We need, collectively, to stop making assumptions that everyone we interact with online will be able to access, physically see, and mentally process images. The assumption that disabled people are vanishingly rare and statistically shouldn't really need to be considered is an assumption of structural and/or implicit ableism.

Write image descriptions. Write image descriptions for every image you post, if you're able — but if you have limited energy, or you're still learning, you should at least start trying your absolute best to describe images you add to other people's posts. If you're starting a conversation, even an online conversation, you should make your best effort to be accessible.

So: Write IDs, especially if they're as simple as just text, like screenshotted tags (link to guide). Write IDs even if you think the best ID you can write is too short, or too incomplete (link to post explaining why even "bad" IDs help).

Write IDs in general (link to a huge compilation of guides). Challenge ableist assumptions and inaccessibility.

[mayakern]

is there any chance that you will make your skirts in a more durable fabric than polyester? i bought one many years ago and it became pilly and uncomfortable pretty quickly. i would be willing to pay more for a skirt that i know would last a lifetime, or at least 5-10 years. cotton or rayon both have longer lifespans.

i’m sorry you had that experience! i know many of our customers have skirts from us that have lasted them quite a few years. unfortunately, if you got a skirt many years ago, then that was actually from our old manufacturer, which had some quality and consistency issues that started out small and irregular and then snowballed into the reason why we changed factories. our new factory is much more consistent and delivers higher quality sewing using higher quality materials than our previous factory did.

we only started producing thru them in 2022, so i don’t have 10 years worth of history with them to report on, but i do have multiple garments from them that i wear consistently that have worn very well.

also, as for the longevity of a garment—polyester actually lasts considerably longer than cotton or rayon. the reason shein clothing falls apart quickly (or in this case, the reason the specific skirt you got from us pilled so fast 🥲) isn’t because it’s made of polyester, it’s because that specific polyester fabric had low structural integrity, likely due to having lower thread count, meaning there is more space between the individual threads for them to get snagged on things out in the world or in the wash (and older washing machines are particularly bad for this, as agitators cause a lot of friction that destroys clothing).

our new skirts use a much higher threadcount polyester that is not likely to suffer the same fate as that other skirt. similarly, when you go thrifting, you’ll see that a lot of polyester garments from the 80s have survived and done quite well because a good quality poly can basically last forever, but a lot of places these days use the cheapest possible fabric regardless of what type of fabric they’re using which is why clothing falls apart so fast now.

OK but onto the cotton/rayon/etc question for our printed skirts—i actually have an update on this past what is in our FAQ. i would really like to be able to make some printed cotton or viscose skirts and we are trying to work out a way to make this feasible, but there are two main problems: one, the fabric would have to be roll printed, which means either only printing repeating patterns (so no hem design patterns, which are our most popular ones) or switching to rectangle skirts instead of circle skirts (which still may not solve the hem design problem but is a thing we’re looking into; this would also mean the skirts would look different and wouldn’t spin well, but they would still be cute) and two, pricing.

the first issue is really just about problem solving and customer education for us. the second issue is, up to this point, we have had a lot of difficulty trying to sell printed designs on natural fibers because it is unfortunately out of most of our customers’ budgets. because our clothing is made with certified ethical labor, our garments will always cost more than most others, even when we are using polyester instead of natural fibers. and so far we’ve been able to survive that, if only narrowly, because we have wonderful people who love our clothing and can afford the occasional $60 skirt. i don’t know if that will still be true for something more expensive and that’s really scary.

[tj-crochets]

Sometimes a pattern just grabs your attention and you have to make like half a dozen or so of them before it's out of your system for a while I'm making at least three more of these and I'll make drawstring pouches using the scraps :D The next ones are ravens and teal, moths and gold, and rainbow and blue. Well, rainbow or sunflowers? That one is for my mom. I might go patchwork??? Idk yet

Beetle bag! Bag of beetles!!!

This might be my favorite one yet, I love how these fabrics look together and this beetle print is just fantastic

[redsugarx]

Hanfu in Components: Sleeve Shapes (pt5)

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Review on sleeve structure (接袖/jie1 xiu4/sleeve connection) from part 2, structure conventions:

"Hanfu sleeves, on the other hand, are never connected at the armpit—they are connected halfway down the arm. In other words, the piece of fabric that forms the body extends to also cover the upper arm part of the sleeve. The actual sleeve piece is connected to the body at the bicep/elbow area via a flat seam. (In the case of half- or no- sleeve garments there might just not be a separate sleeve piece.)"

Sleeve pieces are also draped over the shoulder with no shoulder piece. Most sleeve shapes fall very roughly into the categories of小袖/xiao3 xiu4/'Small Sleeve' or 大袖/da4 xiu4/'Large Sleeve' types, though this can vary, and some sleeve shapes can be regarded as kind of a middle size, but there are so many ways to categorize them (size? Popularity? Chronology?), so here they are in no particular order.

I'm not gonna use pictures of clothing on people with this one, mostly because the shape is really hard to discern when the fabric draped and folds as hanfu is wont to do. Instead you get my shitty handwriting and graph paper drawings. Sorry.

直袖 / ZHI2 XIU4 / STRAIGHT SLEEVE

Very basic straight sleeve. It's a rectangle. Usually narrow (30-10cm wide in my experience in the industry), but there are also straight sleeves that are super wide (Famensi pishan, various Song beizi). The main requirement is that the bottom sleeve seam is parallel to the shoulder line. Pretty much timeless.

窄袖 / ZHAI3 XIU4 / NARROW SLEEVE

Synonymous with 箭袖 / jian4 xiu4 / 'Arrow Sleeve.' Very similar to a straight sleeve, but the sleeve cuff is slightly narrower than the root, so the line made by the sleeve seam is slightly tilted rather than straight across. The cuff is usually between 20-10cm wide, and the root is usually under 30cm. If the cuff is more than twice the width of the root I would be more inclined to call it a feijixiu (see below), but there's some overlap between these categories. Also pretty much timeless, usually used for inner layers or dailywear.

More specific names may describe variations of narrow sleeves like 羊腿袖/yang2 tui3 xiu4/sheep's leg sleeve from the Song dynasty, a super-narrow form-fitted narrow sleeve.

飛機袖 / FEI1 JI1 XIU4 / AIRPLANE SLEEVE

Can be considered a type of 窄袖, with a straight but diagonal sleeve hem. The cuff is typically about half the width of the root; the root is usually at least 25cm wide in my experience. 'Airplane sleeve' is a modern colloquialism that became popular because the sleeve's shape looks like an airplane wing.

This is very specific to Song Dynasty women's wear (and Yuan Dynasty women's wear, if you consider Yuan Dynasty hanfu). The artifact directly supporting this sleeve shape is the Huangshengmu zhaixiu duanshan.

垂胡袖 / CHUI2 HU2 XIU4 / DROOPING SLEEVE

Mid-width sleeve usually characteristic of the earlier dynasties, from the earliest times up to the Wei/Jin dynasties. Characterized by a fairly wide sleeve root and a narrower sleeve cuff, with a curved belly-like shape. The midpoint of the sleeve may or may not briefly widen beyond the width of the root before narrowing back down at the cuff, giving it a 'drooping' appearance.

廣袖 / GUANG3 XIU4 / VAST SLEEVE

Catch-all term for extremely wide-cuffed sleeves, commonly known as 大袖/da4 xiu4/large sleeve. Usually has a root of at least 30cm and a sleeve opening of 60-120cm. Present throughout most dynasties in different forms, most often as formal outerwear (大袖衫）in the Tang, Song, and Ming Dynasties. The shape connecting the

Most guangxiu from the Ming Dynasty are 廣袖收祛/guang3 xiu4 shou1 qv1/closed vast sleeves, meaning that the front of the sleeve is closed, sewn up to a small opening for the wrist to come through.

窄臂大袖 / ZHAI3 BI4 DA4 XIU4 / NARROW-ARM LARGE SLEEVE

Mostly specific to the Northern & Southern Dynasties, though I've seen a couple Tang figurines with similar silhouettes. Has a fitted sleeve root typically under 30cm, sometimes as narrow as 15-20cm, that opens up after the elbow to a wide 60-120cm sleeve opening.

琵琶袖 / PI2 PA2 XIU4 / PIPA SLEEVE

Mostly specific to the Ming Dynasty, an iconic sleeve shape named for its resemblance to the shape of a Pipa instrument, a plucked string instrument sort of like a lute. The sleeve root is normally between 30-45cm, opening up slightly to a maximum width of between 35-65cm, and then curving smoothly back up to a sleeve cuff normally between 10-25cm. Can vary wildly in size—there are 'small' pipa sleeves and 'large' pipa sleeves, with the large ones normally being part of formal outerwear.

弓袋袖 / GONG1 DAI4 XIU4 / QUIVER SLEEVE

Also mostly specific to the Ming Dynasty, can be considered a Pipa sleeve that doesn't widen far beyond the sleeve root, instead curving back up gently towards the sleeve cuff. Sometimes there's a pleat made at the root of the sleeve to help with movement. Often seen as a more convenient alternative to the Pipa sleeve. The quiver here is referring to the bag you put arrows in (not the movement 'quivering') because the shape looks similar.

半袖 / BAN4 XIU4 / HALF SLEEVE

The name 'half-sleeve' is actually fairly misleading, because most 'half-sleeve' garments are either closer to 1/3 sleeve or 3/4 sleeves. The important thing to remember is that short sleeve garments are almost always outerwear—with some exceptions (Tang mens banbi for example) they're usually meant to be worn over a long-sleeved inner layer. Ming Dynasty half-sleeves tend to be closer to 3/4 sleeves, some reaching almost to the wrist, but because long-sleeved Ming Dynasty garments often extend past the fingertips by a significant amount, you still get a decent amount of layering.

Half-sleeves may or may not have a 接袖/jie1 xiu4/sleeve connection piece; the sleeve may just extend out from the main body piece if the fabric width allows for it. They may be curved or linear, slightly flared (as with garments worn over pipa sleeves for example) or straight across.

無袖 / WU4 XIU4 / SLEEVELESS

Why stop at reducing sleeve length—get rid of them completely! Almost every dynasty has their own vest-like garment, whether it's the Ming Dynasty's 比甲/bi2 jia3, the Song Dynasty's 背心/bei4 xin1, or the Tang Dynasty's 唐褙子/tang2 bei4 zi0. Some may have a very small sleeve connection piece to extend the shoulder line outwards. Having a curved arm opening with a narrow shoulder width is very uncommon before the Qing Dynasty but not completely unheard of.

Note: Sleeve Construction

Just so you can see how these pieces actually look in the context of hanfu construction: this is fairly similar to how modern sleeves are made. The sleeve piece is just a mirrored double of how the sleeve looks from the front, you cut the whole thing out, drape it over the shoulder and then sew the bottom together.

Ok I procrastinated on this post for weeks but it is finally done!!! There are definitely some sleeve shapes that I didn't list out here, but most other shapes can be described as variations on the most common ones. Shoot me an ask if there's a sleeve shape that you really want to know about and I'll add it, or if you're having trouble identifying one :)

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[bignaz8]

Around 1770 BC, Babylonian scholars in ancient Mesopotamia inscribed a clay tablet (IM 67118), showcasing the Pythagorean theorem (a² + b² = c²) to calculate a rectangle’s diagonal, over 1,000 years before Greek mathematician Pythagoras. Discovered in modern-day Iraq, this tablet employs a base-60 numerical system, reflected today in our 60-minute hours, 60-second minutes, and 360° circles. The meticulous cuneiform inscriptions reveal step-by-step calculations, demonstrating sophisticated mathematical understanding. Even earlier, the Plimpton 322 tablet (c. 1800 BCE) records Pythagorean triples (e.g., 3-4-5), sets of three integers satisfying the theorem, written in elegant cuneiform. Likely used as a teaching tool for advanced students, it suggests a structured educational system for mathematical training. These artifacts, blending geometry and algebra, underscore Mesopotamia’s pioneering role in STEM, influencing modern mathematics and timekeeping systems millennia later.

[simmerkate]

🌿 Cottagecore Infant Furniture Set 🌿

Public Release: June 24th, 2025

Add a whimsical touch to your Sims’ nurseries with this dreamy Cottagecore Infant Furniture Set. Designed with soft wood tones, cozy cushions, daisy accents, and a variety of adorable prints, this set is ideal for storytelling, screenshots, and slow-living gameplay.

🧸 What's Included:

Cottagecore Chair A comfy rocking chair with pastel cushions—perfect for feeding or snuggles. Comes in multiple swatches to suit your nursery vibe.

Cottagecore Baby Bouncer (Round) A soft, circular bouncer featuring an arched ivy frame with daisy danglers. Fully recolorable with several calming print options.

Cottagecore Baby Bouncer (Rectangle) A more structured bouncer with a clean wooden frame and leafy fabric options—pairs beautifully with the Ivy Arch.

Cottagecore Crib A wooden crib with sweet daisy-shaped cutouts and plush bedding. Includes a selection of cozy, cottage-inspired swatches.

Cottagecore Teddy An adorable plush bear wearing denim dungarees and a white tee with red mushroom prints. A perfect finishing touch for any cottagecore nursery.

Ivy Arch (Standalone)A decorative ivy + daisy arch that adds charm to any infant space. Great for pairing with the rectangular bouncer or using as decor.

🎨 Details:

Multiple Swatches across all items, not just leaf patterns!

Base Game Compatible

Custom Thumbnails included

File Format: .package

Public Release: June 24th, 2025

⚠️ Important Notes:

These items use 4K textures for the best visual quality. If your game or PC struggles with high-res content, this set might not be for you.

Some meshes are slightly high poly, so please use with caution if you have performance limitations.

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[serpentface]

WARDI WRITTEN LANGUAGE (BASICS).

Couya's full name (properly 'Haidamane Couya') written formally and with common handwriting conventions.

The Wardi written language derives from earlier proto-language systems consisting exclusively of logograms without direct phonetic meaning or grammatical structure. These symbols gradually became simplified and abstracted to the point of many having little intrinsic clarity, and combined to communicate abstract concepts.

The development of a full written language did not occur independently (as very few written languages do), and its phonetic elements (namely its use of syllabograms) were largely derived the 'ancient' Burri writing system, gradually synthesized with native writing conventions, and in the contemporary forms a wholly distinct system. The language's Relatively universalized form is a very recent phenomena, developing within the past two centuries with the region's conquering/unification into a single entity.

The contemporary written language is a mixture of logograms and syllabograms. It is read from right to left and arranged in horizontal columns. The most formal variant of this system contains each character within a square outline, usually separated by a small space. This outline confers little phonetic or symbolic information beyond making distinction between syllables exceptionally clear, and can be (and often is) omitted in handwriting. The separation of words is conveyed through a narrow rectangle or line in formal contexts, and again often omitted in handwriting (instead indicated instead by a wider blank space).

The pure logograms that have been retained in this writing system tend to be those of very common words or specific concepts (most logogram characters for types of livestock, key crops, water, major body parts, etc are widely recognized and in common use). There has not yet been any attempts to fully 'formalize' the language and omit potentially unnecessary logograms, and they remain frequently used as shorthand while conveying the same semantic information.

Many of the syllabogram characters are directly derived from logograms that depicted monosyllabic words. For example, the spoken word 'gan' means 'cow', and the character for the syllable 'gan' is identical to the common logogram for 'cow'.

The name Gantoche (literally "cow-eye") could be written either fully with syllabograms as:

or through logograms as:

Both ultimately communicate the same meaning, but the former clarifies pronunciation (the words gan and atoche are contracted, it's gantoche and not gan-atoche).

It is a relatively easy written language to learn, as the pure syllabogram characters indicate their own pronunciation with little ambiguity and often have consistency to their construction (ie the character for the syllable 'man' contains most of the same elements as that for the syllable 'wan'- the dot placement in particular has indication of the vowel sounds).

The inclusion of logograms in general and many of the syllabic characters being directly imported From logograms complicates matters. These characters lack visual consistency, and can be confusing to the large swath of the public who know common logograms but not the full written language itself. Ie: the word 'ungande' meaning 'liver' will be composed of logogram-derived syllable characters for 'un' (which alone means 'hand') and 'gan' (which alone means 'cow'). Someone who is only semi-literate in common logograms may be confused at the meaning, especially since these same exact same characters may be used elsewhere on their own to indicate 'hand' or 'cow'.

One major exception to this tendency is that current religious doctrine requires established logogram characters describing God to be used in place of syllabic characters. The word for god is 'Od', and has its own unique character (as do each of the Faces, the capital F 'Face', and Its deified pronoun). The syllable 'od' [oʊd] is very common in the Wardi language, and a wholly separate character is used for the phonetic sound when it is not a reference to the deity (ie 'lion' (odo [oʊdoʊ]) does not contain the same character for God in spite of its first syllable having the exact same pronunciation). Names are a bit of a gray area (ie: the name 'Odabi' is very common and carries the meaning of 'gift/blessing from God'). Religious leadership is currently experiencing a mild schism on whether the written character for God is separated due to being wholly sacrosanct (and thus inappropriate to include in the written form of a personal name) or as more of a functional delineation of the sacred and mundane.

[literaryvein-reblogs]

Word List: Fashion History

to try to include in your poem/story (pt. 1/3)

Adinkra - a flat, cotton textile that is stamped with symbols which create the meaning of the garment; produced by the Asante peoples in Ghana

Agal - a rope made from animal hair which wraps around a keffiya (square cloth) on the head and is worn typically by Bedouin men

Akwete - a decorative cloth with complex weave designs, creating intricate geometric patterns, made with many vibrant colors; it is usually made into wrappers for women to wear and it is made by the Igbo women of Nigeria

Aniline Dyes - synthetic, chemical dyes for garments first invented in the 19th century

Anorak - a jacket that typically has a hood, but not always, which was originally worn by the indigenous peoples of the Arctic designed to keep them warm and protected from harsh weather

Back Apron (Negbe) - an oval-shaped decorative pad worn by Mangbetu women over the buttocks in Central Africa

Backstrap Loom - a lightweight, mobile loom made of wood and a strap that is wrapped around the back; it only needed to be attached to a tree or a post for stability and to provide tension

Banyan - a loose-fitted informal robe or gown typically worn by men in the late 17th to the early 19th centuries

Barbette - a piece of linen which passes under the chin and is pinned at the sides, usually worn in conjunction with additional head coverings during the Middle Ages

Bark Cloth - fabric made out of bark from trees

Beadnet Dress - a decorative sheath dress made of beads worn in ancient Egypt

Bloomers - a bifurcated garment that were worn under dresses in the 19th century; they soon became a symbol of women’s rights because early activist Amelia Bloomer wore drawers long enough to stick out from under her dress

Bogolanfini - (bogolan- meaning cloth; fini- meaning mud) a cotton cloth made from strips of woven fabric, which are decorated with symbolic patterns using the mud-resist technique, sewn together at the selvage to create a fabric that is utilized during the main four stages of a West African Bamana woman’s life: puberty, marriage, motherhood, and death

Bombast/Bombasted - the padding used to structure clothing and create fashionable silhouettes in the 16th and 17th centuries

Boubou - an African robe made of one large rectangle of fabric with an opening in the center for the neck; when worn it drapes down over the shoulders and billows at the sleeves

Buff Coat - a leather version of the doublet that was often, but not exclusively, worn by people in the military in the 17th century

Bum Roll - a roll of padding tied around the hip line to hold a woman’s skirt out from the body in the late 16th and early 17th centuries

Burqa - an outer garment worn by Muslim women that covers the entire body, often with a cutout or mesh at the eyes

Busk - a flat length stay piece that was inserted into the front of a corset to keep it stiff from the 16th century to the early 20th century

Bustle - a pad or frame worn under a skirt puffing it out behind

Cage Crinoline - a hooped cage worn under petticoats in the 19th century to stiffen and extend the skirt

Caraco - 18th century women’s jacket, fitted around the torso and flared out after the waist

Carrick Coat - an overcoat with three to five cape collars popular in the 19th century and mostly worn for riding and travel–sometimes called a Garrick or coachman’s coat

Chantilly Lace - a kind of bobbin lace popularized in 18th century France; it is identifiable by its fine ground, outlined pattern, and abundant detail, and was generally made from black silk thread

Chaperon - a turban-like headdress worn during the Middle Ages in Western Europe

Chemisette - a piece of fabric worn under bodices in the 19th century to fill in low necklines for modesty and decoration

Chiton - an ancient Greek garment created from a single piece of cloth wrapped around the body and held together by pins at the shoulders

Chlamys - a rectangular cloak fastened at the neck or shoulder that wraps around the body like a cape

Chopines - high platform shoes worn mostly in Venice in the 16th & 17th centuries

Clavus/Clavi - decorative vertical stripes that ran over the shoulder on the front and back of a Late Roman or Byzantine tunic

Clocks/Clocking - decorative and strengthening embroidery on stockings in Europe and America during the 16th-19th centuries

Cochineal Dyes - come from the Cochineal beetle that is native to the Americas and is most commonly found on prickly pear cacti; when dried and crushed, it creates its famous red pigment that is used to dye textiles

Codpiece - originally created as the join between the two hoses at the groin, the codpiece eventually became an ornate piece of male dress in the 16th century

Cuirass Bodice - a form-fitting, long-waisted, boned bodice worn in the 1870s and 1880s–almost gives the appearance of armor as the name suggests

Dagging - an extremely popular decorative edging technique created by cutting that reached its height during the Middle Ages and Renaissance

Dalmatic Tunic - a t-shaped tunic with very wide sleeves; worn by both men and women during the Byzantine empire

Dashiki - a loose-fitting pullover tunic traditionally worn in West African cultures that was adopted by African diasporic communities as a symbol of African heritage in the 1960s and then more widely worn as a popular item of “ethnic” fashion

Dentalium Cape - or dentalium dress is a garment worn by Native American women that is made from the stringing together of dentalium shells in a circular pattern around the neck and across the chest and shoulders

Doublet - an often snug-fitting jacket that is shaped and fitted to a man’s body–worn mostly in the 15th to 17th centuries

Échelle - a decorative ladder of bows descending down the stomacher of a dress; worn during the late 17th and 18th centuries; sometimes spelled eschelle

If any of these words make their way into your next poem/story, please tag me, or leave a link in the replies. I would love to read them!

More: Fashion History ⚜ Word Lists