#such a personal story but I think it’s an important one to tell

[runnning-outof-time]

Tommy & His Girls | Tommy Shelby x Reader

read more of the Girl Dad Mini Series — HERE.

request: yes by anonymous

pairing: Tommy Shelby x fem!Reader

summary: When things get rough, Tommy can most certainly count on the girls in his life to lighten things up.

warnings: drinking, smoking, Tommy being a horsegirl

word count: 2089

a/n: back at it with another girl dad!Tommy fic - I just love using this little family I’ve created (if you couldn’t tell) I hope you like this installment of their story!! p.s…I’m sorry if the ending’s corny…I didn’t know how to, well, end it. Enjoy!! :)

I’D LOVE TO KNOW WHAT YOU THINK! YOUR COMMENTS & REBLOGS HELP ME WRITE!

Tommy barely said a word as he entered Arrow House. He handed his things to Frances and made a b-line to his study. Things with the business were rough today...they'd been rough for as far back as Tommy could remember. It seemed like he was the only one in the family pulling the weight and that left him feeling like there was war happening inside his head as he made the drive home.

He pushed his study's door closed behind him as he walked into the room, not even caring if the door had enough velocity to latch or not. He trudged his way to his desk after pouring himself a generous glass of whiskey. Half of it was downed in the first drink; he really wanted the pain in his head to cease.

Setting the glass down, he went through the motions of lighting himself a cigarette. The first, deep drag he took finally made some of the noise quiet down.

It's unclear how long he sat like that: slumped back on his chair with a cigarette burning between his fingers. The next time he came to, however, was when the office door opened slightly.

"Dad?" a small voice came from the opposite side of the room, making Tommy sit up straighter in his seat.

"Yeah," he answered, his voice not quite audible. He cleared his throat before responding louder, "yes?" He focused in on the doorway, seeing his oldest daughter, Thea, standing in it.

The young girl said nothing else as she fully entered the room and made her way right over to his desk. “You didn’t come to my room to say hello,” she stated, a slight frown present on her face.

She stopped in front of his chair as she finished speaking, her arms open to show him that she wanted a hug. The second he opened his, she fell into them.

Tommy let out a sigh as he felt the weight of his eldest daughter against him. “Hello, Thea,” he breathed, a sigh escaping with his words. He couldn’t deny the fact that he felt terrible in that moment. He always made sure to greet Thea when he returned home from work, no matter what type of day he had.

How could he have gotten so frustrated that he forgot one of the most important parts of his day?

Thea was the one to break away from the hug — Tommy could have sat there like that all evening if she allowed it — and step back to look at her father.

He watched her, waiting to see what she’d do next. To his surprise, she made her way over to one of the seats that faced his desk and sat down.

The two stared at each other for a few moments longer. Thea looked as if she was studying her father; like she was taking notes on the entire situation. Tommy was quite confused as to why the ten year old wanted to stick around after greeting him.

Finally, after several moments of silence, he had to ask her just that, “why have you decided to stay, love?”

“I was able to tell that you’re stressed out over work, dad. I don’t want to leave you alone,” she answered him, sounding simultaneously like a ten year old and like a person who was beyond their years.

Tommy took a moment to let her words sink in. Then he couldn’t help but smile as a soft chuckle escaped his lips. The innocence that his daughters held despite the line of work their father was present in was always something that grounded him, no matter what was going on. He knew that he could count on it to bring him back down from that position of power to just being their dad.

“You can keep working,” Thea’s voice broke through his thoughts, making him realize that he had been sitting there, staring at her for some time.

Tommy glanced down at the papers that were scattered across his desk. They were covered with statements that he truly didn’t want to read anymore. Then he looked to one of the photographs that sat proudly on his desk. It was of Thea, Evie, and Juni. They were all hugging onto each other and smiling their biggest smiles. His eyes finally moved to Thea, who was still sitting with a smile on her face.

“I can’t work any longer,” he said to her then as he stood from his chair, “let’s go and see what your sisters are doing,” he suggested, his statement making Thea rise from her seat as well.

Tommy and Thea found Evie and Juni playing in the front room.

“Dad’s home!” Thea exclaimed, making the two younger girls quickly turn around.

“Dad!” they both cheered in unison, smiles lighting up their faces.

Tommy smiled as they rushed over to hug him. He could slowly feel the stress leaving his body. “Hello, girls,” he greeted them, rubbing both of their backs as they held onto him tightly.

“Come play, dad!” Juni exclaimed as she pulled away from him to go back to the toys they had strewn about on the floor.

“Have you ladies finished your homework?” he asked the older two before making his decision.

“Course I have,” Evie answered in a matter-of-fact tone, “it was too easy.”

“Mine’s finished as well,” Thea answered with a smile.

“Good,” Tommy nodded, smiling at his girls.

“Let’s play!” Juni shrieked from where she was standing by the toys. By this time she already had one leg in one of the ‘princess dresses’ that the girls had specially made for them. Tommy smiled as he saw the one she’d chosen - it was one that Thea had been given when she was little.

“What game?” Tommy asked, watching as his other girls followed suit and grabbed the things they needed from their toy chest.

“Princesses, of course,” Evie answered like it was common sense….well, in this Shelby household it kind of was. Tommy chuckled at that thought.

“Thea’s the queen!” Juni shouted excitedly.

“She’s always the queen though!” Evie protested, a frown on her face as her hands dropped to her hips.

“I’m the queen because I’m the oldest,” Thea calmly explained to her disgruntled sister, “it’s just one of my jobs as the oldest sibling. You and Juni are princesses because you’re my younger sisters, and you’ll get to be queen once I’m older.”

Tommy couldn’t help but smile as he listened to her explanation. She was truly wise beyond her years, and she handled everything with such grace.

“Fine,” Evie huffed, deciding to accept the decision even though she sounded a little disappointed.

“What’s my part in this?” Tommy asked the three once their conversation had ended.

“The part you always are, dad,” Evie was the one to answer.

“Got it,” Tommy nodded, surpressing a groan as he lowered himself to the floor. I’m getting too old for this, he thought to himself, but he didn’t dare let that feeling show. He’d never turn down the opportunity to play with his girls.

(Y/N) was finally finished with discussing all of the changes that were to be made with the grounds and house keepers. A lot went into preparing Arrow House as one season rolled into the next. Despite the magnitude of the task and all of the moving parts that were involved, (Y/N) would be lying if she said she didn’t enjoy overseeing these changes.

Now, however, she was more than ready to get back to her family.

She was able to hear them before she saw them. The giggles of her girls and one of Tommy’s unmistakable impressions. She laughed to herself just hearing it.

The sight she was met with in the front room brought the widest smile to her face. “What’s going on in here?” she made her presence known with a question.

“Mum!” came as a chorus of yells from the three girls as they forgot what they were doing to run and greet her.

“Hello, my darlings,” she greeted them, eagerly accepting their hugs. “What’re you playing in here with dad?”

“Princesses!” Juniper chirped, holding up her wand excitedly.

“Ahh,” (Y/N) nodded in understanding, “and what part is dad playing?”

“He’s the prized horse,” Evie happily answered.

(Y/N) finally looked to her husband. The sight she was met with had her stifling her laughter. Tommy was still down on all fours, and was wearing a rather strained expression as he looked at her through the longer strands of hair that had fallen over his eyes.

“Of course he is,” she finally responded, grinning at him before focusing her attention on the girls. “How about we give him a break now, hmm? Frances has informed me that dinner is ready,” she then suggested.

No pushback was received from any of the girls, who promptly began making their way to the dining room.

(Y/N) looked over at Tommy again. He was now wearing a look of relief, and he matched his eyes with hers again just briefly before he began the process of standing up. (Y/N) couldn’t help but giggle at his predicament, waiting for him to be on his feet again before she started walking to the dining room.

For once, Tommy was actually relieved to have heard that dinner was ready.

After dinner the family decided to go out onto the grounds and enjoy one of the final warm, late fall evenings before winter hit.

Juniper, of course, wanted to go to the stables and check on the horses. Tommy happily took her while the older two stayed back with (Y/N). It wasn’t a surprise, however, when he saw the three cresting the hill to join them in the stables.

Later that night, Tommy was - surprisingly - ready to be in bed at the same time as (Y/N). He helped out with tucking the girls in, wanting to spend as much time with them as he could.

(Y/N) didn’t miss the groan that left his lips as he sat down on his side of the bed. “Not as nimble of a horse as you used to be, huh?” she teasingly commented, biting on her finger to stiffle her giggles when his head snapped to look at her. “Maybe they should put you out to pasture.”

Tommy shot her a look that told her she should watch what she was saying. His look made her giggles escape.

“They’ll still treat you as their prized pony,” she conceded, moving over to where he was so that she could drape her arms over his shoulders. “You know how much they enjoy having you play with them,” she said, pressing a kiss to his cheek before she nuzzled her face into the crook of his neck.

Tommy smiled at the sentiment, nodding his head slightly as he brought his hand up to set it against the spot her wrists crossed each other.

“I don’t believe I’ve asked you…” (Y/N) started after a few moments had passed. She lifted her head from his neck before continuing, “how was your day?”

A breath of a laugh left his lips and he closed his eyes for a moment, silently recounting his day’s events and deciphering what he wanted to tell her. “I came home stressed, but the girls were able to put me into a better mood,” he decided not to go too far into details, settling with a short summary.

“They’ve stolen my job then, hmm?” her question wasn’t the sort of response that he was excepting, and it was one that had him turning his head in confusion, hoping that she’d offer more explanation. “It used to be my job to put you into a better mood,” she remarked, the smile she was wearing telling him that she wasn’t being completely serious about this.

“All of you girls put me in a better mood,” he responded in a matter-of-fact tone before adding, “don’t know what I’d do without you.”

And that was the truth. Without those girls, he probably would have still been in his office, droning over the same stack of papers and nursing his umpteenth whiskey.

Without those girls, he probably would have had to deal with another night of keeping his demons at bay as the shovels hit against the walls.

Without his girls, he would most certainly be a completely different man than the one he is today.

MASTERLIST

Tagged: @mystcldydrms @the-anxious-youth @cloudofdisney @look-at-the-soul @elenavampire21

@mrsalwayswrite @julkaamazing @evita-shelby @theshelbyslimited @peakyswritings

@just-a-blackhole @watercolorskyy @strayrockette @peakyduchesss @alexxavicry

@captivatedbycillianmurphy @yummycastiel @dark-academia-slut @tommystargirl @emotionalcadaver

@stevie75 @lyarr24 @signorellisantichrist @zablife @anotherblinder

@cillmequick @strayrockette @dandelionprints @letal-y-poetica @garrison-girl-08

@insanitybyanothername @depxiety @justrainandcoffee @dragons-are-my-favorite @mrs-bond

@cljordan-imperium @brummiereader @red-riding-wood @everythingelseisextra @little-diable

@thomashelbyswife @shaddixlife @ryecosse @padfootdaredmetoo @novashelby

[justme315]

New family 1/?

! Warning !

swearing, angst, fear, step-family, g/t family, abuse, mention of abusive giants, gigantophobia, mention of the character being religious, sickness

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I was fucked.

I'm sorry for using that kinda language but I really was. You see, my whole life has been destroyed by thoese damn giants.

Sorry, I don't think I introduced myself yet, I'm Zack.

Me and my mom were always a team. After my dad has passed away when i was 6 she was the only person important to me. It was basically us two against the whole world.

Something that might also be important for you to understand my story is the fact that we live in a world full of humans (like my and my mom) and giants. Giants are.. humanoid 60-ish feet tall creatures. Easily to say - their dangerous. The government rightfully understood the danger and the fear of us humans and created 'human-only' zones, cities, countries even. There were also a few 'giant-only' zones, but I'm not really sure why. It's not like the giants would fear us. Most of the places thoese enourmous beasts live are simply 'mixed-zones', places where both humans and giants can live. Thank God that me and my mom always lived in a 'human-only' zone. I was always skeptical and yeah, terrified of giants.

My mom was different though. Maybe she was just dumb (sorry for saying that mama) but she just couldn't sense danger. She worked in a company that required her to sometimes travel to 'mixed-zones' or 'mixed-cities'. I was always opposed to that but she.. enjoyed it. She even said that she made some giant "friends". I never believed in their honesty though.

But what changed my life once and for all, had happened when I was just 16. Well, going on 17 already, but yeah, still 16.

I never ever once questioned my mom's romantic life after my dad has passed away. She just.. never acted like she wanted to start a new relationship. And I was very okay with that.

But one unfortunate day, just after she came home from one of her business trips she told me that she has got a boyfriend.

That was weried to know, I mean c'mon, picturing your mom having a crush, dating, falling in love etc. is just.. weried and kinda disgusting if you ask me.

Of course, I questioned her and soon I reaveled her secret.

"Zack, I have been dating him for a little over a year. I was just scared of how you might react. But now, I must tell you since.. he proposed."

That felt like I was stabbed straight into the heart. How could she have kept having a boyfriend a secret from me for so long? Why would she? Being lied to by her felt horrible. I thought we were a team - we always told echother everything. But I guess I was wrong.

Really soon I found out that my mom's boyfriends (and now fiances) name is Andrew, that he was just slightly older than her and had two sons about my age, he was also a widower, and according to my mom, we had much in common.

I really couldn't understand why my mom would keep her boyfriend a secret. Untill she revealed she wanted for us to move in with him and his sons. I mean, she had a lot of planing to do, as she was soon to get married again, so that was kinda understandable. I wasn't opposed to moving into a new home, but changed my mind really quickly when my mom reaveled that our new home would be in a mixed-city. I mean, I was never even in that kind of a city, never even seen a giant in real life and was hella terrified of them! She should've understood me. Before she 'fell in love' she always has.

I asked her a milion times if Andrew and his sons can't just move in with us but she always found some excuse. Once, our house was too small, then his older son didn't want to switch universities, another time Andrew was scared of loosing the job. It was always a stupid excuse. Untill she finally reaveled the truth.

You see, Andrew, my mom's husband-to-be was a giant. And so were his sons.

To say that I was mad and scared was an understatement. I felt lied to. I felt like I was being dragged into something I didn't want to be a part of. I, understandably, questioned the honesty of my moms relationship, which angered her the most. I was angry with my mom for over two weeks after finding out about the size of my soon to be step-family and barely spoke with her. I couldn't be away from her for long though and forgave her, but in my heart I still had plenty of doubts.

My friends didn't help ease my fear. I told my best buddies at school and the stories they have told me only made me more afraid and suspicious of the said Andrew and all giants at that point.

"Don't y'all remember Joseph from middle school? He moved to a mixed-city with his parents. He was stepped on by a giant and died!"

"That's nothing compered to what happened to Amy. A quick death is better than being tortured. She is my cousin. She moved to a mixed-zone because she wanted to go to a better collage. One of her giant male classmates kidnaped her and done horrifying things to her. Once she was found she had missing limbs, many scars.. She was mentally, physically and sexually abused by him for months, untill they found the giant. And he barely got any jail time for that! She's still in mental health hospital!"

"My dads best friend Thomas was freaking eaten alive!"

Yeah, I think 3 stories is enough to give you the idea of how freaking terrified I was of the said 'step-family'. Some might say I am a specist (a person that discriminates based on the species (giant and human)) but I wouldn't agree. I don't really think that a human can be a specist becouse we are in the more vaunurable position. Also, I don't hate giants becouse of their size. I hate and fear them because of how brutal and cruel they are towards humans. Maybe a giantophobe would be a more appropriate term for me.

That day was the worst day in my entire life. And it's really hard to beat the day my dad had passed away.

We sold the house. We were at the airport. All ready to go to a mixed-city, over the wall that the government made.

Mom was all smiley and happy, her nose never leaving her phone.

"Andrew texted me that he and his boys are at their side of the barrier already, waiting for us. They can't wait to meet you!"

Right, didn't I mention that they all knew echother, but me?

"I just can't wait to show you the city and our new home!"

I was standing there quiet. No matter how many times I told my mom that i don't agree with her choice of dating a giant or for the fact that I didn't want to move away into a mixed-city she would always say that I will change my mind once I overcome my fear. Hell, I would.

I held my bag closely, trying to hold onto whatever I have not to lose my composure. I was terrified and angry, sure, but showing thoese giants from the start that they have some power over me, even though it was obvious, wasn't something I would do. At last, if I could hide my emotions.

Just a few minutes before our flight, a flight in the opposite direction landed. I saw all those humans, coming back from the mixed-city, most of them seem, okay. That made me confused and curious. Would it really be all that bad?

Untill I saw a girl, probably my age, on a wheelchair. I mean, there is nothing wrong with disabled people, don't get me wrong, but she was crying so she easily got everyone's attention. A woman run up to her.

"Mom!" The girl sobbed, opening her arms to hug her mother. The woman tried calming the girl down but she just kept crying and screaming "It was just supposed to be a student exchange program!! This scary giant crushed my legs!"

The girls voice echoed in my head. It was different to hear stories of distant people, but to see someone hurt by thoese monsters in front of my own eyes was completely different.

Even my mom lowered her phone and looked at the girl with pity in her eyes. I prayed to the Lord to open her eyes and return home safely with me.

"Poor girl" she signed "That must have been a.. horrible accident".

I couldn't believe what I was hearing.

"Accident?" I looked at my mom angrily, finally letting my emotions out "A giant crushed her legs".

"Honey, I'm sure they didn't mean to.." she looked at me, somewhat shocked at my defensiveness. I shouldn't have expected her to understand. She just simply couldn't sense danger. And that could get both of us killed.

"Her legs were crushed by a giant, mom!" I raised my voice, even so slightly as I couldn't believe how blinded she was by her feelings.

"Zack, calm yourself down" she looked at me more strictly now, as I was getting other peoples attention. I couldn't bare the thought of how stupid this all was. I just wanted to be home. Or anywhere at that point. Anywhere but in a spece where giants were allowed.

"You-" I began to speak.

"The flight 16-399Bhc** is preparing to take off. We ask all the passengers to board the plane within 5 minutes. Thank you and have a good flight" said a voice from the speaker.

"That's our flight!" My mom cheered up and grabbed my arm, pulling me as she ran to the plane.

She was so excited it made me feel like I was gonna puke.

Don't get me wrong, I always loved planes but this time I felt uneasy. My whole body was shaking ever so slightly, I felt like I was about to puke, I swear I heard my heart pumping blood, my head was spinning..

That can easily be called my worst ever flight.

After we landed I need a good 15 minutes in the bathroom to regain my composure.

"Honey, are you alright?" I heard my mom knocking "Are you sick?"

"I'm fine mama, I'll be okay" I mumbled, though I didn't feel like I was going to be okay for at last next few hours. I was also convinced my life was about to end so why bother worrying my mom. But before I cross the barrier of the airport, I didn't have to see or interact with any giants. Maybe me feeling sick was actually a gift from God to give me more time to get ready for what was about to come? As I was almost ready to go I hear my mom speaking:

"Honey, are you sure? I texted Andrew and he and Ethan are worried sick. They can drive us to a hospital"

And then I got sick again at the mention of the giants.

Oh, you might not know who is who. Andrew is my moms 45 year old husband-to-be, but I'm sure I have spoke about him already. Ethan is his older son, he was 21 back then. His younger son - Ryan - was 17.

After, what appeared to me as a minute and to my mom as an hour I finally could exit the bathroom.

My mom rushed me, saying that the boys have been waiting for us long enough. I was feeling less and less okay. I couldn't keep my emotionless demeanor. My eyes felt heavy, my heartbeat fasten as well as my breathing, my legs were shaky and I was not able to say even one word.

As I saw the enourmous glass wall behind which were a ton of giants, I felt like I was going to faint.

Or simply turn around and run.

My mom stopped in her trucks and looked at her phone. After maybe three seconds of reading what I supposed was a message form Andrew she looked into the direction of 3 giant men waiting and her eyes started to freaking sparkle and her smile grew.

She then looked at me and pointed in the direction of thoese giants, who weren't looking at us, thank God.

"That's Andrew! And Ethan and Ryan!" She said with an excited expression.

Andrew was surprisingly the shortest of the group. He had brown hair that were turning grey, a short beard, thick glasses, a blue sweater and more elegant pants. He was overall a handsome middle-aged dude, if it wasn't for the fact he was freaking enormous.

Ethan was talking with him. He had fluffy brown hair and was slightly taller than his dad. He had a few freckles and dimples on his cheeks, his smile was truthfully welcoming. His white hoodie also looked very comfy.

The tallest one was the youngest - Ryan. He had black, short hair, a pierced ear and stylist clothes. If he would have been a human, he looked like one of the popular kids that you always look up to. I really liked the belt he had, same with the rings on his fingers.

All three giants had the same eye color - hazel.

My mom grabbed me again and pulled me into the direction of the glass wall that was the last thing keeping me outside of the reach of giants. She looked so happy to see them that it was hard to recognize her. She only ever smiled at me like that before.

Soon enough, we were close to the exit of my comfort zone. My fear only grew as we were closer to the giants. It was still probably about 20 feet between us and the door when Andrews eyes rested on us. I felt the enourmous gaze and felt like I was stung. Soon both his sons eyes locked on me and my mom. She realized quickly and slowed down with the running. She then waved at them. Andrew and Ethan waved back. Ryan stood there, looking maybe a little conflicted but surely also kinda annoyed.

At that point I could feel the blood boiling in my veins. My heart ached. As well did my head. My legs were shaky. I felt like I couldn't catch my breath correctly.

If you think you're not socially awkward, three giants looking down at you with their enourmous eyes, almost scanning you as if you were an insect would change your mind right away. And if you are socially awkward like me? Well, you would feel as if you were just about to die.

My mom rushed me again, ready to exit the safe space, that only allowed humans. I walked behind her, but I wasn't as excited or as fast. Partly, becouse I wanted to be out of the giants reach for as long as I could and partly becouse I was feeling worse and worse.

To be honest, I don't know what was making me feel bad. Maybe it was all the emotion, fear, anger and all, maybe it was my mental health killing me and shouting at me that danger was close, maybe it was the horrible flight, maybe it was my body being sick. I don't know.

What I do know is, each step I took, the more powerless I felt. My legs felt to weak to hold my bodyweight.

My mom was already by the exit door when she turned around to rush me again. I was maybe 7 feet behind her, still surrounded by the enourmous gazes of those three giants, two of which were smiling. Their smiles made me sick in my stomache, but Ryan who was the only one not smiling made me feel ever worse somehow.

I totally expected my mom to yell at me to hurry up, based on how excited she seem but she just stared at me for a secound with wide worried eyes and then returned to me.

"Are you okay honey? You don't seem too good"

I wanted to answer her but it came out as a soft yelp. I thought I was going to puke again.

Faces of the giants became more serious and worried. I didn't like that expression either, to be honest.

I looked back at mom as she reached out to me and raised her hand to my shoulder for comfort probably.

"Are you scared Zack? Is that it? Because if it is, I assure you, they won't hurt us. Ever." She spoke in a soft, quiet voice. Her expression didn't show anger but she looked more understanding than any other moment of the past few weeks. She spoke with such confidence I could have believed her.

Well, I maybe even would have if I didn't faint.

Because just a moment after she spoke my vision went black and my body felt weak. The last think I remember before fainting were thoese scary gazes and my mom yelling:

"Zack!"

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Thanks for reading, hope you enjoyed the 1st part!

[thewritetofreespeech]

I made a mistake in my request so please delete it! Can I request headcanons for Astarion, Gale, Wyll, and Halsin reacting to his gn crush telling him that they're not worthy to be with him please?

Astarion

“Worthy? Pft. When is anyone worthy of anything darling? Who decides who is worthy? We simply have to reach out and take it! And I’ve already grown quite fond of you.”

In truth, bile rises in Astarion’s throat when you say those words. He knows what it means to feel unworthy. To feel unworthy to live. To breathe. To exist. For you, the only person he’s ever cared for & truly cared for him in return, to feel this way makes him sick. Unfortunately he’s the worst person to fix this problem. He’s never felt ‘worthy’ of anything in his whole life.

Wyll

“There is no possible version of a story where you are not worthy. To or for me. You have seen me at my lowest. My most humbled. A time when it would have been easy to turn your back on me, yet you stayed. If that does not make you worthy, then there is no one worthy.”

In truth, Wyll’s dejected that you feel this way. To fail someone else so important to him. To lose your trust and respect. He has always tried to be the most upstanding version of himself & to do right, but if he can make even the person he loves feel unworthy, he is not fit to call himself the Blade; or a man.

Gale

“How could you think such a thing? If anyone is ‘unworthy’ in our relationship, it’s me. I ask so much of you, yet give so little by compare. Your courage. Your compassion. Your love for me has made you more worthy than anyone else I have ever known. I aspire to be half the man you damine me to be.”

In truth, Gale feels heart broken that you feel this way. How was it that he was failing another lover again? Clearly by his own selfishness once more. He resolves to make you feel as worthy as possible for the remainder of your time together; however long or short that may be. This wrong must obviously be rectified.

Halsin

“Don't sell yourself short. I have tried all my life to be worthy. Worthy of the title of Arch Druid. Worthy of Oak Father's blessing enough to end the Shadow Curse. But I always found myself wanting. When I am with you though, I find myself finally worthy of some of the praise in my life. You bring more worth to my life than words can imagine. It is no small thing."

In truth, Halsin knows what it is like to feel this way, as mentioned above, and he cannot stand the thought that he made you, even for a moment, feel this way. He has always gone with the way nature intended, but perhaps he could try to be a little more nurturing to his relationship with you. He won’t have you feel this way ever again.

[lifes-pinata]

Duck and Mytho, A Relationship Analysis

BY POPULAR DEMAND (10 notes and 1 prompt by a blog I follow and admire)

Duck and Mytho are obviously so very important to each others stories. Without Duck, Mytho would have remained a heartless doll forever. And without Mytho, Duck would have remained a simple bird. The story cannot exist without Duck, and up until the last few episodes, Mytho remains her primary motivation.

Which is why is was so surprising to me that the way their relationship resolved was so..... Unsatisfying.

Now when I say that, I am not talking about Siegfried and Tutu's resolution, which remains one of the most touching scenes of the show. I am specifically talking about the relationship between Mytho and Duck.

For the first 14 episodes, Duck and Mytho's friendship was a slow but steady burn. Duck is an anomaly in Mytho's small world. Even heartless, he doesn't quite know what to make of her. "Fakir and Rue don't say things like that" he says in episode 3, when Duck reacts to his hurt hand.

Duck, as a person, represents something Mytho never encountered even when he was Siegfried. Her simple, straightforward kindness is so different from Rue's desperate, grasping love. Fakir's poisonous protection, and even the blushing, tittering classmates that never dare to speak to him.

And even though Mytho can't express it, I think it's really valuable to him. Early on, Duck is the only person capable of making his loneliness disappear. Not Rue or Fakir, who he's known for years (which he says to their faces oh my GOD) but Duck. The first request he makes is that she stays a little longer.

The entire first arc Duck continually proves herself to be trustworthy. Once Mytho returned to school after receiving the feeling of fear, Duck tackle hugs him, saying she looked for him everywhere. She knows about Princess Tutu, and is the only one who listens to him. Who doesn't talk over him. She brought him an umbrella when he was waiting for Tutu. He values her opinion enough that he asked her opinion on gifts to get someone. And yeah maybe he could have asked anyone, but we never see him seek someone out until the Raven's Blood kicks in.

In episode 14, Mytho says to Duck, straight out "You're the only friend whom I can tell everything." And then? They never interact again? Huh???

Well. That's not entirely true. There is one more scene where Duck and Mytho interact, if you believe that Mytho was lucid enough to truly count it. Episode 24, where Mytho has fully succumbed to the Raven's blood, and as a result has turned into a raven himself. He runs outside, after being hidden away by Rue, and finds Duck. And what does he do? He asks her to dance, just as he did on the day of the fire festival. But this time, Duck doesn't answer. She backs away from the monster he's become, just like everyone else.

To its credit, that is a resolution, but it still doesn't sit right with me. It feels too bleak in a story where hope overcomes everything else. A spot where Drosselmeyer's tragedy wins.

The thing is, I understand why they did it this way. One thing I have always appreciated about Princess Tutu is that there is no wasted time. Even at the beginning of the show, when it seemed lighter and sillier, every episode contained important information. From the very beginning, they were building to the finale.

The second arc of the show is even more this way, there is no wasted space. Where would they even put Duck and Mytho interactions? Duck is reckless but she knows better then to approach Mytho when he's actively trying to rip out the hearts of their classmates. If anything, trying to shoehorn interactions would come across as forced, and could even cheapen their interactions in the finale.

But as much as I love the scene where Mytho realizes that Princess Tutu was a duck. I also wish he had a moment to realize that the duck was Duck.

Because Princess Tutu performed magic and returned heart shards with her beautiful dancing.

But Duck did the hard work of being human. Of living and loving and trying and failing and getting back up.

It was Duck who saved the town in the end.

And it was Duck, who was ultimately forgotten.

[itz-pandora]

Guys watch this before clicking read more

I have so many thoughts

THE PARALLEL BETWEEN MARIA'S WOUND AND THE DESTROYED MOON?!!! OH MY GOD!!!! OH MY. MY GOD. That's the entire reason I started writing my thoughts down because that's way past important. Where's that post about the symbolism and correlation between Maria's name and the moon because that's all I can think about

AND I LOVE how they're choosing to portray Maria recently, excited and eager for everything, even though it hurts her. Also how fascinated she is with earth makes me happy. I love the idea she'll just endlessly ramble to Shadow about Earth. Also her VA does a good job at letting you know how out of breath she is and how she's still all upbeat even tho she's literally about to pass out

Also ?!!! I AM GOING A BIT CRAZY AT SHADOWS PORTRAYAL!! I'm so hyped to see how he's interpreted in Generations. He seems so confused, and like each time period he's in impacts his personality heavily, like he's still with them on the ARK. He wants to save everyone even though he knows he can't and I'm SCRATCHING AT THE WALLS because of it. I think the way that they'll try to portray him going into the past is with him being only half-aware of everything, OR, HE'S TRYING TO LIVE A LIE TO MAKE HIMSELF FEEL BETTER. Ohmygod the second one makes me feel ill because he just wants to be happy, he wants to keep his little family together and safe, but he knows that the fate is inevitable, just wondering if he could've stopped it. It's haunting to him. The feeling of not being in control is present throughout the entire episode, where he's constantly dragged through each event, each one being more exhausting than the last. Everything is happening to him, he's not the driving force, and that's the sad part, he had an entire game about defining his identity, and still, he's always been a puppet to someone else, bent to their will.

I'M SO CURIOUS ABOUT WHAT THEY'RE PLANNING WITH GERALD BECAUSE ITS DEFINITELY SOMETHING. SHADOW WHAT DID HE DO TO YOU??? Shadow had to PHYSICALLY CLASP HIS HEAD BECAUSE OF THIS. I NEED TO KNOW.

Dude is this supposed to be Shadow's second traumatic flashback regarding the ARK, since in the hero story of SHTH, there's an entire level about the ARK where he plays with Maria as his sidekick, and it was triggered by hearing the sirens of the ARK (which I LOVE btw. Of COURSE he'd associate the noise with events since it's been drilled into his psyche before the amnesia)

I LOVE how scared he is at the end. He's sooooo panicked. I love how they give him the sparks when he's overwhelmed, it makes me feel so happy.

Who is HE?! It can't be Shadow before his memory loss, that guy did NOT SURVIVE. Also idk if they're going to return to the "pre and post amnesia Shadow are different people" thing they implied, because I think it'd be best to have it be like his memories are fragmented, and it's all about remembering, and THEN WE GET A NEW INTERPRETATION OF SHADOW?? Pls? Like not new but somewhere in between SA2 and after that, but with more little brother energy because MARIA IS HERE!!!!

GUYS WHAT ARE THOSE FLOWERS AT THE END AND WHAT DO THEY MEAN. PLEASE TELL ME SINCE THEY PROBABLY HAVE SYMBOLISM

This is so disorganized sorry I'm not normal at all

And ofc Eggman's piss was still on the moon. We love continuity

[dungeons-and-dragon-age]

ok sorry i'm just. ????

rant and spoilers ahead because i gotta yell into the void a little

first of and most of all. WHY does it sound like Solas front and center of everthing now??? Including both Inky's and Rook's stories/motivations???? Like okay i understand that Solas will inevitably be important in Rook's story and that's chill! We knew he was gonna play a part in this story! But why do they make it sound like half or Rook's purpose is just there to further Solas's story/character

and it quickly becomes clear that Rook will have their own unique relationship with Solas, as the Inquisitor did before them. I think what's been fun for us, too, is trying to build Rook as kind of almost a mirror of Solas.

Epler also acknowledges that the Inquisitor “obviously has a very personal relationship with Solas,” one that will need to be reckoned with in The Veilguard.

“And I'd say the Inquisitor, to some degree, feels guilty or responsible for what Solas is doing to the world. So while we're not going to get too far into details about what role they may play, they absolutely are somebody who is going to be interested and invested in the outcome of Rook's journey in The Veilguard.”

Why. are you telling us how our Inquisitor is supposed to feel about this?? When you play DAI you agree to play The Inquisitor, yes, but you don't agree to play someone who Cares About Solas. Like. Yes. I get that he is important. That much has been clear since Trespasser. And i'm ok with that! But how come you say "this is a game about Thedas and a world in conflict" and then also talk like this story is About Solas, Actually.

The other thing i absolutely do not get and do not like. At All

Those decisions are: who your Inquisitor romanced (with the options gender- and lineage-locked in the same way that they were in Inquisition), whether or not you disbanded the Inquisition, and whether you vowed to stop Solas or save him.

?????

No "who drank from the WoS"? No "who is Divine"? No "does OGB Kieran exist"? No "is Hawke alive" (Varric is there. SURELY he cares about this a lot)? No "what happened to the Mages & Templars"? No "were Wardens banned from the south"? Arent't those uh. Really Relevant Decisions???? WHY is one of the whole grand three (3) decisions that carry over if Inky wants to save Solas or not. I mean ok i guess i get it cus that was The Big Decision TM at the end of Trespasser but again. Why is that the big thing that matters. out of all the things that SHOULD matter.

There's not as many decisions you have made up to this point that have an impact on what's happening in Northern Thedas.

But it’s also part of the advantage of moving the setting up to Northern Thedas, Epler says, with the prior games in the series taking place in Southern Thedas, a significantly different region both geographically and sociopolitically.

Uh. Yeah they do. See above points and also some that i forgot probably. Northern and Southern Thedas don't operate independently from one another that's not how this works. Especially again with things like the WoS or the Divine decision. Also half our companions from the other games are from the north?? Like yes ok i know get what you mean kinda and it's true to an extent but not like this

for one, the team focused on choices that they felt they could react to meaningfully – not just a cameo or one-liner.

“There's never a sense of, ‘Oh, that decision doesn't exist.’ But maybe we don't touch on it in this particular title,”

The. Cameos and one-liners are what make it special though?? You can't say "We want those stories to be personal." and then say you're not making any of those small decisions matter. And i don't mean matter as in having A Big Impact TM but i know that a lot of us LIVE for those small tiny nods to previous decisions that make the world feel actually alive and connected. I understand that we can't have full on-screen cameos or questlines or whatever for every little tidbit but not even. idk. Background convos about what's going on in Orzammar? Gossip about Ferelden's monarch? A line from Varric about Bartrand? Dunno man. Again not to mention the Big Things like Kieran. or the Well of Sorrows consequences. Or the Divine (which. yknow. is directly relevant everywhere except maybe Tevinter??). Those were always the things that made importing a worldstate so charming! because you could see the small little impacts that you have on the world. The tiny things like the line about the pigeons in Ferelden in DA2 or a wartable mission with Wade and Herren in DAI are so so special to me

[deadboydetectives-confessions]

Gonna say this as nicely as I can. If you are one of those people complaining there isn't enough of a certain kind of fic and you never support the fic you do like, that's part of the reason you aren't getting more of what you like.

In my experience, the people that complain the loudest that there isn't a particular thing for them are also not commenting, refuse to read WIPs, and are not recommending the fic when the DO find something they they like.

Doing that is important if you want writers to keep writing at all. But it's EXTRA important if you like a non-main pairing. Or if you like non-shippy fic. Or if you like fic featuring and exploring secondary characters.

I can't speak for other fic writers, but I personally care very little about hits and not a ton about kudos. What I care about is comments. A comment tells me an actual person read and connected with my story. That's what motivates me to write. Even if it's just a string of emojis or a keyboard smash or quoting back a bit you liked.

If I'm writing a niche story with characters other than leads and I have like...5 people who reliably comment on every chapter, I will keep writing. But if I write the niche fic and it's crickets even if it's got a few hits and a handful of kudos, I won't. And honestly I might even delete what is up there. If the fic has 100 hits but 20 comments from people regularly commenting on each chapter, I will keep feeding you.

You get what you give. Commenters and WIP readers are the reason silent readers and people who refuse to read WIPs even have anything TO read.

And before anyone says it: you can easily check to see if a writer has a history of updating regularly and finishing their WIPs. If they do, you have every reason to think their next WIP will also be completed. Conversely, if the person has a history of abandoning work or being really slow to update, yeah I get it. Maybe wait for those folks to finish.

.

[rainybyday]

Second part of the first time travel team 7 idea

So next on the list are Uchiha’s

So the Senju patrol found out about Sasuke and Tenzo

The Uchiha?

They find Sakura and Kakashi

(Yes Sai and Obito are out for now)

So I think the beginning problem is how Team Seven are all separated and are all trying to find each other

Tenzo actually found Obito first but they split up for Obito to grab Sai and Tenzo got Sasuke once they felt both got their location from Tenzo’s ability to be a tree whisperer

Sakura found Kakashi and they both were going to find the rest of the pack but they met a returning Uchiha party from a job well done

The party has Izuna 

This will happen for two reason

One is so that they understand at least roughly at what time they appeared in

And Two is that they have an important figure of the Uchiha clan to see Kakashi. No, he doesn’t have Obito’s eye anymore but the prospect of seeing a Hatake so close to their clan compound is what I’m after here

Unlike the Senju patrol who immediately went after Sasuke, the Uchiha’s just stop

Cus like, that’s a HATAKE

SHIT

Like on one hand there is another clan claimed name on their land without their permission 

But on the other, its a Hatake, one of the few clans you want to be wary of and think carefully about when you interact with them

Even with the mask on Kakashi, they still don’t want to test their limits on getting fucken mutilated by Hatake teeth

Feral or not, a calm Hatake is still a Hatake

So Izuna, politely mediates and tries to understand why Kakashi and his cub? Packmember? Are on their land

Especially when said cub/pack member looks like they went through hell and back

Who is the stupid person whom attacked a Hatake pack/cub member???

I have no clue what this conversation will entitled but Sakura and Kakashi are allowed to leave relatively safe by all means

Even though they are freaking the fuck out of what they are just witnessing because was that Sasuke? No? You're not Sasuke??? Then who the fuck-?

Meanwhile, Izuna and his party are booking it back to their compound to tell Madara about the wild Hatake in their lands and to make sure to warn the rest of the clan because if they make a mistake like, oh i don't know, FIGHTING THE HATAKE, then there will be problems

On their end not the Hatake’s 

The Hatakes, while not animals are very protective of their own, a slight against one is a slight against all Hatakes. 

These issues must be mediated carefully. 

So Team Seven!

Kakashi does not have Obito’s eye and Obito has both eyes and has the classic white hair and half white/half tan body. 

Tenzo and Sai aren’t as worse looking as the rest of the team but that doesn’t mean Tenzo lost a vest somewhere in his dimension or how sai doesn’t have any scrolls or that his ink supplies is all over him

Sakura and Obito look the worse off, no questions asked

Sasuke literally looks all bloody from overuse of his Sharingan and he still has the Rinnegan so thats going to go over so will with everyone else

Ah zetsu will find out about that huh….

Naruto looks… okay

The boys going through it

They are all almost chakura depleted but not empty, still have the little bit to survive you know

Ok so back to story

ON the team 7 side I know they will probably find each other and probably make a makeshift base of operation in the location where Konoha will be

Its temporary for them since its the close place they know of in their time and they need to rest

So they rest for a prompt of a few days without any issues

Why is that?

Well on the senju side they just got reports that a uchiha was seen on their land so they of course are angered that their enemy was so close on their land and will have Madara’s head

But at the same time that very same Uchiha was saved by a Senju with the mokuton of all things

So its a whole political shit show with Hashirama trying to understand that not only are an Uchiha and senju in kahoots with each other but that this implies a missing senju member was left unaccounted for by the clan, Tobirama is more uneasy by the multiple chakra signatures that in the forest and the Senju elders are convinced that the Uchiha’s found and used a senju as a tool for war

Meanwhile, the Uchihas are sweating bullets trying to warn the rest of their members about a Hatake pack most likely near or on their grounds and Madara is going through a mountain full of paper trying to write the best most polite but not-directing-blame-nor-accusing letter to the Hatake clan to ask if they had 1) a that a Hatake pack was seen in their lands and 2) that someone may or may not have attacked said pack (but it wasn’t them they swear on Amaterasu’s sake)

Yeah so Team 7 has a lot of time to rest before everything gets set to motion

Mostly it is Tenzo and Sai getting caught up in what happened in the battle of Kaguya, the realization that everyone they ever known are now gone, and trying to survive in this new environment 

Of course there is a lot of self blame and guilt in this

Obito and Kakashi definitely have guilt with each other and their actions that got reflected in their battle

Everyone but the Uchiha’s are realizing who they left behind in their old world and its just… crashing on them

Sasuke is still on the Itachi thing but he is not as emotionally invested like the rest of this team, probably thinking about the battle and the information that he was told of being Indara’s incarnation or somth

Sai has left the people he wanted to be friends with and his chance of being happy with them, yes he still has team 7 but his dream was to befriend everyone and now that's just…. Gone

Tenzo is not stable either ngl

Yeah so first few days are basically the calm before the storm

Then the Uchiha’s get a letter, a letter they expected but not by who sent said letter

They were expecting the Hatake’s to contact them first, not the Senju’s

Then the Madara is reading a letter from Hashirama about the incident the portal had a few days ago and lost it

[deadcryptiid]

CAN YOU TELL SOME BAND STORY? LINE-UP?

DEAD:

To make this short I tell of the most important matters here, first of all we've heard of all together about 15 other bands called MAYHEM... And what we think of that is that we'll never change name 'cos we were the first. We started as a real band in '84 when Euro's band called MAYHEM and Necro's band (with Manheim) called MUSTA were put together. But the name is already from '82. And the "crap MAYHEM" from Oregon, USA released their poser record a half year after our mini-LP. The most of the other MAYHEM's are split up now but I know some of 'em are still left as the one's from Hungary and Uruguay for example. The first demo "Pure Pucking Armageddon" were recorded in '86 in only 100 copies and it's sold out since ages ago and not aviable, but we'll maybe give it out on vinyl some dark day though and maybe on CD. "Deathcrush" will be released on vinyl again for sure, and then with another front cover than the ltd.ed. of course.

The line-up has changed since the recording of "Deathcrush" Maniac (ex.vocalist) and Manheim (ex.drummer) left the band straight after the recording. I begun in the spring 188 and Hellhammer joined a few weeks later. By the way I've to tell that the ex.drummer Manheim'a real name is Manheim some people have asked if he took his name from the German concentration camp "Mannhsia", but he did not. Now we are:Dead (20 years)-vocals, Euronymous (21 years)-guitar, Necrobutcher (21 years)-bass and Hellhammer (20 years)- drumms. So many have asked what Euronynoys means, so I better tell it here,it means "Prince of death" in Greek. "Deathcrush" were recorded in '87 and the demo in still aviable for 5 US$ (or any currency that's the same amount as 5 US $).I also have to tell that the old band I was singing in before, in Sweden, MORBID will have one more gig (as the final)-but I can't say the time for that...

DO YOU HAVE ANY PLANS TO RELEASE ANY NEW DEMO OR SOMETHING ON VINYL?

DEAD:

We hope we can go in studio in march to record for a full lenght LP that'll be entitled "De Mysteriis Dom Sathanss". That name is latin for Lord Satan'a secret rites and it comes from a ghost story I read, it was a book of human flesh (of course) that got forces greater and darker than any human can imagine of. A "wrong" person found that book in the story and it was so evil that he started to bleed (and died later in torture of course), unfortunately that book exist in only one copy but I try to find it and I won't give up!

CAN YOU TELL SOMETHING SICK OR GORY YOU'VE SEEN?

DEAD:

By movies Evil Dead (especially part one) is the best in evil and brutality above everything But except of that the most gory I ever have seen is Karle'n eating pizza!

[livesworthlivingau]

Behind the Vale Chapter 28

ISAT/Two Hats Spoilers below! CW: Outbursts, Mentions of stabbing/killing.

This chapter is pretty much the same scene as the end of the previous Sif chapter, just from Vale's perspective, also a tiny addition at the end.

"Before I explain this, it's not their fault, please don't blame them, they were going through a lot and I didn't notice how it was affecting them and I told their secret an-" [Stardust starts to explain frantically before Nille grabs them by the shoulders to help calm him down.]

"Hey, easy, just start at the beginning okay?" [She tries to comfort him, to which he nods and take a deep breath.]

"... When I first looped back all those years, I was... frozen? I was panicking, stuck in my head, I thought it must be a dream or something, there's no way this was really happening, right?... And then I heard their voice... and all of that just went away." [You blink a couple times, glancing up at them to make eye contact... He never told you that. That just hearing your voice made everything okay in such a terrifying situation...]

"I ran to find them right after, as fast as I could, and... I was just so happy to see them, I didn't think about how they were feeling... forced to be back, I'd been through so much and they were just left behind... and then I dragged them along back here to force them into a family they didn't want any part in."

"Stardust... That's..." [You interrupt. He's trying to make it out as his fault. You're unsure if Stardust is that delusional that they truly believe it, or if they're just trying to take as much blame off you as he can.]

"It's true Vale, and I'm sorry. I really don't blame you for what happened." [You look away again, no matter what they truly believed, you weren't going to be able to convince them to stop at this rate. Nille still looks very confused, waiting for the story to continue.]

"So things seemed fine for a little while, but then Odile noticed I was doing a little too well, and I told her about everything... including their secret, which they made me promise not to tell." [You brace yourself... You knew the truth would be coming soon.]

"Vale found out what I did, they were already on the verge of snapping and that pushed them over the edge, so... they had to go back, before I dragged them to the party... They had to make us all loop back..." [You grip the fabric of your sleeves tightly as you hug yourself. You can't stand to look at either of them, you just want this over with, you just want to be exiled already, you just want this all done...]

"Frin, tell me what happened, please."

"Vale... They..." [Oh blind it all, He can't say it either.]

"I STABBED HIM! I SHOVED HIS OWN DAGGER INTO HIS HEART AND FORCED HIM BACK, OKAY?! I'M A MONSTER AND A MURDERER!!!" [They both jump back at your sudden screaming, Nille even pulls away from you like the monster you were.]

"N-No! You're not, Vale, you knew I'd be fine! You knew I'd loop!"

"And what if you didn't?!?! What if it all ended right there?!? How could I do such a thing?! How could I take that risk?! How could I hurt you like that?!" [You were absolutely manic, a crazed look in your eyes as you gripped your hair painfully tight. Before you could manage to scream again, you suddenly felt those strong, calloused hands around your face, holding you in place to ground you.]

"Hey hey hey! Vale, Calm down please." [You stopped... You felt your tears flowing down your face. You stare back into Nille's eyes, confused, unsure why they weren't looking at you like the monster you truly were.]

"You made a mistake... a big one, sure, but a mistake none the less. Frin's okay now, right?"

"B-But... I killed them... H-how could anyone forgive me for that?..."

"Well, Frin did, and that's the most important person to do so I'd say... It's a lot to take in alright, still not really sure how I feel about it right now... but I'm not just gonna hate you for it, especially after everything." [You still don't understand. You try to figure out why she might be lying to you, or how she could accept this, or what sort of wild trick this might be... Could she truly forgive us for that?... She hasn't known him for long, maybe that's why... She'll learn to resent us eventually.]

"I doubt you want to go back in there tonight. Maybe you should stay at the Inn for tonight, cool off a little..." [You pull away from her slightly, wiping your tears.]

"Y-Yes... that sounds like it's for the best..." [Her hand gently grabs your arm before you can leave, squeezing it a little.]

"This doesn't give you permission to run away though! Remember... you made a promise." [She reminds you with a light smile, letting you slip free of her grip.]

"... Right... I promise." [You still can barely stand to look at either of them, Stardust just standing a few steps back to let you both have your moment.]

"We'll see you tomorrow, Vale?..." [He asks, almost pleading even. You nod to them before turning away and heading for the Inn. You can still feel them both staring as you do so, as if making sure you don't just head into the woods instead.]

-------------------------------------------------

[You collapse onto the bed on your little room at the Inn. You look down at the bottle of sleeping medicine they so kindly offered you at the front desk when you'd asked. You take a look at the recommended dosage and pour out one extra, popping it into your mouth and dry swallowing it. You lie back and stare at the ceiling for a moment, letting your eyes slowly drift shut and begging for sleep to claim you that night.]

[ordinaryschmuck]

Why I Love The Owl House: Part 5-The Themes

Prev Part

Salutations, random people on the internet who are already skimming past this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

And we’re just two parts away from me never talking about The Owl House again! In previous parts, we’ve talked about the characters, their relationships, and the narrative threads that are closely tied to them. For this part, we’re now discussing the show’s themes and messages. And I’ll level with you all: I’m admittedly...faulty at this part of media analysis. Anything regarding the discussion of a theme or message that a story tries to tell is something I struggle to do right. I regrettably either come across a theme through luck or piggybacking off of what others have said and throwing my two cents in. When it comes to putting it in my own words, I just…have issues in describing what the theme is. Hell, this whole part was the hardest to write because I often drew a blank of what to discuss or how to dig into it further. A part of me, deep down, KNOWS what a story is trying to say but I, a lot of the time, struggle finding the right words to best convey it.

Yeah, isn’t that rich? An English Major with a limited vocabulary and an ineptitude towards analysis. My life sucks sometimes…

With that said, there are some things that I’ve noticed about The Owl House and what it’s trying to tell to kids and maybe a few adults. A lot of its messages are definitely simple to older audiences, but with the things it has to say to kids it makes The Owl House something important to watch if they’re to shape the future. And no, I’m not talking about those lessons told at the end of each episode, but overall themes that occur through the course of the series. As far as I can tell, The Owl House has about…thirteen things to say about life, love, the trials of growing up, and how to deal with people. Plus, much like the narratives, it’s all tied closely to the characters and their personal journeys. Does the show say everything it needs to say well? Or is this another case of “If the show had more time it’d be better” and all that yada-yada? Well, let’s find out together as we count off the things that The Owl House has to say. Starting with a point the series makes exponentially clear:

(Also, prepare thyself. This one is twenty-five pages)

Honesty is the best policy 

I don’t know if you noticed, but these characters tend to lie. A LOT. And we’ve already gone into great detail with how often Luz lies in previous parts. Whether it's to her mom, her girlfriend, or friend group, Luz tends to keep some dark truths from the people she cares about. It’s partially selfish, but it comes from not wanting them to worry about her when they’re the ones currently going through it. It’s part of Luz’s bigger flaw of caring more for others than she does for herself (Which we’ll get to later), but the point remains constant that if she told the truth sooner, she’d have saved a lot of pain and heartache for herself and others. Same goes for other characters who lie for similar reasons but with greater consequences.

Going from least hurtful to most, let’s start with Eda, the one who lies in two different ways. The most obvious lies come with her pain, primarily the curse. She initially chose to keep her mouth shut about it, hoping that it’ll never turn into a big deal or a problem. If you’ve been paying attention to her character’s journey, you can tell how wrong that assumption was. When keeping it a secret from the rest of her family, the Owl Beast came out at the worst possible time, making Dell disabled and Gwen desperate to get the beast out of her precious daughter. By underplaying how bad it is to Raine, it makes Raine think their relationship isn’t serious enough so they break it off. She didn’t even tell Luz and King until they met the Owl Beast themselves and tried to survive it. Eda had King in her home for eight years and this was the first time he’s ever known ANYTHING about the Owl Beast. And even then, she still hides that it’s getting worse by the day, giving King and Luz an IDEA of what Eda’s going through but withholding the part that could upset them. Just telling them about the curse is arguably Eda at her most honest about what’s wrong with her, and she still doesn’t want to reveal everything. It’s part of this underlying problem where Eda’s unwilling to reveal the pain inside herself because, well, she’s the big bad Owl Lady. The most powerful witch on the Boiling Isles. And with a title like that, she doesn’t want anyone to know that she’s fragile. She tried being fragile once in the beginning of “Keeping Up A-Fear-Ances,” detailing what the curse does to her, and it made her mother go a little overboard in wanting to help her precious daughter. Needless to say, she’s not willing to go through that again, especially since Luz and Raine proves her point by putting themselves in danger when knowing how much Eda hurts. When Luz learns about how bad the curse got, she practically threw herself into the arms of the Emperor to find this specific thing that could help. And with Raine, while Eda opened up more about the curse and how it affected her magic, she still remains tight lipped about another thing: Her kids. She never brought them up, hiding her turmoil about them leaving her for good and was lucky enough that Raine found out soon enough so that SHE won’t abandon Luz and King when they still need her. It’s fortunate that Raine found out by accident, but UNFORTUNATE that it led to them getting captured to save Eda so she could talk things out with her kids. In Eda’s eyes, vulnerability means that you need to be helped or protected, with the ones you love paying the price more. She hates that feeling and despises it even more when people she loves get in danger because of it. Eda eventually finds her way out of this mindset thanks to the love King and Luz share with her and how Hooty and Dell prove that facing pain head on is the only way to heal from it. It was a slow process, but one that eventually led to her opening up more, even allowing herself to cry when she would usually hide her pain with a smile or push it down for the sake of a brave face. She becomes honest with her own pain, with her curse, and how much she truly cares about her loved ones. However, that’s more of a general lie with Eda. There’s one specific lie that she told that went on for way too long.

Lying to King about being a King of Demons seemed harmless at first. Eda was just messing around with what she thought was a pet. Only for that pet to prove he’s more intelligent than she thought and, as a result, more delusional. King took being the King of Demons as part of his whole identity, with every action he made trying to live out that fantasy. By the time Eda revealed the truth, it’s like telling a child that there’s no such thing as Santa Claus, the Easter Bunny, AND the Tooth Fairy all at once. Only the effects would be ten times worse because it would destroy all of King’s sense of self AND give him questions that Eda wouldn’t have any answers to. Eda knew this inevitability would come any day now, so she put it off as long as she could, initially hoping that King would outgrow this fantasy himself so she won’t have to rip off this particular bandaid. Only to be backed into a corner because King and the others almost got killed in trying to prove that King’s really, well, a king. This time, telling a lie actually put someone in danger, so Eda tried the truth for a change and, well…it crushed him. More accurately, it shattered King’s core identity and sense of what's real and what isn't. Eda saw this, immediately felt guilty for holding it in for too long, but never comes to regret this decision. It’s something she KNEW needed to be done from the start and accepts the “consequences” of what comes from this lie. I put “consequences” in quotes because aside from a lot of tears being shed, this was the first step to King growing up and he would come to appreciate the honesty (even though he had a long, emotionally draining road ahead). Eda telling the truth WAS for the better, even if she should have told it long ago. But, all things considered, the lie wasn’t THAT bad of one. It was done to keep King happy and let him have some childhood innocence for a while…As for the lie AMITY told?

All Amity had to tell Willow was that her parents are forcing them apart because Willow’s family isn’t rich enough. That’s all. It wouldn’t have been great, but it would at least be the truth and Willow could have understood…Maybe. Well, there’s a slight possibility that Willow would have tried talking things out with Amity’s parents or continue to be friends despite them, not caring what they’ll do to her. Amity, not wanting to take that chance, decided it’d be best to make herself look like the bad guy. So, she lied that she doesn’t want to be friends with Willow because her magic is weak, thus distancing herself from her first real friend. Was it an extreme decision that crushed Willow’s heart and left her unsure if she’s capable of doing anything right? Yes. But to be fair…Amity said that lie when she was probably seven years old. I’d like to see what morally correct decision you made at seven.

But the first lie isn’t the worst part about Amity’s decision. In actuality, it’s how she decided to keep the lie going for years until Luz showed up and intervened. In Amity’s “defense,” which is really a frail excuse, she didn’t have any choice but to keep up the act. She already said it, it did its job, and now she has to commit to her lie or risk putting Willow in the warpath of her parents. Amity says it herself that she’s not brave enough to fight them for Willow, so she instead puts on a mask that makes her appear to be a mean girl and further separates herself from her now ex-friend. This led to Amity disrespecting Willow and belittling her because it’s better to have Willow hate Amity instead of let Odalia follow through on her threats. It wasn’t until Luz showed up and started improving Amity’s life that she realized that being nice FEELS nice. Is that an oversimplification? You better believe it is, but I talked about these three characters and this aspect of Amity and Willow’s relationship three parts in a row so LET ME SIMPLIFY! Anywho, it is good that Amity told the truth and it’s even better that she apologized, but it doesn’t change how the initial lie made things worse. In an attempt to protect Willow from Amity’s parents, she left Willow to face bullies and judgmental peers without anyone to comfort her or be in her corner. At least, not until she met Gus and then later Luz. It was almost a well-intentioned lie like Eda’s with King, but while Eda put off the truth to protect King’s innocence, Amity destroyed WILLOW’S with a single lie. By the time the truth came out, it finally STARTED the healing process. It didn’t fully heal Willow, but it STARTED to, with her admitting that making things right with Amity is what jump started her having more confidence. Confidence that she’d have since the beginning if Amity wasn’t the one to crush it by saying Willow being weak is the reason they can’t be friends anymore. Amity had her reasons, and I went over them thoroughly enough in previous parts (Go read THOSE), but it doesn’t change that Amity caused a lot of damage to Willow by lying about why they can’t be friends. On the bright side, while she did keep it going for too long, she at least made things right in about a couple years down the line. It’s not like she kept this one lie going for a dozen years until adulthood and letting things get so worse that it was almost too late to fix things. That would be AWFUL…Anyways, let’s talk about Lilith.

Lilith proves that a lie of omission still counts as a lie. For YEARS she kept in the secret of cursing Eda and for YEARS let Eda’s life get worse because of it. I’ll get to how thoroughly screwed up things got with Eda in a minute, but to keep things brief: Things would not have been as bad if Lilith fessed up sooner. There might have been a lot of yelling, a bruised nose, and Eda proclaiming she has no sister sooner, but time tends to heal all wounds. And they would have had more time to heal if Lilith spit the truth out at fourteen. She would have more time to fix things and prove that she can help Eda, just like how Amity started fixing things with Willow once revealing who was the REAL weak one in the relationship. Now, these are two VASTLY different scenarios and Eda would most certainly have been out for blood immediately, but I’m certain that if the rage settled they could have worked things out and Lilith might have helped Eda with the curse sooner. And, heck, if you go back FURTHER, there’s a chance that honesty could have stopped the curse altogether. If Lilith was honest about her own inadequacy and confessed to Eda about how she’s POSITIVE that her sister would win, Eda would have just shrugged and given the Emperor’s Coven position to Lilith no problem. Granted, joining that coven would have been its own can of worms, but it would have certainly saved Eda a lot of emotional and physical pain. Unfortunately, problems with showing weakness apparently run in the family and Lilith didn’t want to admit that she wasn’t stronger than her sister. She needed to PROVE it…by cheating and completely derailing Eda’s life in the most outrageous fashion. And Lilith would learn years later that the truth really does set one free. But again, I’ll get to that in a minute…

We all have our reasons for being dishonest. They’re selfish reasons in hindsight, but we still have them. Sometimes it’s to stop others from worrying about us, other times it's to hide something we’re ashamed of, and most of the time we just want to stall a bad reaction that we KNOW is inevitable. What we need to learn is that the truth ALWAYS comes out eventually, whether it's through us or through others. We can try to deny the truth, bury it, and hope that it never gets out, but it always does. And what The Owl House tells us is that it’s a GOOD THING for the truth to be out there, especially for loved ones. There might be secrets we HAVE to keep to ourselves, but if you can’t be honest with the people you love, then they can’t effectively help you nor can you help them. It’s always important to be as honest as you can be, because the more you put off the truth the worse the consequences will be. Because you never know how bad one action can snowball into something worse. Which brings me to another theme in the series…

Your actions can have unintended consequences

There are two characters this applies to: Luz and Lilith. You can…probably see where this is headed.

Luz and Lilith tend to make mistakes in the series, Luz more so than Lilith. Granted, Luz’s mistakes mostly stem from her character flaw of not thinking things through, mixed with some impatience and being afraid of confrontation. In other words: She’s a teenager. Dumb teens are going to do some dumb things, and while Luz is smarter than people will give her credit for, she’s still the kid who angered a Slitherbeast by stealing Amity’s wand when Eda’s lessons seemed like they were going nowhere. And that’s just a MINOR thing in Luz’s adventures. We already went over the domino effect last time and how Luz texting ONE LIE to Camila ended up putting her in a more stressful position than how telling the truth outright would have. There are also the many times Luz almost got herself killed, sometimes due to overconfidence or being too emotionally driven to take down someone threatening the people she loves. Most notable examples of that second one definitely comes from being hyper focused on fighting Lilith and Belos in “Young Blood, Old Souls,” which led to the destruction of the portal door and Luz struggling to get back home. Or how Luz thought she could take Belos head on again in "King's Tide," nearly getting petrified in the process if not for smooth talk and tricking him with an invisible branding glove. As for her near death experiences caused by overconfidence, well, let’s see: You have her going on that fake quest for Adeghast, pretending to be an abomination, fighting Grom, challenging Boscha to a grudgby match (That might as well count), and trying to steal the healing hat. And that’s just the stuff that happens in Season One, with some of it carrying over to MORE consequences aside from just almost dying. The wacky adventures in Hexside made Odalia think she has a case to get Luz, Willow, and Gus expelled. And when getting caught by stealing the hat and Lilith consequently using her as bait, it leads to Eda’s curse getting irrevocably worse and Luz being forced to destroy the portal during her attempt to save Eda from Belos. A part of growing up is learning that if you don’t think far enough ahead, you could cause disastrous consequences. Thankfully, for each mistake Luz makes, she is often quick to correct it when the problem arises at any time. Plus, after so many near-death experiences, it eventually molded Luz into becoming the kind of person who doesn't wants lasting consequences over something stupid she did, trying to be more careful in her approach to something. Because Lilith proves just how disastrous it can be to yourself and others if you don't think about the consequences.

The thing is, Lilith PARTIALLY knew the repercussions that came from cursing Eda. Simply put, Eda would have lost the duel and not join the Emperor’s coven. It was a selfish plan made by selfish desires, but Lilith believed she had things all figured out and that things SURELY wouldn’t snowball from there. Turns out, she didn’t think ahead enough (Yeah, big shock). Because everything that went wrong with Eda’s life is all Lilith’s fault. The Owl Beast attacking their dad? Eda running away from their mom? The distance Eda has with her whole family? Eda breaking up with Raine? It all circles back to the curse that Lilith put on her. Now, Eda owns partial blame as some of these were caused by HER actions that no one forced her to make. Yet the curse didn’t help much, especially as it got worse the older Eda got with her magic fading away with the curse’s effects. Lilith excuses this by saying she didn’t expect the curse to last more than a day, as if that actually means anything. Look, I get that she was young and very stupid, with her hyperfixation on joining the Emperor’s Coven blinding Lilith from what was right and wrong. But she still kept that secret for YEARS, not wanting to reveal it until she got a cure for Eda, only to make things worse not just because the curse got stronger and the distance with Eda and Lilith became greater. It’s because., by the time Lilith DOES spit out the truth, Eda’s already at her lowest point with the curse and is furious at Lilith for kidnapping Luz. Just like how Camila would have been LESS upset if Luz told the truth sooner, Eda would be significantly less blood thirsty if Lilith came out and admitted her guilt from the start. I said it with the honest theme: Time heals all wounds, and Luz and Camila prove that forgiveness CAN come if someone proves they’re sorry enough and had more time to reflect on their actions. Lilith was just afraid of that inevitable confrontation that she kept her mouth shut for YEARS to avoid it. She was too scared of facing her own consequences, and it’s why it’s a smart decision to let Lilith decide to SHARE the curse. It finally allows Lilith to understand what she put Eda through and express her apologies far better. It finally hammers into her mind what she did was wrong and how she can take the steps to improve things…We barely see any of this, but at least she’s NOW experiencing consequences for herself instead of letting someone else’s life get worse.

The Owl House does a great job of showing that anything we do, no matter how big or small, can always cause big problems for ourselves and others. There’s no changing that, and what matters most is how we react. If we wait too long, things can only get worse and it’s for the best to fix things as quickly as possible instead of pushing aside the inevitable. And be careful of what you do because you never know when one stupid idea could lead to something even worse for your future. However, while The Owl House does show how our actions have negative consequences, it is smart enough to say that the opposite is true. You see…

Your existence changes lives in unexpected ways

Whenever we do something bad, the domino effect it causes could lead to disastrous outcomes that we could never prepare for, but that doesn’t mean our existence is nothing but accidentally causing harm to ourselves and others. Existence is actually about changing the lives of people around us, a lot of the time for the better. And there’s no character that perfectly proves this more than Luz Noceda, who is the very reason that most people in the Isles is living their best lives.

“She also caused Belos to—”

SHE IS THE VERY REASON THAT THEY’RE LIVING THEIR BEST LIVES! Nearly every person she's come into contact with is better than they were before meeting Luz because she has this tendency to make life better through mere existence. Sometimes it’s unintentional, with Vee being the first person Luz helped. When Vee saw Luz in the Demon Realm, she saw that there was a chance to escape Belos and took it with no regrets…That is, until Luz showed up again, but it all worked out for the best. Vee got a home she felt safe in, friends to spend her life with, and a family that treats her as one of their own because Luz unintentionally gave her an out. And when Luz officially met Vee, she did everything to secure her future sister a safe space to live in. As for other characters Luz more DIRECTLY changed for the better, Eda and King are the first in that regard. They were looking for someone to steal something for them, only for Luz to bring them together as a family. She became the daughter that Eda never had but likely wished she did as Luz is just as chaotic as Eda was but with more of a good heart. Luz gave Eda someone to care for, someone to FIGHT for, as she proves that having someone in your life is a lot better than living alone as a criminal with her son being misconstrued as a pet. With Luz around, Eda allowed herself to love again, letting other people back in because she needs to when taking care of this fun, energetic girl that practically crashed into her life. And with King, Luz gave him someone that is almost ALWAYS on his side, being protective and caring towards this cute little guy who never had a friend before. Luz was the first person he’s consistently interacted with that’s anywhere CLOSE to King’s age, and she was there to offer warmth and snuggles, endless support in finding the truth about his people, and inspiration on how to handle someone like The Collector. With Luz’s help, King went from a greedy demon hungry for power that will never be his, to a sweet boy who learned that all he ever needed was the found family around him. Luz met two misfits who often fought but cared for each other, and brought them to become even closer as a family. A family that would be nothing without her, with the same going for Luz’s friends.

Luz formed her very own squad of pals, all of them coming together because she was there to make them close. Willow and Gus were already buddies when they met Luz, but she was still there to make things better between Willow and Amity and, through inadvertently meddling in Hunter’s life, made him and Gus the best of bros. The most unlikely of friendships, one rekindled while the other forged through adventure, all happened because Luz showed up and improved all their lives. I already THOROUGHLY went over how she was able to change Amity’s life for the better, so…go read that. As for Willow, Luz acted as a cheerleader that often pushed her first best friend to do something that was stupid and reckless but ultimately for the best. Whether it’s pretending to be an abomination or playing grudgby against a team’s captain, Luz nudging Willow towards adventures allowed her to find her true magical strength, face her bullies, and become a confident witch that Amity would relearn to respect and for Hunter to love. With Gus, while neither are as close to each other as they are with Willow, Luz still helped him get something he always wanted: More friends. Before Luz or Willow, Gus was looking for someone to like and respect him instead of using him as a way to get something they want. Then here comes Luz to not just be another friend but unintentionally give Gus the chance to make more of his own. She gave him glyphs to help impress Glandis kids, only to grow closer to Matt when someone like Bria started showing her true colors. And, again, meddling in Hunter’s life led to him and Gus going on an adventure that brought them together as bros. Now, how did meddling lead to that? Well, aside from giving Hunter his first social interaction with someone close to his age, accidentally giving him an emotional support bird, and being the first crack in the wall around his heart, Luz also took Hunter into the Emperor’s mind and completely shattered his worldview. By the time Gus found Hunter, the poor boy was shattered and desperate for comfort, even if he didn’t want to admit it. Gus was just the one there to pick up the pieces with Hunter paying him back when it was Gus’ turn to need help. Luz created this friend group where the kids all care and help one another and gives them the opportunities to grow and better themselves for the company they want to keep. These four wouldn’t be as close as they are without Luz. Willow, Gus, and Amity might not even have the CHANCE to meet Hunter or know who he is if not for Luz intervening and helping him out of Belos’ hold.

“But she still help free The Collector–”

Oh, you mean the child who was falsely imprisoned and needed to learn how to play nicely and safely with others? The same child who wouldn’t have been better if not for Luz teaching him the value of a mortal life? THAT Collector? Because you’re right. It is good that Luz helped free them, even if accidentally.

“But she still helped Belos–”

OKAY! Okay. I get it. You have this weird obsession with Luz accidentally helping Belos and believing that everything wrong with the Isles is because of her, regardless if it was an accident or not. Good for you and go f**k yourself. But let’s not forget that Luz is the reason why Belos’ regime toppled. Heck, she was doing that before she knew Belos was a problem. In Hexside, they limit students to stick to learning one magic track before graduating and picking one coven. It’s a blatant display of preparing them for the inevitable, only for Luz to come in and allow Principal Bump to realize maybe it’s worth letting kids sign up for multiple magic tracks before making a final decision. The results make the adults remember how much they miss their covenless days and a character like Jerbo being inspired to change the system when he grows up. Luz already started the gears turning to tear down the systems Belos built ALL IN her first day at Hexside no less. By the time she does meet Belos and see how clearly evil he is, Luz still goes about trying to ruin every part of his plan. Luz slows down his plans to flee the Isles after committing genocide by blowing up the portal door, she saves the palismen Belos would have used to extend his worthless life, and goes so far to help Lilith and Hunter, his most loyal soldiers, turn their backs on him. Luz was cleaning up the “mess” she made for helping Belos long before she knew she was “responsible,” which she wasn’t. Belos knew this, and it’s exactly why he revealed that Luz helped him with his plans, even though he could have tricked anybody. He used this ploy to trip Luz up, only for it to make her more determined to stop him…until the guilt became too much to bare at one point, but that’s where her friends, the support group that SHE cultivated because of HER actions, came in to encourage Luz and tell her nothing is her fault. And when Luz came back…she died. But the Titan, the GOD of this universe, took note of Luz’s actions and all that she did to give King a good life as a shining light of kindness and would then give Luz the powers she needed to come back, rip Belos out of the Titan’s heart, and let him melt away in the boiling rain. You can claim all you want that Belos’ rule is all because of Luz, but Luz still ruined all of his plans and stopped him for good, doing it intentionally and unintentionally. Meaning that everything she “caused” was being fixed by her own existence.

…Okay, might have went on a bit of a rant there, But I can’t help it! You see, I made a post THREE YEARS ago, listing the ways Luz improved lives and how that wouldn’t have happened if she never came to the Isles. And one person, on THREE SEPARATE OCCASIONS, replied to that post and mentioned how those problems wouldn’t have existed if Luz never came at all. And it just feels like it devalues Luz’s accomplishments, the good that she did, and takes away some of the blame from Belos. Luz didn’t force him to use coven sigils or steal palisman or even commit genocide. That was all him and if it wasn’t Luz it would’ve been someone else he tricked to get what he wanted. We don’t blame Hitler’s dictatorship on the guy who stopped him from stepping into traffic before having the chance to DO all those bad things, and we definitely don’t blame the fourteen year old who couldn’t tell that the spineless, shaggy human would become the most dangerous person on the Isles. Because if you want to go so far back as to blame Luz, then you can blame Eda too. After all, she’s the one who told Luz about the time pools, she’s the one who allowed Luz to stay, and she’s even the one who’s responsible for Luz coming to the Isles in the first place! Yet you don’t see people blaming HER for all the world’s problems, do you? No, you f**king DON'T…Though, now that I think about it, if we could transition to this finger pointing and unnecessary blaming, there are some positive things Eda’s existence brought out into the world.

Real quick: I’m not saying that everything good that happened to the Isles and Luz’s friends is because of Eda. Only a lunatic would go that far. What Eda DOES get credit for is how she gave her kids a better life. Luz was from a world where most kids never got her or her weird interests and actions. She was a social outcast looking to be understood and Eda gave her that chance of understanding. She brought Luz into a magical world, protecting her from its darker edges, giving her a chance to explore, and letting her find her people. Eda found a kid who was alone in her own world and brought her to one that would eventually greet her with open arms. Things weren’t perfect at first, as Luz almost died three times within her first week, but with Eda’s guidance and care, she gave Luz a place she could call a second home and two people she could call an extension to her family. Speaking of family, Eda is the reason why King has one. She saw a little creature that lived in the cave of a dangerous monster, took him home with her, and that creature grew up to be her pseudo son. She treated him as a pet at first, thinking nothing of it, but as she grew to realize his intelligence and childlike behavior, she started treating him more like a son. Plus it’s a good thing that she got King out of that spire. He would have grown up alone as the last of his species with no one but the mute Jean-Luc as company. By taking him with her, Eda gave King a warm home, good food, and, eventually, Luz. All that is before King legally made himself a Clawthorne, making his family larger and causing Eda to cry tears of joy because she grew to love the little. She grew to love BOTH her kids as she wouldn’t be the same without them just like how they wouldn’t be the same without her. Eda didn’t think much when taking these two in, she was only being charitable. Still, regardless of intention, Eda managed to improve the lives of two innocent kids that needed more love in their life.

Life is a chaotic thing, giving us consequences to our negative actions but also rewards ourselves and others through the mere act of existing. Sometimes we’re rewarded and other times the people we love are. In either case, we can never truly know how much a simple action can affect someone’s life, whether or not we intend to do so. If Luz is any indication, as well as Eda to a lesser extent, then the show is trying to tell us that your life might seem small and your choices smaller, but you’d be surprised by how big of an impact you can leave on the world just by being yourself. It’s a beautiful sentiment that the show stands by, being one of several ways it tries to tell people that they matter. Especially with this next theme.

There’s nothing wrong with who you are

In case you’re wondering, no, this isn’t about how the show normalizes sexualities, genders, different races, and overall equality. Though, real quick, that IS a valid and important aspect of the series that not enough people took into account, meaning that we SHOULD spread that message more so that it can stick. However, for this theme, it’s more than just about representation and letting many different kinds of people feel seen as individuals. It’s more about the image issues that a few different characters have.

Starting with the most obvious, we have Willow, The Owl House’s shy girl. The poor girl starts off so unsure of herself because she’s not as good as others in one specific kind of magic even though it’s obvious to everyone in the room what Willow’s real talent is. It doesn’t help that most of her classmates judge and make fun of Willow for her “weakness,” with the time she had on the show being spent proving to herself and others that she isn’t weak. It’s why when Willow DOES mess up or feels unable to help that it causes her to break down and think that maybe she is just “Half-A-Witch Willow” like all of her bullies say. Thankfully, she has her support system to be there for her, Luz and Gus constantly acting as cheerleaders to raise Willow’s spirits and Hunter sharing how much he admires her strength and kindness. Interestingly enough, he also has the same confidence issues as Willow, having no natural magic and always pushing himself twice as hard to be seen as an equal among his peers, who are some of the best witches in the Isles. They’re also GROWN witches who had more time to mature their magical capabilities, but nonetheless, it made Hunter constantly feel like he wasn’t good enough either. It’s what makes him and Willow having each other in their corner kind of beautiful. Most of the people they see everyday look down on them, with Willow and Hunter not doing themselves any favors. But together, they can remind each other that they ARE worth more than anyone bargained for. Though, they don’t JUST have each other. Again, Willow has her cheerleaders and Hunter eventually has Flapjack pulling him in the right direction. To be honest, I’ve said all that I’ve needed to say with these two, how they grew, and how they affected each other. Or rather how Willow affected Hunter, as it’s still mostly one-sided. If you want to find out why, just go back and read parts one and two, it clears things up better. For now, I’ll say that these two definitely had their fair share of confidence issues, with Willow’s being obvious from the start while Hunter’s became more apparent the more his heart opened up. When you’re surrounded by people you think are “better” than you, it’s easy to feel like you matter less despite your own talents. But in some cases, a lot like Hunter, people are better at hiding it.

Take a look at Eda. With the amount of confidence that she has and the ego she flaunts, you wouldn’t guess she has image issues. But then you look at the curse and it all becomes clear. Eda’s regrets, nightmares, and worries proves that she does care about how others see her and react to her bad side. It’s not as prevalent or as evident as Willow or Hunter’s issues but it’s still there, with things getting worse when the curse took away Eda’s magic. She’s no longer the most powerful witch on the Isles, losing all the fear and respect she’s garnished and is now forced to relearn to be powerful in different ways. She bounces back but not without a lot of frustration, more towards herself if anything else. Eda hates the fact that she’s “weak” now and was desperate to get herself back to the top as quickly as possible. It’s not until she learned that her curse can become a strength instead of a weakness did Eda really begin to feel better about herself. I mean, I’d probably feel better about myself too if I could suddenly transform into a hot harpy. She certainly isn’t complaining, and good for her. She proves that you can always get over your issues, no matter how long it takes. For Eda, it might’ve taken her late thirties or…early forties? Regardless of how old Eda is, it definitely took a long time to get better and, even then, she still has The Collector's manufactured nightmare about people seeing her as a monster, which clearly got to her. The unfortunate truth is that it takes time to heal and you won’t be completely cured. There are times you will have good days or bad days, with Eda representing that through her false, and sometimes honest, bravado that tends to hide how messed up her issues really are. It’s good to show kids how slow that progress can be, even if it’s handled in a way that’s not as noticeable. However, while one’s issues can take time to fix, others’ tend to get worse with more time and, of course, more trauma.

Luz definitely had her issues, even before the whole Belos thing. She hoped being a “chosen one” would help her fit in, was worried about being seen as fragile, and became concerned about tanking her reputation on the first day of going to Hexside. Luz may be a proud nerd at heart, but she’s also one who cares about how others see her, whether it’d be her classmates or the people close to her. It comes with spending years of others signaling Luz out as “the weird girl,” with the Boiling Isles giving her a fresh start. Luz can be whatever she wants, even the hero of her own story…only to feel worse about herself once growing some attachments. Every time she accidentally caused troubles for other people, it caused Luz to sometimes believe she was a burden and needed to fix any problem she indirectly caused. Just look at how Luz reacted to accidentally making Amity lose her job. After getting it back for her, Luz was ready to accept that Amity would never want to see her again, despite Amity sharing the blame for it. Because Luz, at her core, is a good person, and it hurts her deep down when she sometimes hurts the people she loves in this world that she feels more at home in. It’s why Belos telling Luz that she helped him with his genocide affects her so much. It’s not true, everyone in the show knows it’s not true, and even members of the fandom who aren’t idiots know that Belos is full of crap. His actions are still his own and what Luz did is nothing wrong compared to his horrible deeds. Yet it still gets to Luz because it takes all of her issues of feeling like a burden turned up to the highest degree because she blames herself for the Day of Unity happening and all the craziness that comes from it. It hurts her so much that she forgets one important detail: She’s just a kid. Her mistakes are common, but nothing to beat herself up over. She’s still growing and learning to be better, not having the mental or emotional maturity to know better than to trust a shaggy man that claims to be on her side. As long as Luz makes it clear that she regrets what she did wrong and learned from it, which she always does, there’s no one with a rational mind that will blame her. It’s why it hurts that Luz doesn’t think she deserves it. Even though everybody constantly reminds Luz that life is better because she’s in it, it’s still something hard for her to accept. The times she accidentally caused trouble back home likely attributed this behavior, having only Camila in Luz’s corner as everyone else was busy calling her a freak or a problem child. Sometimes when you’re told your whole life that you’re a problem, it’s hard to stop seeing yourself as one. That’s Luz to a T, and it’s not until she found people that understood her and how she’s neither a problem nor a screw up did Luz slowly start to believe it, even though part of her can’t help but go back to the guilt she felt about things she didn’t mean to do.

We all have our reasons for self-doubt and sometimes self-hatred. It can stem from how others see us, how we see ourselves, or sometimes how we BELIEVE others see ourselves. And it can be an issue that could unfortunately last decades, where we get better but not completely healed of what hurts us. The only way to help ease that pain is remembering, simply put, there’s nothing wrong with who we are. Are there times when people SHOULD improve themselves? Absolutely. But if you’re anything like Willow, Hunter, Eda, and Luz, you should know that there’s not much you need to improve aside from your attitude. You’ll make mistakes, you’ll go back to how you feel, and you will find it hard to get over this problem you’re dealing with. But with the people you love cheering you on and reminding you that you ARE loved in this world, then that’s already the first step you need. And if you think you’re not someone worth the effort as there are more people suffering harder than you, just remember…

Your pain matters too

Sometimes, the nicest kinds of people tend to think that the problems of others outweigh anything that they’re going through. Especially those who lived most of their lives being told that they matter less than anyone else. And…you can already tell which two characters this theme applies to.

Luz and Willow are both victims of caring too much. You wouldn’t think that’s an issue, but it very much becomes one when helping others stop you from helping yourself. Luz is a more popular example of this as she will frequently throw herself into danger just to help the people she loves. She’ll even treat helping someone as a distraction to her problems like helping Eda reunite with Raine and getting Kikimora out of the Emperor’s Coven to forget Luz’s promise to her mom. Or using Amity’s desire to join the Bonesborough Brawl as a way not to think about her dad. Luz constantly decides helping people is more important than anything she could be going through, with Willow being in a similar yet less intense boat. “For the Future” proves this, with Willow hyper focusing on making Hunter happy and suppressing her own stress and anxieties of her fathers as she did so. It’s exactly what Luz does throughout the series, just as a one-time occurrence that Willow learns from quickly. Her caring for others more than herself fits her good-natured attitude, but after her talk with Hunter and Gus it’s likely Willow won’t return to this behavior again…Which in turn presents a problem with Luz and this theme.

That moment between Gus, Hunter, and Willow in “For the Future” is great, but it feels like LUZ needed a moment like that with the people she loves. She KIND OF gets it with Amity in “Reaching Out,” but not to the same extent Willow got with her boys. Amity just boxed Luz into a corner and forced her to spit out what’s bothering her, with the truth and how Amity reacted to it making Luz think she can be a little honest with her feelings. Only for her to go right back to distracting herself so she doesn’t confront her emotions in the very next episode, with Eda helping out by telling Luz the story of how she first met Raine. Meanwhile, Gus and Hunter told Willow that they appreciate her and everything she’s done for them, but tell her it’s okay to feel sad and to let it all out. And…Well, since there was only one episode left after that moment and all of it was dedicated to fighting the bad guys and giving our characters happy endings, all we can do is assume that Willow DID learn from her adventure in “For the Future” and grew from it. Even though Luz sort of gets that same lesson, there’s never this explicit case that she’s growing from it. If you dig deep enough in how she slowly admits what’s wrong or how she’s willing to vocalize her journal entry about what’s bothering her, then you can see that Luz learns a little. But when she’s the character that constantly puts others' needs above her own, especially for mistakes she didn’t intend, then it feels weird that she doesn’t get the same thing Willow got. If anything, it makes what Willow went through feels more like a lesson of the week than an application of this underlying theme within the series. It’s still a valid lesson to teach, but if this was something both Luz AND Willow needed to learn then Willow needed more moments in the spotlight of putting others' needs in front of her own and Luz needed more of a scene like Willow’s to better herself. It’s still fine as is, it just could have been better.

Still, it’s an overall good theme to teach kids. The Owl House is clearly telling them to be kind to others, primarily through its main character being the purest one of the bunch. But as good and important it is to spread the message of kindness, it’s equally essential to let them know it’s okay to focus on themselves sometimes too. You’re not going to properly help anyone if YOU’RE not feeling good yourself. Whether you just need to cry it out or talk it out with someone you love, it’s important to think of yourself from time to time. It’s not selfish to care about your own well-being and you won’t be a bad person for taking a day to just…decompress. You can do much worse than make yourself happy. As for those who HAVE done worse, well, there’s a theme meant for them.

People can always improve

The Owl House is one of those shows that spreads the message of turning enemies into friends instead of leaving them as, er, enemies. And if it’s enough to piss off Lily Orchard (Don’t bother with her), then you KNOW the show is doing something right. But in fairness, the show makes it clear that this decision is best reserved for those who are explicitly complex. Just look at Amity, Lilith, Hunter, and The Collector, characters we would have never expected to be reformed by their first appearances. Amity started out as generic prissy mean girl #115, Lilith was a snooty witch with a stick up her bum, Hunter was a charismatic fighter who threatened the lives of “criminals,” and The Collector was a god-like being who seemed to take joy in wiping out an entire race of people. Not great setups for characters you eventually want us to find redemption. Thankfully, The Owl House is a smartly written show and knows that you got to show layers to a person and why they’re like a certain way.

Amity and Hunter are by far the best examples of this. Every episode they’re in shows a new layer to them and the lives they live. To keep things brief (because I’ve talked enough about them already), they’re both kids who grew up with parental figures that made them believe that you have to always do what you’re told to justify your existence. Odalia and Belos both proved that there will be major punishments for when Amity and Hunter fail, motivating them to do their best for the wrong reasons. And doing their best often meant putting others down or doing something without knowing better because…what else could you do? Run away? Fight back? Stand up for yourself? Yeah, easier said than done. Hunter is proof that it’s not that simple, with Belos physically mistreating Hunter whenever he spoke up or how Belos WILL send his guards out to hunt Hunter down. Not everyone can be like Amity who has a parent that EVENTUALLY cares enough to kick the more abusive parent out. Sometimes, when you’re on your own with no real support group, it causes you to do as you're told without learning until later that it was the wrong choice. Amity and Hunter both show that, and it isn’t until meeting their friends that things start to change for the better for them. And they sure did change, with Amity and Hunter always getting a little bit better, even if their living conditions made it a bit difficult to do so. Plus, they’re kids. Kids are allowed to grow and change, especially if they’re always learning from their mistakes before doing something TRULY unforgivable. Unlike…other characters that I’m not a fan of in a different show I tried so hard to love. And when it comes to fictional storytelling, especially ones aimed for kids, I usually try not to avoid the “They’re just kids” argument because…yeah, obviously they’re just kids. That doesn’t change how well the writers handle their redemption, because if I’m left questioning if this character is MEANT to be redeemed, something screwy is going on here. With The Owl House, the writers consistently remind you that these characters are young and naive, with that knowledge playing into Amity and Hunter’s redemptions as it makes it an easier pill to swallow. And it doesn’t work JUST for these two.

The Collector being a kid is the central point to their redemption. He literally doesn't know better and–I’ve also gone over this a lot too, I know. But the point keeps being valid every time you look at The Collector’s actions. Even with the way they put Luz, Eda, and King into playing his weird games, The Collector still sits down and mopes because they all kept winning. It’s very much the same as a sad, lonely child who doesn’t like losing or people having more fun than them. All The Collector wanted was to play and have fun, but was punished for it because his siblings abused The Collector’s naïveté and made it look THEY were responsible for the other Titans…going extinct. And being falsely imprisoned for thousands of years tends to leave one a little agitated, as well as overly excited to be free and let loose. He didn’t do better because they never KNEW better, with Luz understanding that after just ONE real conversation with the kid. She was as freaked out as anyone else when first meeting The Collector, but, just like with Hunter and Amity, the more Luz got to know him the better she understood why The Collector acts the way they do. Everyone has reasons for their actions, some of them more justified than others. And even for the unjustifiable, it’s not too late to turn things around.

Lilith’s redemption still has some issues. Again, I VERY MUCH went over that enough. Yet it again comes with the best intentions of proving that you’re never too old to change. Lilith cursing Eda was wrong. VERY wrong. But she at least admitted to it and put the work into making up with her sister, already off to a great start by sharing the curse with Eda. Sure, Lilith still felt aggravation towards Eda and would occasionally act a LITTLE stuck upish, but the more Lilith stuck around the more it’s revealed how desperate she is for approval. Even a quick bit of Lilith making a little ice sculpture of Luz as a teacher giving Lilith a gold star speaks VOLUMES of her need for authority figures to give Lilith approval. Even if said authority figure is a fourteen year old who just knows more about glyph magic than Lilith. It also helped that Lilith had Hooty there, bringing out her best and bringing some levity in her life. It makes her from thinking that she’s at the lowest point of her life to realizing that life just got started for her and that she CAN make improvements, have better connections with the people, and can be a kinder person instead of a cold, stick in the mud. And with each episode we see her in Season Two, Lilith DID get better as a character and as a person, finding her true self and proving that you don’t NEED to be dragged through the coals forever to better yourself…Even if a sick part of me kind of wishes she was. I just feel like everyone forgave Lilith a little too fast, and while improving herself is fine, forgiveness is a completely different thing. But I also went over THAT enough, so I’ll just stick with the fact that while Lilith’s redemption is the most flawed here, it still does the job to prove that people are never just one thing forever.

People can change, and a lot of the time it’s for the better. They might have done things they’re not proud of or learn to regret, but everyone has a reason for it. Whether it’s how they’re raised to act, how their goals blind their morals, and quite literally didn’t know better. For these people, it’s always best to give them a second and maybe even third chance, especially if they have a clear desire to change. Some certain cynical sycophants will sometimes say that a character shouldn’t be redeemed because they don’t deserve it, but that’s not really how redemption works. It’s not about DESERVING redemption but proving you’re capable of it. When a show paints how a character is always bad and needs to change yet consistently goes back and forth on them being better or worse without much apparent growth, then that’s where it becomes a problem within the story. But if the show reveals layers to a character, proving that they’re flawed but good deep down and allowing that character to better themselves throughout the story, then it’s writing the message correctly. There are cases where there’s a good person deep down a LOT of hot garbage, with a lot of morally dark actions burying them deeper, but that doesn’t mean we shouldn’t forget that bright light of a human being that still wants to do good and trying desperately to claw their way out of their own pile. It’s…a complicated metaphor, but people are just the same as that: Complicated. We can grow and be better, it just takes time and love to do so. Although, to teach a message like that to kids, it is important to make one thing clear…

Some people don’t deserve redemption/forgiveness

This is the most ESSENTIAL distinction to make when writing a show about bringing the best out of others and getting them to change and redeem themselves. Yes, there are people capable of being good but there are still people out there who are too far gone to change or refuse to see how they’re a problem on all accounts. You can reason all you want with them or try your hardest to bring them out into the light, but no matter what you do, they’ll still refuse to accept that they’re the problem.

Kikimora is a perfect starting example of this. “Follies At the Coven Day Parade” was our first and…honestly, It’s our ONLY insight into there being more to Kikimora than a psycho who’s very okay with child murder. Luz catches Kiki getting stressed over not being able to see her family due to her duties being more important. The Owl House has done more with less when it comes to trying to hook viewers into sympathizing with characters worthy of redemption. I mean, just look at what they eventually try with Boscha. Besides, you don’t need a BIG reason to help someone into the light. As long as it seems like there’s a GLIMMER of a hope, then that can be enough to make it justified to help them. It’s only dependent on how quickly that glimmer gets stomped out that you realize mistakes were made in helping someone. To Kikimora’s credit, it seemed at first she was grateful for Luz and the others to help her be free of the Emperor’s Coven, even if a little annoyed by their flawed plan and ridiculous antics. It’s not until Terra (We’ll get to you in a sec) mentioned a promotion did Kikimora’s true colors show. When it seems like she’s at her lowest, Kikimora is willing to find an out so she doesn’t get disposed of like your average Golden Guard (Which she might have always known about?). But when it seems like she has a chance to be on top? Well, then Kiki will say her family could rot for all she cares if it means she’ll be seen as the best of the best. It’s that desire to inflate her already big ego, mixed with the insane drive to do so, that proves how Kikimora isn’t one to change because she has no desire to. Her only desire is to look out for herself and do what’s best for her, but to a selfish degree that often leads to others getting hurt. To Kikimora, the only problems that she needs to take care of are those who try to prevent her goals of reaching to the top. And she’s not the only one.

It still amazes me how Amity desperately tried to convince Odalia not to assist a genocide. I said it before, and I’ll say it one more time: This was Amity’s last attempt at proving that her mother isn’t evil. And we all know how well that turned out. The reason that it amazes me that Amity even TRIED because…there hasn’t been an ounce of kindness that Odalia showed to anyone. With Alador, there’s at least SOMETHING, whereas the nicest thing Odalia did was compliment on Alador’s work. Still, even then, it isn’t much given that she didn’t really know how much Alador would appreciate the compliment. So if Odalia never acted good, why bother reaching out? Well, as I’ve said several times before, it’s hard for a child to accept that their parent has ZERO good inside them. Amity wanted to see for herself, once and for all, if there’s really NOTHING good in Odalia and the answer…was exactly what she needed to hear. Even if it’s baffling that Amity tried to reach out, it’s still good that she did. It’s always important to at least TRY instead of giving up on someone outright. Amity more than anyone knows that not everyone is completely bad, so it’s great that she and kids watching understand that sometimes what you see really is what you get. A better example of this is Terra.

No one really tried with Terra. Specifically, no one in the CAST tried with her. The most people did was try to reign Terra in and tell her NOT to kill children and that didn’t really change anything. The fact that Terra RELUCTANTLY agreed just proves how deranged she is and how no sane person would want to change her. The writers knew this as even they didn’t try giving Terra that many layers outside of a crazy person who liked torturing the youths. And given that this is a series that loves showing how most of its characters are layered with a few of them deserving redemption, it’s perfectly fine to show one that’s one-dimensional and bloodthirsty. It helps sell the fact that not EVERYONE is redeemable, like having Season One Boscha act as a one-dimensional bully to make Amity’s redemption more digestible. You got to show a bigger bully to prove how the other isn’t so bad, and that’s what makes Terra so important. She’s the bigger bully, and her actions prove that while SOME people are capable of change, others like Terra are more than fine with who they are. And I’ll give Terra this, at least she’s sociopathic enough to understand she’s the bad guy and LOVES that about herself. Unlike others who genuinely believe what they’re doing is for the greater good.

Belos is the best example of how some people will just NEVER change. It’s never too late for one to redeem themselves in some way, but Belos has been living among witches and demons for CENTURIES. He had hundreds of years to see that there’s nothing wrong with who they are and take note that they’re kind people just living life and not really hurting anybody. Instead, he focused on the bad parts. The witches who made him dance for his book. Lilith, who punched him in the nose. And, of course, the witch who stole his brother away. These all circle around in his brain for as long as he lived, ignoring the TRUTH behind these responses. The Fang brothers and Lilith only treated Belos that way because he killed the Fangs’ brother and put Luz and Lilith in danger for his own reward. As for Evelyn, she didn’t STEAL Caleb away, he willingly followed her to a new world. Yet Belos refused to see anyone else’s point of view and that witches were ALWAYS the problem. Never him, and not anyone else. So he dedicated his entire life to fulfilling his plan, mutilating himself and becoming less human by the day, all so he could wipe out witches and demons from existence. He justified it because of his idea of the greater good, believing he was some tragic hero pushing himself to do what’s best for humanity. In reality, he was just a sad old man who never took the time to ask “What if I’m wrong?” And if he DID ask that, well, he likely suppressed that thought deep, deep, DEEP down inside himself so he wouldn’t have to think it again. Belos was a monster that would never change because he didn’t think he needed to despite having all the time, all the chances, to see that he could be wrong only to deny and refuse any other possible answer. Not even Luz, who forgave most of her enemies, wasn’t even willing to give Belos a chance, appealing only to his ego instead of his humanity as she knew full well he wouldn’t listen. The only person who really tried with Belos was The Collector, a child who learned the concept of kindness and forgiveness for the first time in their life and didn’t know better. If that doesn’t say a lot about Belos, I don’t know what does.

It’s always important to preach the message of helping people better themselves. There are good people in this world and it’s admirable to help those who want to be good but need to learn or relearn how. However, not EVERYONE is going to be like that. One way or another, they don’t see themselves as someone who needs to change. They either think there’s nothing wrong with them or believe that the rest of the world should change itself first. You can TRY to reach out to them and maybe you’ll succeed in some way with a few of these people. Just don’t feel too disappointed when it turns out that some people are too broken to fix. In that regard, there’s not much you could do to help them and you’ll often find yourself fighting against them. And you might want to make sure none of those people get too big of a dangerous job, because you’re not going to like what they’re capable of. You’ll see why in this next theme.

The ones who make the rules are sometimes the most dangerous

Not ALL the time, mind you. There are SOME nice people running things…probably. But not EVERY person should be in charge. There are those who abuse the system for the chance of lifting themselves up higher or hurting those whose only crime is existence. They have their “reasoning,” but it always boils down to excuses in some ways. It’s always based on “How they’re raised” or “It’s based on what their religion says.” While that explains their actions, never does it justify anything they’ve done as it’s a weak shield against the arguments about their moral character. Your upbringing and religion doesn’t stop you from coming across as a turd nugget, and if you’re wondering who I’m calling out with this, it’s the kind of people that Belos represents.

The absolute tragedy is that there are people in real life who are a lot like Belos. It’s just that he’s exaggerated for a storytelling effect and to keep things simple for the kiddos. Regardless of that, he still acts like those you’d see and hate. He’s a maniacal, manipulative leader who made the ranks through lies, smooth talk, and telling people what they want to hear. Because when you act like you know better than others, and do so with enough confidence, you’d be surprised with how easily people will be convinced to follow someone who speaks nothing but nonsense. And nonsense really is the name of Belos’ game, as he manipulated a group of people’s sacred beliefs and formed a religious oligarchy just so he could kill those he was manipulating in the first place. As far as my admittedly limited political knowledge goes, there hasn’t been a person that’s gone THAT far, as most of them actually believe the crap they’re saying. It’s just Belos who manipulates beliefs to get his way. The Witches consider the Titan their god? Then he’ll use that god to make them think he’s unhappy with how witches use magic. It’s similar to how people use the “It’s not what God would want” when making their stance on other people’s rights, except it’s not THEIR god that Belos believes in. He’s a puritan who thinks that all these sins he’s committing to the people of the Isles is worth it because it’s what HIS god wants. And for the record, I don’t think that there’s anything wrong with believing in God or any god for that matter. But if you really believe that God would want you to kill others to appease him when his teachings boil down to love and forgiveness, then I don’t think you’re worshiping God the right way. That’s something Belos doesn’t realize, as he would twist his own soul into a pretzel for the sake of his “holy mission.” Yet that mission was nothing more than a shield to hide behind his discrimination. Much like other “leaders” in the world.

Am I projecting how I see certain scumbags on social media onto Belos? Most definitely, but I feel like Dana Terrace is most certainly doing the same thing. Look at any conservative online and tell me that they don’t have similar mindsets to Belos. Because to me, they definitely do, and it’s the way Belos transformed the Isles that makes me worry about those real life dingles. Especially with how REAL the Isles feel in that regard. Oh, things seem fine. In fact, things are relatively normal with people living their lives without any real negatives. That is, as long as you join a coven, otherwise you’ll be marked for death if you break the one important rule. Everything seems to be alright for everyone who stays in line and follows the rules, much like real life society. We can live normally and be at peace as long as we ignore the problems that exist, do as we’re told, and never CONSIDER straying from the path. And that acceptance of how things are is exactly what the bad guys in charge use to get what they want. They spread their message to those who WANT to listen and are fine with what’s being preached, all while painting those who say otherwise as the purest of evil. When, nine times out of ten, it’s usually the person preaching that crap who turns out to be the real scumbag. They don’t want you to think differently or question why things are the way they are, either because they don’t want their own place in the world to be challenged or, like Belos, they actually believe that people who are “other” are actually evil. It’s why he gave these people, who were initially content with their lives, a system that seemed to encourage in-fighting, proving that you’re the best at a specific skill, and letting others climb to be the most powerful in the world for the sake of their god. Belos devised a way for witches to basically fight each OTHER, temporarily playing the long game so he can stall until finding a way to kill them all at once when his time was starting to run out.

I wouldn’t say that the show is ENTIRELY anti-government. If it was, the ending wouldn’t have implied that Raine and Darius have basically started their own. To me, the show is more likely saying that you need to be careful in who you put your faith in to lead you. Not EVERY politician is evil, but none of them are saints either. A lot of them have ulterior motives for letting them lead, with a person like Belos showing just why we should be wary of who to trust. Belos may be an exaggerated worst case scenario, but one that’s very much possible if we don’t prepare well enough to stop those just like him. As for who’s who, well, that’s up to your own beliefs and research to find out. Just remember that even though someone is in charge, that doesn’t mean they have your best intentions in mind. Though, keep in mind, this is mostly about the people in politics. There are authority figures you should be wary of, but most of the ones who know you personally are trying to keep you safe. It’s the ones that have known you for years. Ones who want to make sure you’re having the best life. And while they’re not always right, there are some out there who want to do right by you. And what authority figures are those? Why, your parents of course!

…Look, I wrote myself into a corner and I needed a good transition into the next theme. I know parents are nowhere NEAR the same government officials or those who uphold the law, but they at least uphold the law in YOUR house. Though, some of them aren’t perfect at it.

Parenting isn’t easy

There are a LOT of parents that do their best in this show. The only real exception is Odalia because…she’s Odalia. It’s the rest that shows they’re doing all they can to give their children a better life. Willow’s dads are willing to give up their jobs to continue Willow’s education when she’s expelled, Perry wants to support Gus’ talents, and, hell, even one of Boscha’s moms seems desperate to be a part of her daughter’s life by asking to join in on the Moonlight Conjuring. There are some decent parents in this show, but not a lot of them tend to get credit for their efforts. Mainly because, in some cases, their efforts aren’t good enough to those who’ve had…similar experiences that turned out for the worst. Those types of people tend to not feel good when a show says, “Give your parents the benefit of the doubt.” You can…already tell where this is going, and I want those fans to know that their emotions are valid and, if I were in their shoes, I would feel the same way. However, I think there’s some value in how The Owl House tries pointing out a parent’s love is the most essential part done right, even if some parents tend to fumble at first.

Starting with the most forgiving, we have…Camila.

“LE GASP!”

DO NOT get me wrong: Camila is still the best parent in the show and one of the best cartoon moms of all time…That doesn’t mean she hasn’t made any mistakes. In fact, Camila acknowledging her mistakes is part of what makes her one of the best parents. She was a single mother trying her best to raise Luz right, but got lost along the way due to how OTHERS perceived Luz, not so much how CAMILA saw her. She loved Luz’s wackiness and oddities, it’s what made Luz…Luz. Camila was just worried because not everyone would feel the same way, and that would mean Luz would not fit in with…anyone. And with everybody judging Luz and even judging CAMILA, it left her feeling pressured to make a change to fix the situation. Her fault was that Camila decided on sending Luz away to a camp in an effort to help her daughter, only for that to make Luz feel like SHE’S the problem. It’s not what Camila intended, but it’s how her actions came across, and it immediately left some bad tastes in some fans’ mouths. Some of it was very unwarranted as too many jumped on the hate wagon by calling Camila a bad mom who doesn’t love her daughter despite a fair amount of evidence pointing to the contrary. Still, when she does things like send Luz away or unintentionally guilt Luz into thinking she can never return to the Isles, some fans can’t help but see their own dismissive or possessive parents, even if Camila isn’t meant to be like that. She’s a mother trying her best and made a few mistakes along the way. She at least learned from her mistakes, managed to be better, and was given more depth for why she acted this way. And her character was certainly more well-received than other problematic parents doing their best.

If you couldn’t guess already, Gwen and Alador are the other two. I’ve said ALL that I’ve needed to say about them, there’s no need to stretch it out further, and so I’ll just speed by them. Firstly, they’re both characters where you understand the intention the writers were going for. They’re meant to be parents who genuinely love their kids but went about supporting or helping them the wrong way. Gwen was a mother who wanted to cure her daughter’s curse at all costs due to the pain it caused Eda and the rest of the family. She just ignored Eda’s feelings about the matter, not being satisfied unless the curse is gone FOREVER. And all that ignoring led to Eda distancing herself from Gwen because of all the intense and ineffective treatments, with an extra side-effect of Gwen ignoring Lilith because her problems weren’t as “important” as the one she caused. Though, that last bit might have been a thing long before the curse. At least, that’s what’s implied. Her actions were less than ideal, and to some fans, it would take more than a single “I’m sorry” to make things right. Unfortunately for Gwen, she never really got a chance to prove she’s forever changed like Camila did. Outside of redeeming herself at the end of her introductory episode. The next time we see her, she drops the news to Eda that Dell is about to visit, giving Eda no time to mentally or emotionally prepare herself for her father’s arrival. It was done with the best of intentions and Eda would have refused until the day she died anyways, but it’s still the same as Gwen showing up unannounced with a new and “totally legitimate” cure. Camila at least put in an effort to be okay with the Isles, even if some aspects freak her outyears after her first visit. But that’s the benefit of being a character who was allowed to grow and change because the writers found a way to include her in the main story. Gwen didn’t have that luxury, with the show barely having enough time to fit her in at all. I feel like the reason for that was because the writers didn’t have plans for Gwen outside of her introduction, so they just hoped that what she did in that episode would be enough. And…it is for a mostly one-off character, but it causes SOME reservations with fans due to the years of damage and neglect Gwen partook in. I would still personally say that what she does is enough, but I’m a person who didn’t have a mother problem like Gwen, and the fans who did are likely going to respectfully disagree with me. Though, I feel like I can confidently say that Gwen’s mistakes are an easier pill to swallow than Alador’s.

Alador is very much not an improvement as he constantly stayed out of Odalia’s way and did what she said to make her happy so she wouldn’t do anything WORSE to the kids. Even though what she already did wasn’t all that great to begin with, Alador kept telling himself that Odalia will somehow be even worse if she doesn’t get her way. He tried to SUBTLY steer Odalia off course, but still did next to nothing to really stop anything she’s done. He does when she finally goes too far, but to some fans’ eyes it’s too late. Now the question is: Is Alador stopping Odalia from assisting a genocide and promising to do better ENOUGH to accept? And to some fans…the answer is no. It’s a good start, but it’s hard for some people to accept an apology that seems to come too late. It’s even harder to accept because the show’s about over and there’s next to no time for Alador to improve himself as a good parent. I get that he WANTS to, but wanting to be a better parent and actually being one are two different things. Trust me. The epilogue hints that he did well enough for Amity to still be happy to see him, it’s just that we don’t get to see that change for ourselves, thus making it a harder pill to swallow that he’s really a good parent.

It is a good thing for kids shows to say that parents are doing their very best. I’m willing to say that there’s a VAST majority of parents who actually love their kids, even if they sometimes make decisions that could unintentionally upset the child at first. It’s nice to tell kids that their parents still love them, and it gives the parents watching The Owl House a chance to see some of their mistakes be painted negatively and it’s not too late to change. However, there are still teens and young adults who DIDN’T have the best parents growing up, and they’re going to be slightly willing to resent some attempts to make imperfect parents better. It at least works with Camila, with only those who disagree being fans who hyper-focused on her worst attributes and ignored her most nurturing moments for the sake of just…hating her, I guess. Ever since “Thanks to Them,” the hate train for Camila has LONG since left the station with barely any passengers on it anymore, and it’s all because of Season Three having her confront her mistakes and improve on herself. We don’t get that with Alador and Gwen, so saying that they’re parents doing their best doesn’t really cut it because we never got the chance to see what their “best” ever was. Both have their moments that make me appreciate the effort, but they’re a case of the intention being better than the execution, making this a lesson that needed better planning for its other parents. Though, in fairness, the lack of proper preparation for making imperfect yet loving BIOLOGICAL parents MIGHT have something to do with The Owl House LOVING the Found Family trope…

Family is more than blood

Ah, the found family trope. Something that’s genuinely wholesome every time it’s used. Whether it’s outcasts and weirdos finding acceptance through each other or poor sad sacs finally experiencing love for the first time with someone who isn’t a blood relative. The Owl House loves this trope, especially with its main trio. I’ve said…pretty much all I need to say about these three and how important their love for each other is. Their bond is at the core of what makes the show so compelling, and seeing them be happy together is what makes watching The Owl House great. On top of that, it also does a job of showing that you don’t need to be a child’s birth parent to be a GOOD parent.

Eda’s a surrogate mother to Luz and an adopted mother to King. Neither of them are her flesh and blood, but she will ALWAYS treat them as such. At least, she eventually does. Initially, Eda kept pushing the label of Luz being her APPRENTICE before sticking with calling Luz her “kid” and would treat King more as a pet before seeing him as a son. It’s partly Eda not wanting to accept that she likes having people in her life, and partly because the writers were not a hundred percent sure about character dynamics until almost halfway through the second season. Regardless, by the time everything is all figured out and accepted, Eda basically starts to become mom of the year. She prioritizes Luz and King���s safety above anything else, takes time out of her day to get those kids the things they need on the day-to-day, and will get extra murdery when someone so much as THINKS about hurting her babies. It gets to the point where if the pressure of her kids being in danger becomes too much, it’ll cause Eda to break, making her one of the few cartoon parents who absolutely refuses to let her children get mixed up in the danger. The parental figures of shows like these tend to accept that it’s something the kid HAS to do or begrudgingly goes along with it because…it makes the plot easier. Even the parental figures who tell their kids to be cautious when approaching danger tend to still bring their kids into said danger. With Eda, she’s the rare case where I’ve seen a mother actually cry from stress over worrying about her children, which proves how strong her love is for Luz and King. You don’t need to be a biological mother to love your kids, and Eda proves it. As well as a certain someone else.

I do want to gush about how Camila is the mother Vee never had, taking the poor little snake in when she had nowhere else to go. The problem is that there’s not really a greater focus on it, but, at the same time, there doesn’t need to be. We understand everything from something as simple as Camila running to hug Vee when she reveals her new form. At first, Camila may have been put off by the SURPRISE of Vee, mainly because the reveal of a snake demon pretending to be her daughter was a bit too much for her. But after calming down and seeing Vee for what she is (Which is a scared teenager with boatloads of trauma), Camila agrees to let Vee stay with her because the girl has nowhere else to go. That very act shows off Camila’s kindness, sure, but the little bits we get in “Thanks to Them” shows that this is more than a woman offering a teen a place to stay out of the goodness of her heart. There’s that first hug I’ve mentioned, sure, but we also have Vee learning Spanish fluently and a picture of Camila proudly teaching Vee how to make empanadas. It makes it seem like there’s a genuine effort to make Vee a permanent member of the family, with Camila not seeming to be against it. And her final hug to Vee at the end of the special cements that she’s more than happy to have Vee in her life, which is further confirmed in the pictures we see in “Watching and Dreaming.” Vee became a permanent part of the Noceda family, joining in on family outings and graduating with Vee in pure glee. She hasn’t been with them long, but Camila and Luz love Vee like a mother and sister would, being something that’s so genuinely heartwarming to think about despite how little we see in the show…It also feels more earned when compared to Hunter and Darius.

I still appreciate what was MEANT to be done with Hunter and Darius, don’t get me wrong. It’s sweet to give Hunter a father figure and someone to consider family outside of Belos because…it’s Belos. Hunter deserves SOMEONE to love and guide him outside of Flapjack, and Darius is revealed to be someone that was strict but understanding about Hunter being a teenager. Plus, with the information that he was close with Hunter's predecessor, and the knowledge of what happened to previous Golden Guards, you can take this as Darius wanting to keep his friend’s memory alive through Hunter. The potential of what they could be is there and what we see is still good. I really do enjoy that Darius seems ready to take Hunter in after Hunter was ready to accept that he has no one, even taking interest in Hunter’s love of wolves the second he talks about them. It’s certainly charming…but we also barely see any of it. More than that, we’ve hardly seen it built up. I know the same applies to Vee and Camila, but here’s what they have that Darius and Hunter don’t: Time and close proximity. Even when they’re off screen together, they’re still together and you can imagine the bonding they MUST be going through, even if they’re off-screen. You can’t live in the same house with somebody and NOT form some kind of connection with them. For Hunter and Darius, while they MIGHT live in the same castle, but they’re often both busy with duties and responsibilities to even TALK to each other. At least, that’s what we can assume from these two. Camila and Vee seem significantly less busy with one another, so it’s easy to imagine that they have all the time in the world to chat and bond. Hunter is rarely in the same room as Darius unless in uniform. I get that Darius cares for the boy, what with how overprotective he got and ready to rain hell once learning that Hunter’s in Belos’ mind too. But that’s the only real big showcase of their bond between “Any Sport in a Storm” and “Watching and Dreaming” that so much as hints to their relationship. It’s a decent attempt, but it’s another one of those things where I wonder if it’d turn out better if we had more time.

Regardless, it’s still an effective theme. Only a third of the found families here were allowed to have a lot of attention on them, but Camila and Darius were still allowed a chance to prove their loving parents despite not having a lot of time to show it. Familial love isn’t JUST defined by the blood one shares. It’s something experienced the exact same way through adoption or considering someone to be close enough where they might as well be family. Blood’s not all that binds us, and it’s sweet for the show to say that, not only for the kids looking for a new home but also for ones looking for an out from a hostile environment. They WILL get a better life with people who will love them regardless of being related or not. And it’s not just a familial bond you’ll get from people out in the world. Because while you might currently feel alone without anyone there to understand or love you, just know this:

You’ll find your people

This one…really applies to a lot of the characters in the series. One way or another, they each experience a state of loneliness at some point, having no one in their life for a period of time to then having the closest companions and romantic partners that make things…better. These are characters that likely thought they’d never find anyone, but they’ve either now have one person or a group of people that make them feel seen and heard as an individual. And I could go on entire essays about these characters…but this whole sticking thing has gone on long enough, so we’ll lightning round these examples.

Luz was your average nerd that no one understood, with her antics being too weird for anyone to even want to associate themselves with her. That is, until she found herself in a land that’s weirder than her, yet ironically remaining a social outcast due to her being the only human. Yet she still manage to befriend almost every person she met, with all of them showing up to celebrate her birthday. It made Luz go from the loneliest girl in her grade to basically the leader of her own squad of losers and town sweetheart to the lives she saved.

After losing a friendship with Amity, Willow spent a lot of her time all alone and struggling to catch up with others, bullies in particular calling her half-a-witch. But we already established where this led her. She got two personal cheerleaders and a boyfriend that all express how amazing and talented Willow is, having blossomed into the badass she is now. She even repaired things with Amity, making a friendship that’s stronger than it was before.

Older kids used Gus for his intelligence and didn’t respect him for his age. Now he’s the personal cheerleader of a whole group of friends who have his back and value both his input and needs.

Amity may have had “friends” like Boscha and the whole mean girl clique, but it never felt real to her. She was surrounded by people, but never felt more alone until meeting Luz and understanding what real love and friendship felt like. It made Amity want to be better as a person, giving her a chance to rekindle a friendship with Willow and making things better than they’ve ever been.

Hunter had NO friends his age, only having a bird as a companion that he had to keep secret from his controlling, bloodthirsty uncle. It wasn’t until the bird kept pulling Hunter in the right direction did he manage to become friends with a girl who acted like an annoying sister, a new best bro, and a crush turned girlfriend, all inspiring him to stand up Belos and be his own person. And also Amity was there.

Vee had next to NO ONE in her life, and she was a monster in the Boiling Isles that was hunted down by Belos. By coming to the Human Realm, not only did she find peace, but she also found a family, made easy friends, and became part of a group that likely makes her feel a sense of belonging she never experienced before. And you know what? Good for her.

Throughout Hexside, all Eda had was Lilith, which implied that not a lot of students were a fan of her chaos. That is, until she met Raine and finally had someone who both understood her as well as wanting to join the fun.

Speaking of Raine, they were a top student for sure but one that was looked down upon/underestimated due to being a bard witch. Eda was the one who saw their potential and talents, being an easy first friend and eventual girlfriend who brought more excitement to Raine’s life.

It is HEAVILY implied that Camila was a closeted nerd who never had anyone that understood her until meeting Manny. Those two geeks assuredly bonded over their shared interest in Cosmic Frontier, making Camila feel loved and understood by a man that I REALLY wish we got to see in canon. Just one flashback or SOMETHING!

Lilith likely didn’t have any friends in Hexside, though it’s possibly by choice. She focussed more on studying and being better than her sister, with that mindset carrying over to the Emperor’s Coven as she won’t give up unless EVERYONE recognized her for her talents. Friendship took second place to those needs, and, for all we know, means that Hooty is her very first real friend. And that’s sad because…it’s Hooty, but at the same time it makes their friendship all the more beautiful with how much Hooty makes Lilith happy in a time when she felt like there was no one who’d face her let alone like her company.

And finally we have The Collector, who was alone for EONS, wanting to just play games and make friends. The only snag was that he was too powerful and needed a guide, with King stepping up as the role of The Collector’s (forced) best friend. And while the job wasn’t the BEST position, King grew fond of The Collector, making them feel fuller as a person.

Like I said, a LOT of characters felt alone for so long. The good news is that they eventually found those who made life better just through their company alone. And that’s good to teach–GREAT, even. Because it doesn’t matter how long it takes for those who feel so alone. Whether you’re a teenager or even an adult, you’ll find people in your life who will effortlessly make you happy. You just gotta let them in when they find you and allow them to make life better. For some of you, it might be hard to let friends into your life because you feel too damaged beyond repair. And for that, there’s another thing to remember…

Love heals all wounds 

On top of being lonely, a lot of characters tend to be…emotionally broken. At the very least, a lot of them needed a hug more than anything ele. At most, they need a whole new life with people that actually understand the importance of love and kindness. And I…pretty much just speedran my way through most of those characters, as well as thoroughly going over the two biggest examples in this show throughout every part of this dang review series. Amity and Hunter are their best selves now because of the new friends that they made and the families they formed. Most of their baggage, bad behaviors, and worst memories are darn near forgotten due to those in their lives making things better. I’d just be repeating myself to an excessive degree if I went further with these two. They’re the best examples for sure, explicitly showing how much a person can become better off with someone showing them what love feels like. The same goes with, like I said, a LOT of characters on the show. Luz was in a depressive state, one that made her question whether or not people would be better off without her, and was only healed through reassurance and reconfirmation that people loved her and are happy BECAUSE she was in their lives. Eda was a person that pushed away everyone in her life, from families to romantic partners, until she had two kids in her life that gave it meaning and encouraged her to reconnect with those she left behind. And do I even need to explain Vee? The connections we make with people is only important because of the love we share with one another, in a variety of ways. Romantic, platonic, even familial, a person saying “I care” can do wonders to a person’s psyche in ways you don’t even know.I should know. I speak from experience as a person who often felt like no one cares about him or his existence. It means WONDERS whenever I hear someone say they value having me around. Reassurance that you’ll find your people is one thing, but being reminded that the love you get from them is as essential just feels…so right. Because, yeah, of course relationships and love go hand in hand. It’s part of why The Owl House is such a delight to see and why this next and final theme hits so hard. And while I say final theme…it’s really one of the first things the show ever had to say.

“Us weirdos gotta stick together”

On top of being lonely and desiring love, The Owl House is a show of outcasts. As Luz puts it best, they don’t fit in anywhere so they just fit in together. Our main trio, of course, are the primary examples of this. King’s the last of his species with delusions of grandeur that makes him difficult to socialize, Eda’s a criminal wanted by the Emperor for not joining a coven, and Luz was the weird girl in school that became too much to handle. The three of them never really fit in anywhere so they found unity through each other. They’re the only ones who really knew and understood each other better than most people and would go through so much if it meant making one another happy. They were weird, but that’s what kept them united as people who can be their true selves while being…mostly unjudged. There is some teasing and some questionable looks, but it often comes from a place of love as these three would do a lot to make each other feel loved. And it’s not just with their group. 

Luz took Eda’s words to heart, setting out to form a weird little group of her own. She went out to make friends who were social outcasts as well. You have Willow, the powerful girl who couldn’t get good enough with one type of magic, getting ridiculed by both peers and faculty. And Gus, a magical prodigy who is OBSESSED with humans. Both of them get along great with Luz, appreciating her siliness and joining in because it was fun for them. What’s even better is that they’re not the only weird bunch in school. The Detention Track kids also came together, due to a shared “oddity” of wanting to learn more magic by combining different kinds of spells. They went about things the wrong way and were definitely a little too chaotic, but that’s just what kept them all so close together. And “Any Sport in the Storm” showed them making new friends outside of their group, more so with Viney as the episode mostly hints that the same applies to Jerbo and Barcus. Speaking of Viney, though, she managed to become close with Gus, Willow, and surprisingly Skara, all of them sharing an understanding of being underestimated in one way or another. Weirdness tends to attract more weirdness, with The Owl House saying it’s a good thing. It furthers the theme about how you will find your people, with these little groups proving that you’re never too weird for EVERYONE. And, even further, your weirdness can inspire others to let out their inner weirdos. Amity was allowed to be a more of an open nerd, sharing her love of Azura with Luz, and Hunter was allowed to take interests and show off how he enjoys something without worrying about how others judged him. In fact, NONE of these characters worried about how they were judged as people because of the company they keep. Most of them may have been a little odd, but they all felt seen, heard, and appreciated for who they were. But that remains a final question: Who WERE they?

What does the show mean with the word “Weirdo?” What are “weirdos” meant to represent? There’s the obvious answer in saying that it’s meant to be more literal, saying that the show is speaking to anybody that’s more or less odd or goes against the grain, in a way. Although, even then, what does that mean? What counts as weird? Is it weird to be a fan of something you love? Is it weird to be unpopular or to not shine as brighter as others? Is it weird to…love someone…who happens to be the same gender…?

Maybe I’m overreaching, but this is where my mind goes when the show says “weirdos.” It’s a very vague term that can apply to a lot of people who don’t feel like they fit in for a variety of reasons. Stuff like loving a certain thing or loving a certain someone COULD fit into that and it makes the message of sticking together all the more important. Because it’s true, weirdos should stick together. Whether you like it or not, we’re all in the same boat. People will look down at us as if we commit the worst crimes, when all we did was act as our unique selves. We didn’t hurt anybody, we never PLANNED to hurt anybody. We just want to be allowed to exist, and it’s perfectly fine to find unity through that desire of existence. No matter how you’re seen as weird, from who or what you love, to the way that you act, and the way that you talk, you’re allowed to be who you are. We don’t like being judged, so we shouldn’t judge others who just want the same things we do. So unite, because us weirdos have got to stick together.

And that…is that. That’s all the things I figured that The Owl House tried to say to the kids. I may not have gotten EVERYTHING, but these are what stood out to me and they’re the lessons that I love most to have come from the show. If there’s any theme you want discussed, then by all means share. Tell everyone how there’s more to this series that makes it stand out from all the other kids shows with a point. And, more importantly, how it does it well. Because at the end of the day, while the messages can be a little muddled, I wouldn’t say that The Owl House has anything bad to say. At all. Its heart is always in the right place, and that’s what I personally admire most about this series.

Speaking of admiration, I’m running out of things to talk about why I love this show. So, tune in next time for the FINAL PART as I discuss more of what does and doesn’t work with this series as I finally conclude why I love it so much. It’s…likely going to be emotional, so see you then.

[purplesoulcollection]

Unnatural Love

Part 6 Synopsis : Name has being transmigrated into the world of I'm Not That Kind Of Talent without ever reading the novel. She's not being reincarnated as a human but as a devil as well. Hi There! I want to let you know that this fanfiction story isn't solely my creation. I borrowed the concept from @quqiwo2. I haven't actually read the novel either, just some spoiler to the end.

I hope you'll excuse my spelling and grammar mistake, because English not my first language.

Finally after we were anxious to think about our future relationship. We also decided to keep our dating relationship as a secret from the Demon King .

But that's not the most important thing I want to say...

Because…

Finally, Deon himself revealed his secret. To ME!!!

He said that because for him we were already together, that's why he would also tell his secret life story.

I've actually wanted to know about him since a long time ago but wasn't sure how he would respond if I asked. So I'm afraid that if I want to ask directly,

The past is a taboo topic for soldiers. Because they have to sacrifice their humanity to fight. It would be unethical to ask casually. It’s also will drop the mood and interrupted that person.

He was the one who told me that his name was not Demon Arut, but Deon Hardt. And he also asked to just call him Deon when we were alone, I agreed with him.

He said that his original name, Deon, changed to Demon because he was being misunderstood by the devil's advertisements and was constantly being misunderstood his whole life.

And finally, Deon also told me about his life story, starting from when he was born albino, had a weak body since birth, was forced to fight in the war between kingdom, survived through struggle and luck and too often lost his memory.

When I heard everything Deon told me. I honestly feel very sad and sympathetic to him. But also wondering...

Is it accurate to say that his family is so unkind as to send him to war despite his physical condition being unsuitable?? Is there really having no misunderstanding at all?

Why am I asking the reality of the Deon’s story?

Because it’s really contradictive for me…

If his family really intended to kill Deon, why didn't they try to escape knowing that Deon could return home after 8 years of war? It is difficult to believe that Deon will not harbor any resentment towards those who sent him to war and they should be the one who know that.

Life is the second most valuable thing for nobles, after money of course. If they don't live, how will they enjoy their money? It’s logical to think that they would try to save their lavish life.

Just imagine, okay?

We become war soldiers for 8 years, and 8 years can survive in a war that can make people's minds go crazy. The psychological burden of a murderer must be enormous-- the possibility of the person becoming crazy and psychopathic is also possible occurrence.

Of course, the normal people would usually try to avoid Deon, who miraculously survived.

But his family, who tried to kill him, didn't run away and instead welcomed Deon home. As if they weren't aware of Deon's grudge for not being willing to become a soldier?

It's either that Deon's parents are stupid, greedy, trash, or a misunderstanding.

That's the biggest possibility of Deon's story which has a definite plot twist. Because Deon's story from start to finish is truly spectacular, suitable as a fantasy novel full of drama and tragedy. As an expert on fantasy novels, I am sure that there is a misunderstanding that has occurred.

Besides, his older brother, Cruel Hardt, also has oddities, Deon said that his brother hate and want to kill him, he also becomes a hero following his younger brother. Why did his brother never try to kill Deon who killed his parents with his own hands. Why?

Revenge is most delicious and satisfying when it is done with one's own hands. People who want revenge will never allow their targets to be killed by others. Because that is the revenge system that can satisfy a heart full of revenge.

So it is clear that there must be a big problem hidden without Deon's knowledge.

I believe this aligns with the perspective of seasoned readers. Those who enjoy cliché fantasy novels frequently trust their gut feelings. I can feel that in the future there will be will be a sacrifice that will occur if this situation continues and it will affect Deon too.

I actually don't know about psychological problems. But Deon's character is very unsuitable for someone who has becoming the hero of the war.

I'm not mocking him, but the trauma he has should be there for someone who didn’t want to do a war. He even told the story as if he didn't have any trauma at all. He talked about his 8 year war so casually, didn’t took any life at all but he took the lives of his family, and then he was sent to be one of the hero's journey companions and his hero died, but he became the Commander of the demon king's zero army now, but he said he was weak?

There's no way that could happen, war is never a joke. Only the strong can survive. It’s the same principle in this devil’s world

Even if he was lucky, Luck didn't work like that. That's why I say Deon's story is very suitable because it is a tragic fantasy. Especially the plot hole that occurs due to memory loss. I'm sure it must be because of his psychological problems, Deon's psychology seems so unstable that he can be like that.

I've only heard of it but is it possible that he has a split personality. According to an article I once read, people who have multiple personalities will not remember what the other personality did, As a mechanism to take care of itself. This symptom is match with his condition.

So I can't tell Deon all these facts I just thought about.

If all my hypotheses are really true, then tragedy will come to Deon. Because it's impossible to have a happy ending after all of Deon's stories have happened. Then what about me?

“Adele, Adele!”

Surprised, I turned to Deon. He looked at me with a worried look. "Adele, was my story that surprising to you?"

It seemed like he was worried about my situation. Maybe he thought I was in shock after my fragility earlier, even though I was just thinking about the possibility that Deon's story was a fantasy story from earth or not?

I exhaled tiredly. Of course, my thoughts above are just a hypothesis. It seems that I really have talent as a novel writer if my imagination continues like this.

"Even if your story is so surprising to me, this is your story. Of course, the one who feels the saddest is Deon, right?" I tried to empathize with him, even if I've never experienced the same thing as Deon.

Deon just looked down and made a shadow with his hair. This makes him feel very far from me. I, who couldn't stand seeing that, slowly touched his hand first before finally holding it.

Only then did he look back at me. I smiled sadly.

"I'm sorry I made you remember your past. But I'm glad you were honest with me about your past. Would you like me to hug you in return?" I opened my arms, inviting him to hug. At first she was hesitant, but then she came into my arms.

When he hugged me, suddenly a panel screen appeared in front of me.

The screen shocked me and shocked Deon too until his body turned stiff. I immediately stroked Deon's back. Trying to calm myself and Deon too.

"Sorry, Deon, I thought there was an insect passing by."

"Bugs won't come in here!"

"That's why I said I saw wrong."

After that, Deon was silent and I continued to stare at the damn screen that suddenly appeared in front of me.

Is this a clue to the reason why I am in this world.

Does that mean I came to this world without notice and had to suffer in this world because of Deon?

To change Deon's tragic fate from beginning to end…

.

.

.

Do I have any other choice but to accept it?

I had come into this world without warning, suffered, met Deon, interacted with him without thinking of him as a tragic character and we dated too now.

Maybe this screen is waiting for the right moment so that I can't resist it. Honestly, if I got this quest before. Maybe I will reject it outright.

But because I already know Deon, know him, like him, he finally was honest with me about himself. Do I have the heart to let Deon meet his tragic end? My conscience really couldn't bear to refuse this quest.

With a heavy heart but also with an anxious heart, I pressed the yes button.

And I can see a list of skills that I can get if I do the quest. This is like farming games where I have to deposit items first before I can get the prize.

Wait a minute, Why do I have to do Quests all full of romantic scenes. 

Teasing Deon, holding hands, hugs, cheek kisses, and so on until there is something most erotic that makes you

My face heated up instantly.

But in the most erotic part, namely doing it with Deon, the prize was clearly visible.

‘Clear the karma of Deon hart’

My eyes and mouth opened wide. I reflexively tightened my hug which made Deon squirm. I realized that I immediately let go of our hug.

"What's wrong with you all this time, it's like you've been seeing a ghost?" Deon's face became dirty. Maybe he's sulking because I keep bothering him.

I can only smile nervously. Technically, it is true that the screen that appears suddenly is like the jump scare.

"N- it's nothing! This is just because I'm hugging you for the first time. So I'm nervous." I avoided Deon's gaze. I don't even know if Deon can accept this reason.

Of course I'm not a fool who would say screen to Deon. He must not know that he had a tragic ending and only I can change his life.

If he found out, he would most likely kill all the demons and himself right now.

Of course that's something that can't happen now.

“Me too, this is my first time in a long time. "

“Then shall we hug again, I promise this time I will be quiet. “

Well, we hugged again, and in the end we both fell asleep.

To Be Continued

How is my innovations? Are you like it?

[wangmiao]

From being stuck in the snow together in 2016 to filming Tibetan Sea Flower - Nan Pai San Shu's "Obsession" over Zhang Luyi.

Thank you for noticing my tag in the other post about the friendship between ZLY and CMH, and showing some interest. So here we go! I guess besides why Zhang Luyi (ZLY) was picked, there's also the story about how everything started. I find it rather fascinating. DMBJ's author Nan Pai San Shu, aka Xu Lei (XL) told the story a few years ago, but he mentioned it again during a livestream when Tibetan Sea flower (TSF) just started airing. The next three paragraphs are based on XL's livestream and ZLY's interviews.

Back in 2016, on a very snowy day, XL was on his way to The Mystic Nine's filming location, and was stuck on a mountain road. After waiting for a while, he thought he should go and help direct the traffic. When he got out to do it, he surprisingly found another Good Samaritan already doing what he intended to do, and yes, that Good Samaritan was ZLY.

ZLY was on his way to The Mystic Nine's filming location too. It was actually not XL who picked him for the role of Wu Laogou then. He went to guest star in that show because his university classmate Bai Yicong, the producer of the show, asked ZLY to do him a favor and just stop by to have a meeting with everyone.

So that's how XL and ZLY first met in person. Because they got stuck in the snow for a LONG time, they talked a lot about DMBJ, from Wu Laogou to Wu Xie, and even TSF (ZLY already read some of the DMBJ novels at the time, and he finished all of them before shooting TSF). At some point, XL told ZLY that ZLY's vibe reminded him of a very important character of his, which was Wu Xie. ZLY was very moved and thankful. Since they had such a good long talk, they kind of made a promise to each other that they'd work together on a DMBJ project at some point. They also each made a weibo post about meeting each other as the traffic director in the snow.

In 2017, there was actually quite some rumors about ZLY being approached to play Wu Xie in Sha Hai/Tomb of the Sea (this is not to discredit other Wu Xie actors, because it's normal for a production team to approach multiple actors for a role in the casting stage), but since ZLY had several health issues due to being injured during the filming of another show, he really couldn't be a candidate for the role.

But XL never forgot about ZLY. In 2021, rumors came around again about ZLY being approached to play Wu Xie in TSF, and this time, he agreed.

During the airing of TSF, XL did a lot of livestreams and Q&A sections on weibo. There's one post where he said: "From the state in the beginning, the state of being lost, to the Sha Hai!Xie state in the end, the entire progress is shown in TSF. I needed an actor with extremely good acting skills. From TSF!Xie to Sha Hai!Xie, there're many occasions where Wu Xie's soul is in a dark place and he might fall for his obsession. Besides Pangzi being there to pull him back, it also needs Wu Xie's strong faith and goodness, and I think it needed acting skills to show it."

In another comment to a fan's question about the choice of Wu Xie's actor, XL answered: "Maybe it represents a kind of inner demons", which I think the inner demons part can be translated to obsession.

So you can tell, it does seem that XL had this obsession to have ZLY play Wu Xie no matter what. And he never gave up the idea ever since they first met, even though by the time they could finally work together in 2022, ZLY was no longer in the best age range to play TSF!Xie (hence, sometimes you'd notice those annoying filters used to mask wrinkles on his face).

I really haven't watched all of XL's livestreams and interviews, and from the very few ones I've watched, he mentioned where ZLY impressed him. Before the shooting started, ZLY double checked with XL to see if XL wanted him to play Wu Xie as a more straightforward northerner or gentler southerner (this is not to stereotype, but to reflect the cultural and language difference), and XL reassured him to be a southerner since Wu Xie is a from the south of China. ZLY was no stranger to playing a southerner even though he's a northerner himself, as some of his best characters were from south China. This was why he dropped all his natural Beijing accent, and showed a gentler demeanor (eg. Pangzi is a typical northerner, and CMH kept his Beijing accent).

Another thing is when they were shooting the real and fake Wu Xie scene, it was filmed without any special effects or even an extra actor. ZLY played both characters each time with thin air. It impressed XL a lot because it required so much more finesse and precision on the memory, timing, and movement.

Lastly I want to show you ZLY's goodbye message to TSF that was posted on Sep 24th. He's a very dedicated, sincere, and cultured actor that often uses handwritten stuff to say goodbye to shows nowadays. And he wrote what Wu Xie and Pangzi always say to each other, the good luck and good fortune thing: "Da Ji Da Li, Gong Xi Fa Cai"

Another fun fact is that ZLY is very good at calligraphy. He used to assign different fonts to the characters he played based on their characteristics. Because Wu Xie writes in 瘦金体/Shoujin font, ZLY wrote the message also in Shoujin font. I guess you can say that's another similarity between him and Wu Xie, that they can both write in this font (I'm no expert in calligraphy, so I found an article teaching people how to write in Shoujin font. It was definitely not an easy thing to do because it advised people to learn and practice certain fonts in traditional calligraphy for a few years before even going for the Shoujin font).

Thanks for reading! If you like ZLY's Wu Xie, that's awesome. If not, that's OK. It's totally understandable. Please also know that I have zero intention to compare his version of Wu Xie to other Wu Xies. I'm sure each Wu Xie is awesome, unique, and lovable in his own way.

[physalian]

Narrative Framing Devices

This is a long one…

A story need not be told chronologically, nor does it have to be only one layer deep. There’s a ton of different ways to frame your narrative, I’m just picking a couple today, some I thought worked and some I thought didn’t, and my personal favorite.

Most people think of framing devices in terms of time travel stories or fairytales, where it may start in the present or the future and work backwards, giving up the ending before telling how we all got here. Or by chopping up the chronology and letting the audience try to puzzle out the order.

There are also those that break the fourth wall, with the narrator beginning the story directly addressing the audience but never doing so again, or the narrator opening the story telling their own story to a present audience, so we’re the audience behind the fictional audience.

The other obligatory framing device is the time-skip, a la “6 years later” or “8 months later”. I’ve already talked about those. Or the preface/preamble/prologue that may spoil some important event later in the story, or is simply an important moment or montage of moments to catch the reader up on “how did we get here”. Shoutout to Castlevania for the most efficient pilot episode I have ever seen, with a 1 year timeskip.

Also honorable mention to the “A Life in the Day” montage from Magicians, speedrunning decades of a life together between two characters stuck in a Situation, maybe 60 years? Key moments between the two having a whole romance, with a kid and grandkids, over the course of one beautiful bit of soundtrack. One of the best episodes in the show, for a sequence that only lasted a little over 5 minutes.

—

Story within a Story | Princess Bride, "Ember Island Players"

Best example I can think of, specifically the film, which is based on a book that already incepts itself. The movie opens with a regular kid being read the book The Princess Bride by his grandfather, and occasionally cutting between the kid’s reactions and the fantasy story with the actors.

There’s several moments where the grandfather either loses his place and rereads a scene that replays the same dialogue, or skips a scene in the “kissing book” because his grandson gets squirmy, and moments where the grandfather narrates over a couple montages.

Princess Bride is one of those movies that knows exactly what it is and isn’t trying to be something it’s not. It’s self-aware and loudly and proudly sincere, with one of the best revenge arcs ever put to film.

Recap episodes can either be clipshows or get really creative like ATLA, telling the series recap through the medium of a propagandized play about the Avatar's journey, performed by actors of the Fire Nation. The Gaang sits there in vague states of discomfort, horror, or in Toph and Sokka's case, thrilling enjoyment, watching their hardships and heartbreaks played for laughs. That it's the story we know, but also with the added filter of it being enemy propaganda takes what could have been just a clipshow and still told multiple layers of a story with it.

The Fourth-Wall Break | Riordan-verse, Deadpool

“Look, I didn’t want to be a half-blood” defined a generation. It’s one of those fourth wall breaks that opens up the story and never appears again, though occasionally Percy will get slightly self-aware, saying things like “I didn’t know it then, but I’d never come back here”. But for PJO it almost doesn’t count.

Kane Chronicles on the other hand chose a bizarre framing device, having the two leads pretend to host a radio show, or a podcast—something where they were recording themselves and I don’t think it worked very well whenever it popped up and stopped the plot.

Shoutout to Tangled, too, for having a fairytale style fourth-wall break at the end, much like KC, where Flynn reveals that Rapunzel has been listening to him tell their story the entire time. Many fairytale stories open up with the physical book flipping open to the story, like Shrek and Shrek 2, but I don’t think those are translatable to the written medium very well.

The big one, though, is of course Deadpool. Have not seen the second one, and while ‘breaking the fourth wall’ isn’t by itself a framing device, DP & Wolverine absolutely makes it one, fast forwarding and jumbling up the sequence of events to deliver a “how did we get here?” during the opening credits.

Chronology Salad | Memento, Predestination

Have not actually seen Memento but I know the premise, working backwards as the protagonist recovers his memory of “how did we get here?” Predestination is a batshit insane time travel story that I don’t think most people have even heard of and detailing the plot at all is giving spoilers but it is the most “how the fuck did we get here??” movie I have ever seen.

Then you have stories like Twilight that open with “I’ve never given much thought to how I would die” that spoils (kind of) the ending, with the goal of the story not detailing if something bad will happen, but how. Twilight’s prologue reminds me of The Bachelor, where they’ll tease the audience with *shocking* moments completely out of context from later in the season that are way less cool when they actually come to pass (from the one time I watched with relatives out of morbid curiosity).

The point of these chronological mixups is how all the random puzzle pieces fit together, despite essentially spoiling themselves constantly, they’re so random, so out of place, meant to keep you constantly guessing until the big reveal of the picture on the box—and are extremely tricky to do well without completely losing your audience. You’d have to have a very thorough outline to not confuse yourself while trying to write it.

Honorary mention here for Inception, one of my favorite sci-fi movies, because the plot is crazy, but still told chronologically, just across different dream levels. However, the movie does open with the ending scene (though you don’t know that on your first watch). And Tenet, but I don’t know anyone who likes or cares about that movie.

Dual Timelines | Outlander

There are others I just cannot think of them at this moment. Dual timelines tell two stories simultaneously across two different eras, either decades apart or mere hours, with some relation between the two. Sometimes one timeline’s protagonist is the ancestor of the present timeline, for example.

Dual Timelines happen in sequential order, making them distinct from a flashback arc (more below) essentially two chronological plots running in tandem squished into the same book, episode, or film. They carry equal weight and try not to overshadow each other in flair or importance.

In Outlander, Protagonist Claire is already a time traveler, in a time travel story whose rules are “whatever happened, happened, and you end up causing whatever you tried to prevent”. Season 2 opens with her returning to the present, leaving the entire rest of the season with a foreboding sense of dread, wondering what will get her back to that moment.

Season 3 dangles the carrot on the stick, randomly cutting between Claire in the 60s and trying to move on with her life for… I think 20 years, while Jaime, her love interest from the past, just keeps getting kicked while he’s down. It takes forever to get these two back on screen together. And the dual timelines continue taking up screen time when Claire and Jaime’s adult daughter also eventually makes a trip to the past. Points off for being blatantly manipulative storytelling with its cliffhangers, but season 1 is still worth the watch.

Flashbacks, Flash-Forwards, and Flash-Sideways | Lost

This show’s earlier seasons were heavily framed with this device. In The first 3 seasons (up to the last episode) the framing device was exclusively flashbacks, focusing on one of the main 13 heroes for an episode, particularly in season 1.

They didn’t always answer “how did we get here” but told some story relevant to the character in the present, either a challenge they had to face or parallel relationship drama or ghosts come back to haunt them. Usually, these little flashbacks were told in sequential order, but they could hop months or years ahead at a time depending on the episode.

The flash-forwards began in season 4 and closed the gap between the “Oceanic 6” escaping the island and all the missing time while they were gone, before the infamous “We have to go back” line.

The show also had flash-sideways, which featured the main cast, many of whom had been dead for a few seasons, reprising their roles to show what could have been their lives if they never crashed. To… mixed reception.

The show also also had a time-traveling character who in-universe experienced flashes of the future and got mentally temporally displaced between two timelines for a hot minute.

Lost was… a show that demanded a dedicated following. I still love it.

Flashback Arcs | My own personal soapbox

This right here is the whole reason for this post. First you have flashback episodes and I can name a lot of those—ATLA has a couple, “The Storm” & “The Avatar and the Firelord” but both are technically “stories within a story” with characters either around a campfire telling it or reading about it. The alternate timeline takes up a majority of the runtime, only occasionally cutting back to the present characters for a reaction.

In TFP there’s an offbeat flashback episode “Out of the Past”, framed, again, as a character telling this backstory stuff to another character. Many, many vampire stories will have flashbacks to some degree, since their characters live for so long. Vampire Diaries, especially in the earlier seasons, had dozens of them filling in all the blanks back during the Civil War when the two leads, Stefan and Damon, were competing for the affections of the main villain, all leading up to how they were turned, and how she allegedly died. Once the Originals were introduced, the show then had flashbacks to a thousand years ago, when they were human, and various eras in between.

True flashback episodes don’t waste precious minutes setting up a framing device, they just dump the audience in an alternate timeline and let them figure it out on their own that something isn’t right.

But none of that comes close to the full-on Flashback Arc. I. Love. This. Trope.

I actually first saw it when Arrow was good in its earliest seasons, cutting fairly equally between a present-day Oliver back home and starting his hero journey, and him learning combat back in the past, over several episodes like a series within the series.

What you end up with is a happy medium between a full dual timeline and a random grab-bag of flashbacks as they become necessary to the plot. A flashback arc relies entirely on the existence of the A-plot to make sense, as opposed to a dual timeline where it’s essentially two self-sufficient stories rolled into one big narrative. This arc is substantially shorter than the rest of the plot, cutting the story it’s telling down to the absolute need-to-know moments and cutting all transitions between the two. These arcs tend to cover weeks, at minimum, and decades of a long life at most.

I think they're best implimented after the first book, film, or season. Not something you want to throw at your audience who barely knows or cares about these characters, so if you're stuck with ideas for a sequel, consider the Flashback Arc.

My favorite thing that I have ever written (sans ENNS) was for my sci-fi WIP, a C-plot flashback arc in 13 parts. They started out as in-universe nightmares to give credibility to when these flasbacks started occuring, framed around the character's reaction to the scene, but then took off independently to avoid redundancy.

This arc covered his time as a POW, telling the reader how he came to be the living weapon he was, and the first detail it opened with was the reveal that he wasn’t the only one of his kind, he’d lied and shouldered the blame of every atrocity to protect the others, as their numbers dwindled and it all fell into place. A truth he wouldn't tell with a gun to his head.

Because you already knew he lived, because he’s right there in the present A-plot, the arc wasn’t telling you if he’d survive the war, but what he’d do to survive, and how it all fell apart. Because it was framed up with the existing narrative, I had a lot more leeway in omitting details and dropping the reader weeks or months ahead as opposed to this being a completely fresh story with new characters. You knew immediately based on the tone that this POV was the C-plot flashback POV, and you knew the only person who could narrate it was my poor character.

Over 13 POVS, 34k words (of a total whopping 202k), I told a whole love story, established and killed off 10 characters, and gave heaps of worldbuilding lore and exposition to fill in all the blanks in the present and answer questions that this character would never, and revealed just how much he lied about and why.

All of this tied in with the A-plot, staggering the physical placement of POVS within the book to hit at the right moments tonally and as the character’s condition kept deteriorating because he refused to talk about What Happened. His reason was that he’d done all of this and suffered so much to keep their legacies pure. If he gave it up now, he would have done all this for nothing.

And this was some heavy shit. There was murder, suicide, death by giant alien super robots fond of ripping people apart, assault, mercy killing, torture, gaslighting, and psychological horror. One of my magic systems let magicians regrow limbs alchemically, which meant they could endure a shit ton of pain and just get reset to do it all over again.

It was a lot.

But because it was just in flashbacks, I gave you just enough dark shit before cutting back to something marginally lighter, not just one long slog of misery. There was also the unknown of how quickly it would end. The book would end when you hit the last page, but you had no idea which flashback POV would be the last.

And also.

I got to flex my writing skills to the fullest, writing this character’s flashback POV in a completely different tone and style to make it that much more distinct from the rest of the present book.

ENNS’ sequel is very much under construction, but the one thing already polished is a flashback episode packed into one chapter for one of my characters. It’s perfectly knife-twisty and I can't wait for people to read it.

—

There’s dozens of framing devices out there. Most important thing, I think, is not sacrificing audience understanding for the sake of something ‘cool’. Doesn’t matter how amazing the story is if your audience gets completely lost and confused trying to keep up with what’s going on.

If you'd like to check out my book, Eternal Night of the Northern Sky is available now!

[mars-and-the-theoi]

Day 8 of Deity Devotion Challenge: ⚡️Zeus⚡️

Question- What’s the most valuable lesson your deity has taught you? That it’s okay to be human. Sounds silly, I know, but hear me out. In case y’all don’t know I’m disabled and I’m also no stranger to struggling with my mental health. This makes a consist worship schedule/habit not feasible for me. And I used to beat myself up about that so much (and honestly I still do sometimes). Because I would feel so bad about my inconsistency. Like I would go months w/o doing anything religion related sometimes like I wouldn’t even do altar cleanings for a long time sometimes. And I would try for consistency, and I could keep it up for a bit, but it usually never lasted more than a month at a time.

And it all kind of came to a head last year where my guilt about it was at its worst. Early 2022 had been hellish I mean truly I became super sick, needed surgery, had to take care of a family member after they’d had surgery, had a mental breakdown and ended up hospitalized, and had covid all within the first few months of 2022. So obviously worship and all that very much fell to the side and while I felt bad about that there wasn’t much else I could do. And finally, come June I was able to finally get back into it after not doing anything since January. And I felt horrible. I remember crying as I cleaned his altar and just apologizing cause I felt like I’d neglected Him in a way and I prayed to him and gave him an offering and that was that.

Then that night I had a dream with Him and I’m not going to go into all the mushy details but He was just like ‘it’s okay. I’m not mad at you about this. Like it’s been a rough few months for you and it’s okay that you prioritized yourself and it’s okay that you were in circumstances where worship just wasn’t a priority. It’s okay. I get it. We all get it. We know things come up that make worshiping hard. We do. It’s okay’ and I just felt so much better. Because They do. They all get it.

And I share this story knowing that this is something a lot of people struggle with but rest assured that they’re much more familiar with us than we tend to give them credit for. Shit happens. Life can get chaotic. Life gets busy, stressful, tiring. We get sick. Get hurt. Have to move unexpectedly. We have exams. Work overtime. Work weird hours. Have people to take care of. So on and so forth. But these things aren’t new. These have been traits of humanity since the dawn of time. The Gods have been around for a very long time too. So they get it, they know, and they aren’t mad.

[soranker]

tomorrow :)