✦ 15. 4. 24 ✦ 📓 ✦ Monday ✦ Day 13/60 ✦
I stayed after school for a physics lab workshop (kinda?) about solar panels and we got to experiment a bit, I liked it a lot. At home I decided to write my history homework on paper for once, which is ironic, because I still have to type it on the computer, so it turned out to be double the work. But at least my notes look pretty :)
✓ school - history homework
✓ art - started project in art class; art course
✦ sport - //
🌱🌿🪴 - 1h 20min on Forest
♫₊˚.🎧 ▷▷ Void - The Haunting
Have a great day/night !! ~ ♦️
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A HELLUVA REWRITE ♡♡♡
♡DISCLAIMER:THIS IS CRITICAL OF HELLUVA BOSS♡
♡DISCLAIMER:I DO NOT SUPPORT VIVZIEPOP OR HER ACTIONS♡
◇NOTE: English is NOT my first language so there might be some mistakes◇
◇◇◇Blitzø Buckzo◇◇◇
• Boss of I.M.P.
• Husband of Verosika Mayday (fight me)
• Adoptive father of Loona(17)
•I.M.P.•
◇ Blitzø basically started I.M.P. to support him and Loona since Verosika basically has her own money but uses some of it to support Blitzø's business.
•The emoloyees•
Millie- Blitzø met Millie during a trip in the Wrath ring. His van broke down and Millie's family basically took them (blitzø, Verosika and loona) in until the van is fixed. He told the family about his business and Millie was somewhat intrigued. She always wanted to see what earth looked like. So, she went with blitzø and became his first employee.
•The pilot•
The pilot starts with millie and blitzø figuring out how can they go to the living world and start their business since they don't know how to build a portal. Blitzø considers visiting his old friend the goetia prince himself, Stolas. He's quite scared to visit him since they weren't in good terms and if you weren't with good terms with the prince, you are up for a good ol' beheading. He tells his fears to Millie and Millie then tells him to face his fears (blah blah you get it) and lifts him towards the company van.
The rest of the pilot follows the three, Blitzø, Millie and Loona to the goetia prince's palace while also fighting some sinners on the way (woo bloodshed!!!!), and getting distracted by a carnival. They fight demons there too( woo bloodshed part 2!!!). After a few hours later, they finally arrive at the palace. They are greeted by the prince Stolas himself and gestures them to come in. Millie and Loona basically had fun in the palace, meeting and chatting with Stella, Stolas' wife, and Octavia, the daughter. While the females are having fun, Stolas pulls Blitzø aside and had a talk with him. Stolas agreed to lend him the book, much to Blitzø's relief, BUT on one condition. He gives Stolas his own soul, which means, the prince can do ANYTHING with Blitzø,(this is where the sex deal comes in)basically making him his very own puppet. Blitzø refuses at first but stolas threatens on beheading Blitzø, so, he agrees, much to a satisfied Stolas. Blitzø then exits the room, greeted by Millie and Loona. Millie asks him what's wrong but he brushes it off. Millie accepts his answer but is still suspicious about Blitzø. They go home and drink some whiskey and watched a movie. Blitzø is still paranoid about the deal.
•♡◇ THE END•♡◇
By: Vii
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@dimdiamond and i were going back and forth the other day on discord about laios and kabru's bedroom antics. it went from angst to fluff to humor lol
i was going off on a headcanon of mine that laios has a fear of not breathing/being choked, basing off what we know from canon (laios as a child getting choked by a ghost, him always protecting his neck and throat area, the forshaowing of that for the later chapters, etc.)
so, one night while laios and kabru are getting intimate, kabru decides to try to give laios a light choking, in a "heat of the moment" kind of thing. however, laios freaks out and pushes kabru off of him. the mood is pretty much ruined and they're both feeling bad about what just happened. it takes the following morning for the two to talk it out.
their solution to avoid something like that happening again are The Lists (tm). kabru writes down a list of things he's okay with and laios does the same. then, they exchange lists to each other, and write down edit notes on each other's lists and hand them back. they do this for days. it's like passing notes in class, but it's the king and his advisor/lover writing down what is okay to do in bed lol.
then laios forgot his list one day in one of the meeting rooms and marcille finds it. both laios and kabru are embarrassed when she holds it up like a dirty towel lol.
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OKAY so I am re-listening to "Death and The Queen" again and I am having Thoughts™.
I can't find any info about when this drama takes place continuity-wise, but my personal placement would be after "Planet of The Ood" (4x3) and before "The Sontaran Stratagem" (4x4) because 4x4-4x6 take place directly following each other with Donna stating at the end of 4x6 that she plans to travel with the Doctor forever. Donna's determination to continue traveling w him is in keeping with the conclusion of Death and The Queen, where she comes to the decision that the Doctor IS her "happily ever after," as it were. Placing the drama after "Fires of Pompeii" and "Planet of The Ood" also makes sense with Donna's desire in the audio drama to have a break from "the extraordinary" of traveling with the Doctor (specifically, horrific death and destruction,) which adds understandable context to her seemingly being so willing to leave the Doctor after searching for him for so long.
(Don't talk to me about the ending of Forest of The Dead. It's unlikely Donna would have left the Doctor even if she found Lee. Donna's desire to confirm whether Lee was real could be easily contextualized by her wanting to know how much of her experiences inside CAL were a fabrication, and what the supposed "perfect husband" persona would have said about her if it was drawn from her own mind. Also it was written by Moffatt so it shouldn't count anyway.)
ANyway, what I actually wanted to talk about. Notably, considerable emphasis is placed on Donna enjoying her role as Queen and especially caring for her subjects and having power to help people. A greater amount of text is dedicated to her talking about how as Queen she can care for her subjects than her love for Rudolph, even before the reveal that he is human(?) trash. Her attachment to the role of Queen that marrying Rudolph will grant her is established to be largely based upon her passion for helping people rather than luxuries associated with rank, especially in view of the montage of how royal life on Gorotainia is not as glamorous as she hoped but is still enthralled by being Queen. Later in the story, when danger has appeared, her main role in the story is sacrificing and taking the lead to protect her subjects.
Notably, when things start going downhill and Rudolph starts talking to her about the difficult choices that he must make as royalty she comments that Rudolph is “just like HIM” (the Doctor) and that she went with Rudolph to escape these darker aspects of her travels with the Doctor, specifically the hard choices that go with the role the Doctor plays in the universe (while she doesn’t connect these concepts directly, these two statements are placed very close to one another textually.)
Only when her relationship with Rudolph and role as Queen seems like it will involve some of the same dark choices that her travels with Doctor did does Donna decide she doesn’t want to be involved anymore, which is quickly reversed when she finds out she needs to become Queen in order to protect her people. (I love Donna. In case you can’t tell.)
The narrative has established that a large part of Donna’s attachment to her relationship with Rudolph is potential authority to help and guide people, and that her main interest in pursuing a life with Rudolph rather than her travels with the Doctor was her perception that her role as Queen of Gorotainia would not involve the same death and destruction she has seen with the Doctor. Perfectly understandable after experiencing something like Pompeii.
Donna’s compassion and empathy have been essential components of her character since her introduction, with her wanting to protect the Doctor despite being irritated with him and feeling sorrow for the children of a Rancoss that wanted her to be eaten in “The Runaway Bride”, her taking the time to mention Stacy in “Partners In Crime,” and literally everything in “Fires of Pompeii” and “Planet of The Ood’. Donna has always taken the time and the energy to think of others and work to protect them, even this early in her run. In view of how deeply she feels the pain of others, it is understandable that she would find the idea of a world where she could help others from a position of power without all of the death and chaos and destruction appealing, and her outrage at Rudolph for once again putting her in a position where she has to witness (and potentially be responsible for) terrible things happening to innocent people is believable. He proves that being a Gorotainian royal is like being the Last of The Time Lords. On a smaller scale, sure, but still.
So the text (and Donna) have set up the idea of Rudolph being similar to the Doctor in role, so what is the difference? Rudolph doesn’t much care about people. He is willing to sacrifice his own people quite coldly.
The Doctor does care about people. How good of a person he is, or how good of a job he does caring for people is up for debate, but he cares.
Which all leads me to this quote from “Beautiful Chaos,” that I cannot believe is cannon and real and published.
Why does Donna love the Doctor?
"I wish you could see what I see. We've been to places, to worlds, to futures and pasts you could only dream about. I think half of them I dreamed up because they can't be real. But they are. And everywhere we go, we make a difference. We put things right, we make people happier. That's what the Doctor is all about. He finds a way for the universe to make sense. And I love him for it.”
Donna Noble wants to make a difference. No matter where she goes, she cannot escape the death and pain and suffering and chaos and nonsense that is the universe, and she can’t help but want to help. And right there beside her, the Doctor is working to put things right too. And she loves him for it.
We have this entire drama dedicated to Donna wanting to make a difference, while also escaping the darkness of the universe, and she learns she can’t. There are no happily ever afters.
Except with the Doctor.
I have so many feelings guys.
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