#that are villains because they chose to do the only thing they could do no matter the personal cost

[silverskye13]

how did you get the confidence to write fanfiction? i always worry that i won't portray the characters properly so any ideas or wants to write fanfics that i have go away or i talk myself out of it :(

Well! First and foremost: Most people don't start writing,,,, anything with confidence. Let alone fanfic, where you know other people are going to be looking at it, with their own ideas of how the characters are supposed to act and feel influencing what they're coming to the story with. My first fanfic I was very insecure, which I feel like was evident, reading through the author's notes now. Apologies whenever something that required a lot of suspension of disbelief happened, a poll so readers could decide the ending so I wouldn't disappoint anybody, only to end in me writing and posting three different endings. Long justifications for why I chose certain things in the author's notes. The fic nowadays reads to me like a very rough apology.

"Hi I'm sorry I tried. Be kind I'm very scared."

But the thing about writing that fic was, it was the writerly equivalent of jumping into the deep end of the pool for the first time. After I bobbed back to the surface and realized a shark hadn't like, taken my legs off while I was down there, jumping in again got easier. And kept getting easier. And now I just write and post things.

There's kind of two schools of thought that I've seen people subscribe to, when it comes to taking the first leap. The one that's really popular around here on Tumblr is: Do it scared. It is simple and straightforward. You are scared. You will be scared. You probably never won't be scared. So do it scared. Write your thing, close your eyes and hit send [either to post it or to share it with one or two friends, or even just hitting the "save" button and not deleting it]. Get scared, do it, close your eyes, finish. When you open your eyes again and nothing terrible has happened, you can breathe a sigh of relief and do it scared again. It's a little nerve-wracking at first, but the idea is giving your mind the association of jumping and not falling. I did it and I didn't fail, therefore it is safe to do it again.

The other school of thought [the one I specifically subscribe to] is: Do it once. What you think or feel about it doesn't matter. What matters is you did it once. Maybe it will be hell, or it'll suck terribly. Maybe you're really excited! And it turns out great! Maybe its a wild ride of ups and downs, and by the end you need a few months to catch your breath and decide if it was worth it. Regardless: you did it once. Now you know, if you want to, you can do it again. Now you can decide if its worth doing again. For me, the euphoria of finishing a project always far outweighs the trouble getting there, so the step forward of "Do it once" is powerful for me. And that can be broken down too. "Write one chapter." "Draw one drawing." "Clean one room in the house." There is no pressure to continue if its really that terrible, but you at least get to decide if one was worth it [and a solid 9 times out of 10, one was worth it enough to do it more.]

Now, all that said, if what you're worried about is writing the characters right and nothing else -- don't worry too much. Most people care less about how true to life the characters are, and care a lot more about consistency in the story. An example from RnS: In canon, Helsknight is a cartoonish villain with one motivation, and that motivation is taking over hermitcraft Doofenschmirtz style. To date, no one has come into my inbox demanding I change him, because he's so OOC he's basically an OC at this point. What people have come into my inbox about though, is "Hey, you established X in this chapter, but he said Y in this chapter. Was there a reason for that?" which is them saying, "Why didn't you keep your character consistent?" If you tell your audience what the expectations are for the story and you stick with them, they will stop caring about OOC moments and characterizations, and will trust you're going somewhere with your writing. Suspension of disbelief, your powerful friend! They put the world on their shoulders and carry and everybody watches and claps.

If you're also worried about consistency, then start out with one shots! There's a lot less room for error, no large, sweeping character arcs to keep track of. And stringing a bunch of one-shots together can give you practice with character consistency and progression without committing to something massive and overarching. If you're truly worried about making the characters exactly like Canon [or the Canon in your head], I recommend making little lists of character traits, or important things you want to keep in mind. At that point you're scared of your own consistency, and you just need a framework to keep yourself consistent enough for yourself, if that makes sense?

Hopefully! This helps! Sorry I'm a little scattered today :'D

[eugeneplace]

What will happen to Poppy and Branch once Poppy’s world domination plan fails?

Okay, my first instinct every time I create a villain is that they will end the story DEAD

But now I can't do that, because when I told my partner what I was planning the moron got sad!

...So yeah, I'm trying to give them a "happy ending"

The only thing I have at the moment is:

Poppy's gonna live with Viva (maybe at Hole n Fun?)

Branch is gonna live with Bruce or Jonh Dory (or both if I chose to let the brothers live together)

Poppy and Branch are not going to be allowed to see each other (when they are together they feed each other's evilness/crazy And they could try to take over the world again)

I haven't left concept art territory yet, but here you have a few attempts at Poppy and Branch aftermath looks

[justficsiguess]

thinking about... yandere!batfam...

Imagine you're living your normal life and *boom*, one day suddenly a portal opens right in front of you, you fall through it, it closes right behind you. You can only make out a few vague shapes making their way towards you before you pass out.

When you wake up you're... in a bed. Surrounded by a bunch of people who introduce themselves as the Wayne family. You're in Gotham. There was some kind of portal accident with a villain and you fell here from a different dimension and you're stuck until they can figure out how to fix the portal machine, because it was broken during the fight.

Villain? Portals? Gotham? And what was this family doing there during a fight?? They explain that they're vigilantes, Batman, Nightwing, Red Hood, etc etc. They decided to tell you this because you'll have to work with them to figure out your home dimension and they didn't trust anyone else to take you in, plus this is just more efficient [and more comfortable than living in the batcave]. I haven't decided yet if you're from a dimension where they exist in comics or don't exist at all, but either way, you're really confused bc this is just not something that happens in your universe.

Anyways. You live with them now, get closer to all of them, work with them sometimes (even though you can't do much, mostly you just watch them work but they insist it's important you're there), decorate your temporary room in the manor a bit, learn some stuff about this dimension (some people have superpowers?? cool!!). You can't go outside though, they say that would be dangerous, as you're not from this dimension and not supposed to be here at all. You want to go back home, but the repairing of the portal machine seems to be very complicated, everyone keeps telling you they just can't figure it out...

One day, during a rare (very rare) moment alone, you decide to look around the manor. You still haven't seen everything in here, it's so big! After some exploration, you stumble across an interesting room that's kind of hidden away. It looks almost exactly like your new room in the manor, but dusty, with some items you remember the Batfamily proudly showing you as you were decorating your room, and becoming unreasonably disappointed when you didn't like them. But the most concerning thing is that there are pictures of you. Not new ones they took since you've been here, but older ones, where you're younger. But, no, it doesn't seem like they're pictures of you exactly, there are photos of a pre-teen you on Bruce's shoulders, that can't be you, you just met them! There are also pictures of a vigilante you've never seen before, which you figure must be this other-you as well. What happened to them? And why would everyone hide this from you?

Turns out you didn't come here from an accident with a villain at all. The Batfamily lost the other version of you somehow and decided they wanted you back. But not a strong, smart vigilante like the version of you from this universe. No, they could get hurt again, or figure out what's going on sooner and escape. They chose you, hoping they could slowly get you accustomed to the idea of staying and then one day lie to you and say they can't fix the portal machine, they can't send you back. It still hurts them to know you're not exactly like the you they lost, you were raised in a completely different way, of course you're not the same, but they'd never let you go, either. They love you.

They were hoping you wouldn't find everything out so soon... but, well, they can fight over whose fault it is that you were able to find this room later, first they need to find a way to calm you down and stop you from leaving them.

If you find yourself drugged and/or tied to your bed, don't be mad at them! You gave them no time to explain before you started panicking and trying to get away, they couldn't just let that happen!

[visionsofmagic]

✧˚ · . mk1 men with villain!reader [bubbles] ˚ · .

tomas, kuai liang, bi han, raiden, liu kang, johnny cage, kung lao, syzoth, shang tsung

—⭒ intro. dialogues, fluff, spicy, crush!mk1 men, crush!reader, pet names, hurt/comfort, flirting, power play, 's all? • came to my mind & I wanted to write but it's my first time to write this kind of work [intro. dialogues], so, take easy on me please. enjoy!

y/n: oh hi pretty boy! already missed me? tomas: what would I miss? you tried to rip my heart last time we met!

y/n: c’mon tomas, be a good boy for me and maybe I will let you come and take a look up close. tomas: I prefer not to get so close y/n. I don’t want to end up like the last time.

tomas: it's tragic to see you as an enemy of mine, y/n. I wish we met before all the bad things happened in your life. y/n: don't, tomas, don't give me hope of having someone who understands me truly.

kuai liang: don’t play with me, y/n. y/n: what would you do? burn me alive? well, that kinda sounds sexy.

y/n: well well, it's good to see my favorite boy. kuai liang: favorite boy to kiss or kill?

kuai liang: you should join me y/n. together we can protect the earthrealm. y/n: it’s a bit sad how you chose to protect it when you can simply - burn it to the ground.

bi han: you were so much more fearful in my dreams. y/n: you dreamt about me? oh, so cute!

y/n: c’mon ice boy, I bet you need someone to warm your bed. bi han: I take this as an invitation, y/n. are you so needy for me?

bi han: together we can reach the power we need. y/n: baby, I can’t decide which version of you is sexier; evil or good boy. so, I would say; both.

liu kang: don’t play with this timeline, y/n. keep still. be good for once. y/n: but where is the fun in that?!

liu kang: for what you have done, I should punish you. y/n: it sounds kind of hot when you say it like that fire god.

y/n: I bet you would look so good on your knees before me. liu kang: you always have a side that is hungry for power, aren't you, y/n?

raiden: I wish you were on our side, y/n. y/n: it’s not my way to be a gentle farmer boy. I like it rough.

y/n: oh, is that blush on your pretty face? raiden: don’t even start again!

raiden: liu kang says we once were lovers - in previous timelines. y/n: you sound excited raiden. it’s a matter of time before we become one in this too.

johnny cage: oh, where have you come from? hell? because you’re burning like one! y/n: after this fight, I will not be the only one who’s burning, cage.

y/n: no one can replace me, so, I can choose to play in your movie, johnny. johnny cage: really?! baby, you even deserve your own movie! with me, as your partner.

johnny cage: you have all villain types baby; power, rage, a bit of sexy energy. y/n: and you have everything to be thankful that I will go easy on you, star boy.

kung lao: you should be on our side, miss. y/n: it’s boring, but I can let you be on mine farmer boy.

y/n: I like your hat much more now. how about we make a good use of it? in bed. kung lao: oh, right? thank you for the - wait, what?!

kung lao: liu kang warned us about you; about how bloodthirsty you can be. y/n: you shouldn't worry too much cutie, I will be gentle with you.

y/n: can you really shape-shift into a human and a reptile? it’s fascinating! can I have a close look? syzoth: don't even think about it y/n. the last time's marks are still on my tail.

syzoth: why do you keep fighting with me? y/n: because I wanna see the beast inside you. it’s mesmerizing.

y/n: you should be my assistant instead of milena’s. we can have so much fun together. syzoth: a voice in me says that the fun you refer to is not what I think it is.

y/n: don’t think I am at your side shang tsung. it’s just business. shang tsung: such a shame my lady. we could have been a great couple.

shang tsung: I wonder what you looked like in previous timelines, darling. y/n: curiosity killed the cat, sorcerer. focus on me instead.

y/n: you know, I kinda like seeing you on your knees shang tsung. no one can even guess how pathetic you’re for me. shang tsung: I don’t care my love. satisfying you is my priority.

💛

[walks-the-ages]

Literally mind-blowing that people think Nope 2022 is ableist for having a character (Mary Jo Elliott) portray the fictional counterpart to the real life Charla Nash, because they thought her inclusion in the movie as a disfigured woman was for the "shock value" of her face, and that the audience is supposed to find her appearance scary.

Like. Literally how do you miss the point that much?

The horror is not that she is disfigured.

You're not supposed to find her scary.

You're not supposed to be horrified at her appearance.

You're supposed to be horrified that she was victimized by a system that neither cared for the safety of her and her costars as human beings, or about the animals they were working with.

an abusive system that chose to put people and wild animals in close contact and stressful situations for entertainment and profit,

that as one of only two survivors of the attack, Mary Jo is once again a victim of the same system that is attempting to exploit wild animals for the sake of spectacle, but instead of tv producers, it's her fellow survivor continuing to perpetrate the cycle,

the one person who should have been able to understand the danger, the one person who should have realized just how badly this could go wrong, and instead he's embracing the danger, thinking he's special, that he's lucky, that he was "chosen" because he escaped the Gordy's Home attack physically unscathed where the others were ripped apart and died.

We are not meant to find Mary Jo Elliot / Charla Nash scary or horrifying because of their injuries.

We are supposed to be horrified at what she was put through for the sake of entertainment,

the pain and trauma she was put through because other people thought themselves capable of controlling a wild animal,

And the fact that here she is, once again, being subjected to the same horror, only this time it's at the hand of a friend who should have known better, having lived through the same attack.

We, the audience, The Viewers if you will, are not supposed to find Mary Jo Elliot / Charla Nash horrifying for her scars-- we are meant to be horrifed in how she gained those scars.

The entire premise of Nope is a commentary on the exploitation of animals and people for entertainment and the inherent danger therein, and inviting the audience into researching the real history Charla Nash's attack by Travis the Chimp is literally just a way to show this is not just a horror movie, these things happen in real life and we need to stop this from happening again

Like. This movie is as against the exotic pet trade as you can possibly get, especially because this is still very much a problem today, chimpanzees and other primates are still legal to own in almost half of the United States,

the 2011 Zanesville "Zoo Escape" is right there,

And oh look! A quick Google search pulls of an NBC video from June 23rd, 2021 , of someone who owned a Chimpanzee for 17 years having her 50 year old daughter viciously attacked and having to lock herself and her bleeding daughter in the basement so she could call 911 and direct police to do a headshot on the chimpanzee so they could get medical attention.

Like.

This is not a cheap "haha, disfigured people are scary villains and we're showing her for the shock value"

this is literally a horror story about what this woman lived through and is being put through again by someone she should have been able to trust,

and a lesson that things need to change, because this is not just a single incident that happened decades in the past, this is happening right now, and it's going to keep happening until we enact real change to protect people and animals from suffering.

[our-happygirl500-fan]

I think I’ve figured out why Leo holds such a grudge against Draxum over the roof incident.

Leo: You threw me off a roof!

Mikey: Isn’t this nice? When’s the last time we all got together like this huh?

Leo: The time Draxum dropped me off a building? 

It’s not secret that Leo holds a grudge over Draxum throwing him off a roof & Leo is well within his right to, but something interesting about Leo’s grudge against Draxum is that he takes Draxum throwing him off a building much more personally than he takes any other attempt on his life by anyone else.

Donnie: Last time you saw her, she tried to kill you

Leo: Who hasn’t?

With other enemies though Leo doesn’t exactly forgive them, he doesn’t typically openly bare a grudge like he does with Draxum & if he needs something from them, Leo is more than willing to brush off any attempts on his life.

Leo: Capitán Piel? What brings you to this dump? How are things?

The last time Leo saw Capitán Piel before the episode ‘The Hidden City Job’ Leo was actively fighting Piel’s pirate crew but when he sees the pirate again Leo’s not hostile, in fact he’s friendly & asking how he’s been.

Leo typically doesn’t openly hold grudges or get overly angry as Mikey puts it in the episode Lair Games ‘nothing gets to Leo’ so then why does Leo hold a grudge against Draxum when he barely does for so many other villains?

Draxum: I may have created you, but I will not hesitate to destroy you

Leo: Uh? Who created what now?

The reason that Leo holds a grudge against Draxum is because Draxum is family, he created them & he still chose to try & hurt Leo.

Leo is someone who cares about family more than anything else & the second someone can be seen as a family member he gets attached & would do anything for them. Which can be seen by how the second he found out that Karai was a Hamato she became ‘Gram-Gram’ to him or how attached he was to Casey Junior after only a day because he knew that his future self was important to Casey Junior.

Leo: Hey, future me would be real proud of you. I’m proud of you

Family means so much to Leo which is why he gets attached to new family members so quickly but because Leo feels so much love & loyalty to family, it’s so hard for him to comprehend the idea of a family member genuinely trying to hurt him.

‘You don’t hurt your family, you look out for your family & do everything you can to try & protect them’ is a motto that Leo seems to live by, he understands that mistakes can happen & you might unknowingly hurt your family by mistake but Leo could never understand someone /choosing/ to hurt family the way Draxum did when he threw Leo off a building.

Raph: Mikey! What are you thinking!? Draxum is the sworn enemy of the Mad Dogs!

Mikey: But he’s also the one who created us and that makes him family.

Leo has the same mindset Mikey has, in that because Draxum created them he’s family, which is why the roof incident had such an affect on Leo, because a family member actively chose to try & hurt him. And Draxum knew he created Leo & his brothers, Draxum knew he was family, he didn’t try & hurt Leo unknowingly or by accident, he knew he created Leo & he still chose to hurt him.

Draxum throwing Leo off a roof is probably the first time Leo has ever experienced a family member trying to hurt him on purpose & that’s why Leo can’t let it go, because family means everything to Leo & he could never understand someone choosing to hurt family.

[genericnam]

Why, out of GF, Amphibia, and TOH, only Luz didn't have to leave her new world behind:

I've seen people complain about Amphibia and to a lesser extent, Gravity Falls, for having their series end with a goodbye; the main characters having to leave their found families and this world they've grown to love and return to regular life. But the thing is, the three shows all have MASSIVELY different morals, that each fit in with how the goodbyes (or lack thereof) work into the finales.

Gravity Falls has a large theme of temporary goodbyes and reconciling. Stan and Ford being the primary example. But there are others: Soos and Melony, Wendy and Robbie, even Dipper and Mabel to an extent. The show builds upon this with Gravity Falls being a VACATION, they aren't trapped there, they could theoretically go home at any time. Episodes such as Summerween and Dipper and Mabel Vs. The Future also build on the tone, telling that it's okay to both grow up and move on, but you don't have to leave behind what you once loved in doing so.

The final conflicts (Wierdmaggedon) are caused because of characters not being able to let go. Stan couldn't let go of Ford, Mabel couldn't let go of Gravity Falls, Gideon couldn't let go of Mabel.

Gravity Falls teaches the viewer that even if you love something, you have to let it go, and eventually it will return. In the words of Bill Cipher: "We'l meet again. Don't know where, don't know when. I just knew we'll meet again, some sunny day."

Amphibia has a similar theme of Gravity Falls, but it takes it further. Amphibia tells you that if you don't let go, sometimes things will only get worse. The primary example for this is the show's catalyst event: Marcy getting Anne to steal the Music Box. Marcy chose to go to Amphibia, rather than move away, and she dragged her friends into it with her. Instead of having a long distance friendship with Sasha and Anne, she took them to an alternate dimension in order to spend eternity on a massive adventure, and it got her killed. Marcy and Anne died and Sasha tried to kill herself.

And that's only Marcy. Sasha was a control freak that bordered on yandere at the height of her villain arc. Sasha couldn't accept that Anne was beginning to move on from the toxic friendship that the Calamity Trio had locked themselves into.

The trio were horrible to eachother, pre-character arcs, and they needed to focus on self improvement before they could even hope to be good friends. In the time between 'All In' and the epilog, the Calamity Trio would not have actually been able to be good for eachtoher. They say they forgive eachother, but that was forgiveness given during a WAR. Post show, the real feelings would start to bubble up. Anne's resentment for the betrayals, Marcy’s abandonment issues, Sasha's definite self hatred. The trio HAD to split up to have any semblance of a friendship.

Amphibia tells its audience that not all good things can last, and if you obsess and force it to stay, it can destroy you.

The Owl House has a completely opposite moral. It tells you to find your people, and fight for them.

Luz lived in the Human Realm, but it was never her home. Her home was with Camila and Manny, but when Manny died, Camila and Luz's relationship began to falter. That world wasn't her home. When Luz found the Boiling Isles, she was always supposed to be able to leave. This wasn't a summer trip she didn't want at first, or a one way portal. The Boiling Isles was HER choice.

Luz picked Bonesburrow. Luz picked Hexside. Luz picked The Owl House. Her home was always meant to be The Boiling Isles. She only started trying to find a way back to Earth because the choice was taken from her. Luz no longer had the choice to go back to the Human Realm. In fact, the only time Luz chose Humans over Isles was when she was PUNISHING herself for helping Belos.

Luz got to stay in the Boiling Isles because TOH tells its audience that where you start isn't where you should always stay. Find your place and find your people. And when you do, hold it dear and never let go. "Us weirdos have to stick together."

[neoyi]

Okay, cool. I can finally talk about the absolute catharsis I felt after fifteen years hoping - dreaming - of this moment because holy SHIT, they did it. They goddamn DID IT.

VLAD GOT HIS REDEMPTION ARC.

Let's talk about it...

By the end of the third season, Vlad Masters had ostracized the entire planet by exposing his true self (why), demanding money and total command of Earth, and completely wailing on Jack Fenton, driving away the only member of that family who unequivocally adored the man where every other Fenton knew him for who he truly was: utterly despicable and incapable of seeing the bigger picture.

Because, after all, he is a villain and that's just what villains do. Villains want power. Villains want to rule the world. There need not be more than that, and in another show, there wouldn't have to be. As far as Hartman was concerned, there is only a binary Good vs. Evil.

You would be hard-pressed to view the Vlad in "Phantom Planet" as the same man who anguished in desperate madness when his perfect clone son died in his arms. That was a Vlad who, by that point, had taken his biggest gamble and lost. I guess one could see his reasoning in season three as a "fuck it all, what even is the point" mode. But while "Eye For an Eye" (tellingly, the last major script helm by former main story writer Steve Marmel... just saying) promised a personal conflict, by the end of the show, he's made it much more external, far greater than what he and Danny's interwoven plot originally started off as.

Vlad is pathetic. Vlad is narcissistic. He is egotistical, entitled; a bitter, arrogant man who lives in his dream castle with all the money and privilege in the world that would leave him content a hundred times over, and it's still not enough.

Money is not Maddie Fenton, the woman he loves. Money is not Jazz, a child that should have been his. Money is not Jack's friendship whom he denies severely, the only part of his life who willingly embraces him. And money is not Danny, who is a half-ghost like him, and by all rights, should have been his son.

No one else could ever understand to the fullest extent of their uniqueness than Vlad and Danny would to each other, and the latter, for the longest time, hated that. Hated the way Vlad talked down to him and manipulated him, hated the whispers into his ears with promises of grand power if he just joined the billionaire's side and become his ward, hated when he caved in just once in front of Vlad's eyes who responded with a smug "See, I know you" reaction. Danny was fortunate to have good moral compasses from his family and friends, but the thing is, though, it's not about the healthy support structure he had, because Vlad had the chance to get some, too. Jack and Maddie loved Danny no matter what he was, and dollars to donuts, they would have for Vlad if the latter had approached them with his problems.

But he chose instead to be bitter and miserable, taking it out on everyone and expecting them to fall into his train of thought. The show knew what he did was wrong, but until season three, never stopped repeating his truest desire: to find love and squash his crushing loneliness.

Hartman couldn't provide a damn on what exactly was Vlad's "destiny" in "Infinite Realm"; it was vague gesturing to excuse his villainy. He was more than happy to abandon the life he's made for himself and the woman he loved in spite of two decades of planning, all on a whim for whatever time period the Infi-map was willing to take him, hoping maybe this one will give him the unconditional worship that he thinks he's deserved (by force, of course.)

Because he's the villain.

And for the longest time, the show ended with the idea that Vlad deserved to be stranded, away from people, because he simply could not help himself. To be fair, there is a lesson in that - some people genuinely DO go so far that there really is nothing more we can do other than stop the problem before they cause any further harm. I'm not denouncing that.

What I AM denouncing is the the narrative plant that's dug its way into the greater plot where an older Vlad in "The Ultimate Enemy", realized what a fool he had been. What he wouldn't give to start all over and be a better person. You don't just give someone a sympathetic goal like "looking for love", constantly provide the necessary stepping stones, and not have it set up for something far more substantial than what we got.

And even then, even if it still ended with Vlad being too far gone, I wonder, should the supposedly original plot arc for season three had been made, would Vlad's fate there been far more appropriate than whatever cartoonish supervillainy he ended up as by the time "Phantom Planet" ended?

I cannot speak for Gabriela Epstein. I cannot say how much Nickelodeon allowed her to tinker with the DP world. All of this is presumptuous speculation on my part, but this entire comic feels like they looked at season three, particularly "Phantom Planet", realized what a travesty that was, had their work cut out for it, and went about to make a post-series finale story that still paid tribute to its ending while wiping it off the map.

Vlad's redemption is the crux.

Within just a few panels, Gabriela Epstein provided an explanation on the why of Vlad's actions circa-season three. The Infi-Map was aimless because Vlad's purpose was aimless. And Vlad's purpose was aimless because his need to be in control was a manifestation of his greatest fear: being alone.

"A Glitch in Time" recontexualizes why Vlad traveled across time in "Infinite Realm." It wasn't a generic bad-guy-wants-to-rule-the-world-through-latest-plot-claptrap, but an act of utter desperation from a man who had since lost the biggest connection to his very being: Danny.

It started with Maddie (someone whom Vlad only interacts once in the comic, but is an acknowledgement of his villainous origin, nonetheless), and it may still end with Danny.

Never, in a million, billion years, have I even thought about another redemption arc... for Dark Danny.

And I am kicking myself for not even considering such an option. I had pegged him so far gone, so far past the breaking point to think otherwise. Dark Danny was suppose to be the outcome of a Danny at his literal worst: a too-late, too-little scenario. Back then, it was a symbol of Danny's rejection of what Vlad expected and desired of him.

But the comic made me sit down and think about the implication of Dark Danny's very existence, that of a man who lost his family and friends ten years ago as a child. Like Vlad, he, too was alone, and had carried a tremendous amount of pain and anguish that his human half just could not bear.

Yeah, they died because of a time loop HE created, but that doesn't erase that he was born from a horrible trauma that he could not properly cope with. And Vlad, try as he might, did not fix it. All he ended up doing was separate a ghost - infamous for their obsessions, and now, as the comic established, a carrier of human emotions - to exist. And Dark Danny carried so much raw emotion that he retaliated very, very violently.

Everyone's respond at that time was to fight him and stuff him in a Fenton Thermos for eternity. I am not saying Danny wasn't justified in fighting his darker self because the dude legitimately caused massive damage and likely murdered a hell of a lot of people, I am just saying Dark Danny is the byproduct of a scared, lonely, traumatized child.

And what does he do? He tries to take what he thinks is his by any means necessary. Vlad got his wish, he got the son he wanted.

And he's facing him now.

And he gets it.

He finally fucking GETS IT.

Which shouldn't have been a surprise because his "The Ultimate Enemy" counterpart got it. He looked at the devil that he created and lingered as a hermit in regret. And now Vlad - Vlad Prime - reacted the same.

Only this time, he can fix it.

I did not anticipate that Vlad's redemption would happen at the same time as Dark Danny's. I didn't expect the two of them to link other than the latter being another number in Vlad's bullshit entitlement count.

I love that it isn't Danny who heals him, but Vlad. It had to be Vlad. In order to own up to his actions, Vlad had to look at the eyes of the boy he was entrusted and corrupted beforehand and apologize for what he put him through. And I don't mean just "The Ultimate Enemy", Vlad is apologizing for everything he's done up to this point.

He (temporarily) sacrifices his body to stabilize Dark Danny who has fucked up the time stream so much that he wouldn't be able to exist otherwise. And only then do the two of them get what they've longed for.

Vlad gets a son.

Dark Danny gets a family.

Holy forking shirt balls.

I have a lot of problems with alternate counterparts sticking around longer than they should in the "main" setting of a show. Usually I'm fine when it's an alternate counterpart demonstrated as someone the hero is trying so hard not to be, because it's compelling to see what could have been under different circumstances. It's another thing when you have another version of the main character running around doing their own thing. Multiverse characters are inherently messy just by existing, but it gets worse when they take away from the uniqueness of the central protagonist.

There's something awkward about two Danny Phantoms living in the same world, and in any other scenario, I would have hated it. But Dark Danny is of a vastly different background brought forth from a long, nuanced, engaging history between him and Vlad.

Danny's central journey - the cusp of the show - has always been the Spider-Man mantra, "great powers = great responsibilities." You are in charge of how you carry the burden of your powers. Vlad has been the one constant always challenging and belittling his selflessness. "A Glitch in Time" had Danny asking himself, what is his purpose? Who is he now that everything has been neatly wrapped up?

Writing anything about who Danny is means Vlad is presented in some way, shape, or form. They are so thoroughly linked to each other, and it's that link that simultaneously serve to push their own individual character arc, and their relationship with each other.

So, Vlad gets a son. Dark Danny gets a family. They get a second chance, and it is up to them to work it out. I have no idea if Vlad got his wealth back. Everything is restored as is, except Danny's secret identity is secured again (which I am 100% fine with except for one notable exception, but that's another topic for another day) and implication that Vlad was just a crummy mayor with no indication the greater public is also aware of his Plasimus mode (which I am also fine with.)

There's a part of me who thinks he should have lost the money and power he's accumulated because he gained them through his vice, but if he's back in his Wisconsin cheese castle, then he can damn well use the money he has to not only benefit the world (charities, improving human lives, funding Fenton Works ;D...), but to raise his son.

Dark Danny is going to have to adjust to the idea that his father is Vlad, something he was already expected to do so when he orphaned himself and moved in with him. But it's Vlad who has to work the most out of the two: as a parental figure - as an adult - he's always had a power over Danny regardless of what timeline they're in. Most of the time, he's abused it heavily.

The second chance Vlad has been given here means he has the ability to provide a safe, healthy environment. It's more than he deserves. He failed with Danny and he absolutely failed with Dani (another can of worms in itself; she's not mentioned in the comic, and I imagine it's because her story would need a comic of her own), he cannot fail with this Danny.

Vlad shouldn't have been given a child at all until there was a guarantee that he could work through his bullshit, but Dark Danny is a special case. He is a kid who needs a home and someone to love him unconditionally, and Vlad needs to learn boundaries while giving selfless love in order to be loved himself.

Clockwork gave Vlad a test, so get studying, dude.

This does not erase how Danny Prime feels about him. He may never want to forgive Vlad, and that's his right. He can acknowledge however, that, in order to help those in need of healing, a door can be opened, even if slightly ajar.

For Vlad, that may just take a bit longer and that's completely understandable.

Vlad can't have the kind of relationship he wants with this Danny, but maybe one day, they can be equals - friends.

Like christ, I think this is the first time Vlad has actually, genuinely asked if Danny was alright.

The comic was already good prior to this, but just knowing - understanding that Vlad was more than "a villain" - meant after fifteen looooong years, we finally see the promises of a brighter future for a man with shitty priorities, but a sympathetic goal.

"It's over, isn't it? It's over, isn't it? It's over, isn't it..."

[bebx]

and if we get Henry Creel | Vecna redemption arc at the end of Stranger Things 5 where he sacrifices himself to save Eleven and then it’s this scene where Eleven is crying as she hugs Vecna’s corpse, I think I’ll be so mad I’ll most likely cry.

like… they kind of pulled the same stunt with Billy when he decided to save Eleven in the end. and with Papa when he freed Eleven from the collar after he was shot. I’m not giving my opinions on either of these characters (Billy and Papa), but these are the examples of this trope that was repeatedly used on characters who are portrayed as villains in the show; they (somewhat) redeemed themselves before they got killed off.

**doesn’t matter if you personally think Billy and/or Papa didn’t redeem themselves or if you think their redemption arcs were not good, the point is, the show intended to give them a somewhat redemption where they are “better”, Billy decided to do the right thing and saved Eleven, Papa decided to “let Eleven go” (I know that was because he was dying, but in the end he tried to help her), so the point of this isn’t “whether or not they had a decent redemption arc” but that “the show gave their antagonists — if we considered Billy an antagonist — a redemption arc before they were killed off”.

anyway, this post is about Henry. and I only just mentioned Billy and Papa as examples of the pattern that’s been going on in Stranger Things when it comes to characters who are bad guys.

also, this may be nothing, but the fact they chose to give us Henry’s childhood and how he was abused at the Lab, as well as how he genuinely cared about Eleven and how he genuinely wanted to help her escape before things went downhill, might be a soft hint that he’s not a psychopath. because he’s not. (all of his crimes, Henry committed them because, in his belief, he was doing the right thing/what had to be done, he never did any of these terrible things he did out of pleasure, and all these hatred he harbored towards humanity as a whole could also be the result of how he’s been treated his entire life, whether it be by his own parents or by Papa and the people at the Lab who literally abused him since he was a child.)

I know I’m kind of rambling here, but what I’m saying is: give Henry a decent redemption arc where he doesn’t die in the end. give him a happy ending where he gets to learn how to love and be loved, the one where he can heal from his trauma and be happy. I know this is probably a wishful thinking, but Henry deserves better and I will always, always stand by this.

anyway, I know @twihs-blog is going to be amazing the next season ♡

[coolshadowtwins]

Scum Villain au where Shen Jiu finds out about what happened to YQY some other way than just being told by the man himself.

How? Not important. Maybe he pressured MQF and SQH until they both gave the pieces they knew and put this together. Maybe he found paperwork about it. Maybe YQY did tell him, but he was drunk or drugged or something and so he doesn’t remember telling.

The point of this post is I think it would be funny if SJ, mostly having forgiven YQY but still angry that he just didn’t tell him the truth for years, let’s YQY suffer for a little long. He wasn’t necessarily overly mean to him anymore, but he does now just say things to see what YQY would do.

Like, if it was between me or LQG, who would you choose? Hm? What if I murdered someone hmmm? What if I spent all your money, hmmmmmm?

What SJ was trying to do was stress YQY out (ok, part of it was him seeing where he stood now but shh), but YQY only gets a little stressed at the problems his answers would cause SJ. Because he totally would chose SJ over anyone! But that would make people angry at SJ. He would help cover up a murder, but SJ could be sent to jail! He would give SJ any money he wanted, but the sect might not be happy with either of them?

SJ learns very quickly how high up he still is in YQY’s eyes. It makes him feel powerful. He also learns very quickly that if he really, really wanted something, all he had to do is call YQY Qi-Ge and YQY folds immediately.

He uses that one a lot, when others couldn’t see. He still has a reputation to uphold after all.

YQY, meanwhile, has no idea what’s happening. He has no idea why SJ is suddenly being so nice to him. There’s no way that he has forgiven him, after all, so it has to be something else?

He starts to think that SJ is either about to leave the sect or dying. Both terrify him. YQY drags a very unwilling SJ to MQF immediately.

When it’s clear that he isn’t dying, YQY thinks that SJ is about to leave the sect. He panics, and does the first thing he could think of- Ask SJ if YQY could leave the sect with him. (He asks this in front of MQF, who does not want to be an audience for this.)

SJ is flattered that YQY would leave the sect with him. He takes it as a wedding proposal. (He has forgotten that YQY never knew that SJ knew about the caves and the sword)

YQY doesn’t know when they got engaged, or why a wedding was happening, but he is not complaining. The night before the wedding, YQY breaks down and tells SJ about everything. SJ panics, and not wanting YQY to know that he has know for at least a year at this point and had just been messing with him, acts like this is entirely new information! Wow, YQY, that sure was awful! I am so angry about this information that I’ve never heard of before.

LQG thinks that SJ had tricked YQY into marrying him. Or that YQY had very bad taste.

[wisellamawerewolf]

Heaven has a point and it's ruining the show's entire premise

*rant under the cut*

It has probably been said before by other people who can articulate their thoughts better, but considering the way VivziePop chose to tell her story, Hazbin Hotel's premise just doesn't work.

At first the show's main idea was presumably about how it's never too late to become a better person. The themes of Hotel and providing redemption to damned souls if they CHOSE to become better was fitting for that concept and it could've worked well without much involvement from Heaven. Yearly extermination (although arguably not necessary) added stakes and a sense of emergency, but making Heaven fully involved in the situation was a very questionable choice. Now the main theme of the show is less about "self-improvement" and more about "Heaven is hypocritical", and it just doesn't work well for one (main) reason: every single sinner we have encountered are absolutely horrible.

I already sense some that people might bring up the "They're in Hell" argument, but here's the thing: it would've worked fine with the initial premise, but you can't say "Heaven is bad for exterminating souls" when these souls a.) killed, hurt and ruined people's lives when they were alive; and b.) kept killing, hurting and ruining people's lives in the afterlife. Is there a better solution than just killing these people? Probably. But that doesn't make Heaven seem hypocritical and unjustified. At worst it makes them look stupid, because if they knew most people would find extermination of souls abhorrent, they could've just send someone to rearrange hell and completely isolate the most vile sinners from others in order to prevent them from hurting people, instead of just letting them continue doing their shit but in a slightly worse place.

Another argument that comes in mind probably sounds something like "well obviously not EVERYONE is irredeemably bad in this place, and Heaven is surely unjustifiably sends people Hell for stupid reasons if it's overpopulated". And if this statement is true, I have a couple of questions:

Why then literally none of these people are in the Hotel? Surely Charlie could've find at least some of such people and convince them to participate in her experiment. This is probably better to live under the protection of one of the strongest beings in hell than being potentially killed in the streets, so what do they have to lose? If none of these people believe in Charlie's idea, why every time we meet a non-resident, they are always murderous assholes, with almost no exceptions? If Hell is full of wrongfully condemned souls, why doesn't Charlie address them in the seventh episode, instead of going to the cannibal town to ask for help?

I think I've said it somewhere before, but VivziePop wants to criticize religion for scaring people with eternal punishment for doing arbitrary and harmless stuff, but also wants to treat said punishment as a playground for her edgy OCs most of whom are the exact people who by all logic should be in hell.

She wants her story to be about redemption but then turns around and says "actually, my homicidal OC's did nothing wrong, the SOCIETY that condems them is a true villain. Please ignore corpses my faves piled up in the corner". Viv wants to have her cake and eat it too, which results in a sloppy writing.

The most frustrating thing about this that it could theoretically work if handled more carefully: Charlie is already naive and Vaggie is a freshly exiled angel so just make them believe that all sinners have a legitimate reason to be in hell and need to be "fixed". Let them run into Angel Dust and try to make him improve, only to later learn that better people were turned down in heaven and send to hell because of the arbitrary reasons.

It could've both drived the message of "you can always chose to be better" and provide a valid critique to the religion in regards to what counts as a "sin" and wether it deserves such a hursh punishment or not, but ut VivziePop just can't decide what she wants to do and talk about so she just throws in everything at the same time.

[darkdemeter]

HABITS OF MOTHER NATURE’S WILL

The DARK DEMETER WRITING CATALOGUE, WANDA MAXIMOFF COLUMN #1 —

—- not my gifs, credit to original posters! -—

Wanda Maximoff x Werewolf! GN/Female/Male Reader, (Platonic) Avengers x Werewolf! GN/Female/Male Reader

A/N — Finished it nice and quickly, I was a bit unsure about this piece and was probably gonna scrap it before I posted the teaser. I was surprised to see how many people liked the teaser alone, and the taglist life chose me! Didn’t think that would happen so soon sooo that’s pretty cool, so if you wanna join that then let me know! I’m looking at potentially doing some more werewolf reader soon, with a piece (or multiple pieces, idk yet) called ‘The Convict Wolf’. Again I’m not the best at fluff so there is quite a bit of angst in there too as well as some humour. I think this turned more into a slight! Wanda x reader than an actual Wanda x reader. So… sorry bout that. Usage of Y/N as well.

WORD COUNT — 3.4k

— NEXT COLUMN

READER DISCRETION — angst (reader has insecurities/self esteem issues) — Tony being a bit of a dick — some minor language — some weird fluffy humour? — mentions of a “passed relative” in said humour — minor name calling and usage (“mutt and stray/pup”) — and I think that’s it?

Mother Nature decrees that her law is absolute. Her will is to be respected, and all are intended to follow in her great design.

You do not change it. You embrace it.

And this applies to you as well, thanks to your common ancestor, that you shared the habit that left you tracking the red ball Tony kept bouncing against the polished floors like it’s the only thing in existence that mattered to you. And maybe because it did.

How could this happen? No high risk missions or deadly villains to stop from achieving world domination. No, today was one of those special days where you and your fellow Avengers could relax. And with the full moon so close, what better combination?

What you wouldn’t give to suddenly be on a quinjet flying into enemy territory. Nothing like a good fight to get the blood pumping.

For everyone’s sake, you tried to keep to yourself for the past week but you’d exhausted your options. Walks in the park weren’t cutting it - not to mention the other dogs started it first - and you’d already destroyed five punching bags in the gym just prior. The treadmill be damned, you weren’t burning any energy on that.

Your last resort was to sit in the common area with your favoured beverage, a cool rag and some TV to calm the intense wave of anxiety. However, by her divine intervention, your beloved crew had come to flock in.

Mother Nature knew you were a pack animal at heart, as both human and wolf. It was how she made you.

The ensuing anxiety of being in a crowded space enough to put you near over the edge. It’s not like your heart rate only picked up a few hundred beats more when Wanda walked in.

When a few of the new arrivals waved and greeted you, you shared a hesitant yet trying smile and equally reluctant nod in return.

The battlefield was the only place you felt comfortable around your new comrades. But without missions or villains you were still getting accustomed to life at the compound; adjusting to life around people.

You were still considered fresh. A new recruit to the team. As Tony liked to call you… a pup.

Fuck, how you’d bite back your snarls from that term.

Fury assigned you to the Avengers some months ago. And though you had no intention of staying long, the missions kept coming in and a lot more required your specific skill set.

You remember as though it was yesterday that Tony said, “Alright Fury, we’ll adopt the stray pup. Just don’t go ripping up the furniture now.”

Suffice to say, you broke your own record at doing just that in under 3 hours.

“I think they’ll settle in just fine,” Fury had chuckled with a clap to the billionaire’s shoulder.

You shake your head at the memory. Still, if felt wrong to feel certain things for one of your teammates already. It wasn’t like you felt you really had a chance with her anyway.

The thought made your eyes falter from the now still ball for a moment, clutched in Tony’s hand as if it were your heart.

‘Who am I kidding?’ You chuffed silently to yourself, ‘She wouldn’t take a chance on me, I’m a damn mutt!’

Your self esteem issues had to wait though.

Thump.

Thump.

Thump.

‘Ball.’

‘Ball.’

‘Ball.’

Your entire head at this point tracked the ball’s movement, but your mind was still distracted by Wanda. The idea of her wanting to play ball with you, to spend those moments of intimacy with you. Tony’s words zeroed in from a muffled backdrop to the forefront of your mind.

“And that is why red indeed travels at a superior speed to any other. Ergo, why my suit is red, brilliant, eye catching and can beat anyone.”

You could hear the collective groans and disguised snarks beneath coughs without the noise being present. It was in everyone’s eyes and their scents.

Your eyes froze on Wanda, her striking eyes bore into yours with no hesitation. No fear.

‘How long has she been doing that?’

She offered one of her smiles that made your heart swell and stop at the same time, that made your searing skin cool and rise with goosebumps.

‘She’s so beautiful when she smiles like that.’

If she had one of those smiles then… you knew that grin that spread across her lips and showed a thin line of her teeth.

Your eyes gave away the betraying thought that you knew. Her smile turned grin riddled with mischief spoke volumes.

‘She read my damn mind!’

“I don’t think that is actually possible, Tony,” Sharon said with a click of her tongue and a disbelieving squint to her eyes.

“Oh no, it is,” Tony replied with a nod, “I’ll show you how the colour of this ball determines the speed in which it returns to my hand.”

He held up the ball in his hand, a proud display of its immaculate accomplishment, just a throw away.

Shit.

You bite down on your lip hard to suppress the whine coiled deep in your throat. A deep heat settled all along your neck and your ears.

Wanda still stared at you even in your peripheral.

Tony flicked his hand forward and the ball flew forward, bouncing once against the floor and bound into the wall with a determined thump before Tony caught it again, mouth agape to huff in his triumphant display in tandem with a curt yelp.

A good throw. Bad timing.

Everyone’s eyes had diverted to you. Their attention captured by the sound you made. Even Bucky, the stoic and reserved man who hardly acknowledged anyone with anything other than a grunt, appeared surprised if not the slightest bit intrigued by this new discovery.

You didn’t dare risk a second glimpse at Wanda, the flush in your neck seeped higher up into your face. Not that the shock and interest on everyone else’s faces were easier to process.

But you couldn’t face Wanda’s eyes now.

She had read the racing thoughts you couldn’t keep in line. Who knows how much she read about how alluring you think her scent is, how you whine and whimper whenever you hear her softly cry when in the privacy of her room because you wish to be there with her, her hand running through your fur to comfort herself; to let her know you’re there for her. How much it hurts you that she would never see you as nothing more than the mutt of the team. A beast that maims and runs rampart whenever you lose yourself to anger.

A lovesick pup.

You feared that the hot sting of tears was sure to follow any moment now.

Your fingers tightened against your legs, nails not longer the tamed length you maintained them as. In their stead were claws.

“Something wrong, pup?” Tony teased and you didn’t refrain from the rasped snarl that rose in your chest. Your teeth - and fangs - bared.

Fuck. Why did Mother Nature have to make you the way you are?

“Tony,” Sam warned, eyes cast between the two of you.

“What?” Tony only shrugged as if he wasn’t intentionally pissing you off and embarrassing you at the same time. “I just wanna make sure our new recruit here is alright, I mean, they have been temperamental over the past week. Chewing on expensive furniture and specially crafted improvements to my suit—“

The ball flew from Tony’s hand just as he was about to make a show of the ball again, the unmistakable red, misty tendrils swiftly brought it to Wanda’s hand.

Everyone was silent as they glanced between the red ball in Wanda’s hand and you. Their combining scents overwhelmed you to a new height. The fear that pinned you in place made the skin along your arms radiate with heat, either from the desire to run with your tail between your legs or to get defensive; to ‘wolf out’ as the others had called it. It didn’t help when Thor made an attempt to say something but otherwise thought better not to say what was on his mind.

Wanda eyed the object that held your attention. And you in turn couldn’t help but study her. Something in the way her eyes twinkled with curiosity, her lips pulled to one side as if to contemplate heavily on the fact that this ball held you in a vice grip.

Your short temper as of late, how you’d skulk around, much to the dismay of everyone fearing you had turned into another Bucky. The guy wasn’t that bad, you’d give him credit for that, the guy had a lot on his plate.

But what Wanda was perhaps most interested by that whenever she was present in the same room as you, all that would vanish. At least for the most part.

But to her, you would ask her how she was doing or even compliment her. Little did she possibly know that it was because you had felt a little courageous to take that small leap of faith to tell her she looked good.

But she might as well have that knowledge now.

You weren’t sure if it bothered you or not that she read your mind. Invaded your thoughts. In some weird way, you wanted her to. But you also feared her rejection.

But in the end, it all made sense. No one else pieced it together but her. And this time, she didn’t have to read your mind to do it.

She could read you. She knew you.

“It’s the full moon tomorrow night. They’re anxious.”

You were often lucky to avoid this topic with the others. They’d just chalked it up to catching you at the wrong time, that the mission was a hard one that day and you had some pent up anger to burn. The other half, you’d be out of the compound. Taking a much needed break at your apartment, visiting your sick grandma who they suspiciously noted you saying had passed away years ago three times now. But who was counting.

Never did they realise it all happened around the same time every month.

But Wanda did. She noticed it.

You brave to stare into those eyes you were content to drown in but find something else. It’s mysterious. Not what you’d expect to see in her eyes when she looked at you of all people.

“Y/N, Fetch!” Wanda cooed as she tossed the ball away from her. It’s a primal instinct that ignited within you at that very moment. A natural, engrained sense and desire.

How Mother Nature intended for you to react to survive or to have fun, your skin tingled with the sensation all too familiar.

The shift is over within the blink of an eye, seamless as you launch yourself over Wanda’s sitting body after the ball, large paw-like hands scrapped across the floors as you skid to a halt and the ball captured within the grasp of your maw.

Your tail wags involuntarily and your ears pinned against your head as you bashfully ducked your head at the sound of the others who chuckled and praised your reflexes.

It felt nice. Wanda turned in her spot on the couch to peer over at where you’d jumped over her, chin tucked into her folded arms.

“Nice catch,” she giggled and you swore she could see your blush in this form, “bring it here.”

Hesitant, you take a step forward and then another, your eyes cautious as they wandered over the others in case they deemed your advancements were dangerous to be left unchecked.

Rarely did you allow this form to take around them without the proper surveillance equipment and safety precautions. They already had Bruce to worry about losing control as the Hulk. They couldn’t risk you as well.

But no. They marvelled in their stares, smiles of contentment encouraged you to approach Wanda. You let the ball fall into her grasp with a small whine, ears still pressed back.

“Don’t be shy, Wolfie,” she whispered, the sound soft for only your ears to hear. You liked that nickname. You could only hope she would continue to use it.

Wanda raised the ball again only for Tony to interject. “No! No, you are not playing fetch in this compound, Miss Maximoff.”

Wanda smirked at the look in your eyes. The same one you had right before you tore up all the good, expensive furniture within that 3 hour window.

A few more throws turned into furniture shoved aside to make room. Tony remained in the kitchen, arms folded and a scowl etched hard into his face, it would take a miracle for Pepper to wipe it from his face.

Everyone else was too engrossed in the game of indoor fetch, all having had a couple of turns by now with throwing the ball. Bucky humoured you once and threw it, an approving nod when you caught it. Clint, Thor, Peter and Scott fought hard to get the ball numerous times, Natasha and Wanda were promoted to ‘ball-directors’ so everyone had a fair go.

But Wanda maybe got an extra throw in once or twice - by order of Natasha.

Steve now held the eye catching sphere in his hand, high above his head. Though with your stature in this form, it was rather tricky to keep it away from your snapping jaws.

You yipped and howled in anticipation before Steve tossed the ball and you leapt after it. You caught it before it could bounce off the wall. An eruption of claps and cheers followed immediately, your ears flopped back as you whine softly with that feeling that buzzed in your ribcage.

“Bring it here, Wolfie.” Your ears perked up high and alert at the soft tune of Wanda’s accented voice. A few of the others couldn’t refrain from laughing a little at the sight.

Whenever they had permitted you to shift on mission skirmishes, it was all done through protocol and extensive preparation to ensure you were stable.

And they only saw one emotion when you changed. Aggression.

To finally get the chance to play and be comfortable in your own fur felt good. Shit, well beyond good.

“I was promised the next throw! Come on, give the ball here, Y/N,” Sam called with an outstretched hand.

Even if Sam had a point, you couldn’t stop yourself in your approach towards Wanda, who now was crouched down with her hand out to receive the ball.

Her eyes were soft in their gaze as they pierced through the veil of your own. It was like she could see the humanity deep within you.

Her magic touched you differently, prickled against the shell of your mind, you welcomed her in.

‘I see you as more than you realise.’

A whimper crept up your throat in response, ears tucked back and eyes often shrouded with the thirst for carnage grew to relax. Become tender in the embrace of her eyes - her soul - touching yours.

Your fur bristled suddenly and you shook your head with a huff. You dropped the ball into her hand and she threw it down the long hallway.

You bound after it, your claws clinked against the tile floor, your breath hot in ragged pants as you gave chase. Each bounce of the ball echoed faintly in the back of your mind, too occupied by the words Wanda spoke through your mind.

It was the first time you’d heard her voice in your head. And you enjoyed it. It settled you into a sense of calm.

You didn’t register the elevator doors open ahead of you, Nick Fury stood with files tucked under his arm.

Your eyes shot open and you swore you saw his unpatched eye mimic yours. Your weight was too much to control with the momentum you had backed up behind your pursuit in a cramped hallway. You skid to a halt but slipped forward, the force of your body knocked Fury and yourself back into the elevator.

A series of cringed groans and gasps reminded you of your teammates as the elevator doors closed behind you.

You’d knocked Fury into the buttons and now, your destination was another floor.

Sheepishly, he could tell, you whine a pathetic sound in your apologies. You shuffle in the elevator that was almost too tight for the two of you to fit with you like this.

“So,” Fury said after a few moments of silence, eye intently watchful of the floors you both now visited. Some had agents give pause and a receptionist even dropped her cup of steaming coffee at the sight of you.

“What brought the wolf out?”

He turned his head slightly when you grunted, ball held up in your mouth to show him what had ensued before his arrival.

It felt like hours that the rest of the team stood in their places, eyes stuck on the elevator door you and Fury both disappeared into.

“Do you think he’ll be mad?” Wanda asked, voice coated in a toxic amount of unease.

She was scared what would happen to you. As a matter of fact; everyone was scared.

The government knew just enough and that was a hard - yet private - case that was not disclosed with the public.

Your existence and your species as a whole had to remain top secret. One slip up that was determined out of hand would grant you a one way ticket to who knows what for punishment.

“It’s okay, Wanda,” Clint assured, “I doubt Fury would do anything like that. I mean, he brought them to us.”

“He’s right. No way would Fury do something like that,” Steve added, firm in his judgement or perhaps what he hoped for.

“We will… figure it out if it comes to that,” Tony sighed from his place. Not often did Tony jump to your defence in cases such as this.

But in the end, you’d proven yourself mostly to be trustworthy.

He had some inkling of reason to believe you wouldn’t cause intentional harm to the team.

The elevator pinged and everyone held their breath as the doors slid open.

Fury and you stood side by side, gazes directed down the hallway towards your team. Your eyes immediately sought out Wanda who gave you a smile but her brows were furrowed.

Fury held up the ball as he strutted forward, like an obedient pup, you followed close to his heel.

“Next time, take the game of fetch outside,” he advised and threw the ball forward and Tony caught it swiftly.

Another good throw. Really bad timing.

You were still hyped up and because of that, you charged forward and closed the distance within a matter of milliseconds.

“Wait no—!” Tony grunted as he was pinned to the floor beneath your weight. “Get. Off!” He growled and you slinked away from him with your tail tucked.

The others did little to hide their laughs at Tony’s unfortunate expense.

“Good job,” you caught Bucky mutter to you as you joined Wanda’s side. You chuffed rather proudly and your head held high.

Steve aided Tony from the floor. “Alright, Fury. We’ll note that down.” Steve flashed a toothy smile and wink your way.

“I have a mission briefing. Ya’ll better buckle up and dress for the cold. You’re going on an undercover operation located in Alaska.”

“Alaska?” Wanda asked in sync with your curious head tilt, ears flopped to the side.

“Alaska. And you also have a guide present right now who is familiar with the territory.”

It didn’t take a second long for your team and yourself to gather what Fury meant, his single eye on you knowingly.

Fury left some time later after he handed the files over that provided more information on your new task in Alaska.

Wanda turned and knelt down in front of you, a hand ran through the thicket of your fur. The act itself made your eyes droop and your chest rumble. Wanda couldn’t keep the full, toothy smile to spread on her lips.

“I think this gives us all the perfect opportunity to play more fetch with our beloved wolf.” Wanda’s words didn’t go unnoticed by the numerous hums of agreement. Truly you felt seen by them all. For the first time perhaps ever, you felt accepted.

You even looked to Tony who shrugged with an eye roll. “I suppose I could indulge in a couple throws myself. So long as I can test my new theory of what travels faster: the wolf or the red ball?”

“Wolfie,” your team chimed in claim of their theory right there.

Your pack that Mother Nature intended for you.

Thank you for Reading!

(◕ ᴥ x)

TREEHOUSE TAGLIST —

@alexawynters

[gay-dorito-dust]

I fee like Jason would gently but firmly break off his relationship with his s/o because he'd want to try to distance you from his vigilante life, he'd obviously never tell you about his other life. he'd try to convince you to move out of Gotham, maybe after dumping you he'd convince one of your friends to contact a relative of yours who lives far outside Gotham to try to entice you out of the city because he can't fully concentrate knowing Gotham could get you at any moment.

If you don't leave you'd find that you escape a lot of situations you shouldn't and that known bad guys even pretty big criminals tend to just leave you alone and pretend you don't exist even if you happen to find yourself in the wrong place at the wrong time, a random goon will just escort you out or a mugger would realise his mistake and beg forgiveness and leave all your belongings safely beside you. Redhood follows you a lot not that you know, he wouldn't want to frighten you, on some nights he'll sleep on your balcony or your fire escape just to be near you.

I’m basically reiterating what you’ve already said because it’s so fucking good anon. You took my singular braincell. How dare. ��

.Jason cannot focus on both keeping you safe and on clearing Gotham. It’s just not realistic. So if one thing had to give then Jason would selflessly chose to save you from a life of constantly look in over your shoulder. You deserve a better life and unfortunately Jason knows that you’ll never get that dream life staying in Gotham.

.Redhood had a plethora of enemies and Jason didn’t want you to become a victim of his acts of vigilantism. It wasn’t fair on you but Gotham never was or is a fair city for anyone involved. You could be alive and content one moment but dead in a dingy alleyway with corrupt people trying to gloss over your murder the next.

.So like you said anon. He goes to every contact he had that could help him in getting you moved out of Gotham, whether that be friends, family, whoever could aid Jason speed up the process in getting you settled in elsewhere was more then welcomed by him.

.Breaking up with you would be the worst thing Jason ever had to do, which is saying something, but again as much as Jason wanted to be a selfish man, he couldn’t bring himself to keep you in a city that will ultimately be the death of you both in a literal and metaphorical sense. He thought he had finally got the chance to be happy and get to live out his life with you, but when the villain of the week vaguely mentioned you in some capacity, Jason’s blood ran cold as everything in his body went mental; screaming at him to end this fucker right here and now for daring to mention you and demand how they knew.

.However he knew that’s what they wanted confirmation but still a part of his brain made him believe that they already knew of your relationship with redhood and that scared Jason unlike anything else. You were his Achilles heel and he hadn’t even realised that until the moment you were being threatened. And at that point Jason was at a loss of what to do to prioritise your safety because he would do absolutely anything to protect you and keep you safe but sometimes the best thing for him to do was to let you go and hope that you live a better life elsewhere. Far, far, far away from Gotham.

. Maybe sometime in the future when things have calmed down, he’ll visit but that’s never a guarantee. He thinks himself a death omen and he’d rather you live in safety and security. So he stays in Gotham as though he was chained to the damned city. Forbidden from ever leaving. Yet he’ll never forget you and everything you’ve done for him, I’d like to think he’d keep one thing that reminds him of you as a reminder of all the good times you’ve shared. Jason knew his heart would always belong to you and the item he kept was only a reminder of that.

.If you don’t move out of Gotham however, you start to realise that you are the most Luckiest/safest person if there ever was one. Goons, villains, thugs, all of them avoid you as though you were the plague, like you possessed something so potent that had them retreating back into the shadows, hissing as though you’ve burned them without touching them.

Which you did and he happened to be the infamous Redhood. Nobody fucks with you when Redhood is your silent but slightly terrifying guardian looming over you from the rooftops, daring anyone to try anything within his presence and to see where it gets them.

. A thug could’ve been gunning to steal your bag after managing to corner you in some dingy alleyway, holding you a knifepoint, and all of a sudden all the colour in their face vanish as their eyes flickered upwards and boom. Redhood. The thug is shitting it, their eyes are bulging out of their head as they throw the bag back at your feet and mutter ‘I ain’t planning on dying over some stupid bag, fuck that.’ Before running away with their tail between their legs like a little bitch.

. You, confused, would look up in the same place that the thug did. Only to find absolutely nothing before shrugging your shoulders. ‘Must be the drugs he was taking.’ You’d conclude before continuing on your way home to your beautiful boy, Jason.

. I’d like the idea that you caught Redhood sleeping out on your balcony/fire escape one night and now not only are you taking care of your beloved boyfriend but also a 6’2 vigilante who’s built like a brick house with guns strapped to any part of him that you could see. It’s cute and adorable because you’d probably also come to the conclusion that he was the reason why you were being left alone, and to show your gratitude to him you start leaving food, drink and something comfortable to sleep in out for him whenever you could alongside a note that said; ‘thank you for looking out for me but please for the love of god take care of yourself.’

. Jason loves it and finds it’s unbearably cute as he perched himself on your balcony/fire escape, eating your food and making himself comfortable for the night while you slept. He wished he could at least kiss your forehead and wish you a goodnight sleep but he knew he couldn’t and he hated it but as long as you were safe, that’s all Jason could ever ask for. He’ll shower you in affection soon but tonight he was on watch duty.

[theerurishipper]

Part 2 of my Paris special commentary (Part 1 here) because Tumblr is an ass and has a word limit.

Disclaimer: This is long asf.

Marinette here playing 5D chess, queen shit.

The most important thing the special confirmed is that Gabe added the word "dark" to his transformation phrase on purpose cause he's a dramatic bitch.

I am here for Claw Noir mocking Gabe. Go off, king.

"Oh nO, iT WAs aN IlLusIon!" That giggle is adorable. She's so cute.

Ladyfly is an ass name, but she looks so great.

Not Gabe getting annoyed at Claw Noir's teasing. See, now this is why we stan Claw Noir on this blog.

Gabe's plan isn't half bad, actually.

Symbolism? In my children's cartoon? It's more likely than you think.

They're having a pun-off.

RIP Chat Noir's ear.

Gabe got feathered lmao

Monarch dipped like a little bitch.

A mirror, I called it. It'll make for some nice symbolism.

"Let alone a calm and gentle mom" I wonder what Sabine is like in their world to make Emonette feel like she's so alone.

I like how they handled the villains tbh. I wasn't a fan of making it seem like Marinette was one step away from becoming a supervillain at all times, but it seems less like that's the case and more like The Supreme took advantage of her suffering and vulnerability at her lowest moments.

It's also nice that they established that Shady and Claw weren't the actual big bads and are just hurt kids who got recruited into a fight they weren't ready for. Their motivation isn't some rehash of Gabriel's, they are literally trying to survive under the rule of someone who will kill them if they don't do his bidding, and because of whom they're dying. Their life is literally full of suffering and they're trying to find something that'll give them a way out. Shady wants Marinette's life, and Claw Noir wants his mother back.

Like, it doesn't excuse their actions, but it does add a more humane element to them that lends itself better to the kind of redemption Miraculous likes to do, which is to fix things with a speech. That's why this redemption works, and Gabe's doesn't.

Anyway.

The back and forth between Chat Noir and Claw Noir was pretty funny ngl.

And we discover that Claw Noir wants his mother back. Of course.

MY POOR BABY

When Marinette was talking about how she was also angry and hurt, but chose to love herself and the world around her and chose to try and fix it... that hit hard. Honestly, it did. It's everything I love about Marinette in one speech. I love it.

And then onto my personal favorite scene in the entire special, possibly in the entire show.

That whole conversation was powerful. "I'm as well as I can be anyway," that's so profound. Like, of course you aren't going to be 100% okay after losing someone you love, but Adrien wants to move on and be happy like his mother would have wanted him to. This scene really showcases Adrien's empathy and his strength, when he acknowledges that having no friends can make it harder for Claw Noir to move on, and then he tells him that only he can make the choice to stop being alone. And that's really true. This scene really showcases everything amazing about Adrien, his hope and optimism, his empathy and his strength. How he finds the strength to keep going by choosing to not be alone. It's beautiful.

Like, it could have been so easy for both Marinette and Adrien to give into their darkest impulses, and Shadybug and Claw Noir really are just representations of how letting your hurt overpower you can lead you down a dark path, and it really highlights their strength, that they choose to make the right choices everyday, despite everything. It really highlights their characters and their arcs. And they're able to take everything they've learned, and look at what they could have been in the eyes and help them change too. It's so poetic.

It would have been a little more impactful if the show had spent more than 10 minutes out of 5 seasons focusing on Adrien's grief and how it has impacted him, but whatever.

Anyway, it also had some Adrien and Nino friendship crumbs, and I'll be darned if I didn't gobble it up like a starved animal. Also, we have confirmation that "Space Mutants vs. Ghost Shark" is Nino's favorite movie, so Nino stans please say "thank you Paris special."

And they are REDEEMED.

Shadybug fixes everything with her Lucky Charm after spending the whole special making destructive ones. My heart.

Shadybug and Claw Noir stop being evil and immediately go from hating each other's guts to flirting shamelessly. They just speedran enemies to lovers in a matter of seconds. They literally just defaulted to flirting. Truly, the natural state of Ladynoir in any universe. We stan.

Gotta be honest, I'm not a fan of the new designs. Wish they had kept the old ones. I'm one of those people whose toxic trait is liking Claw Noir's design, so I'm a little unhappy with it, but hey, it's a sweet scene.

Also, Claw Noir's hair went from the color of rotten bananas to ripe bananas. If that was intentional, I applaud the writers for being both profound and funny as hell.

Aaaaaaand Gabe is back, because we can't have nice things.

The montage going through different realities was great, it was small but I enjoyed it.

They're literally so cute omg. Couple behaviors fr. I'm so obsessed with them.

HUGS

POUND IT

They're holding hands... already... like they're in love... I'm so emotional... I WILL NEVER GET OVER THIS

And they're gone. But their adventures will continue forever in my mind and in my fanfics. And in other people's art that I will ravenously consume.

Cute Alya and Marinette scene. This is really sweet, I love the exploration of the impact Alya has had on Marinette's life.

And now, I'm not an Alyanette shipper, but I think they should kis- oh, wait, never mind, they did it.

And thus, the endless night comes to an end (it happened a while ago but that's just semantics).

Final thoughts

I really loved this so much. Sure, there were some exposition dumps that probably should have happened in the actual series, but that's not the fault of this special. This is probably my bias talking but this is the best special and it's literally perfect, no I will not take any constructive criticism on that. This, this special and everything in it, this is what Miraculous is all about. This is exactly what I wanted, this is what I signed up for. It's literally the best thing ever to come out of this entire show.

[levitatingbiscuits]

i think it's kind of insulting to anakin as a character when people pose him as a perpetual victim of everyone around him instead of a very powerful, very intelligent man who was responsible for his own actions.

i've noticed that a lot of diehard "anakin did nothing wrong" people very deliberately try to erase his agency and portray him as much less intelligent and capable than he actually is. the thing is, we know that's not the case! anakin was incredibly intelligent and successful and admired long before he became vader. he had a deep understanding of jedi philosophy, even if he was unwilling to apply it. we know this, not just from his explanations to padme and ahsoka about what jedi do and why, but from how good he is at killing jedi. anakin could hunt them down better than anyone else in the empire because HE USED TO BE ONE and he could predict exactly how they would behave based on their worldview, ethics, way of life, etc. he just didn't want to behave that way himself. he is the most dangerous person in the galaxy not just because he's powerful, but because he's SMART and he knows his enemy. he might have anger issues, but he's also very calculating and a "cunning warrior." the only one who could send him into a blind rage was obi-wan, but he learned from that and shaped his fury into a weapon he could use to devastating effect. vader was able to kill obi-wan because he learned from his mistakes; he was able to manipulate luke into almost falling multiple times. anakin in the OT is a man who has spent two decades honing his craft as a highly successful, extremely powerful sith. he is in control of himself and his actions, and that's why he's such a formidable villain.

so it kind of rubs me the wrong way when people say that he was always a fragile mess that the jedi order fucked up, or that he was palpatine's helpless puppet. i don't think anakin was traumatized by having occasional disagreements with the council. if that were the case, qui-gon and obi-wan would have both fallen long before he did. anakin was a powerful force user who disagreed with the council and vocalized it, not a bullying victim. i don't think obi-wan is responsible for all his choices, because that implies anakin traded being watto's slave in favor of being obi-wan's, when the whole point is that he chose to become a jedi as an assertion of his own freedom and personhood. palpatine might have thought that anakin was his attack dog, but anakin PROVED HIM WRONG and once again destroyed his chains by defying sidious in favor of love and compassion. his story ends with him embracing the jedi way, saving his son, and being reunited with his old teachers in the Force.

anakin chose to die as a jedi, just like he had once chosen to live as a sith. the power to make those choices was always HIS, not the council's or obi-wan's or palpatine's, because his story and the galaxy at large were always shaped, ultimately, by his choices.

[loveharlow]

hi :)

i love your writing! could i request an ajax x reader fic where the reader gets hurt and ajax gets all protective over them and angry with the person who hurt them, sort of angsty

thank you!!

ARE YOU ALRIGHT?

PAIRING ‧₊˚ Ajax Petropolus x Fem!Reader

SYNOPSIS ‧₊˚ [1.7k] Ajax is bit protective of his girlfriend and wants to keep her safe. So when a recently erratic redhead catches her in the Nightshades archives, he isn't too pleased.

WARNING(S) ‧₊˚ swearing, fluff, hurt/comfort, mild violence, Rowan loosing his shit, angry!ajax, mild angst

A/N ‧₊˚ I'm not tryna villainize Rowan , I just needed a conflict. RIP ma boy. PS - To all my gif makers, we need more Ajax gifs please, I will pay you 😭 (not literally I'm broke)

Hope this is good enough for you, anon!

˗ˏˋ ajax masterlist ˎˊ˗

I WAS IN THE NIGHTSHADES LIBRARY, SLUMPED AGAINST ONE OF THE SUPPORT BEAMS AS I READ THE BOOK I’D BEEN STUCK ON FOR THE PAST WEEK. A bowl of grapes on one side of me, occasionally dipping my hand in to grab a few and plop them in my mouth, eyes scanning word after word, paying no mind to my surroundings.

That was, until I heard the familiar screeching of the statue opening to the library. My face screwed in mild confusion, not expecting anyone to be coming. Especially at this hour — it was half past 11 and I should have very well been in my dorm, sleeping. But what Weems and the other staff didn’t know couldn’t hurt them, right?

The footsteps that descended the curved staircases were heavy and frantic, tattered sneakers coming into view as they practically flew down the steps. Fully lifting my head from the worn pages of the novel I was reading, I waited to see who had entered the library — seeing as only a handful of people knew it existed.

However, the face that followed was unexpected. A head of red hair and glasses — what was Rowan doing here? He got kicked out weeks ago. 

He didn’t seem to notice me as he eagerly scanned the bookshelves for…whatever it was he was looking for.

He looked stressed…erratic. Almost like a wild animal, if I’m being honest. He’d been acting strange ever since the new girl showed up but he looked worse than he did when we told him we couldn’t keep him around a couple weeks back. He had deep, red bags under his eyes and his hair looked like he either hadn’t touched it in days or couldn’t stop touching it. 

I let the grape clenched between my fingers fall into the bowl and let the book fall shut, the sudden noise causing the boy to whip around until he set his eyes on me. His shaky gaze went wide before hardening into a glare that I chose to ignore.

Setting the book on the ground, I stood slowly, dusting off my pants as I did so. “Rowan, shouldn’t be in here. You’re not a Nightshade, anymore.” I stated, keeping my distance.

“Y/n…” He muttered my name as if he was scared, putting his hands palm-side down in front of him as he inched closer. “I just need one thing. You don’t have to tell anyone I was here. I’ll be in and out, ’kay? I-I swear.”

I shook my head with regret, hugging myself close with the sleeves of my sweater pulled over my hands. “Rowan, I can’t- It’s not up to me. And even if it was, I'd tell you the same thing. You’ve been off lately…” I spoke meekly, not wanting to set him off as it has been easy to do that lately. Too easy. Dangerously easy.

His eyes squinted, his motions to come closer halting in a heartbeat. A deep scowl formed on his face. “Off? I’ve been off?” He laughed bitterly, looking up at the library ceiling. “That’s really funny coming from one of the elitist assholes who kicked me out of their little secret society the second I didn’t fit your standards anymore.” He snapped, throwing his hand out at me.

My head fell to the side as he spoke, lips parting to speak. “We kicked you out, Rowan, because you were losing your shit and we got sick of your tantrums. It seems not much has changed.” I reprimanded sternly. He started to take slow, calculated steps towards me. So, I started to walk around him, my back going from facing the support beams to me standing in front of the bookshelf, Rowan never taking his eyes off of me. We circled one another, almost taking the others place, with him now standing close to my abandoned book and bowl of grapes. “You’re dangerous. To yourself and us. And we don’t want to get caught up with whatever theory you’re chasing.”

“It's not a theory! It’s-” He took a deep breath, pinching the skin between his brows. “Damn it! Why are all of you so oblivious?! You can’t see the real danger that’s right in front of you-”

He was becoming volatile and unpredictable, in his words and movements. Grasping at his hair as his face became a deep, angry shade of red. “Rowan, you should leave.”

“NO! No, I’m not leaving until I get what I came here for-” He spoke quickly, his words jumbling together. He started towards me, in long strides and I almost didn’t see him coming. I wasn’t thinking clearly and he was starting to scare me.

“Rowan!” I shouted, the sound echoing of the walls and halting his movements. “Just go! I don’t want to hurt you but you’re making this more difficult than it needs to be.”

“I need the book…” He muttered, eyes glancing over the tiles on the floor frantically.

“What-”

“Just give me the damn book!” He shouted, finally snapping.

His right hand shot out and I could feel my body leave the floor as I flew back, my head hitting the wood of the bookshelves, disorienting me for a few moments. My head was spinning and the room was split into two as I tried to regain my consciousness. 

All of a sudden, what sounded like two pairs of footsteps were trampling down the steps, two blurry figures coming into view and shouting at Rowan. Inaudible statements I couldn’t make out. 

When my senses balanced back out, I could finally see the two people who’d entered the hidden library — Ajax and Bianca, shouting worriedly at Rowan.

“What the hell?! Stop!”

“Rowan, let her go!”

Rowan was simply shaking his head and squinting his eyes so tight, it had to have hurt. It looked like he was trying to block out his own thoughts and failing miserably. 

“Mmm.. shut up!” The angry boy shouted, causing his psychic hold on me to somehow put more pressure on my chest, constricting my airflow as I gasped for air — my chest was caving in. And if he didn't let me down, I knew I might die.

“You’re gonna kill her! Put her down!” Bianca pleaded. None of us were thinking straight. I looked ahead at my best friend and boyfriend, my eyes watering in struggle as my fists clenched at nothing. 

They spared a glance at one another before Ajax was reaching up at his beanie, going to tug it off before Bianca stopped him — shaking her head ‘no’ before she was marching up to Rowan and throwing his shoulder back.

Using her siren voice to force him into capitulation. “Put her down.”

Rowan's hands fell to his side limply, my lungs filling with air as my body slid rapidly down the wood of bookshelves and Ajax sped across the room as fast as he could to catch my frame before it collided with the hard floor.

His arms went under me, holding me bridal style before sitting down and lifting my head onto his lap, rubbing my cheek with one hand as I gripped the sleeve of his hoodie with mine.

“Breathe, it’s okay. You’re okay, it's alright. I got you...” he coaxed as I caught my breath.

Once I was breathing, shakily but breathing nonetheless, his head snapped to Rowan who was arguing to Bianca. “What the fuck is wrong with you?” He growled. “You could have killed her!”

“Ajax, it’s fine.” His gaze whipped back down to me, his glare harsh and angry — frightened. 

“Fine?” He said incredulously. “That wasn’t fine! He isn’t even supposed to be here. This is why we kicked him to the curb in the first place.” He ranted, turning back to Rowan who looked regretful about his actions but not necessarily sorry. “Because we knew some shit like this was bound to happen!” 

“I didn’t mean to...She was-”

“I don’t give a fuck.” Ajax said lowly, his eyes hard and dark. 

“You need to leave.” Bianca said sternly, arms crossed and eyes dead-set on him. Rowan stood in his place, stuttering like a fish out of water before she spoke again, much more conviction in her tone. “Now.”

Then the boy was dipping his head down and rushing up the stairs and out of the library. “Next time I see you, I’ll kick your ass!” Ajax shouted after him. He wasn’t the type to make threats but stoners had a type of strength like no other, so it wasn't one to be taken lightly.

Bianca rushed over to me who was now sitting up slow out of Ajax’s lap.

“Are you alright?” She asked worriedly. I nodded, coughing lightly once or twice. Ajax had a hand set on my back as I allowed my head to fall onto his chest, his free hand coming up to cradle my head.

“Thank you.” I muttered, voice still shaky. “But, why were you guys down here?”

Bianca smiled pitifully and rubbed her hand up and down my forearm. “I woke up and you weren't in the dorm, I got worried. I asked Ajax if you were with him and he said no, said he had an idea where you might be.”

“I told you to stop coming down here alone.” Ajax reminded firmly, looking down at me from where I was perched against his chest. I muttered an ‘I know’ and a ‘sorry’ before letting my arms go around his waist and hug him closer. Bianca let her hand fall from my arm, sending us both a look before bidding goodnight and leaving the library. 

Ajax and I sat like that for a while before he moved to stand, my arms falling from him as he rose. Dusting off his pajama pants, he outstretched a hand to help me stand. I wrapped both of my arms around one of his as we left the library together — my bowl of grapes and book abandoned and long forgotten.

When we got outside, I clung to him tighter as a chill swept by, my lungs thanking the breeze. “Can I sleep with you tonight?”

He didn’t stop walking as he leaned to kiss the top of my forehead. “‘Course you can.” He replied as we continued to walk together.

We made it to his room without being caught, going inside and getting comfortable under his covers. It wasn’t long before we clung to each so close, you couldn’t tell where he started and I ended.

“I’m sorry that happened to you. But I promise I won’t let it happen again.” He assured me sleepily.

“I know., but it wasn't your fault.” I mumbled, burying my face in his chest. “Love you.” 

“I love you, too.” He muttered, lifting my chin to peck my lips before allowing me to bury my face into his chest once more. His arms tugged me closer. I knew he was still fuming from what happened and I'd have to try and talk him down from potentially killing Rowan, or recruit Xavier to do it for me. In a weird way, I found it endearing to know he cared so much. But I don't like to see him upset.

And even though my chest still felt heavy and achy, and I’d have to sneak back to the girl’s dorm at the crack of dawn praying not to be spotted by Weems or the teachers — I knew it’d be okay.

feedback is appreciated! thanks for reading.

©loveharlow