#that someone is lovely btw

[dollvre]

me begging erik to not give treasure a traumatic experience while being with a certain vampire UNLIKE SOMEONE

[stiffyck]

Good luck during pride month to all the aroaces who are gonna be blasted with "love is love" everywhere

Edit:

This post includes aplatonic people, loveless aros and any other people who fall anywhere on the aro and ace spectrum.

Stop saying "but theres platonic love and familial love-"

[plaguedbyvisions]

there’s just something about the weight of a hammer in your hand. feels so right

[wilsonsfatwhitecat]

I just know house has ate shit at least once trying to jump that wall to impress his boy-toy

[beybuniki]

they should go on a fishing trip pt.1

[gettingwormed]

I think they’d hate each other sorry

[bixels]

Scary Sunset.

I'm concepting things way outta order in this story, but I'm sure you can piece things together. Context is for a storybeat where, after defeating and capturing Adagio (thus having all three sirens in her possession), Sunset enacts her revenge plot to release the sirens on Canterlot as Thea discovers she's been manipulated. In a confrontation, the two scuffle and fight over the siren orbs while Sunset struggles with her conflicting wants and emotions.

[meteortrails]

guys I got too attached to the sacrificial lamb again :( yeah I let myself pet its soft little head and care for it forgetting that I would be its undoing again. yeah I witnessed the unconditional love and trust in its innocent eyes even as I held the blade to its throat and set it free again. sorry :((

[bluerosefox]

Her Astrophel and Sterling

hmmm

Hmmmmmmmm

You know what.

You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.

Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.

DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!

YES.

Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.

"Ellie! I thought I said do not answer the door my Sterling."

"But Daddy, yous was busy fighting the hotdoggys!"

Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.

and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."

[twentyfivemiceinatrenchcoat]

thinking about an estranged childhood friends to lovers story with gojo……

you’re a rowdy kid. during one of your adventures, you end up at the gojo estate; sneaking your way into a vast, beautiful garden, pretty pink roses as far as the eye can see. little gojo is crouched down, watching tiny sprouts grow, and you’re too captivated to look away. bright snowy hair, striking blue eyes, all dolled up in a fancy yukata. he turns to meet your gaze — and all you give him is a sheepish laugh, before strolling over to introduce yourself. he doesn’t seem to mind the company, so you keep coming over to play with him. you bring cool rocks, pretty cicadas you caught, a dusty gameboy. he listens to you speak. he watches the way you move, wave your hands when you’re excited. he grows so, so fond of you.

one day, you stop coming by to see him — and he doesn’t need confirmation to know that one of the maids must have chased you off.

twenty years later, you meet him again, in a crowded little café. he calls out for you by name and you have no idea who you’re looking at. a tall, handsome, cheery man… wearing a blindfold? and shooting you a charming grin. you have no idea who he is, but he remembers you. he remembers you a lot more than he should. he chides you for forgetting your very best friend, but there’s nothing but humour in his voice. you watch as he speaks, as he moves, as he taps his feet under the table after insisting you order something — his treat. you still don’t remember him.

but you’re captivated, all the same.

(from underneath his blindfold, gojo watches you smile. he thinks to himself that some things must truly never change; because he still feels that familiar swarm of butterflies, with every move you make.)

[braisedhoney]

fighting back? against who? they're so happy—they've been waiting for you.

you are wonderful. don't you know that?

bonus: they play sims together :)

[shiftingexpanse]

Check out this thing I made! Completely normal accent, absolutely nothing weird going on here

[aesthetic-uni]

Misha Collins is the funniest straight man ever. He’s the only person to arguably queerbait in real life. He had to come out as a straight. He was told by WB to just stay bisexual. He’s living every homophobe’s nightmare scenario but the only difference is that everyone actually loves it for him

[branwinged]

"dragons plant no trees" gets thrown around a lot as fact, but i think the veracity of that claim is still up for debate in the books. because dany (like bran and jon and many others) is a narrative symbol of hope and rebirth within the series because of her connection to dragons and fire, not in spite of it. this is because dragons in asoiaf have a much more expansive narrative function than simply 'nuke metaphor'. the 'exclusively weapons of war' image they have acquired breaks down immediately if you recall that the first thing dany does with them is begin dismantling an unjust status quo. she rallies the unsullied at the gates of astapor with cries of dracarys! dracarys! freedom! <- dragons as a symbol of hope and freedom for the persecuted. and obviously they've been built up as an oppositional force against the others. we're told when the last dragon died summers became shorter. in that respect the dragons, or more specifically, fire which is warmth which is passion—very much embodies life against the numbing, deadening threat of eternal winter that the others represent. but fire also consumes, which simultaneously makes dragons agents of destruction, or as adwd shows: the monsters who eat little girls and leave behind their bones. but when dany found herself chained to a false peace which effectively undid her cause in meereen, it was the dragon that rescued her and reignited her fire to fight back—which is to say that dragons represent a wealth of contradictions within the text and this is likely something grrm means to parallel with the others to some extent, by questioning their apparent narrative role as the one true evil. because i doubt the series is gearing up towards a spectacle-esque battle wherein our heroes get to practice righteous, easy violence on a monolithic army of monsters. that feels like it would undo a lot of asoiaf's preoccupation with investigating violence against socially acceptable targets, even if said target is ice sidhe. and this binary between a one true good and a one true evil, i.e. melisandre's philosophy ("if half an onion is black with rot, it is a rotten onion. a man is good or he is evil.") is not something the story takes as given.

instead there's this exchange between bran, jojen, and meera in asos: "but you just said you hated them." / "why can't it be both?" / because they're different. like night and day, or ice and fire." / "if ice can burn. then love and hate can mate."—and i think it's talking about reconciling two conflicting ideas. because the dream of an eternal summer is just as unsustainable as the threat of eternal winter. i think the battle for dawn is more about questions of seasonal harmony. the first line from agot's summary says, "long ago, in a time forgotten, a preternatural event threw the seasons out of balance", so it's not totally out of question for the series to end with that seasonal balance restored once more. and that question of balance and how it can be achieved then works as a metaphor for a bunch of other things. because asoiaf at its core is very interested in exploring big contradictions, like love and duty? how do you keep all your oaths without betraying someone you love? how can one hope for a just, rightful ruler in a world where the systems in place can never allow such a thing? how do dragons plant trees?

you cannot frame dany's arc as a binary choice between planting trees or embracing (dragon)fire. because the fire is hers, it is a part of her, that's who she is. and her character has always existed outside of rigid dichotomies. at the end of agot she had two options, resign herself to a life of seclusion as a widow or die with the last of her family in that pyre, instead she performed a miracle. presently, i think grrm means to explore necessary, revolutionary violence with her arc because you cannot deal with institutional slavery by simply negotiating with slavers like she does in adwd. and the consequences thereof because she's also been set up to be more reckless with dragonfire in the future. but i think there will be an eventual reconciliation there, between her dreams "to plant trees and watch them grow." and her role as the mother of dragons, as a revolutionary figure. because if ice can burn, then maybe dragons can plant trees. they'll learn how to.

[keexshound]

to me modern ellie will always be that rural tomboy texas girl. you mean to tell me the girl who's had physical labor jobs the entire game suddenly just sits inside all day being a toxic gamer and texting me on snapchat? insane, unbelievable. also why is she still toned if she doesn't do anything at all, that's always been a pet peeve of mine.

to me she's that girl you'd see getting rowdy with friends and she's covered in dirt n' grass. she'd point at cool bugs like a mantis or beetle and go "look at that thing!" modern ellie is a bug girl to me. she's the girl you'd see riding around in a farmer pickup with joel and anytime you come to her house she's always doing some kind of farm work like taking care of chickens, tending to gardens and crops, whatever. you'll see ellie with her friends poking around those old buildings around town that haven't been touched in years

maybe it's how jackson kind of reminds me of my town and the whole farm thing she had with dina that makes me have such a rural connection to her but idk. also texas farmer joel just makes sense, and he's technically her dad. so she deserves to be a texas farmer too.

[kedreeva]

At some point in your life, there will be a moment where exactly - or near exactly - half the people in the world are younger than you, and half the people are older.

And I think that moment should be the one your soulmate Mark appears at, not at birth or puberty or something. Both because at birth is kind of boring but it's also very you-centric and soulmates are about the thing outside of you being a part of you, and I think it would be nice to include The World.

But also I think it would have fascinating implications for scientific and social studies. Longevity trends tracked by the average age soul marks appear. Tragedies causing a rash of recent marks to disappear (because the people are no longer the middle). Marks appearing early during baby booms.