the cognitive dissonance from people who want the products of modern medicine but get weird about animal research. like im sorry but this is necessary for the survival of the society we currently live in. and the scientists who work on these things are not evil cackling psychopaths. anyone you talk to in animal research has incredibly complex feelings about their work and incredibly complex relationships to the animals in their care. there are regulations and oversight and penalties in place to make the work as humane as possible and scientists are overwhelmingly the ones enforcing and advocating for better care.
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i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:
You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.
You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.
You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.
You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.
You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.
You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.
You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.
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yes he’s my comfort guy but also he’s my weird silly guy he’s my hot rockstar guy he’s my inspiration guy he’s my very special guy he’s my everything guy
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I love your Mighty, Ray, and Trip team art! I always used to pair Mighty and Ray with Honey in my mind for a Heroes-esque team, but now that Trip's here, I'm at a loss over who she'd be teamed with these days. Any ideas? I could maybe see her being teamed with Fang, Bean, and Bark as a counter to Sonic, Tails, Knuckles, and Amy, but for a Heroes team arrangement... if Sticks and Cream are Amy's team, then Honey and Big...? I can't think of a Flight character though...
Bear with me, I had to think how I characterize Honey the Cat?? So I based this largely off Archie’s take, but this popular influencer is founder and CEO of Honey Brand Clothes and accessories:
But how does she relate to Sonic?? As an agile fighter Honey will take matters into her own hands, and often runs into him and the gang:
WITH ALL THIS IN MIND, putting her on Fang, Bean and Bark’s team (for the sake of her company!) would be an interesting pairing to me 😇 But I can see her doing her own thing too kinda like Rouge 👀
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How do you feel about Orym's deal with Morri?
There was something kind of funny about Liam getting increasingly obvious - 'ORYM HAS DARK VINES IN HIS VEINS. YOU CAN ALL SEE THIS.' and it still going unacknowledged, but now it just feels like a damp squib. (to me at least)
anon i had no fucking idea what a damp squib was. i thought you mispelled squid. it makes perfect sense now that i've looked it up-you damn british-and i agree but i was SO confused about what squids had to do with any of this
anyways, onto the actual answer-yeah. it's a shame, because its one of the most interesting decisions Orym has made, and maybe the most interesting one that has managed to stick around and inform the character, but. it's been treated so underwhelmingly so far that its hard not to think about it as such.
and i don't blame the other hells at all, really. they were on the moon! and then FCG died and who knew if Orym's deal was relevant any longer! one of their own spontaneously learning to teleport is just an average tuesday for them! (as i've joked before, they might just think its ashari shit! [FCG voice] he's doing it! his aramante!)
as someone who's been playing a similarly reticent and repressed character for the last year and a half in a weekly COfD game, one thing i quickly learned is that if you sit back and wait for the other pcs to ask, you might be waiting a really long time. if you're waiting for the other pcs not just to ask but to push and prod over your continued avoidance, you might be waiting forever. the other players are fallible, and probably don't know your character as well as you, and have their own characters as well as a billion other things to focus on. they may be too wrapped up in their own problems or the problems of the pcs who already shared to (or might simply be playing a character that would not) ask about yours.
take the confession during swordgate: it was in the middle of a tense situation where one of the party members (Laudna) was in clear emotional distress, two of them (Imogen and Ashton) were completely focused on her, and two of them (Dorian and Braius) didn't know what Orym even meant by it or that it was a secret up to that point. that left Fearne and Chetney, and Chetney may or may not have been asleep at the time. so that leaves Fearne. she clearly clocked it and has the most reason to care, but Fearne is honestly even more emotionally repressed and avoidant than Orym, and with all due respect to Ashley, she is not who i would rely on for "initiating rp conversations" and "remembering things."
(Also Fearne tried to check on Orym earlier that day and this was his response, so like.)
TTRPGS are collaborative, yeah, but i would argue that part of that is not leaving the responsibility of your own character’s development largely to the other players. Or if you do, accepting that you might be playing a character whose vivid inner life remains entirely hidden, and also that that might not be as interesting to the other players as the things they can readily interact with. Which makes it less likely for them to follow up on it, and so on, until "sold the rest of my life to a hag to protect everyone" kind of feels like a damp squib.
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behold: my second least favorite string of words in the entirety of Tears of the Kingdom.
(it's a little less transparent why this time so I'll explain my thoughts under the cut)
So why do I not like this?
In so many words: because if you remove it, the scene still works, but you lose the moral certainty of what is going on.
This single sentence does so much legwork for the entire game (the kind I dislike), to the point where I'm about 60% sure it's the product of a rework that realized how ambiguous Rauru's position was as the Good Rightful King and needed to nervously reassure the players that Ganondorf Is and Always Was the Invader, Actually.
(no matter that it leaves the gerudos in this awkward in-between state of both invaders and victims, while never dwelling in the specifics of their history and their own agency in the entire thing; brushed off as a sin they have to expiate through loyalty to the winners of that particular strife, but without explicitely blaming them either to avoid the implications of what that would have looked like)
If you remove it, not only do you lose a pretty clunky line that detracts from Ganondorf's intimidating presence (who is he even speaking to? who needs to hear this right now?) that honestly speaks for itself when it comes to his experience with warfare, but also you lose any tension and any mystery regarding why he is attacking in the first place.
You also... kind of rob Ganondorf's motivations of their meaning. "Hyrule will bow down before me" leads to asking... why? What does he want? What does he see in those lands? And what little we get with Rauru and then Link during the final fight begs more questions; why do you prefer hardship to peace? Why do you value strength? What leads you to want to rule a land devoid of survivors, become a king without a kingdom? I don't think we ever get satisfactory answers. If you remove this sentence, on the other hand... Subtextually, it becomes pretty clear that his motivations is that he felt threatened by Rauru's power, which is ripe with subtext and questions about whether this is a legitimate reaction, whether his "no survivor" stance is due to a feeling of betrayal when his own people turned against him post the Demon King shenanigans... I'm not saying it would fix the entire game's writing, far from it, but it would already do *so much more*.
(genuinely, I think he could have stayed completely silent during the Molduga Assault, speaking only in the Show of Fealty before going completely nuts after Sonia's murder, and it would have worked MUCH better in terms of characterization but anyway anyway
EDIT: ALSO!!! that way he wouldn't speak hylian to fellow gerudos, which is weird inherently)
Without this line, the core of the tension between the gerudos and Hyrule comes front in his conversation with Rauru; it allows the cause of his hostility to be Rauru's invitations, that he would have taken as a threat, and would have still made him warlike and domineering without making him cartoonishly flat, because, once again, Rauru is not acting in a particularly more legitimate way when Zelda arrives in Ancient Hyrule; and it would have been... fair to point that out. And make for better characterization for Rauru, and Sonia, and Mineru, and everybody. But the priority was for Hyrule to be pictured as unquestionably holy; always legitimate, always truthful, always beautiful, always just.
Also, and this is more of a nitpick but: why would Ganondorf want Hyrule, specifically, to bow down before him also? Was he at war with the rest of the disparate tribes before, and just carried on his ambitions to the very very newly-founded kingdom as they allied under a new banner? (though it seems to be implies the lands were crawling under monsters in a generic sense, and not Ganondorf's attacks in particular) Why would he even consider Hyrule a legitimate entity worth taking over then, if it is so new, born from the will of a powerful rival, founded by what is basically a stranger to these lands? Why would he covet something so young instead of destroying it and just calling the lands Gerudo Lands II or Grooseland or something?
I don't think any of that was even accounted for, because, beyond everything else: to me, this sentence is so clearly and painfully crammed in here to shield Hyrule from any potential blame and immediately characterize Ganondorf as Bad without having to remove any of the causes that could lead one to side-eye Rauru's little pet project as equally questionable.
Beyond the clumsiness, it is cowardly --and, I think, a little damning.
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