This isn't completely related to selfshipping but i unironically love making up shipnames for my s/i and the tf2 characters.
[also to note: some of these are not canon; pyro and scout are friends; and saxton hale is just kinda there. idk he's alright.]
Engineer x Morale: Radio Repair
Soldier x Morale: Roger That
Spy x Morale: Esprit de corps, Radio Drama
Medic x Morale: Herzschlag / Heartbeat
Demoman x Morale: Boombox
Sniper x Morale: Radio Silence, National Outback
Heavy x Morale: Tea and Jam
Scout x Morale: Skip Distance
Pyro x Morale: Smoke Signals
Miss Pauling x Morale: Two-way Radio
Saxton Hale x Morale: Mating Calls [this one is just dumb ignore]
Proships DNI
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When somebody only uses my chosen name while putting me down, it kind of makes me wish I didn't have a name at all.
And when somebody only uses my pronouns when they try to coerce me into something, then switch back to they/them when talking about me to anybody else, it kind of makes me uncomfortable af.
I sincerely do not enjoy being labeled or referred to. Being referred to is such a negative experience for me irl.
Yet not giving people a set of name/pronouns when they ask automatically seems to make them think you're secretly a serial killer trying to cover up something?????? Or like you're untrustworthy and must be hiding because you're a Bad Person instead of just not wanting to label yourself.
Can I just please not be forced to label myself for everybody else's comfort?
I feel like that information is so personally intimate anyways like unless you know me and we're close, why do you even care? I don't think it's necessary for the first stages of getting to know somebody even though in this culture we've normalized it to be that way.
Plus if I don't give you a name then I have the opportunity to earn one. Give me a name that you think I deserve and let it be what you honor me by instead! How about that? It's probably the only way I'll be comfortably perceived since some people will change my labels as they see fit regardless. Just call me what you like, I feel like my name/pronouns have been corrupted as is
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Annnnnnnnnnd...finally we come to the last (for now) of the main OTO characters; Bree, the younger of the adopted Lian sisters. Based off Bow Kid from my AHIT AU (though I might have accidentally ended up putting a bit of an IRL friend in her too, heh. Well why not--I based Hailey's body type off my own from when I was a kid :P)
As you can see, she's the group techie, deaf, and despite being one of the few main characters to be fully human, has a fascination with cryptids and other supernatural beings, giving her a sort of rapport with Hailey once she learns of her curse, and what she really is. She is very much the middle child of the group and can be a bit too desperate to try and prove herself sometimes, but yeah, as you can see from the text, more often than not, she's more level-headed than her sister, and even mother :P
Well, that's everyone for now--I *do* plan to add another member to this found family, but he doesn't come in until later down the line :P Meaning that I can give myself a bit of a break and finally start focusing on a certain OTHER project I've been wanting to get to for a while...
Text for those who can't read it:
'Well, at least ONE of the Lians is normal...
Bree is the younger of Samantha's adopted daughters, Maple's sister, and unlike the other two, she actually seems to have her head on straight. She's also a total tech genius, and really into supernatural beings!
...which I guess includes me now.'
Version without text:
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some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:
Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.
The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.
There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.
Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).
Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.
On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.
Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."
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