#the ending didn't happen though

[smile-2-be-happy]

Just watched the teen wolf movie:

The beginning: this is corny as hell 😂

The middle 80%: am loving it, feels like returning to an old friend. Exactly what I wanted from this movie

The end twist: I recognise that the creators have made a decision, but given it's a shitty decision, I have elected to ignore it.

[tubchunk]

wdym that everyone who stayed back on the island stayed back for love. wdym everyone that ran to save themselves also did it for their love for each other. wdym people tried their best to save the people they'd spent two weeks fighting cuz at the end there was love THERE WAS LOVE.

thats what the qsmp has always been about. it's love. all kinds of love. and what you're willing to do for that love. its love its love its love

[literallyjusttoa]

Left this abandoned in the drafts (which is a bit ironic) but it's a spin on this post, where instead of Apollo just being locked in some room on Olympus somewhere, he's bound to the ruins of an abandoned Ancient Greek city. Maybe somewhere near Delphi, maybe Troy, idk.

[lo-fi-charming]

so i've been keeping up with TMP as it's airing, which has been fun, it's actually really nice to experience this kind of story weekly since i came into TMA late and listened up to the s4 finale in like, a month or two. i've been enjoying the new characters and statements, and while i was worried i'd have trouble actively listening (my attention span/executive functioning can be really variable when it comes to podcasts), it's been surprisingly easy for me to actually listen to each new ep the day it drops publicly

all this to say im enjoying the show! but i've found myself feeling increasingly frustrated with a couple things i keep seeing when it comes to discussions of it

to me, it seems... there's been a pervasive reluctance to take TMP as what it is. and i do understand that. it'd be stupid to pretend TMP doesn't exist exclusively because of TMA and that show's success, that it's a successor that was pitched as being similar. it's a story being written by the same people (plus guests), in the same universe (roughly), going for about the same tone and maybe themes.

i just feel like it's a bit of a shame, though, that so many folks seem unwilling not to carry TMA with them when they're engaging with TMP

i don't know where or when it was said, but i swear there was a comment made by jonny and/or alex about how TMP will have some commonality with TMA in terms of world-building, but also, people who listened to TMA first may find themselves theorizing in the wrong direction because we're judging things based off what is no longer concrete, reliable information; things are going to work differently in the world of TMP, and since we have preconceived notions on what is relevant or how things work, that's going to influence how we engage with information presented in TMP if we let it. and that's not even considering the fact that they've been explicit in conveying the idea that TMP was written so you can experience it fully without having listened to any of TMA at all!

i'm very much someone who tries to engage with media on its own terms, largely taking things at face value until i'm given reason to suspect otherwise. that's something i'm trying my best to still do with TMP, even though obviously, i've also listened to TMA and am basing some of my thoughts and personal theories on what we know from that

but that's what i mean to say i guess, it's something you have to actively choose to do. and it feels like, just based on what i've been seeing in fandom spaces, that a lot of people are having a bit of an odd time with TMP because of a reluctance to do that?

i think the easiest way to explain what i mean is to point to a general acceptance, already on the level of fanon it seems, to interpret the computer voices as Our Jon and Martin (+ Jonah/Elias, maybe). now obviously we have the actual real world reason why their voices are present in TMP, because of course jonny and alex were going to come back as voices in the show in some way. and i 100% agree it's a perfectly logical conclusion to then interpret their inclusion as being related to Jon and Martin somehow. i'm personally very into the theory that it is in no way them - not in any way that matters - but specifically their voices that have been stolen (by the Web?) as a means to help spread fears in other realities. but that's really not how i've been seeing people play with the concept? it seems largely 1:1. and again, i totally understand where people are coming from with that - especially when you consider how it can be a super fun concept for horror and angst, or even just the fact that folks want an excuse to carry their favorite characters into this new show and still play around with them. i promise i don't mean to bring this up as a means of making anyone feel bad or like, chastised for interpreting things a certain way and playing in the space!

it's the biggest example of what i mean though, and was a huge point of frustration for me when we were first being presented with TMP. it's not just that i don't want the voices to be Jon and Martin proper (i am very into their Ambiguous End, i believe it's best to leave that as a space for fans to play in); in all honesty, i think it's kind of a shame and maybe even a bit boring (im sorry!) to be engaging with TMP this way

and it's not just stuff like that - i've been seeing a fair amount of people expressing frustration and feeling disappointed with how TMP is hitting, but i mean, i feel like that's inevitable when you're going into it expecting More TMA? i saw at least one person basically say "ive been waiting for it to make me feel the way TMA made me feel, and it hasn't yet", and i really just feel like that's setting yourself up to be dissatisfied! beyond the fact that we're only 5 episodes in and the story has barely gotten a chance to happen yet, a huge element of this new show is that it's being approached as a largely collaborative effort, it seems, with lots of guests coming in to help shape the story and more writing and plotting influence that isn't jonny

obviously it's fine to not be super into that! undoubtedly it's a question of taste. but you do have to acknowledge that that's the case and adjust your expectations accordingly, or else you're not going to have a great time

i really like TMA, i had a great time with it, but even if TMP is a sequel to its parent podcast, it's not the same thing - and personally, i don't want it to be! i do hope that's a sentiment that is able to be more widely felt by some fans as we gain more distance from TMA while TMP is airing. i just think more people would be able to enjoy it that way, and come up with more interesting theories and interpretations of things! but those are really just my own personal thoughts

[loumands]

I honestly don't know how many more times and in how many more ways i can say this anymore but saying it again anyway. A show that is so intensely focused on exploring the themes of racism and abuse and how those interfere, and whose writers are clearly intelligent and well-educated on the subject, is not going base its entire plot and character dynamics on an abusive relationship between the main characters, have a graphic depiction of domestic violence where a black man is brutally assaulted by his white partner, and then treat the whole thing as a gimmicky plot twist where abuse victims are unreliable narrators about their own abuse and the white abuser is absolved of his sins because it was actually an evil man of color behind it all.

The writers of this show aren't that stupid. Hell, i don't think even bad soap opera writers would write something that offensive and stupid in the 2020s. Armand can be fucked up and non-sanitized without turning him into a pure evil comic book villain and transferring Lestat's negative qualities and actions onto him. We've known since the beginning that ep5 will be revisited and it's exasperating seeing some fans continue to act like it means that the abuse will be at least partially retconned away as if there weren't literally infinite interesting possibilities how they can revisit and explore the events of that night and what happened before and after it that don't require erasing the abuse in any way.

Lestat's abusiveness and Louis' status as his victim has been talked a million times by the writers and actors and there's nothing that indicates that it's not real. I'm still waiting for people to realize that a highly aggressive, entitled and impulsive man (who in the original book canon does many violent things, including hitting his other lover) becoming physically abusive toward his partner when extremely angry and upset is not some inconceivable ooc moment that needs to be rectified to preserve his honor, but literally the most realistic and predictable outcome imaginable

[crossdressingdeath]

Now that I have everyone's responses to the "Durge was an Absolutist leader" reveal, I have thoughts. I think the whole thing works best if you tell the party about you being Bhaalspawn before going to the inauguration, because if you do that they're all like "It's okay, you don't have to be evil, you can fight your father, you have to fight your father" and while some Durges would probably be upset about the repeated insistence that they Mustn't Be Evil it's definitely well-intentioned and they want to support you. And then you get to the inauguration and they're furious about the Absolutist reveal. Which is mostly fair (Shadowheart getting mad at you specifically for not telling anyone when she knows you have amnesia is just a little unreasonable), but it's also like. all that support goes away the second they learn you weren't a good little non-murdery heroic Bhaalspawn like Gorion's Ward. To be fair, their anger and sense of betrayal are understandable, it's a hell of a thing to learn and I get the sense that the party really doesn't grasp just how strong Bhaal's hold on Durge is (I don't think it's a coincidence that Jaheira and Minsc are two of the calmest about the Bhaalspawn reveal or that Jaheira takes the Bhaal's Chosen reveal better than most of the party, they have more experience and so have a better understanding of what being Bhaalspawn actually means, but even they don't as far as I'm aware know about the "literally crafted from Bhaal's divine essence" situation)! I can definitely see why they for the most part react so overwhelmingly negatively, I would too in their position. But at the same time... poor Durge? I mean, they've just learned that they were a leader of the cult that stuck a tadpole in their and most of their friends' heads and is trying to take over the world. While the response to that would vary depending on the Durge, that's a heavy thing to suddenly have to deal with! And then the closest thing to support they get from the party is Minthara and Jaheira saying "Well, you fucked up big time but you can still sort of make up for it" and a couple party members not responding to it at all. The only person in this situation who seems pleased to have them around right now is Gortash.

...I wonder if that's part of the reason why Gortash chooses to reveal all of this here and now in front of the party rather than trying to find a moment to talk to Durge privately. It wouldn't have been hard for him to say "Well, I want to talk to the leader of your group privately and I won't give you any information until I get to do so," make it into some sort of power play or something and then explain the situation once they were alone. It might even have been smarter, since that way the party wouldn't be suspicious of Durge. But instead he spills the beans in front of everyone, driving a wedge between Durge and the rest of the group. The others love Durge enough to stick by them even after the reveal, but Gortash couldn't have known that would be the case when he told them! It doesn't make sense to deliberately cause problems among the party if he wants them working together as a team to deal with Orin for him, but it does make sense if his ultimate goal is to get rid of the rest of the party so he and Durge can rule together as was the original plan. After all, if the group decided they don't want a (former) Absolutist leader around and chase Durge away, where could Durge go other than straight to Gortash?

[galedekarios]

The people going "it's not a big deal" confuse me. What other character gets shit on by everyone unwarranted and unprompted? What other character is told to not be themselves, because that would be terrible advice for them specifically? None of the devs or writers say that Astarion should be handed over to the Gur hunter and killed by them because as a vampire he's a monster anyway and this way it's a good end and he won't hurt anyone anymore. Lae'zel is brutal and aggressive, but instead of going "haha yeah isn't that so annoying, boo 👎" the devs defend her and say that audiences would not be saying that if she was a man instead. Shadowheart always has something to say, too, about Shar and Selune, and other things, but they don't call her annoying about her religion. Astarion can feed on PC and give you a negative buff, but that's fine. Gale needs a trivial color spray trinket, one of only three(!!) trinkets, and god he's just the worst. And that isn't even the end of it, that's just where I'm choosing to stop this already long message. After a certain point, if the ONLY place where Gale doesn't get shit on is when you're talking to him directly and choosing the nice options, then yeah I feel like there's a problem behind the scenes there. Especially when his story is about forgiveness, belief that you're enough, allowing yourself to love and be loved again, accepting and asking for help, and learning that you deserve to live, but the devs say that an ending where all of that is thrown away and even after telling him that he's enough you still have him sacrifice himself is good... then it's like what would have to happen for people to realize that Gale is treated differently than the rest? And what do they have to say for others to realize that they're going against their anti-suicide message? Because I don't get it. Is the world going to end? No. But that doesn't mean this isn't weird and hurtful. Escaping the cycle of abuse and becoming better is great is the basis of their game, unless your name is Gale.

i really have nothing to add here.

[supjello]

"Your son?" "My apprentice, but I think of him like a son."

[asmidge]

⚙ Kloktober Day 11 - Horror Movie Crossover ⚙

*Senator Stampingston voice* gentlemen, our traps expert, civil engineer John Kramer

[kiwiana-writes]

Six(ish) Sentence Sunday

Thanks @blairwaldcrf and @ssmtskw for the tags! This is technically only five sentences, but there is also some wanton semicolon abuse, so I think it counts.

The thing about Alex is, he’s always ten steps ahead of himself. When faced with a problem, more often than not the solution will come to him fully formed and he has to pick up the thread and walk it backwards through the labyrinthine pathways of his brain’s logic until all the twists and turns fit together; until he understands the steps to take to get himself from point A to point B. He’s always been this way, to the confusion of most people around him and the dismay of more than one high school math teacher begging him to show his working. The point is, he knows that what he’s looking at is how they get June home safely. He just needs to fit all the puzzle pieces together so he understands how.

Forever feeling feral for whatever y'all are up to, so tags below the cut and, as always, anyone who wants to play! (If you take the open tag please tag me so I can see!!)

@affectionatelyrs @anincompletelist @celaestis1 @cha-melodius @clottedcreamfudge @cricketnationrise @cultofsappho @daisymae-12 @dumbpeachjuice @getmehighonmagic @happiness-of-the-pursuit @heybuddy-drabbles @hgejfmw-hgejhsf @hypnostheory @iboatedhere @indestructibleheart @indomitable-love @inexplicablymine @leaves-of-laurelin @lilythesilly @myheartalivewrites @nontoxic-writes @orchidscript @rmd-writes @roseapothecary @sherryvalli @ships-to-sail @smc-27 @sparklepocalypse @stereopticons @suseagull04 @tintagel-or-cockleshells @welcometololaland 

[chiprewington]

Its been two months.

There'll 1 post per day. 5:30 est, starting today. Until all 10 posts are out there.

Let's wrap this up.

[bonebabbles]

re: the tags on the post you just reblogged; would genuinely Love to hear your take on the themes of homestuck. because so many of its themes are at odds with each other and the reader that it truly does become an ouroboros by the end. and that’s fascinating and heartbreaking at the same time

I really can't phrase it better than "eats itself alive by the end," honestly. Once the Beta Kids scratch their session, you can feel how tired and frustrated the author is. It's like he starts hating his own work and how massively it blew up, when he never planned for it to be a project that lasted so long.

And thus it feels like he starts turning on his work's own themes.

Sburb (the game) was abusive and traumatic, but seemed to be trying to make the kids ""grow"" by some unknown philosophy. Figuring out what Sburb (or its creators) were trying to accomplish was a theme.

Only for the author to get frustrated at the idea of there BEING such a motive, seeming to suddenly pivot to Sburb just being a universe-generating mechanism

The theme about motives, being "pawns" in a greater game and uncovering the mystery, thinking critically about authority figures including the GAME ITSELF is unceremoniously discarded for a "Nothing matters actually" conclusion

Another theme was change and growing up, dealing with your mistakes as you make them. How even in a world with time travel, trying to use metaphysical shennanigans to avoid your fuckups just backfires. Eventually you have to face the music, and you'll be better off for it.

But then the author becomes brutishly cynical. The main casts' worst traits eat them alive on the trip to the new session, we learn the Beta trolls ruined their own playthrough and now painfully slog through their afterlives, the Alpha kids are aimless and trapped in a doomed session.

The theme about growth and facing your own mistakes becomes about stagnation and inevitability.

But honestly I think the most telling change in the author's mindset comes from looking at the Alpha Trolls vs the Beta Trolls.

Like, the way that the Alpha Trolls ALL got a full personality, several interactions with the main cast, and through fan input started evolving into characters that had little traits of the fandom at the time

Homestuck was always a story with a crass tone (and it's kind of incredible how quickly the lingo changed, making early HS look a lot edgier in hindsight than it was at the time) but it felt like there was a lot of love for how these characters had kinda been forged together.

Then you get to the Beta Trolls in a dream bubble, basically all tossed into a high-production walkaround minigame. Several of them just direct, joyless jabs at the audience, less of them relevant.

For me it's really the turning point on the themes, the later acts have always felt super dissonant from the early acts because of that

So in my mind I see it as two big "parts" and examine them together as what I feel was a weak synthesis.

[johnbierce]

Magic school book sale

Into the Labyrinth, the first novel in my YA magic school series, Mage Errant, is a Kindle Daily Deal today! (November 15th.) Books 2&3 will be on sale as well for the next couple of days. Mage Errant follows the adventures of Hugh of Emblin, a young student mage whose magic doesn't want to work right- though his anxiety works just fine. Mage Errant features found family, a convoluted science-inspired magic system, a non-neurotypical protagonist, a queernormative setting, Machiavellian politics, lots of explosions, and more kaiju than you can shake a stick at. (Though, uh... I highly recommend against shaking sticks at kaiju in general.)

Mage Errant is heavily inspired by Diane Duane, Dianna Wynne Jones, Will Wight's Cradle, Andrew Rowe's Arcane Ascension, and a bunch of cheesy shonen anime. It's part of the new(ish) genre of progression fantasy, which is much more heavily focused on training and growing in power than average in fantasy. (I like to call the genre "books for people who like movie training montages way too much.")

The whole series is complete now, sans a short story anthology coming out in February. It's also getting a webtoon comic adaptation, which is super exciting! Oh, and whenever I got a bad review for having queer characters (of which I got MANY), I hit a mental button reading "make it gayer."

[mundifinis]

i pray the day never comes when tiktok discovers gregg araki's films (specifically the teenage apocalypse trilogy ones) because the amount of discourse i can already picture.... oh my god

[decarbry]

yabureme, having his brain being called dark and empty (like a cat!): wow i have such good friends!

the league: lmfao look at this stupid zombie it has no feelings.... probably.... i'm sure this is fine

friends.png

[handonhaven]

alternate ending where Landon escapes limbo and comes back to life as a phoenix (with his soul/emotions restored) and he and Hope leave the school to go live their lives together