#the first line is directly from the episode

[gammija]

nothing personal but this kind of comment rlly exemplifies to me a disconnect between canon and popular fanon jmart characterization because they almost literally had this conversation in canon - except, their lines are swapped!

jon, for all his scared grouchiness, is a secret romantic, while martin, for all his forced optimism, is at his core a pragmatist

[demilypyro]

So I've seen a few too many people on twitter talking about The Kiss Scene from the new Scott Pilgrim anime. People saying it's fetishistic and indulgent, people calling it male gazey, etc. And while the kiss itself is certainly a bit exaggerated, I felt like writing a bit about why I disagree, and why context is important, like it always is. But it basically turned into an extended analysis on the metatextual treatment of Roxie Richter. So bear with me. It's a long post.

What really matters about this scene is not the kiss itself, but what precedes it. Not even just the fight scene just before it, but what precedes the whole anime series, really. And that's the Scott Pilgrim comic book, and the live action movie. Because in both, Roxie is a punchline.

She's a joke. Her character starts and ends with "one of the exes is actually a girl, I bet you didn't expect that." Jokes are made about Ramona's latent bisexuality, the movie especially treating it as funny and absurd, and her validity as a romantic interest is entirely written off by Ramona as being "just a phase." There's a fight scene, she's defeated by a man giving her an orgasm which implicitly calls her sexuality into question (come on), and the movie just moves on. It sucks. It really, really sucks.

The comic fares a little better. It never veers into outright homophobia like the movie does, and while the line about Ramona having gone through a phase remains, Roxie actually gets one over on Scott when Ramona briefly gets back with Roxie. But Roxie is still only barely a character. Like all the other evil exes, she's just a stepping stone towards the male protagonist's development. She barely even gets any screentime before she's defeated by Scott's "power of love." But Roxie stands out, since she's the only villain who is queer, or at least had been confirmed queer at that point (hi Todd). In a series that champions multiple gay men in the supporting cast, the single undeniable lesbian in the story is a villain. She's labeled as evil, made fun of, pushed aside in favor of the men, and then discarded. Her screentime was never about her, or her feelings for Ramona. It was about the straight, male protagonist needing to overcome her. And that was Roxie Richter. An unfortunate victim of the 2010s.

Fast forward to current year, and the new anime series is announced. Everybody sits down to watch the new series expecting another retelling of the same story, and.... hang on, that straight male protagonist I mentioned just died in the first episode. And now it's humanizing the villains from the original story. And there's Roxie, introduced alongside the other evil exes in the second episode, and she's being played entirely straight, without a punchline in sight. No jokes are made about her gender, no questions are made of her validity as one of Ramona's romantic interests. The narrative considers her important. In one episode, she already gets more respect than she did in either of the previous iterations of Scott Pilgrim. And this isn't even her focus episode yet... which happens to be the very next one.

The anime series goes to great lengths to flesh out the original story's villains and to have Ramona reconcile with them. And I don't think it's a coincidence that Roxie gets to go first. While Matthew Patel gets his development in episode 2, Roxie is the first to directly confront Ramona, now our main protagonist. This is notable too because it's the only time the exes are encountered out of order. Roxie is supposed to be number 4, but she's first in line, and later on you realize that she's the only one who's out of sequence. She's the one who sets the precedent for the villains being redeemed. She's the most important character for Ramona to reconcile with.

What follows is probably the most extensive, elaborate 1 on 1 fight scene in the whole show. Roxie fights like a wounded animal, her motions are desperate and pained. Ramona can only barely fight back against her onslaught. Different set-pieces fly by at breakneck speed as Roxie relentlessly lays her feelings at Ramona's feet through her attacks and her distraught shouts. And unlike the comic or the movie, Ramona acknowledges them, and sincerely apologizes. And the two end up just laying there, exhausted, reminiscing about when they were together.

Only after this, after all of this, does the kiss scene happen. Roxie has been vindicated, she has reconciled with the person who hurt her, the narrative has deemed that her anger is justified and has redeemed her character. And she gets her victory lap by making the nearest other hot girl question her heterosexuality, sharing a sloppy kiss with her as the music triumphantly crescendos.

It's... a little self-congratulatory, honestly. But it's good. It's redemption for a character who had been mistreated for over a decade. And she punctuates the moment by being very, very gay where everyone can see it, no men anywhere in sight. Because this is her moment. And then she leaves the plot, on her own accord this time, while humming the hampster dance. What a legend. How could anything be wrong with this.

[oatmealaddiction]

Okay but the weirdest thing about the whole "Brotherhood is better you should skip 03" discourse that's become commonplace now, it sort of forgets the world Brotherhood came out in and why you should watch the original Fullmetal Alchemist. When Brotherhood came out, the original Fullmetal Alchemist was one of the most beloved and most watched animes of all time. Brotherhood assumes you the audience have already seen it because of course you have, everyone has seen it, so it skips important information and speeds the story up because it doesn't want to bore you with things you already know. Have you ever wondered "hey why does the first episode of Brotherhood kind of suck, and why am I being introduced to like 50 new characters, and why are they acting like I know what the hell an alchemist is?" It's because Brotherhood thinks you've seen 03.

The first 7 or so episodes of Brotherhood constitute dozens of chapters in the manga, and the first 25 or so episodes of the original Fullmetal Alchemist. The Nina Tucker episode in Brotherhood, in FMA 03 takes up nearly three episodes. Yoki gets a backstory in 03 and it's genuinely one of the best episodes and taken directly from the manga and Brotherhood glosses over it because: duh, you've already seen it. And so if you skip the original you miss out on dozens of really great character building episodes like Ed and Al meeting Hughes for the first time and getting to spend a whole episode helping him free a train from terrorists, or Ed and Roy having a duel that expands on the relationship they have, or episodes where the brothers just help out random people in towns before the major story gets going.

The original also paces itself quite a bit better than Brotherhood and is more in line with the mangas storytelling. In the manga we don't find out about The Gate until nearly two dozen chapters in, and the same goes for the original anime. Like, that's a twist reveal in those stories, and it's weird that the most watched series is the one where they tell you all about The Gate in the first two episodes because they assume you've already seen the original show.

What's more, people don't know that Hiromu Arakawa helped write for the anime while she was still in the middle of writing the manga, and as a result was inspired to write scenes in Brotherhood that the anime did first. That scene of Edward getting impaled by a falling beam? Directly inspired by a similar scene in the original anime. There's a lot of little instances of that and they're great when you can recognize parallels and things in Brotherhood that are direct references to the original anime, but people don't notice any of that anymore. Because the original anime is just an automatic skip these days, and it's a bummer because people don't realize what a giant it was back before Brotherhood was released. They treat it as *bad,* not realizing it was one of the most beloved anime of its time and the problems people take issue with have a lot more to do with personal taste than any kind of actual flaw in the writing. Brotherhood was never meant to dethrone it, and the original anime was always supposed to be part of the viewing experience which is why those first few episodes of Brotherhood are so fast paced. So like, please stop telling people Fullmetal Alchemist 2003 is a skip, or it's bad, or you don't need it because Brotherhood is better. Regardless if you think Brotherhood is better or not, the original wrote Brotherhood's check. It was huge, it was beloved, and Brotherhood is *banking* on the knowledge you've seen all of it and loved it. And trust me when I say there is so much to love about the original series. It's still my favorite branch of the FMA franchise, and it's worth your time, I promise you.

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[swampjawn]

Dungeon Meshi Episode 7 was super interesting from an adaptation standpoint - this'll be a little different from what I usually write about (though I do still talk about the animation in the full video).

Studio Trigger have never done a straight-up manga adaptation before - and led by Yoshihiro Miyajima, a big fan of the manga who pushed hard for the adaptation to get made, and who has never directed a full series before, it was unclear if they'd be able to find the right balance between a simple panel-for-panel recreation and making something that's completely different.

And in the first few episodes, you could really feel the tension between the influence of a cautious young creative with great respect for the source material, and a studio with a unique established visual style. It kinda seemed like they were ping-ponging willy-nillily between the two sides of that spectrum.

But this episode showed that Miyajima (and series writer Kimiko Ueno) can take 3 chapters, slice them up and rearrange them into a cohesive-feeling episode while taking into account the differences between screen and page, and using them to their advantage.

Starting with the way the water looks. This line from the manga describes a faint magical glow to the water in this lake and you can see that the cavern fades into darkness above, but Kui's illustration style doesn't really define lighting and shadows very much compared to the cel-drawing style of animation. So the animators took the opportunity to use the water as the light source, and make a whole episode that's lit almost entirely from below. It really gives an otherworldly feeling to this area.

Particularly when the Kelpie shows up, that under-lighting works wonders to define its anatomy within the relatively simple line art.

What do you do when you can't show the immense fuck-off scale of a monster with a beautiful full-page spread like this?

Well you use what you do have: the ability to move the camera instead. This is such a great way to communicate the scale of this thing, AND such a great way to show some of Senshi's anime-original butt-cheeks!

This is one of my favorite shots from this episode - this whole sequence is super hectic, cutting quickly from character to character, but they use tricks like this to keep you from getting confused. This is framed much like it is in the manga, but with the moving image, they're able to use the trajectory of the fish head in the background to lead your eye directly from Chilchuck, right to the point where Senshi pops up in the foreground and transition seamlessly from one character to another!

Now, it's not all good - I am a bit disappointed that they removed Marcille's own Senshi-style soap-making montage, which was the perfect visual representation of the culmination of the character development and understanding built between Senshi and Marcille.

It's a shame to see it go.

I get more into that, what else was cut, and much more in this video where I broke down the entire episode!

Check it out if you feel like it. If you don't, jump in a ditch, cover yourself in leaves and jump out at people as they walk by.

Thanks for reading!

[httpsserene]

𝐬𝐮𝐦𝐦𝐞𝐫 '𝐭𝐰𝐞𝐧𝐭𝐲-𝐭𝐰𝐨 | 𝐬𝐢𝐩 𝐨𝐟 𝐬𝐮𝐧𝐬𝐡𝐢𝐧𝐞 | 𝐜𝐬. 𝟓𝟓 & 𝐥𝐧. 𝟒

summary: have you worked every shift possible for a chance of running into carlos and lando? yes. are you mad that you have a month of summer left and you still haven’t stumbled upon them? yes.

content warning: 18+. mdni. explicit sexual content. plot with porn. summer fling/vacation romance. fluff. light angst. light angst with a happy ending. banter. attempt at humor. explicit language. reader has a mom and dad. original side characters. dates. golf. miscommunication (done right). reader is bad at feelings. flirting. d/s undertones. light dom!carlos. switch!lando. switch!reader. brat!lando. hair-pulling. light pain kink. light praise kink. cunnilingus. vaginal fingering. threesome m/m/f. vaginal sex. protected sex. overstimulation. carlos sainz jr’s canonically big dick. petnames. orgasm delay? envy and jealousy.

pairing: poly! carlos sainz jr x lando norris x phd-student! fem!black!reader

word count: 18k words. (new record!)

from, serene: i am extremely proud of what i created. i hope it was worth waiting for, and i can't wait for the next episode !!! my next upload might be an alex albon smau series, for those that requested it. pls pls pls, send me asks and leave comments on this if you'd like! i'd love to hear your thoughts on sip of sunshine, and how it's building so far xxx thank you so much, my loves :) (50 more followers until 3k :o)

this has also been uploaded on my AO3 for anybody who finds it easier to read a fic of this length on there (looking out for those on mobile x)

⌕ prev | join taglist | feedback & requests | upcoming chapters | table of contents | sip of sunshine | next ↻

Studying for a doctorate does not directly correlate to a person’s brilliance. If you were smart, you wouldn’t have returned to the golf club for another summer with the sole hope of reuniting with the two stunningly fine men you shared a ten-minute conversation with. However, you chose to beat intelligence in a foot race, and here you are: driving the same beverage cart while sweating off your sunscreen for the fifth year in a row; furthermore, you have not crossed paths with Carlos and Lando once in the two months you’ve been working.

It’s difficult to believe that Lando had told the truth when he mentioned that they’ve been attending Club La Moraleja consistently for the past four years. You want to believe him, but the evidence against him is overwhelming. You’ve worked every possible shift this season, at every possible time, on every possible course, without a single spotting of the duo from the beginning of June. 

It’s August. If you allow yourself to think maniacally, you would infer that they’re avoiding you on purpose.

Previously, you were under the assumption that they were obviously flirting with you. The sexual innuendos, double-entendres, calling you a “sip of sunshine,” and the eighty euro tip Carlos left you (which had to be a mistake)—from which you deduced that they were making a move on you. You would even say that their instance in convincing you to return to the green was the smoking gun you needed to seal their fate in the case of you catching their interest. 

Nonetheless, they are nowhere to be found. 

You cope by entertaining the aspect of you suffering from heat stroke or heat exhaustion, and you created Carlos and Lando as a figment of your delusions during your compromised mental state. On the other hand, there’s also a chance that they took your joking threat—of never returning if you had to put up with their subpar pick-up lines—seriously. You didn’t consider that they would misunderstand your teasing banter but, you haven’t seen them a single time this summer.  

It’s unsettling. You’ve never been this disappointed about men not taking the clear hint. 

Obviously, you’d be relieved if any of the sleazy, rude, and archaic golfers stopped bothering you after their first attempt. But, Carlos and Lando? They’re the exact opposite of the men you described. They’re young, polite, funny, charming, and attractive. It’s not outlandish for you to say that there was some budding chemistry between you three.

It’s regrettably characteristic of you to develop crushes on men you haven’t shared more than one conversation with. Too bad you’re never going to see them again. And, screw them! Who do they think they are? It’s not like they’re anybody special—they probably delighted in filling your mind with false hope. 

The next time you see them, you’re running them over with the bev cart. All gas, no breaks.

The motor whirs loudly as you drive over a hill to the last hole of Course Four—and, you’ll be damned.

“Well, look at you! You stayed!”

You can’t tell if this is the universe blessing you or sending you a curse in disguise. 

Lando’s words ring in your ears as your brain fails to compute the sight of him and Carlos smiling at you from across the green, down in a bunker. 

Lando’s…matured beautifully, over the year you haven’t seen him. He was attractive before, but as you direct the cart closer, you can tell he’s grown into himself. There’s a broadness to his shoulders, a sharpness to his eyes, and a hollowness to his cheekbones that certainly makes it impossible for anybody to deny that he’s beautiful. 

Carlos is angeringly more handsome than he was before, somehow. You blame it on the backwards cap and his stupidly wide, warm, beautiful, brown eyes. You cut the engine off, scratching fiendishly at the back of your neck to dispel your thoughts about his nose and lips, how you would pay to see his brown eyes darkened between your thighs.

“Obviously,” you state dryly, roughly tucking the curls that slipped from your ponytail behind your ear, “I’m here, aren’t I?”

Their grins falter at your biting tone and they glance at each other in surprise at your irritated response. They climb out of the bunker and walk to meet you at the side of the cart. You’ve turned your back to them, hearing their footsteps approach but you continue to mindlessly organize any cups that shifted out of place as you drove.

“It was just an observation,” the Brit continues, you can hear him still smiling around his words, “A conversation starter, I guess.”

You put on an impassive expression before turning around and staring at the two with your arms crossed, “Mm. Who’s the one who’s bad enough at golf to land in the bunker? Wait—don’t tell me! You’re both probably stuck in the sand trap.” 

Lando’s mouth audibly drops open with an insulted gasp and Carlos’s brow furrows in confusion.

You wave a dismissive hand through the air before they can reply, “What do you want to drink?”

“Uh…What?” Carlos fumbles, lost at your deviation.

“What, ‘what?’” You snap, annoyed at his feigned innocence, like he’s unaware that they lead you on for the entirety of a summer that they just appeared in, “What do you want to drink? As in a refreshment? ¿Una bebida? I know you’re familiar with ordering from the cart as I served you last year—and since you both have been coming here for five years!” [A drink?]

The two stare at you in blatant terror as your voice echoes in the air. Their stunned silence at your “unfounded” anger only serves to exasperate you further.

“Make it quick,” your voice trembles infuriatingly, “What would you like to drink?”

“Did we do something wrong? If we upset you, we have no idea what we did,” Carlos rambles pleadingly. You almost buy it.

“Yeah, what’s with the attitude?” Lando gracefully ruins their chances of being acquitted, “We haven’t seen you in nearly a year; What could we have done wrong?”

“Attitude—are you serious!?” You scoff, insulted at the very idea, before continuing mockingly “Whatever—it’s a beer and a lime mocktail, right? Or, would you prefer a sip of sunshine?”

The men don’t have a chance to edit their orders as you sharply throw open the beer cooler, all three of you flinching as the lid slams into the cart and the bottles and cans clamoring together worryingly. You don’t let the fear of damaged property interrupt your fury as you brandish the beer towards Carlos, snatching your hand away as soon as his closes around the neck of the bottle. 

He murmurs his thanks in his native tongue but the curl of his accent—no matter how alluring it sounds—incenses you further, and you huffily turn your back towards them as you craft Lando’s drink.

The thought of them being truthful about their confusion about your annoyance flares in your mind as you shovel ice into the plastic cup. It’s possible that there has been some miscommunication…but, that would be embarrassing for you to admit. You’ve already acted incredibly rude and like a total brat to them—to customers, at that! Ohmygod, you’ve let your personal emotions affect your work; they could report you to your manager and have you fired. 

Your breath stutters as your overcome with a chill that feels like you’ve dumped ice down your own shirt. The drink is quickly assembled, and you find yourself wishing for a painless death as you fasten an orange slice as garnish on the rim of the cup instead of a lime. A slice of sunshine, if you will.

Meekly, this time around, you offer the cup to Lando. He looks increasingly disturbed at the sudden switch of your demeanor. You watch the Brit glance at his companion, his look clearly communicating that he’s checking if Carlos agrees that you’ve lost your mind, most likely.

The Spaniard must have agreed because Lando giggles nervously, the sound glaringly revealing his discomfort, “You didn’t poison my drink, did you?”

Your brain starts to self-destruct in embarrassment. Carlos hides his face in his free hand, but the sound of pain that escapes him at the ill-timed joke is clear. To be fair, Lando looked like he regretted his words as soon as they left his mouth, but the damage was done. 

Your cheeks burn furiously, you’re simultaneously angry and disappointed in yourself. How could you allow yourself to become overrun by your emotions on the clock? It’s unprofessional and uncharacteristic of you. 

You excuse yourself shakily, “I-I am so sorry. Perdóname. I was rude to you both for no reason. I apologize sincerely for my behavior. Do not worry about paying, your drinks are on me. I hope you both enjoy yourself on the green—Buenas tardes.” [Forgive me; Good afternoon.]

Carlos and Lando are silent as you scamper into the driver’s seat, tail figuratively tucked between your legs. The ride back to the clubhouse is silent as you berate yourself for your stupidity. You wonder if you’ll ever be able to forget the way you ruined your chances with them. You already know your subconscious will play this on repeat every time you try to sleep. The cart beeps as you reverse into its assigned spot. Isabel, one of the fellow cart girls—and your best friend—waves at you with a smile as she walks over towards you. She must be the next on shift.

“You look like you’ve just been fired,” Isa’s smile has transformed into a look of concern, “¿Estás bien?” [Are you okay?]

Grabbing your belongings, you slide out of the driver's seat with a haunted look in your eyes. “You remember the two guys I told you about? From last summer? I think I just scared them away.”

“No,” Isa exhales in denial, pulling you into a hug, “There’s no way. What happened?”

“I yelled at them and insulted them for being bad at golf,” you mumble, yelping sharply as she  communicates her displeasure by slapping at your arm, “I was mad at them, okay! They were pretending to be innocent, like they had no clue they avoided me for the entire summer! They’re going to complain to the Club and get me fired because I was unprofessional and rude!”

“Ay! You don’t know that! You still served them, and apologized right?” Isa brightens further when you mention you served them for free, she ignores your pout as you rub your hand against the stinging skin of your bicep, “Then, it’s probably nothing. If they do complain, this is your first complaint ever. You won’t get fired—you will just have to wash the carts for the rest of the summer.”

You fall to your knees on the hot concrete in despair and Isa snorts at your dramatics, bending to pluck the cart keys from your pocket. 

“I’m just going to quit, inmediamente!” [Immediately!]

“If you quit, I quit,” Isa reminds you, “And, out of the two of us, I need this job. I’m broke. So, you can’t quit, unless you want me to suffer.”

“I would take care of you,” you beg, “I have my office job back in the States. You could marry me and get a green card! Let me quit!”

Isa cackles at the concept, “You hate your office job. Anyway, quitting won’t save you from your colleagues here. Don’t forget we’re all going out tomorrow night! You can’t escape this time, you promised me.”

You groan in indignation, “Is it a crime to not like clubbing every night?”

“¡Sí, lo es!,” She frowns, “It’s clubbing every night in Madrid! And, I need moral support if I have to watch Lucas flirt with Sofia. I don’t know what he sees in her.” [Yes, it is!]

Grumbling fitfully, you wish her a good shift before dragging yourself into the Clubhouse. You’re still quitting. There’s not a chance in hell that you’re coming back next summer—there is nothing worth staying for anymore. Sorry, Isa.

Out of all the shifts you’ve worked, the 8 A.M. to 3 P.M. is your least favorite. You blink blearily as you hang up your belongings in the same locker you chose four years ago, fighting the urge to rub at your eyes, with the thought of not smearing your mascara. Pinning your nametag on your pressed shirt is muscle memory, and you slide on a club-branded visor to protect your face because the UV index is concerningly high today. 

You pause to stare at the photos pinned to the inside of your locker door—they date from your very first summer till now, with familiar faces and some you haven’t seen in a while. It’s heartwarming. You haven’t posted a single one of these photos in here; your friends do it on their own (the password to your locker is apparently community knowledge—you could change it, but then you’d stop collecting them), taping Polaroids from moments on the course to shenanigans off the course to nights out in the city, with captions and notes written on the back. 

The sense of belonging and community you found here is why it was so difficult to come to a decision about leaving this place and its people behind. Your lips tilt up at a photo of you and the cart team covering your boss’s car in sticky notes two summers ago—he made you all collect the stray golf balls from the putting green that night in retaliation. And, he laughed deeply as the sprinklers drenched all of you, which is another few snapshots commemorated in your locker. 

You don’t think you’ll ever be able to leave.

“Mami,” Lilia, the receptionist on duty this morning, calls you from the locker room door, “The two really hot Formula One drivers are asking for you?”

You shoot a look of confusion her way, “huh—why me? I don’t know them?”

“Umm, yes you do?” Lilia mirrors your bafflement, “They say you’ve served them before. And that they want to apologize for something?”

“¿Qué?”

“I don’t know! I’m just repeating what they told me—” The brunette woman cuts herself short, and her eyes narrow after a moment, “Hey, if they’re bothering you, I’ll get them banned. I didn’t tell them that you were here, I just said I’d check to see if you had come in. Did they bother you? Don’t lie to me! I’ll call security and get them gone!”

“What, no! I don’t know them, or even know what Formula One is! I haven’t had a bad interaction or served any drivers—oh.” Your stomach sinks as your eyes shut woefully, “I fucked up.”

Lilia threatens to get them banned again when she sees the bronze skin of your face lose its luster. You tell her to let them know you’ll be out in a moment and to not threaten them. You step to the full-length mirror to check your appearance and adjust your uniform. Centering yourself with a few deep breaths, you turn the door handle and make your way out to the reception desk.

The squeaking of your sneakers on the tile floor only adds to your anticipation. A small part of you hopes that Carlos and Lando aren’t the Formula One drivers asking for you, and that this is all some misunderstanding. You feel your soul die inside of you as your eyes meet theirs. Their expressions look determined and apologetic, and your palms feel sweaty as you come to terms with them preparing to file a formal complaint. 

Lilia clears her throat abruptly from where she’s pretending to organize membership files. You see a blush bloom on Carlos and Lando’s cheeks as they realize that they’ve been staring at you without saying anything for longer than what’s politely appropriate, but you beat them to the chase.

“Buenos días. U-umm,” you anxiously scratch at the nape of your neck, “…Is this about yesterday? Or the tip you left last summer? It was too generous to not be an accident. It’s past our refund period, but I can reach out to the manager on duty to see if we can work something out.” [Good morning.]

“I gave you eighty euros on purpose,” Carlos states without doubt, and you feel Lilia’s stare piercing your side profile.

“Oh.”

“I wanted to speak to you about yesterday—”

You cut in, “Yesterday was my fault! I think I misunderstood you both and I overreacted. It was nothing personal—”

Lando clasps his hands together, interrupting you with an imploring tone, “It was personal, though. Which is fine, I think we deserved it. Especially if there was a misunderstanding on our part. We would’ve communicated with you clearer if we were sure that you were on the same page as us. We would appreciate it if you would allow us to make it up to you.”

Lilia kicks your ankle underneath the desk, doing enough freaking out for the both of you as you struggle to keep your face calm.

“I feel like I’m still the one at fault for the miscommunication. But—how were you planning to…smooth things over, I guess?” You ask.

“Allow us to take you to dinner tonight, and explain,” Carlos finishes, weaponizing those eyes of his, helped by Lando softening his own at you desperately for a chance.

“Oh—um, I would love to, really, but I already have plans tonight—,” You’re getting tired of being interrupted, but Lilia is quick to clear your schedule.

“No!” The raven-haired woman jumps up from her seat, slapping her hand on the counter forcefully, causing the three of you to jump. “She’s free tonight!” She smiles scaringly wide at Carlos and Lando.

Lilia turns to you and her smile and voice quiets to something genuine, “I will explain to the others about why you could not make it. Isa will understand as long as you remember to keep us both updated, yes?”

You roll your eyes, resigned , “Yes.”

You’re surprised at the tentative happiness growing in the boys’ appearances, “I guess I can do dinner tonight. What’s the plan?”

Phone numbers are exchanged and they agree to pick you up from your house at seven. They linger through their goodbyes, clearly not wanting to end the conversation. It’s flattering that they're willingly exposing their obsession with you so soon. You shoo them away with the reminder of seeing each other tonight and the fact that you are, in fact, on the clock. Lilia slaps you on the arm repeatedly as you watch them exit through the front doors with a dreamy sigh.

As soon as the door closes behind them, Lilia lets out a scream of excitement and pulls you into a hug, the two of you jumping up and down overwhelmed with joy. You’re caught by your boss Marco, who takes one glance before he turns around to head back into his office, forcing the two of you into hysterical giggles. 

You pull back from her, and you can’t quiet the large grin dancing on your lips, “I have no idea what to wear!”

Carlos texted you twenty minutes ago alerting you that they’re on the way to pick you up. Lando added that they can’t wait to see you a minute later. You were ready thirty minutes before they started heading your way. Ten minutes ago you decided to change your entire outfit. You settled on a linen cropped tank and matching maxi skirt with a pair of sandals. You fiddle with your accessories endlessly, and you do the same with a few stray curls that refuse to sit where you want them.

Grabbing your purse and phone, you rush out of your room and down the stairs to find your parents in the kitchen adding the finishing touches to their own dinner.

“¡Mija—qué bonita!” your mom gasps, wiping her hands on a towel before she pulls you closer to look at you, “Where have you been hiding this outfit?” [My daughter, how beautiful she is!]

“Má, I’ve had it for a while,” you subject yourself to her cooing and prodding as she spins you around, looking at your dad for help, who only offers you a shrug, “—I just have not had anywhere to wear it.”

“Hm? Then, what’s so special about tonight? I thought you were clubbing with your friends, no?” You avoid meeting her prying eyes, pretending to find interest in what’s simmering on the stove.

“Eh, why is there a Ferrari outside of my house?” your dad asks, drawing your attention to the front window. The sleek black convertible is parked by the curb, and your phone buzzes in your hands. Lando has informed you of their arrival, and you quickly tell them you’ll be right out to avoid them coming to the door. You don’t know if they’re “meet the parents” caliber yet, Ferrari or not.

“Don’t worry about it, Papà. I’ll text you when I’m on my way back tonight,” you press kisses to both of your parents’ cheeks, “Save some food for me to take to work tomorrow, please?”

Your mom pinches your ear, “Ay! You are going on a date? Finally! Is he handsome on top of being rich? A Ferrari is okay as long as he is as beautiful as the car, you know?”

Your dad makes a noise of complaint as he follows you both towards the door, “A Ferrari is more than okay as long as he respects you and treats you well. And, if he buys me a Ferrari too—ask him for me.” 

You fuss at them, flustered but smug as you ignore your dad’s request, and you turn to smirk at your mom, “Papà, I plan to find outfit they treat me well tonight. Mamá. They’re both gorgeous.”

Your dad blinks in confusion as your mom crows in delight, “¡Mija! I knew I raised you properly! ¡Vas, vas! Have fun and you have to tell me everything when you get back, yes?” [My girl!; Go, go!]

“Sí, Mamá. ¡Muchos besos, te quiero!” You slip out of the door, the sound of your mother explaining that you’ve garnered the interest of two men to your father fading behind you as you walk to the car. [Yes, mom. Kisses, I love you!]

Carlos and Lando are waiting for you on the curb, the engine purring lowly behind them. Your gait slows as you near, and the Spaniard reaches out to press his lips to the back of your hand fleetingly. 

They’ve dressed well; Lando in a light gray, short-sleeved, collared, v-neck that rests untucked over white chinos and a pair of gray sneakers to match. He’s sprinkled with bracelets, a few of them decorate his toned forearms on both wrists, and there’s a singular silver chain peeking from the cut of his shirt. Carlos is dressed similarly with the white chinos, yet he’s chosen a light blue button-up with the first few buttons undone, and a pair of dress shoes. His outfit is complimented by a dazzling watch. 

You murmur a greeting to both men, unable to hold eye contact with either of them for long. It’s one thing to fantasize that you have a chance with men clearly out of your league, and it’s another thing to have to muster up the confidence to speak to them outside of your uniform. 

Lando impatiently shifts on his feet as the older man keeps hold of your hand for longer than necessary. When you’re released, Lando takes it a step further and pulls you into a hug, his body heated and solid against yours. A shiver runs down your spine when his hand rests on the exposed skin of the small of your back. You hum, pleased as you inhale the velvety scent of his cologne, missing the closeness as he pulls away from you a beat later.

You step back, your heart thudding as you quip, “I didn’t know we were on hugging terms already.”

“I’m sorry,” Lando flushes easily, and Carlos chuckles, “I should’ve asked if it was okay.”

“I liked it,” you smile at him, pretending as if your heart isn’t pounding forcefully from the brief embrace, “I-I mean, it was fine, don’t worry.”

The Brit hums at your response, his eyes drifting along your form before meeting yours again with a hint of a smirk at the corner of his lips. His blush recedes as yours strengthens, now apparent on your darker skin. 

“Lovely house,” he withdraws, and you’re thankful he avoided commenting on the evident flush he invoked with nothing more than a hug and a pass of his eyes.

“Thank you, my parents bought it and moved here after I started university,” you explain needlessly, “They’re pretty great. They were the ones who made me apply for the position at La Moraleja. So, really, it’s them you have to credit with us meeting, I suppose.”

“We also have to thank them for having a beautiful daughter,” Carlos alleges smoothly.

You fluster, “I-I’ll pass the message along. Both of you are very handsome, but I think you guys hear that often.”.

“Don’t worry. It sounds sweeter coming from you,” Lando edits his point with an impish grin, “—and from Carlos too, sometimes.”

“Don’t be a brat, Lando,” the Spaniard’s voice is light as he entertains the younger, “Unfortunately, I think we will be late if we continue to stand here and flirt in the street,” Carlos says, and his eyes shift to look past you and at your house, “—And, I think your dad might come outside and kill us. Which would not be very pleasant, in my opinion.”

You spin around, chagrined at the sight of your dad watching the three of you with a harsh stare. 

“Yes! Let’s get going, I would hate to be late. Ignore him, please.” Lando waves at your dad anyways, endearing himself to you further, “And, you won’t have to worry about being murdered as long as you get him a Ferrari.”

The two men startle into laughter at that, and you hold your hands up candidly, “What? His words, not mine!”

You didn’t account for the oddness of one of you sitting in the backseat, but Lando assigns himself to the back, claiming that you have “passenger princess” rights. 

The wind ruffles through your curls aimlessly as Carlos drives towards your destination. The ride is filled with endless chatter and flirting. A smile is constantly on your face as the three of you speak through topics easily. There’s not a single time you feel like an outsider, even though it’s clear how familiar they are with each other. 

The restaurant you find yourself in isn’t screaming its extravagance at you, which is surprising. While it’s dimly lit, and you can hear live music thrumming through the air from somewhere deeper inside over the lively chatter—it feels like a classic restaurant, intimate and comfortable. Like somewhere you could go for a nice dinner often.

The hostess straightens upwards with recognition when she spots Carlos and she greets the three of you good naturedly before disappearing to check if your table is ready. 

The Spaniard notices the surprise on your face, “My family and I have dined here since I was young. You have never come here before? ”

You shake your head, “I’m a little jealous, if I’m being honest,” Carlos tilts his head, listening, “I’m mad I didn’t discover this place sooner. The atmosphere is amazing!”

The hostess returns, gesturing for you all to follow after her and Lando grasps your hand to catch your attention as you walk, “If you think the vibe is amazing, just wait until you try the food.”

The table is not in direct sight of anyone besides the kitchen, clearly a spot meant for privacy. Your hidden behind a half wall and a screen overgrown with plants, and the volume of the restaurant seems quieter through the barrier. You lean back in your chair as the three of you wrap up the discussion about yesterday’s conflict.

“I feel incredibly stupid now,” you chuckle, embarrassed. The brown skin of your face burns hot. You focus on the empty wine glass in front of you, avoiding their eyes plainly.

“No,” Carlos’s voice is stern, the serious tone shocking you into looking at him, “Do not be rude to yourself—you are not stupid.”

You stare, dumbfounded, reeling as you process the manner in which he shut down your negative self-talk. If his words totally dissolved your mortification over your immature reaction to seeing them again, you might have thought harder about how that was kind of hot of him to do.

“Aren’t you studying for a PhD?” Lando asks rhetorically, “I think that literally means you’re not stupid.”

You scoff lightly—feeling humored instead of humiliated—at how easily he swept away the tension with a light-hearted comment. The Brit doesn’t know how many people have enlightened you with the knowledge that common sense is, unfortunately, uncommon in post-grad. But, you’ll let his words wash away your self-deprecation lest this turns into an unsolicited therapy session instead of a date an apology dinner.

“Fine. I’m not stupid—but, you can’t deny that it wasn’t a little dumb of me to assume that you guys had lied to me about visiting the golf club every year. And, it was a little more dumb of me to make my decision about working here for another season just because there was a chance that I could see you guys—never mind.” Your teeth clack together forcefully as you slam your mouth shut.

The duo straighten up at the sudden end to your sentence, brains quickly filling in the blanks for them. Lando’s poorly attempting to hide his satisfied smile behind his hand and Carlos’s eyes are bright with understanding. You’ve learned your lesson about making hasty assumptions but you don’t think it’s foolish to deduce this means that they’re actually interested in you too, this time around.

“Ah. Well, we should not have assumed that you knew we were Formula One drivers, which maybe was obvious from how you spoke to us,” Carlos shrugs his shoulders, leveling the blame, “And, I think it’s sweet that you were hoping to run into us again.”

“Mmm,” you hum nervously, “I think it’s delusional.”

One of their shoes knocks against yours underneath the table and you jump in surprise. Carlos’s chest shakes with a silent laugh and his eyebrow raises at you pressingly.

“We should’ve asked for your number last summer,” Lando adds nonchalantly. 

You rattle at his boldness, and you’re given a moment to ponder that as the waiter stops to pour you and Carlos a glass of white wine (Lando refused). You take a brief sip, humming pleasantly at the light and easy flavor, the live music and easy conversation floating through the air providing you a reprieve from your immersion in the two men. 

Your attention is recaptured as you watch Carlos offer Lando a chance to taste from his glass. 

Earlier, the Brit had told you he dislikes the taste of most alcohols when the waiter stepped away to grab the bottle Carlos requested. Yet, Lando accepts, not without making his distaste apparent with an adorable frown. He takes the tiniest sip possible with a look of apprehension and recoils from the glass as he swallows, his nose scrunching in disgust as he shakes his head to further sell his distate. 

Carlos rolls his eyes and laughs, revealing to you how used he is to Lando’s dramatics. He raises a hand to rub at the short hair on the nape of the younger’s neck in comfort.

The look on your face must be cloyingly sweet if the light dust of pink that rises to the Brit’s cheeks when he realizes you’ve watched the entire interaction, is meaningful. Carlos’s eyes become intense when he spots how Lando curls into himself shyly under your eyes. The Spaniard whispers, his volume low enough for only Lando to hear and you wish you knew exactly what was said, because it deepens the tint of his cheeks to a furious red. 

You figure you’ll save him from his torment by bringing up the important stuff.

“So, you only have a month of summer vacation,” you start, fingers fiddling with the edge of a fan-folded napkin, “Which is in August. That’s…so short. My fall semester starts the first week of September.”

Silence falls as they digest the underlying meaning of your sentence. Is it in everyone’s best interest to start something that has to end so soon? Is it in your best interest to risk catching feelings for two athletes (celebrity-athletes, at that) during the last month of your break? 

“A month is a long time,” the younger man starts, his blue-green eyes intent, “We’ll just have to make the most out of it, right? I want to get to know you more, and I have a feeling that the three of us will have a fun time together—If you want to give it a try.”

“A ‘fun time’? Like—like a fling?” Your expression remains indifferent as you ask. You need them to clarify what they want out of this without revealing your emotions. It’s only proper for you to prevent any future miscommunication or misunderstanding about this; you learned from your earlier mistake.

Lando’s earnest gaze has lost some of its shine, and Carlos’s eyes now seem guarded.

“Calling it a fling is harsh,” the Spaniard responds, “It’s more of a summer romance, no?”

Your laugh isn’t genuine, but they don’t know you well enough to discern that, “Alright, I’ll give our ‘summer romance’ a chance. Using a synonym doesn’t change the definition, you know?” 

Lando cocks his head at you, staring deeply. It feels like he’s trying to puzzle you out, and you stare back in feigned confusion.

“It’s nothing,” He relaxes, leaning back in his chair and moving Carlos’s glass out of the way as he sees the waiter nearing the table with your appetizers, “I just find it odd that you called yourself stupid earlier.” You don’t know what to make of that, but it’s forgotten as the starters are devoured and the conversation shifts into them getting to know you and vice versa.

The older man with them at the golf course last year was Carlos’s father, who is a two-time Rally World Champion. You’re surprised to learn that they’ve only been dating for around a year. Lando says he developed a crush on Carlos when they were teammates at Mclaren, but he was afraid of ruining their relationship and potentially, his career, if he confessed–so he kept quiet. Carlos didn’t realize he was romantically interested in Lando until he signed his contract with Ferrari. 

“Wait, wait, wait,” you interrupt, “If you guys have only been together for a year, did you get together before or after you saw me at the golf course for the first time?”

“A year and three months,” the Spaniard corrects with a serene smile, “Our anniversary was in May.”

The Brit continues for him, “—Which means we started dating about three months before we saw you. Give or take a few weeks.”

You gave a low whistle of surprise—three months into their relationship and they were on the same page about chasing after you. Since then, they had several serious conversations about adding a third to their relationship but hadn’t found or looked for anybody they’d consider to try with. Besides you.

Obviously, they like playing golf; Lando is abysmal, and Carlos is not bad at it. Carlos has two sisters, Lando has a brother and two sisters. Both of them are middle children. Lando is a picky eater, and hates fish and seafood. Carlos will eat anything Lando doesn’t. Lando founded a company with his best friend. Carlos is a Real Madrid fanatic. Lando occasionally streams on Twitch. Carlos enjoys surfing and cycling.

“I’m sorry for saying that you guys sucked at golf yesterday,” you apologize sheepishly.

“It’s okay,” the Brit says, unperturbed, “I do suck at golf. I just wasn’t expecting to hear it come from you.”

“I suck less at golf,” the older man states, “But, if I was good, I would not have been in the sand pit in the first place, no?”

They visit Spain often because family is important to Carlos. Lando’s loved like another son by Carlos’s family and Carlos is loved the same by Lando’s family. Lando is needy. Carlos likes being needed. Carlos is mildly possessive. Lando is too self-critical. Carlos makes the best pancakes. Lando wants to build a beautiful vintage car collection.

They want to see you again. You enjoyed dinner more than you thought was possible. 

They defrosted your nerves and allowed your personality to shine through. It helps that they were actively listening as you complained and gushed over your studies, told anecdotes of the shenanigans you and the others got up to on the golf course, and spoke about your future outlooks. They didn’t mind your lack of knowledge about Formula One and explained the sport in detail to you. They were determined to figure out what made you mad, what made you happy, what made you laugh, what made you shy—and, what made you go pink.

It didn’t take them long to discern that staring at your lips is the trick. When they made that discovery, they weaponized it the entire night. While one of them played with the rings on your fingers or tucked a curl behind your ear, the other managed to fluster you by letting their eyes wander for a few seconds before meeting yours again with increasing intensity. You experienced heart failure several times, and had to ask them to repeat themselves more frequently thanks to their psychological warfare.

Your heart feels like it may cease to function again as they walk you to your doorstep. The lights inside the house are off, you returned later than you thought you would. Your parents left the porch light on for you and it casts an amber warmth. Carlos and Lando don’t invite themselves into your space as you dig your house keys out of your purse, ever the polite men. The sound of your keys jingling harmonizes with your triumphant hum as you pull them out. 

You face the boys, placing your hand on the doorknob behind you, waiting for them to speak. 

“Are we forgiven for unintentionally leading you to believe that we led you on and wasted your time?” Lando blurts out.

You knock your head back against the doorframe, abashed, shutting your eyes to dispel the HD playback your brain gifts you with. “If you both agree to never bring it up again, I’ll forgive you.”

“I suddenly do not know what we’re talking about,” Carlos nods seriously, and Lando echoes the sentiment.

You release the doorknob and take the few steps towards them. As you expected, their eyes simultaneously drift to stare at your mouth. You lightly place a hand on Carlos’s shoulder before leaning up and brushing your lips across his cheek in the lightest ghost of a kiss, before moving to Lando and doing the same.

You carefully backpedal to the door turning to insert your key into the lock, before you look back at them. Your heart flutters at the sight of Carlos, who’s frozen, standing all wide-eyed and pressing his fingers to his cheek like he’s unsure if he imagined the kiss. Lando however, looks hungry. His eyes are the darkest you’ve seen tonight, and they’re locked on how you teasingly flick your tongue across your bottom lip.

“While we may only have a month to spend together—it doesn’t mean I’m easy. I, at least!—need a second date before I let you do anything more than stare at my lips and hold my hand. It might take three dates before I even let you kiss my cheek,” you tease with a joking shrug of your shoulders.

“It’s a good thing that you have my phone number,” the lock clicks open, and you push the door open, “If you don’t use it to set up another date, I think I’ll have no choice but to never forgive you guys.”

“We’ll be using it,” Carlos asserts, recovered from the daze you left him in.

“Hm, good. Text me when you get home.” You step in your entryway, waving your fingers at the two of them leisurely, “Buenas noches.” [Goodnight.]

They mimic your goodbye and you shut the door, clicking the lock. You nosily peek through the peephole to spy on their reactions. Carlos tugs Lando into a bear hug, their wide smiles hidden as they press into each other and the sharpest pitch squeal you’ve heard from Lando travels through the front door. You cover your own giggle with a hand as you watch the two of them kiss and almost skip down your driveway back to the car. You press your back to the door with a deep sigh, a lovestruck smile painting your face while you lay limp to let your heartbeat slow to a normal speed.

The hallway light flicks on and you shriek as your mom stares at you with a deranged smile on her lips, “Tell me everything!”

“Mamá! What are you doing up? It’s late!” You exclaim, straightening upwards with your hands on your hips, failing at distracting her from how you were weak in the knees a couple of seconds ago. “It’s okay, mija! I’ll start a fresh pot of coffee for us and you can tell me all about your date!” She rushes forward, grabbing your hand to pull you into the kitchen.

Ironically, the second date ends up being late night mini golf. Even better, you destroy them at it. It wasn’t an easy feat, they made plenty of attempts to sabotage and distract you; whether it was yelling, spooking, poking, or prodding at you as you readied your putt, but it wasn’t enough to give them a chance of catching up. 

You figure more of your mistakes were from being unable to stop laughing as the two performed atrociously. Carlos ended up polluting every water feature with golf balls and Lando couldn’t manage to finish a single hole in under 8 strokes—the highest par was 6. You patted Lando on the back consolingly, telling him to find comfort in the fact that they’re equally terrible at putt-putt golf.

The two seemed surprised at your finesse with a club, almost like they’d forgotten you work on a golf course. You may not be a caddy, but you’ve had plenty of time to work on perfecting your technique. You did well enough to place sixth on the leaderboard, the employees said that Carlos’ score might be the worst they’ve ever seen.

With their egos severely bruised, you convinced them to soothe the loss over with ice cream at a neighboring parlor. Lando was satisfied with plain vanilla and Carlos with a scoop of dulce de leche. You elected for cookies and cream, but found yourself being fed their flavors as well. 

The sugary treats were delicious. Watching them stare at your lips pursed around a spoonful of ice cream was far more delectable. Lando broke the fourth time you managed to dot a bit of vanilla above your upper lip. He choked on a whine before leaning into your space. He hesitated a hair’s width away from your lips, his shuddering exhales mixing with yours, his eyes searching for approval. Your eyes fluttered shut and Lando closed the gap. 

His lips were soft and chilled, a result of the ice cream. Warmth blossomed in your chest as you leaned into the kiss, the taste of vanilla lingering in the embrace. His hand raised to cradle your cheek as your lips brushed together languidly, the sound of your heart racing within your chest fading out as you become absorbed by the kiss. 

Lando pulls away, falling back into his seat with his chest heaving. You stare after him with wide eyes, jolting out of it when you notice you’ve dropped your spoon into your lap, Carlos’s dulce de leche ice cream spilling onto your thigh. 

“Do I get to lick this off your thigh since Lando got to kiss it off your lips?” Carlos asks, his tone half genuine, half facetious.

You kick at his ankle underneath the booth and he throws his hands up placatingly. 

“Wait–,” you anxiously flit your eyes around the parlor, “—you shouldn’t have kissed me here Lando. Out in public? Aren’t people going to recognize—”

“We’ve been the only people in here for the past thirty minutes or so,” Lando interrupts, gathering the near-empty dishes and balled-up napkins, “They’ve also been closed for twenty minutes. When you went to the bathroom when we came in, Carlos and I signed something for the owner who was more than happy to keep things quiet for his second favorite Spanish Formula One driver.”

“Second favorite?” Carlos furrows his eyebrows at his boyfriend, his umber eyes adorably confused.

“Mate,” the Brit scoffs, “I might be in love with you ‘n all but we're not going to act like Fernando isn’t the best thing that came out of Spain, besides churros.”

The unfavored Spaniard holds his hand to his chest in betrayal before his eyes narrow and he moves to assault Lando with a pinch to his chest. While you’d love to continue watching this disguised act of foreplay, you would rather be a participant than a voyeur.

“¡Cabrónes!” The two freeze, heads snapping to look at you as your voice cuts through the catfight.

“I think the owner would be even happier if you licked the ice cream off my thigh outside of his parlor so he could finally lock up, sí?”

How Lando kisses with a desperate hunger, Carlos kisses with a ravaging heat. Like he wants to roast your nerve endings with every brush of his lips against yours.

The fiery press of his mouth stokes the arousal building in your navel. His hand tangles in your hair as he directs the tilt of your head. A stuttered whimper slips from your mouth into his as your tongues glide together, a buzzing sensation tingling down your spine as his other hand squeezes your waist tightly.

He walks you backward towards the bed, his lips devouring yours as you wrap your arms around his neck, attempting to pull your bodies even closer than they are. You stumble, gasping when his hand palms your ass and it’s the first time your lips have separated since Carlos claimed them in the hallway.  He tumbles into you as his feet stumble around yours, the darkness of the bedroom not bettering the situation. He nearly sends you both to the floor instead of the plush mattress if not for Lando catching your body and a hand firmly pressed to Carlos’s chest to hold him upright, expletives falling from your mouths until balance is restored.

You rest your forehead on the older man’s collarbone as you abruptly giggle at being so kiss drunk you forgot how to backpedal. The two drivers have no choice but to laugh at the sound of your amusement, Lando cackling and Carlos’s chest shaking with his laughter. 

“I’m not against fucking on the floor,” Lando voices, the sound of his grin loud enough for you to visualize, “But—can we at least have our first time with you on this extremely comfortable bed?”

“First time?” You raise a brow jokingly, nonchalantly pulling your shirt over your head and letting it fall to the floor, “That implies you’re thinking there’s gonna be a second.”

The Spaniard steps away to click the nightstand lamp on, the room partially bathed in warm yellow light. Your eyes adjust seamlessly to the low lighting, allowing you to revel in the sight of him appreciating your exposed skin, even when covered with a plain black bra—you’ve never been more thankful to be wearing a matching pair of panties.

The younger man unclasps the latch of the garment, dragging the straps down your arms, goosebumps rising in the wake of his fingertips, and the bra lands atop your shirt. You feel his breath cascade heatedly along your left shoulder before his lips purse delicately against the brown skin. 

He nips closer to the crook of your neck, lowly murmuring, “I know we’ll be having you for more than a third time.”

Surely feeling left out, Carlos unzips your skirt, tugging it down your hips and offering a hand for you to hold as you step free of it, “Many more times. But for tonight,” the older man pauses, toying with the band of your panties, looking at you with a smirk, “We must settle on saving the floor for round two. After we have caused you to ruin the sheets.”

Internally, you scream in elation. Two men eager to fuck you stupid, for the rest of your summer—you pray they’re not bluffing. You can’t remember the last time you’ve had sex good enough for a repeat performance. Externally, you shimmy out of your panties and tug at the hem of Carlos’ button-up once you’re bare. 

“If you want me to ruin your sheets, I’m pretty sure that requires you both to be less clothed.”

Lando’s free of everything but his briefs in a handful of seconds while Carlos struggles to unbutton his shirt. The younger pulls you into bed, guiding you to lay on your back as he holds himself over you, dipping to kiss you messily, unafraid to let his moans knit with yours. By the time the older man has lost his clothes and joined the two of you on the bed, the Brit’s focus has traveled down the length of your neck to your chest. Reddened marks bloom on your bronzed skin, mottled across your decolletage in a pattern only known as desire. 

He laves his tongue against a pebbled nipple, his teeth scraping the sensitive bud, delighting in the way your body arches upwards into his mouth. Your hand pulls tightly at brunette curls, his resulting whimper at the burn of his scalp muffled around your breast, his eyes screwing shut. You loosen your grasp, unable to determine if that was a positive reaction and you’re pleased to see his eyes fly open, his gaze demanding more. His large hand envelopes your wrist, attempting to have you further mess up his hair, but the motion is halted when Carlos cocks Lando’s head backward with an unrelenting fist. 

The younger man shudders, his eyes rolling at the rough treatment. He rises to lessen the pressure of his boyfriend’s grasp, settling into a kneel between your legs with Carlos pressed to his back. The burn of his scalp subsides when the hold weakens, the tension leaving the younger man in a breath and his head droops back on a broad shoulder.

The Spaniard captivates your attention as he presses a kiss to Lando’s jaw, moving the same hand that was in his boyfriend’s hair to splay against his abdomen, a finger dipping to poke at his bellybutton, causing Lando to jolt with a whine. Carlos coos, calming the man with a rub of hand along his torso.  

“Don’t let him fool you. He likes a bit of pain,” Carlos tweaks Lando’s nipple demonstratively, letting the sight of the younger man’s arousal jumping underneath his briefs accompanied by a strangled moan speak for itself. “He’s a brat, even if he likes to pretend otherwise. A little sting is enough to remind him how to act…most times. Right, Landito?”

The man moves to hide his face in Carlos’s neck as if it’ll hide the sight of him nodding in confirmation. It doesn’t help that the meek “yes” he breathes into the muscle isn’t muffled at all.

“And because he wants to be good,” Carlos continues, pulling at Lando’s waistband and releasing it to snap against flushed, pink skin, “He’s going to keep himself busy with you while I see if I can still taste the dulce on your thigh. Is that okay with you?”

You gulp, anticipatory. “M-more than okay.”

The younger man's eyes are all pupil, ringed with stormy-colored irises as he’s lowered by your side. You were contemplating teasing him about his brat complex—but the haze of his eyes causes you to reconsider.

The gap of his teeth remains adorable even as he bites his lips, the plush skin reddened and raw from where he’s already scraped the skin off. Prolonged eye contact from him seems impossible—his gaze flits away from yours after a handful of seconds. He struggles to decide where to look, happening upon your lips, zoning out with a yearning pout. Lando is clueless to the effect of his fixation; he reignites the redness on your cheeks and the skipping of your heartbeat.

Frightened by Carlos’s spit-slicked lips brushing along the bone of your ankle, you twitch, breaking Lando’s trance. 

The Brit’s blush deepens when he notices you’ve been watching him stare without saying a word. He muffles a mortified whimper into a pillow, smushing his face so deeply into the fabric you worry he may strangle himself. You glance at Carlos for assistance and the man only nods in the younger’s direction, continuing to drag his mouth up your legs, pausing to suckle the skin of your thighs and smirking when he feels the muscles flex underneath his lips.

“Lando, chico,” you croon, petting a hand through the curls at the crown of his head, “Look at me.”

He peeks an eye at you shyly, turning to face you fully, reassured at the enamored look you cover him with.

“Besamé,” you murmur, knowing it’s something Lando’s heard plenty of times from the man nestled between your legs. [Kiss me.] 

The younger understood, rushing to press his lips to yours filthly. The frantic energy is winsome, your chest tightening at the sounds of him whining and mewling needily into your mouth. He licks into your mouth insistently, his attention devoted to tasting the remaining sweetness of ice cream on your tongue. From below, Carlos hums as his tongue polishes off the remaining stickiness on your bronzed skin.

The sounds they rip from you are muffled by the younger man, but the grunt of annoyance Carlos makes as the lingering dulce de leche flavoring of your thigh disappears is clear. He drags his tongue against your labia in one firm stroke, your abdomen undulating at the unexpected attention to your cunt. He smacks his lips, savoring, before a moan rumbles through his chest.

“Better than the ice cream,” he announces, the brown of his iris darkened with greed. 

Lando frees your lips to look at his boyfriend pleadingly, and you take the time to breathe. He left you lightheaded as he kissed every ounce of oxygen from your lungs.

“ ‘wanna taste, ” Lando begs, and Carlos pulls up to meld their lips together, and you're briefly hypnotized by the muscles of his arms contracting through the movement.

The most reedy whine escapes the curly-haired man as Carlos shares the taste of your arousal with him. Your head is filled with the sound of blood rushing through your ears, buffering at the sight of the two men feasting on your essence—what were you thinking when you agreed to be a summer romance? You’re never going to be able to recover from this, and they haven’t even fucked you yet.

They separate, Lando’s chest heaving as he licks along his lips in search of any faint traces of your taste. Carlos resituates himself between your thighs, his voice carrying a firm edge, “Wait your turn, cariño. Keep being good for me—for us, yes?”

The younger man seems small as he nods, appearing a little empty-headed at the command, but he obeys. Turning back to peck your lips sweetly, Lando trails downward to leave a few marks of his own along the column of your neck.

You grab his jaw lightly, “No marks—,” the light in his eyes dulls slightly, “—that high up.” He brightens and lowers his mouth to your collarbone, nipping at your skin, energized by your nails scratching along his scalp.

Your mouth parts in a silent gasp as Carlos joins in. He laps between your folds sloppily, his nose knocking your clit with every bob pf his head. The hand that isn’t buried in brunette curls fists in Carlos’s locks of hair, holding him steady while he prods at your entrance with the tip of his tongue.

Your brain buzzes, toes curling as the older man eats you out, the sounds of him enjoying his meal reverberating through the air, harmonizing with your cries and Lando’s snuffles as he toys with your nipples.

Carlos presses a finger inside, thrusting shallowly against your fluttering walls and his mouth purses around your bud, the suckle of his lips puppeteering your spine into arching and your hips into bucking. His stubble scratches your thighs, the scrape searing but adding to your gratification.

He curls upwards, dragging roughly through the clenching of your cunt, adding a second finger that your walls swallow voraciously. The ache of the stretch is calmed quickly by the ample leaking of your arousal and the constant attention of a tongue on your clit as Carlos steadfastly hunts for your sweet spot.

Your mewls are ragged, forced from your lungs with every press of his fingers. Your eyes flutter as pleasure singes your skin, you find the strength to hold them open as you lock gazes with the man between your legs. His eyes are characteristically wide, but they scream his commitment to making you scream.

There’s no fighting. Your head falls back when his fingers graze near that pleasure point and your eyes screw shut when he perfects the angle and massages your sweet spot with his fingertips. 

A shrill shriek leaves your lips as the penetration becomes unrelenting. He constantly presses on the button that has your thighs tightening around his head, but the temptation of taking his final breath between your legs has him doubling down, suckling at your clit forcefully as he prods a third finger inside of you.

Lando chokes, crying out loudly as your hand yanks at his curls, his hips jumping to grind along your hip, his briefs damp from where he’s been leaking. Carlos’s laugh as he watches his boyfriend desperately hump in search of friction, vibrates around your swollen bud, forcing out a squeal nearly loud enough to drown out the sound of your slick squelching around his fingers.

Abruptly, he pulls away. His digits slip from your walls, your entrance left to pucker hungrily around air. Carlos’s stare is loud as he fights the urge to press inside of you again.

The lack of stimulation is maddening. You free your hold on Lando, and he collapses onto you, body pinning yours to the bed—his weight steadying as you restrain your anger at the sudden halt.

You blink deliriously at the sight of Carlos tearing a condom wrapper open with his teeth. The slowing rhythm of your heart speeds up as you revel at the image of his hand rolling the condom down his hardened length, flushed and throbbing with arousal. 

It’s daunting. It’s been a long time since you’ve last had sex. At some point, you decided to prioritize protecting your peace rather than dealing with men who aren’t going to do anything other than ruin your PH and fail to make you cum. It doesn’t help that Carlos is well-endowed; you need to come to terms that you’re going to have a limp after this.

Lando sits upwards to watch his boyfriend drag his length through your folds, moaning in unison with you as Carlos’s tip brushes along your pulsing clit. The Spaniard grunts at the heated slide before resting at the gape of your entrance, but he looks up to you for your go ahead. 

“I-it’s been a while,” you admit tensely, covering your eyes with the back of your hand as anxiety builds in your navel.

“How long is ‘a while?’” Carlos asks, without a single hint of judgment. Lando pulls your hand off your face tenderly, revealing their compassionate expressions.

“You remember how I joked about not kissing you guys until a second date?” You toy with Lando’s fingers distractedly, and they confirm their recollection, “Well—there hasn’t been anybody that’s made it past a second date in a long time.”

“Carlos is gentle,” Lando reassures you, halting your play with his fingers to hold your hand comfortingly, “I promise. And he listens very well, and pays attention, and goes at your pace. If he doesn’t, I’ll beat his ass.”

You giggle at that, your nerves fading as Carlos yelps at the threat. This exact kind of behavior is the kind you can see yourself falling in love with.

“Ay! Yes—Lando has permission to knock some sense into me if I hurt you,” Carlos jokes, pausing momentarily before his tone becomes hopeful, “And, we would really like to be the ones who make it to a third date—I’ll follow your pace, I swear.”

The knot in your stomach tightens for another reason besides arousal.

“I believe you,” you murmur, relaxing back into the bed, raising your’s and Lando’s joined hands to press a kiss to his wrist. Lando hums sweetly at you, laying at your side again, his free hand cradling your waist, thumb brushing calmingly on your rich brown skin. 

Carlos breaches you softly—gently, as Lando said he would. The three fingers he stretched you with was a safe play. If it were only two, you would be feeling a sharp pain instead of an ache. The burn is delicious, your inhale stutters as the head of his cock pops into you.

“Joder,” Carlos curses, his jaw clenched tightly, his grip tight on your thighs, as he inches deeper. His eyes trace your complexion attentively for any sign that it’s too much. “Relax, mi corázon—let me in.”

The sweet endearment encourages you to pant through a tiny whimper. Lando’s hand pets along your navel as he sweeps a kiss across your brow bone.

“‘s big isn’t he?” He murmurs, voice breathy, “Fuck—it’s gonna be worth it when he’s all the way inside you, yeah? Stretching you out just right, touching spots you didn’t know existed. It hurts a little, I know, love. But, it hurts so good, doesn’t it? I don’t know how that fits inside me every time I take it, but it’s worth it.”

You whimper fitfully—you want to watch Carlos make him take it.

The discomfort twisting your brows lightens slightly, and Carlos pulls out before he sinks another inch in. The shallow stroke sends an appealing rush of sharp pleasure skittering up your spine and it pools at the back of your head.

A real moan is forced from your chest, and your eyes open to see Lando tucking a curl behind your ear, smiling knowingly.

“Yeah, that felt good didn’t it, baby?” You can’t solely credit the burst of pleasure behind your eyes to Carlos’s barely there thrusts as he works deeper. The praise and pet names Lando seems keen to utilize should be accounted for as well. The Brit presses down on your navel with an astoundingly large palm.

His lips graze your ear as he whispers, “Don’t you wanna feel him here? All deep inside of you?” He pauses briefly, letting your imagination work before continuing. “I feel him there when he fucks me. Like he’s making room for himself, yeah? Gonna open up for him? For me? Gonna let yourself feel good, sunshine?”

Carlos’s hips meet the backs of your thighs as he bottoms out.

Choked gasps leave you and Carlos. Your skin alight, your pores flaring raw. His calloused hands rub over your hips and thighs, one settling where Lando’s was previously holding at your waist and the other amply squeezing the curve of your ass.

Behind your closed eyes, you see the white flare of heat zinging through every nerve ending, your body overstimulated at receiving pleasure in the highest, unfiltered form. Lando was right—it feels like he made room for himself. The weight of him is searing, your walls fluttering frantically as they adjust.

Your most conscious thought is realizing why orgasms are referred to as “little deaths.” Because, if him fucking into you for the first time is this good? Cumming around him has to feel akin to ascending to heaven.

The younger man turns your head towards him with a gentle nudge of your cheek. His eyes peer into you searchingly. You don’t know what he’s trying to find. You’re more concerned with coaxing him into another kiss.

You raise up with an unsteady arm, toppling forward to press your lips to his, but you miss and land near the corner of his mouth. At your disappointed grown, Lando moves to kiss you chastely, before he looks at Carlos.

The older man’s eyes are silken as they dance between you and his boyfriend. It takes Lando tugging him forward with a hand on his bicep for him to understand that you’re pining for a kiss from him as well.

The Spaniard catches the strangled mewl you make with his lips, the change in angle as he hovers over you amplifying the pressure of him within you tenfold. Delicately, he leads the dance of tongues, using the lip lock to distract you from the barely there roll of his hips.

It works, the nervous tension that had gathered in your core unraveling completely at the sensual rock. The grinds remain tender as he gradually works you up to weightier strokes and a quicker rhythm.

Your lips uncouple when your head lulls backwards, a drawn-out purr rolling underneath your chest. With your knees bending to cradle Carlos’s hips, you cast lidded eyes to the Spaniard, bathing underneath his appreciative gaze and the blissful twist to his brows as he rolls into you.

“Carlitos, fóllame,” you murmur, watching his eyes widen in surprise, “I said it’s been a long time, not that I’m going to break.” [Fuck me.]

Lando grins beside you, quieting his laughter by pressing his face into your hair. The older man flusters, a red flush spreading across his chest, and he reminds you that he’d promised to be gentle.

His dedication to his word is attractive and you’re thankful he followed through. You tell him as such, but not without another teasing jab, “Thank you for being gentle. However, I think continuing to be gentle when I ask for more might decrease your chances at a third date.”

Lando jerks upwards to gape at the two of you, frazzled, “That’s not even funny! Babe—do better!”

The brown-eyed man doesn’t entertain either of you with a verbal response.

A bitten-off shout is punched from your chest as his hips slam into you with vigor, your vision crossing as the older man settles into a hard pace. His cock threatens to slip out of you with every stroke out and your body jolts with every ruthless thrust inside, the maddening force turning your mind syrupy with arousal and lightning-hot pleasure.

Endless praise is voiced by Carlos between every rough grunting pant he releases. Your brain is filled with seductive words; bien chica, so tight, you sound so pretty, you can take it. 

You can only hope he hears your gratitude through your repeated moans. You dig your nails into his muscled back as he grazes your sweet spot every couple of thrusts. The sharp pain only has Carlos’s hips stuttering for a moment. He growls, his grip turns bruising as he fucks into you with abandon. Your lungs burn and your legs shake. You squirm beneath him fruitlessly, attempting to buck away from the overwhelming grind, but you're pinned underneath his body weight. Your escape attempt is noticed by both men.

Lando tuts, pressing you down into the mattress with an arm around your waist to prevent any future attempt of you shifting. “Don’t run from it, sunshine.”

Carlos laughs sardonically, and you squeal as shame crawls along your synapses at the noise. He changes the angle of his thrusts to bully that spongy spot inside of you relentlessly, “It’s not too much, no? I thought you said you didn’t want me to be gentle?”

Your body curls in distress, mouth-parted wide at the excruciating attention paid to your most nirvanic point . You try to squeeze your walls tighter around him, to afflict a hint of the unbearable pleasure he’s wreaked upon you. Your shocked to discover that he’s fucked you open so well that your cunt can’t do much more than take what he gives you.

Your wetness squelches with his motions, a thin layer of sweat accumulates on your skin and steams the air around you. The scent of sex and aftertaste of ice cream permeates your mind as your orgasm peaks. 

It bursts through you, the intensity slamming through you like a train. Your body falls limp as the pleasure overrides your control, the unrestrained screams of their names are piercing as the waves brutally crash over you. 

Carlos slams his lips to yours, your teeth clacking together painfully and you can only pant into his mouth as he messily kisses you through your orgasm and steamrolls into his own with his strongest pounding thrusts.

Spanish curses are hidden by your mouth as he lays into you, like he’s not quite done molding you to his shape. He fucks you both through it, the vigor of his grinds wearing as the spurts of his spend slows within the condom. 

His arms buckle, pushing an umphf from your chest as he falls onto you. The heaviness is grounding and you wrap your arms around him, shuddering through the aftershocks.

Lando shifts needily at your side, but doesn’t speak. He pulls the arm on your waist from underneath his Carlos’s torso and drags a finger along the reddened scores your nails carved into his boyfriend’s back, with a look in your eyes you can’t place. Is it envy? Quietly, you contemplate the ache you feel between your legs. 

“Get naked, cariño,” you rasp, finding a second wind at the younger man doing as you asked, “It wouldn’t be fair if you didn’t get a turn, too.”

Carlos nuzzles deeper into the curve where your neck meets your shoulder, his lips and eyelashes tickling your cooling skin. He misses the sight of his boyfriend wildly flinging his briefs to an unknown corner of the bedroom.

Sitting on his haunches, the Brit’s reaches to grab his cock. It’s leaking and (concerningly) redder than the skin of his cheeks from the lack of attention paid to it. He yanks his hand back as if slapped, and digs his nails into the meat of his thighs.

Oh, you think, is it too much for him or is he not supposed to touch?

You reach to close your palm around his poor, dripping length, only managing a single, loose stroke when a pained hiss is ripped from Lando’s teeth. His hips jerk back, freeing himself from barely there hold of your hand. The toned muscles of his abdomen jump as his cock flares and a stream of precum dribbles from his swollen tip.

“Fu-uck,” he shakes, “— ‘can’t. Too sensitive, ‘ll cum.”

The green and blue pools of his eyes are wet with moisture, and his chest—dotted with moles and patches of flushed skin—trembles with every inhale. The man laying on your chest shifts to trail his eyes over Lando’s form. The corner of his lips tilts into a smirk as his boyfriend attempts to hide his arousal behind a hand.

“Sol,” Carlos says to you as his eyes remain piercing into the Brit, “You should ride him—if you are able to, of course.” [Sunshine/Sun]

“Uhh…” you stutter, your attention bouncing between the two as you refrain from answering. 

The numbness settling within your cunt can be ignored if it means you get to have the younger man underneath you. Except, it looks like he’s about to cry, and you don’t want to pressure him into agreeing with your answer if he honestly can’t handle it. The teary-eyed man whimpers thinly, splaying himself on his back next to you, looking past you to meet Carlos’s eyes meekly, his voice tiny as he responds, “—won’t last.”

The Spaniard pulls out of you slowly, murmuring apologies and kissing your cheekbone when your brow twinges in discomfort. He helps you straddle the younger man’s hips, careful to support you as your legs haven’t stopped quivering.

His hand drifts between your pelvises, dragging a nail along the underside of Lando’s cock and you can’t deny the buzz of electricity that sings in your gut at the younger man’s wounded cry. The tears spill over his waterline, though he’s squeezed his eyes shut to try to stop them from falling. Carlos tuts at the man patronizingly.

“Too much, Landito?” Carlos pouts at him, “It is fine if you cannot take it. If you don’t want to cum tonight that’s—“

Lando’s eyelids spring open, looking at Carlos desperately as he babbles, “No,no,no,no—‘wanna cum. Please, ‘los.”

The seconds Carlos spends rolling protection over Lando’s cock are filled with choked gasps as the younger man cries, overwhelmed at the lightest touch of fingertips. You lower around his cock smoothly, walls clenching around him greedily, vision tunneling on the soundless bliss of his expression when your ass meets his skin.

You hum at the fullness, your mind settling at how right it feels. The first circle of your hips has Lando’s hands clawing at your hips, adding his own marks on your skin to compliment his boyfriend’s. He wriggles, overwhelmed, but bucks to meet your rolling body regardless.

He’s flushed from head to waist, fresh tears painting tracks of salt down his face before they drip off his jawline to splash on the bed sheets. Your pace remains tantric, and you don’t move more than an inch upwards to avoid testing his limits. The suckling, hot, drag is more than enough for him, if the pulsing of his cock is any telling. Your own sensitivity begins to bite at the base of your spine, your brain exhausted at the feeling of Lando pressing into the rawness that Carlos carved out.

The Spaniard must notice the way the two of you are tiring of chasing euphoria. Lando’s grinds weaken as the precipice of ecstasy is dangled in front of him, hoarse sobs racking through him as he fails to reach it on his own. Carlos splays his hand across Lando’s throat. The Brit’s whimpers pleadingly, and his mouth parts roundly as his boyfriend applies a light pressure to the sides of his neck. 

Lando shakes apart underneath you with uneven thrusts, his helpless gasps echoing through the room as you continue the grind of your hips to coax him through the bliss of release. He bodily restricts your movements when you edge him towards too-much, pulling you off of him with a single hand underneath your thigh. 

Your knees buckle, pitching over to lie face down next to the British man, who mewls sharply as Carlos pulls the soiled condom off. The heat of the Spaniard disappears, the sheets ruffling as he leaves the bed, causing Lando to make a noise of confusion.

“Water, mi amor,” Carlos chuckles, and you’re happy your face is hidden as you can’t contain your expression of envy at the endearment. He maneuvers Lando’s arms to curl around you, “I am getting us water. I will be quick.”

The younger man, as fucked-out as he is, uses a surprising amount of force to pull you into his chest as he buries his nose in your frazzled nest of hair. He uses his other hand to pull your leg around his hip and hums happily when your bodies press together without an ounce of space to spare. He squeezes you tightly, your dejected frown disappearing as you bask in his embrace, uncaring of the layer of sweat pooling on your cooling skin and the stickiness of your thighs.

There’s three cups with straws in Carlos’s hands as he rejoins the two of you on the bed. He sets one on the nightstand and holds the other two while you and Lando untangle your limbs. Once Carlos is satisfied by the slow sips you two take, he slinks into the bathroom and returns with a warm, soaked cloth to wipe the grime from everyone’s bodies. 

He’s careful about the press of the rag, paying attention to every muscle that tenses in sensitivity and tries to do the job as painless as possible. He nods in content once finished, scooping his glass up to rehydrate himself as well.

Lando bites at the metal straw, the gap of his teeth ridiculously cute even as his eyes brighten with mischief, “So…five minutes and we go again?”

“¡Que te jodan!” You cast a look of disbelief at him, “Lando you just cried through an entire orgasm and you want to go again? Already?” [Fuck you!]

The Brit shrugs loftily, slurping through the last bit of water in his cup and toothily smiling as he blinks at you in feigned innocence. His softened length twitches to attention, and you rest your head in your hand, shutting your eyes briefly for strength.

“Oh, what the hell,” you mumble, before clearing your throat, speaking louder, “I need like 15 minutes—or, until I can feel my legs again. Whichever comes first.”

Carlos collects the empty cup from Lando and sets it on the nightstand with his own. “Would you like to watch him fall apart around me while you wait?”

You choke on the sip of water in your mouth, coughing desperately to clear your throat as your eyes water from the burn. The worried look in the Spaniard’s eyes has an amused tinge to it, even as he pats you on the back in aid—you have a feeling he timed his question with your swallow on purpose.

“That’s a stupid question,” you croak, strangled, “Of course, I want to watch.”

You snuffle against a warmed patch of skin annoyed. The heat of sunlight paints your face golden, and you shift to burrow further into the warmth of limbs around you to drowsily slip back into sleep. You find yourself nodding off, but your ears become alert to the sounds of birds calling and chirping outside. 

Your body reacts before your brain as you fly upwards into a seated position. Shit! You have to go to work!

A pained whimper is exhaled as your lower body aches, sore from last night’s activities. The tangle of tanned arms fall limply around your waist at your change in position, the snores of the two men beside you uninterrupted. You carefully pry their arms away, and slip from the bed, digging through the pile of clothes on the floor, grinding your teeth at the numbness of your legs underneath you.

You dress yourself quickly, closing your eyes in thanks for Carlos forcing you into the shower before you passed out. Hopping across the bedroom to tug your skirt up, you stumble into the bathroom to examine the state you're in, pulling your shirt over your head all the while. 

Your curls are a mess, but that can be fixed at work. Lando respected your wishes of keeping his marks below the collar, but you can spot a few of the bruises on your thighs that their fingertips left. 

You curse briefly, unsure if you have a skirt long enough that would hide the mottled skin before remembering that you have a pair of biker shorts that you can slide on underneath that will get the job done. Pressing a thumb into the shape of Carlos’s thumb, you shiver at the glance of pain that sparks up your spine, swallowing tightly as you recall how it was left there.

With a shake of your head to expel the unseemly thoughts, you turn the faucet on to splash water on  your face. You need to call an Uber to get to work. Rushing out of the en-suite, you frantically search for your phone, trying to remain silent to avoid waking up the boys tucked in that ridiculously plush mattress.

“¿Qué estas buscando?” You screech frightfully at the rough timber of Carlos’ voice, spinning around to look at him. [What are you looking for?]

He’s preciously ruffled; his hair sticks up wildly, the comforter draped around his waist as he leans upwards, the planes of his tanned skin sharp in the morning hours, his eyes squinted in your direction under the brightness of the room—the curtains are wide open. 

Did you have sex—illuminated with a single lamp—with the curtains wide open? That’s a problem to fixate over later, you need your phone.

“Have you seen my phone? I can’t find it,” you straighten your shirt, your volume quieting near the end of your sentence as Lando shifts in the bed with a displeased pout that softens when he settles.

“I plugged it in here for you,” Carlos whispers, rolling to take it off the charger, flashing the marks your nails etched into his back. 

He lifts himself out of bed with a rough groan, your mouth drying as you watch him walk to you, clad in a pair of boxers that leave little (it’s not little at all, actually) to the imagination. Carlos’s hand cushions your cheek as he brushes his lips on yours softly, the delicate rhythm washing away your concerns about being late. 

Your lips break apart with a soft pop and he laughs at the discontented sigh you exhale, offering a languid press of lips to your forehead in apology. You reluctantly take the phone from his hand, your eyes bugging out as you realize that you needed to leave five minutes ago to have plenty of time to fix your appearance before you clock in.

“¡Puta madre!” you exclaim, “I’m fucked. I’m going to be so late ‘cause I have to wait for an car.”

“ —Wait for a car?” Carlos’s eyebrows twist in confusion, scratching at his stubble, “Where are you going? You are not staying?”

You throw him a soft look, turning away to figure out where your socks disappeared to, “I’m late for work, Carlitos. I can’t stay—even though I really want to.”

Carlos ah’s in understanding, assisting you in the search for your socks, his voice still croaky with disuse as he talks, “I can drive you? We are only twenty minutes away if you follow the road laws.”

You huff a laugh at his insinuation, tugging your socks on and patting at his arm softly, before gesturing to Lando in the bed, “You don’t have to. I don’t want to inconvenience you, you should be in bed with him. It’s my fault for not having my alarm properly set.”

Carlos shakes his head, rooting through his dresser for a pair of sweatpants that he pulls on, “You are not inconveniencing me. It would be rude if I let you be late to work after last night. I’m not that kind of man. Neither of us are.”

You give in as you watch him pull a plain white tee over his head—he’s too sweet for a fleeting romance. He ambles over to Lando, brushing the unruly curls off his forehead and pressing a kiss to his temple. He tucks the blankets around his boyfriend and a lick of jealousy blooms in your subconscious before you pluck it. 

Carlos grabs his own phone off another charger and stands, speaking to you warmly, “Your shoes and purse are downstairs, yes? There’s some protein bars in the kitchen pantry, grab as many as you want. I should have treated you to a proper breakfast but you do not have the time. I’m going to use the bathroom quickly, if that’s okay?”

You nod, and Carlos quietly shuts the bathroom door behind him. You breathe deeply at the situation you’ve found yourself in, and you scramble to send a quick text to the group chat telling them to cover for you and promising to cover a shift for anybody who does in the future. 

Your phone buzzes almost instantly after with an influx of messages and you click the screen off. They’re probably freaking out at the uncharacteristic vagueness of your whereabouts, but you put off responding to press your own kiss to Lando’s temple before heading downstairs, tenderly stepping to minimize the unsteadiness of your walk.

You appreciate the decor you didn’t get to see last night, the vacation home vibes blatant as you walk through; a modern twist of Spanish style decor. There’s even a fireplace you spot on your way past a sitting room.

You lace up your sneakers, grabbing your purse from the console table in the entryway before searching for the kitchen to grab a protein bar to hold you over until your lunch break. The kitchen is artful, modern in the sense of the new appliances but the colors and details of the tiled walls, clutter, and cabinets gives it a soul. It feels lived in.

You dryly swallow an ibuprofen—you always carry a few in your purse—hoping it will relieve your soreness before work. You open the pantry door, finding an assortment of protein bars and taking your time to read the labels as you hear a door open which means Carlos is heading down. You grab two bars that fit your taste and softly shut the door, unwrapping one to take a bite of now.

“Ah, I knew I would see you again,” Carlos Sr. smiles at you from the kitchen entry, chuckling at the way you jump and nearly drop the bars in your hands, “I will not lie to you, I thought it would be at the golf club and not here.”

Your lips part and seal as you search for a polite answer, but he continues speaking.

“Let me tell you a secret,” he clasps his hands delightfully, “Did my son tell you that he’s been asking me about you every time I am on the course? Papá, did you see her? Papá, when are you going back to Madrid? Aye, they’re smitten over you, mija?”

“¿En serio?” you relax at his mellow tone, enlightened by the new information. [Really?]

“¡Sí!” The older man exclaims, passing by you to start a pot of coffee, “To be honest, I thought you were out of their league last summer,” you laugh, knowing it’s definitely the other way around, “—Honestly!” He insists, turning to face you as the coffee starts to drip.

“I mean, you are in university, getting a further degree,” he shakes his head in respect of your commitment, “Those two just drive in circles for a living! I couldn’t even convince my son to drive rally like I did, ese cabrón.” [That bastard.]

You laugh a little harder at the jab on his own son, muffling it behind a hand, and he continues, “—And, when they told me they did not get your number! Ay! I was so mad at them. I told them to drop everything and go after you, but by the time they made their way up there you were already gone.”

You feel like shit about your outburst on the green. Your expression shutters, and he pats at your shoulder in comfort, “Oh. I-I didn’t know—“

“How could you?” He hums in question, “It is not your fault, if that’s what you are—“

“Mi sol, have you seen my wallet—” Carlos Jr. steps into the kitchen, words cutting off as he balks at the sight of his father, and he shouts, “Papá! ¿Qué hace aquí?” [My sunshine; Dad! What are you doing here?]

“¿Qué estoy haciendo en la casa que compré?” His dad fires back, amused at his son’s stunned question. [What am I doing in the house I bought?]

Carlos blinks at his dad before turning to you, slipping his hand into yours and tugging you out of the kitchen softly, “Let’s go; you’re going to be late, no?”

Sr. chortles as he grabs a mug from the cabinet, “¡Mijo! Hiding a woman from me?! It is okay, Lando will tell me everything. That is why he’s my favorite son!”

Carlos throws his head back with an exasperated groan, but it doesn’t hide the redness of his ears from his father’s teasing.

You stifle your smile, squeezing his hand pacifyingly, “Your wallet is in the bowl at the front. Um, if it’s possible,” you tuck a curl behind your ear shyly, “Do you have another car besides the Ferrari? I love it, but I cannot show up stepping out of that.”

Carlos snorts, shoving his wallet into his pocket and leading you to the garage, “Is a Porsche fine?”

“It’ll work.”

He gets you there in thirteen minutes, slowing the car to a crawl as you direct him to the employee entrance. You grab your purse, awkwardly pausing as you pop the door open. 

You face him with a sheepish grin, “Thank you for the ride. Tell Lando I said good morning.”

Carlos drags his eyes over your form languidly, before he nods imperceptibly, “Do you have enough time to get ready?”

“You’ve made up a few extra minutes for me with your skilled driving on the way here,” Carlos huffs a laugh at that, “So, I should be okay.”

The two of you fall back into silence, unsure of what else to say. You take the leap of faith this time around, it’s the most you can do after learning the way they tried to catch you before you left last summer.

“It wouldn’t be overstepping if I kissed you, right?”

“Ven aquí,” Carlos exhales, unbuckling his seatbelt and leaning over the console to meet you halfway. [Come here.]

His lips are swollen and textured from your’s and Lando’s combined attention, but the kiss is the sweetest and most tender one you’ve ever experienced. The soft exhale of breath from his nose stokes the butterflies in your stomach, who flutter awake as adoration pumps through your veins. The two of you part, eyes fluttering open to stare softly. He settles back into his seat, looking at your lips longingly, his line of sight broken as you exit the vehicle.

You clear your throat, “Um, I’ll text you guys when I get home later, okay? Adiós, te qu—hasta luego.” [Bye, I l—see you later.]

You shut the door and speed walk into the building before he could say anything about how you nearly exposed how down bad you are already. You hope he doesn’t bring it up, for the sake of your mental stability. The moment you step into the employee locker room, you're accosted by your friends, Isa, Lucas, and Stephanie. 

“Damn,” Lucas snaps, “I was really hoping you’d be late. I need my shift on Tuesday covered.”

You shrug, sliding past the girls to walk to your locker. “Sucks to suck.”

“¡Oye, pequeña!” Isa and Stephanie box you in at your locker as you grab your spare uniform and sport shorts, Isa stresses, “You cannot, walk in here and act like nothing happened! You show up wearing the outfit I picked out for you yesterday? Your hair is a mess! You sent the vaguest text about possibly showing up late? And, you get dropped off in a Porsche!?” [Hey, girly(i guess, idrk how to explain it)!]

Stephanie’s eyes blow wide and you rest your head into the cool metal of your locker door as she bursts, “Girl—did you get laid?!”

“Thank you for that, Steph,” you bite out, turning to look at them with the politest grimace you can muster, “Now, everyone will know exactly what I got up to last night because Lucas—,” you point behind you with a thumb, speaking loudly to drive your words in, “—Is physically incapable of keeping his mouth shut.”

He raises his hands up and backs out of the locker room with a devious smile. 

Turning to Isa, you shake your head, “I do not know why you like him. He’s such a chismosa.” [Gossip.]

She rolls her eyes at you, following you as you make your way into the bathroom, “It’s not a bad thing. He tells me all of the gossip I miss out on–why are there bruises on your thigh—holy fuck! He must have big hands. Which means he has a big—”

“Okay!” You screech, running into a stall and locking the door shut behind you, “I will tell you and the girls every single detail as soon as we finish today!”

She makes a triumphant noise, her steps fading as she exits the restroom, “You better! Or, I’ll force you to listen to me wax poetic about Lucas’s eyes for hours!”

Scoffing, you tug your shirt over your head and yell back, “You already do that anyways!”

The slicked-back ponytail you gelled your hair into, has already sprung flyaways since you didn’t have enough time to set your hair with a wrap before you had to drive out onto the course. You’re almost three hours into your shift, and the sun feels like it’s at its strongest even though you have a few more hours of it burning hotter. Only twenty minutes until lunch, you remind yourself, then you can fix your hair and cool down in the restaurant's walk-in freezer.

You’ve just finished serving a bachelor party, a group of ten men who didn’t give you a hard time. You talked loosely with them, engaging in small talk because connections are everything and you never know who you might run into on the green.

Like Carlos and Lando, case in point.

The groom-to-be actually met his fiancé here. She was a bartender in the clubhouse about seven years ago, and on complete chance she ended up being the one to serve him. He was starry-eyed as he explained to you that he fell in love with her as soon as he saw her. He ordered an unbelievably expensive amount of drinks for him and his boys (the same group of men in the bachelor party), and when she slid the bill over to him, he said, “For this price, you could’ve bought me for the night.”

You called bullshit, and he looked at his friends who backed up his words; they all heard it when he said it. You watched as he took a sip from his beer bottle with a reverent shake of his head, “Now, we’re getting married next week. On August 12th, or 8/12. Which was the price of the tab that night, $812.”

You made a joke about him needing to strengthen his self-esteem if he would consider selling his body for a measly $800, and to attend an A.A. meeting because that’s a ridiculous amount of money to spend on drinks that leave your system quicker than you ingested them. 

The men crowed in laughter at your ribbing of the groom-to-be, but you did seriously congratulate him on his engagement and wished him a long, happy marriage.

And currently, you’ve parked your cart for a few minutes to get over the urge you feel to cry. You're jealous of a woman you’ve never met before because she gets to love a man who’s devoting the rest of his life to her. She gets to marry him, and you’ve agreed to be nothing more than a summer romance to the men you could see yourself falling in love with.

You thank the universe for allowing you to cross paths with the groom-to-be. It reminded you of your place with the Formula One drivers and it’s a temporary one.

Your walkie-talkie crackles with the sound of your name and you sniffle deeply, blinking your eyes quickly to rid the moisture. 

“What’s up?” You chirp cheerily into the voice box, waiting for a response.

“By chance, are you missing your earrings? Over.” It’s Ryan, he takes his radio messages seriously. You tug at your earlobes, and damn, you feel naked.

“I am. Did I leave them in the dressing room?”

“You have to say ‘over’ at the end of your messages, you know that. Over.”

“Ryan...” you hold the line open to annoy him a little bit before you give in, “Did I leave them in the dressing room? O-v-e-r, over.”

“I was going to be nice to you but you lost that chance. Over.” 

You snort, intrigued to hear how he’s going to ‘retaliate.’ The two of you started here at the same time and Ryan has become like a little brother to you, against your will. 

“I just wanted to let you know that two objectively handsome men turned in your earrings to the front desk,” you shout in surprise, firing up the golf cart and slamming the pedal down to head back to the clubhouse, “Hmm…I think they said you left them at their house last night. Overrrrr.” He draws the ‘over’ out teasingly and the walkie-talkie squeals with static and screams of surprise from the other employees on the channel.

“TWO? YOU FREAK!!!” Lucas.

Incoherent screaming. Isa.

“Nobody here can call me a slut anymore!” Rob.

“Is that why you couldn’t sit comfortably at the morning meeting?!” Sofia.

Ryan’s voice crackles through, “Oh! I forgot to mention—don’t worry about stealing food from the restaurant for lunch; they dropped off a meal for you. Over.”

The walkie-talkie explodes with noise and you turn the volume to zero. You’re reporting them all to HR.

You tune out the jeers in the break room as you devour a croquetade jamón and chase it with a spoonful of rice. You send a photo of the food with a thumbs-up in the frame, to Carlos and Lando. You type out your thanks for the jewelry return and lunch. There’s no hesitation as you press send on message inquiring about when the third date is going to happen.

The third date is private cooking lesson where you’re coached through making a few classic Spanish tapas. Lando immersed too deeply and only responded to ‘Chef Lando’ during the class. Carlos ate all of the chorizo he was supposed to use on his flatbread. You terrify the actual chef with your less than savory cutting technique. Your torn apart on their fingers that night, as they take turns coaxing you over the cliff.

You decrease the amount hours you’re able to work at the golf course. You’re only on the schedule during the middle of the week–Tuesday, Wednesday, and Thursday—leaving you with a four day weekend to frolic around Madrid with your boyfr—with Carlos and Lando.

The fourth date is dinner and a show. It’s your first time watching a ballet, and your lucky enough to be watching the performance at Teatro Real, one of the most prestigious opera houses in Europe. It’s also the first time you get railed in a women’s bathroom stall at Teatro Real, one of the most prestigious opera houses in Europe.

Lando pants raggedly as he fucks into you from behind, “Ah—shit, sunshine, you’re so tight.”

Your moan is muffled around Carlos’s cock and he hisses at the vibration, knocking his head against the stall door loudy. 

When Lando climaxes, he whimpers out a, “te quiero.” You pretend to miss it as you concentrate on sucking Carlos to completion. Carlos licks his spend from your tongue, babbling his te quiero’s into your mouth. You don’t say it back. [Te quiero means I love you, but it’s more casual, less serious in nature.]

The fifth date is pottery and you ride Carlos’s face to the image of Lando’s hands coning down his clay on the wheel. The sixth date is driving around the outskirts of Madrd’s city limits and passing the phone around to queue a song to play as you three switch between talking and enjoying the tunes. 

The seventh date is painting the mugs you made; you made two, one for Carlos and one for Lando—they each made you one as well. You’ve painted Carlos’s as a lemon and Lando’s as an orange—and homage to the sip of sunshine line they pulled on you. Lando painted a field of sunflowers for you. Carlos painted a sun with rays spilling from it, the words ‘my sunshine’ scripted into the middle of the sun.

Somewhere between the fifth and seventh date, they became comfortable with saying te quiero  to you outside of sex. 

It’s said as you serve them drinks on the course, as they drop you of at home after dates, as they cuddle with you without wanting more, as they wake you up between them in the morning. 

You give in somewhere beewen the sixth and seventh date. But, you only allow yourself to say te quiero during or after sex.

And, you stifle your sobs of anguish into your pillow at home, dreading the day you return to school and they return to racing.

Your dad enjoys the mobile car show of priceless automobiles that appear in his driveway to pick you up. Your mom eagerly awaits your renditions of your dates every night and you’re careful to edit around the explicit parts. 

The dates progress to you spending your four days off at their  Carlos Sr. 's vacation home, packing a bag with your necessities so you don’t have to risk wasting time away from them by stopping at your house. They take the time to explain to you just how much of a goat Lewis Hamilton is. Lando helps with your wash day, soaking up your tidbits of advice for his own curls. Carlos lets you soundboard ideas for your dissertation off of him without complaining, iterjecting every once in a while with a viewpoint you hadn’t considered. 

Your craving for intimacy is satiated. They twirl you around in the kitchen to Spanish ballads they sing terribly at the top of their lungs. They terrorize you on the green, choosing increasingly difficult cocktails for you to make so you have to spend more time with them instead of doing your job. You and Carlos terrorize Lando with a football games of keep away. You and Lando terrorize Carlos by hiding his shirts from him so he has to walk around topless. They don’t terrorize you in retaliation—if you don’t count their constant te quiero’s as terrorizing acts.They pick you up at some ridiculous hours when you’ve gone clubbing with your friends; making sure you chug a glass of water, helping you rinse off in the shower and moisturizing your skin before dressing you in their clothes, doing your skincare for you before putting you to bed. 

They drag their feet through helping you repack your belongings on the morning of your last day in Spain. You let Lando get away with tugging garments out of your bag every time you turn your back to him, hiding your smile as you see Carlos assist him by stuffing it at the bottom of the pile of clothes that doesn’t seem to shrink.

Eventually, they give up. Their eyes trace your form as you do your last walkaround to make sure you haven’t left anything behind. Your check ends at the front door, grabbing your keys from the bowl on the entryway table.

You sigh heavily, “Well, don’t just stand there.”

They gravitate towards you, hugging you tightly and peppering an endless amount of bittersweet kisses along any patch of skin they can reach. Lando hunches down to hide his face in your neck, and Carlos rests his forehead against yours.

“¡Chicos, calmaté!” Your giggly exclamation sounds watery, “I am coming back next year, remember?”

“That’s too longgg,” Lando complains into your neck, his voice sounding as pitiful as yours. You step backwards to cradle his face between your hands. His cheeks are ruddy and his eyes are dejected even as he smiles shakily under your touch.

“Date us.” Carlos blurts out desperately, “Ay, perdóname—May we date you, please?” [Forgive me.]

You gape at the older man, struggling to ascertain what he’s asked of you. 

Stumbling gracelessly, your hands fall from Lando’s face, who makes a hurt noise at the loss. “Date me? I thought you both said this was just a fling?”

The Brit twists his hands together at your words, his face saddening further as he corrects you, “Summer romance—fling is too harsh.”

“Too casual?” You shout, “I thought this was supposed to be casual! I felt like shit whenever I didn’t say te quiero back! I wanted more the moment we sat down at that restaurant a month ago, but I thought I couldn’t have it because that’s not what we agreed on!”

“You want more?” Carlos clarifies, his tone optimistic. 

“¡Cabrón!”  You laugh, hurtling forward to throw your arms around his neck. Relieved tears spill over your waterline, soaking into the Spaniard’s shirt. “I’m damn near in love with you guys–yes,yes,yes, I want more.”

Lando glows, blubbering incoherently with happiness and you shush him with your lips.

“I wish you had asked me days ago,” you sniffle cutely, smiling crookedly as you continue, “—’cause I really do have to leave, or I won’t have enough time to pack my things into my suitcases at home.”

You groan as you find yourself with an armful of two Formula One drivers bemoaning the unfairness of being separated from you even though they just got you.

“Mis amores, escúchame—you had me the entire time,” you coo, “We all know how phones work. We can communicate speedily with texts, and video calls, and send voice messages, and even regular calls. If we’re doing this we have to have a serious talk about it when I land in the States, yeah? Long distance is difficult, but I’m willing to put in the effort to make it work, if you two do the same.” [My loves, listen to me.]

“Phone sex isn’t the worst thing in the world,” Lando quips, smiling as he watches you and Carlos chortle at the unexpected comment.

The laughter ringing through the air fizzles out. You bite your lip, shaking your head slightly as their stares fixate on your mouth. They haven’t managed to stop ogling at your lips over the course of the month.

“Te quiero,” you state. Lando repeats it back instantly, Carlos kisses you before doing the same.

You pick up your bag from the floor, “Promise me that you’ll do your best to make this relationship work.”

Their confirmations are swift, even taking turns crossing their pinkies with yours and with themselves. Your heart sings with love. They walk you to your car. Carlos takes the bag from your hand and places it in your backseat, Lando holds your door open, making sure you don’t hit your head as you sit in the driver’s seat. 

He shuts the door smoothly, and you roll down the window to exchange your last goodbyes. 

“See you next summer.”

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[sparrowlucero]

ik you were joking but I would be genuinely interested to hear about the flux cowriting credits strife if you feel like going into detail on it

So I have a big conspiracy theory about season 13 of Doctor Who ("Flux"), namely that there's a lost episode was scripted and even possibly filmed in near entirety, but ended up being cut and cannibalized in post production due to behind the scenes issues, and the fandom has yet to pick up on it.

For anyone who doesn't watch the show: Flux is a miniseries of Doctor Who; a full season was not commissioned because it was produced during Covid. The most important stuff about it for the purposes of this post are:

It's 6 episodes long (¹). The episodes are all directly continuous and could not be shuffled around. (I should clarify here that, no, the showrunner can't simply choose on a whim to make 10 episodes, or only make 4; they had to stick to 6, as that was the amount they were picked up and scheduled for)

The showrunner, Chris Chibnall , wrote every episode apart from episode 4 (Village of the Angels) which he has a co-writing credit on.

(More subjectively but perhaps relevant) The season is largely considered to be kind of a structural mess and (less subjectively) there appears to some abnormal and consistent production issues (²)

So the first thing I need to evidence here is that Chris Chibnall, aforementioned showrunner and writer of the entire season, was late. Like, really late.

Word of mouth gossip had been circulating for a while that there was some sort of on-set problem involving filming having to be paused because he was still finishing scripts: (³)

This would later be confirmed at a Gallifrey One panel (⁴) with Matt Strevens, the executive producer, who suggests that filming stopped to allow Chris Chibnall to finish scripts; he further implies that large swathes of episode 5/Block 2 weren't written until Episode 4/Block 1 (in which Kevin McNally debuts) was filming:

So with that context, let's talk about that Episode 4, "Village of the Angels", the only episode not attributed solely to Chris Chibnall. Co written by Maxine Alderton.

The filming pics reveal an interesting bit of trivia for Village: namely, the clapperboards show that the story was actually filmed as episode 5, not 4:

As the above tweet suggests, this doesn't make much sense. The miniseries is, again, a single continuous plot. It's not like they flipped Village and the current episode 5, Survivors of the Flux; the latter explicitly takes place chronologically after it. And yet, Village having been intended as the penultimate episode 5 is further evidenced by the original trailer for it, in which a character states that the story takes place on the 28th of November. This line is dubbed over in the final episode and subsequent trailers to instead say the 21st:

Why is this line important enough to dub? Because that's meant to line up with the air date of the episode. Episode 4 aired on the 21st and 5 on the 28th. But something happened in post production, and now it's episode 4 on the 21st instead (⁵):

So if none of these episodes were moved around but it does seem like Village was meant to be episode 5, where and what is the original episode 4?

I have a theory.

Flux has a recurring subplot involving two side characters, a married couple (Bel and Vinder) who have been separated by the titular disaster and are traveling the universe to reunite with each other. This story is told through segments sprinkled throughout the episodes. These have a different writing style (including a diary-esque narration only present in these scenes) and an internally consistent visual style that looks somewhat different to the other parts of the season.

Village of the Angels, for instance, is a moody, dark episode set in a village in the 1960s:

However, Bel and Vinder's segments in the episode have a somewhat different look:

On top of this, they never intersect with the episode's A plot (literally or in any clear thematic way), and the majority of these segments piece together into one single scene that seems to have been cut up.

So, what I think is that the bel and vinder scenes across the middle of the season were originally a single full story, an episode 4 that took a breather from the main plot and characters to follow the lives of these two side characters; the differing visual and writing style is due to it originally having been filmed separately and with a somewhat different artistic intent. I believe Chris Chibnall's cowriting credit on Angels exists because these specific scenes are from a script he wrote, but that otherwise the Angel script can be credited solely to Maxine Alderton by normal cowriting standards.

"But wait," you might say, "I thought there were already 6 episodes that are all plot relevant? If no episodes existing right now can be cut, how could this 7th episode exist?"

Remember this tidbit:

The adventures in question comprise a large amount of the next episode (Episode 5: Survivors of the Flux), nearly 20 minutes of a 50ish minute runtime (and frankly, much of the rest of the episode is somewhat fluffy build up that feels like it's taking advantage of an extended runtime). A version without this added plot would, in my opinion, only warrant one final episode rather than two.

I think the showrunner, still scrambling to finish scripts as the episodes were being filmed, and making a snap decision to include a new major subplot (⁶), wrote a finale script so long and with so many plot threads that the only way to keep all this material of was to split it into two episodes, 5 and 6. And because they only could only make 6, he had to get rid of one of the previous 5 episodes - the already scripted and filmed ones - to make room for this new episode 5. A tough order when it's a plot-heavy miniseries... if not for episode 4 being a standalone divergence from the main plot about the lives of two side characters, one that could, in theory, be cut up and dispersed throughout the season without continuity issues for the main story.

(Some notes and clarifications under the cut)

(1) some sources initially reported the episode count as 8; this wasn't inaccurate - the 2022 new years/easter special were part of the episode order. Flux itself was always meant to be 6 episodes long. (2) A few of the production issues include: - episodes filming without a second draft:

- the fx team that had been on the show since 2005 abruptly leaving midseason (because they "didn't feel like part of the team anymore") and returning as soon as the creative team changed, including the head of the studio implying they weren't properly credited (mild vfx body horror warning in link):

- people working on additional projects such as books not receiving clear information on the characters they were assigned to write:

- and likely a director who was put on hold due to a script being rewritten:

Among other things I can't directly cite at the moment, including vfx artists having to do whole episodes solo in crunch time and writers not being told their work was massively overhauled until it aired due to major changes being extremely late in production.

While I don't wish to pontificate too much here and many of these things are pretty normal by themselves, I do think it could paint a picture of a production where an episode well into filming may genuinely be cut on a whim and without consideration for the crew, artists, etc. working on the show. (3) This reddit post comes from a leaker who was known to be consistently accurate. (4) Gallifrey One does not allow filming of panels. I know Kevin's livetweets of panels to be accurate. (5) It's very, very unlikely the entire season was moved back a week, as the premier is a Halloween special that was certainly always intended to air on Oct. 31st. (6) I don't wish to insinuate Chris Chibnall is, throughout his career, an inherently poor showrunner, but I do think that maybe his jump from police procedural - a genre that doesn't involve quite as much concept art, vfx work, marketing, convention panels, set building, episodic storytelling, and keeping in touch with expanded universe producers - to flagship science fiction adventure show may have contributed to some of these issues, especially when he was already in the mindset that things could be changed on a whim (perhaps not such a major issue when it's broadchurch and no new sets need be built)

(source) Basically I don't really think this is "the showrunner's fault" or anything; more that a perfect storm of a showrunner who was habitually late on scripts, used to writing lowkey cop dramas, covid, an entirely serialized season, etc. may have led to these issues

[ellecdc]

HI QUEEN 🎀🩷🎀🩷

I literally just atalkws all your marauders fics for like 2 solid hours. You're writing is healing me at this point.

I was wondering if your requests were open? And if they are can I please request a fic that happens directly after the first war (marauders era) and reader has ptsd and maybe got triggered by the smallest of domestic actions done by one of the boys and comfort ensues for the episode and aftermath guilt?

I'm sorry it's oddly specific, just fighting some demons rn and your awesome writing kinda does the trick heheh

please feel free to ignore this one! love u <33

thanks for your request, love. hope things have been easier on you as of late <3

poly!marauders x fem!reader who is struggling with PTSD [1.5k words]

CW: PTSD, post-war, mention of past character death/grief, panic attack, hurt/comfort

The war had taken its toll on all of you; ghosts of the people you lost and the people you all once were haunted you, reminding you of scars both visible and invisible that coloured every aspect of your life.

There were things that the four of you staunchly refused to talk about; Remus refused to speak about his time in the feral packs, Sirius refused to speak about his brother, James refused to speak about Peter’s betrayal, and you refused to speak about what happened when you went missing.

Perhaps there were healthier ways to manage the grief and pain, perhaps you would all benefit from reconsidering those lines each of you had drawn in the sand.

But you were all alive, you were all together, and you had your whole lives ahead of you, and for now, that was enough. 

It was enough until it wasn’t.

It was enough until Remus was sitting on the floor of your kitchen with you pulled into his chest as Sirius hovered in front of you, holding your hands against his chest as he begged you to breathe, to copy his breaths, to come back to him. 

To come back to him. 

You and James had been fussing in the kitchen making breakfast this morning; Remus being wholly uninterested in mornings but very much interested in the two of you had been sitting at the kitchen table in camaraderie as Sirius shuffled sleepily into the room. 

He took the time to admire Sirius’ sleep rumpled hair and the faint lines over his face and bare torso, clearly having rolled straight out of bed before going in search of his loves. 

You were reaching into a cupboard to retrieve Sirius’ favourite mug when he came up behind you and placed his hand at the nape of your neck at the exact moment that James burned himself at the stove; cursing loudly and dropping the pan which landed on the floor with a bang, closely followed by the sound of breaking glass. 

Remus was up from his seat in record time, aching joints be damned, and at James’ side.

“I’m sorry, I’m okay; sorry.” James gritted out, acquiescing to Remus’ probes and allowing him to examine his hand.

“Awe bubs, you got yourself good.” Remus cooed as he cast a quick aguamenti over the burn.  

“Shit, yeah.” He breathed out. “I wasn’t paying attention.”

“What broke?” Remus asked then, looking down at the pan that had landed horribly close to James’ feet and searching for evidence of a broken bowl.

“What do you mean?”

“Did you not drop something?” Remus clarified.

James shook his head with furrowed brows. “Just the pan.”

Their bemusement turned to concern when they heard a choked “baby” coming from Sirius’ lips. 

Remus’ stomach dropped as he turned to see you half keeled over, leaning against the counter with one hand at your abdomen and the other over your mouth as if you were suppressing a scream. 

“Is she hurt!?” James asked quickly, moving swiftly along from his own pain.

“It…I- it was me. I-” Sirius started, sinking to the floor in time with you as your legs seemed wholly unable to hold you up in your current state. 

“She’s panicking.” Remus surmised aloud, quickly tiptoeing over what he realised were shards of Sirius’ mug that you’d been procuring moments before. 

“Dove? Hey, look at me.” Remus offered as he crouched in front of you.

You shook your head quickly and sucked in a stilted breath. “I’m sorry.”

“You don’t need to be sorry, my love, just look at me.”

You shook your head again and tried to back further into the lower cabinets as if hoping they would simply swallow you whole.

“I’ll clean it up. I’m sorry.”

“Sweetheart,” Sirius pleaded, “we’re not worried about the mess.”

“I’m okay.” You sobbed, sounding anything but.

“I know you are, dove. You’re okay, come now.” Remus said as he finally joined you on the floor, leaning back against the cabinets and pulling you into his lap so that you were fully enveloped in his embrace. “Big breath, babylove, can you do that for me?”

You made a high pitched keening sound and shook your head quickly. “I’m sorry.”

Remus looked over to notice that James had his burnt hand held protectively against his chest while his other kneaded into Sirius’ shoulder as he whispered into his ear.

“Look, dove, Jamie can fix the mug no problem, and Siri’s gonna help you take big breaths, okay?” Remus tired then, stirring both boys into action as James straightened and cast a quick reparo to Sirius’ mug and Sirius shuffled over on his knees to station himself between Remus’ spread legs and in front of you. 

“Can you copy me, baby? Like this?” Sirius begged. “Just like this.”

Sirius pried your hands away from your face and encouraged them to flatten out against his chest where Remus was sure you could feel the hammering of his heart as he took a dramatic breath for your benefit. 

You choked out a few more apologies that both boys gently admonished you for as you tried to copy Sirius’ breaths; they were nowhere near as deep or graceful, but Remus was thankful for your effort nonetheless. 

James reappeared then, his own hand now wrapped with medical tape and smelling strongly of Remus’ healing balms when he held something out for you.

“Angel, can you do me a favour?” He asked extraordinarily softly that it even had Remus feeling more at ease. “Can you hold these for me?”

Remus watched your face as you wretched your eyes open - another ‘deep breath’ stilted by a sob as you looked to him - to see him holding two large spheres of ice that Sirius had for his firewhiskey. 

Sirius kept his hands gently stationed on your arms as you removed them from his chest and accepted the ice from James, still never letting go even as the ice began to melt and drip freezing water down your wrists. 

When your sobs became the occasional hiccups and Remus felt you deflate further into his embrace, he braved a gentle caress of your upper arms in warning of his presence.

“Better?” He murmured lowly into your shoulder, earning him a deep sigh that came out only slightly shaky. 

“I…think so. I’m s-”

“No, no, dove.” He admonished quickly, peppering slow kisses along your shoulder and the column of your neck. “There’s nothing to apologise for.”

“I didn’t mean to cause a scene.” You murmured quietly, and Remus watched as Sirius’ face crumpled.

“You didn’t cause a scene, baby.” He argued quickly. “You were scared; I-”

James made a sympathetic sound in the back of his throat as he wrapped an arm around Sirius and pressed his lips to his long-haired boyfriend’s head.

“Should we not touch you like that, dove? Here?” Remus asked carefully then; dragging a barely-there finger across the nape of your neck and watching goosebumps appear.

“No, that’s fine, I- it wasn’t that I…it was just both and I…I didn’t sleep very well and it was just…”

“Too much?” Sirius offered as James relinquished you of what was left of your ice that had you and Remus damp, drawing circles into your wrists that he still had secured in his grasp.

“Just at once, I’m sorry.”

“Angel…” James chided.

“I am sorry.” You insisted as you looked at James imploringly. “I’ve not been doing a very good job handling my shit lately and now I’ve ruined the morning for everyone.”

“It’s not your shit, baby, and it’s not only yours to handle; we’re supposed to be helping you too, yeah?” Sirius pressed as he craned his neck to meet your eye that you were trying to avoid. 

“And you didn’t ruin anything; you could never ruin anything.” James added. 

You sniffled at that and took another deep breath that hardly shook at all as you leaned further into Remus. “Is your hand okay, Jamie?”

James smiled softly at you before bending down to press a kiss to your forehead. “It’ll be good as new, but I owe Moons some healing balm since I used a whole jar from his stash.”

“I’ll buy it!” Sirius announced quickly, surprising a small laugh from you.

“I’d think not, Pads; I’m the one who used it up!”

“Yes but you’re the one who was hurt, I’m the one who upset our girl.”

“I upset her too.” James countered as they began arguing who had played a bigger hand in this morning’s commotion. 

You and Remus shared a fond yet exasperated look before the two of you stood - on shaky legs after being folded up for so long - and opted to take a warm shower and change into dry clothes.

It may not have been the start to the day any of you would have liked, but you all made it out okay, you were all together, and you had your whole lives ahead of you. 

And for now, that was more than enough.

[neat-crows]

So I've been re-watching dr who for the first time ever rn, with a friend who's never seen it before, so I'm seeing all these episodes for the first time since I was 13 and picking up on a LOT that I never noticed before, and holy shit the tenth doctor is SO WEIRD to Martha Jones, and nothing exemplifies that more than the sontaran stratagem/the poison sky.... like..... he is SO weird the whole way down.

When they first see each other again their introduction directly mirrors Jack and The Doctor's in Utopia

"Doctor" "martha Jones" laugh and hug

"doctor" "captain Jack" laugh and hug

And then! they have a normal interaction!!! WIN he asks how her family is and how she is, and they're smiling and genuinely seem like friends very happy to see each other!

And then.... donna drops the fiance bomb.

He turns with a look of.... almost anger? disbelief? and asks WHAT MAN?? Then martha explains who he is and the doctor....

he looks? upset? and then like, resigned? AND THEN martha admits that her fiance is kind of similar to the doctor, and then donna asks "Is he skinny?" and his reactions

is to make a face like "yeahh" AND START NODDING????? like he's taken Martha's admission to mean she's with a man that's just like him, and honestly seems a bit smug over it, and then when Martha says no-

he looks so taken off guard and betrayed ??????????? BRO we are less than 5 minutes in..............

He then proceeds to be tetchy with her, and to be fair this is mostly because of her involvement with unit, and his discomfort with how militaristic she's gotten - which I think comes both from anger at himself for how he's changed her, and also discomfort that she's no longer "his" Martha, she's changed, and he doesn't know her as well anymore.

he tells her off, he's snide and judgmental, he won't even look at her until she tells him to, and he's honestly bitchy - Until she explains herself, and tells him off for being so judgmental, i also think his line "oh so it's my fault" is very telling because..... it literally is? like yes, you put her in situations where she had to become harder and more used to violence......... and he KNOWS it. He's doing what he did all through series 3, which is feel guilty or bad and then take it out on Martha (that's for another post though) until she stands up for herself (get his ass!!) and then when she's finished she looks at him

determined, but eyes darting back and forth waiting for his reaction, on some small level hoping for his approval

and only THEN does he start to smile, and he tells her "that sounds more like Martha Jones." she's back to feeling like she's still his (to him, Martha is acting incredibly normal and platonic). The doctor has always had a weird possessiveness with Martha, going all the way back to their first episode where he hand picked her, and in this second of her looking for his approval, he feels that again, and he IMMEDIATELY started flirting again - please go watch the scene it boggles my mind how fast he switches.

I also want to be clear, Martha isn't flirting back, she's acting extremely normally. She's clearly taken the time away from him to get over, not only romantic feelings, but any anger as well. She seems to have come to terms with how she feels with everything that happened, and she loves and cares about him, but she's not naive to his faults - I also don't think she even picks up on him being weird to her in this scene. She's no longer in tune with his every mood swing, she's not here to fix him, or cater to his needs, and so she no longer notices these small moments from him.

AND THEN.... the clone.

He never flirts with the clone. The ONLY time, is the very first time they interact, before he's realized something is wrong.

he calls her over to come with him, and his face is honestly way too close to hers. bro is a menace. but then, maybe 2 minutes later, he immediately clocks that this is not Martha.

he realizes there has to be a spy and only has to consider for half a second before he turns and asks about her family, he's already realized she's acting a little off, and the second she answers he's 100% certain.

and he gets MAD. he tells her Donna went home because she's not like her, she's not "a soldier" clearly a shot at the sontarans, but also another subtle test, the real Martha wouldn't let that slide, and he wouldn't say that to the real Martha. He continues saying Avanti, instead of Allonse-y, which is interesting, because he already knows. He's not doing this to confirm his suspicions, he's doing this as retaliation. To confirm to himself he knows Martha better than this fake, he's toying with her. BUT. He doesn't go to save Martha.

The next episode, the doctor's daughter, he refuses to accept the label of soldier, but Jenny rightfully points out that he strategizes like one And this is one such moment. He knows Martha is a clone, he's mad and upset, he could go save her right away, but he doesn't. He doesn't because it serves him best to allow her to keep shutting down the nuclear launch.

It reminds me a lot of when Cassandra possessed Rose in New Earth, he played a long for a little bit, but that was just to figure out what was happening. He IMMEDIATELY tried to fix it, I just wonder if it was any other companion if he would have done this. If it was Donna would he have left her for so long? even if it was strategic? it's this weird conflict the doctor has now that he's very very protective and a bit possessive, but he also treats her like an equal on the battlefield, and it's a weird... trust? he has in her to take care of herself.

I kind of don't want to call it trust because that sounds too positive, but I don't know another way to phrase it, but it's a forced independence and self sufficiency.

but then, he finally goes to save her

He goes and cradles her face gently, and NOTABLY says "good, still alive" MEANING HE DIDN'T KNOW??? and still left her for that long...

but he holds her gently, and fully ignores the clone. He has his back to her, and then proceeds to taunt her. He tells her he clocked her right away because of the pupil size, thin hair, and he says she smells. but we know this isn't true.

Sure maybe those physical traits are true, but that's not how he figured it out, we saw how he did it, he clocked on because he knows Martha so well, but he can't admit that. He can't admit that he knows her just as much as she knows him, just like he couldn't tell Rose he loved her.

He is so deeply angry at this clone, he makes fun of her, he yells at her, he looks at her likes she's nothing

This is his face when he kills her. He doesn't talk to her, or even TRY to save her. And we know she is alive, she has memories, and her own thoughts and feelings, and the doctor kills her while gloating because of his immense anger for hurting Martha. An anger that is also guilt.

he does not speak to her like a person (which directly leads into his treatment of Jenny in the next ep).

Parallel that to how Martha treats her, they talk about their family and she even calls the clone Martha. She really is a doctor in a way ten tried and often failed at.

And then at the end, Donna asks Martha to come with them, and she says no, and that she's happy at home, but she's better for having traveled and come back.

And the doctor looks at her

With an obvious sadness, but also acceptance. He clearly wants her here, with him, but I think he's finally come to accept that that'll never happen, and he needs to let her go.

Edit: I Like their dynamic(mostly) This is not an anti tenmartha post Him being a freak is compelling

[cr4yolaas]

the weight of words — alhaitham x mute! reader

notes: based off of this tiktok i found a long while ago featuring a poem that serves as the base for this fic <3 i feel like this is very poorly written / rushed and it lacks a good flow but i wanted to get it out asap bc i didn’t have any more energy to write it LOL

tags: italics represent handwritten notes, reader is implied to be rlly smart / top of the class, implied depressive episode (reader), self deprecation (reader), fluff → angst → fluff, may or may not be an inaccurate rep. of mute individuals, ooc alhaitham, not proofread

this was a little more irksome than he wanted to admit.

at the very top of the akademiya, far away from prying eyes, sat a student bathed in sunlight. from a distance, he observed. you held a book in one hand and an apple in the other, while your legs dangled off of the ledge. he couldn’t discern much from your backside.

but what bothered him the most was that you were seated in “his” spot. the spot he always crept away to during lunch, mainly for its isolation and breathtaking view.

without hesitation, alhaitham approached you. he tapped on your shoulder and stared with an intensity akin to the blazing sun in june. “excuse me,” he began. “i normally sit here. i would greatly appreciate it if you moved to another place, as i’m most accustomed to this spot.”

a silence washed over as you stared up at him. your lack of response left him annoyed — did you find this funny?

however, as you set down your book and snack gently, alhaitham found himself surprised for the first time in a while.

a notebook sat on your lap as you wrote rapidly. the man watched quietly.

i’m afraid not. there are countless other spots up here, and i just happened to get to this one first.

a sigh slipped from his lips. while he wasn’t unfamiliar with stubborn personalities around campus, this particular interaction seemed to interest him more than it irritated him. alhaitham nodded and sat beside you, much to your surprise.

he listened as you flipped your page and began writing again, this time taking up less space on the paper.

why do you like sitting here? you passed the notebook to him.

he wrote much slower in comparison to you, however, his handwriting bore an elegance you had not seen before, as if each letter carried a song in the ink. you found it beautiful.

the lack of noise.

his short response made you smile — simple and straight to the point. another thing you deemed wonderful.

he did not hand the notebook back to you, but instead, continued to write. i dislike unnecessary sounds. they serve as useless interruptions. up here, i find that in comparison to the chatter of students, the ambience is soothing. alhaitham placed the notebook in your lap gingerly and looked into the distance, his gaze absent yet his thoughts reverberating.

you continued this back and forth with him for the entirety of the lunch break. the lines engraved on your palms spilled over with ink smears, and you found your dominant arm growing weary. you did not write your goodbyes on the paper, therefore leaving your conversation unfinished. you left with a smidge of warmth in your heart and a smile on your face in hopes of meeting him again the next day.

from afar, you could see the way he sat leaning slightly more towards one side, and the occasional tapping of his fingers against the table as he wrote. he drank from a small mug of what you presumed to be coffee, but rather than holding the handle, he gripped the cup from its mouth. another intricacy that piqued your interest.

he noticed your stare after a few seconds, eyes of jade and clementine meeting yours. without a word, he relocated to your table, sitting directly across from you. “hello,” he greeted softly. “i didn’t know you frequented this place either.” his gaze flickered over to your notebook peeking out of your schoolbag, and when you pulled it out to respond to him, he found himself getting uncharacteristically excited.

i don’t, actually. i wanted a change of pace, but i’m not sure how much i’m enjoying it. you pushed the book across the table to him.

is it too loud to study? that’s surprising.

you looked up at him questioningly for a moment before jotting down your reply. i’m not studying. i’m just here to read. his lips upturned noticeably at your words, an expression you wished to carve into the crevices of your memory for eternity. he was painstakingly beautiful.

alhaitham didn’t respond for a handful of seconds, instead opting to look outside the window to his left. strands of sunlight draped themselves onto his perfectly crafted face and fell between each strand of hair. a view that compared to the one at the top of the akademiya.

a conversation of short responses — ranging from questions about your darshan, to your favorite season, to the books you enjoyed reading — ensued, the evidence splayed onto the paper. you appreciated his company, for it was rare that anyone sought to talk with you.

he asked another question, his curiosity seeping out endlessly. why do you communicate like this?

a thin-lipped smile etched itself onto your lips. the ink of your pen ghosted atop the paper, your hesitation evident. i was born mute. i have no voice, therefore i cannot communicate in a normal manner.

you grew increasingly anxious as he looked at you with an expression that was terrifyingly unreadable. your hands rested atop the notebook, keeping it away from him for reasons you didn’t understand quite yet.

“that’s okay,” he spoke, the baritone of his voice cutting through your shared silence. “i don’t mind it. actually, i think i prefer it. over the grating voices of the other scholars i know, at least.” he went on about his senior, a friend in kshahrewar who apparently could never keep his mouth shut in his presence. you merely listened, soaking in his words and absorbing each syllable that spilled out of the cracks between his teeth. your confession rendered you utterly silent, but seemingly, he paid no mind.

again, your conversation ended without a proper goodbye. your notebook sat still on the table. moments after his departure, you stayed in your seat, contemplating the complications of this newfound acquaintance.

alhaitham’s life revolved around routine and quiet. he needed both to go about his day in an efficient and satisfying manner; otherwise, he would end up feeling rather unfulfilled and bothered.

perhaps that is why he found himself so drawn to you. in comparison to many of his classmates, who were incessantly obnoxious and needlessly talkative, you were quiet, not just vocally, but in every other aspect. your handwriting was consistent and each letter looked just as neat as the other. your responses were similar to his in that they were direct and honest. and, oddly, you radiated a warmth that he could not see in anyone else.

his next encounter with you wouldn’t be for a handful of days. he knew you were a student, thus resulting in his confusion — he had never seen you around campus until that day.

he ran into you during one of his lectures. you sat right beside him in a seat that wasn’t usually occupied. he began to question you with pen and paper, as usual.

since when were you enrolled in this class?

i always have been. this isn’t a necessary class for my darshan, it’s just an extra period for me to increase my credits. i don’t come to class very often.

he quirked a brow up. you fiddled with your pen.

interesting how i haven’t heard of you until now. alhaitham smiled softly at your muffled giggle, one that he had not heard until then. the noise swarmed his chest with a lightness he could not replicate.

you might have fallen too soon.

alhaitham was a simple man, yet alluring all the same. you had snuck away his perfections and imperfections in a different notebook. for instance:

3 - straightforward and direct

21 - prefers tea over coffee

44 - can’t sleep without a weighted blanket

your ever-growing infatuation for him began to blossom in the cavities of your stomach, and soon, it would infect everything above. you could not bear it — nights spent in solitude, where he would discuss his interests (which were minimal) until you fell asleep; afternoons spent in comfort, where you would share a slice of cake to celebrating a particularly difficult exam. he consumed your very being, the neurons that invoked muscular response and the veins that carried your blood here and there; all of it was him. and yet, you could not meaningfully share this with him, your silence embedding your heart in a crevice far away.

it seemed that he got to it first, anyways.

alhaitham asked you a simple question — if you were capable of speaking for a day, what would you say? he had begun carrying his own memo book to conversate — another addition to the list.

you sat in silence for a brief period before writing, every thought and feeling and idea that has ever encountered my mind would leave my lips.

he wrote, then i will give you just that, and more.

when you began dating alhaitham, you found that he was much more eager to “speak” to you consistently. he would write in his same font and present to you a variety of inquiries, ranging from plans for the day to what you wanted for dinner. he was the epitome of a loving man, a far cry from the tales of coldheartedness and brutality you’ve heard of him. and yet, something began to gnaw at your lungs as he did so.

alhaitham was your voice to speak through — he was the monotonous ramblings, the heavy whispers, the gentle laughs; he held all of those for you. seemingly, life became far more breathable.

but your love was just as restricting as it was kind. to speak is to suffer, but to not speak at all is beyond that — it is torture. nights were spent staring at alhaitham’s sleeping figure, questioning whether he truly felt the affection you expressed. gifts, contact, quality time; what good was it if you could not do something as simple as converse with him? it extended beyond him, as well — for reasons unknown, it grew increasingly difficult to communicate with your new professors and classmates, the downturns of their lips as you pulled out a notebook gut-wrenching. you questioned if alhaitham felt the same.

you began to spiral.

a rapid set of knocks arrived at your door at a questionable hour. the sun hung high in the sky, albeit obscured by your curtains. a soft buzz rung in your room.

“i know you’re inside,” a voice spoke from the other side of the wood. he knocked again.

you made no move to open the door, nor to approach it, nor to get up from your bed. in response, the hinges creaked and heavy footsteps neared.

“why have you locked yourself in here?” alhaitham asked, his tone indiscernible. you didn’t see it, but you heard him shuffling around your bedroom. “where is your notebook?”

it was silly. he spoke as if you could respond, and you weren’t sure if you were supposed to be sorrowful or upset.

he pulled the blanket from off of your head, his face indifferent as he witnessed your disheveled state. “i’m not sure what’s going on, but i can assure you i will wait until you’re well enough to speak to me again. i will always wait.” alhaitham set his own memo book and pen beside your pillow. a warm hand held yours, a signal of reassurance. “please get better as soon as you can.”

he turned around to leave, and you could not bring yourself to reach out for him. what would you do? would the words crawl out of your throat, akin to a miracle? or would you plead at him with desperate eyes in hopes he’d read your mind? you did not know. every instance would inconvenience him in some way — that you could not bear.

you did not step foot outside for another week. alhaitham (and kaveh, much to your surprise) had left meals and gifts next to your door, all of which remained untouched. you were in stasis.

each thought had been replaced by a fog so asphyxiating that it had drowned every word the moment it rose to the surface. a bubbling exhaustion boiled in you. you wished to speak, to express anything at all, to apologize for inconveniencing those around you, and to apologize to alhaitham for putting him through such an obstacle.

as if sensing this desire, he arrived at your dorm again, this time with a more gentle appearance and a large bag behind him.

you reached out for the notebook he placed beside you a week prior. why are you here?

he kneeled down beside you, paying no mind to your disheveled appearance, and spoke softly, “i’m sorry.” if it were fitting, he would have laughed at the instantaneous furrow of your brows. “i should’ve realized. and in failing to do so, i have failed you.” alhaitham took the notebook and pen from your grasp, and with an unrivaled delicacy, he held you.

“i would give up my own voice if it meant i could spend an eternity with you,” he began. “i do not care if you lack a voice of your own. you’re still embedded in my heart all the same.”

you had not written to him for days. and yet, he understood everything. he read the words displayed in your features with a familiarity no one had demonstrated.

758 - willing to help me heal.

alhaitham sat across from you, his back hunched over his work and his face framed with a mix of feather-gray hair and wispy sunlight. he wrote with an unmatched fluidity, as if time were escaping him.

he let out a sigh as he set down his pencil and sat up straight. “why must you sit with me if you’ve finished this assignment weeks ago? it’s as if you’re mocking me.”

it’s entertaining. he grabbed the notebook from your side of the table and wrote haphazardly, contrasting his smooth technique before.

it’s really not. i feel as if i’m being ridiculed and observed under a microscrope. it’s horrible, he teased.

you’re smart, anyways. you’ll survive.

afternoons in the akademiya’s library were once suffocating and exhausting. to be surrounded by peers who could only sneer and misjudge and question was unpleasant. now, as you sat with your lover in a soft silence, you felt at peace.

[cjrae]

Rank And Responsibility. Or: The Hairpin Scene from Jinshi's POV.

Be warned now about the consequences of choosing to do an English Lit degree - you end up doing lit crit for fun. With that in mind, let's break down the hairpin scene at the end of Covert Operations (Episode 5). Mild spoilers for Jinshi's arc are below.

While this moment does kick off the romantic subplot, with all the implications that giving Maomao the hairpin out of his own hair has, I would argue that this is not the moment Jinshi realizes he's in love with Maomao. Instead, from his point of view, this scene demonstrates how Jinshi handles failure.

Holding Power In An Open Palm

This is still very early in the story. Our first hint to Jinshi's true rank does come in this scene, but for now we know him as the manager of the Rear Palace. For the three thousand people who live and work there, for all intents and purposes, Jinshi is the highest authority they will encounter. He literally has the power of life and death over them, either directly in the case of the servants and eunuchs, or in the case of the consorts, his word to the Emperor directly can serve the same purpose. We also see Jinshi use this power early on - he's not just there to keep order, but also to test the consorts' loyalties and virtue. We never see what happens to the lower-ranked consort who attempted to invite Jinshi back to her room, but at the very least that report ensures that her already small chance of the Emperor choosing her as a potential mother of the nation is utterly cut off - and if she doesn't bear children, she will be discarded.

We also know that Jinshi will not hesitate to order corporal punishment if he views it necessary - for example, when Maomao discovers that the toxic face powder is still being used by Consort Lihua's ladies in waiting, she mentions in the aftermath that the eunuch who failed to recover the powder was flogged, while the lady in waiting who hid the powder is put in solitary confinement. These are brutal punishments - and if we consider the historical inspirations, these are also very restrained consequences. For hiding an item that caused the death of the prince (unfortunately, the more valuable child) and has put the life of one of the Emperor's favored High Consorts in danger, Jinshi would be utterly within his rights to order executions. If ignorance is a sin, ignorance in the face of knowledge is a greater one.

Microcosm of Li

For all that Jinshi holds his power lightly, he also takes the responsibility that power bestows upon him quite seriously. It's worth noting that Jinshi takes over governing the Rear Palace shortly after Maomao's service contract is purchased. (Remember, Xiaolan talks about the "beautiful, new eunuch that's been posted to the central courtyard," which tells us that Jinshi has not been in the Rear Palace long enough to become a fixture - he's an object of speculation and admiration from episode 1).

In context it's clear that, with the birth of two Imperial children, his job is to ensure the survival of the Imperial line and investigate why children of the Emperor are dying consistently in one of the wealthiest and safest places in the entire empire. We're shown him running in between Lady Lihua and Lady Gyokuyou to ensure that their very sick children are being seen to properly, investigating what could be causing it, while also managing tensions as rumors about the Emperor's children being cursed begin to spread and outright accusations of sorcery are being thrown between consorts. While the audience might immediately scoff along with Maomao at the idea of one consort cursing another, if Maomao hadn't found the cause of death, those types of accusations followed by Lady Lihua's and Princess Lingli's inevitable deaths could have ended with Lady Gyokuyou's execution.

The Rear Palace is a reflection of the nation as a whole. No Imperial heirs plus the deaths of two High Consorts with various foreign and domestic political ties had the potential to thrust the entire nation into chaos. Jinshi's choices have very real consequences, so when Maomao discovers what the true cause of death is and sends her warning, Jinshi looks at Maomao and doesn't see a person. He sees a "perfect pawn." A tool, one with talents that have ensured that at least one Imperial child has survived and providing a rational explanation why these children have died so that it can be prevented from happening again - and a skill set that can be turned to preventing any more shenanigans in the Rear Palace that could threaten the empire's foundation.

And, as Gaoshun points out, in the beginning of the hairpin scene, she is a toy. Maomao amuses Jinshi up until this point.

For all that Jinshi is shown wielding power with a light hand and a responsible mindset, it literally doesn't occur to him that the people working in the rear palace have stories - some tragic - about how they came to be there. They are resources to be used as befits the Emperor's (and therefore the nation's) need.

Hidden Beauty

When Maomao turns around and Jinshi doesn't recognize her until she speaks, he's shocked. He thought he knew exactly who and what this girl was - ugly and unremarkable, except for her intellectual brilliance and the challenge in managing her by other means than empty compliments and smiles. He attempts to recover and assumes that she is enhancing her looks - and is shocked again when he realizes that the face Maomao has presented to him so far is a protective mask against attracting attention. In a world where beauty is both a currency and a tool that others covet, Jinshi doesn't understand why Maomao would deliberately devalue herself like that. So she tells him.

This is the moment Maomao becomes a person to Jinshi.

Not a toy, not a pawn. Someone who has been ripped from her home and her life illegally and sold off. It's in this moment that Jinshi is forced to confront the ugly side of the society he lives in, people who would rape Maomao out of pure convenience or just take a "borderline marketable" girl off the street in order to get extra drinking money.

Worse, Jinshi is complicit in Maomao's captivity. The Rear Palace has bought her contract - and as the manager of the Rear Palace, Jinshi is responsible for everything that happens within its' walls. The fact that Jinshi does not personally oversee service contracts is irrelevant. The buck stops with him. If the Matron of the Serving Women or whoever is below her is buying these contracts without checking their sources, that is Jinshi's fault because he has allowed a lax enough system to flourish. He has failed to govern this microcosm of the nation wisely, with thought for the welfare of the least powerful among his people. Worse, he has failed to even notice the problem - Maomao may say she's angry about having been kidnapped and sold, but she doesn't react in a way that indicates anger. Instead, she's resigned. Yes, what happened to her was wrong and she's angry about it, but there's literally nothing she or Jinshi can do.

Or Is There?

Jinshi offers Maomao two apologies, the first of which is our first hint to his true status. "I'm sorry we couldn't police them better." Maomao immediately blows off this apology - she points out that there's no way Jinshi should have known and has a very "all's well that ends well" attitude about her situation - her contract will be up eventually and in the meantime she's managed to land in a fulfilling role. Essentially Maomao is telling Jinshi that this apology is not his to make - he's overstepping his responsibility. And, if Jinshi were simply the manager of the Rear Palace, she would be right. It's his job to ensure that the Rear Palace is properly staffed, not to regulate that all contracts comply with the law.

Jinshi apologizes again. This time, he offers no other context. He doesn't accept Maomao's absolution of responsibility - because he knows (even if we, the audience, don't) otherwise. It can certainly be read as Jinshi refusing to accept easy absolution, and the rest of those witnessing the scene, apart from Gaoshun, certainly take it that way.

Instead, he takes the hair stick from his own hair and places it in Maomao's. Their entire relationship has just been upended; Maomao is a person who has been gravely wronged and it is Jinshi's responsibility to begin to make it right. Aside from the personal implications of giving her the hairpin (and the faint blush on his face makes it clear that he's aware of them), it is a form of restitution. There is an unspoken social contract Jinshi is offering that Maomao does not understand in the slightest. It never occurs to her that Jinshi would do something for her with no thought of what he would receive in return, because of the difference in their social ranks. But, from Jinshi's perspective, that social difference is the point. He has failed her and, as the person of higher rank, it is his responsibility to do what is within his power to begin to remedy the situation in front of him.

And, of course, in that moment he sees Maomao in a new light, the other meaning of gifting her his hairpin has fertile ground to take root in Jinshi's mind.

[arscorpii]

these aerial shots of the streets in the scene where anthy was about to jump off a building in episode 37 remind me of a network of blood capillaries gradually flowing with some foreign substance (the way the red lines were drawn certainly resembles some liquid substance). the camera panned towards anthy from the 1st to 4th picture, and the streets gradually turned from pure white to white with some red.

before the suicide scene, utena and anthy were enjoying tea and cookies at akio's place, and they were wearing their school uniforms. anthy indirectly hinted at "poisoning" the cookies. in response, utena directly stated that she had "poisoned" anthy's tea. both accepted the poison into their systems (bodies) without any hesitation or qualms. noticeably, in this scene, utena didn't wear the rose crest ring that she took off at the beginning of the episode. i'd like to think of the streets gradually turning from white to flowing with red liquid as the visualisation of the poison they consumed in this scene gradually circulating in the system (via blood vessels and capillaries); thus, these points represented utena and anthy's bond/relationship with each other up until before the suicide attempt (white) and after (flowing with red).

up to at least the moment utena found out about anthy and akio at the end of episode 36, utena and anthy hadn't been honest with each other, despite utena saying to anthy that she could come to her if anthy had any problems, and that they can help each other through anything (episode 25). from the point akio began making bold moves in grooming utena (episode 30 onwards), which led to sexual assaults and rape, utena had started to keep things out of anthy's knowledge/unable to tell certain things to anthy.

a prominent example of this would be the scene in episode 36 where anthy asked about utena's whereabouts the night utena went to the dueling arena with touga. other examples are in episodes 30 and 35. anthy, on the other hand, hadn't been honest with utena from the very beginning. from my understanding, from both sides, the dishonesty with each other came from the dire need to preserve the sanctity/purity of their bond (and the despairing inability to open up about respective sufferings). both utena and anthy didn't wish to taint their bond with their ugly stories of truths. the situation was more adverse for anthy because letting utena know the truth could derail all of akio's plans.

(note the network of streets) with regard to the series, colour theories were ever-present in every visual aspect. white was equated to purity and innocence; red was synonymous with violence and danger. i think these meanings suited the visuals of the post-suicide attempt scene, the purity of their bond was incrementally coloured with violent truths from one another. moreover, i also think the post-suicide attempt scene further reified the cantarella scene. in other words, the post-suicide attempt scene was the more literal take/depiction/iteration of the cantarella scene (if that makes sense), with the visuals of the white streets flowing with red as the connecting factor between the two scenes.

the final visual of the "poisoned streets" before anthy urged utena to leave the school. the poison was freely and fully flowing through every street. throughout the suicide scene, utena and anthy were both in their sleepwear. this may connote a more vulnerable and honest disposition without any facade, as well as a better understanding and more equal footing with one another, compared to when they were in school uniforms during the cantarella scene. utena was also wearing her ring here, which may highlight her choice to play the role of a prince for anthy's sake to the end.

in addition, i think the streets flowing with poison could also be seen as a network of empty/dried blood capillaries finally flowing with blood; akin to a dead body coming back to life. after a person dies, the first visible change would be pallor mortis (within 15 to 20 minutes), wherein the body begins to pale because blood stops moving through the capillaries. with regard to this information, the visuals may indicate a sign of rejuvenation of the bond between utena and anthy after opening up to one another. the bond between them became more human, alive (flowing with blood), as opposed to being hollow (dried out blood capillaries; like death). to me, i believe both interpretations could work simultaneously for the visuals of the streets.

[nataliescatorccioapologist]

Let’s talk about Nat’s makeup and how it represents her mental state and character development✨

Juliette Lewis said in an interview that Natalie’s signature thick black eyeliner is her “war paint.” I absolutely love this quote because it is a perfect way to describe the way Natalie uses her physical appearance to guard herself. Natalie’s eyeliner and fashion sense serve as a physical representation of the abrasive walls she puts up to hide the softness and vulnerability underneath.

The Pilot episode script introduces Natalie’s character with this descriptor:

This line makes it clear right off the bat that Nat’s makeup is a front she puts on; a mask. While most of her classmates may put on makeup to attract others, it’s clear that Nat’s makeup is meant to push people away. That dark, smudged eyeliner paired with the safety pin and bullet necklaces and the thick leather jackets are all screaming “I’m intimidating, stay away from me.”

But, unlike her appearance suggests, Nat is actually one of the softest and most compassionate characters on the show. Her trauma both with her father and out in the wilderness have shown her that she is a dangerous person, and that she needs to remain guarded and walled off from others in order to avoid hurting them. Her makeup hides her softness both for her own protection and the protection of those around her.

We see that Nat puts makeup on like armor. Before Doomcoming, she’s seen putting on black eyeshadow in the mirror right as Travis walks by, preparing to deal with all of the insecure feelings she still has around their breakup. In the Wilderness, Nat is pretty much never seen without makeup smudged around her eyes, despite the difficult circumstances. Even when she’s carrying Jackie’s body back to the plane you can see she’s got some eyeliner on. In the adult timeline after Travis’s death, Nat is seen putting on probably the heaviest makeup we’ve ever seen her in. Immediately after she puts this makeup on she texts her drug dealer with the intention to relapse. All of this shows that Nat’s makeup is her defense, which is why she goes to such great lengths to put it on even when she’s stranded out in the middle of nowhere.

It seems that the heavier Nat’s makeup is in a given scene, the more guarded, vulnerable, and/or threatened she feels.

Which is why it is so significant when Nat stops wearing heavy makeup after spending time at Lottie’s compound. When Nat first arrives, we see her clinging to her old forms of protection. She’s given some (purple) clothes to change into, but she rejects them in favor of staying in her black leather pants.

She keeps the thick eyeliner, too. That is, until she goes on her little adventure with Lisa to Lisa’s childhood home. After Nat processes her trauma around feeling like she is poison to the people she loves and has that great talk with Lisa in the bar, Nat notably changes her clothes and lightens up her makeup the next day. She is seen in a purple and navy sweater, but she still keeps her black leather pants on and her eyeliner is still there, albeit a little bit lighter, showing that she is starting to change almost in spite of herself.

Then, directly after the hypnosis scene with Lottie in which Nat finally begins to come to terms with and process her guilt, we see her in a purple dress and cozy Birkenstocks with socks. The thick eyeliner is gone and so is her tendency to push people away, as she readily embraces all of the other survivors as they arrive at the compound (even Misty). This is heartbreakingly the last outfit we ever see Nat in, but it shows the audience how much she has changed and forgiven herself in her final days.

I’ll leave you guys with this beautiful quote about Nat’s transformation:

“I wanted to show that Natalie became her soft self. I don't know how long that would have remained comfortable for her, but she liked it. She liked being clean. She liked being comfortable. She relinquished her eyeliner, which was her war paint.”

-Juliette Lewis for TheWrap Magazine

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[patrollingboston]

141 Beach Episode // Cod x Reader

You know how in every good show there's a beach episode? Yeah this is theirs.

The 5 of you were sat in a truck with the aircon blasting. Price was dramatically fanning himself with his boonie hat. With one hand placed on the steering wheel. You had just finished a week-long mission and it left you all somewhere on the east coast with the sun beating down with no mercy. You were so uncomfortable, dressed head to toe in full gear practically sweltering in it.

“Not used to this bloody heat.”

  Soap sighed placing a hand to his forehead to relieve his brow of sweat.

“I’ve got the aircon.”

 Gaz smirked, of course he was fine he was sat in the front seat with cold air blasting directly onto him. You were squished between Ghost and Soap, plus he always wore a sunhat and sunglasses even in the rain.

“How ghost isn’t a puddle yet I have no clue.”

You stated, glancing over at ghost who was dressed in all black with his mask still pinned down onto his face yet he didn’t show a single sign of discomfort.

“Can you even breathe? Isn’t it like being trapped under a blanket?”

“I can breathe fine.”

He grunted not sounding amused by your questions.

“Look at tha’ ain’t it a pretty view.”

Soap said tapping on the truck window, everyone’s eyes glanced to meet where he was pointing. You were greeted with the sight of a gorgeous white sandy beach with the clearest sea water you had ever seen with families playing in the sand and surfers utilizing the waves.

“The things I would give to dive in those waves.”

 You said groaning, resting your head back in the seat knowing you had a hot and uncomfortable 6+ flight ahead of you to get back to base in England not to mention the drive to even get to the airport.

“Can’t we stop for a bit? The missions all done and dusted, surely, they don’t need us back that hastily.”

Gaz asked turning to face the captain with a cheesy grin plastered across his face.

“I could use a pint. I’m sweating like a fucking pig. We only have a few hours but I think we could all use a break.”

“Make that two.”

 Ghost’s gruff voice chimed in his mood perking up at the promise of a cold beer.

“I think everyone here wants a bloody pint.”

A few moments later the 5 of you were all stood on the beach boardwalk, you removed your boots and placed them by the railing before stepping onto the soft, warm sand.

“I have never ever stepped on sand so soft oh my-“

You wondered how long it had been before you stood barefoot on a beach. Probably not since you were a child on a day trip with your family.

“Shit the sands a bit hot ain’t it?”

Soap said as she stepped onto the sand beside you, shifting from foot to foot as he complained about the temperature once again.

“I’ll go grab us some drinks, find a spot I’ll come find you all.”

 Price said before stepping up the stairs and walking towards the crowded beach bar on the boardwalk.

Ghost, who was still dressed fully in his gear stomped behind you scouting the beach for a place to sit like it was the toughest decision he ever had to make.

“Here.”

He said pointing to a peaceful square of the beach, not too far from the shore.

You all placed your backpacks down and set a towel down for yourself. Ghost was wrestling with the beach umbrella to get it stood up.

“Whose going for a swim?”

Soap said with a huge smile on his face as he stripped off his t shirt leaving him in his cargo shorts.

“You go first mate, tell us how cold it is eh?”

Gaz joked, pushing soap slightly closer the seafront.

“Don’t be a pussy.”

“I’ll go!”

 You said, removing your jacket and vest leaving you in a tank top and some old cargo shorts dumping by your backpack them away from the shore so the waves didn’t steal them.

You jogged down to the water front stood beside Soap and Gaz.

“Whose going to make the first move then?”

You all stood in a line, hands on hips inspecting the water as it broke in front of you. As you spoke Soap dived headfirst into a wave like a goofy dolphin. He stuck his head up like an seal, running his hands through his mohawk and wiping the salty water off his face.

“Is it cold?”

 You shouted through the crashing waves.

“Nah, its refreshing.”

He shouted back before running through the water back onto the shore to stand beside the two of you.

“I don’t know if I’m that hot anymore you know-“

You said backing off after feeling the  ‘refreshing’ water splash over your feet and ankles sending little shockwaves through you.

With that statement Soap placed two hands on your waist and lifted you up into the air before placing you over his shoulder like a fireman would carrying someone out a burning building.

“DON’T YOU DARE SOAP, I MEAN IT.”

You screamed thumping his back in fear as he stepped into the freezing ocean once again. Gaz stood on the shore filming the entire situation laughing at your misfortune. Ghost sat watching from afar under a big shady umbrella pint in hand with Price sat beside him reading something, smoking one of his cigars as per usual.

“Ready?”

Soap teased as he began to hoist you up even further before throwing you into the sea with a huge splash. The cold water shocked you at first but after a few seconds, soap was right. It was kind of refreshing. You popped your head up out the water with a frown.

“I hate you asshole.”

“You weren’t going to get in I had no choice-“

You pushed a big wave of water his way aiming for his face secretly hoping the salt would burn his eyes.

“GAZ GET IN.”

Gaz stepped into the water with haste joining you and soap.

“We going play mermaids or what?”

You asked with a chuckle as the 3 of you treaded water in a circle.

“I would prefer to drown Soap.”

Gaz said before dunking soaps head back under the water.

About an hour later you sat on the beach wrapped in your towel, drying off in the sun.

“Been a while since I’ve been able to relax on a beach.”

Price spoke, he was leant back on a sun lounger his hat placed over his face shielding his eyes from the setting sun.

“Thought you were asleep old man.”

Ghost chuckled.

“Can we take a photo?”

You asked bringing out your super old digital camera you dragged around on every single mission.

The 5 of you gathered in closer. Gaz throwing up a peace sign. Soaps arm slung around ghost and a beer held loosely in the other. Captain Price sat up placing his hands on your shoulders. Your smiles were all wide (you would like to believe ghost’s was too) as the light of the setting sun glowed on your faces.

That day was a good day.

[flower-boi16]

Stolas’ Abuse Tactics On Blitz

Viv clearly does not want you to see Stolas as an abuser. However, there is a strong disconnect between how a writer may want you to interpret the story vs how it actually comes across, and how Stolitz comes across is disturbingly different from how Viv wants you to see it.

Out of curiosity, I decided to look at some abuse tactics online and see how many lined up with Stolas’ behaviour and. Holy shit. Viv is actually writing an abuser without realizing it. Let’s go through every tactic that Stolas uses, shall we? Sexual Abuse

This one is very obvious and I don’t feel the need to explain it.

Threatening

Again, another obvious one; Stolas is directly threatening Blitz by taking away the thing he needs for his job, so Blitz wouldn’t have a choice but to accept the deal.

Gaslighting

Throughout all of season 1, Stolas repeatedly belittles and dehumanizes (or dedemonizes…? Idk) Blitz by treating him as a toy, his “impish little plaything”, and gives off the impression that he looks down on the imp. Blitz clearly feels uncomfortable by this and tells Stolas to stop, but he doesn’t.

However, once we get to Apology Tour, Stolas actively the denies the idea that he ever looked down on Blitz and claims that he never did. Stolas says that Blitz just has this idea about Stolas in his head that isn’t true despite the evidence saying otherwise, and claims that he always did his best to support Blitz.

This is gaslighting. Gaslighting is a form of manipulation used by abusers to make the victim question themselves and their own sanity, which is what’s happening here.

(I forgot to mention the “I never realized you though to low of me” in Full Moon but that line absolutely comes across as gaslighting as well).

Playing The Victim

In that same episode, Stolas sings a whole song about how hurt he was by Blitz, how he “let Blitz get too close” or how he’s a motherfucker, framing Blitz as a horrible person and him as the person he hurt. Given the context here, this reads as Stolas playing the victim, making Blitz out to be a horrible person and singing about how hurt he felt, which again, given the context, this can be read as that.

Criticizing

Stolas accuses Blitz of being like Striker of all people in the first scene of Apology Tour, and says that he didn’t even bother to come save him when Striker captured him (even though he literally sent Millie and Moxxie to save him cuz he was busy).

He then paints and treats Blitz as someone too up his own ass to realize Stolas has true feelings for him, given the context Blitzo doesn’t come across as in the wrong in this scene like the narrative may want you think.

This is criticizing, which is an emotional abuse tactic that abusers use to assassinate the victim’s character as a way of demonizing them.

Stolas is an abuser