#the legs were so hard

[kitsunesakii]

I am completely normal about this one

[zosanbrainrot]

PART 4!!

01 02 03 04 05 06

I stg I'm kicking yall in the shins one last time, we're ALMOST done with the angst!

Let me tell you I had this finished(!) twice(!), but no, I had to go back and change it lmao

In my first go the fight scene was much more rough, it was hard for me to draw from the beginning, I'm not really good at this sort of thing. So I took a little break from the comic and when I got back to drawing the last two panels (static ch close ups) they turned out so GOOD and CRISP! I just had to go back and redraw the previous ones. Didn't change the composition back then, just made the drawings less sketchy and fixed minor mistakes. This panel in particular went through bigger fixes, I couldn't get the pose right:

I emphasized the arch in Zoro's back so it's more clear he's hunched over, the head is lower, and the hand on his stomach wasn't looking good, so I switched its direction and I feel it looks more natural now. The whole pose is shifted to the side now, whereas in the previous ones it was more straight up, but I wasn't conveying perspective well.

So after that I had it all exported, loaded into drafts and as I scroll it on my phone I'm like... There should be one more panel where Zoro's getting kicked : | Imma need to change it AGAIN.......

It just didn't flow well. I work on the comic in chunks so I haven't put these panels together before, I always saw them side by side in my main file.

I just didn't like how you go from Zoro getting kicked to him being thrown, it just felt disjointed to me.

So first I looked through the three sole volumes of BNHA that I have at home to maybe understand drawing fight scenes just a little bit better. That's how I got to the new version of Zoro getting kicked so there's more lines showing movement etc. but most importantly you have the kick and Zoro's reaction separate. So now Zoro's face has a bigger closeup, you can see his open eye.

In the previous version it was more distant, the closeup wasn't as big and you couldn't see his expression well. With just the side view you could only see he's in pain but nothing more than that,whereas when you have a full view of his face you can get much more from that. You see where he's looking, you know he's looking at Sanji when he kicks him in the guts.

I guess that's why, in the first version, I was trying to still show his face where he's being thrown off of Sanji bcs I felt the side profile wasn't doing it's job, but at the same time it felt off, like there was less force in the kick bcs his head wasn't following the movement idk. Also he was def too big in the frame. So now Zoro's smaller to emphasize the perspective more, the head is down, the right arm is more to the side and there's more lines, the flame is more aggressive now and bursts into the sides when it comes in contact with Zoro's body to show the impact. I know they could be better still, but this is the best I can do right now and I'm happy with the result!! I'm glad I kept pushing it! These poses were VERY confusing to draw lol

Alsooo, it would make more sense if Sanji threw Zoro in the other direction, over his head like in karate/judo, but I wanted to keep my directions consistent. I had to have Sanji standing back to the carriage, so he doesn't notice the spear being thrown and Zoro facing the carriage so he can get hit from the front, right after he gets up. It's like..... did he not see it? Did he get hit on purpose? You decide lmao

Though I'm probably too rigid with my 'camera', in BNHA you see the action from any and every direction, i guess it adds to the dynamism of it all, also there's just many MANY more panels in manga lmao

Judge giving me major "isn't there somebody you forgot to ask" vibes at the end there lmao I hope you forgot he's even there and this comes as a surprise!

[wolfram-but-art]

drew one of the memes in this person's post again

reblogs > likes

[monkayy]

I can't believe she turns into a FUCKING bug and no one told me

[wolvesandvisions]

to anyone who draws and experiences wrist pain like I do i. I figured out the blindspot to solving the pain. maybe this is obvious but whatever. im honestly I'm frustrated at myself for not knowing sooner bcs I was an athlete for so long. but what always confused and frustrated me was that no matter how much i stretched the pain wasnt going away

people always linked n shared resources to stretches and it'd give me temporary relief but not deal with the issue especially not any longer than the time it took me to stretch.

u do have to stretch. but u ALSO HAVE TO WORK OUT YOUR ARMS.

the reason we are hurting so much is because that muscle is doing a lot of repetitive and strenuous motion but the whole length of your arms and wrists aren't strong enough to withstand that much work.

u cant just stretch. buy a set of light-ish weights and just pick a set of wrist and arm workouts u like. do them often. stretch and do those work outs. i really dont even think it matters which you do I do a combination of this and this

just pick ones u like that are good for you, working out can be fun and not miserable i promise. do it. save ur wrists. my life has changed, i still feel pain but ive been able to work and not be ready to cry the next day from daring to try

[an-established-butt-dent]

Dragon age inquisition: Solas

I wonder how long it took the companions to notice Solas wields magic just a bit... differently?

Surely an apostate knows magic beyond the boundaries of a Circle? But even Dorian doesn't recognize some of his techniques, and the ones that he does are only described in ancient Tevene tomes.

Hmm... strange.

Acrylic ink, fineliner and gouache on paper.

[mecachrome]

Word Association with Lando and Oscar

"Even if it's not—even if it's not true, you just gotta get personal."

[medi-bee]

isat pokemon au, my liege?

my rambling in tags

[anghraine]

jenndoesnotcare replied to this post:

Every time LDS kids come to my neighborhood I am so so nice to them. I hope they remember the blue haired lady who was kind, when people try to convince them the outside world is bad and scary. (Also they are always so young! I want to feed them cookies and give them Diana Wynne Jones books or something)

Thank you! Honestly, this sort of kindness can go a really long way, even if it doesn't seem like it at the time.

LDS children and missionaries (and the majority of the latter are barely of age) are often the people who interact the most with non-Mormons on a daily basis, and thus are kind of the "face" of the Church to non-Mormons a lot of the time. As a result, they're frequently the ones who actually experience the brunt of antagonism towards the Church, which only reinforces the distrust they've already been taught to feel towards the rest of the world.

It's not that the Church doesn't deserve this antagonism, but a lot of people seem to take this enormous pride in showing up Mormon teenagers who have spent most of their lives under intense social pressure, instruction, expectation, and close observation from both their peers and from older authorities in the Church (it largely operates on seniority, so young unmarried people in particular tend to have very little power within its hierarchies). Being "owned" for clout by non-Mormons doesn't prove anything to most of them except that their leaders and parents are right and they can't trust people outside the Church.

The fact that the Church usually does provide a tightly-knit community, a distinct and familiar culture, and a well-developed infrastructure for supporting its members' needs as long as they do [xyz] means that there can be very concrete benefits to staying in the Church, staying closeted, whatever. So if, additionally, a Mormon kid has every reason to think that nobody outside the Church is going to extend compassion or kindness towards them, that the rest of the world really is as hostile and dangerous as they've been told, the stakes for leaving are all the higher, despite the costs of staying.

So people from "outside" who disrupt this narrative of a hostile, threatening world that cannot conceivably understand their experiences or perspectives can be really important. It's important for them to know that there are communities and reliable support systems outside the Church, that leaving the Church does not have to mean being a pariah in every context, that there are concrete resources outside the Church, that compassion and decency in ordinary day-to-day life is not the province of any particular religion or sect and can be found anywhere. This kind of information can be really important evidence for people to have when they are deciding how much they're willing to risk losing.

So yeah, all of this is to say that you're doing a good thing that may well provide a lifeline for very vulnerable people, even if you don't personally see results at the time.

[canisalbus]

you say machete has to be closeted then why's he always wearing them little heels

Maybe he thinks he's a tiny bit nicer looking in them.

[front-facing-pokemon]

[tokyo-daaaamn-ji-gang]

you know how we've been told that in gang fights there are unspoken rules? Like you aren't allowed to hit girls or use very lethal weapons (for example guns)

Do you think kicking someone in the nuts is also not allowed? ☠️ Like we've seen them knock each other's teeth out, use batons, metal pipes, etc but we haven't seen anyone get kicked where the sun don't shine. I suppose that would be going too far since it hurts so bad and all the guys silently agree that you just don't go there 😭

Well I think mainly it depends on the gang, since not all of them seem to follow rules. But that being said I think there is either a code against it or it's considered to be a dirty move, like something a kid would do when they're losing. In the same way that biting seems to be looked down upon. So like a cheap trick that shows you don't really have good fighting skills.

[districtscare]

when people stop using the excuse of “olive [skin] is a spectrum!” when referring to any character that hails from the seam, i can die peacefully.

for reference: the seam — dark hair (straight, with the exception of haymitch and his curly hair,) olive skin, gray eyes. (e.g, katniss, gale and the hawthornes, haymitch.)

merchants — blonde hair (curly,) pale skin, blue eyes. (peeta, delly cartwright, mrs. everdeen and primrose.)

yes, in the case of the seamfolk, it is definitely possible that they are simply tan white people. however, in the racial context of appalachia, there is a population of native americans (who often have olive skin and straight dark hair,) along with the melungeon population (which includes people of color.)

suzanne collins would've made the distinction, as she did for the merchants if they were white. this theory is unlikely though, considering that systematic oppression plays a role within their race. (the seam are worse off; they're the poorest part of the district with people casually dying of starvation in the streets, they're also workers in the mines and more likely to have lung problems/die from mine collapses if not explosions. they also run a black market for sake of trades and food. the merchants run shops and are better off than the seam.)

i'm not saying at all that white people can't be olive skinned, i do very much agree with that and it's something i acknowledge. but again, appalachia, where twelve is located, has a population of people of color in which fit the description (which could likely be native americans.) there's a stark difference in both sides of twelve's population and their races, and if suzanne had made the seamers with the intention of them being white in mind, katniss simply could've said it was a white-predominant population with the notion of seamfolk being darker.

with all of this in mind, no matter how you flip it, the seam-originating characters in the movies are whitewashed. and that takes away from the history of these people and takes from their oppression and representation of history in a book that already deals with racial issues and such things.

[lavenoon]

I got a new tattoo!!

@naffeclipse so he can't come to the appointment, but he can look at the result <3

*self insert Aster is not a girl (he/ she)

og detective au by sunnys-aesthetic!

(tat pic under cut, warning for my bare, complaining about being shaved leg lmao)

I'll now go back to not including my tattoos in my doodles unless they suit me, because man that's a lot of lines lmao

[fure-dcmk]

[ Shinichi, Heiji and Hakuba from Opening 18: 100 mono tobira]

[tsuchinokoroyale]

Guess the last version of this post got nuked from orbit 😮‍💨 I’m not rewriting all that context just know that I went to Texas, ate a ton of food, and saved a horse 🤠