#the one arc i've been waiting to be animated is finally happening ;A;

[heartlessfujoshi]

4 scenes i am excited to be animated in the weston college arc for kuroshitsuji (in no particular order)

i'm pretty sure when they show vincent and diedrich i am going to cease to exist.

[arkhammaid]

— ˚₊‧⁺˖ THE LIGHTNING ON TRACK | THE LIVERY LAUNCH

fandom. formula one & mcu

about. the stark racing f1 team launches their livery

content warnings. written in 3rd person/lowercase, written + smau, not edited/proofread

word count. 0.8k + smau parts

notes. the main arc begins!!

y/n doesn't do nervous. not as l/n, not as stark- it's simply not in her nature. yet when the lights dimm and the audience starts to grow silent, her heart was up hear throat and she tried to dry her sweaty palms on her race suit.

"there is no need for that", muttered her teammate right behind her and she almost jumped. she glared at him, but he just grinned and gave her two thumbs up.

"don't do that, it makes you look old." he immediately put them down and she snorted.

"alright, you two, are you ready?" a stark employee, more specifically a stark racing employee, ushered them across the backstage all the way beneath it, ready to push them to the big event.

the car launch. the livery reveal. the introduction of stark to formula one, probably the most anticipated event of the year. unlike the other teams, they've been teasing the public for several weeks now, nothing concrete. speculations were all over social media, no one was even sure what main color stark racing would have, something the marketing team was very proud of.

now they would not only reveal the car, which would dominate the season (because- who are they kidding? they definitely will) but also the branding and race suits, and officially appear as drivers in one place.

the music started to play, the room darkened and the lightshow started. but y/n couldn't see anything of it happen. instead she was guided to the platform, which would bring her on stage, and put her helmet on.

a whole minute they would have to wait, a pre-recorded speech entertaining the guests and viewers all around the world, until she and kevin would appear in total darkness.

and they did. the platform brought them up silently, the room blacked out completely, until the lights behind them flashed on, shining on their backs.

the whole thing could be described as dramatic, over the top, but it fit. it fit the name, her father, herself. to show up with a bang.

"introducing... our drivers. y/n l/n-stark, number 95 and kevin magnussen, number 20! a round of applause everyone!" thunderous applause filled the giant room, people started to shout, when they finally took of their helmets.

with a grin, y/n spread her arms, raising her head and then her helmet over it. she stood proud and tall, all stark.

an assistant rushed to the stage, taking their helmets, to allow them complete freedom during their part of the reveal. y/n immediately took over, as it had been planned.

"welcome everyone, to the official launch of stark racing formula one team! i'm honored to introduce to you not only the car itself, but also the team." with a wide grin, she turned to kevin, who nodded to her.

"i'm sure you've all waited for him, our team principal, four-times worldchampion... sebastian vettel!" the room thundered again, cameras flashed, when seb walked on stage to stand between the two drivers. he waved to the crowd and bowed with a laugh, when they wouldn't stop cheering.

"thank you, thank you. wow, what a welcome! i'm very happy to be here, it has been a few years... but now we're back- and i'm thankful for the oppurtunity i've received. y/n, kevin... to a good season. to our fans, we all thank you for your support you've already showed, it's been incredible so far!"

"it's a special occasion, for all of us. and we have something very special for you", y/n winked, while slowly walking backwards, until she stood right in front of the gigantic screen, lightly knocking with her knuckle on it. a ripple animation waved across the screen and the room dimmed again. hushes were heard, when the sound of whirring filled the room, carried by the speakers.

another platform was brought up, the car. hidden by dark, silky fabric, it stood in the middle of the stage, ready to be revealed.

"ladies and gentlemen... the first car completely engineered by stark, for the stark racing formula one team... welcoming to the world, the SR-1!"

with that, kevin and y/n slowly began to lift the fabrig from the car, revealing a blinding white livery. lines of chrome streamlined it, the name stark proudly stood on the sides of it.

"it's mine, by the way", y/n joked and pointed on the number 95, after the crowd calmed.

"har, har", kevin drily replied, but he couldn't hide his grin.

"welcome, everyone... to the future!"

YNSTARK

liked by tonystark, charles_leclerc, mickschumacher and 7'973'331 others

ynstark happy valentine in white ;)

user what a perfect way to end valentine

user MOMMY, SORRY, MOMMY-

lancestroll The launch was incredible 👏

tonystark This is my daugher!

⤷ ynstark this is my dad <3

peterstark ew, your face on my dash....

⤷ ynstark i will block you

⤷ peterstark i will tell pepper

⤷ ynstark *blocked*

user white is such a good color on her??

user i just fell on my knees in the middle of the street

sebastianvettel You're incredible, I'm excited for our future!

⤷ ynstark STOP you're making me cry 😭

⤷ ynstark @/charles_leclerc look at this, your grid father loves me more than you

⤷ charles_leclerc That's not true! You better take it back!!

zendaya what a beauty 🤩

⤷ ynstark no, you!!

user we got the arm spread and the wink, now i'm waiting for the iconic peace sign

user white stark era, white stark era, WHITE STARK ERA!!!

user the bitchfighting with her actual brother and her grid brother is EVERYTHING to me

⤷ user oh my god you're right, charles and y/n are grid!siblings...

⤷ user IM WAITING FOR DAD SEB, YOU HEAR ME I'M WAITING

starkracing Our future champion!

⤷ ynstark hehehe

user red bull has been oddly silent

⤷ user they're all trying to stop christian from committing a crime

⤷ user or drying his never ending tears

⤷ user LMAO I CAN NOT

user half of the grid in the likes... i fear y/n is becoming the it girl fr

user these comments are a goldmine

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crossed off tags mean i can't tag you!

DO YOU WANT TO JOIN THE SERIES TAGLIST? please leave a comment on this post or send a non anonymous ask!

ARKHAM MAID 2024

[yumeka-sxf]

I've been waiting to see Yor's epiphany chapter in the anime and it did not disappoint! I felt like analyzing more than usual because I loved this episode so much~ 💖

I hope that any anime-only viewers who at this point still had the opinion that Yor's just ditzy/submissive, one-dimensional, or whatever negative traits associated with her, have changed their minds. Throughout the cruise arc we've seen so many sides of her character: how she's struggling to understand the exact reason why she's taking on these dangerous assignments when her original reason for doing it (supporting Yuri) no longer exists, how her internal desire to seek her own happiness - live a peaceful life like Olka - is at constant war with her diligence to complete her mission, her yearning to be with Loid and Anya and how sad she looks when she has to tell herself that they're just a cover-up family and she'll have to leave them without a word if anything drastic happens, and how much more confident she is when doing something she excels at - assassinating - yet still retaining her kind and polite demeanor (Unlike Twilight, who dons the mask of Loid Forger, Yor Forger is not a mask for Thorn Princess, at least not in terms of personality. So everything she says as Thorn Princess can be interpreted as her true feelings, including the now two times she's hesitated during fights because of the thought of having to leave the Forgers).

And, in the moment where she's facing death right in the eye, all the doubts she's had since getting this assignment culminate, not only causing the samurai assassin to get the upper hand, but causing her to take a deep, introspective look into her reason for fighting...if it's not for the same reason as the other assassins, what is it?

What's even more amazing is that these things about her character did not come out of nowhere just for the sake of a flashy climax. We saw in previous episodes that not only does she understands that being in the Forger family makes her happy, but most importantly, how she's lived her life only thinking of the happiness of others above her own. And what's most tragic is that, upon finally realizing that her original reason for being an assassin is gone (since Yuri no longer needs support) she's ready to die then and there...until she remembers Olka's words about wanting to live a peaceful life, which in turn makes her remember her core reason for becoming an assassin was to not only support Yuri, but to make the world he lives in all the more peaceful by eliminating the villains in it.

Despite how naive Yor is about many things (due to her upbringing), she's certainly not ignorant about the needless tragedies that exist in the world. And here is where she makes her decision to keep doing her assassinating, not because she enjoys killing people, but because the result of it will make the world a better place...because now, she has even more people whose happiness she desires to protect.

Even if she sacrifice her own happiness by leaving the Forgers, that's not as important to her as preventing tragedy from befalling her loved ones, or the world in general. And these thoughts are so similar to Twilight's reasons for becoming a spy! Coincidently, as Yor has these thoughts, she thinks of how Loid complimented this aspect of her personality way back when they first met...and the thought that the man who she trusts and respects so much would approve of her decision, gives her the final push to keep on going (I love that they reanimated this scene too and didn't just use the exact frames from episode 2).

So yeah, if anyone who wasn't sure of how much depth Yor's character has, I hope this episode shed a lot of light! This is the right way to make a character both cute/sweet but also a total badass who's strong on the outside as well as the inside.

(I will probably reword a lot of this for my upcoming Twiyor analysis posts but I couldn't wait until then, lol).

[skygemspeaks]

okay let's do this again, for the last time this season, and what a way to end it!

i like that nami got to be included in the walk to arlong park, it was really nice!

the banter between zoro and sanji is already quite funny. i like that sanji is just earnestly trying to be part of the crew, but zoro's being a little bit bitchy because he feels like his place as the first mate is being threatened. later on in the episode when sanji starts calling out his move names, and zoro makes fun of him for it...how much do you wanna bet that the reason zoro starts calling out his attack names because his thought process is like "oh no, the shitty cook is also calling out his attack names what if luffy starts liking him better than me because i don't do it?"

as someone with dental trauma, seeing arlong's teeth fall out one by one was horrifying, thank you very much. it was well done

the fights in this arc were well choreographed, and i'm actually really happy that they all finished by around halfway through the episode because then we got a good amount of time to wrap everything up

it was really sweet when nami went running up to tackle usopp and zoro in a hug. i did feel a bit bad for sanji, but ehh it's understandable. she's been sailing with usopp and zoro for a while now! those are her boys!!!! and she didn't think she'd ever be able to sail with them again! she barely even knows sanji at this point

the scene after the tower comes crashing down and the straw hats are all waiting to see if luffy made it is great. nami looks like her whole world is ending again, because first she lost her mother, and now she might have lost her captain. and then everyone's relief when they see luffy come out is palpable! sanji doesn't even try to hide his relief! he's become so emotionally invested in this crew already and he's known them for just a few days

sanji's smugness when zoro comes back for seconds was cute, and i love their banter afterwards!

koby and helmeppo standing up to garp when they disagree with his orders was a good scene, and i liked their conversation about it afterwards at the end of the episode. each marine's personal code of justice is a big theme in the anime, and i like that they establish it here, and that it's what impresses garp enough to make him want to train them personally

we finally got the luffy vs garp confrontation! it was a good way to see just how small luffy is in the grand scheme of things, that he wasn't able to hurt garp at all. when luffy starts laughing and garp drops him and starts laughing as well, it was a good tension break. i really really wish that we got at least one grandpa hug before garp left...i know it never happened in the manga, but i crave that grandfatherly affection for luffy. but i know neither of these two idiots are like that. ace better fucking hug luffy at least once next season i s2g.

when nami is talking to bellemere's grave, and nojiko shows up wearing bellemere's shirt.....🥺🥺🥺🥺🥺

the final conversation with luffy and koby was adorable! i loved the hug! also, i really like that koby was the first one to show luffy his bounty. a great way of coming full circle to the beginning of the season when he's standing next to luffy, looking at the notice board in shells town and luffy asks where his face is

the scenes where people see luffy's bounty!!!! makino grinning in pride!! kaya already looking healthier without kuro's poison! Zeff posting luffy's poster on the employee of the month board!!!!!!!! alvida and buggy meeting!!!! (if they make alvida lose weight or recast her next season i'm gonna kill someone)

helmeppo finally admitted that koby was his friend!!!! their little fistbump!! i've really come to like koby over the course of this season, and it's been great seeing his character arc

the mihawk and shanks conversation was great! shanks making jokes about his missing arm was hilarious, i love how irreverent he is

the redhair pirates are all SO proud when they see luffy's poster!!! and shanks' big, goofy, proud grin when as he stares at the poster just made my heart melt.

merry finally gets to fly the straw hat jolly roger again, i'm so happy for her!! luffy's absolute uncontainable joy at the sight of it, like he can't believe his eyes, was absolutely perfect!

the cast-off ceremony was fantastic! i really like the effect they did where their younger selves spoke in the voices of their older selves.

i could be wrong, but i think i heard we are in that last scene as they sailed off? which, amazing!

FUCK YEAH THAT LAST SHOT OF SMOKER!!! i can't wait to see more of him next season!!!

[kirbybecomesastarwarrior]

Once again I thank you all so much for supporting me during the Kirby OC Tournament. Especially all my followers & mutual who humored me with all the poll reblog stuff.

As promised the lore. (And I've been cooking this turkey for a while and it's ready to come out of the oven.)

Fair Warning contains spoilers... I will not be explaining all the details of what happening. This is incredibly vague & via musical... so I won't spoil that much (since this does take place during the final arc... Void Termina Saga). The events that are being shown do not happen exactly how they are portrayed, however the essence of what's happening is the same.

Morgan shall be singing "Last Midnight from Into the Woods,"

Spoiler warning, (More drawn content is contained below)

(OH NO WHAT'S HAPPENING TO KIRBY...Sorry, I can't explain it just yet... Nor why Meta Knight's mask is broken in half... maybe he got into a fight or something, hold the phone I thought Galacta was trapped in insanity... what happened... Sorry if I tell anything of that it'll spoil the good stuff)

Dame Morgan: It's the Last Midnight

So in summary: After they refuse to hand Kirby over, Morgan reveals there's a traitor in their midst... Fumu is the reason why Kirby is in the state he is in (Fumu is currently regretting her life choices). Leaving Meta & Gala shocked, and scared to death at Kirby's current state, while Kirby is sad, and betrayed again...~

And Morgan just having herself a time, living her best life~

In the KBASW series, she tricks three major characters:

Namely: Queen Ripple, Hyness, and Fumu/Tiff. (the most devastating one she tricks)

Dame Morgan is basically a mixture of: "The Witch" from Into the Woods, Morgan from (Merlin's 2008 TV series), Eris from Sinbad (she has the voice of Eris), and the Joker from Batman.

Morgan represents the opposite of Celestine... (via Morgan vs. Merlyn wizard rivalry) The Anti-Celestine so to speak~

The one person she hates more than Arthur is Merlyn/Celestine.

Celestine sees magic as a tool, not a solution or the answer to your problem... promoting true self-improvement comes from within. For there will always be...: another bridge to cross, another monster to slay, another woods to go into. The only way to ever truly be prepared in this world is to learn from each other... and to be kind to one another & share the experience. If you cheat your way throw life will just get harder and move with you... Being better and leading a good example will inspire others to be better along with you.

The change starts within, with us...

While Dame Morgan:

Life is unfair, you play by their rules, you follow the system, sacrifice everything to fit the mold, and yet you can still be cheated out of what you deserve...

And you're telling me I should just "hang in there," "hold on", "it's gonna be okay eventually keep smiling".... nah? Let's stop "pretending to be good", everybody is just in it for themselves so... if you do that you're just a fool waiting to be tricked.

Why not live just for yourself... why not cheat back... why not be the bad guy? That's why her theme is "Stella Jang(스텔라장) _ Villain(빌런)

Morgan represents the easy way out, a quick fix... to blame someone else...an escape. How did she obtain this dark magic... The Jamba Heart...Granting everyone's selfish desires... the reason why everyone falls for it is because she has the charisma to make the offer far too tempting and to pass it up, no.

And guess who was her first customer... Hyness~

The biggest change I probably did the to mix anime & game lore. (Kirby Star Allies) In KBASW AU... Morgan the one who convinced Hyness the Jamba Heart was what he needed to restore his clan. It's the reason she's able to stay hidden for a long while...Allowing the negative to naturally corrupt him and use him as a figurehead...

Despite giving him the Jamaba Heart... she did not tell him exactly how to break the seal on Termina... (Whoops she must have forgotten, how clumsy of her...) Purposely having him fail~

However, the secret to this lies with... FUMU!? Due to the reincarnation of the first ruler of Dreamland... she holds the key to unsealing & controlling Void Termina... She throws them to the wrong person. She's very much tricked into thinking she's helping "Kirby," but... yeah this happens instead.

And of course, there's always a price... though once you do realize you've been bamboozled, she'll remind you that she gave you a choice... Ultimately making you realize it's your own fault at the end of the day. Very much rubbing your head in the mess you've made for yourself. (which is exactly what she's doing to Tiff/Fumu right now.)

In summary, she pretty much invites you to be your worst self; she's the villain but deliciously so! :3

[yonkokraven]

Horikoshi is a terrible writer

God, I wish I was kidding, these last couple of days I've been analyzing the whole damn manga and I finally understood where this guy is going with it and how it fails.

I'm going to make the post with spoilers and talk in random order about different things that he fail at, because honestly it's unthinkable to make an order in this manga chaos.

The League Without Goals:

I really can't understand how people look at this group and say "they have a plan" or "they're good antagonists" when neither of those things are true.

The league was founded by Tomura wanting to show the world that they live in a false peace, at first he wants to kill All Might for being the symbol that brought this false era of peace...

The claim is fair, I'm not going to lie to you, but after the Stain arc, instead of reflecting on how he can show the danger to society, he goes a step further and decides to destroy all the heroes, and the league "adopts" Stain's mentality with its new members.

You think it could improve, I mean, here they should tell us the reasons of the new members of the league about their mentality towards the heroes, but no, nothing, absolutely nothing.

Dabi introduces himself stating that he's there for Stain, Toga too, Spinner obviously too, but they don't reveal why they agree with Stain.

As time goes by we see glimpses of everyone's personality and past, and the first thing that comes to mind when I think back to the entire history of the villains, is that they don't have a group spirit here, in fact, not even a hint of personalities, Dabi and Toga are serial killers, Spinner is a mutant and Compress is a thief. Twice is a disturbed guy who lost his place in society by no longer being able to control his quirk, but he also has no qualms about kidnapping and killing children and god, Magne, Mudstard, Muscular and Moonfish are forgettable

The league's goal changes from "Show society the false peace" to "Let's do whatever we want" after the liberation army arc, here there is no direct reason, but Tenko says that he wants to destroy everything that breathes.

They show us their pasts but there is not really a more appropriate answer to "these people are crazy"

Spinner, who is the one with his head on his shoulders, should question why but he doesn't, He don't tell us what he wants to do other than "follow Shigaraki", and then in the final war they put him almost into a Nomu and leading an army of mutants without any plan of what to do when the world is his, there are no community plans, nothing, just find Kurogiri and destroy Japan.

Toga was deprived her entire life of living the way she wanted and she wants to do that, but when Twice dies she wonders if the heroes don't see her as a person when she can't even wonder why the heroes would see her that way, she kills people and animals without any shame and is plotting to destroy the world.

Dabi wants dad's attention, that's why he's going to destroy everything dad built including his mother and siblings, but he could go one by one, first Natsuo, then Fuyumi, then Rei, then the "Masterpiece" Shoto, or better yet, broadcast the video of Endeavor after the battle against High-End Hood, but instead he waits for the damn climax of the story to try to detonate himself. Not only could he have saved Twice and didn't, but he also has reasons to follow Stain but still sticks to "let's kill whoever gets in our way"... and that's it.

Tomura already came to this story in an extremist way and has reasons to hate society, at the beginning of the story I thought his motivation was going to be to reveal the imperfections of civilians and heroes, but his motivations grow to commit acts of terrorism to ACADEMY STUDENTS. And they are not even varied, it is the same academy and the same damn class

And when I thought that Horikoshi could not make it any emptier, AFO reveals that he always planned to take his body and orchestrated everything that happened to Tenko. AND THE WORST THING IS THAT HE DOESN'T EVEN REFLECT AFTER THAT, IF IT WERE UP TO HIM HE WOULD DESTROY EVERYTHING ANYWAY.

How do Hori expect me to feel bad about their defeats and deaths? They literally grew up in the opposite way to how they should have, and that's when I realized: Hori didn't want to give this group of clowns any redemption at any point.

Before you ask me "then why did Horikoshi make Midoriya, Uraraka and Shoto want to save them?"

No, here Horikoshi is writing 2 things, but he writes them so badly that the fandom interprets something totally different:

1-A hero is a human being, and villains born in their mistakes: The members of the league, if we look at their origins first, arise from the fault of people (not just heroes

Toga must be one of many who has their biology affected by their quirk, at no time do we have reference to the fact that there are specialized centers to help this type of people, because if that were the case, her parents would have accompanied their daughter in that way instead of repressing her.

Spinner is a mutant, so he hasn't grown up in a conventional way (as we're told, he was always alone). But that's the incomplete picture, being a mutant and following Stain's ideology, you add 2+2 and notice that Spinner suffered mistreatment even from heroes, but it's something he doesn't mention, and Horikoshi didn't delve into either his history or the mutant plot.

Dabi is the son of an arranged marriage (know how to differentiate it from a forced marriage) and that's already a lot to say, but his origin resonates with Stain's words about heroes only seeking fame and power. If the top heroes didn't exist or worked differently, things in the Todoroki family would have been different.

Tomura is the mark of an imperfect society, as his problems are not only his own, they come from generations ago. His grandmother left his father for adoption after his grandfather's death, and there is already a big red flag about the safety between heroes.

Then, his father grows up hating heroes because he never knew about the danger that his mother and he were in. And he hits his son every time he says the word "hero" just because he never knew how to properly deal with his father's death or his mother's abandonment.

And after what happened to his family, people look the other way hoping that a hero might appear, when that is not the job of a hero, it is something that everyone can do. Tomura marks the total and combined result of a society that has made heroes into nothing more than a service instead of people, while people simply go on with their lives.

Society in general after the dawn of power remains the same: discrimination, power and ignorance continue to be the daily life of people.

The biggest problem? is that Horikoshi shows us the league at first wanting to point out these injustices, but little by little they get to "let's destroy everything because Tomura is upset."

2- The origin of true heroes

The arcs that resonate the most with the soul of the manga are Uraraka and Hawks' arcs, two of which in my opinion are the best in the work

Uraraka enters the academy with the wrong intentions, but her heart is in the right place, she wants to help people and little by little she realizes something that many people ignore, that heroes and villains are also people.

Hawks is trained directly in the commission as a human weapon, but he does not fight against this because his desire is to be a hero, as he grows up between so much training and work, he realizes that despite being a hero, he is not allowed to be a person, and this is reflected in all the other heroes thanks to his phrase "I just want a world where heroes have free time"

Uraraka is the one who initiates the change to society by asking the civilians to let Midoriya rest in the academy, the civilians are scared but notice for the first time that the heroes are not in good shape either.

And they are not even heroes yet, they are children who still have the spirit to stand in front of the bullets when they should be crying for what happened, they lost teachers and classmates, in addition to being mutilated by people older than them.

In these epilogue chapters, civilians and heroes began to work shoulder to shoulder after this event and the battle in which Midoriya gave his all to prevent everything known from disappearing, and he succeeded by very little.

In chapter 429 we see a child who escaped from hell, and for the first time a civilian helps someone without having to request support from a hero, and it is the same woman who did not help Tenko years ago who still carries the guilt.

But what is the problem with this point?

Two small details, one being that Horikoshi isn't giving dialogue to those who started this change, and if he did, he did it incorrectly.

Uraraka feels bad for not being able to save someone who didn't want to be saved, when she doesn't reflect on how Toga got to that point of no return, or what made the heroes get to where they are now

Midoriya calms her down by telling her that she's his heroine (which isn't bad at all) but it's a very short dialogue for two characters who saw through all the flaws of this system and fight to change that same system for the better.

and Hawks is in a position to restructure the hero system for the better based on the things he knows, taking a correct step in creating a Top that is defined by the actions in the place of power... BUT YOU DIDN'T ELIMINATE THE OLD TOP? ARE YOU SERIOUS?

And now I know why he doesn't do it, because of someone who has taken up more than enough pages in this work, the damn Katsuki Bakugo, another damn symbol of the old society that glorifies power over heroic actions.

Horikoshi himself didn't know what to do with the character beyond the first tests arc and HE SHOWS IT, because it is so contradictory with this character and everything that surrounds him in a disgusting way and the fandom doesn't want to accept it.

He literally doesn't get any attention when he does wrong, when he attacked Kurogiri with Kirishima, when he acts arrogant at the sports festival, when he hits Midoriya at the final exams and verbally abuses him in front of everyone, when at the camp he ignores Mandalay's instructions.

There is only one consequence for him in the manga, ONE, AND THAT IS THAT HE FAILS AN EXAM AND THAT'S IT.

Then he has a nervous breakdown saying "it's my fault that All Might retired" when he doesn't reflect on the danger he put his teammates in or the way he acts.

Here everyone is useless when it comes to Bakugo; Aizawa lets him go with a pat on the arm when he tries to attack Midoriya, 13 should have reported Bakugo and Kirishima to the principal after Kurogiri, Aizawa justifies Bakugo's behavior to heroes who are obviously outraged by his attitude during the festival, All Might ignores that his disciple bled from a punch from Bakugo and also that Bakugo almost killed him in the team tests.

When he is kidnapped, no one points out that he disobeyed a direct instruction in an emergency like the camp, instead Aizawa grabs a microphone and says "He's a great hero."

And in the provisional license exams, the Commission should have intervened and called him to attention, or at least Aizawa, but NOTHING.

Horikoshi makes him absent for a couple of arcs and then Bakugo reappears at the cultural festival where he doesn't change a cent, he just plays the drums, then he passes the provisional exams making the minimum effort possible while Todoroki, Utsushimi and Yoarashi do all the work with the children, and he tells the leader of the children "don't be an idiot" and that's it.

Then the Endeavor arc, he sneaks into Midoriya and Todoroki's internships and disrespects half the world, again without consequences and his appearance in this arc is to justify the disaster of power increase in the next arcs, wasn't it that he had already mastered his quirk? wasn't he a prodigal?

Then there's the war and he only serves as a human shield, receiving a lethal wound and SURVIVING to then wake up in the hospital and ignore that everyone is injured or in mourning and start screaming.

Then in the Dark Deku arc he mocks Izuku who is at his lowest point and makes the emptiest apologies I've read in a manga, with an apology comes a change and HE doesn't change.

His death and resurrection is totally useless to the plot other than to nerf (not kill) Edgeshot, who turns from a paper man into a surgery man to repair his heart and vital organs that are shown to have EXPLODED BY SHIGARAKI'S PUNCH.

He gets up and fights All For One at his weakest point and eliminates him, which has no real value because AFO then possesses Shigaraki anyway. And to make this more regrettable Bakugo KILLS KUROGIRI WHO WAS ON HIS SIDE.

What makes me the most angry is that Izuku is losing OFA and HE IS THE ONE CRYING

At this last point Midoriya has already completely lost the spotlight because Horikoshi never tires of inflating the Gary Stu that is Bakugo. And God forbid Midoriya to do even a little of what Bakugo did.

Midoriya at the end of each arc has no recognition, in fact, the recognition that Horikoshi gives him is reduced as the arcs go by

The story started with Midoriya saying that this would be like him "he became the greatest hero" and in the last arc he changes it to "we all became the greatest heroes" and it doesn't feel like a true victory once they achieve it, because Midoriya is not even the shadow of what he was.

With Horikoshi's decision to preserve the previous Top of Heroes it is obvious that he will give it to Bakugo, it is a worthless title because it is not defined by heroism, but by statistics that come from power and solved cases.

and this last one ruins Endeavor's ending even more

Speaking of Endeavor, he doesn't have his family anymore, he already lost his position, he's disabled and his money won't be his anymore, since he's going to put it at the disposal of his children. I was wondering if Horikoshi would make him face something legally but with everything that's happened I think it would have been the same result, with him paying monthly damages to his family.

and his family, god, what a family.

Rei needed more introspection and perspective on the situation, especially with Shoto and Touya if she was going to be included in the final battle. And yes, she stays with Endeavor, good for some and bad for others, but I want to know what led her to that, Horikoshi didn't justify it.

Fuyumi was fired not because of Endeavor's abuse, but because of the things Touya did. Again, this information is useless without a proper explanation. What information do you want to leave me with, that she got a new job? Will she work at the UA library or what?

Natsuo will be a Kotaro 2.0 because of his attitude, and honestly I never really liked him, especially because he didn't put any energy into getting to know Shoto or trying to reconcile with Touya after the final battle.

Shoto... poor Shoto, it feels like he was orphaned after the last family talk. In fact it feels disconnected from the story since the Dark Deku arc.

Well, I only have to talk about Eraser, because I already pointed out everything, empty villains, Midoriya's lack of introspection, Bakugo Katsuki's superfluous character... and there's this incapable who must be Horikoshi's self-insert.

Shouta Aizawa, aka Eraserhead, underground hero and the worst teacher in the known universe.

This guy never knew what he did, and just like Horikoshi, he tipped the scales towards Bakugo in every situation he could. He forced his students to give their all, but he didn't help at any time in the evolution of their powers... WHILE HE WAS TRAINING SHINSO.

He's not a teacher, he's just a security measure in case a quirk gets out of control, nothing more, and he even does wrong, he ties up students with his capture weapon and attacks them with his quirk threatening expulsion in any situation that bothers him

Present Mic points this out and many other things but is continually silenced by Aizawa and the fandom, even worse

The Fandom ships them.

and since we're mentioning the fandom, this is one of the worst fandoms in the universe.

90% of them seem to have gotten the story wrong and don't have a cent of criticism towards Bakugo or the league, and don't value the moments of the manga in the proper way.

There can't be a second without them believing that this is Shoujo, because they focus on Bakugo and Deku in the same panel and take it completely out of context (a bad habit that Rukasu created by translating the leaks absolutely wrong on purpose).

Now everyone is angry with Horikoshi not because he wrote a story in the most absurd way possible, but because the league of assassins did not have a happy ending and they just discovered that this was never a shojo.

Horikoshi was right to fear that the manga would be cancelled, because he clearly excels at drawing, not writing. Now we're getting a fan-made Attack of Titan Requiem 2.0 of Bakugo and the league making this twenty times worse than it already was.

I've also noticed that there are some creative people who are writing arc by arc either on tumblr or ao3, which gives me some faith that this nightmare is bearable.

Well, I read opinions, but not from fans of Bakugo, BKDK or the League of Villains.

[aihoshiino]

chapter 158 thoughts

i lied the hyperfixation took over and reanimated my body

Chapters Since The 143 Kiss Happened And Went Entirely Unacknowledged And Unaddressed Count: 15

Aqua Hoshigan Status: N/A

Usually when an OnK chapter ends on a bombshell like this one apparently does, I usually play a little coy as to my thoughts on it but I don't really see much point in doing that this time. This chapter basically is its final moment, with some swings taken at basically every other character on the way down so I don't see much point in separating it from the rest of the work. That said, my ultimate feelings on it will ultimately depend on how the story progresses past this moment so don't expect me to go too deeply into it for now. All I'll say at the top of the post is that I think this is deeply contrived and continues Akasaka's trend of seemingly beating every character with the dipshit stick in order to make a certain dramatic plot beat happen.

But it'll be pretty messy to follow if I get into the chapter's final scene right here and now, so let's rewind to the start and break down the rest of this chapter too. Don't worry, I have plenty of unpleasant things to say about it as well!!!!

Akane's here!! Actually in truth I had somehow forgotten that she'd cut her hair in the weeks since her last appearance so seeing her turn up with it so short kind of startled me for a second LOL

More AKKN yuribaiting… usually I eat up this kind of queerbait with a spoon because I am a simple creature but it doesn't really hit this time. I think it's because we're running through the Tokyo Blade arc in the anime right now and being reminded of how utterly electric their rivalry used to be makes the lack of meaningful follow-up and ultimate state of their relationship just kind of sad to me.

Seeing Akane and Ruby talking also feels kind of surreal given that it's almost 60 whole chapters since they've actually properly interacted onscreen… Like, obviously they were acting together in the Movie Arc and we can infer they had some offscreen chats then but… well, that's things we can infer, not something that's actually in the text of the story. Akane's involvement in the movie really was a total waste of potential, huh…

that said, wtf is akane even doing in miyazaki. girl who are you stalking this time.

Speaking of things that are weird, Ruby's hostile reaction to the idea of Akane getting a new boyfriend is… kind of bizarre, to the point where I literally have no idea where it's coming from?? Like, regardless of what this chapter tries to pretend, Ruby and Akane are absolutely not close enough for Ruby to feel upset at the prospect of Akane blowing her off in favour of boyfriend time. If anything, you'd think that having Aqua's ex-girlfriend definitively Out Of The Way would only be good on her eyes because it means one less obstacle between her and getting to shlonk her brother, but… apparently not???

The only way I can really make any sense of this is assuming this is the old and crusty "single girl getting jealous that her friend has a boyfriend at Christmas" joke, which I guess indirectly answers the question of whether or not anything AquRuby related has resolved in the Offscreen Dimension.

Anyway, Akane's chatter in this scene leads into something I've been kind of holding my tongue about in favour of waiting until it was addressed in the story and we're finally here - as previously predicted, this chapter starts on the note of attempting to assert that Ruby has 'become an idol who surpasses Ai' and you'll notice the way I phrased this because uh… no, she very much hasn't!

This idea of Ruby 'surpassing' Ai has been floating around in the story for a while now and as I've said before, unless OnK puts a huge amount of legwork into supporting that idea, I simply wouldn't believe it. It didn't, so I don't.

Not only is this assertion just half-heartedly plunked into the narrative - incredibly underwhelming for what should be a huge moment of triumph for Ruby - but the visual storytelling of the manga fails it as well. Like, compare this to similar moments from the very arc the anime is adapting this season - hell, in this very chapter, we see a panel of Kana's dazzling acting during Tokyo Blade. In comparison, the panels we see that supposedly show how Ruby has become an idol beyond compare… they just look like literally every other panel of any of the girls doing idol stuff. Hell, she looks distinctly less striking than some of Kana's performances as an idol and they certainly don't match or exceed the panels we've seen of Ai's spellbinding performances, which really undermines what the story is trying to say.

This is made even worse for the fact that the story has repeatedly pointed out that Ruby is the subject of incredible amounts of favoritism in the new B-Komachi - their boss is Literally Her Actual Mom who was explicitly called out by Ichigo for favoring work opportunities while leaving her fellow members out to dry. Members who, I feel the need to remind everyone, were scouted by her twin brother, not Ruby. Members whose careers as idols suffered during Ruby's clout chasing BH era because of her clout chasing and whose hurt feelings on this are framed as something Ruby is graciously forgiving about.

Like… I'm not saying it's impossible for Ruby to become an idol who outshines her mom, but this narrative as it's currently being presented in the manga falls flat for me because we never actually see Ruby face any kind of struggle on her road to doing this. Ai, Kana and Mem all face significant structural, social and industry-wide issues and toxicity that they must grapple with and overcome but Ruby just… does not?? Ever?? And given the way the narrative has framed Miyako's involvement in her career, the only conclusion I can draw is that Ruby is being shielded from all this by Miyako at the expense of the other girls. Especially because Ruby literally said so in 156!

Idk man. This whole chapter just sucks for basically every B-Komachi girl - that panel of the girls on stage where you literally can't even see Mem's face is so fucking miserable lmao. There was so much weight was placed on B-Komachi's togetherness as a trio of not just idols but friends who genuinely care for each other that seeing the story end up in this place of unironically indulging in all the same favoritism of Ruby and sidelining of her fellow members that Ichigo and Miyako did with the original B-Komachi is honestly just upsetting. Not only does it drag down Mem and Kana's stories, but it ends up making Ruby come off as a tremendously self-centered person in a way the narrative clearly does not understand and is uninterested in unpacking.

And like… bro, I don't want to be pissed off at Ruby!! Pre-BH Ruby is one of my favourite characters in the series!!! But the way she's been coddled by the narrative is deeply frustrating to read! It's frustrating to see everyone else's arcs compromised in favor of forcing this bizarre narrative about Ruby that doesn't even do any good for her either.

I can so easily see a better version of this story where Ruby surpasses Ai because she has so much support and faces none of the obstacles that Ai did, where the story is making a point of just how much further Ai could have gone and how much more she could've done if she hadn't been treated like such utter shit by everyone around her. But the point the story settles on seems to just be that Ruby is a better idol than Ai because she arbitrarily is not affected by societal and systemic oppression for no clearly articulated reason, I guess! You go, girl!

huffs. anyway.

Ruby's little monologue about the short-lived life of an idol also feels like the final nail in the coffin for the story being able to even pretend to do any meaningful industry commentary. Compared to how biting it was in the early arcs, it's a pretty standout representation with OnK's bizarre relationship with idol culture as of late, especially as pertains to Ruby's place in it. I can sort of get what I think Akasaka is going for here - it's part of the theme the story is leaning into lately of letting go of your past and moving towards a brighter future and this is how Ruby is coping with Kana's time in B-Komachi coming to an end. The point being made here is that change is inevitable no matter how you try to hold onto things and the only way to freeze yourself in stasis forever is to die.

But having this framed through the lens of Ruby talking so warmly about the impermanence of idols is just kind of… hello?? Ruby's framing here almost seems to treat the issue as some beautifully tragic but inevitable thing… and is very much is not! Idols age out of the industry because of its obsession with youth and beauty and the fetishization and commodification of virginial purity. Seeing Ruby frame it as this sad but natural thing when these fucked up purity standards literally killed her mom is just. What is going on here.

Speaking of baffling! Nino my girl, what are they doing to you…

I mentioned this in my chapter 155 thoughts that I felt extremely cold about the way the story was choosing to characterize Nino in the actual pages of the manga. I won't repeat myself too much but compared to the messed up but deeply human character we saw in 45510 and the RBKN conflict, this Nino honestly feels like a mean-spirited caricature, amped up to such dramatic extremes that she stops being a person and instead becomes a flat cartoon character used for moving the plot along. I loved Nino in 45510 and the Movie Arc so seeing her reduced to this psycho lesbian stereotype really stings.

also wtf is the manga trying to say with the 'since we killed ryosuke' bit. that was a whole ass suicide. this manga gives me such a headache sometimes.

Anyway. I can't talk around it anymore so. RIP Ruby, I guess. It was nice knowing you, but-

no but seriously, I'm holding my tongue on anything to do with this twist until next chapter because my actual thoughts will depend on how it plays out or if this is even really happening at all - which is NOT something i would even entertain as a possibility if oshi no ko was not the manga it currently is lol

But there's also the fact that, as others have pointed out, that panel of the stab is presented with faded colours and overly dramatic lighting in a way that is consistent with how OnK sometimes presents flashbacks or otherwise unreal visualizations. Given how incredibly dumb the entire cast - including Ruby - would have to be for this to actually, really happen, I'm withholding judgement until I see how this pans out.

That said. Man. I was really taken aback by how not just underwhelming but outright Not Good the actual panel of the stab is. The attempt to mine an emotional reaction out of the pre-existing iconic panel of Ai's murder just falls entirely flat because this version of it is worse in just about every regard. Ai's panel is composed beautifully, with the white petals and the motion of her body perfectly drawing the viewer's eye to the knife and the uncharacteristic expression of total shock on her face really hammers home the 'oh shit' moment. By contrast, Ruby's panel is flat with oceans of dead space despite being a much smaller panel and the actual stab has no weight to it, visually or otherwise. Ruby's body and face aren't reacting to it in the least - her expression is totally lifeless and she just looks like she's mid-stride, not that someone's just stabbed her in the gut. And to add insult to injury, the fucking layering on the killer's hand isn't even right. It's so obvious these two characters were drawn totally separately and pasted together afterwards and the entire moment falls flat as a result. Mengo, girl, what happened here!!!

and to add insult to injury. break next week. because why woudn't it be.

any of yall got ibuprofen

[pikahlua]

I've been in the dkbk fandom for 3 years and my husband is an anime only. We just watched the new episode and he was disappointed. He predicted that Star will die and the plot won't really move forward. He's a sci-fi fan and he's seen many a series fall apart after more characters, complexity, and a war are introduced. I've been avoiding spoling the manga for him but since he's lost interest, I spoiled him and confirmed that the manga has been in a holding pattern for 2-3 years with this final arc. I told him what you said about Bk's death and Deku losing his arms as being symbolic but he said those actions being reversed lowers the stakes and it's hard to maintain emotional investment if you know that major plot points will just get reversed. I wanna believe in Hori but I'm waiting for payoff instead of enjoying the story. Is what's happening really good storytelling if this final battle has been dragging on so long and Deku's characterization has come to a halt?

I’m hesitant to answer this. I said I wouldn't answer any asks that were looking to me for reasons to keep liking MHA, and I really don't want to encourage more asks like this--and yes OP, I don't know if you realize it but that's basically what you're asking. You've framed this question around your husband's opinions, but you're couching your own thoughts inside.

If your issue is that you and your husband like different media, then that's a marital issue to resolve; accept that you shouldn't always watch all media together, particularly if doing so isn't fun for both of you. But your husband doesn't like what's going on in MHA, and this is enough to make you doubt whether or not MHA is written well? Despite the fact that many, many people like MHA in its current form? That sounds more to me like you agree with your husband. It certainly doesn't sound like you tried to sell this story arc to him.

I decided I'll answer a question like this this one time because it'll help me summarize my feelings on these topics, though I'm sorry to say the topics I address may not be what you expect.

"We just watched the new episode and he was disappointed. He predicted that Star will die and the plot won't really move forward."

Is this really a surprise? I don't remember anyone being all that into this arc when it first came out. Everyone was saying Star would die, and yet most people did not correctly predict the actual outcome of this fight--that Star's quirk would be eliminated and Tomura would be weakened. Most guessed Tomura would steal Star's quirk and become overpowered.

"He's a sci-fi fan and he's seen many a series fall apart after more characters, complexity, and a war are introduced."

You mention sci-fi but uh, has your husband watched like...any other anime? Ever? At all? MHA is far from the first shounen anime to do this. You can't really make your husband like MHA if his problem is that he came to an anime restaurant and got upset when there was nothing but anime on the menu.

Seriously, MHA is not doing all that much different with its ending than what Fullmetal Alchemist Brotherhood did, and that's one of the most critically acclaimed shounen anime of all time. If he's predisposed to dislike the stuff anime does, that's not a writing problem. That's a mismatch of anime with his tastes.

It strikes a nerve with me because I grew up loving anime and was bullied for it by people with opinions such as your husband's. Now, the mainstream-ification of anime has drawn those same sorts of people to anime for whatever reason, and all they seem to wanna do is complain about anime being anime. Take sci-fi for example: I typically hate outerspace-themed media and the concepts such media often explore, and you know what I do? Not watch it. I've decided such media is not for me. Honestly, the same is true for a lot of anime too. I am very picky about anime because there are some tropes or themes I'm just sick of.

"I've been avoiding spoling the manga for him but since he's lost interest, I spoiled him and confirmed that the manga has been in a holding pattern for 2-3 years with this final arc."

This is where it sounds like you primed him with your own feelings, because it certainly doesn't sound like you were selling him. I don't even know what this means. "A holding pattern"? Do you mean the arc has just been going on a long time (see: welcome to anime being anime)? Or do you mean not much has happened with Izuku? Because I am getting a bit of a sense that your issue is you're an Izuku fan and his growth has been slow because the arc has had to wrap up all the other characters' arcs first. Because a lot HAS been happening with all the other characters (and we recently got some Izuku progression too).

The only other thing I can think of is an opinion I've had for a long time. I think a lot of anime fans don't realize they're not actually manga people. You watch an anime you like a lot and you wanna get up to speed, so you go to the manga not understanding that the manga is different from the anime. The pacing is different, as is the presentation and focus on details. The manga presents one or two story points per chapter, whereas anime episodes are 2-3 chapters compressed into one sitting. The anime's major selling point is its fast pacing, but this is not a selling point of the manga--of ANY weekly manga. "2-3 years" means very little in the context of a 15-page-a-week-AT-BEST manga.

"I told him what you said about Bk's death and Deku losing his arms as being symbolic"

The symbolism angle is one thing. I've never really understood why people like any media without symbolism--that's what gives a story its flavor, isn't it? If we're talking about tropes and familiar story structures, the artist's approach to familiar items is precisely what makes it unique and interesting to me. I wouldn't become invested enough to care about Katsuki's death if all that mattered to me was the surface-level event.

But are you saying you spoiled the fact that Izuku lost his arms? That's...not that big of a plot point to spoil if you ask me. Certainly not one I'd bring up as one of the greatest hits of this arc. This is another detail that makes me feel like you're particularly focused on Izuku, which is not a bad thing nor is there anything wrong with that, but Izuku doesn't actually feature very much in this anime season all things considered. It's hard to sell anyone on what's currently happening with Izuku in the manga since we just got to his stuff and it's not complete.

Again, this was what happened with Fullmetal Alchemist. The last arc covered the events of one day that ended the final war. The main characters were only occasionally featured and didn't do all that much in the season until the very end, as one would expect. When it was coming out in manga form, the pacing was admittedly very weird because of this storytelling choice, albeit it felt a bit different from MHA since it was a monthly manga and covered more ground per chapter. But when the same arc was adapted to anime, the feeling and pacing were very different, and a lot of iffy elements improved on me as a result.

"he said those actions being reversed lowers the stakes and it's hard to maintain emotional investment if you know that major plot points will just get reversed."

Is your husband someone who watches things only once and then can't rewatch and enjoy them ever again? Does he only watch stories for plot twists and once he knows the twist he stops liking it?

I don't understand this general obsession with consequences and stakes a lot of people have. Sure, they are elements that can contribute to a mood or feeling in a story, but they're far from the make-or-break linchpins so many people make them out to be. The "reversals" are major plot points too. I find much more enjoyment in trying to follow why a writer would do such things and what they're trying to say than wondering how likely some character is to die or how many people will be brutalized.

I'm in the camp that believes spoilers should not make a difference in whether or not I find a series "good" or whether or not I can invest in it. I personally have played video games specifically BECAUSE they were spoiled for me and it sounded like I would like them, and having those major things spoiled for me did not detract from my enjoyment at all. I'm not saying everyone has to be like me, but I do certainly think a story's ability to persist as an impactful and memorable work has very little to do with its stakes and everything to do with how it handles its story and characters. Was Star Wars memorable and beloved because of how many people were at risk of dying in it? Was something taken away from the story when Luke got a robotic replacement for the hand he lost?

Goodness, didn't the MHA fandom predict for years that Dabi was Touya Todoroki? And wasn't everyone just waiting for the reveal to fucking happen already so we could get it over with? And wasn't the entire fandom surprised and enthralled when the Touya reveal did happen precisely because it was handled in such a unique and cool way with Horikoshi's flair? Did predicting that twist really ruin anything for the story?

A good story is a good story.

"I'm waiting for payoff instead of enjoying the story."

I can't know what payoff you're waiting for. I've enjoyed all the events and details along the way, even if there were some expected dips here and there. When I went back and reread the entire arc in one go, the pacing really hit me differently and I got a lot out of it. If you're not enjoying the story, that's not about whether or not the story is employing "good storytelling." I've enjoyed plenty of stories that were told poorly and sloppily because there were other redeeming features that appealed to me. This is about preference. You and your husband have your own personal preferences, and that's okay! But you both have to manage your preferences with respect to each other and to yourselves.

"Is what's happening really good storytelling if this final battle has been dragging on so long and Deku's characterization has come to a halt?"

If you're actually interested in whether or not MHA has "good storytelling," I'd suggest you take a creative writing class or otherwise learn about the way stories are told in different media i.e. novels vs comics vs TV shows vs movies vs video games. But I honestly don't think that's what you mean. I think you're looking for permission to keep liking MHA even if you personally don't like its storytelling or how Izuku's character is currently being handled. I can tell you from experience that yeah, you can. Plenty of people do it all the time. Some people get so frustrated with the stories they like they write fix-it fanfiction. Some people appreciate the way a story is so perfectly written that they cannot build a fandom around it because they can't come up with anything to add. It's going to depend on you and how you want to approach the situation, and while I'm happy to talk about what I like about MHA and which writing choices I think are well made, that's not going to get us very far if you don't like the same things.

I do often find media that I personally think is not written that well, and like I said, sometimes I like it and sometimes I hate it, but if it's a piece of media with a large fanbase like MHA, I have a hard time calling its writing universally "bad." If it speaks to that many people in some way, clearly there's something about it that reaches people effectively, and who am I to judge? I'm certainly no expert in quality of writing. All I have are what I've taken away from my education in literature/writing, my years of experience with many anime that came before MHA, and my thoughts on all the other media I've enjoyed. My experiences will lead to different conclusions than others'. I know I don't like a lot of what's popular with most people, so I certainly can't hold myself out as some paragon of good taste.

It's okay to like or dislike whatever for whatever reason. I don't always stay with the same fandom. I move around when I find new and good things. I sometimes come back to old things I loved and like it anew or find it underwhelming as I currently am. As of right now, I'm actually willing to say something I never was before, which is that MHA might be one of the best-written manga if not the best manga I've ever read. While FMA is top-tier, its themes are a lot safer than MHA's ambitious goals. MHA was always going to be controversial in some ways just because of what it attempts to do, such as telling its story through comic book-themed superheroes. It also says a lot of political things that risk alienating readers. The levels of risk MHA takes are part of what makes it amazing to me and what makes it a worthwhile piece of art to enjoy. I'm so happy it exists, flaws and all. No story will be universally loved, and that's something I accepted a long time ago when I decided I wouldn't let the bullying stop me from liking anime. All I can hope to do is have the courage to love the things I love and the grace to leave alone the things I dislike for others to enjoy.

[frostburn-shoto]

Usually... I never talk about particular episodes in general, maybe I make a post about certain scenes now and then, sometimes a whole series... but a singular episode? Nope.

But I am sorry season 7 episode 8 of mha deserves it.

The animation.... the voice acting... the emotions... that episode was so amazing to me that I couldn't keep my eyes off the screen... I was so focused like I've never been before.

I already expected shoto vs Dabi to be a great episode... But not THIS great. I genuinely felt so bad for younger touya... all he wanted was to return to his family but seeing that his father was still the same after his 'death' as if he didn't mean anything... as if he was just disposable... that broke him completely and he was already broken before then-

He might be a villain, he did many unspeakable things yes... but his backstory is heartbreaking.

Seeing Shoto's move finally animated was also great, I was looking forward to it since the chapter released and I was NOT disappointed.

Dabi will still be returning... this isn't the end of his arc or shoto's and I cannot wait to see how they animate the other stuff that happens in the manga....

Speaking of... I HOPE they leave they end one if the episodes at a certain, heartbreaking bakugou scene that left have the fandom in shambles.... please bones it's such a perfect chance!!!

[tabithatwo]

there's a reason that so many people are intensely anxious about whether yellowjackets decides to keep classifying jackie and shauna a "vague teen-girl homoerotic-ish friendship" or to follow through and cement what that type of relationship actually is and actually means. and i've seen a lot of conversation about why it doesn't matter and if it doesn't matter to you, then i'm so happy for you (and jealous of you L O L) but if you're curious to understand WHY it matters fucking DEEPLY to so many people, gather around and buckle up while i attempt to explain it

first let me tell you why we're all acting like animals with lesbian-television induced zoochosis as we wait for 2.02: all signs point to this episode being the big one for jackie in particular (and for jackie and shauna as a relationship), so there's an assumption that the teased makeup scene is in this episode. that scene is what a lot hinges on.

(if you are on board with the narrative arc and already set on the make or break moment of that scene, you can skip ahead to NOW MY FINAL ACTUAL POINT a few paragraphs down)

there's been a distinct narrative arc ramping up to a big reveal (i already have very strange and mixed feelings about sexuality being used a reveal, but for a character like shauna, in a show intentionally meant to capture the tricks we play on ourselves in our minds, i would be absolutely on board with it) that said, the moment is now.

since the pilot, we've been on this journey of shauna's sexuality. sex is central to her character in a way that it isn't to any of the others. we meet her in 2021 masturbating on her daughter's bed, she goes on to have an affair with adam, we explore her boredom in her sex life with jeff, we see it improve post affair/murder. in 96 she has sex with jeff in the pilot, she grapples with the results of that sex for the rest of the season, she's quickly on board with the orgy/murder/shroom fest. (there's more to her and sexuality - rabbits representing her and jackie etc, but that's another post for another time.) suffice to say, sexuality is central to shauna.

in 2.01 shauna's sexuality is again central and even more explicitly sapphic/jackie central. "the thought of you with someone else always scared me. but it also turned me on. someone else's tongue in your mouth. their smell on you. I used to think that made me some kind of pervert." this show is smart. it's thoughtful. that's why we love it. giving us this line in 2.01, after showing shauna watch him with only one other person in the entire show (jackie in 1.01) is not an accident.

likewise, "say it" used in 2.01 by hallucination/ghost jackie, paralleling shauna's "say it" in 1.01 (asking jeff to say he loved her) is not accidental.

(gifs from 2.01 from @yellowjacketsgifs)

this show is very thoughtfully and intentionally weaving the jackie shauna romantic, sexual, obsessive love threads. i'm not going to go into exploring every moment between them that is sapphic (there are plenty of threads doing that, most people who follow me have seen it and understand it, i'm operating on the assumption that the people interested in this post understand that already).

2.01 gives us adult shauna referencing sexual arousal related to jackie. it then shows her being fucked by jeff in front of a painting of herself that is disfigured and decaying. and finally, we get the confirmation that shauna is cannibalizing jackie in 96 (leading to jackie's own disfiguration and decay). we've been led to understand shauna as a sexually driven and deviant character, and a lingering almost-reveal in 96 to jackie's corpse/hallucination/ghost hangs over us.

if this confession doesn't happen, if they walk back the gay, if they refuse to cement the realness of their romantic, sexual love in this moment, it's hard to understand why they'd build this perfect narrative arc just to ignore it and go on to cement it with something else later. anything is possible, but it really lends itself to a forever vague depiction. confession may be too narrow of a word, but what it encapsulates to me is something that you cannot ignore even if you want to - an i love you, a kiss, an i wanted you and i couldn't have you. (even the beginning of one of these, followed by an interruption that delays this heightened narrative arc would mean not losing hope.)

there have been constant interviews with the writers walking the gay back and forth, acknowledging and dismissing it in the same breath, and if that's happening to mask a reveal coming at the peak of this arc, then that makes sense. but if that's the language being used and no reveal is coming, it feels that this is the language we will always get for them.

NOW MY FINAL ACTUAL POINT- it fucking matters if they keep it vague. yes, that's how it goes in a lot of real life relationships like this. yes, it's common for young sapphics to have these relationships and never call them what they are. but that's the very fucking point i'm making.

these "friendships" do not happen to straight girls. i've seen some people say "i'm a lesbian, but even i had platonic friendships like this." and to that i say, i also didn't understand that straight girls don't do this shit for a long time. but they don't. there is no homoerotic tension in a friendship between two heterosexuals.

but women are told time and time again that there is. that everyone thinks girls are pretty. that all female friendship is just intense like that. that it's a part of growing up. and it's gaslighting. it's a thing we tell young girls to keep them in a box, to force them into comphet, to push their feelings down and away, to not rock the boat. it runs so deep we don't always realize we're doing it.

saying it's fine because there are cemented canon lesbians in the show is a cop out. and i understand the urge to say it - we're used to taking the scraps we can get from lesbian media and saying thank you. we don't bite the hand that feeds us, because not much food is coming. and i'm thrilled that i'm watching acknowledged lesbians on my screen, that i get to see their relationships. i love tai and van and tai and simone. but that doesn't fix this. saying be happy with what you got doesn't make sense here. this isn't a situation where jackie and shauna read as straight and viewers are trying to mash them together with no cause. if you think that, i really don't know what show you're watching. it's clear, it's intentional, it's direct.

and so many sapphic women have been constantly told, both in media and in their real lives, that what they had or have with women was less real because it was complicated. was less real because comphet or bisexuality or confusion existed along side it. was less real because they don't look or seem gay. because they never called it what it was. because they were young.

that, in media, it's enough to watch two girls engage in sapphic love without ever calling it that. without showing the audience what it was explicitly. masking it the same way society does and allowing for room to argue that it was platonic. that, in real life, it's enough to experiment. to think quietly about your attraction to women. to smother it, because every woman feels that way.

shauna is the pinnacle of comphet. everything about her screams it. and that's never an accident in creating a character. it includes nuanced and intense depictions. to pretend that it isn't possible for a show this smart to cement the reality of their relationship, while allowing shauna to retain the repression that comes with it as a characters is silly.

they can call it what it is in a million ways. and they are tight-roping the line so very carefully, leaving a small scrap of doubt. if they don't tip it over that line, it's intentionally holding shauna and jackie, both as individuals and together, in the purgatory hell that so many women who see themselves in these character have had to claw their way out of.

and the prospect of that from a show that you love, a show that knows how to depict lesbianism and sapphic love when it wants to, a show that is intentionally curating this entire dynamic in jackie and shauna, is painful.

[v-67]

Finally watched part two of the Thousand year blood war arc : The separation

I'd been procrastinating w it because I wanted to watch it after it was fully released, the part two, but then I waited too long and yeah, i waited too long

And I finally watched it today

I had to watch the part one again because I didn't wanna play the guessing game about what's happening/etc, So I watched the whole thing again :3

....

The separation really separated us from Ichigo in this arc, didn't really get to see much of him.

But the battles, the soundtrack, the techniques, THE STORY, THE CONNECTION, THE ANIMATION, IT'S SO GOOOOD.

The mystery deepens about the connection between Yhwach and the soul King's relation.

Also the fight between the Squad zero and Yhwach and his sternritters, and Uryu (don't wanna count him w them tbh), THE FIGHT IS SO CRAZY GOOD🥹🥹🥹

Idk what Uryu is thinking but I sense a lot of plot twists in the future.

I swear I love watching Bleach. I can't wait for the next season to be released. And when it starts releasing, I'll have to wait again because I don't wanna watch episodes weekly(breaks down the rush I feel slightly)🥲

But seriously. The way it takes us on this unpredictable journey, it's crazy good.

The powers, the techniques, the portrayal of those techniques. Everything is so beautifully accurate, and so perfectly portrayed. LOVE it.

Also the BANKAI and the additional zones to them are 🤌🤌🤌🤌

Also also, I'm not okay with something happening to Hitsugaya🥲, Matsumoto, the musician guy (V cool Bankai), and Muguruma, I hope Kurotsuchi somehow heals them because in no way I'm ready for them to die.

Also it was so nice to see Urahara and Yoruichi🥹❤️ (I mean I know Urahara is there in every arc, and is a very crucial character, but it's just, I'm watching it after so long and it's so nice to see all of them, plus I didn't see Yoruichi throughout and she finally comes in the later episodes) and also Ukitake (I'm confused about the eye thing though, i don't remember that) (no one tell me, I'll figure out)

Also special mention to : Byakuya (loved the way he interacts with Rukia in the latest arc, love his Bankai), Rukia (she's so beautiful in that Bankai but that Bankai is dangerous fr), Renji (NICE, also when he gets complimented by that Sternritter about his pointy eyebrows and that he might have good taste, funny lol), Madarame, Ayasegawa (he got called fugly by that guy he killed in the ig and how he loses his temper again😭😭), Hirako (HIS BANKAI SO COOL, Ep 3), Kyoraku (I missed him), Zaraki( AHHHH I LOVE THIS GUY, his fight with the imagination guy was sooooo Cool), Akon (doing god's work in the tough times lol), Hisagi (the 69 guy, why they portray him so weak idk), Sajin(felt bad for him fr, but the Bankai was noiceeeee), Kon (for giving us those random snippets in the end, where they had to get undressed and Rukia can't help but get worried about Byakuya having to go through the same embarassment, cute lol, you know this means that Ichigo went through that too)

Also side note but I really like Nimaiya. He's so cool and unhinged and random. Is nice.

The only question I have honestly is why'd they dress up Orihime like this, like, it's just, weird. No hate, but what is this😭😭😭

Also, snippets of Ichigo because I've missed him soooooo much.

Ichigo blushing🤌☀️

[fearlessdevil17]

Hey Fearlessdevil how are you?

I come with a Pokemon question:

Have you watched the Pokemon Horizons anime? the one with the girl named Liko and her trusty Sprigatito and Terapagos on a flying ship piloted by the rising volt tacklers. The one with the sexiest Pikachu on board, Captian Pikachu!

I thought about it and it would be cool to add Kieran one day in the show as a mini story arc, have him be a potential ship with Liko and even feuding with her over Ogerpon. I think about the two as becoming rivals due to her having the Pokémon in the anime that made him pathologically insane, as well as having the female counterpart to the Grimmsnarl line, the Hatterene line, and finally having a cat starter in the form of Sprigatito!

So what do you think? yay or nay to the idea?

Why yes, I have seen Pokemon Horizons, but I've been mostly waiting for the dub version (not that the Japanese version is bad, I just prefer the dub version) but I have been keeping a close eye on the new episodes so in a way, I'm pretty much slightly on the same page as everyone who is currently watching it. And as much as I would love to see Kieran in the anime, I feel like he's gonna have maybe a different story to him in this show. Because as I watch it, I've noticed that they took some elements from Scar/Vio into the show that already happened after the entire game. You can argue that the game and the show are non canon to one another, but I genuinely do think that Horizons is taking place after the events of Scar/Vio (DLC included). I might change my mind once they introduce Arven in the show. But with no protagonist, perhaps maybe Kieran would have caught Ogerpon instead. But perhaps both him and Liko would become friendly rivals within Horizons at some point :)

[meimi-haneoka]

What are your top 10 favorite scenes in Clear Card manga? (Not counting the anime because it hasn't been finished yet)

Aaaahhh nice question! 🤭 Thank you so much for sending me this ask, since now that the main story is over, with a cool mind, it gave me the opportunity to think about the scenes I loved the most.

It is actually quite hard for me to choose, because there are so many good scenes, and it somehow feels also "unfair" to make a ranking, but I will try to answer with my CURRENT top 10, which is highly depending on my current inclinations and preferences. 😊 (under the cut, with explanations and analysis for each scene)

10. Chapter 1, "We'll be together forever"

I'm not placing this here because it's my least favorite, not at all, but because after more than 7 years, its power to evoke emotions in me has been supplanted by other scenes. 😅 I dunno how to explain it but, while it stays one of the most important and nostalgic scenes in this series, so much more happened in this arc that I feel "in a stronger way" than this scene. Still, it's in my top 10 because I was highly emotional when I've seen it in chapter 1.

9. Chapter 22, "Same goes for you, Syaoran-kun"

Ooooh, this was such a satisfactory moment, I still remember it. Till that moment, Sakura never gave out any hint that she had started to notice that Syaoran had been hiding something from her. This was portrayed differently in the anime, because Sakura confides her doubt with Meiling way before this scene happened in episode 21, but in the manga it was such a "wow" moment for me, because we had been screaming in our heads "how is it possible that Sakura is so oblivious that she doesn't notice anything", but no, she actually had already noticed, it's just that she wanted to take all of us by surprise, Syaoran included! And she was waiting patiently for him to talk to her. I also liked the way she phrased this, because it might be interpreted as slightly slightly calling him out while telling him "please open up to me" with love. Which is exactly what also will happen with another couple later on.

8. Chapter 33, Sakura hugs Syaoran with a resolute face

Another moment that made me scream "QUEEN!!" was this one. Oooh, how much I loved Sakura in this specific panel. Syaoran is prevented from warning her about Kaito and what he knows about him, so he desperately tries to convey to her with that crushing hug that no matter what happens, he's going to protect her. But since Sakura had just found out the truth about the Clear Cards and felt the frustration of not having understood it earlier, causing her loved one to put himself into a dangerous position, her resolute face here always conveyed to me her desire to be more "in touch" with herself, finally "waking up" and do her part to protect Syaoran in turn. That little hand gripping Syaoran's shirt tightly is everything to me. It's so rare to see Sakura depicted with such strong and complex feelings.

7. Chapter 41/42, Syaoran and Kaito's fight

One of my favorite scenes, no doubt. You have no idea how much I'm anticipating to see this scene in the anime. It's not only because my two favorite boys are basically arguing over who's more "I'll save/protect my most important person no matter what" (even if one of them hasn't figured it out yet), but it's also because we have a pretty violent Syaoran here...he attacked Kaito behind his back with a freaking lightning, without notice or anything else, and that made me go "wow Syaoran, you must be quite mad if you're not caring about fair play in this confrontation" 😂 And it's also pretty uncharacteristic of Kaito to be taken by suprise by someone....but this is just because Nadeshiko had distracted him with a topic that really dug deep in his core.

6. Chapter 31, "I'm also mad at you, Syaoran-kun"

And of course, this is another main scene that I can't wait to see animated and that really left an impact on me. I realize that my favorite scenes are those where the characters do something you wouldn't expect from them basing on what's been portrayed of them till that moment. And I think hearing Sakura say "I'm also mad at you, Syaoran-kun" had a major impact on me. And felt very satisfactory. Of course I knew that Sakura would've never lashed out at Syaoran when she would've found out about the Sakura Cards, about lying and omitting things to her...Sakura knows that her Syaoran would never reach such lengths if it weren't for her safety. But still, he didn't fully consider the consequences of his actions, which could've been so much worse than what we've seen, and I think in that moment Sakura fully realized all of that, and it's inevitable that the pain turned also into anger because "how can you be so blind to not realize that you would've killed me if something happened to you?". Sakura's calm and composed anger and pain is very much in character for her, but also something we yet had to see till that moment, so it felt really refreshing. I also remember her next sentence, "Even if it would've made you uncomfortable, I would've cried and cried forever". It's as if she was telling him "in front of something of such gravity, I need to take notice of my own feelings and express them. I WILL react in this way, even if I know that I will make you feel bad about it." It's claiming the right to be angry when your loved one messes up big time with you. (lord, the parallels!) And Syaoran's hug to her head, not even allowing himself to hug her body, felt very humble and respectful from his part, in my opinion. He absolutely felt the need to apologize and comfort her, but not invading her space and comfortable zone too much.

5. Chapter 52, "But you look like you're in pain"

Chapter 52 was a "parallels fest" beginning to end, and more than a scene, I'd daresay I place the entire chapter in this position of the ranking. It was very nice to see, for once, a parallelism between Akiho and Syaoran, rather than the usual Akiho and Sakura. I think CLAMP took care in depicting this scene because they wanted to make sure that the readers understood that, despite being under a "synchronization", the feelings Sakura and Akiho have for their loved ones are absolutely genuine, unique and personal to eachother. In short, Akiho doesn't act in a certain way towards Kaito because she's "mimicking" what Sakura does with Syaoran. If there's one thing in CLAMP manga that always eluded hitsuzen, plotting, scheming, even premonitions, are the feelings the characters have for their important people, and it's not something specific to CCS. Not even magic can change the feelings someone got for someone else, just as magic alone cannot make someone fall in love with someone else. It's always coming from the heart. And so, in this scene we see two kids deeply worried for their loved ones, who look in pain, and CLAMP have shown to us how their situations, although paralleling, had two very different outcomes, not because the feelings at the base were different, but because their circumstances were different. In the Akiho/Kaito half, I was absolutely heartbroken by Kaito's reaction, dictated by fear and isolation. But I was also in awe at Akiho's strength of mind, the way she kept insisting for Kaito to open up to her because she just could feel that something wasn't right, it hadn't been for a while at this point, and the fear to lose him made her stronger and more incisive than ever. Alas, Kaito's stubborness at this point of the story is basically playing a tug of war with her (a game Akiho has no intention to lose), so he had that reaction of running away and shutting the door in her face, another thing I found extremely uncharacteristic of him, because he had always been so respectful and diligent in his "role of the butler". With the progression of the story, this reaction became so much more clear and coherent with his state of mind. To this day, this chapter is so dear to me because of the strong and complex emotions depicted in it (even though at the time it hurt so much).

4. Chapter 80, "Cristaux. That's my true name"

Well yes, it might be because it's just fresh in my mind, or because it was, in a way, the end of the tribulations for me to see this guy finally realizing what Akiho is to him, but I feel this scene in my core. The choice to reveal his true name to her, what it means in a CLAMP manga, the intimacy of the scene without actually depicting anything that any reader (who doesn't know CLAMP well) would consider "regular" for a romantic scene (so much that a good amount of people didn't understand what happened here), makes it so precious and special to me. When I've talked about this scene in the stories of my IG account, I used "Delicate" by Taylor Swift as a background song, because I really feel like CLAMP depicted Kaito's intentions in a very delicate way. Which is how it is supposed to be, how their relationship will develop and transform along the way. They need so much sensitivity, gentleness, time, tenderness, because they both have lots of scars they need to heal from. And just like in the song, Kaito is starting to acknowledge many things and he's moving a tiny step ahead in that direction, with this gesture that means so much (and Akiho is perfectly aware of what it entails). It's like "starting again" for them, this time from a foundation of honesty and trust. Slowly, slowly healing and building their bond back up. It's the evidence that when your heart is in the right place, there's always a second chance and Kaito showed here that he doesn't want to waste it.

3. Chapter 78, Akiho and Kaito's reunion

Well. OF COURSE this would be in my top 3! I cried so much!! 🥲 The emotional tension, Akiho's anger, Kaito's silence that suggested how stunned he was, finally realizing things that we waited for the whole manga for him to see... I think the one aspect that struck me the hardest in this scene was imagining to be in Akiho's shoes in that moment, and feeling all that love and anger pouring out of her, without even fully understanding where those feelings came from, because she still didn't remember anything about him. Like, you have someone in front of you, your heart knows it's the person you love, and yet you can't remember anything about them, not even their name. But you still feel this storm of feelings pouring out of you. So powerful. As powerful was Akiho's assertiveness when she rebuked Kaito not only for deciding her happiness on her behalf, without asking her absolutely anything, but most importantly because he dared to remove himself from her life, thinking "she doesn't need me to be happy, after all", when he was so so so wrong. And in doing that, he committed another horrible thing, he literally threw himself away in the process, like something of no value. I think more than anything else, this was what hurt Akiho the most. And we always go back to that parallelism of chapter 31, how these boys, in their fever of protecting their most important person, completely forget/don't see how fundamental THEY are to that person's happiness. Out of this whole reunion, another scene I love is when Akiho kinda "pulls" Kaito back to her, pressuring him to go along with Sakura's plan to revert him back to his true appearance (from that of a dragon). You can see that his self-loathing makes him hesitate, and resist that plan till the last second, but when he exchanges that long stare with Akiho, he finally caves in. Her hard stare, which shows already the irritation and pain that will overflow afterwards, makes him feel "wanted", necessary to someone. Just for being himself, not because of his powers, like it had been till he met her. That's another moment of this scene that I love deeply.

2. Chapter 48, "The moon is beautiful"

Yeah I'm sorry, I've been debating whether this scene would go to n. 1 or not, then decided otherwise, but I can't lie to myself: the scene that impacted me the most in this entire manga, the one that changed me, is this one. Akiho's covert love confession under the full moon. And until someone explained to me what Akiho actually meant with that "because the moon is really beautiful", I had considered this just a very sweet and cute scene, but nothing more. When someone gave me the correct "reading key" (and it's absolutely intentional because Akiho's speech is placed between quote marks), something changed inside of me towards these two. I already liked them, Akiho in particular, but this scene confirmed to me that Akiho was serious in wanting to grasp her life tightly and change it. From a shy, insecure girl needing validation at every sentence, crushed by the trauma of the past, to someone who actually made the first, concrete steps in conveying her thoughts and feelings to the person most important to her. From stillness, to action. The first steps towards finding her voice, and letting it be heard, louder and louder, throughout the story. This is a very important turning point, as you can literally see her changing, after this scene. Even in this metaphorical way, it must have required for Akiho to muster all of her courage to confess her feelings. Did Kaito understand what she meant, here? To this day, I don't think he did. Otherwise, he wouldn't have said such a foolish thing like "I didn't think you needed me to be happy" in ch. 78. But he still wanted to spend time with her, he was visibly glad to receive that "invitation" from her, even though he never let that transpire from his words, his reply is a line carefully built in Japanese to address what Akiho wanted, not what he wanted. Cause he couldn't allow himself to want anything, aside from that one wish, knowing very well how this would've ended. Chapter 48 and 49 were giving us everything we needed to know to determine not only Akiho's feelings towards Kaito, but also his own feelings for her. It's very clear by the way they look at eachother in their scenes of these two chapters. And yet, the smell of "doom" was looming over them (so much that at the time I thought this would be their last conversation before everything went down the drain; fortunately it wasn't), so this "duality" created the perfect mix to get me definitively invested in these two.

1. Chapter 79, "I can't be on everyone's side"

I chose this scene for the 1st position because I absolutely adored the revolutionary and strong message that Sakura passed in the very culmination of the climax. I felt we really needed it. More than once I had feared, throughout the serialization, that CLAMP would've shown Sakura trying to "befriend" or "compromise" with the Squids & Association, when the "moment of the truth" would've come. Because of the apparent "dogma" that "Sakura is everyone's friend, no one is evil in Sakura's world, Sakura is such a good girl".

But what they had already shown about Akiho's clan and the Association ABSOLUTELY couldn't be justified or compromised with. CLAMP had already shown too much cruelty from them, there couldn't be any "redeeming arc" or anything like that, that wouldn't result in being offensive to the sensitivity and intelligence of the readers. Sometimes it happens that you just can't compromise with cruel people guided only by greed. You shouldn't. Especially if they abused other people ever since they were so little.

In this specific scene, CLAMP have put Sakura in front of a choice, but not only that: they also made her question her own morality. How I adored that! Sakura does realize that what she's about to do might not be good from a moral standpoint, forcing people to forget about something without their consent. Exactly what Kaito did before. But she doesn't care. This is something different, and the difference lies in the intentions. While Kaito acted out of love, those other people were clearly trying to harm her friends. Because of this, she spells out clearly that she can't be on everyone's side. Because at some point a choice needs to be made, and she chose Akiho and Kaito. This scene right here is, perhaps, the one that answers the question that I know many people made themselves throughout the story, and after it was over: did we need Akiho and Kaito in Cardcaptor Sakura?

Yes, we did.

Because they brought Sakura to this moment, and they pushed her to make this decision. The decision to choose her loved ones' happiness over anything else, even her own morality, particularly when cruel intentions were involved towards people with a background much less happier and ideal than hers'. The decision to go on along with them, rather than trying to go back to how things were before. The decision to do whatever in her power to protect them. A series of decisions that brought her an enormous character development. This thematic of "going on" rather than "going back" was so strong in Tsubasa too, and it's not a coincidence that everyone could feel a strong connection to that other CLAMP work, in the final 2 chapters (and not only because of the cameos).

I think this scene defined and changed CCS forever (for the better, in my opinion). I feel like the essence of Clear Card is all here. This feeling of "everything we went through was for this moment" is so strong that made me designate it as my n. 1 scene!✨

[skygemspeaks]

thoughts on episode 5:

when luffy returns fire on garp's ship, it was hilarious to see garp burst out into disbelieving laughter. i understand that they're leaning into the awful parent aspect of his character in this, but it's also funny seeing him unable to hide that he's actually a little proud of luffy. like hey, if you're going to be a pirate, at least you're a good one

the baratie is absolutely gorgeous! as soon as the first pictures came out last year, i was so excited to see it in person, and it did not disappoint. i especially love the little floating patios they have outside, as well as the floating docks. i would love to eat there!

mihawk is finally introduced! i love that we get to see him fighting off don krieg. i can understand why they would cut out krieg's part from the baratie arc, but as with other plot points they've cut out of the past few episodes, i like that they gave a little nod to it anyways. also, garp being the one to call mihawk on luffy gives a logical reason for mihawk to be at the restaurant on the same day as the straw hats, instead of it being an entire coincidence.

zoro and the others ribbing nami after sanji hits on her is hilarious, it feels so accurate to how actual friend groups behave. they're such children! sanji overall seems a lot more likable in this than he is in the manga, i really like him!

the scene where sanji and luffy are talking about the all blue and luffy invites sanji to join his crew is really sweet! sanji's already looking at luffy like he's head over heels for him, and that's one thing i think the cast captured really well - just how utterly adored luffy is by his crew.

when luffy tells zeff about sanji feeding Gin, and Zeff just smiles and says "he's a good kid" i just about melted. i love that he refuses to be nice to sanji's face, but is really unapologetically proud of his son behind his back.

koby's conversation with garp was well played out. i'm a little iffy about koby's character arc this season though. it seems like a good set-up for the doe-eyed, naive, kid who knows nothing about the world to realize that the organization he looks up to to protect the innocents of the world is nothing but a sham, and for him to go his own separate way, but we know that can't happen. i've always been of the opinion that koby would make a much better revolutionary than a marine tbh, and this series is bringing that out full force. but at the same time, i think i really like garp's message that yeah, the world isn't fair and it's so grating that they have to put up with the double standards inherent in a group like the seven warlords, but that at the end of the day they have to believe that the marines are doing more good by taking down dangerous pirates than the bad they're doing by turning around to the doings of the seven warlords. one piece has always done a good job at moral ambiguity, and it shows in the live action as well

also, another aspect of this conversation that i liked was garp explaining to koby that he could have been fleet admiral by now if he really wanted to, but that doing so would mean him having to compromise on his values (and for those of us who follow the manga/anime, we know that more specifically relates to taking orders from the celestial dragons), and that doing so would mean having to give up his freedom. it's a great line, because it calls back to luffy's attitude of being a pirate means having freedom. you can see that luffy and garp are both the result of taking the same ideology to different extremes. it's easy to see how they're related, and how garp's ideals had an impact as well, in the same way that shanks did.

"you could never fail me" 🥺🥺🥺 i like how iñaki played this scene. there's still a lot of room for him to grow as an actor, but i like him as luffy, and i can't wait to see his career after this. i hope we can get more seasons, so we can see him become the luffy he was always meant to be

[buttercupshands]

So I've read ch 421 spoilers

It's a mess. I've been really patient with final arc even though I disliked some of the stuff happening enough for me to dissappear for a year or so.

Even if I dislike AFOmura with passion, at the start he was interesting to really explore how the quirk singularity was supposed to work. Without any "new being" sadly, I was curious what would happen and yet... Nothing.

Okay then what about Toga, Dabi and Spinner? What about their battles? Nothing really

Dabi was the most enjoyable of what was left of LoV with Toga close second. But they're both basically dead at this point. Spinner just existed for a couple of chapters, talked and then poof mission completed nothing else needed of him.

Toga's final chapter is still satisfying, it was similar to Jin's final chapter in a way.

Well what about the new chapter? Nothing

Tomura after 419 had basically become a background noise, maybe he'll come back one day. But not in this chapter.

This chapter is basically AFO talking like him losing Yoichi isn't something that happened 100 years ago. Are we supposed to care that he's sad and doesn't feel anything?

AFO trying to use his "tragedies" like he'll suddenly get a character development from it is just annoying.

Tomura's body in AFO's control now looks even more like a corpse rather than a normal body. Just let him die amd take his body with him if you don't want Tomura to live anymore. I don't care how sad AFO might be from suddenly understanding that his goal is hollow. About time

And now. Getting help in the finale of any arc is honestly something a person reading Shonen manga would expect and it's like a norm rather than an exception.

Except... Izuku is literally quirkless again. What can he really do now? No one really knows that he just decided to throw everything away just for the "crying child that needs saving". People already voiced how dumb that was and yet here we are with "crying child" saved, hands restored, but now there's no way to defeat AFO again.

And the worst thing is is that I actually tried to think about the arc and Izuku's role in it as something good for a long time and it didn't pay off at all.

I still like how he's paying attention to the fact that it's an All-Might merch, but sadly that means he doesn't pay needed attention to what he's going to do now and no one is actually capable of helping him in the moment.

It might as well end in "everyone believes that it'll be okay!" and stuff and that's it. That's all we'll get.

And I'm just lost at what to even look forward to in this finale. But maybe when it'll come out in a volume format I'll understand it better like I did with Izuku leaving UA arc. I basically just skipped it, looking at the leaks sometimes and only after it was finished I read it, two years after it came out I didn't bother watching anime version until this winter.

In the end all we can do is just wait and see, I'll still be doing sketches and stuff, but for now it's really not great or even just good.

(it still looks good tho, since Horikoshi is still Horikoshi)

[carnelianwings]

Went and saw Gundam Seed Freedom in theatre last night, I have so many thoughts about it (as you'd expect for a long time fan - I've been waiting for this movie ever since they announced it), there will be spoilers behind the cut, but the spoiler free highlights:

This movie is everything I ever wanted out of a Gundam Seed movie - the characters, the mecha, the OST, the cast, everything. It is as much a continuation of Cosmic Era as it is a celebration of Cosmic Era at its best, there's so much love put into this movie I can genuinely say I enjoyed every minute of it from the beginning to the end. My one and only nitpick is that they recasted Cagalli, but Mori Nanako does a fantastic job, so much so I don't have anything negative to say about her performance. (More on this behind the cut below, as I will delve into spoilers.)

Story pacing was actually really good here, in that there's no true retread/recap of both Seed and Seed Destiny. The movie assumes you've seen both, and while you could arguably get away with a cliff's notes version of Seed Destiny (even I know how much of a Base Breaker it is from watching it as it aired in Japan), if you sat through it you're rewarded between the shout outs and extra emotional impact from some of the scenes. There's a few brief clips of flashbacks to the prior series, but to me they feel like they're providing context (as you don't get to hear the characters' inner thoughts the same way you would out of a manga or a novel of the same story).

The animation just looked so good on the big screen, even the CGI used for the Gundams (like they've been doing in the newer Gundam series) looked fantastic. So smooth, no stock footage, you can tell where they made obvious homage shots to the original, but they're clearly redone for the movie. It was a feast for the eyes, in more ways than one.

The OST is fantastic, the way Sahashi wove the various melodies from songs past and present were a delight to the ears. I particularly love how he kept using various melody lines from Shizuka na Yoru ni as a way to musically reflect Lacus's journey and arc through the movie - just a line or two of the main melody, sometimes shifted into minor key, sometimes intertwined with another character's theme (usually whoever she's interacting with at that moment). There's also some glorious reprisals from both Seed and Seed Destiny, all rearranged to give it a grander, more spectacular sound to match the on-screen spectacle. Definitely one of Sahashi's best works, and I'm really happy they brought him back for it. Also, if at all possible - don't listen to the OST before seeing the movie. It will spoil key moments for the final battle, especially if you know which themes are used where.

Now, onto spoiler territory.

First and foremost, I really feel like Seed Freedom manages to redeem Seed Destiny as a whole. My biggest complaint in Seed Destiny is and always has been that Shinn's redemption happens in 5 minutes in an epilogue that was added on in an extended cut - I loved the idea and potential of Shinn as something of a Villain Protagonist early on, and even as we watched him spiral further and further into his grief and anger throughout Seed Destiny, the fact we never got to see what redemption and atonement meant for him was something of a sore point. One of the things I love is a good redemption arc, where the character learns from mistakes they made and improves themselves as a person, as an individual, and we finally get to see that here in Seed Freedom.

Shinn finally gets to do what he really wanted to when he enrolled into the academy, and under Kira's command he shines. For a character that was so heavily defined by his grief and anger for 50 episodes, he's done a 180 here, putting in the work and effort to turn his life around - we get more scenes of him smiling and eagerly working to help Kira as part of the team in COMPASS than angrily scowling or yelling at someone. He's finally found someone he can look up to and work towards being; it's clear he looks up to Kira as something of a role model, both as a goal and commanding officer, and has been rewarded accordingly as the pilot of the Immortal Justice. He's a lot calmer now, long gone are his days fighting for glory on the battlefield, he puts a priority on COMPASS's main mission of intervention and protecting civilians (so much so he'll voluntarily use Immortal Justice's shield to protect them over keeping it to defend himself). But it's not to say his past is completely forgotten or even retconned away - he gets called the Freedom Killer multiple times here (largely as a way to get at Kira too) and while Shinn never denies having been that person, his reaction shows he treats it as Old Shame, something he did but is no longer proud of.

And the true pay off to his arc comes in the end, when he gets reunited with the Destiny thanks to Cagalli upgrading it to the Spec II in the final stretch of the movie. He greets it like someone would greet an old friend, proudly and triumphantly launching this time to the fanfare of Seed Destiny's next episode preview bgm - it's hands down Shinn at his most heroic, and it's a moment he's earned. He's finally become the person he wanted to be at the beginning of Seed Destiny, before he let his grief and anger cloud his mind, before he was manipulated by Durandal. And in the end, his journey through the darkness that was his time under Durandal's command become his strength, granting him a spectacular flawless victory over the Black Knights achieved through his own skills - Stella protects him from the Black Knights' Mind Control, and his instinctual berserker Seed Mode keeps them from reading his mind to predict his moves. It's after all the trials and pain he went through that he comes out at his absolute best, and the Seed Freedom version of Shinn is hands down the best version of him.

Character development aside, it's genuinely heartwarming to see a character that was so narrowly defined by his grief and anger to be the one who brings a lot of the light and levity in what's otherwise a fairly heavy movie. Seeing him as a Big Eater during the ball at Foundation, his entire reunion with Lunamaria after she thought he'd been KIA'ed in the joint operation on the Blue Cosmos base, him getting hit by both Kira and Athrun during their brawl (with neither of them noticing ^^;;) - he's come so far since his Seed Destiny days he's (and I can't believe I'm actually saying this) one of the major highlights of the movie. And then there's his smile at the end when Kira finally relies on him and his cheerful response.

And of course, I can't talk about Shinn without mentioning Lunamaria - they've both come a long way from their days at the ZAFT military academy (if you go off the prequel novel Moonlight Valkyrie) and even from their time on board the Minerva. You can tell there's genuine love and affection between them, mutually supporting each other both on and off the battlefield, between them sharing a room onboard the Millennium and the energy transfer moment between the Impulse and Destiny. There's even a clear moment of redemption for Lunamaria's shooting skills when she shoots down a tactical nuke in her Gelgoog. And while she's definitely not one of the main focus characters in the movie, she still gets her moment of triumph, launching in the Impulse once more after Shinn's Destiny. Even though she's relegated to the Designated Chick Fight, it's a moment of personal triumph for her - she's grown as a person since her academy days, her time on the Minerva and with Shinn and Rey has changed her, and she's a better person for it. Even her time pursuing Athrun (even though he doesn't return her affection at all) comes back as a Meaningful Echo in how she ultimately deals with Agnes. Instead of choosing to kill Agnes in her GYAN, Lunamaria does something of a "pay it forward", disabling the GYAN and returning to pick her up from the moon after the fighting is over. Like Shinn, it's clear Lunamaria's in a better place than she was during the finale of Seed Destiny, and she also gets to join in on some of the lighter moments of the movie next to Shinn.

Onto Kira (because I'm saving my favorites for last), who is most definitely the main focus of the movie, along with Lacus and his relationship with her. Is his story arc a rehash of Seed? In many ways yes, and in so many ways, no. On a surface level, sure - we once again have Kira trying to shoulder the entire burden of the team on himself, of trying to do everything without relying on anyone else, of pushing himself to his limits, and as icing on the retread cake, we're even treated to a CV Kuwashima Houko girl (Agnes) trying to get his attention and affections. And that's about where it ends, because Agnes' motivations are vastly different from Flay's, Kira's circumstances this time around are entirely different from when he was in Seed - this is more about Kira realizing he really doesn't have to shoulder everything by himself, that even if Lacus is a non-combatant, she's there to walk next to him side by side, that Lacus's love for him is completely different from Flay's (initial) love for him. For Kira, it's The Power of Love while also echoing Seed's earlier themes of how easy it is to fall into old habits and make the same mistakes again. It's about Kira finally breaking past his remaining trauma with his relationship with Flay - he finally realizes that Lacus wants to be with him for him, that she never expected him to hand her everything she wanted on a silver platter, that she's willing and ready to work and walk with him to their final goal and destination, wherever that may take them. His relationship with Lacus was never a transactional one like it was with Flay - even if Flay genuinely grew to love Kira in the end, her true feelings for him never managed to reach him before she dies. And in the end, once he realizes what he has with Lacus, once he gets a chance to talk to her and clear the air, he's rewarded with a shiny new upgrade to the Strike Freedom, Lacus voluntarily joining him in the battlefield, and of course, that ending on the beach.

As for the whole "Is Kira Yamato a failure because he was a failed Accord or just Orphee insisting that he is superior to even Coordinators as an Accord" debate, ultimately it doesn't matter (at least in terms of Kira's arc - on a meta level, yes I absolutely want to know lol). He's got the one thing Orphee will never have (Lacus's love) and with that behind him he can overcome anything.

Honestly, if this is where we end Kira's story, where he gets to go off into the sunset with Lacus, to live quietly in the middle of nowhere (or even return to Marshall Islands to stay with Reverend Malchio) where he doesn't have to fight anymore, where he can just spend his days with Lacus until there's some world-ending reason to step back into the cockpit, I'm good with that. Kira never wanted to be a mobile suit pilot to begin with, he only ever did it to defend the people he cares about, and if this is where we part ways with him, because in learning to rely on other people, he also realizes he can hand things off to Cagalli, Athrun, and Shinn (and by extension, Lunamaria), I'm good with that. (I'll get to Cagalli and Athrun after Lacus, I want to save my favorites for last lol)

Lacus always came off as a little too perfect, a little too good with her words, and with a Seed Mode that ... didn't activate like your traditional Seed Mode (for one thing, she never gets the Seed burst animation on screen when she goes into it; she almost always monologues her way in). And I have to say it was satisfying to see that crack some more this time around, where her decisions are a bit more questionable, where she's finally having to deal with some of the consequences of her actions (and by extension Kira's as he answers to her and only her within COMPASS). But ultimately in the end, she's still the same Lacus as ever - Silk Hiding (nerves of) Steel, steadfast in her love and support for Kira, something that nothing can change, not even meeting her genetically destined partner in Orphee. And yes, while even she gets in on the action this time, quite literally delivering the Proud Defender to Strike Freedom to upgrade it into the Mighty Strike Freedom, I don't really have much to say about her.

I will say this though (because it gets very indirectly touched on by Athrun) - if Lacus hadn't fallen in love with Kira, and had continued with her engagement to Athrun as set up by their parents, would she have gone with Orphee? Would that alone have changed events enough so that Athrun might've been conveniently KIA'ed so Orphee would've been able to sweep in?

Now, onto my personal favorites (and complete show stealers this time around): Athrun and Cagalli.

Where do I even begin? Athrun being a Big Damn Hero for Kira not once, but twice? Cagalli taking over Lacus's role for being Crazy Prepared, Bearer of (Gundam) Gifts this time around?? The complete insanity that is the Z'Gok hiding the Infinite Justice Type II??? The (remote) Battle Couple fight????

Cagalli's just pure Crazy Prepared this time. She's learned from the painful lessons of the past 4 years, ensuring there's a plan in place to get her people to safety, immediately issuing evacuation orders for the civilians to avoid direct orbital laser bombardment from Requiem. She's made peace with the fact that sometimes, you really do just need to hop into a Gundam to get shit done, so she's seen to it that the Gundams for the top COMPASS pilots are available should they ever need it. She's the one who came up with COMPASS in the first place, providing some much-needed legitimacy for what Kira and Lacus want to do. She's also very clearly been training with Athrun for mobile suit training - where she once Could Not Keep Up, she's able to seamlessly pilot the Infinite Justice Mark II remotely, a less advanced unit than Shura's Shi-ve.A, without Shura ever realizing it was someone else piloting it. She's back as the Goddess of Victory, now older and wiser and all the better for it.

For all that she hardly showed up on screen, her presence was felt everywhere, most especially whenever Athrun's on screen. Really, I wouldn't even be surprised if the next time we see Orb get threatened by Orbital (Laser) Bombardment, she tells her people to get inside to safety before turning on a shield to protect the cities and then taking the field again.

And as for Athrun - it makes sense he didn't join COMPASS, even though the fact he has a custom COMPASS pilot suit and the Immortal Justice was clearly designed with him in mind. He's found his place in Orb, staying by Cagalli's side as her personal knight. He's even got his own custom suit with the Z'Gok-hiding-the-Infinite-Justice-Mark-II - he's got everything he could ask for while still being able to do his part to maintain peace. And in a double redemption moment - Athrun's the first one to throw the punch this time when Kira starts wallowing in his self doubt and lets his insecurities get the better of him, repaying the favor Kira did back in Seed Destiny when he, well, Saviour'ed the Saviour. Athrun's the one to remind Kira that as a close friend of Lacus's that her actions this time don't sound like the Lacus that he knows, and this time (unlike when he did something similar with Shinn) it works and gets Kira back on track. Poor Shinn - he thinks Athrun's about to do the same thing to Kira that Athrun did to him during his time on the Minerva, but while Shinn's not entirely wrong, he's also misreading the room a bit, not realizing this is a "They're really good friends, and sometimes they just gotta throw some punches to work shit out" moment.

Because in overcoming everything that happened in Seed Destiny, Athrun and Cagalli have finally grown into the people they both want to be. They've found their way, fighting for what they both believe in. Their time apart in Seed Destiny forced them both grow as individuals, so that when we get to see them working together again it's in perfect sync. In so many ways, Athrun and Cagalli (and not Kira and Lacus) are the ideal the Cosmic Era wants to push - two people working together side by side, regardless of genetics, as partners and equals. The dream of Coordinators and Naturals, living and working side by side in harmony - that's them. And ultimately, it is what they do that brings the heroes victory and lets everyone fly off into the (metaphorical) sunset together. They played the long gambit - creating COMPASS (giving Shinn and Lunamaria a means to atone for the things they did, giving Lacus and Kira a legitimate way to stop skirmishes), upgrading the Gundams, being there for their friends and allies when they needed it (Athrun literally knocking sense back into Kira, Cagalli coming in with the equipment upgrades) - all while keeping their priorities in order (first the civilians, then reequipping allies, and then finally going into combat together to take down Shura), and it all pays off in the end.

Really, is it any wonder, then, when Shura tries to read Athrun's mind in the final battle he's just thinking of hot (naked) Cagalli?