#the reason I use both in all sorts of things

[crios31]

Chapter 2: Traveling to Japan

Story building and smut (Cunnilingus, cowgirl, creampie, doggy style)

Lenght 2700 words

You are at the airport and it’s finally time to board your plane to Japan with Wendy for a new chapter of your life.

“Take care of each other over there.” Says your mother, hugging both of you. “Ah, I almost forgot, it’s the file concerning the scholarship program plus some other things that I deemed useful.” She releases her hug before giving you the files which you put in your backpack. “Thanks mom.”

“Say hello to everyone on our behalf.” asks your father when it’s his turn to hug you.

Your goodbyes now done, you board the plane , waving one last time to your parents on the way. Inside the plane, you both go to your place in first class and  follow the instructions of the crew before the take-off.

An hour later, the plane is now at cruising altitude so you decide to read the file your mother gave. On the seat beside you, Wendy is reading a book.

The first part of the file is about the public information that you mostly know. That the program is for girls that show aptitude academically or athletically and it was created by your Mother after she opened her first school. Scholarship recipients are accepted in all your Mother’s school or can in another school if they don’t want to move, in both cases all of their living expenses are taken care of. The rules they had to follow are simple, maintaining good results and good behavior. 

The second part is about the non-public information. To start, the real way to enter the program is that your mother chose them, the academic or athletic potential being one more reason. By entering the program, there is more than just living expenses that are taken care of, more financial support could be given like paying a family debt. Other specific issues can also be resolved. Another benefit is the possibility to have access to private tutoring to skip grades in order to graduate earlier. In exchange for all of that, one more rule exists, they are not allowed to date.

Regarding the selection of those that will work for you, most of them cannot refuse it. Wendy was one of the exceptions. For the selection process of the applicants it is a strict one, a minimum age requirement of eighteen moreover the appearance and personality are taken into account for the decision. Those that fall short will be recommended to other employers, also a possibility is to become a standard employee in one of your ventures because of their skills. In those two cases they will become exempt from the rules of the program after graduation. In exchange they will only be asked to recruit people that could enter the program. This part also contains detailed data about the cost of the program, the number of recipients and so on.

Finally, the last part of the file begins with a note explaining that the goal of the program and the selection is for you to have people you can trust at your side and that you’ll slowly take responsibility in the program. After this section of the note you read “Grandkids?” followed by a winking smiley, both seemed to have been handwritten by your mother. This addition from her makes you laugh. The end of the note informed that the documents following it are profiles of girls she deemed ready for selection.

From your first look, there are around twenty candidates' profiles and all of them are older than you. You take your time studying each of them, taking notes. You also ask Wendy to look at each of the profiles after you’re done with it.

Later during the flight, you have just finished sorting out the profiles with Wendy in order to select a first batch of girls that will work for you.

“We are down to three sir, two of them are studying in the University that you will join, while the last one is studying in another, in Seoul. How do you want to proceed?”

“For the one in the other University, just give her the news and explain to her that she can focus on University for now. For the others, we'll contact them to set up a meeting, starting with this one.” You give a specific profile to Wendy.

“Kim Minji? Understood, I'll arrange that during our stay in Japan.”

A few hours after the plane landed at Narita Airport, you have settled in at your hotel. Sitting in the hotel’s restaurants you are savoring with Wendy some Kobe’s beef. Finishing your plate, you look on your left, through the window at Tokyo’s nighttime view.

“So delicious I really wanted to taste this if I ever had the opportunity to come to Japan.”

“I’ll make sure you can try as many specialties as you can during our stay.”

“So many things come to my mind!”

As you talk, the waiter takes your empty dishes and quickly comes back with the dessert.

“Oh it’s so good too, I’ll try to do one later.”

You smile looking at the baking fanatic. “Do you want to try mine?” You push your plate toward her.

“Yes, thanks.” She quickly takes a big spoonful of your dessert. “It’s delicious too.”

“You can finish it”

“Really? Are you full?” She asks her spoon hovering above the dessert.

“Not really but I will eat another dessert in our room tonight.” You answer, looking at her in the eyes.

She raises an eyebrow at your answer before focusing back on the sweet treat in front of her. When she finishes it, you pay for the meal complimenting the service and the food to the waiter, then you exit the restaurant.

In the elevator, you take a look at Wendy, in particular her miniskirt and you can’t stop yourself from touching her butt.

“Sir?” She turns her head toward you in surprise. Two floors later, the elevator stops for other people to enter, in reaction, Wendy immediately shoves your hand away from her. You wait for them to turn their backs to you before once again grabbing her behind, but this time your hand is under her skirt. Her body becomes tense and you smile mischievously at her when your eyes cross hers. You continue to fondle her ass, sometimes brushing your middle finger against her pussy, as the elevator goes up you can feel her slowly becoming wet. 

When you arrive at your floor, you reluctantly stop. Wendy quickly passes the opened door of the elevator and you follow suit, after entering your room she sits on the bed looking at you.

“Couldn’t you wait for us to be in the room to do that?” 

“No, your cute little butt was too tempting.” You walk toward the bed, stopping in front of Wendy, you lean forward putting your hands on her tights. “And it was fun watching you get all flustered.” You give her a quick peck.

“Fun for you.”  She complains in a low voice feeling your hands behind her knees.

“Now let’s have some fun, shall we?” You suddenly lift her legs causing her to yelp as she loses her balance, her upper body falling on the mattress. You grab her panties and take it off from her body. Placing your hands on the back of her thighs, you spread them.

You get on your knees as you begin kissing her legs, starting from her calves,  slowly making your way up her leg. She feels the touch of your lips approaching her pussy, you alternate from one leg to the other. Wendy's growing excitement makes her breathing quicker as she bites her bottom lip. 

Finally arriving at your destination, you take a look at her glistening folds. You lick her lower lips before inserting your tongue inside her. As you explore her pussy your jaw gets wet from her nectar.

“Fuck… that’s feel good.” She gasps, putting one hand on your head when you replace your tongue with your finger in order to tease her small bud with your mouth. You hook your finger toward the roof of her pussy. Her angelic voice gets louder and her walls get tighter as you continue with your task.

“I’m getting close.” Hearing this, you put a second finger in her and intensify your tongue’s work.

You feel her grip in your hair tightening and the heels of her shoes burying in your back, causing you some pain. But soon enough her hips rise from the bed taking support on you with her legs and the mattress for her upper body. From her mouth comes a scream of pleasure as she orgasms.

Her body relaxes, freeing you from her legs. You stand up and look at Wendy who is still feeling the aftermath of her climax. You take off your shirt her wipe your face of her slicks

“Do you want me to return the favor?” Wendy asks in a soft voice.

“Maybe another time, for now I want to be in you.” You get naked finally freeing your member, climbing on the bed, you give a long kiss to your partner.

“Then let me be on top.” She says as you let her push you to lay on your back. Wendy takes off her shoes then standing up, she unzips her skirt while looking at you. As the garment fell at her feet she smiles feeling your gaze on her exposed lower body. She places herself above you, taking a hold of your cock to align it with her entrance.

“Damn feels good.” You say watching your length disappear in Wendy when she lowers body.

“You’re stretching me so much.”She began to ride you, taking support on your chest. At first, she starts slowly before gradually increasing her pace.

On your side you're not inactive, taking hold of her waist to help her before sliding a hand under her top. You feel her abs as she drops on you, moving your hand higher,  you take hold of one of her boobs over her bra. Her breast in your grasp, you start kneading it.

Locking eyes with Wendy you feel the grip of her walls around your member getting stronger, in response you raise your hips meeting halfway when she drops on you.

“Sir... Shit! I’m coming.” She stops moving her body tensing up as she cums, her walls clamping around your cock.

“I’m close too.” Using both your hands you lift her body before bringing her down, each time hitting her cervix. Soon enough, you discharge a big load inside her. 

Following your release Wendy falls on you, her head resting on your chest and you both take some time to catch your breath. You feel yourself getting soft in her as you put your arms around her. 

“Let’s get something to drink.” You say giving a light smack on her butt before releasing the hug.

“I’m so full, good thing that I take birth control or I would end up pregnant before long.” Says Wendy as she gets off from you with your semen leaking from her slit.

“Yeah, it’s too early for a kid.” You follow Wendy, taking the glass of water she hands you. While you clench your thirst she takes off her top and bra. You look at her nude body moving to the front of the window.

“I dreamed about visiting new countries and right now I can enjoy this beautiful view.” She says watching the city’s light. “And in addition to that I get to travel with a handsome man.” Turning her head she gives you a wide smile.

“Well now that I know this information, I’ll have you accompany me every time I travel abroad.”

“That would be nice.” She responds with a chuckle. “I heard good things about you before but I didn’t expect you to treat me so well until now. I hope it’ll stay like that”

“Well, you are someone fun to be with,plus you are also a smart and attractive woman. So, I see no reason to change it.” While talking you approach her, taking her into your embrace.

“Thanks.” She whispers, as she puts her hands on top of yours. Both of you stay silent observing the outside but at one point Wendy feels your cock hardening against her butt. “Someone wants more.”

“Always, and I don’t think I’m the only one with how you're grinding your butt against me.”

“You caught me.” She bends over leaning on the window.

You slightly bend your knees to align your cock with her pussy, putting your tip against it. “Hope you’re ready because I won’t stop until the end.” Taking a firm hold of her hips, you thrust all your length inside her in one go.

“Ahhh! Fuck so deep!” As she takes your onslaught, Wendy has to tiptoed and progressively gets her body closer to the window. Soon enough she finds herself with her upper body stuck against the glass. Under your thrust against the entrance of her womb, her pussy begins to twitch as she orgasms.

As you warn her before you continue to fuck her hard throughout her climax as you are far from yours. Following this, she cums again at least twice, hence her eyes are now rolled back, her mouth is open with only moans coming out of it. Furthermore, the only reason why she is still standing is you.

“Where do you want me to cum?”

“Anywhere, just cum.. it’s too much.” She barely answered between moans.

Following her words, you quickly make a decision as you are reaching your limit. You take out your cock of her snatch, placing it between her asscheeks. Giving a few thrusts to finish yourself, you then release streams of semen across her back.

You release your hold on Wendy’s waist. Without any strength left in her legs, she falls on the floor, resting her upper body against the window.

You take a few steps back, relishing the sight in front of you with the city and Tokyo’s Tower as background. Through the fog on the glass caused by your frolicking, the city’s lights are partially illuminating Wendy’s naked body and her cum covered back

“I agree with your earlier comment, this is a great view.” You immortalize this scene with a photo.

During the following days, you both explored the streets of Tokyo. Visiting the traditional district of Asakusa with its Sanctuary and the National Museum of Tokyo. Other places you get to see were, the Kokyo Gaien National Garden where you both enjoyed the peace and quiet before having a tour in the Imperial Palace of Tokyo which is beside it. Along the way, you also tried a lot of different kinds of food.

At the end of your stay in Tokyo, you take the Shinkansen to Osaka. After arriving and dropping your luggage at the hotel, you take a taxi, remembering some memories linked to this city during the ride. 

The taxi stops in front of a two storey house, after paying the driver you ring the doorbell. A few moments later, a man who looks to be in his early forties gets out of the house, opening the gate to Wendy and you.

“Ah, good to see you kid.” says the man in Japanese

“Good to see you too, Uncle. Here is a gift for receiving us.”

“Thank you, oh nice wine, I think I drank some in the past, with your father. By the way, who is this young lady?”

“This is Wendy. Wendy, this is uncle Kosaku” You make the presentation as Wendy doesn't speak Japanese and your uncle, while he can somewhat understand Korean he is not fluent in It.

“Let’s get inside, the other should be waiting for you.” You both followed him inside the house. Immediately after taking off your shoes, your hear footsteps quickly approaching you. You only have the time to raise your head before someone hugs you.

“I’m so happy you’re here! I missed you so much!” says the owner of the feminine voice, hugging you.

“I missed you too, Sana.” You say, returning the hug.

[am-i-the-asshole-official]

AITA for refusing to buy my friend gold? 

I (f/33) have a very good friend (f/39) who is Hindu and an Indian immigrant, and this year she invited me and my wife (33) to celebrate Diwali with her. My wife and I are white canadians and not religious. We’ve been friends with her for almost a decade, but in the last few years have become very close and now she is basically family. We happily accepted.

We brought over food and the stuff to make paper lanterns, and we had a lovely time. The problem came when near the end of the night, when my friend told me that it’s been so long since she had people to celebrate Diwali with, and she was getting excited for presents. I didn’t know Diwali included presents so I hadn’t brought her anything, besides the craft supplies and food, she said that was fine and we could get her something next year.

I asked her what sort of gift she would like, and she said gold was the traditional gift and, I quote “but make sure it’s above 10 karat or it’s basically tin, I’d just throw it away.”

I thought this was a joke at first so I laughed, which made her confused. I explained that I would never give anyone gold as a gift, I’ve never even gotten my wife gold, we couldn’t even afford wedding rings. When she still looked confused I tried to clarify, and asked how much is a gift of gold, traditionally (since I’ve never bought gold, I had no idea how much it would cost.)

She told me a minimum of 500 dollars.

At this point is the behaviour I think might make me an asshole, because I was laughing in complete disbelief very openly. I told her that was completely insane, and I would happily spend every Diwali with her and get her a gift, but there was no way I was buying her 500 dollars worth of gold, ever, especially not if it was a yearly thing.

I know that in India, my friend was of a pretty high caste socially and her family is well off, and here in Canada she is an accountant who owns her own condo, and is looking to buy more property and become a landlord. My wife and I live frugally, we’re blue collar and both from working class families. An average amount I spend on a Christmas or birthday gifts for someone I’m close to would be about 20-50 bucks.

After I’d explained all this to her, I could tell she was disappointed and it had made her sad and confused. Part of me feels bad for laughing at her tradition, especially since she made the effort to include us and has no family here to celebrate with. But it honestly boggles me, and makes me a bit mad, honestly, which I know is unfair since it’s just differences in how we grew up, but I can’t help feeling annoyed and like she’s not seeing her privilege.

This has been compounded by the fact that for Christmas, which we also celebrated with her, she actually gave us gold, worth quite a lot, in the form of a special coin. We’re not the type to display fancy stuff, so it just sits in storage now. But I’m worried she may expect tit-for-tat, even though the only way we could possibly afford to give her gold back in exchange is if we sold what she gave us which we are definitely not supposed to do.

We still hang out constantly and we will continue to do so, she is a for-life friend for a lot of reasons, and I’d love to make her holidays and celebrations special, but this is just a sticking point for me, and I find myself feeling/acting like a prick every time it’s brought up.

So, AITA? Does anyone have suggestions for this situation?

[lady-raziel]

I'm not part of the Watcher fandom, anything I know about it has come through your blog. I feel like maybe they saw the success Dropout has had with their own streaming platform and want that, but it sounds to me like they're sticking to their same upload schedule with a single show; which Dropout doesn't do. They upload new episodes of a variety of shows multiple times per week, both continuing beloved shows and introducing new ones regularly. I say this as a person with a Dropout subscription, I keep it because I use it consistently, multiple times, every single week. What they want to do definitely sounds more like it should be an early access patreon subscription, rather than a full paywall.

for sure. lots of people have brought up dropout on every side of the conversations being had right now usually either to say "well it worked for them" or "they'll never be dropout" and i guess where i stand on the whole thing is that i'm sure dropout's success was one of the reasons why they felt like this move might work, but failed to consider that watcher's situation and dropout's situation are pretty different. it seems to me that dropout's success was hard fought and kind of a one-in-a-million sort of thing and they're in a very different place creatively with the amount of content they're able to put out. that's just not where watcher is right now. this sort of move wouldn't work out for pretty much every youtuber out there with the exception of maybe mr. beast or something. that's the kind of level you'd have to be at to make this sort of thing work while going pretty much cold turkey on youtube. dropout is definitely the exception, not the rule.

the fact is that they DO have a pretty successful patreon where they were doing stuff like early access and they were making a significant amount from that, plus merch, tours, ad reads, youtube revenue, the whole shebang. and now essentially they've thrown that all away for an "everyone must pay" model. Very strange.

[dreamcaught]

Fandom has Critically Failed a Media Literacy Check: Thoughts on Ascended Astarion

TLDR: Yes, he's evil. Yes, he's still in love with you.

Okay so now that I know more about both Spawn and Ascended Astarion from personal playthrough experience, I have to say it's really weird to me how much the fandom is pinning them against each other. In all practicality, they're the same fucking person.

Astarion's non-romance specific lines are practically identical. If you're his friend with high approval, he's pretty badass, if a megalomaniac. His self-obsession and self-importance make sense in context, though, and they aren't even that much more pretentious than his earlier expressions of desire for power. It's just that he has the power now. He says he's happy, is excited to be prosperous in his own way, and continues helping you. He's no more cruel than he was before. I can't speak to low-approval lines because my games will always reach "Exceptional" levels of approval for my favourite party members, but I can't imagine them being any different than low-approval spawn lines.

On Love

When romanced, the biggest fandom criticism I'm seeing is this idea that Astarion no longer loves his romantic partner. I have been looking for evidence of this and can't find anything indicating its truth. The closest thing is a post-breakup conversation which, in my opinion, is a huge cop-out. Even still, it does not say anything about his love for you -- only your love for him.

"Of course I understand love. All too well. The greatest crimes committed in this world are committed for love. A hunger crueler than bloodlust. I know how to play with it, and I can't resist playing the hand I know. I would have ruined your love, used your trust until you were nothing. So, for what it's worth, I respect you for making the choice you did. I never knew you had it in you."

I can imagine these lines were written for a very practical reason: They don't want break-ups to affect game-play. An entirely evil Ascended Astarion would just swan the fuck off if his partner left him, and that's not fair to a player who just doesn't want to be in a relationship in-game anymore. This is different than if the character breaks up with the player, because that usually happens because of some sort of cruelty the player chose. Actively trying to kill him, failing to persuade him after showing support for his ascension, or kicking him the balls after agreeing to be his spawn are all actively mean on the player's part. (Or an unfortunate dice roll, but it is - after all - still a game.)

Having Astarion leave the player after he breaks up with you is a consequence of these cruel actions; having Astarion leave after you break up with him is a game-play issue. They can't realistically account for why the player would do so. So they've thought of a realistic reason for Ascended Astarion to stick around: he respects you.

But I also think this speaks to Ascended Astarion's character.

People like to point out the way he says love in this line, as though it is something disgusting - something beneath him. Yes, he probably hates the concept, hates the feeling of it. But: he didn't like it much when he first fell in love with you either, as a spawn.

And he's only felt it once before you broke up with him, so there's that.

Astarion is insecure, even ascended, and if the player speaks for him - tells him he can't love, says he is too cruel, his actions thereby will only justify those concerns. It is a self-fulfilling prophesy, but that is not a result of him not loving you; that's a result of you saying he can't.

Reflect on this: Of course I understand love. All too well. I would have ruined your[s].

He loved you. He loves you, still. He can't say he doesn't, even if he respects your decision to leave him. However, he also feels that love is ruinous. He has become an even darker, more evil creature than he was before, and he believes your connection to him would be destructive. Consider that you have just denied him what he wanted: you. His love for you has hurt him, so he feels that he would hurt you back. He gave his trust to you, and you broke his heart, so he maintains that the same would happen to you: that he would use your trust until you were nothing, like he is. That is Astarion's nature both before and after ascension, but it is not an argument to show that he no longer loves you. That is an argument to show that ascended Astarion is just as lost, insecure and retaliatory as he was when you first met.

On the other hand, if you do not break up with Astarion, there are copious lines which showcase his love and complete devotion to his partner:

"You sweet, sweet thing. I want what's best for you too, of course." (In response to: "I hope you learned to love me," he says,) "What's to say I don't? I'm willing to share all of this with you. What's that if not love?"

(In response to: "I hope we can work things out and stay together," he says,) "Of course we can. You're the one that I want, the one that I love... My dark consort. My right hand. My most beloved spawn."

("So what would I be? A vampire, or your spawn?") "You wouldn't just be some spawn - you're far more than that to me. We could be together for eternity, ruling this world side by side. We could have it all."

("It sounds like you'd have it all.") "I already have everything. Except you by my side."

These lines come from the conversation before choosing to become his spawn or breaking up with him. All of these responses explicitly demonstrate Astarion's love for the player. Now that he achieved his greatest goal to become his strongest self, his desire is to share his success with you. As a vampire, that means to become like him, to become his. In a very real but evil way, he is very obviously asking you to marry him. And he's being very honest about it.

I've seen a lot of arguments about these lines which pretty much come down to: he's lying. But, kindly, fuck off. That isn't an argument; there is absolutely no reason to think he's lying here unless you have already chosen to think he's lying, and that's just another self-fulfilling prophesy.

Astarion being evil does not automatically mean that he's lying. Astarion's voice acting here does not automatically mean that he's lying, either. Yes, he sounds different: he is more self-assured, more powerful, more arrogant - but he's not fundamentally different in his ideals or desires from his spawn self. There is no evidence to support the claim that Astarion is manipulating you or lying about his feelings to - what? Stay with you? Why would he? It is through this very conversation that he allows you to decide for yourself what you want to happen next, so trying to claim he's manipulating or lying to you here is shallow.

And at this point, people will bring up the wisdom check. Look, I have no idea why this check means that Astarion couldn't possibly love you or respect you. In fact, I argue that it's much the opposite: he respects the player so much that he thinks that they're degrading themselves to be with him. He thinks so little of himself that you are lowering your standards, lowering yourself, to be with him:

He will always see you as degrading yourself if you continue to be with him. But perhaps you wish to degrade yourself. And he knows it.

Your choice to become his consort is beneath you - not beneath him. Your wanting to remain at his side is not what you deserve because he thinks you deserve better: but he knows, at this point, that it's what you want anyway.

Dominant/submissive Undertones

"On your knees, darling." A lot of people feel uncomfortable with the new dynamic created when Astarion ascends. His relationship with the player is significantly more defined than it ever is when he's a spawn. This is true throughout a spawn playthrough, as well: it is only at the very end of the game, in the epilogue scene, that spawn Astarion confirms your relationship as fully established. Whereas with ascended Astarion, he considers you his established partner now - his eternal lover and consort.

The Dominant/submissive undertones created by the master/spawn dynamic makes some people argue that ascended Astarion is abusive, for some reason. But - no, it's not. Just - understand that actual abuse is a sensitive topic wherein claiming Astarion's dominant aspects are abusive is actually offensive to both people in D/s (Dominant/submissive) relationships and to survivors of real abuse.

But a few things:

Astarion is evil. Astarion is always evil. Astarion is chaotic evil as a spawn and more lawfully evil ascended. He is cruel with his words, has a twisted sense of pleasure and pain, acts selfishly and relishes in having power. He "has a casual relationship with murder," genuinely dislikes children/the weak, and legitimately does not care about most people. Ultimately, Astarion craves for control - over himself, over his life, and over others. But as Astarion learns in his own story arc: being evil does not mean he cannot love. These things do co-exist, and you are the exception. Your friends are like salads (side-dishes, add-ons, auxiliaries... they don't really count as much as the main course). So yes: he can be mean and he can be cruel - because he is, from the start, fairly evil. But since that's true for both spawn and ascended versions of him, this doesn't matter. You must accept this as part of his character; if you don't, that's on you, not the text.

Being dominant is not fundamentally abusive. There are countless real life examples of D/s relationships which are based on love and respect. These relationships are just as real and just as valid as any other kind of relationship. They are not based on abuse and should not be seen as such.

This relationship, as degrading and submissive as it is, is still based completely on consent. Astarion never forces you into your agreement, whereas he does thank you for it twice: "You have given me everything. Thank you." and "Gods, you're beautiful. And you will be beautiful forever. Thank you, for trusting me." Many people will see the subsequent inability to break up with him as abusive, but I must insist: he is very clear that this pact is eternal. That this is forever. If you break the consent of forever, then that's you being cruel again - not him.

On Possession

Another line he says in this post-breakup scene is this:

"And if we were beholden to each other? Well, how is that too different from being enslaved?"

In my opinion, this line is much more significant than the previous. It speaks to Astarion's tenuous grasp of relationships in general, but also how he views both himself and you when partnered.

Importantly:

"beholden to each other" is not "my ownership of you"

From the beginning of the game, he's using you and he's expecting you to use him. For Astarion, every relationship in his life has thus far been transactional. Every relationship except yours, which is the only one he wants to be real.

If the player breaks up with Astarion, the reality of this relationship is broken. He reflects on it once again as being transactional. He is no longer attached to you romantically, and so he strikes a business deal with you instead.

This devolution of Astarion's understanding of relationships does not happen if you choose to stay with him. He doesn't think of your relationship as transactional at all - in fact, he shows trust, devotion and reciprocation of possession and affection. He considers the relationship to be established and the most authentic one he's ever had.

Ascended Astarion considers his consort his "right hand," "by his side," -- these are just different, fancy ways of saying that you are his equal without saying it outright. He is as beholden to you as you are to him.

Astarion may be more open about his possessive tendencies toward his partner - but saying "my treasure," "my beloved spawn," or any other endearment with the possessive "mine" at the start of it isn't nearly so damaging as some people are claiming it to be. Spawn Astarion's "my love" is really no different. That Astarion is open and vulnerable with these endearments is just showcasing his trust in your shared devotion to each other. Think of it this way: you could very well be calling him something similar right back.

--

If you have not actually played an ascended playthrough - or, heck, if you haven't played the game at all and are making loud opinions about Ascended Astarion as a lying liar incapable of love or of Spawn Astarion being the better choice -- maybe stop. Maybe just enjoy what you like and let others enjoy what they like. Maybe practice some media literacy and note that Astarion is Astarion is Astarion - he's the same character, both beloved and hated by many, with virtues and vices that are compelling and flawed.

The writers have created a rich story. Understand that the story being told is the one being chosen by the player - whichever direction they choose to take it.

[empydoc]

SOUL EATER AU guy & honey

check out the masterpost here!

welcome to a redacted soul eater au post! here, i try and discover what it'd be like if you merged the soul eater world and mechanics within the redactedverse. this is the sixth post in the series of posts i'll make regarding the individual characters and their listeners! we've got guy & honey on the menu. enjoy!

༺♰༻

guy — soul type: weapon weapon type: baseball bat compatible with: honey

guy, being an unempowered human, doesn't necessarily have any additions to his weapon form at all. even so, i have the personal headcanon that he got to grips on shifting to his weapon form pretty quickly when he was younger, purely because i have the idea in my head that he's a quick learner.

unempowered people are typically meisters, but it isn't that strange for them to be weapons. during soul resonance, one of guy's signature abilities is to change from a wooden bat into a metal bat, which significantly boosts damage (but lowers the ease of use).

honestly, i couldn't think of guy's weapon form at all for the longest time. it escaped me, because i wanted something "funny" but also something that could be taken seriously (because a weapon is supposed to compliment both the weapon itself and their meister). eventually i found that a baseball bat was PERFECT for these two, since it's a little intimidating when someone like honey holds one, but it's also literally just sports equipment.

༺♰༻

honey —  soul type: meister strongest meister ability: soul resonance - a technique where special attacks are made when resonating with their weapon's soul. compatible with: guy

again, like guy, since honey is an unempowered human there isn't necessarily anything special about their meister status. i like to think, though, that honey hasn't wielded anyone for a particularly long time before meeting guy- but the reasoning for that is up to you!

meisters are people who have the ability to perceive people's souls. i won't dig too far into how people's souls look in the redactedverse, because that'd be a whole other layer, but for this one time- i like to think honey saw the chaos that was guy's soul (a quickly moving, orange, constantly bouncing sort of thing) and kind of assumed they wouldn't be compatible at all, but was rightfully proved wrong in the end.

originally, honey was going to be a weapon, but something i've realised is that i struggle to decide weapons for listeners to be because i can't figure out some of their personalities very well. although, just so you know, i did debate on honey being a chainsaw.

lite backstory: for every post i make for the characters, i'll add some au backstory to really fill in some details you may be curious about!

being two people who live lives outside of excessive confrontation (as well as, in universe, kishin soul hunting- something meisters and weapons do to relieve the world of kishins, a sort of creature that creates destruction and wants to kill for the hell of it) they didn't think they'd need respective partners.

even so, akin to some others in this au, they eventually got into some trouble. when it came to a date night out, and an aggressive looking man spitting obscenities their way, guy insisted that they 'try out what they'd been talking about recently'. honey got grips of the situation quickly, and they were able to descalate the situation pretty well, but not without a few thunks to the head.

[fractiflos]

I've decided to do the thing where I put a poll up of my wips and write however many sentences that wip gets. BUT! These wips aren't even published yet. I like to put something up then come back to it later so I can at least take the pressure off myself. Because the pressure of getting a first chapter out makes it difficult to write.

Jult - Inspired by a conversation me and my sister had in a shoe store. We were wondering if Best Jeanist ever put a J at the front of words (ex: Jhe Jaghetti jas jood) and if he owned jean themed items like a Jable and Jhair. Then I learned there was a jult around him and thought "hey, what if he had a Jult in canon universe?" which is what happened. Although, this one is a one-shot.

Snippet: The parents would leave the hospital as confident and reassured as new parents could be, doing their best to make sure their child grew up happy and healthy. His blond hair grew out and took on a shine along with his oddly long lashes, and his green eyes always sparkling, much like his mother’s. Yet, despite his healthy look and appetite, there was something worrying about him. 

He only liked denim. 

Shigaraki - Frankenstein AU! Where AFO brings Yoichi back to life, Frankenstein style. And what luck, Yoichi appears to have lost his memories, leaving him with the opportunity to create the perfect little brother. When Second and Third find out, they try and get his memories back. But there's something that all four of them don't know. That's. Not. Yoichi.

Snippet: It was not a dark day when Yoichi died. It was sunny and there was not a cloud in the sky, though they couldn’t tell as they ran through the sewers like frightened rats. Hearts pounding in their ears, terror palpable in the air. 

Ice King AU - The AU where everyone was born earlier into the Age of the Dawn of Quirks. Second and Third are brainwashed and work for AFO while Yoichi has become unrecognizable to everyone ever since putting on the quirked crown that gave him the ice powers. Meanwhile, Izuku and Katsuki are unaware of his tragic backstory and beat him up everytime he kidnaps a hero.

Snippet: At twelve years old, Izuku Midoriya should have been in middle school cutting open a dead frog. Instead, he was battling against a very large, very alive frog with acid spit. 

Pokemon AU - Instead of quirks, they get pokemon. Izuku is still bullied for having an eevee that can't evolve. AFO and Garaki do all sorts of unethical experiments on pokemon. And it's really annoying how I can't type an accented "e" on my computer for some reason.

Snippet: Izuku Midoriya was 9 years old when he learned that not all Pokémon were treated equally. 

Death Tree - Are you in the market for a fic with lesbian duoholders? Another Victorian era AU, but this time Yoichi and Second are both girls. I thought about how easily AFO's possessiveness over Yoichi would translate over to the attitudes toward women. He'd still have to disguise how deep it goes, but even if he slips up every once in a while, no one would suspect anything. The actual plot is Yone falls in love with the daughter of the stable manager, and they eventually start a secret relationship. She also makes some friends in the small town that she lives near and is pretty happy. Then her friends start dying. Looks like they're going to regret not paying more attention to AFOs behavior.

Snippet: Yone was thirteen years old the first time she met the girl. Her wild hair was a flame in the summer sun, freckles scattered across her cheeks in a way that was reminiscent of the stars in the sky and calculating ruby eyes. She couldn’t help her staring, not used to seeing someone display such blemishes so freely. 

[val-of-the-north]

A small detail of the Kindred of Rot

At some point I was made aware of a very easy-to-miss detail on one of the enemies of Elden Ring. I must thank Zlofsky from Twitter for this. The detail in question is this [x]

(Here's the version for those who don't want to use the link)

As you can see, the Kindred of Rot can have this peculiar red "spike" protruding from the back of their heads. I had not heard many people actually talk about this detail in length, but I heard it posited that it was actually found only on the Pests that Gowry takes over, and that it was some sort of parasitic mushroom, like the one that infests ants in the real world. The idea was very compelling and fit the theme of the Scarlet Rot neatly, so I eventually decided to verify it. Sure enough, the spike was there after his borrowed Pest body died.

So yeah, that's it then! It was all Gowry and he was actually some sort of parasitic mushroom all along! To consolidate the discovery, I decided to kill another Kindred of Rot in Caelid. That proved to make things more complicated than I first thought, as after the fight I realized it ALSO had the weird red spike on the back of its head!

So I thought maybe it's all the ones in Caelid, because Gowry can choose from all of them as the next host. Sounds reasonable right? So I went to check in Elphael instead, to see if this theory was true, only to be met with other corpses sporting the red spike. I started thinking that maybe the variant MISSING the red thing was actually the uncommon one, until I found a gentlebug who did not aggro even as I stood pretty close. There I could finally see that he did not have one! And later on, I found another one that I could avoid aggroing, and sure enough, it also didn't have the red spike.

And when killed, both sprouted that red thing too!

So what is their deal? It's clearly not tied to Gowry at this rate, but it's also such an insignificant detail that I could not help but wonder about... so I decided to do some final testing. I went back to Caelid and found a chilling Kindred of Rot. It would be my test subject. Here's its neck states in order:

Idle - No Spike

Getting Up - No Spike

Start of Aggro - Spike

During Aggro - Spike (this was hellish to get)

Dead - Spike

So in conclusion, the red spike seems to only appear when the Kindred of Rot initiates a fight. This still doesn't tell us anything concrete, BUT it does leave some room for speculation. Maybe it's just some kind of organ or antenna that pops up when they are distressed or aggravated (though it's noticeably absent in the young ones). Maybe it truly is a parasitic mushroom, using the Pests as soldiers and making them attack us against their will.

Whatever the case may be, I had never seen anyone really talk about this design element before, so I thought it was worth putting it out there. Maybe it can help someone with their theories.

[ad0rebrial]

Hello! Are requests open? If they are may a make a request? Of a sal fisher x fem reader angst but like hurt/comfort.

Something like sal had an argument with her and she tries to apologise but he doesn’t want non of it so he avoids and ignores her for a few days and she though hurt respects his space but after a few days she tries again wearing his favourite nightwear on her but doesn’t work after he just walks out so she gives up hurt and scared thinking he might be thinking of breaking up with her so she just goes to bed crying but when she wakes up she feels arms wrapped around her and someone laying down behind her with his face in her hair sleeping.

TW:Sal is a mean ass hoe in this I am so sorry, angst, overthinking, mentions of arguments.

This was indeed not good at all. You and Sal have gotten into a huge argument over him acting more distant than usual. You understood that he needed his own space but now it was genuinely worrying you to death because you knew about his depression—he hasn’t been taking his pills as frequently either so that added onto more of your concerns and worries. You thought that if you two had a nice conversation and sit together to talk this through it will all end up coming out of the dirt and so you can both understand each others point of views. However it all came crashing down on you when Sal started to get fed up with you.

He started acting out for whatever reason—he has never acted this way and it scared you. He told you that you were being stupid and a pain to him and how you’re acting obsessive. He also said that he is a grown ass man and he shouldn’t need you pampering and worrying over him. It hurt you to hear him say those words because he’s never acted this way. You also didn’t think that your feelings were obsessive in anyway and all you wanted to do was make sure that he was okay.

When it came to realization that Sal wasn’t going to listen to you no matter how long this argument tends to last you be the bigger person and apologize to Sal. Saying that you were sorry for worrying too much about him and also clearing up the fact that you didn’t mean to sound obsessive over him, you just wanted to amen sure that he was okay being his girlfriend and all.

That went all to shit because he had slammed the door to your apartment and walked out completely, not even looking back or saying anything to you. You felt like you got slapped in the face by the door itself as you became worried. The fear deep down was haunting you, the fear of him leaving you after this argument was itching at the back of your brain painfully. You had to try to fix this issue.

First attempt, you tried to be more affectionate with him, hugging him more, kissing him more, playing with his hair a lot more, complimenting more—just doing all the things you used to do that were affectionate just more over the top kind of way. That failed due to him not reaching or just shrugging you off of him whenever you tried these various ways.

Second attempt, you had gave him a long letter that was basically you saying how sorry you were—nor even mentioning your feelings at all and making the whole thing a straight up apology from your heart and soul. You made sure to say that Sal’s feelings were valid and how you needed to stop with all these worrying thoughts about him and allow him to live his life like how he wanted to. That didn’t work. He didn’t even read it.

Third attempt, you tried to dress up around him. You made sure to look very fancy and look attractive. When he came back from hanging out with Larry you would be in his favorite nightwear of some sort and look really nice. You made sure to look appealing every time but that wasn’t enough to bring him back to you. He didn’t even compliment you.

You had no more ideas. Zero ideas. Your mind was blank and empty so what do you do? You head straight to bed as you sobbed hysterically into your pillow. You were so afraid of losing him and you didn’t know what to do. You didn’t have no more ideas on how to make Sal not leave you after all these years of being in a serious relationship. It didn’t take you long to finally fall asleep either since all that crying made you waste your energy.

The next morning you felt a presence near you. You felt arms wrapped around you and you looked over to see Sal, the love of your life snuggling close to you. His warms were wrapped around your waist as his face was in his your hair as he slept with you close to him. You felt yourself smile as you slowly turned around to face him and snuggled in his chest, feeling relieved that he hadn’t left you.

When he woke up, he gave you a soft mumbled apology for his actions and you gladly accepted it in a heartbeat.

[patchwork-crow-writes]

The RalsAlmanac, Volume I

Okay, here it is! A series of essays that will attempt to definitively explain just who or what Ralsei is, referring to scenes from the game as evidence, as well as external sources where appropriate.

There will be some conjecture, as there's just so much we don't know about him, and what little we are given isn't exactly the most revealing. However, I've done my best to cleave as closely to the source material as I can, and I believe there's a strong case to be had here.

Hopefully you'll be able to see where my points come from, or at the very least you'll learn something you didn't know before. Either way, thanks for your consideration!

Volume I - Ralsei Is A Character In A Role-Playing Game.

Self-indulgent reference out of the way, lemme ask you a question.

Who is Ralsei?

It's a question that seems like it should be easy to answer. He's the Prince From The Dark, the third of the three Delta Warriors, he exists to serve the lightners, and is the most precious little cinnamon roll that ever lived. He enjoys baking and crochet, can hold a tune, is a decent interior-decorator, and holds his friends Kris and Susie in very high regard.

Thing is, that's about all you can really say about him without veering into speculation and headcanons, and they're more surface-level observations than anything else. What exactly does "Prince From The Dark" mean, for instance? Prince in what sense, exactly? Ceremonial, or with the actual power that royalty conveys? Where does he rank in comparison to, say, King or Queen, both actual rulers of actual kingdoms? The title of "prince" would suggest that he answers to them, but while they rule their own municipalities, Ralsei's title implies he rules over ALL dark worlds. You could go on asking these questions forever, but I think you see what I'm getting at.

A more productive avenue of questioning might be: What role does Ralsei play in the story of Deltarune? Perhaps more of his underlying character and motivation could be gleaned by looking at what he does for the story and the game. And this would be correct... sort of.

We tend to think of him as the squishy healer of the party, the Heart and moral centre of the Fun Gang. And he absolutely is that, but he's also quite a bit more. He plays all sorts of different roles and character archetypes in the first two chapters of the game, including but not limited to:

the old man whose purpose is to wax poetic about the ancient prophecy...

the know-it-all tutorial fairy who walks you through the basic game mechanics...

the straight-man DM trying to keep everything on the rails...

the young sheltered noble experiencing the outside world for the first time...

the demure love-interest to the main protagonist...

the Polyanna determined to see the good in everybody...

the mysterious waif who knows things he shouldn't...

...eye candy…?

...and so on and so forth.

And so what, I hear you cry. Characters in video games can have more than one personality trait, after all. And yes, this is true! But usually, the different aspects of a character's roles, how they interact with, reinforce or contradict each other, can tell us more about their inner world - what motivates them, what they actively like and dislike... in short, it grants them depth and allows us to engage with them as actual people, rather than just a series of game functions and character traits dressed up in a pretty bow.

But that's not what we see with Ralsei. In fact, far from showing us any real, deep aspect of his character, each new guise he dons and part he plays in the narrative further obfuscates him from us. We learn no new meaningful information from any of these exchanges... except for one thing, but we'll come to that in a moment.

This vexes us, because we WANT to know more about him, but all we end up getting is stock JRPG tropes dressed up in a warm, fluffy coat. There HAS to be something deeper, we reason - he's hiding things from us, so he must be a secret villain. Or his backstory is so tragic, so traumatising, that he cannot properly articulate it to us right now. Or maybe what we see really IS what we get - a simpering, airheaded fool whose only desires in life are to be cute, please his betters and do what he's told. Yet even this explanation seems... unsatisfying, especially since we KNOW he harbours some angst about himself and his sense of identity.

And speaking of which, that one thing we learn? Right at the end of Chapter 2's Acid Tunnel sequence, he utters a single sentence:

This is arguably one of the most significant lines of dialogue in the entire game up to this point. But what does it mean, exactly? I believe most people assume it means he doesn't have a clear sense of who he is outside of his ordained purpose, which is certainly valid, and definitely something I believed for a long time. And yet, this explanation does not deepen our understanding of his character in any meaningful way; looking back over all his interactions with the cast, it does not allow us to glean any further information about him.

And you can say that's because he himself doesn't know what he's like... but again, this doesn't actually change anything, and we just end up with a circular logic trap. We don't know anything because he doesn't tell us anything, and he doesn't tell us anything because he doesn't know anything, so how can we be expected to know anything, except that no-one seems to know anything about him… which is very frustrating to us Ralsei scholars, and gets us no closer to truly understanding him.

But look at what he says again. Really look at it. It’s a very strange way of saying “I don’t really know who I am”, isn’t it? After all, if that’s what he means, then why doesn’t he just say that? I’m certain you’ve realised by now, but it’s because that’s NOT what he’s saying at all. He literally has no clue what being “himself” is supposed to be, because he wasn’t even created with a sense of “Ralsei-ness” in the first place. Little wonder, then, that we can’t discern anything about his internal world, when there is nothing there to be discerned.

But before I elaborate any further, I want to talk about a couple of scenes in Deltarune that are just... puzzling. This is relevant, I promise. The first is during the dialogue with Rouxls Kaard before the rematch with K.Round. Ralsei says something interesting in the lead-up to the fight:

Note Susie’s baffled reaction to this. Then not long afterwards, he continues with:

Throwaway joke, right? We laugh because Susie's right - K. Round and its crown do look exactly the same to us, and so Ralsei's dramatic utterances are deflated and lose their impact. We laugh, beat the boss with Susie's help and forget all about it. But here's the thing - if K.Round looks the same to us, and it looks the same to Susie, and presumably by extension the rest of the in-game characters... when why exactly does Ralsei take the time to insist otherwise?

Is he... lying? Our most precious little boy, guilty of perjury? Say it ain't so! :O

The second scene is in chapter 2 - Queen has challenged us to a game of Punch-Out on her absurdly tall arcade machine, and we can talk to the characters before trying to interact with it. Talk to Ralsei, and if you answer "Gaming is my life" to his prompt, he says this:

Most people don't even come across this in their playthrough, so I wouldn't be surprised if it's new to you reading this. But again, note this strange discrepancy between what Ralsei reports is happening and what Susie says is actually happening. It becomes apparent to most people that Kris can affect the tone of their voice when saying what we tell them to, which affects how the response is taken by other characters and gives us a subtle clue about how they actually feel about certain characters or situations.

Are we to assume, then, that Ralsei isn't actually listening to how Kris says things, but only what they're saying? And if that's correct, then... what does that say about him?

Taken at face-value, within the context of the game, neither of these events really make much sense. It just looks like Ralsei is being overly-dramatic, or lying, or perhaps even insensitive to what their friend is trying to tell him, which doesn't quite track with his per-established shallow traits of kind, all-loving and moralistic. It's perplexing and seemingly out-of-character for him. So it might help to consider, in each of these scenarios, who exactly Ralsei is talking to.

Is it Kris and/or Susie? This would make the most sense, but it's actually not that likely, considering the aforementioned discrepencies between his descriptions and Susie's observations. So is it himself? Again, if he can see things the same as everyone else in-game, that wouldn't make much sense, because then he's just saying stuff that... isn't true? Or in the latter example's case, just completely ignoring what Kris is saying, which doesn't seem to entirely gel with what we know about him.

So, who does that leave? Well, the only other person - or should I say entity - who is present for both of those scenes is... us. The player of Deltarune. And that might seem even stranger than the previous options, until you realise what it is he's actually doing - providing flavour text, additional exposition informing us of details that we wouldn't - or shouldn't - be able to make out on a pixelated display with no voice-acting, attempting to give us a richer sense of these events in order to increase our sense of immersion in the game and world of Deltarune. In effect, he's playing the part of a character in a role playing game, doling out “flavour text” that contradicts another character’s experience of the same scenes, and he's doing it entirely for OUR benefit. Not Kris’s, not Susie's – ours.

He tells us that K.Round's crown is different, and that it is in pain from its forced control, to try and increase the stakes of the fight, and to give us a motivation that's not "here's the exact same boss again lul". He responds to Kris's words the way he does, not because he doesn't understand the nuances of their tone, but to try and amp us up for the upcoming challenge, and to validate our choice when we select the dialogue option "Gaming is my life". Because we cannot hear Kris's tone of voice - and Ralsei knows that. To him, Kris's tone literally doesn't matter, because he doesn't believe it matters to us in that exact moment.

And here’s the thing: if not for Susie’s asides immediately contradicting him, we’d likely take what he says here as what’s actually going on. To Ralsei, the reality he and his friends experience is not important – it’s the image of that reality that he’s trying to convey to the player. It’s like he knows he’s part of a game, meant just for us to experience and enjoy, as opposed to a real world filled with real people having real experiences.

And the reason I brought this up is to illustrate what I believe Ralsei to actually be - namely, that he a walking, talking, singing and dancing amalgam of stock JRPG characters and tropes that's trying very hard to present as an actual person, to the point of knowing absolutely nothing about who he even is outside of that. Put in even blunter terms, he's literally a fluffy goat-shaped vehicle to set the player on their journey through the game, to keep them playing and to keep them invested. People looking for deeper aspects of his character come up short and are disappointed because they're looking for something that does not currently exist.

And just so that I'm clear, I do not mean that Ralsei is "acting", or that he's "wearing a mask", because that would imply that there was actually something underneath his "facade" to begin with. No, this is who the Prince of the Dark is - a very convincing fascimile of a person, following his directive to ensure that the story of Deltarune is resolved, and that the game of Deltarune is played to completion. And once you realise that, a lot of things that Ralsei says and does that seemed strange before suddenly make a lot more sense.

As for the why... well, that'll have to wait for another time. But hopefully you can begin to see how my future essays in this series all tie in to this one, because I think you can only really understand those with the framework that this text provides. I hope that my reasoning made sense and wasn't too difficult to follow, but I'll be happy to provide additional information, clarification, or even just discussion on any aspect of this essay... even if we just wind up (respectfully) agreeing to disagree. Would love to hear what people thought about this!

Thanks for reading!

[grimoire-of-geekery]

What is your advice for someone who can read tarot relatively okay for other people but is trash when it comes to reading for themself? (Cards dont make sense and literally every card is reversed despite careful shuffling to get a healthy mix of both upright and reversed cards)

*hugs* I know that frustration all too well.

Ok, so here are some things I say to everyone where tarot reading is concerned:

It's not just what the cards say, it's what they don't say. A tarot deck works by representing the whole world and all of the various turns and twists of fate people can experience. When Death shows up, but not the Ten of Swords, that's because you're dealing with Death, but not in the form of an ending. Likewise, if the Three of Coins appears and not the Eight, then your experience will reflect financial growth and demonstration of your mastery, rather than the learning of that skillset.

For this reason, I encourage diviners to adopt a different method for reading inversions than "the bad version of this card" or "the opposite." For the latter, there's already a card in the deck for any "opposite" meaning you could come up with. For the former... every card can be bad or good in the right circumstance. For myself, I use a method where the inverted cards are signs that the querent will have difficulty understanding that card, and I should take pains to carefully explain that one, pointing out nuances that might be missed. Generally it means the card is "shadowed," or their own beliefs and views obstruct the truth. Another really good one I read recently is the idea of an upright card being "invoked" and an inverted card being "banished," which is a very interesting perspective. I like the idea of "this card is departing from you, or taking its blessing/curse/experience away."

Those two things I say to everyone, just to clear space. The first really specific piece of advice I'd give to you if you're having trouble reading for yourself is do not add cards. Read what's already there. Take a picture of it, note everything in a journal, and look at it periodically. Focus not on what your feeling is, but what the card means. Do research, look it up in books, especially your own writings on the card if you have them. Seriously, adding too many cards makes the reading even harder to read. "Clarification" cards are a joke.

In addition, check your spread. The spreads we use are how we talk to the world and ask for information. Make sure that when you lay those cards in that pattern, you actually want the information the spread can offer. If you're looking for advice, don't ask a spread that's solely about prediction, that sort of thing.

I'd also suggest you take a look at the deck and see if it really expresses how you experience the world, and then I'd do divination that has nothing to do with your wishes for a while, to see if it can accurately relate the world to you. I wanna be specific here- what I'm talking about here is not how you wish the world was, but rather how you experience the world as it is. The deck is meant to reflect the world as it is, and reveal its secrets to you, and if the deck isn't doing that for you in your readings, you may need to use a different deck, or maybe even a different divination method at all.

If all your cards are coming up inverted all the time, that's a sign. The deck is specifically speaking to you and saying something to you. If it were my own deck, that would be a message that "you ain't gonna get it, so you may as well stop asking." I can't say what that omen means for you, but I would consider it a big one, maybe a step or two above "stalker" cards, and just below the significance of a reading that's more than 80% one suit. If that's the case, I'd ask your cards what they're trying to tell you that you're not getting, and record the answers. For myself, I use three-card combinations for those kinds of specific questions.

If you wanna reach out and talk to me more in depth, I'm definitely available if you wanna come off anon and have a conversation, or you can just send a few more anon asks if that's your comfort level. I hope I helped, one way or another. *hugs*

[forta-ver]

I'm listening to the playlist I made for Rick back in 20....14? 2015??

Nostalgia for Distortion. Nostalgia for Hype y2. Nostalgia for all the pokemon AUs he exists in and his ill-fated nuzlocke runs.

Nostalgia.

[camgoloud]

you ever just. become overwhelmed by a sudden out-of-nowhere wave of tenderness and affection and longing for reconnection directed towards someone to whom you no longer speak for Very Good Reasons

[lord-squiggletits]

Between TF and my other fandoms like BG3 and TES, I keep finding myself making OCs that have some element of "battle hardened hero who is actually good and righteous, but so traumatized by the toll of war that even after the war ends they feel empty/wrecked and can't enjoy the fruits of victory" and I'm not sure if it's bc I gravitate to a certain type of media where such OCs fit in best, or bc I have a specific character archetype I like and gravitate towards media that contains those things.

[dimiclaudeblaigan]

Honestly though, this (what Ashe is pointing out) is exactly why I don't think GW could possibly end well. There's no "talking it over" after all the bloodshed (especially bloodshed started by them, and especially bloodshed started by them that didn't have to happen).

The way the narration leaves it "open" too at the end of GW just comes across as "it failed". It feels like... a kind of pointless story?

And I know some people might think that since Dimitri personally isn't as deeply affected by losing Matthias and so might be willing, that's still no good if his people and closest allies aren't. Rodrigue and Sylvain wouldn't be so forgiving, and I do think Dimitri would follow suit because that's his father (Rodrigue)'s closest friend and one of his own closest friends' father.

Add that to the fact that they have Sreng to deal with still (and I imagine sooner or Sylvain would figure out that Leicester had a hand in provoking Sreng to attack Faerghus) on top of losing Matthias and I imagine all the stress and aggravation wouldn't bode well for Leicester as far as Claude's thinking of things working out goes.

I just really can't see where GW goes afterward that would be "good" or works in Claude's favor at all. Maybe that was the intention and it was meant to be a route with a completely tragic ending, but apparently there are players who think it would end well and whatnot and I just can't see that happening (both from Faerghus' end and from Adrestia's end, the latter of which Claude discussed within GW itself).

If their intention was for a totally tragic ending, like yeah, I can see that... but as always the writing muddies the waters to make it sound good while something bad is happening. It keeps trying to have a positive spin on bad things as if they're just afraid to commit to a fully bad ending.

[anthyies]

jack drake is a dad for sure

[antennatoheaven]

ok so we've established that its likely that kirby is a type of void, just made out of purely positive energy as opposed to rancid vibes. but it's also been hinted throughout the years that meta knight is the same species as kirby, so where does that leave him?