#the shipper way

[samble-moved]

post itself

false flags

trans/adjacent tags

accessibility features

tumblr live post (thanks for the link, @problemnyatic)

flashing / strobing / lights

unblockable flashing ad

buying ad free

staff @/macmanx guilt trip

list of staff + more issues

[rabbitmotifs]

what did he mean by this

[mayvette]

welcome to my twisted mind

[deathdetermineslife]

okay but super affectionate s/i x not used to it f/o

pulling them on to your lap to give them kisses, watching them blush and look away because they're unsure of how to react.

putting your arm around them and them stiffening up, as if they don't know exactly what to do.

constantly giving them hugs and their hesitation to hug back.

eventually they get used to it and really really love the affection (but chose to not say anything, instead let you come to them).

[feelo-fick]

chilaios telepathy compilation. btw.

also these ones arent telepathy i just think its fun that they defend eachother + are on the same page about alchohol :

[alchemistc]

There's been something about the woobification of Buck that's been sitting on the tip of my tongue for weeks now, and I think I've finally figured it out.

This is, of course, mostly in reference to the moral outrage about a decade-ish (give or take) age gap between two adult men and the infantalization of one said grown man, so all the puritanism isn't really coming from a place of good faith anyway, but here's the thing that's been bugging me that I couldn't quite put a finger on until now.

Buck has people he goes to for certain things. He has, what are in his mind, experts in the field for most of the things he can't think through on his own, that he goes to for a sounding board.

He went to Hen to talk through the sperm donor dilemma for a few reasons that made sense to him. 1) She's a mom. She has very much had to deal with the reality of 'giving up' children she considered her own. Buck is aware that he would be giving up something that could mean something to him, and he wants to talk to someone who has some insight into that. 2) She's dealt with IVF. She knows the risks, she knows the trials and tribulations, she knows about this thing that he is thinking about agreeing to be a part of so she's going to have a fuller grasp on the enormity of everything this process entails.

And they drink about it. Hen gives him what she can and cautions him where she thinks she should and they continue to talk about it and regardless of what SHE thinks, he makes his mind up in part because he got to talk to his Expert.

Bobby is often his go to when he feels like he's losing his grip on things. He's seen Bobby staring down the bottom of the bottle. He's seen the work he's done to pull himself back into the world, and he's seen the way he fights for his family, his people. Buck leans on him in times of questioning himself because he knows Bobby has pulled himself off the ledge with bleeding hands and a bleeding heart.

He reaches out to Maddie about interpersonal shit constantly. We see it all the way back in S2 when he's starting to question what the hell he's still doing in Abby's apartment, and that never really changes. She's the one with advice for him when he's angry with his parents, upset with the firefam, worried about his friends, or just generally concerned with the way he's perceived by people or how he perceives the world. He goes to her when he's embarrassed, ashamed, because he knows she won't judge him for it. She'll call him out, for sure, but she's not going to look at him differently when she knows he's done something he considers bad behavior.

When he goes to her during the Tommy arc, he's there for one reason he'll admit, and another she has to ferret out. 1) He lied to his best friend and he doesn't know why. 2) Oh yeah he went on a date with a dude that's not strange WHY IS THAT STRANGE I'VE ALWAYS BEEN AN ALLY PLEASE DON'T PULL BACK THE CURTAIN - and Maddie is there with two things: 1) It's not weird but it IS new and something you clearly haven't worked through all the way which is why 2) you'll tell Eddie when you're ready

And Eddie is sort of his go-to to bounce ideas off of. Eddie is his Buck expert. Eddie is the guy who can sort through all the bullshit and who sees Buck for exactly who he is, every time, regardless of what Buck himself is thinking. Eddie is his best friend, and he knows the good the bad and the ugly better than anyone else. He is also, quite frankly, the one Buck seeks out to help him contextualize all of his romantic feelings for people. Eddie's the guy he talks to when he's interested in someone, when he's falling for someone, he's the guy through which Buck filters his love interests into the firefam. I do the same shit with my best friend. It's instinct to want the person you consider the expert on you to meet the person you are interested in, it's instinct to want them to like each other, to get along. Buck knows Eddie loves him (in whatever way you see that love, Buck knows Eddie loves him) and he wants this person who loves him to be at least an active listener as he talks himself through the minefield of relationships. I do also think that up until the events of season seven, Buck considers Eddie sort of an expert on that traditional love-marriage-kids-white-picket-fence relationship Buck thinks he's striving for - in a very naive way, because obviously the wasn't what Eddie and Shannon had and Buck knows that, but he's probably fed some of Eddie's rose colored reminiscences back into that notion.

When he comes out to Eddie he's got two worries. 1) I lied to you and I figured out why but I'm still a little worried you think it's weird and 2) I screwed it up with someone I really like and I don't know where to go from here.

And Eddie (Buck expert) reassures him that just because it's new and unexpected doesn't make it strange, that it doesn't change anything in their friendship. And then he gets right to the heart of it - if you like him you should reach out and tell him that. He doesn't know you like we do but if you give him the chance to, he'll love you as much as we do. If he doesn't give it the same shot you want to he's the idiot.

With all that context in mind, Buck isn't seeking out Tommy's attention because he wants an authority figure, or someone to take care of him, someone to guide him through sex or love or relationship dynamics or any of the other random shit I've seen ppl infantalizing Buck about.

What he's looking for, and what he ultimately tells Tommy he'd like to pursue, is a partnership. Someone to walk (or more likely for Buck, speedrun) through experiences together. The Athena to his Bobby, the Chim to his Maddie, the Karen to his Hen.

So every time I see someone infantalizing Buck for seeking out a relationship with an older man for X or Y reason, I'm just like - no. He has Bobby, Hen, Maddie, Eddie, Chim etc for that. He doesn't want or need Tommy for that. He is a grown ass man who has built these strong relationships with his peers and his mentors and he is so fucking aware of that because he reaches for their help any time he feels the urge for a helping hand.

So yeah, Tommy's older. Yes, Tommy has more experience with his sexuality than Buck. And that - that's really it. Buck's been in the same career for more than half a decade. He's lived on his own since he was no older than 19/20. He's had serious relationships, he has a rich and fulfilling life. There is no power imbalance in the relationship between Buck and Tommy.

And while the age gap may be a bit of a draw for Buck, it's not WHY he's attracted to Tommy. We know because he's told Maddie. He's cool. He's interesting. He's confident. He has a cleft.

Buck isn't going into this waiting for someone older and more experienced to take the fucking reins. He felt like he clicked with Tommy, like there was an immediate connection, and yes, Tommy had to kiss him about it for Buck to actually figure out what it was he was experiencing, but from that point on it was all on Buck (and the people he leans on for advice) to help him sort through.

Tommy didn't do shit other than pump the brakes and try to give Buck the space he thought he needed to decide what he was ready for. Buck (again, with the help of his experts - Maddie for the emotional piece of it, Eddie for the Buck of it all) did the work on his own. Tommy didn't swoop in and overbearingly hold his hand through a sexual awakening. He kissed him, asked him out, realized he wasn't ready, stepped back and then checked in multiple times when Buck came back at it going 120 miles an hour.

And then he did everything he could to prove to Buck he wanted the same thing - a partner, someone to talk to, and lean on, and flirt with and rely on to show up whenever they could feasibly manage it (and sometimes when it's a little unfeasible too).

The narrative even acknowledges that Buck had no reason to go to Bobby in this scenario, when he often would, and lays out exactly why.

Within the canon of this particular arc, we're meant to see this as Buck realizing he has the experience necessary to think these things through on his own. This is Buck finally taking control of something that's always felt like it fell into his lap a bit. This is Buck doing more than treading water until his legs give out.

And minimizing that growth bc you personally don't like the LI he's pursuing is gross at best. At worst it's something much more insidious.

[rhadamantthys]

been catching up on all the animated star wars shows i didn’t watch as a kid

[dopepoisonivyoncrack]

"Astarion slaying Cazador" - Study inspired by St. Michael slaying the Devil statue by Giuseppe Antonio Lomuscio

Traditional art, colored pencils on A4 paper

[cantagirldrawinpeace]

Saw the title of today’s episode, can’t wait to watch my girlfriend get his ass kicked 🥰

[queenoftheskittleholics]

Amity: Darius, you like my dad... the way my mom likes my dad, don't you.

Darius: ...

Darius: Your mom likes your dad?

[nothingtoseeherebyeexx]

i periodically enter my tedromeda phase where i can’t stop thinking abt these two idiots like…i love them

————

[macbcth]

what your favourite dunmeshi ship says about you

farcille: you're classic, you make sense, you like to see the lesbians winning and also you're a bit of a monster fucker: you may or may not specifically have a wing kink

chilshi: you like your men hairy and fat, also you are not immune to panty-shot propaganda, your love language is acts of service

chilaios: you have a size kink

labru: you prefer mlm ships over any other pairing, you think character foils should fuck, you may be a sucker for blue eyes

laimar: your favourite trope is friends to lovers, also you like to see the bisexuals winning, you're also.. what the poets might call.... weird

marchil: your favourite trope is enemies to lovers, your love language is banter, and you're the kind of person who says 'i can fix him' far too often

kabumisu: your ship could burn down the world and violate the geneva convention and you would still call both of them babygirl, also you like angst

laios x monsters: you like tentacle porn

[aq2003]

has anyone gotten the idea that odysseus' storyline in hades 2 is a depiction/exploration of trauma over his SA and how he's blaming himself for things that were out of his control? because that's the impression i'm getting from what i've seen. he talks about "goddesses" as his "greatest weakness" and that "he's not one to say no to them"...

when mel invites him to the bath, he brings up mortals having different standards for intimacy than gods and how it usually has a more romantic/sexual connotation. she then asks if he's uncomfortable and he has a startled reaction and brings up circe and calypso again (but never actually by name)

(this isn't ship/romance bait btw. odysseus knew mel as a kid and they're stated in-game to have a sibling/uncle-niece relationship)

also he grew apart from penelope after his return, but the game makes a point of showing that his love for penelope and telemachus is what drove him on at all so that element of his character isn't brought into question

[ecoterrorist-katara]

“Katara deserves a quiet life after the war, so becoming a healer (who made no contributions to the field) is actually a good arc!”

It is already bizarre to me that in ATLA, Katara is this confident & combative & ambitious girl who LOVED to fight and wanted nothing more than to help as many people as possible…then comics!Katara and TLOK!Katara showed neither her previous personality traits nor a career commensurate with those traits…

but it’s even more bizarre to me that ATLA fans would defend her trajectory as if it were some kind of progressive story of recovering from war trauma.

I’ve seen multiple takes like this. “Katara is not a YA heroine, she’s not a bloodthirsty girlboss who loves fighting so it’s actually a good thing that she doesn’t have to fight anymore” “after everything she’s been through she deserves a quiet life and a loving family”

For Katara, fighting in the war was actually empowering. It didn’t burn her out. It didn’t disillusion her. It didn’t take more out of her than she can give. Katara is not Katniss Everdeen, who needed to step back and discover her own agency and a sense of peace after fighting in a war she never chose to start. Katara’s war trauma largely happened before she took an active part in it. After she chose to be a part of the war, she became a waterbending master, made close friends, found her father again, got closure for her mother’s murder, defeated the Fire Lord, and met the love of her life. If Katara were a real person, maybe she’d be traumatized, but nowhere in the text of ATLA does she exhibit the sign that she’s tired of fighting on behalf of the world. If anything, she just got started.

If you take her post-ATLA arc at face value (vs as bad writing), it’s a tragedy of a woman who has learned to minimize her own relevance and her own power. In The Promise, she begins deferring serious decisions to Aang. She doesn’t even express a strong opinion about the fate of the entire colony of Yu Dao, or the fate of her friend Zuko. In North and South, she accepts Northern encroachment of the South in the name of progress. In TLOK we see her not as a politician or a chief, but rather as “the best healer” — albeit one who apparently never established a hospital, or trained acolytes of her own, or done anything to help people at scale, which she has always wanted to do. It’s even more egregious when you remember that in Jang Hui, she was not satisfied to simply heal the sick as the Painted Lady. She wanted to solve the root of the problem, so she cleaned the river and committed full-on ecoterrorism. Just because the war is over doesn’t mean she wants to stop helping people. In fact, the problem she addressed in Jang Hui is exactly the type of problem that would become more prevalent after the war ends, judging by the rapid industrialization between ATLA and LOK.

In the original ATLA, I think Katara is about as close to a power fantasy as you can get for a teenage girl, because she gets to be messy and goofy and powerful, even though she also had to perform a whole lot of emotional and domestic labour. But post-ATLA, she doesn’t get power and she doesn’t get to make a change. She gets love and a family. That’s it. And her grandkids don’t even remember her. Her friends and peers, on the other hand, were shown doing all sorts of super cool things like, you know, running the world they saved.

It’s not feminist to say that a female character deserves “rest” when she’s shown zero inclination that she wants a quiet life. Women who want a quiet life deserve to get it — I think Katniss’ arc is perfect — but women who want power deserve to get it too, especially when they’re motivated by compassion and a keen sense of justice. There’s nothing feminist about defending the early 2010s writing decisions of two men. Like just admit that they fucked up! It’s fine! Maybe they’ll do better in the future!

[sheikfangirl]

A page from my post-Botw Zelink comic. Each chapter covers key moments of my headcanon. I don't think my comic is super revolutionary in terms of story because there is so much fan content out there and im super classic and vanilla... but i dont care. I'm having fun creating my own take on what happened. This project is a time consuming blackhole and I draw it all out of order because I have no discipline whatsoever 😭 😂 It was originally just random black and white pages here and there with no cohesions, like my stand alone illustrations... but the illustrations became pages. The project is basically me fan-servicing my own self. 😂😂

Then it exploded, i've been adding color, cleaning up my panels, pimping the backgrounds.

I still unsure on which platform i will make it available to read. The friends who got my out of my shipping closet are screaming to me to print a fanzine, but i'm lazy hahaha. Might do a patreon eventually, idk.

Oh yeah, this is a panel from the chapter where Zelda and Link go back to Korok forest to put the Master Sword back in it's pedestal... I'm old, i played the old games. One of my BotW nitpics was that it didnt include the classic moment where the sword rests once again, like in ALttP and OoT. I like traditions okay!!!! Cheers!!!

[snivel1]

Guess who's NOT working on things they're supposed to again </3

Anywaaays Strider siblings go to rewatch the Barbie movie :3