Sukuna is Peak Gap Moe. I’ll never be over this. This bastard talks tough, eats people, and kills like a woodchipper and yet…he is a poetic little sap. Getting mad over an improper haikus, the misidentification of flowers…and confessing his feelings to Gojo Satoru under several layers of wordplay no one except those well-versed in ancient Japanese would catch.
I've been over this in greater detail in Sukuna's Negative Rizz, but @tangsakura added more context in the replies to that post, making Sukuna's use of 凡夫 (bonpu) for Gojo even gayer.
In summary, 凡夫 (bonpu) can be translated as painfully ordinary or unenlightened. But in the individual kanji readings, 凡 is mediocre and 夫 is husband. You could read this as Sukuna calling Gojo his mediocre husband. And that's just the modern readings! The ancient readings...
So you can read this line from Sukuna as the following:
“You were born in an era without me and hailed as 'The Strongest'
1) And yet you turned out to be…painfully ordinary.”
2) And yet you turned out to be…unenlightened.”
3) And yet you turned out to be…a mediocre husband/wife/spouse.”
4) And yet you turned out to be…the ordinary one who could stand by my side.”
Sukuna seems to be saying these things all at once. (It’s no different than the Megumi Activities wordplay he uses with Enchain. Alt. link if the Twitter dies.) Gojo apparently makes him feel very conflicted. He’s boring, he can do better, he shouldn’t even call himself the Honored One, he’s his equal, they’re married. The irony here is that no one except Sukuna can understand this.
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i'm so used to there just being random unidentified bones laying around everywhere in these damn books that it finally occurred to me, just now, to wonder where the bones on new rho came from. y'know, the bones palamedes always tried to teach nona necromancy on.
they're his.
palamedes, who always loved teaching, living on borrowed time in a body that's not his own. palamedes, mentoring, teaching- parenting, by sixth standards, mind you. and that boy is sixth, through and through.
and the entire point of teaching nona necromancy in the first place was to try and determine if nona is, well, nonagesimus, right? so it has to be bones, it can't not be bones. bones are, like, her whole thing.
but they're not in the nine houses, anymore. things are different, on new rho.
they burn bones here. dig up the cemeteries. a society terrified of zombies will evolve to dispose of its dead differently.
the only bones he has access to now are his own. (camilla wouldn't let anyone take them- skull or hand, doesn't matter. they're still him, and she doesn't let go, remember? it's her one thing.)
palamedes woke up every morning wearing someone else's body to then gently place the shrapnel of his own in the cupped palms of a girl who's the closest thing he'll ever have to a daughter and try to teach her- how did the angel put it, again? normal school, as much as possible, for as long as possible.
(but hey, in a roundabout way, at least it's a chance for him to touch camilla again, right? nevermind that she's not there to feel any of it because he's in the driver's seat, that he can only stay for fifteen minutes at a time. it's atoms that belong to camilla touching atoms that used to belong to him, and that's close enough. he'll take what he can get, these days- if she can be their flesh, he can be the end. so what if holding his own bones is a mindfuck? so what if looking at them makes him nauseous? surely he can suck it up and deal with it for fifteen minutes. it's the least he can do— his poor camilla was the one who had to scrape the bloody pulp of them off the floors of canaan house.)
(speaking of, here's a fun fact: we actually only see nona practicing with the bones one time, on-page. camilla's final line in that scene, before palamedes takes over, is none other than: 'keep going. there are some bones left.' ow!)
remember, too, that the only part of dulcinea, the real dulcinea, that palamedes ever physically touched, was her tooth- the one that ianthe gave him, pulled from the ashes cytherea burnt her down to. he only ever touched dulcie once, and it wasn't until after she was already gone, but that doesn't matter- it still happened, and you can't take loved away.
in this same roundabout, bittersweet, by-proxy sort of way, palamedes has been physically touched by nona, too: the atoms she currently occupies, touching atoms that he used to occupy, and never will again.
the main interaction we've seen between palamedes and his mother took place back on the sixth, with her acting as mentor and him as pupil: the two of them studying a set of hand bones, juno encouraging him every step of the way.
we know that harrowhark's "most vivid memory of her mother was of her hands guiding harrow's over an inexpertly rendered portion of skull, her fingers encircling the fat baby bracelets of harrow's wrists, tightening this cuff to indicate correct technique."
they're still small for a nineteen year old, but the wrists are bigger, in this new set of memories nona's making. and it's not an inexpertly rendered portion of skull anymore- it's a hand, now, albeit one crafted from [a piece of skull reassembled (painstakingly—passionately—laboriously reassembled) from fragments, manually, and not by a bone magician, from the skull of someone who, soon after death or symptomatically during, had exploded.] and the identity and origin of these bones is no mystery at all. they belong to palamedes, and he's consented to their use for this purpose, and that matters.
but the details are just set dressing, really. the foundation of the memory is the same.
palamedes and his mother, juno and her son.
harrow and her mother; pelleamena and her daughter.
nona and her father-mother-teacher; palamedes and his daughter.
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My beloved wife is not just a doctor of acupuncture, they also have a Master’s in both English and German. Language is their jam. To their eternal suffering, I do not have perfect grammar. When prompted they said it’s “fairly acceptable” on a day to day basis.
But I do have quirks that make them quietly grit their teeth. One of them is my indifference to differentiation between “is” and “are”. On multiple occasions they’ve tried to explain to me when I misuse “is,” and generally I can’t even parse what’s upset them. They gave an example of me asking, “Is there pickles in the fridge?” rather than the correct “Are there pickles in the fridge?”
They’ve told me that to pacify the editor in their brain they’ll mentally correct my sentences and that’s usually enough. Tonight it was me saying “There is other narrators,” in reference to a series we’re reading. When they pointed it out tonight it was to say that “are” would have been correct because there’s multiple other narrators.
“No,” I countered, “I was trying to use ambiguous language but there is really only one other narrator, so in my mind I knew that and spoke incorrectly because I knew it was singular but the sentence implied it was plural.”
This incensed them further (I also don’t know the difference between further and farther and the pneumonic is just as unhelpful to me as the one for stalactites and stalagmites.)
What’s funny to me though was that I asked about my use of “kind’ve” that people got worked up over in my 20lb ass post. “Doesn’t that bother you? It’s blatantly wrong.”
“No, that’s just a colloquialism, it’s fine.”
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In a Week by Hozier ft. Karen Cowley
“The raven is death, obviously. When I die, I want a good tombstone—something right spooky. LT’s got something against the underground, though you’d think that would be just his kind of place. That’s alright. He needs to, he can cremate me. It’s not exactly Catholic, and Mam would turn in her grave, but God is a unicorn and no one is pure anymore, so. What’s all that got to do with me?”
Johnny “Soap” McTavish has a journal. Had. It is his no longer.
Simon “Ghost” Riley had dreams—awful ones, the kind that sank claws into his lungs, dragged him into sleep, and then sent him careening out of it. He still has dreams, but they’re different, now. Better. Johnny’s pages have folded themselves under his eyes and gotten into his head, brighter and more infectious than anything else has ever been. It’s more than the past, that rotting carcass behind him, and more than now. Now is nothing. Now is ash. It’s like, it’s like—blinding, is what it is. He’s a blind man.
It is biblical now. Ghost has read it backward and forward and sideways and inside out. When he runs out of things to read, he reads them again, and when that is not enough, he reads between the lines.
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