how long does it take you to draw your sketches/doodles? also do you have any tips to draw faster? 🙇♀️
I generally take 30 - 60 minutes a sketch,,,, but honestly really depends on how detailed it is.
Like a Chibi will be done in 20 - 25 minutes (Counting in the extra time I spend on minute details like a perfectionist 😭)
I for some reason really like spending egregious amounts of time on random objects too??? Unless it’s the in the background, I’ll spend 40 minutes refining it.
Random characters that are fully colored and rendered with take like 80 minutes.
The comics take usually take an hour or two per page. (If I decide to cross hatch it, my entire day will be gone with 4 pages… so I’ve been trying to find shortcuts. But not without sacrificing the quality for time lol)
I don’t think there’s any trick or magic to drawing faster. It’s really about weaponizing your artistic knowledge, and finding what’s comfortable or convenient for you!
There was a period of time where I would spend 11 or 12 hours on an illustration, and it wASS UGLYYYYY. (Some of these artworks are still available on my tumblr,,, but it’s SO LONG AGO, AND IT WAS MY 1ST OR 2ND YEAR GETTING INTO DIGITAL ART)
Overtime I learned what worked best for me, and practiced till I felt more comfortable with what I was drawing. Eventually I managed to shorten the time to 4 hours or less! Ambition was my biggest enemy but at the same time my biggest motivator. (And it still is LMFAO) 😭
EDIT (bit more to my way too long tangent): ALSO??? BRO DON’T BE AFRAID TO USE YOUR MESSY SKETCH AS LINEART OR DRAW ON TOP OF IT. I’VE DONE IT FOR YEARS NOW AND IT ADDS SUCH A GOOD EXTRA BIT OF TEXTURE,, AT THIS POINT I DON’T EVEN USE LINE-ART ANY MORE UNLESS IT’S A COMMISSION,, (IT’LL ADD LIKE AN 2-4 HOURS TO MY WORK)
52 notes
·
View notes
thinking about love in danger days
this is part of my conspiracy theory that that album is aroallo, but i've always gotten the sense that romance and romantic attatchment is much less important to danger days than any other mcr record. with bullets&revenge it's quite obvious as the demolition lovers take up like, everything, and the black parade has a heavy focus on a romantic relationship as well.
while i do think there are lines in it that are romantically coded, there is a definitive lack of emphasis on it- like it's nowhere in the plot at all.
i do think danger days represents a very familial type of love though. while other albums visit a sense of "i want you, i need you, i miss you, i hate you,", this is more like…"i love you, i want to protect you, i'm sorry"
i find this especially strongly in s/c/a/r/e/c/r/o/w:
"Nevermind about the shape i'm in, I'll keep you safe tonight"
"love, love, love won't stop this bomb"
"run, run, bunny, run"
and other songs:
"i'll find you when the sun goes black"
"just save yourself and i'll hold them back tonight"
"how long until we find our way in the dark and out of harm"
relevant things i can't cover with just quotes are planetary go, oft-theorized to be about party poison and kobra kid, as brothers, leaving battery city together; sing, about the killjoys' last message to the girl while saving her; goodnite dr. death, phrased as him saying goodnight to children; and summertime, which i can't discern the meaning of but seems more like a family type of love.
i think it makes sense that danger days is like this, seeing as it features main characters that take care of a child main character as opposed to main characters that love other main characters of the same age/ability.
another thing i noticed while re-listening to the more sentimental songs for this essay is that there's just a distinctly different vibe to it. So much of it is focused around wanting to protect people, keep them safe and out of danger (<- ha that's the name of the album) and loved. i think this also makes sense, because the killjoys live a very, well, dangerous life without much security, and they'd want to provide what they lack the most. another semi-related thing i noticed is just how much of an emphasis there is on childhood in this album. i feel like there's a vibe of youth or teen-hood throughout the earlier ones, but this is just VERY strongly about kids. again this makes sense cause not only are the killjoys teenagers (a type of kid!) they also have a proper little kid to watch.
also, i wonder how much of this stuff was due to gerard becoming a parent. just something to think about
23 notes
·
View notes
hi! seeing you during all this ep95 mess has been a breath of fresh air. you seem to have a really firm grasp of canon so I wanted to ask what you think of the recent discord message from Liam where he says Orym didn't know that Laudna was under Delilah's influence when she killed Bor'dor? I watched the clip from 4SD, & it's pretty clear that Liam says Orym understood Laudna was opening the door for Delilah when he encouraged her to kill Bor'dor & even says "we'll need that." But the Discord message seems to walk that back. It's been super frustrating being accused of vilifying Orym or infantilizing Laudna for repeating what Liam himself said. I just don't really know how to reconcile these two statements from Liam & it has me a bit confused on Orym's character.
hi anon, thank you!
this turned into a much longer one than i was expecting dfksjdkfs
so last week i posted this Really Long Ask about the whole discussion, if you want to take a look. but i intentionally didn't bring up liam's discord message because you're right! it seemed contradictory to something that was stated in the past, which was confusing
honestly i think the most realistic answer is that liam probably didn't mean for what he said on 4SD to be understood as such a strong and maybe even polarizing character choice. i think a lot of us heard it as "orym sees delilah as a useful/necessary asset that outweighs what might happen to laudna afterward." particularly because he framed it as something that made the whole situation "even creepier," and during that same convo, marisha was emphasizing the psychological impact that killing bor'dor had on laudna. it's a strong stance and it reflects what orym is doing to himself (handing his endgame over to the questionably fickle nana morri to increase their chances of success against ludinus)
but i suppose liam's clarification suggests that he meant it in a softer, more practically level-headed way, like "orym knew he couldn't do a whole lot about delilah's return but he also thought it could have benefits," or something along those lines. they're obviously two hugely different interpretations with pretty big implications on how we understand orym's relationship with laudna
i'm not a connoisseur of orym's character by ANY means so i can't confidently tell you what the change might mean from a narrative perspective, but i personally still prefer the former stronger stance. because i think it raises interesting questions about how orym views his own place in this war and whether or not it's valid for him to (intentionally or subconsciously) project that placement onto the other party members. is it okay for orym to expect the same level of personal sacrifice from laudna, or imogen with predathos (a whole separate can of worms), or anyone else? is it safe? etc etc. but maybe liam doesn't want to go in that direction, or maybe he does but just not in the way we expect, i don't know! only time will tell!
also regardless of what he meant, i think it's important to acknowledge that it's really easy and completely understandable to feel like he was walking something back. that episode of 4SD was almost a whole year ago! many of us built that statement into our perception and understanding of orym's character for a long time, so it's totally valid to go "wait what the fuck???" when liam suddenly pops into the discord to say that's not what he meant. those feelings are valid and real! especially when discourse can already make you question your own intelligence and your personal interpretations of a story, having that pillar, as big or small as it might've been in your mind, knocked over can be really jarring. you are very much not alone in that, and it's okay!!
30 notes
·
View notes
(cw: talk of suicide, self harm, etc.)
Kunidazai's first kiss not being some moment of realization or confession of feelings, not some romance movie moment, it's not followed by smiles or laughs, or even words.
No.
Their first kiss came months after the pair had been partnered up at the ADA. Kunikida had thought he'd seen it all. He'd learned to call Dazai at least twice a day, once in the morning and once at night, three times if they didn't have work, more than that if Dazai never showed up. He'd learned how to tell a bad day from a bad day just by the sound of the other man's voice. He'd spent long nights and weekends and days off (most of which were sick days he took off for Dazai's sake) taking care of the other man, changing bandages hand holding his hand. He didn't think it could get any worse.
but it did, it found a way, Kunikida had stopped Dazai from genuinely making an attempt on his life (he'd stopped his more... spur of the moment attempts, the ones that had minimal effort or true intent to them, before. they were always scary even if he knew dazai would more or less walk away unscathed, but this was different), barging through his door just in time to keep the blade from hitting his wrist that final time.
Dazai wasn't there, for lack of a better word, sitting there, loosely conscious, as Kunikida re-wrapped new and old wounds, as he wiped the blood off of him, as he helped him change into new clothes. Kunikida could smell the alcohol wafting off of him, stared into blank, empty eyes, talked to deaf ears, hoping to coax his partner back from his absent haze, but nothing broke the blur his partner was stuck in.
he tugged him up off the floor and onto the couch, knowing it was a safe 'no-mans-land' both could sit on without waking up dark memories. he wanted to hold him, wanted to take him into his arms and never let go, but he didn't know if he was allowed, if he could touch Dazai like that, so he just sat and watched, not knowing what to do, when Dazai suddenly spoke.
"why?" his voice a whisper, "why do you even care so much?"
and he would try and put it into words, tried to tell him he deserved to be cared for and to have people worry for him, that he was his partner and it was his job to worry, that he loved him goddammit and he was scared of losing him, but nothing seems to reach Dazai.
he he leans forward, slow enough for Dazai to pull away even in the state he was in if need be, and kissed him. not on the lips, this wasn't a profession of love, no, no he presses his lips to the curve between his nose and his cheek.
- I don't want to lose you. I love you. it hurts and is stained with tears, but it's there and I don't want it to go away. I don't want you to go away. stay here, please, please stay here - He hopes to say.
the kiss is soft, so soft he's not sure Dazai could feel it, but any firmer and he thinks he might shatter his partner. He keeps placing little butterfly kisses to his cheek and the bridge of his nose regardless, tasting the salt of their shared tears. he doesn't even know why he did it, it wasn't something he ever thought of doing, but he didn't know how else to tell Dazai how he felt, so he showed him.
Dazai sinks into it, tries to make Kunikida kiss him in earnest, but Kunikida knows better than to try and let Dazai self medicate with physical affections, and instead takes him close, hugging him tighter than he's ever hugged anyone before, as if to hold the brunette together. Dazai lets him with a huff. Kunikida rests his lips against the man's greasy hair, holding his partner as close as he could. they're both crying. it hurts. the kiss burned and ached and might as well be a bruise festering on both of their faces. but neither of them would trade it for the world, cause there is some understanding in it.
Dazai calls Kunikida next time.
72 notes
·
View notes
hi ian i come bearing angst fuel for the yuusha as twsted elsa (maybe an idea for her possible overblot idk she kinda reads to me as someone whod preemptively isolate in the case she feels...blotty)
(also seeing that art of her playing violin totally didnt fuck me up im still nursing my bruised heart 🥴🥴💕💕)
https://youtu.be/NDldNaEZTt8?si=Wm71pgTltuJLjFvk
^^this is from the frozen musical where they gave a song to elsa to explore her emotional turmoil and it just fleshed out her character so much more than the orig movie (ok i havent seen frozen 2 oops) but just this section here:
Is everyone in danger as long as I'm alive?
Was I a monster from the start?
How did I end up with this frozen heart?
Bringing destruction to the stage
Caught in a war that I was never meant to wage
anyways lmao i jus think the song is neat i think yuushas neat (i wanna see more of her ahehehe i love seeing infodumps abt ur yuus)
-diodellet
(throwback to this “what if yuu had magic” ask where i had a ✨realization✨ and this more recent yuusha lore drop that i gave zero elaboration on 🙃)
very rough ob yuu design??? idk i came up with it on the spot ;;; and it’s kinda based on disney’s concept art of elsa when she was supposed to be the villain.
evil ice queen vibes :3
also i know the ob monster is supposed to be based on the villain— which is elsa in this case— but lowkey. an ice monster is way cooler.
also also i just realized after i drew this i couldve done a grim/yuu tandem overblot ough 🤧🤧 (next time I'll do that instead if i ever go back to this concept)
(read more below because it got SO long)
AAH anyways hi hi dio!!! when i saw your ask i went —
— with this entire post
AAGH HOW MANY MORE UNINTENTIONAL CONNECTIONS ARE GOING TO BE BETWEEN FROZEN AND YUUSHA
i guess watching the movie everyday when it came out when you’re like 9 does something to your brain chemistry (and still haunts you at least a decade later) 💀
but anyways the angst ;;; overblot yuu ;;;;; my brain is rotting and the worms have taken over
also i didn’t even know that there was a frozen broadway musical so im gonna have to check it out later 🏃💨💨💨
(also dont worry frozen 2 is a nice watch for the most part but the way they concluded the characters did not feel 100% satisfying to me 😭 BUT i love some of the songs tho ;;; kristoff’s goofy 80s ballad song is one of them specifically, i need everyone to listen to it)
hfgnnfhfgv anyways thank you so much i’m chugging that angst fuel as i expand more on a possible ob yuusha with another infodump 💪💪💪
⚠️⚠️⚠️ ALSO IM SORRY BUT mentions of taking one’s own life so please proceed with caution ⚠️⚠️⚠️
i had to reread what my initial thoughts about it bc it was months ago??? and after rereading im just like, huh what was i on— (just that feeling when you just cringe at your old posts ;; but idk i think the insanity/cringe sometimes can loop back into being a genius and the cycle just continues)
anyways i’ve been on and off writing yuusha’s bio and overblot yuu was just at the back of my mind chilling but i didn’t really do anything with it.
but now that i have the opportunity,,,, im gonna go on the magicless route this time bc i feel like I've said all what i thought if it was an overblot due to her own magic.
so uh from what i gather overblots are a mix of overuse of magic + intense negative emotion.
since it’s magicless yuu, i guess the one of the general headcanons around the fandom is that they’ve been too exposed to overblots and then intense negative emotions suddenly just triggered their overblot.
uh anyways onto the elsa parts
Is everyone in danger as long as I'm alive?
Was I a monster from the start?
How did I end up with this frozen heart?
Bringing destruction to the stage
Caught in a war that I was never meant to wage
THE LYRICS ARE SO GOOD ;;; i really love how some broadway interpretations expand on the source material
and yeah you're right 🤧🤧🤧— yuusha would try to hide and escape, especially as she overblots bc she would try to avoid hurting people (and like elsa, it'd only hurt others more trying to escape bc of probably how she leaves destruction in her wake trying to make others stay away from her 😔)
(this is a small tangent but i remember thinking about an overblot kalim and i imagine him to be similar, like he would not hurt anyone intentionally in his overblot.)
anyways so the way it would go is that i imagine her friends got fatally injured either because a) she feels that she’s too “useless” without magic to help and wasn’t able to do anything OR b) her attempts at helping to try and prove that she can help without magic made everything worse.
and then she just goes into a guilty spiral then boom — overblot.
ALSO in the song, the way elsa briefly contemplated taking her own life but then realizing there’s no guarantee that would solve anything hnghgh (<- another unintentional parallel to my yuusha lore because that’s actually how she ended up in twst except she did NOT have the latter realization)
there’s this “yuu is dead” theory i’m just using and that the black carriage actually just caught yuusha’s soul after she took her own life from all the burden.
also some bonus angst context for that violin post :3
yuusha back in her homeworld is raised and known to be a gifted musician. people can feel the life and soul in her music but when people interact with her, they are usually met with an ice-cold (heh) personality.
the dead family member was the one who taught her music and the only one who was kind to her.
there’s always an expectation from her family to perform well and to keep up appearances as to not be a humiliation since anything she does can reflect on her entire family. (also hi, slight yuusha/jamil parallels maybe???)
the way she presents herself also stemmed from an incident as a child when she went apeshit on another kid bc she was defending a friend.
so from then on she was taught taught to conceal don’t feel those emotions — which just unfortunately extended to any positive ones, not just negative ones like rage.
so when she is brought to twst, there’s no memory of her being forced to hold back her emotions so she’s just unapologetically affectionate and open with everyone bc that’s how she really is.
but every now and then, memories of her breaking down haunt her in her dreams or as subtle reminders in the waking world.
then yuusha just goes on her day like she just wasn't reminded of her past.
(unnecessarily tragic lore my beloved, but anyway—)
another extremely brief tangent and bonus -> the two songs i had on loop while drawing pre-twst yuusha
lindsey stirling my beloved i love her music
the songs are such a vibe
her instrumentals in “lose you now” especially makes me feel some sort of way 😖
21 notes
·
View notes