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#there are plenty of things that 90s comics do *not* handle well but the character voices and longform style always draw me back <3
zahri-melitor · 3 months
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This is going to sound like a conspiracy theory and I really don't mean it to be, but did Geoff Johns move kind of fast up the proverbial ladder at DC? I had always assumed he was writing throughout the 90s because he picked up a bunch of high-profile runs in the early 2000s and went on to do Infinite Crisis, but it seems like he only joined DC around the turn of the century, which surprised me. Is it common for creatives to jump up that far, or was his early work that successful, or am I just asking a weird question?
Oh I am not the right person to ask this of, given I don’t specifically follow a lot of DC’s internal politics. Most of what I know is random gossip over the years from various interviews.
What I think is non-controversial: comics over the years has been a boys club and like many niche industries networking and making friends and allies is very important. Knowing how things work as an insider smooths things along; I’ve seen plenty of comments over the years from people who were shocked at how things got done.
Selling well has always been important. Being in the right place at the right time has been important. Knowing the right people is important.
Geoff Johns pretty clearly is one of those guys who got the right breaks at the right time. He came in via a niche pitch, honestly (Stars and S.T.R.I.P.E.) which because it was JSA wheelhouse got him a run on JSA during the late 90s team book boom. He came in across a bunch of different characters and seems like he was willing to pick up any titles offered to him, which meant he got more chances than someone who can only pitch in one family.
The real break was probably being offered Flash and that selling well? And then presumably being good at networking so getting offers to write across other lines. Plus getting a team book break very VERY early - there’s nothing like a team book to prove to the company you can handle comics.
If you want a comparison, look at the ‘British Invasion’ of the 80s where a BUNCH of writers got some honestly extremely minor titles and characters and took them to blockbuster heights as they were doing something different to where DC comics had been previously. And it happened FAST. Alan Moore got his break in 1983, and by 1988 there was half a dozen people in the group, and the results of THAT eventually caused the formation of the Vertigo imprint.
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garthofshayeris · 4 months
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i know you said you think 90s aquaman would be executed differently today - do you mind explaining how? I'm curious about it (and reading thru that series atm :P)
Absolutely! While I do think 90s Aquaman is the best overall run, there are plenty of cringe-y things that could be improved upon. I think a lot of people forget the context of the time something is published (unfortunately, the 90s are actually several decades behind us) and while that doesn't excuse anything, it does open up potential to see things that don't age very well.
I think the overall treatment of Mera and Dolphin would have been better. Dolphin is so clearly written as a Love Interest First, Character Second that it puts her in an unfair light. Mera as well is hardly in the series, which I don't think DC would want these days. If it was written today, I think DC would have kept Mera around and had Dolphin be the Other Woman/Love Triangle aspect. I hate love triangles, so I don't think this would be an improvement per say, but it is what I think would happen. They would probably develop both women as being opposites of each other though, which could be fun.
Speaking of, I think they would have spent more time on the Garth/Dolphin romance. It's clearly a "we don't know how to use Dolphin now" moment because she was not very developed outside of Orin's storyline. I'm still down for a Dolphin/Garth romance, of course, because I think DC is still too cowardly to let him fuck a mermaid. Maybe in another 30 years? But with Dolphin as a developed character, the romance could happen over time instead of over a few issues.
I think Koryak and all the interactions with his people would be handled with a lot more research and grace. Admittedly, I have never heard an Inuk individual's stance on this comic (if you know of anyone, please link me!!), but reading those issues now...much improvement to be made, for sure. I would love to have Koryak really promoted as an Indigenous hero and that could happen if they had the right writers/researchers on the team. His powers are cool and honestly, I really like Koryak. This also applies to Orm, who is also an Inuk in the series. Although his purple Ocean Master outfit is my favorite, I total redesign could be cool. My hot take is that Orm is better when he's a jealous human. Not that New52 Orm is bad (it's the only character change I LIKE in the recent series) but there's something SO funny about Aquaman having super petty villians.
Vol 5 has a huge cast of really interesting characters, but not all of them got to shine. I think it's more likely that several of them would have gotten mini series or limited solos if it was made today. There's so much opportunity to lean into different mythology as well from around the world.
I think the lore of Atlantis overall would not need much changing (it's nothing like the current run, but in my perfect world where this is happening, the current run is wiped out and restarted lol) BUT if they wanted to loop in some characters who came from anything post-Flashpoint, I think a lot of them would fit very well into the storyline. The downside is that the writers would need to use their noodle and actually adapt the characters, and Aquaman writers are not allowed to do that. I think DC takes them out back and shoots them if they try. That's why none of our faves are in the comics :/
so tl:dr...more respect for the female characters, more respect and research into cultures used in the story, and better focus on some of the minor characters. If only...
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browngonzo888 · 8 months
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Small rant about fandom
So seeing a lot of “I miss my quiet fandom” from the Spiderman 2099 fans. Like yeah I geddit, got a lot of Gen A kids with their TikTok’s and their annoying Ciara track edits an such with a version of Miguel they don’t recognize. And also arguments about race and skintone.
think that’s bad?
Mortal Kombat fandom…. FULL of racism. Sexism. Homophobia. Transphobia. Deathwishes. Netherrealm Studios retconning the characters to hell because they handed the script to a guy who’s NEVER had any experience with video games (when it comes to ick, P Daniels got nothing on Dominic Cianciolo) Redesigns not able to decide who they wanna pander to. A lot of this crap because they were trying to stay relevant to an old crowd from the 90s as well as cater to a newer crowd, but there was a severe clash because the old crowd knew a simpler arcade game while the newer fans wanted FGC level BS. MK11 was the biggest fandom nightmare. Seriously atsv is MILD, and seems to try to go in the right direction by being rich with additional culturally specific art and design. MK did something like that but then also did some weird crap with it and not everyone was happy and I still haven’t exactly pinpointed just what that was! They literally changed up a skin because it was Confederate-inspired.
A mess! I got into the shittiest arguments. Never wanna go back to that ever again as long as a live, no matter how good or ambivalent my intentions are.
So I kinda left it alone
Anyway. Before atsv I went back to Psychonauts. Played it as a teen, then part 2 came out in my 30s. Of course they did small things that catered to new players. Some of the stuff the newer fans do are not always easy to relate to or understand (like the Miguel tiktok edits), but I really don’t mind it at all. I reached out to them in my own way by liking and reblogging their work and they checked me back in kind and some I chat with on a regular basis. What I’m tryna say here is that there’s always gonna be old fans and new fans. Depending on the way creators handle their audience can heavily effect the way their fandom gets along. NRS dropped the molten hot ball by being a hostile network that occasionally even fought with their own fans. Doublefine Studios is hella-casual and their fandom turned out that way too.
In real time I’m sorta watching where Sony is going with this fandom. They seem to be diverse-conscious yet also trying to ignore Miguel’s origin comic shamefully? Idk i think it fits him anyway, no matter what he looks like. Oof and I’ve seen the whole “why he white” rhetoric in Miguel fanart over at Pinterest and gosh I don’t know if I can spare to care anymore because you couldn’t swing a controller without running into that with MK art, when clearly a LOAD of their characters were default Caucasian-looking in the 90s. It’s a reoccurring design that has plenty of room to make changes with imo, but it’s tiresome to gatekeep.
I think if people are just a bit patient with the newer fans and not start a war, things will be fine and the Spiderman 2099 fandom will go back to being peaceful. I’m a newer fan. I don’t like the weird edits. I purchased the first two issues of the 90s comic to fully understand Miguel’s origin, the very comic with the cover that atsv used in his intro. It’s nice to collect something else other than DC Lobo. I think if you feel creeped out, pressured, or even downright angry at new fans, just ignore them. Ignore me. It’s possible to curate your own experience online. Except Twitter. Fuck that place in the A, I hate it. I’d join a hateocracy against the destruction of Twitter if I could. And if you a new fan, idk just have fun and don’t be mean to the old fans because they the reason 2099 came back around despite his story getting shelved several times.
Anyway, ramble over. I wanted to get a lot of that off my mind.
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marvel-teen-comics · 2 months
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finally making a pinned post!
Read more for updated account info (long tho) explaining where i’m at now!
First of all this account was originally dedicated to marvel comics featuring teen characters. it was born out of 15 year old me absolutely consuming everything featuring a teen super hero team after reading Runaways (something I sadly have the runaways tv show to thank for!)
that was 6 years ago…. im not sure how long i’ve had the blog but basically i’m an adult now and my interests have broadened. a bit.
now this account coverers yes, Runaways, Young Avengers, Academy X, Gen X etc etc but I also just love reading X-men in general my favourite run being Grant morrisons new x men and the main uncanny x men through the 2000’s. I don’t want to change the name because i’m kinda attached to it and also I can’t think of a better one ! so for now the very inaccurate name stays
I also watched and have since rewatched X men evolution and Young Justice and want to be able to post more here because I did the rewatch with my best mate over lock down and then didn’t post much about it probably because I still felt like this account should be restricted to comics! I don’t think that anymore, or that it should be restricted to marvel! obviously YJ is DC but also -
Fables! again I read the whole thing a couple years ago now so still struggling to actively post but again I want to engage more especially as Fables is like the smallest fandom ever and has basically been forgotten except by die hard fans and people who know Once upon a time was originally gonna be based one “some comic”
so this account covers a lot and don’t let the bio fool you, however, yh i still don’t get along with basically anything current and barely anything past the mid 2010’s i do try and I pop my head in sometimes to see what current marvel comics is producing but I clearly have a very big bias towards the 2000’s and some notable 80’s/90’s faves
(also disclaimer this isn’t any like “marvels gone woke” nonsense the “woke” parts of older stuff is what i love the most abd i sometimes think some issues are handled even better or more realistically than they are now, but i’m also aware the plenty is not. I am Queer, and leftist and that’s about as much personal info as i want to give out but rest assured I just like the vibes of older stuff)
I would like to dive into more DC stuff, especially 2000’s stuff if it’s as good as marvel was then. maybe even check out some of that batfam everyone’s always on about 👀
I want to use this account more, it’s not big and I expect a lot of people have deactivated over the years as a lot of people i follow have stopped posting as well but if anyones still here expect some crumbs of activity that will hopefully mean more posting in the future.
if not i’ll update here again in a year
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fantastic-nonsense · 2 years
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thoughts on Tom Taylor’s Nightwing? I know reviews here in tumblr.com have been mixed, but I am personally enjoying it.
My tl;dr opinion is that it's a fun but ultimately rather thematically light "breath of fresh air" run to clear out the nonsense we've had to deal with over the past 5-8 years. Taylor is clearly pulling hard from the original 90s Dixon Nightwing run and early 2000s Batfamily books but also leaving behind a lot of the Dixon and Grayson-era political baggage that comes with it (which...good). I'm not particularly fond of his depiction of Babs, but his 'Dick and Tim' interactions are quite nice. It's also got absolutely gorgeous art, which is definitely helping as well.
Is it my favorite run ever? No. But I'm generally enjoying it and think it's been a fun first arc for what essentially amounts to a soft Nightwing reboot (which Dick desperately needed). However, I absolutely see a lot of room to improve, and I think I've commented before on how my largest problems with his writing on Nightwing basically boil down to three things:
His treatment of Babs, which seems largely out of well-meaning ignorance as to how his writing of her can and has been perceived.
Taylor has a problem letting his characters grow their interpersonal relationships organically over a larger set of issues; you see it with his other books too (like how Jon and Jay are Together™ now but Jay was only introduced 6 issues ago). While I don't necessarily have a problem with the relationships themselves, I do have a fairly consistent problem with how abrupt they seem to grow; it's frustrating because if he just let the relationships breathe they'd feel so much more organic and realistic (however, this is a criticism I have of quite a few comic writers right now, so it's an industry issue more than it is a Taylor-specific issue)
Taylor's personal political naivety and how he projects that onto characters that by all rights should know better. I find it hard to believe that the Dick Grayson who's gone through all the shit he's gone through in his life doesn't understand the ins-and-outs of how a) local politics and b) systemic poverty function in Bludhaven, for example, especially considering everything that happened during the Ric arc. I totally understand that Taylor's run is basically a soft reboot, but it begs quite a bit of credulity all the same.
I'd have less of a problem with #1 (and to a lesser extent #3) if he seemed more open to constructive criticism, because I do actually like him on the book. However, he's rebuffed most conversations well-meaning fans have tried to have with him about their desire to see him write disabled characters better and be more thoughtful about how his scripts have the potential to sound to his readers.
So...yeah, that's my review. Generally enjoying it, but seeing plenty of opportunties to improve. However, while I like Taylor's writing in general I will say that I frankly do not trust him to do anything with under-represented groups (racial, disability, or otherwise). Man's a good writer who is genuinely trying, but is functionally immune to well-intentioned and polite critique about his handling of such things, and that's Not Great.
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mha-adore · 3 years
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hey! ty sm for doing the matchup exchange with me, i look forward to writing your match! i’m rita and i go by she/her pronouns. i have a preference for men & i’m 16. my quirk would be similar to shinso & inumaki from jjk,, i can control ppl and animals just by saying a command,,, an indicator for when i’m using my quirk would be my eyes changing color & a side effect to using my quirk would be getting light headed.
i’m a libra sun, aquarius moon, & leo rising. a slytherin & intj-t. i’m v polite and reserved when you first meet me. i’m pretty introverted and i have anxiety. it takes me while to open up since it takes me a while to trust ppl. i do tend to get annoyed and angry by others easily,, i’m a bit of a hot head. i’m pretty chill and like joking around once i open up,, i can also be kinda dumb. i’m a bit of a loner and i don’t have many friends. i’m actually a bit of an emotional person but only when it comes to shows, movies, books, etc,, i tend to keep my emotions bottled up. i’m self conscious and self critical. i care a lot about having perfect grades and getting into a good university but i’m so lazy (lots of breaks & procrastination) at the same time,, i end up getting everything done on time though. i’m impatient when it comes to my own things so i like doing things my way bc i feel more comfortable that way. i also like keeping things neat. i’ve also been told i have a resting sad face & that i’m intimidating. i wear a lot of black and i’d describe my style as dark academia mixed with 70s-90s fashion. when i’m at home i just wear comfortable clothing like pajama pants and a t-shirt.
my likes/hobbies/interests are baking, playing the sims, writing, and playing board games with ppl i’m close to. i also like relaxing in bed and spending time with people i’m close to and having fun. i’m interested in psychology, true crime, & history. i don’t like arrogant & closed minded people. i look for a partner who is loyal, kind, & open-minded. my love languages are gifts and quality time (both ways).
i hope this isn’t too much,, ty again! <3
Hey friend, it's my pleasure! Thanks sm for offering 💖
Can I just say super quick that your quirk is really cool? You could command an army of bears, raccoons or fire ants. I would be terrified. Also I'm an Aquarius moon and INTJ too, air moons gotta stay together. I totally got a Libra vibe off you when you first messaged me and you're super sweet 🎀 also I totally get you on the anxiety part, I have anxiety too. I know how terrifying it can be to reach out to new people so please know I'm proud of you for taking the chance to reach out to me 😊 and it's never too much; the more detail the better!
I match you with Shoto!
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Say hi to the walking AC and heater unit. A couple reasons I picked him is because you mentioned having anxiety and being hot headed. With his father being, well, himself and his mother being the anxious person she is, Shoto understands both sides of the coin very well and knows how to deal with both parts. He can balance being calm and stern at the same time and he has the patience of a saint. He would give you the time and space you need to grow comfortable around new people and surroundings, as well he would be able to keep you grounded when your temper gets the best of you. He mellows you out. My personal headcanon is that he's a Capricorn sun, Scorpio moon, Virgo rising, Ravenclaw and INFP.
He returns your jokes with dry humor. He can keep a dead serious face while making the stupidest jokes too. He could look you dead in the eye, face straight, and rip a monster fart and not giggle just to see your reaction. Honestly the image of him holding eye contact while aggressively farting is funny in my head. I know I have the humor of a 9 year old.
He isn't bothered by you not having many friends. He's a private person and doesn't want a lot of people up in his business. He prefers few close friends over many distant friends. He knows you aren't stupid and pays no attention to anything you say that may sound dumb. He's heard so much dumb shit he learned to filter it from his brain.
He understands that you're closed off on your emotions. He really can't blame you, he's quite the same. If you get a little teary eyed over a book or movie he'll let you talk it out and cry if you'd like, but he won't push you to be uncomfortably open to him. He values your happiness over his own and doesn't mind you keeping your feelings to yourself. He respects your privacy. Regardless of what you may feel conscious or critical of about yourself he's there to remind you that you're perfect. You're healthy, you're strong and you're doing the best you can. No one could ask any more from you. He's lived a majority of his life feeling outcasted and ignored because of his scar and wouldn't wish the same on anyone, so if there's any part of you that you feel bad about he's always reminding you that you have no imperfections, everything about you makes you one of a kind. You're irreplicable.
He isn't worried about you procrastinating on studying or homework. As long as you get it done and do well enough he isn't concerned. If you ever have difficulty with a subject he's happy to help you study and learn. If you want he can ask Momo to join for a study party if you want the extra help or company. He just wants to see you succeed and get into the college of your cotton candy dreams. Oh and don't worry about your tuition, he has it covered. Don't even mention it to him it'll already be paid off, including books and living arrangements. He only wants you to pay him back by doing your best in school and showing him you can handle the hard work.
He always has a suggestion on ways you can do things but he knows you prefer to do them by yourself, so he'll neber bombard you with his ideas. If you ask for his input he has plenty to give but otherwise he gives you the room to make your own moves. He's a neat freak himself and is always happy to help you keep your room clean and well put together. He has good room decor ideas too if you want to spruce up your room.
He really doesn't see you as intimidating. He sees a confident, independent and strong young woman who can hold her own. He occasionally wonders if you're really sad or if that's just your expression and he'll occasionally ask. He's only making sure you're okay. If you're sad he's on it with a cute or funny movie, some snacks, a shoulder to cry on and a whole night's worth of stuff to talk about.
He likes your sense of fashion, he enjoys darker and warmer colors. He lives for the 80s aesthetic and loves to see you mix the two so effortlessly. He can, wants to and will give you his t shirts to wear at home. He'll also loan you hoodies and sweaters. He won't outright buy you a hoodie, he'll buy one for himself and let you get away with stealing it from him.
He's so soft for home made cookies and would love for you to make him some. Home made dinners are also great. He would love to help you bake and would enjoy baking dates. He'll also watch shows like Hell's Kitchen with you. He isn't exactly a huge gamer but he likes simulation games and RPGs like Sims, Animal Crossing, Pokemon, Harvest Moon etc. He'll binge these games with you all day and night. Your Sims have to get married to each other it's the law. He enjoys reading what you write - what you don't mind sharing of course. He won't go peeking in your personal writing, he knows it isn't his place. Concerning what you do share he'll read it with great interest and share his thoughts and any ideas he has. He would really enjoy writing something with you, like a short story or a comic. He loves how you convey your writing and would be honored to take part in it. His favorite board game is Candy Land, a close second being Monopoly, followed by Scrabble. He pulls out a big ass dictionary during Scrabble just to prove to people that he knows his vocabulary. He loves you dearly but all bets are off during Monopoly, it's a dog eat dog world and he isn't bailing you out of jail. He will, however, offer you real money in turn for properties in the game. No that isn't cheating the rules say nothing about it. He has no problem with a lazy day in bed though and wouldn't mind just dozing or watching shows together. Any time spent with you is time spent well. You two could watch paint dry together and he would have a blast. He'll buy the paint.
With his personal involvment in hero work he has lots of info on true crime cases and can share stories and books with you. He has everything from small robberies to Ted Bundy and beyond. If you have a question about a true crime case he has an answer. As for psychology I imagine he would study it himself, perhaps as a secondary career or freelance hobby. He'll examine characters from books and movies with you and run his own behavioral analysis unit from his bedroom. The FBI doesn't hold a candle to him. He can, will and already has tracked down your enemies and he has their addresses. With his father being the new number one hero he essentially has the force of the law in his hands and if need be, he will use it. He won't do anything unjust unless your safety is in jeopardy but he won't hesitate to bring someone down. As for history he has plenty of books ranging from founding of countries to wars, to major technological advancements to the invention of toilet paper. He knows some very niche history facts. If you need to impress a teacher with knowledge on history he has you covered. He'll make the teacher quit their job in shame.
Shoto is absolutely loyal to the end, open minded and kind to a fault. He understands how it's like to be ignored, misunderstood and bullied and he won't treat anyone else that way. Regardless of his opinion on someone he still gives them respect and kindness. He doesn't care how rude or petty someone acts, they're still a human and deserve to be treated as such.
He goes out of his way to buy you special gifts, he values personal meaning over monetary value. Between a basic cheap necklace and an expensive bracelet of your favorite gemstone and color, you bet he's going for the bracelet. The cost isn't important to him, he just wants to see your face light up when you open the gift. As for gifts from you he doesn't care about how much you spent, he just wants something from the heart. You could give him an origami swan that cost you nothing to make and he would treasure it like a rare antique. As for quality time, he always enjoys a good movie, board game, cuddle session or just a nap. Like I mentioned before, any time spent together is time spent well.
I hope you enjoyed this friend!! 🥀 I'll be sending my part your way soon, thanks again for the offer! I had a lot of fun with this one 😘
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bai-zewarrior · 3 years
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So I finally nailed down my designs for the black heart characters (except colossus, perry/predator and Madusa I'm still massing with them) along with some head canons! The characters might look a bit weird next to each other, I didn't draw them all on the same canvas. I know I'm suppose to but I was lazy and didn't want to re draw the refs on one canvas. I also appologize for this being so long.
I'm hoping to start a comic with these guys. I always end up saying no to projects like this because I don't think my art is good enough but I think I'm going to put my foot down this time!
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Hal:
Can talk(unlike my version of Cyan)
Pretty laid back but knows when he needs to be serious
Will curse you out
Thinks Aura and Nautilus are cute together
His cape works as his "soul meter"(idk what to call it). It has 3 squares on the back that represent Hal's souls. The cape becomes tattered and ripped when souls are taken.
He just wants 5 minutes of peace without someone trying to take his souls, please give him his 5 minutes of peace.
Really hates colossus
In the context of black heart I don't consider him a nano bot. He can bleed and stuff like that.
When he sleeps his body starts to heal any wounds and mend his cloths. This leaves him defenseless as he will remain unconscious until it's finished. He tries not to sleep out in the open and often uses caves and trees as temporary shelters when he needs to sleep. This can also activate when he is knocked unconscious but in cases like with Colossus the healing part is stopped.
He can change colors but he prefers red. His cloths don't change colors with him. Just his skin and his cape.
Again, in he context of black heart, I imagine Hal just kinda woke up somewhere with a bit of knowlage about himself and that's about it. Shortly after works he ran into Aura and Nautilus for the first time. He considered the battle a joke.
Nautilus:
Has glowing markings all over his body. He can cause them to glow at will
Can only breath air for around 10 minutes( this time can decrease with some conditions such as heat or cold. This is because his gills need to be wet for him to breath air, so if it's really hot out his gills will dry out faster)
Has a stutter due to the N.A.T.U thing, among other things. Like trust issues when Xero is around
Is euryhalinr(this just means he can breath any kind of water)
His suit adds about 100lbs to him (material, water, and special boots to help with balance when moving around in the suit)
Likes to make jewlary with shells and stuff
Loves Aura to death. Would litterally die for her.
His teeth work like a shark's. One falls out? You've got plenty more to fill the gap! He has given pretty much all his friends breif heart attacks when he casually spits one out after they hear the loud bone cracking noise of a tooth braking. He keeps all the teeth.
Runs on all fours for some reason. No one knows why, including Aura.
Aura:
Learned all her magic from her parents
Her parents lived like hermits because they believed people still hold witch hunts. Aura hated this because she snuck out a lot and knew that this wasn't the case.
Can be a bit forgetful with spells so she always keeps her book with her at all times
Love Nautilus to death, would die for him too.
Can't swim, her body it denser then water so she just sinks. Nautilus is almost always with her when she's near water for this reason.
Aura's wand is broken but she just keeps fixing it with tape because she doesn't know how to make a new one. She also doesn't want to ask her parents because they wouldn't let her live it down.
Made the headphones Puffer wears so he doesn't have to worry about Siren trying to mind control him, again.
Aura has a secret garden. She uses it to grow her magic plants. It has a defense system that even Jestar can't get past. Only those she has given permission can enter, but those people can give temporary permission to others. Only Nautilus, Puffer and Solario have permission to go into the garden.
Has gotten use to the weird things Natalie can do.
Puffer:
A bit of a hermit, but will open up when he trusts someone
Always has his eyes closed because he thinks his eyes look scary. He can still see for some reason? (Like Brock from pokemon, idk how he could see but he traveled like 3-4 regions like that)
Changes colors depending on emotions. Blue is calm and happy, purple is upset and sad and red is anger and frustration.
Puffer can create lots of spikes all over his body if needed as well as a set of claws. He doesn't do this often.
Likes to cook but keeps it a secret from everyone. (Aura and Nautilus found out though, they just kept the secret)
He really doesn't like Siren after what she did to him, but he will talk to her and hang out with her if someone else he trusts is around.
Really wants to apologize to Hal but he hasn't gotten the chance to yet.
Is really self conscious.
He's not very good at swimming but Nautilus teaches him when Siren isn't around or in Aura's secret garden.
Siren:
Likes to sing for no reason
Has a not so small army of skeleton fish
Is litterally heartless (she doesn't like to talk about it)
Has a crush on Puffer but she doesn't know how to fix the bridge she burned with him
Plays chess with Myst a lot(and wins a lot, much to Myst's dismay)
She can shape shift her tail into a pair of legs. This was a "gift" from Jestar to help her be a better assassin for him
Thinks Xero is a prick
Likes to steal Xero's alcohol sometimes
Can water bend. She can't blood bend though. She's tried.
Likes rock and country music for some reason
Nautilus likes to play with her fish some times.
Knows a bit about necromancy. She doesn't like to talk about it though. She never does it in front of anyone besides her fish army
Myst:
Doesn't like to talk about his life outside work
Is well over 100 years old( he lost count)
Is very protective when it comes to Shade
Doesn't really understand Shade but will support her regardless
Likes to smoke when he thinks no one is around
Can create an umbrella to protect himself if he is caught outside when the sun comes up
Likes to play chess
Is basically a dad to the other assassins
Rarely opens his third eye. This usually only happens when he gets frantic, scared or extreamly angry
Does not have any remorse over killing Parry
He doesn't eat in front of others if it can be helped
Myst told Nautilus about Shade once. He had a bad feeling and asked that if anything happened to him Nautilus would take care of her. Only problem was no one thought about the address of Myst and Shade's mansion. He found her though, don't worry.
When he is exposed to sunlight it will immediately cause him to get sunburned. If he doesn't leave after about 30 seconds- 1 minute he will start to die slowly and painfully. He has taken a lot of tea baths because of the sun
Solario:
A big dork
Very loud and bubbly
Is a prince from a kingdom galaxies away from where black heart takes place in
Was suppose to marry the moon from the moon is getting away level (haven't given her a name yet) but she unknowingly broke Sol's heart so he left. He wanted her to be happy and he clearly couldn't give her that happiness.
Doesn't understand "mortal" things but wants to learn.
Nautilus taught him the word yeet and now he won't stop using it
I headcanon that his voice actor would Gary LeVox(lead singer of Rascal Flatts)(don't ask why, I can't change what has happened in my brain)
Will stop at nothing to see his friends happy
Likes hanging out with Aura, Nautilus and Puffer
Can make himself hotter or colder at will. He tends to stay at a heat that won't hurt others when the go near him, but not cold enough to cause himself harm.
If he gets to cold he can die. He also starts to become extreamly cold or extremely hot before death. The direction his tempature goes in is dependent on what he was doing before hand. (Example: reading a book, gets shot, starts to get colder and colder. Attacking Hal trying to get his soul, shapeshifts so much he almost blows himself up, gets hotter and hotter)
Can be a bit over dramatic sometimes
He is incredibly strong. He can lift both Puffer(who whieghs roughly 230 lbs) and Nautilus when he's in his suit(so about 250 lbs) with no trouble. He forgets about his stranghth some times and has accidentally thrown a few things before quickly trying to fix it.
His shapeshifting isn't limited to just objects, he can shape shift small things about him self like his cloths or his entire body into something like a dinosaur. He doesn't do it often though. Mostly just the cloths thing.
Jestar:
Yells a lot
Thinks everyone is incompetent except Xero, for some reason
Accidentally took Puffer when Siren joined do to a confusion about Sirens powers. He refused to send Puffer home.
Colossus is basically just his pet
Xero is the only one who can get away with yelling at Jestar. No one really knows why but they hold really long arguments about all sorts of stupid stuff
Did I mention he yells a lot? I did? Well I’m saying it again. He yells A LOT.
Can shapeshift in to anything
Does not know how to handle baby Madusa. He doesn't know how to handle people in general, and he thought creating a baby was a good idea.
Xero:
Smokes and drinks a lot
Has a German accent(I can’t un heard it, I’m sorry)
Has a wrapped sense of humor
Calls Natilus “shark boy” after natilus bit him(this is related to what happened before N.A.T.U)
Calls everyone a nicknames besides Jestar.
Makes more robots then he needs and holds robot death battles at night.
Wants to dissect Siran after he found out she’s litterally heartless.
Is drunk 90% of the time but that's when he works best. He doesn't care that he has a problem either
Dressed Madusa up is costumes a lot during the 2 weeks it took him to grow up. He created a scrap book with photos of them too.
Can actually be a really nice dude when he wants to be. He doesn't normally want to be nice
90% of his robots are idiots
He's left handed
Colossus:
Is basically Jestar’s pet
Doesn’t speak a language anyone knows
Is basically a king without a kingdom
Starts out really tiny but gets really big for a short period of time once he has infected someone
Shade:
Has trust issues
Is only like 16 years old
Has normal(ish) ghost powers because she was born a ghost
Drives Myst nuts with her edgy stuff
Likes talking to Perry(she meets him after the Funk Hole level)
Can bounce between having a ghost tail to having normal legs.
Her flower is technically apart of her but she doesn't consider it part of her.
Perry:
Kinda skittish around people who look scary to him(so 90% of the black heart cast)
Has a crush on Shade but won't admit it out loud because he's scared of getting bitten in half by Myst, again.
Around 18 years old
Left home because his mom and brother suck and he wanted to be a ghost hunter like the ones he saw on tv. He got his wish for like 2 hours?
Transforms into Predator during the full moons and special moons. Special moons can have different effects on his transformation and mental state. Like a blood moon causes him to become more blood thirsty but a blue moon causes him to actually retain his normal mental state.
He has a habit of spiraling about everything
Predator:
Can't say anything understandable
Each part of his head has a brain so they agrue sometimes
Around 5X the size of Parry
Acts like a dog sometimes
Would have probably just ate Hal instead of taking the souls.
Madusa:
Can breath underwater and air without issue
Doesn't like the fact that he looks like Nautilus
Hasn't figured out how to swim fast like nautilus yet but won't admit it
Calls Jestar dad
Actually gets along well with Xero
Xero calls him Moccasin
Has markings like Nautilus but they only glow in the dark and they aren't as bright
He's allergic to shell fish
Actually had about a 2 week period where he was a kid. Xero and Jestar just gave him a special serum that caused I'm to grow up faster.
Most of his teeth ended up like Aura's but his canines are significantly sharper then they would be. Xero also found an extra set of teeth under Madusa's adult teeth.
Doesn't like the idea that his whole life rests on a tiny, easy to brake, stone on his head but just rolls with it.
Scared Jestar and Xero a lot during his first few days of life. He not only descovered his allergy to shell fish but almost got himself caught by the others a bunch of times.
All these guys belong to OL666 except Hal, he belongs to vitamin games
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traincat · 4 years
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I’ve read Waid and Hickman’s FF runs and am currently reading Zdarsky’s 2 in One. I’m planning on eventually reading the Lee/Kirby run. Can I ask, what other runs would you recommend? Is Claremont’s good? Sorry for bothering.
I LOVE Waid and Hickman’s Fantastic Four runs, and Zdarsky’s Marvel Two-In-One was excellent to the point where one of my lingering disappointments is that Marvel brought the Fantastic Four back in a way that prematurely cut off Zdarksy’s 2n1. I know I said I wanted them back but wow did we all get monkey’s paw’d on that one. Zdarsky did really excellent stuff with both Ben and Johnny and the multiverse hopping was honestly fun and interesting. Lee/Kirby is also, in my opinion, just a really terrific run -- it lays the groundwork for not only the future of the Fantastic Four but a lot of big concepts for the Marvel Universe in general, and I think it holds up really well by modern day storytelling standards. Lee’s sense of humor works well with the retrofuturistic vibe and Kirby’s art is always wonderful. In particular I think it’s interesting to look back on The Galactus Trilogy (Fantastic Four #48-50) as the granddaddy of all event comics, for better or worse. 
Claremont -- okay, I love Claremont’s run, let me start off by saying that. Claremont’s run follows on what is in my opinion one of the worst periods of Fantastic Four canon, and I mean bad to the point where the literal canon at that point was that to get things back on track the Fantastic Four had to be put in a bubble universe. Claremont’s run kicks in one or two issues after their return to the main Marvel universe and it’s so fun. I think Fantastic Four is one of those series that kind of flourishes in adversity and Claremont’s run starts off with the Fantastic Four trying to regain their footing in a world that had assumed them dead, their Baxter Building gone, living in a warehouse property. Claremont, in my opinion, also has one of the best if not the best handle on characterization for a lot of key Fantastic Four figures, including Johnny, Reed, and Sue. His Ben is also very good, but I think Ben in particular tends to be an easier sell for a lot of comic book writers -- the outcast, the gruff man, the comic relief. He’s easier to identify with than Reed, the Smartest Man on Earth, or Johnny, defined by his youth and beauty and queercoded since the ‘60s, or Sue, by sheer factor of being a woman. So I think a lot of writers identify with Ben first and foremost and put the most love and care into his depiction, whereas the others are a little easier for them to leave by the wayside. Which isn’t a bad thing -- I love that one of the most beloved comic book characters is also one of Marvel’s few canonically Jewish characters, but there is a wealth of truly excellent Ben canon in comparison to the other three. Especially with Johnny, there’s no one else who has written for Fantastic Four who has put nearly as much thought and detail into Johnny’s relationship with his powers, both the positive and the negative, as Claremont has, even reworking the origin story from Lee and Kirby’s joyous scene of Johnny flaming on for the first time into a deeply traumatizing incident -- being sixteen and traumatized and bursting into uncontrollable flames. 
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(Fantastic Four v3 #11) There’s also a lot of women in Claremont’s run! A valid criticism of Fantastic Four canon is that by its initial core team makeup it tends to be lacking in female characters compared to some other big Marvel staples, but Claremont brings in a ton, from Reed’s college friend and fellow genius Alyssa Moy (who has been done dirty by pretty much every other writer who’s ever touched her, including Waid and Hickman) to multiversal bounty hunter Bounty to the most platonic of Johnny’s gal pals Caledonia to Valeria Von Doom, a “time dancing” teenage incarnation of the baby Sue lost back in Byrne’s run, who sets up baby Val’s eventual return. Claremont is also king of Reed vs Doom setups -- if you haven’t read his Fantastic Four vs X-Men miniseries, I highly recommend it, and he brings a lot of the two sides of the same coin energy from that into his Fantastic Four run. 
The downside of Claremont’s run is that the plot is always there and always running and I could not explain half of it if you paid me. Things certainly happen! Like all the time! For seemingly no apparent reason! Stuff gets set up and then it’s not resolved and now we are in Latveria! I don’t think this is necessarily all that detrimental -- the run is still massively fun and the characterization is always fresh and interesting. It’s just that sometimes you have no idea what’s going on and you have to roll with it. And then sometimes you do know what’s going on but in the way where you know Claremont was just writing it because it’s his kink. Which is like, whatever. As authorial ids go, you can pretty consistently do worse than Claremont’s, I’ll give him that. So I do recommend on it the whole, as long as you’re not going into expecting the kind of plots either Hickman or Waid brought the book. Claremont’s is kind of like “stuff happens and it’s either weird or fun so just don’t pay too much attention to it.” 
Aside from Claremont, I feel like I generally like far more Fantastic Four runs than I dislike -- but also I don’t hate Millar’s run, which is honestly bad, so it’s possible I’m just very forgiving with the Fantastic Four. I really like Robinson’s run, which is the last run before the Great Fantastic Four Drought of 2015-2018. It’s short, self-contained, and devoted entirely to one story, so it’s pretty tightly written, with good characterization and some very shiny art by Leonard Kirk. Straczynski’s run is decent enough for the fact that it intersects with Civil War -- I think he does his best to get into the heads of the characters re: their actions in Civil War -- and it leads directly into Dwayne McDuffie’s run, another brief one where Black Panther and Storm take over for Reed and Sue. Very fun. Marvel Knights 4 is also a fairly recent run that’s got some strong moments in it, although I feel it’s a little inconsistent in its handling of the characters. It’s still fun, though. For an older, longer run, I like Simsonson’s -- the art is very dynamic, even if the storyline kind of gets too involved with itself. 
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(FF #337)
I recommend Byrne’s run with the caveat that there’s plenty to dislike about it and plenty of reasons to avoid it, not the least of it being Byrne himself as a creator and a person. It’s heavily sexist in how it deals with Sue, it retcons a huge age gap into Sue and Reed’s relationship, and Byrne’s early departure sets up my all time least favorite Fantastic Four story. (Though that one is Roger Stern and later Tom DeFalco’s fault.) It is historic as Fantastic Four runs go, though, and there’s a lot in later runs that’s built over it or references it or borrows from it. So it’s a rec with a lot of caveats and I also understand why people might give it a skip -- I think it’s more important for an understanding of the greater body of Fantastic Four canon and the impact it had than for the actual run itself. I do think Byrne has some very interesting subtext with Johnny, although it never come to fruition, and while his Sue falls victim to a lot of sexism, I really like what he does with the character of Frankie Raye, who like poor Alyssa Moy I don’t think has ever gotten really good treatment ever since.
I have mixed feelings on both Millar and Fraction’s runs, not in the least because I think they end very similarly -- and that Millar did it better, which doesn’t say great things. Millar’s run is kind of like a trashy popcorn flick version of Fantastic Four; it’s not actually good, but I can’t say I don’t like the terrible eldritch monster in Scotland Christmas arc (Fantastic Four #564-565) and I’m sort of into future Sue. Fraction, on the other hand, takes a space road trip and makes it boring, which is the greatest Fantastic Four sin of all. He’s one of the rare writers who I think actually writes a bad Ben Grimm -- not the least because his run goes out of its way to try and label it Ben’s own fault that he was transformed into a monster. I do really like his FF (just the initials) though. 
The only Fantastic Four runs I can say I really truly dislike are Tom DeFalco’s and Dan Slott’s, which sort of unfortunate because DeFalco’s is both long influential (I have no idea why because it’s honestly terrible like in terms of storytelling) and because Slott’s is happening right now. DeFalco comes onto the book on Fantastic Four #356 and stays on until Fantastic Four #416, at which point Marvel hit a literal retcon button to get out of the mess he’d made. (This leads into Fantastic Four v2, which is largely skippable -- it’s basically a mid-90s retelling of a bunch of early Fantastic Four stories that leads back into the FF heading back to the main universe.) DeFalco’s responsible for the Skrull retcon in the JohnnyAlicia marriage and for dragging that out for over 50 issues, the entirety of which feel like he was writing without a plan or outline or literally anything, and I have never felt like a comic book was attempting to gaslight me through its own incompetence or refusal to commit to things it set up itself as badly as I do with DeFalco’s run. (I like other non-Fantastic Four Tom DeFalco runs. I just hate this one.) Dan Slott’s run is just 25 issues and counting of badly written emotionless unfunny pages blandly stapled together and I so badly want Marvel to kick him off the book for its own good.
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aion-rsa · 3 years
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Godzilla Singular Point: The Weird History of Jet Jaguar
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The latest take on Toho’s iconic, building-crushing lizard comes in the form of Godzilla Singular Point, an anime series now available in dubbed form on Netflix. Taking place in the not-too-distant future, this reimagining of the King of Monsters involves a group of human characters becoming aware – through rather bizarre ways – of a coming apocalyptic event. Now the only thing that can save them is a behemoth out to punch monsters and look out for the little guy.
No, not Godzilla. He’s actually the apocalyptic event. No, our hero is none other than Jet Jaguar.
Yes, it’s finally time for Jet Jaguar to get his due.
A concept nearly 50 years old at this point, Jet Jaguar is one of those characters who was initially doomed to fail, but lives on due to nostalgia and the golden notion of, “I realize most people hated that thing from my childhood, but I bet I could make it good!” At best, he was a rad addition to the Godzilla mythos. At worst, he was a dumb idea from a dumb movie. For the most part, he’s remembered as something goofy that gets laughed at, despite having some genuine earnestness.
Jet Jaguar was created from both a fan contest and a corporate game of telephone. Back in 1972, to jump on the bandwagon of tokusatsu giant superhero/robot shows, Toho asked fans to design their own superhero design. The winner was a half-man/half-bird robot with a lengthy neck resembling a stack of rings named Red Alone. The concept was turned into a full-on rubber costume, but they changed the color scheme, which upset the young winner. They later decided to just scrap the whole thing, keep the color scheme, and make their own new design. And so, Jet Jaguar was born.
The superhero made an entire one movie appearance in 1973’s Godzilla vs. Megalon. As the urban legend goes, this was initially intended to be a standalone Jet Jaguar movie that the studio just didn’t have faith in towards the end and they hastily threw in Godzilla and recurring Godzilla villain Gigan. While the claim is dubious and unproven, it certainly is easy to understand where the allegations come from.
Everything about the movie feels rushed. As the last-minute replacement for another Godzilla film that didn’t pan out, filming took several weeks and production was a mere six months. Even the Godzilla costume was whipped up in record time. As for the story, outside of the intro, the preexisting elements (Godzilla and Gigan) aren’t thrown in until about 2/3 into the movie. Up until that point, it feels like a Jet Jaguar vs. Megalon movie with the production team hitting the panic button.
The plot of Godzilla vs. Megalon is that a scientist Goro Ibuki is working on a robot called Jet Jaguar, along with his little brother Rokuro and his best friend Hiroshi. They get wrapped up in a plot involving a group of beings from Atlantis-But-Not-Really, who are annoyed at all the nuclear bomb tests going on in their neck of the woods. They steal Jet Jaguar and use him to guide their insect god Megalon to different cities for the sake of smashing them up and punishing humanity.
Goro and friends get their hands on Jet Jaguar’s controls and use him to lead Godzilla to where Megalon is. Then the Seatopians call some alien friends for a solid and have them send in Gigan. Jet Jaguar is able to break away from all control and becomes fully sentient, as well as revealing the ability to turn into a giant. It becomes a big tag team battle, mostly remembered for Godzilla doing the silliest dropkick you’ve ever seen, followed by a second one for good measure.
The villains escape, Jet Jaguar and Godzilla shake hands, they go their separate ways, and Jet Jaguar reunites with the humans heroes after shrinking back down. He gets his own snazzy theme song to close things out.
In Japan, the movie wasn’t all that successful. As the thirteenth title in the Godzilla series, it brought in the worst returns yet. Between public burnout and the movie’s lack of quality, it just wasn’t grabbing people. That said, it came out at just the right time in the United States. Released in 1976, it came out months before the anticipated King Kong remake. The American movie poster for the movie even bit on the King Kong poster by featuring Godzilla and Megalon duking it out while each standing on a different Twin Tower, even though the movie at no point took place in the States.
A year later, the movie would be cut down into 48 minutes so they could broadcast it on NBC in prime time, across an hour with commercials. The only reason I mention this at all is because it was hosted by John Belushi wearing a Godzilla costume, which is sadly somewhere in the abyss of golden lost media.
Getting back to Jet Jaguar – the topic of this article – I feel the need to bring up Germany’s handling of the movie’s translation. Rather than call him “Jet Jaguar,” they referred to him as “King Kong.” I mean…sure, why not. Even weirder, when the next two movies introduced fellow giant robot MechaGodzilla, Germany once again referred to the robot as “King Kong.” Guys, I know what you’re going for here, but it doesn’t work that way.
Anyway, Godzilla vs. MechaGodzilla and Terror of MechaGodzilla followed Godzilla vs. Megalon and closed off the classic Showa Era of Godzilla movies. Not only did Japan need to rest Godzilla as a concept for nearly a decade, but this also meant that whenever Godzilla would come back, it was going to be some kind of reboot or new “only the first movie counts” installment. Jet Jaguar was never high on the list to be brought back, especially since MechaGodzilla completely overshadowed him.
He would at least get a little more exposure in 1991 when Godzilla vs. Megalon was featured in the second season of Mystery Science Theater 3000. While much of the episode is spent making fun of one of the Seatopians for looking like Oscar Wilde, they toss plenty of jokes at Jet Jaguar. Most memorably, they “translate” Jet Jaguar’s ending theme, which notes that his mother never loved him and he looks a lot like Jack Nicholson.
Due to rights issues, Godzilla vs. Megalon is one of the few MST3K episodes that is no longer legally available for viewing. This does make the original MST3K Collection Volume 10 box set (which included Godzilla vs. Megalon as one of the four movies) a collector’s item, as it was later discontinued and rereleased with The Giant Gila Monster taking its spot.
A stranger use of Jet Jaguar comes in the form of Certain Distant Suns’ music video for “Bitter” in 1995. While there’s not much of a narrative outside of the band playing, footage of Godzilla vs. Megalon being shown, and a few shots of guys walking around in Megalon and Jet Jaguar costumes, I really insist you give the video a look due to the ending. It certainly goes in a direction I wasn’t expecting.
In 1997, Jet Jaguar made his next official appearance in another frankly bizarre spectacle. In Japan, a series called Godzilla Island appeared on TV in three-minute increments. While it only lasted a year, there were a whopping 256 episodes, meaning almost 13 hours of footage. If you’ve never heard of Godzilla Island, you might be thinking, “Wow, almost 13 hours of Godzilla stuff? Why isn’t this more well known?”
Well, it probably has a lot to do with the fact that instead of using guys in rubber suits, the kaiju action was done with action figures. Yikes.
Not only did Jet Jaguar show up during these adventures, but they gave him the 90s superhero action figure treatment. Much like how they released as many figures of Batman as possible for different crime-fighting scenarios, Godzilla Island gave us Silver Jet Jaguar, Medical Jet Jaguar, and even Fireman Jet Jaguar. Collect them all!
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Movies
Godzilla vs. Kong Writer Talks About Spending 8 Years in the MonsterVerse
By Don Kaye
Movies
Godzilla vs. Kong Director and Writer Talk Future of The MonsterVerse
By Don Kaye
In the early 2000s, Godzilla: Destroy All Monsters Melee was released for the GameCube and Xbox under the Atari brand. It was a fighting game featuring various characters from Godzilla lore and though Atari wanted to include Jet Jaguar, Toho refused. Still, at least Megalon was included in the game. There would be two sequels in the form of Godzilla: Save the Earth and Godzilla: Unleashed. FINALLY, Jet Jaguar was playable, because if there’s anything you can count on, it’s scraping the bottom of the barrel when you’re working on multiple installments of a nostalgic who’s who project.
He’d also return in 2014’s Godzilla game for PlayStation 3 and 4. The producer of the game didn’t even plan on putting him in there, but he saw that the programmers already were working on him and just shrugged it off. There was a special trick to summoning Jet Jaguar as a boss character. By ending up in three different Godzilla vs. Jet Jaguar scenarios and winning all three times, you would then unlock a special cutscene of the two shaking hands while a confused military woman would wonder about their history.
Around the mid-2010s, IDW Publishing was all about releasing a bunch of comics with the Godzilla license. Their mainline series was Godzilla: Rulers of the Earth, which went on for 25 issues. Early on, Jet Jaguar appeared out of nowhere during a fight between Godzilla and the team of Gigan and Orga. In human size, Jet Jaguar flew into Orga’s mouth, then expanded into giant size, causing the beast to explode. Especially awesome was that it came with the cliffhanger text, “Next: PUNCH! PUNCH! PUNCH!” a reference to Jet Jaguar’s theme song from the movie.
Jet Jaguar showed up regularly in the series, coming off as Godzilla’s designated driver friend and handler. What I mean is that he seemed to be out to protect Godzilla, but that meant having to keep his violent ally on task (ie. pointing out that Gigan was nearby to stop Godzilla from attacking Jet Jaguar) and throwing punches when the situation absolutely called for it.
This continuity played up Jet Jaguar as more enigmatic than anything, as although he was mechanical, the only human character who knew his origins was killed off before it could be explained. Even one of the invading alien villains saw him on a screen and basically went, “Oh crap. It’s THIS guy!” Regardless, he still came off as a total badass, winning fights against Godzilla, Gigan (the chainsaw-hand version), and Destroyah.
Then again, at one point he needed to be saved by the 1998 American Godzilla, which at least proved as a reminder to the robot hero that there are Toho characters far more hated than him.
Toho started using Jet Jaguar again, albeit in sillier ways. In 2019, as an April Fool’s Day prank, they put up a teaser on YouTube for a Jet Jaguar movie. They also had him appear a few times on Godziban, a Godzilla web series for kids that, once again, used dolls and action figures to tell its stories.
Now Jet Jaguar is a major part of Godzilla Singular Point. To get into specifics on the plot would be like explaining advanced calculus, but to keep on-topic, Jet Jaguar is the creation of Goro Otaki as both a way to ward off monstrous threats and as a company mascot. Considering King Kong’s role in King Kong vs. Godzilla was “kidnapped to be a company mascot,” maybe the Germans were onto something with the rename.
Anyway, this version of Jet Jaguar is more mechanical in appearance instead of having to rely on making him look like a human in a costume. Jet Jaguar is there to protect the heroes from the endless supply of monsters, usually taking some extensive damage. Still, the robot gets rebuilt stronger and stronger and becomes advanced enough to become self-aware and speak in…well, the voice of a teenage girl.
I don’t know, I guess I just figured he’d sound like Astro Guy from King of the Monsters.
There’s a big hard-to-explain twist, but the main thing to know is that Jet Jaguar becomes a full-on badass by the end of the series, turns out to be a huge key to the plot, and has a completely kickass showdown with Godzilla. In a way, Jet Jaguar’s journey in Singular Point is a lot like in real life, going from a lame idea that appealed to kids and gradually being understood as a respected part of the Godzilla mythos. Something initially representative of the worst of the franchise, proven to be something genuinely cool in the right hands.
Now it’s time for America to return the favor. Once again, timing is on Jet Jaguar’s side. The Monsterverse was on its way to the graveyard after the box office intake of Godzilla: King of the Monsters, but Godzilla vs. Kong came out at just the right time in the tail end of the pandemic to be a big success and keep the series going a little bit longer. There aren’t too many names in the toybox left to pull out, but at this point, Gigan and Jet Jaguar have to be high on the list.
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
Make it happen, Hollywood!
Godzilla Singular Point is available to stream on Netflix now.
The post Godzilla Singular Point: The Weird History of Jet Jaguar appeared first on Den of Geek.
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thedeaditeslayer · 4 years
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Exclusive interview: Bruce Campbell is having a renaissance.
Here’s a highly recommended interview which discusses what Bruce Campbell has in store for fans in the future.
Bruce Campbell is experiencing a creative renaissance, of sorts. In a recent chat with the actor, he discussed a return to his horror roots, cutting a comedy album with Ted Raimi and so much more.
Bruce Campbell hasn’t been idle during his time in self-isolation. The actor has been experiencing a creative renaissance of sorts. So, we figured now would be a perfect time to reach out and get some of our burning questions answered.
With so much uncertainty in the entertainment industry at present, rumors are running rampant. We gave Campbell a chance to clear the air so to speak and address some of the myriad of questions that fans have regarding Mortal Kombat 11, the latest Evil Dead incarnation, Ripley’s and whether or not he will work with Sam Raimi in front of the camera again.
The actor also surprised us with some monumental news. He will be returning to his horror roots with the sequel to My Name Is Bruce as well as several other projects that he has on his docket including a comedy album with one of his closest friends.
Get comfy, grab your favorite beverage and let’s catch up with Bruce Campbell.
Mortal Kombat 11, Ripley’s and the State of the Industry
1428 Elm: Thanks for speaking with us, Bruce. It’s always a pleasure. We have so many things to discuss. Recently, a site came out and said that you were definitely going to be Ash in Mortal Kombat 11. It seemed like a done deal the way it was reported. Can you comment on that?
Bruce Campbell: I probably shouldn’t emphasize yes or no because I don’t know. I have not been told. If it is not through my agent or proper channels than it usually means its wishful thinking.
1428 Elm: Apparently, an email from Warner Brothers Interactive was sent to a well-known entertainment site and Ash as well as Army of Darkness was mentioned in it with the trademark from MGM.
BC: The reason why it may not happen, just so you and the readers can know this, a lot of time for legal purposes, that character cannot appear in other things because of the license. If you can’t make a deal, that character is not going to show up. So, we may have been talked to about it.
But I do know with MGM that handles the Army of Darkness licensing that they’re hasn’t been a discussion with them about it. They’re pretty touchy. We have to be careful of ownership.
I honestly don’t know. I think I would have heard something. It’s not like my agent books me without consulting with me.
Even if Mortal Kombat came to me and said they want to put me in it, you still have to make a deal. If my agent says, “Bruce Campbell wants a hundred billion dollars,” and then they say no, the deal is dead.
The answer is we don’t know. No point in beating around about that.
1428 Elm: You might not be able to discuss this but what’s going on with Ripley’s Believe It or Not!? Will there be a Season 2?
BC: We’re one and done. It’s not your father’s Travel Channel anymore. If I wanted to host a ghost hunting show, I’d be on the air right now.
Ripley’s was made for the older school Travel Channel like Drive-Ins and Dive Bars where you go to wacky places around the country. There is a big push for paranormal, mystery and science-fiction, Discovery type stuff. I think we just “out aged” ourselves.
1428 Elm: It would have been nice if the Science Channel would have picked it up.
BC: It’s all good. I remain philosophical about all shows that come and go. There are so many factors involved. You change executives and things change, companies get bought and sold and things change, ratings aren’t what you expected…
After this virus, we’re going to see what shape the motion picture industry is in. It’s going to be a wounded beast. Projects are going to go away.
You’re going to have fewer tentpole movies too. I am hopeful we’ll have a return to low budget filmmaking.
That’s what I hope comes out of it. Each studio will start a low budget division and spend the money wisely.
Number One on the Charts with a Bullet
BC (Cont.): In the meantime, what is nice, I’m finishing up a couple of projects. I’m hoping by the end of the year to put a book of essays out and a comedy album with Ted Raimi.
1428 Elm: A comedy album?
BC: Yeah, we finished it. I’m in post-production on it. I’m putting all the sound effects in now.
1428 Elm: That sounds great!
BC: Who knows? We’ve never done one before so we’re going to find out.
1428 Elm: So, you guys are harkening back to the 1960’s when comedians like Bob Newhart had hit albums?
BC: It’s our version of that. I used to listen to the top comedy albums during the 60’s and 70’s. I wouldn’t dare compare myself to any of the masters like Mel Brooks and the 2,000-Year-Old Man with Carl Reiner. We gave it a shot. I love audio and I like radio plays.
Bruce Campbell vs the Classic Monsters
1428 Elm: So, tell us what is going on with your political satire, House Divided. Are you still working on pitching that once everything gets back to business as usual?
BC: It will be on the sales block. It’s a harder sell. There’s no blood. It’s not a horror movie, it’s a political satire. Associating Bruce Campbell with political satire isn’t the first thing investors whip out their checkbooks for.
To combat that, I just finished writing a sequel to My Name Is Bruce. The idea is we want to take Bruce and have him go through each of the classic film monsters. The sequel is Bruce vs Frankenstein.
We’re done. I finished my draft and sent it to Mike Richardson, my partner at Dark Horse Comics. We’re actively looking for money on that one. It is the Expendables of Horror. I fully intend to load the cast with so many familiar horror faces. It should be a lot of fun.
It would be a cavalcade of genre stars, old, young, on TV now. We really want to cover the bases. A lot of people will be getting killed. Guest star kills. Basically, Bruce bumbles his way into being a hero.
1428 Elm: Will you have to go through Universal to get permission to use the classic monsters?
BC: Some stuff is public domain. I’m not a lawyer but we would figure out a way to do this.
I think the bolts on Frankenstein’s neck are trademarked, as well as certain looks. But you can make a Frankenstein. That story is under public domain.
It’s also a parody of a Frankenstein movie and that gives a lot of leeway legally as well. I don’t think you can say, “Wolfman,” but I think you can say Bruce vs the Werewolf. This is my version of the Bob Hope road movies.
Ted has two parts; I have two parts for Robert Englund and I have a couple of parts for Kane Hodder. If they’re a name, I am going to put them in it.
After we come out of the zombie apocalypse that we’re in and everyone gets back to work, that is what I will be actively pitching. There’s plenty going on. So, I have been self-isolating in a constructive way.
It’s an Evil Dead World
1428 Elm: We’re curious about the 1970’s period piece that you were working on when we talked to you last year. What happened with that?
BC: It’s currently on my action board. I will eventually get to it. I am going to finish my book of essays first and then I am going to get to that one.
The story is set in 1979. The idea behind it is what would have happened if us raising money for Evil Dead went horribly, horribly wrong. It becomes a horror movie in and of itself.
1428 Elm: How did this idea come to fruition?
BC: I was going through projects in my computer. People who have a lot of downtime do spring cleaning. Clean out your woodshed, toolshed when you have extra time. In this case, I went to the head of my projects folder.
This one popped up and it was just an outline that I had written 15 years ago. I thought, wait a minute, this is pretty well thought out.
In the 70’s, filmmaking was real, you didn’t have a lot of options. You had to get cameras from a certain place, you had to have insurance. There were a lot of steps that you had to take that made the process really difficult.
I remember making calls for money from payphones in blizzards and s*** like that. You had to leave messages, you’re getting busy signals, you’re not texting anyone. There are no computers, there’s no email, its old school. You sent things in the mail.
Today, filmmaking is not difficult. I can go to a store and buy a 4K camera. I can make a movie with $5,000 worth of equipment. Probably less.
1428 Elm: Well, you can do it on your phone too. Sam Raimi is on Quibi now with 50 States of Fright, which is entertainment tailored to your device. If his series continues once everything settles, do you think there’s a chance you might appear on the show?
BC: Never say never, that’s all verbally at this point. They have to succeed; they have to survive. Any new format, any new platform, I’m game and if Sam’s involved all the more reason.
1428 Elm: Have you ever thought of doing anything like Quibi?
BC: Not yet. I’m used to writing 90-page screenplays with a three-act format. I can adapt anything too.
I was thinking the other day, I have a few screenplays that might be tough sells but maybe I might convert them to a fricking novel and put them out as books. There’s lots to do. I’ve got plenty going on.
1428 Elm: Has the current situation affected the new Evil Dead? We remember that you talked about possibly going into production at the end of this year. Is that pushed back like everything else?
BC: No, not really. It was so early in the stages that we can keep going. I just read the first official draft today. So, then we’ll give notes and additional writing will take place.
Then you have to budget the thing so you know how much money you need to raise and then you have to get the money. Nothing will stop any of that.
You can make calls for money, you can send the script to people, you can do budgets. The only thing that will be affected will be the actual start date. Which we didn’t know anyway. We may end up not being delayed at all.
Many thanks to Bruce Campbell for chatting with us.
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burritodetodo · 4 years
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Burrito’s Guide To Survive Coronavirus Quarantine
We got to keep social distance (1 or 2 meters each other) or stay home during coronavirus outbreak so I thought I can share with y’all some things I’m gonna watch or do doing quarantine (this is a very long post, REBLOGS ARE VERY MUCH APPRECIATED!).
BUT FIRST SOME RULES:
Wash your hands: do it for 20 seconds or a while, but ALWAYS do it. It prevents the virus from spreading. If you don’t have sanitizer, water and soap! The cheapest and best ally against the disease.
Buy everything you need: if you can, try to buy stuff so you can stay some days at home. If the place is crowded, go back home and come later when it’s more empty. Same as medicine.
You can go for a walk: stay at home all day can be overwhelming for your mental health, but unless the goverment puts a curfew or gets strict about it you can go walk outside for a while always respecting the 1 or 2 meters from other people and without making contact (chatting) with other people. This ain’t my rule, a CDC professional says. DON’T go visit your friends or to crowded places such as bars, restaurants, shoppings, etc. If you want to buy something, ask for delivery or take away.
If you have coronavirus sympthoms (high fever, diarrhea, cough, feeling tired, breath difficulties) DON’T GO TO THE HOSPITAL YET, CALL TO YOUR PUBLIC HEALTH ORGANISATION OR WHATEVER YOU GOT AND THEY’LL TREAT YOU.
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(credits to whoever made this meme)
SO YOUR LIFE IS ON QUARANTINE
Let’s say your boss or your school told you can stay at home. Okay then, you gotta prepare for some days inside *Isolation by John Lennon plays in the distance*. The first thing you think is you have to prepare a batch of series and movies to watch in order to kill some time. I’m gonna recommend you some you can find on VOD or cable, if you don’t have it don’t worry because I got you covered!
Infinity Train: a yet two seasons saga about people who got to face their problems aboard an endless train. The protagonists are joined by creatures who have different nature and help them, or not, to acknowledge their issues and leave the train. It’s on CN, it will continue on HBO Max.
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The Owl House: a teen girl who daydream a lot was going to be sent to a down-to-earth camp but then she crosses a portal to the Boiling Isles, a magical world where she is taken care by a powerful Owl witch/saleswoman and her adorable demon. Lots of fantasy, some action scenes and many many puns. It’s on Disney Channel, it’ll be on Disney+ in some weeks.
Primal: Genndy Tartakovsky delighted us with the alliance of a caveman and a dinosaur, two rivals in a wild world who ally after facing a devastating event. It IS brutal and beatiful, has no dialogue and keeps you watching closely. Five final episodes are set to premiere this year. It’s on Adult Swim, maybe on HBO Max.
Tuca and Bertie: for the critics, one of 2019 best shows. For Netflix, a show that had to be cut off because the studio unionized. Two friends in their late 20s face changes in their lives: from living with a boyfriend and plan a life to look a way to stay sober and get a job. Deals with trauma, ptsd, anxiety and more harsh moments very well. In fact, the creator is a vital part of Bojack Horseman! It’s on Netflix.
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Aggretsuko: red pandas are cute eh? But what about a antopomorphic red panda who releases her anger and frustrations by singing at a karaoke? This awesome comedy by Sanrio & Netflix is one of anime’s big hits lately. Like T&B, has a good handle of adult problems but not going too deep just to not break the comedy. You can watch it on Netflix.
Regular Show: yeah-uuuuhhhh! Eight seasons, a movie, five Halloween specials and some others. The adventures of a racoon and a blue jay with their co-workers/friends that relies on psychadellia and 80s and 90s nostalgia. It begins good, gets better, then lowers the quality (they were producing the movie at the same time tho, give some credit) and with and after the movie ends awesome. It’s on CN web, dunno if on Hulu (US only) and proably on HBO Max.
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Evangelion: it’s a classic at this point, but addictive to me because I end rewatching the series or the final movie many times. A post apocalyptic future where the world has to deal with strange creatures known as the Angels and a boy with lots of traumas has to get on a mecha to save the humankind. All the characters have traumas and issues, the interaction between them or the action makes it worth. The End of Evangelion is a movie that ends the unfinished series. Warning: at some point it becomes very twisted and there are scenes which are too much violent. Viewer disclosure etc. It’s on Netflix worldwide.
Steven Universe & SU Future: this is the tale of the gem boy who ends a galactical tyranny and brings democracy to the universe. A acclaimed show that broke through many topics like gender, identity, ptsd, relationships and many more. Besides it’s got the best scores of the Milky Way and beyond thanks to the talent of Rebecca Sugar, Aivi Tran and Surasshu. And the actors and acrtresses! I don’t forget the movie, a musical that is an introduction to the epilogue: Shippuden Future. The show is available on CN and will be on HBO Max. Worldwide? No news.
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Adventure Time: something that began as an innocent boy and a magical dog having adventures in a post apocalyptic world turns into the journey of Finn Metens from childhood to almost adulthood. There is a lot of fantasy and comedy you enjoy, but there are dark moments and serious ones through S6 that find a balance with early seasons form S7 to the finale. It also has great music, memorable moments and colaborations. And guess what? There is going to be a special set to premiere on HBO Max in some weeks! You got plenty of time to catch up or rewatch before that on CN or only (!!) S5 on Netflix.
Final Space: a dude tries to save the universe with their friends, where we can find his love interest, a cat-man and his kitten son, a intersexual alien, an AI then robot that is the best of them, two particular siblings and an annoying bot that prevents insanity that makes you insane. Crazy adventures in space, lots of situations, sadness, an evil smol bean who is a space emperor, a dude who looks for revenge, space deities that can destroy the universe. Is this a lot or info? It is not, because there is more and you can watch it on TBS, Adult Swim and Netflix (the world except US).
Rick and Morty: the most powerful, smartest human in the universe has adventures with his grandson. It’s awesome, but has a very toxic fanbase. Anyway, you can enjoy it on Adult Swim or Netflix (which is up to date!) and the rest of S4 is set someday.
Bojack Horseman: a Hollywood satire about human relationships, fame, traumas with a pour of comedy. Alongside the previous series, the best adult animation of the decade. Sadly cut by Netflix because the studio unionized (see T&B), said by both the creator and Aaron Paul. You can watch the six amazing seasons on that platform.
I’m not an animated movies guy, but here are three I really like and you can watch:
Porco Rosso: a handsome Italian combat aviator turned magically to a pig has a face off with an American pilot hired by pirates to get rid of him before WWII in Fascist Italy. It’s entertaining and, like every Ghibli movie, nice to watch. It’s on Netflix and will be on HBO Max for US.
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Lego Batman Movie: Batman is depressed and has to get over it. It’s wacky and has lots of comedy. Plus Will Arnett is top 3 Batman. On Netflix (Latinamerica).
Spiderverse: Oscar winner movie about your friendly neighbour Peter Parker Miles Morales. Miles sees Spiderman die and feels bad after being transfered to a private school. Then a radioactive spider from a Fisk compound bites Miles and he’s Spiderman... among other dimensions’ Spiderpeople: Gwen, Peni, Peter Parker, Noir and Peter Porker. It’s visually amazing. On US it’s on Netflix (I guess), on Latinamerica on HBO.
Some interesting live actions I watched lately
Atlanta: Donald Glover is Earn, a dude who struggles to find a job for her baby girld and sees an opportunity when his cousin, Paper Boi, has a hit and uses him to make his cos famous. Sometimes a comedy, sometimes a social satire with touches of drama. And all protagonists are now big shots, like Zazie Beetz, Brian Tyree Henry or Lakeith Stanfield. There are two seasons and two seasons set for 2021 (2022 possible beacuse of coronavirus). It’s on FX, Hulu (US) and Netflix (world)
Avenue 5: this is brand new. On 2060 space cruises are a thing, and one cruise (the Avenue 5) has an accident that leaves the crew and passangers stranded for years. The captain (Hugh Laurie) has to solve this shit with a bunch of incompetent crew, bosses like Judd (Josh Gad), except one female engeneer who is very smart. Lots of crazy things happen in this series from the creator behind Veep. It’s on HBO (it’s free in the US!).
Peaky Blinders: it has some years but damn it’s epic. A gang from Birmingham makes their way to the top during the late 1910s after the Great War and extends through the 1920s. S5 is right in the ascension of fascism in Britain. ALL THE CAST acts spectacular, names like Cillian Murphy, Tom Hardy, Anna Taylor-Joy and a long etc. But my fave is Paul Anderson, that ultra violent junkie Arthur Shelby is splendid, then is Tommy and aunt Pol, the baddest badass woman in Britain. Blinders is going to have seven seasons, there are two left. You can watch it on BBC or Netflix.
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Sex Education: speaking of Britain, excellent teen comedy. Horny, doubtful teenagers going through those hard years. Stories of sex (duh!), abuse situations, abortion, there are gay relationships either, Gillian Anderson! It’s on Netflix, go go go!
Watchmen: despite not having Alan Moore on board, Damien Lindeloff did a tremendous job with the comic. Way better and less misleading than Zack Snyder’s 2009 film, Watchmen is again at the gates of the world’s end (like today) and handles the problem of racism and white supremacy quite well. Just 9 episodes, but worth to watch. On HBO.
CAOS: Sabrina the Teenage Witch is over. Warner and Netflix made a revival of the Archie Comics character and brought her to XXI Century. But gorier, hornier, dark and magical than the nice 90s sitcom. Sabrina Spellman goes from a doubtful teen who has to decide if she has to be a witch or a powerless woman to rule Hell. How she does it? Find out on Netflix! Note: S1 and 2 take some episodes to start properly. Don’t get bored too easy.
There are A LOT MORE to recommend and I make a list: Harley Quinn (DC Universe), OK KO (Hulu -US only-), House MD, Young Justice (DC Universe/Netflix), Ken Burns’ documentaries (Netflix), Titans (DCU), Over The Garden Wall (CN), Seis Manos (Netflix), Thundercats Roar (CN), Easy (Netflix), GLOW (Netflix), Star Trek Discovery (CBS, Netflix) and Picard (CBS, Amazon Prime), etc.
- You named cool shows, but I’m not from the United States or I don’t have a subscription to (insert VOD here) because I can’t afford it
- Glad you asked, I have the answer here
Introducing Stremio. It’s an open source platform where you can watch shows, movies or even live TV on Windows, Linux, Apple or Android. You create an account, install some addons and start looking for what you want to watch.
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Stremio is based on torrents, you should install addons from many known torrent sites. So maybe you find an old show, but there aren’t many seeds to watch. And it could be frustraiting, so make sure there are people sharing so you can watch it.
You can download Stremio here and check the FAQs which is very clear.
NOTE: Stremio is note quite “clean” way to watch, but if you do please support the shows you watch by posting, commenting about them, making memes, thanking the creators and crew for their work, buying merchandise if you can. They put a lot to make the shows we love, let’s give ‘em back that love and effort.
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You’re tired of the same music, the same movies or need to leave something to make company? There is Vaughn Live, a streaming page where are lots of channels with movies and series on strem (not VOD). For example, there is a channel that streams Adventure Time, other Regular Show, other Sci-Fi shows, another with DBZ and so on. Take in count that if the channel has +70 viewers, the free access is cut and if you want to watch it you have to pay.
En Vaughn también hay canales en español, como Simpsonmanía, Dragon Ball, Futurama, dibujos viejos y muchísimo más. Anyway, go to https://vaughn.live/ and enjoy yourselves!
Y hablando de canales en español, pueden ir a SeriesLan donde está el mayor reservorio conocido de series animadas de entre 1960 a 2010 en español latino. Pueden encontrar tesoros desde Don Gato, los Halcones Galácticos o Street Sharks a Flapjack y Mechas XLR. Otra alternativa para que pasen el rato.
Some interesting facts:
Epic Games releases a free game per week in their store. This week will be two games. You can check in https://www.epicgames.com
Steam has good prices on games and some free ones. There even is the latest Football Manager for free until March 25th. Check on https://store.steampowered.com/
If you’re interested,
I got this playlist I made on Spotify
with songs I liked in more than one year. More than 1200 songs.
And that’s pretty much it! You got resources for a lot of days, 14 initially since that’s the quarantine time in my country. Remember: obey the indications of the Health authorities, this is no time to play the “fuck the goverment” game. We will overcome this pandemy together, helping and caring for each other. That’s why I did this guide, to keep your minds busy in these tough times! Wash your hands, keep social distance, stay at home, go outside if necessary and have some patience please. This has been a PSA.
Stay strong!
Burrito
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redeyedwarricr · 4 years
Text
𝕷𝖚𝖈𝖞’𝖘 𝕴𝖓𝖙𝖗𝖔𝖉𝖚𝖈𝖙𝖎𝖔𝖓
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                              𝔏𝔦𝔣𝔢 𝔥𝔞𝔰 𝔞 𝔥𝔞𝔟𝔦𝔱 𝔬𝔣 𝔨𝔫𝔬𝔠𝔨𝔦𝔫𝔤 𝔪𝔢 𝔡𝔬𝔴𝔫                                         𝔅𝔲𝔱 ℑ 𝔞𝔩𝔴𝔞𝔶𝔰 𝔤𝔢𝔱 𝔟𝔞𝔠𝔨 𝔲𝔭
〔 ODEYA RUSH, NINETEEN, CIS FEMALE, NECROMANCY〕╰   LUCY COHEN just  came  over  half - blood  hill .  you  know ,  the child of ARES who  was  claimed FOUR YEARS ago ?  i've  heard  chiron  say  that  she  is WELL INTENTIONED & LOYAL ,  but  if  you  ask  the  aphrodite  kids ,  they'd  say  they're IMPULSIVE & EXPLOSIVE .  i'd  say  they  remind  me  of flannels tied around her waist, band t shirt, scuffed up boots, yelling at the night sky, angry tears, piercing red eyes, especially  since  they're FOR THE NEW CABINS . 
Stats
Name: Lucy Cohen
Nicknames: Lucifer, Devil, devil spawn, devil eyes, evil.. she does like Lu though.
Age: 19
Birthday: March 13, 2001
Gender + Pronouns: cis female, she/her
Sexuality: Bisexual
Godly parent: Ares
Abilities: Telumkinesis, enhanced physical prowess, the blessing of ares, necromancy.
Ethnicity: Ashkenazi Jewish
Birthplace: Portsmouth Virginia
Nationality: American
Faceclaim: Odeya Rush
Height: 5 foot 2
Hair color: brown
Eye color: red
Dominant hand: she is right handed
Distinguishing features: her red eyes, and a large scar along her shoulder, from the battle of Manhattan
Personality + Aesthetic
Positive traits: Loyal, well intentioned, caring, passionate, sociable
Negative traits: Impulsive, Explosive, Intense, Snarky, Untrusting
Mbti: ESTP - The entrepreneur
Enneagram: 4, the individualist
Archetype: The adventurer
Hogwarts house: Gryffindor
Zodiac: Pisces
Candle scent: Mango Mai Tai
Element:Fire
Alignment: Neutral Good
Kinsey Scale: 3
Deadly sin: Wrath
Greatest Virtue: Humility
Fatal flaw: her un trusting nature, she doesn’t let others do things to help her, or follow others because in her experience, they will just lie to you and let you down.
Fashion: She dresses in a 90’s grunge fashion. She has one pair of combat boots that she found at a thrift store. So she almost always wears those, with some torn up jeans, flannels, and a crap ton of band t shirts.
Goals + Desires: she wants to be good. Like she wants to be good at being good. She really tries so hard, but she feels like the world is stacked up against her for her to be a bad person. She just wants to be good and for everyone else to see that she is good.
Biggest Fear: Herself. She is so afraid that she is just lying to herself, that maybe she really is bad. That maybe they were right. She is afraid that she isn’t a good person, and she just doesn’t know how to handle that.
Most Irrational Fear: Alektorophobia: a fear of chickens. One of the houses that she was at for about a year when she was eight was on a farm, that had chickens. She had to feed the chickens everyday, and the way they would run at her always freaked her out, she usually ended up dropping the food and running away crying. To this day she swears up and down that chickens are evil.
Hobbies: She enjoys practicing with her labrys.  She can knit, not that she is telling anyone that. She is a total comic book nerd, and has a stack of those under her bed that she reads when bored. She likes to party as well, and man don’t start a prank war with her. She loves to pull pranks on people.
Habits: She usually always has some sort of squishy ball or rubber band that she plays with to keep her hands busy, she constantly drums her fingers on her thigh, on her books, really on anything. She also is always humming or singing when she has to think.
Favorites
Food: Pizza man, like the good greasy kind.
Drink: Diet Coke, she is addicted to that stuff.
Movie: She would probably try and say some cool horror movie, but really, it’s Monty python.
Book: The whole Harry Potter series, especially book 2 when people all start thinking he is the heir of slytherin and evil. She relates.
Song: American Music by the violet femmes
Flower: Tiger Lilies  
Animal: Dragons or penguins.
Season: Summer
Day: Saturday’s, the best parties are always then.
Month: May/June, that time right on the border of spring and summer.
Time of day: she enjoys either the night on the weekends, or that time right before dawn, when everything is calm and peaceful.
Camp stuff
When did they arrive:About 2 months before she turned 15 .
When were they claimed: A week after arriving.
How were they claimed: She was learning to soar and found an ease with each of the practice weapons. As she came out to spar, she was bathed in a red glow, being claimed by ares.
Opinion on the new cabins: She is for them.
Why? : Well she doesn’t believe it to be her place to tell someone they don’t belong. She spent so long searching for home that she believes everyone deserves a home.
Opinion on Lyssa: She can go choke on a bag of dicks for all she cares.
Go to weapon: Her Labrys, which turns into a bronze chain bracelet.
Ambrosia: Diet Coke, she really does have an addiction.
Favorite camp location: Fireworks beach
Quests: 2 so far.
Character Inspirations:
Charlie Pace from Lost
Amy Sciuto from NCIS
Mira from The Hollow
Beauregard from Critical Role
Scorpia from She-Ra
Amethyst from Steven Universe
Pinterest: https://pin.it/4ELniEm
Spotify: https://open.spotify.com/playlist/4Ub7wTuKjC2K2HED8SLyDR?si=77ETvy_BQDOWpKiv9OeSWw
Story
Lucy is a nineteen year old daughter of Ares. She was born to Talia Cohen. Her mother died during childbirth, leaving her to her grandfather. When he first saw her, he screamed, yelling about the devil, and fled, claoming he would not take her. She was born with red eyes, like the devil, as her grandfather said. Her mother had no other family, so she was placed into the system. She had been given the name Lucy by one of the nurses from when she was born. As noone had given her a name, it was decided that Lucy, inspired by Lucifer due to her grandfather's reaction. and due to her eyes, would be perfect.
She bounced back and forth between homes, never staying too long due she was labeled a problem child. No one wanted to help the kid who freaked everyone out, that no one wanted. They let her struggle in school, and when she didn’t behave like they wanted, she was sent away again.
This continued on for years, no one ever really believing in her. Except for one person. In her fifth grade year, she had a teacher who didn’t believe what everyone else said, but instead tried to really see her. She was the first person ever to tell her that she was good, that she was kind, and that she was loved. Lucy still holds on to these memories, she uses them as reminders when she spirals, and when she needs to be reminded that she is good. She tries to live up to her former teachers belief in her, and uses her as the memory to drive her towards remaining a nice person.
When she was 14, she was in a home in Virginia Beach. When she was walking home from school with one of the older children from the home when they were attacked by a monster. The other child revealed themselves to be sent from Camp Halfblood, and that they were here to bring her to camp.
She has been at camp Halfblood since, and is a year rounder. She has never tried to return to the 'real world'. Instead she stays at camp, and apparently occasionally, even fights in legitimate wars. During this war, she comes to the realization that she can raise fallen enemies to fight with her. That was a crazy ability that she didn't realize she was capable of before the war, and 3 months later, is still trying to process.
Wanted Connections
Family in everything but name: these are Lucy’s closest friends here at camp. They are the ride or die friends, and they always have each other’s backs.
Pinterest: https://pin.it/7KNCY8z
Adventurers live on forever: these are the ones that Lucy has gone on quests with, or even does just general adventures around camp with.
Pinterest: https://pin.it/5eBUyo0
Cheaters never win: This is someone that Lucy opened her heart to, and really felt she loved, until she found them with someone else. It has been about a year now, but she is still out for blood, holding out for her revenge.
Pinterest: https://pin.it/3bl7zz5
Forgive your enemies but never forget their names: Everyone has got to have some sort of enemy, right? Now Lucy has plenty of people in the past that make fun of her, but her and this person are legitimately at each other’s throats.
Pinterest: https://pin.it/3TODMLU
If your life is going to be short, do dumb things: these are the crackhead friends. Like Lucy and then get into trouble when they are together. They are the prank era, the partiers, they just want to live loud and wild while they can.
Pinterest: https://pin.it/3TODMLU
In the dark of night, clarity is found: When lucy can not sleep, she tries to sneak out and walk at night around the camp. This is a person who she started to see as well, and often they walk in silence, but sometimes this person gets to see the real Lucy, hidden by her loud exterior.
Pinterest: https://pin.it/18It3rC
Kindling a new flame; Lucy doesn’t know how it happened, but she somehow has found herself crushing over someone again. Lucy gets all embarrassed around this person, and she just wants to hold their hand. This can be one sided or reciprocated.
Pinterest: https://pin.it/3WH03Fe
Once I idolized you, now I despise you: Imagine like Percy and Nico, Annabeth and Luke kinda thing. This is someone that Lucy used to look up to when she came to camp. She followed this person around, and was attached to them. They could do no wrong in her eyes.. until they did. Now she can barely even look at them. She is hurt and broken up inside.
Pinterest: https://pin.it/u2dXuvp
Sour little lemon: This is some person who just won't leave her alone. Like she has no interest in this person, but they won’t leave her alone. Kinda like a Gaston Belle situation.
Pinterest: https://pin.it/24HvjNp
Whoever said words don’t hurt lied: Lucy tries really hard to get most people to like her, and while people are nicer here at camp, you still always have those people who see the eyes and her name and go to the devil and make fun of her. She says it doesn’t hurt, that she is used to it, but that is a bold faced lie.
Pinterest: https://pin.it/2XeXyu4
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simonjadis · 4 years
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Anon I’m ASSUMING that these are from the same person; apologies if they are not
I would say that my feelings are similar to yours, but not quite identical ...
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Disney’s handling has been imperfect, and some of the mistakes have been made the highest level (I know that people give Kathleen Kennedy a hard time, but if rumor is to be believed, some of the interference that made IX kind of weird came from higher than that)
for example, Kennedy said in an interview that she tries to find people who just make big, successful movies to make sure that these are also big, successful movies. I can understand that as being a safe bet from a business stand point, but that’s not the same thing as finding someone passionate about very specifically telling good, new Star Wars stories, which we did not really get in the Sequel Trilogy
(one of the most common theories that I saw from TLJ apologists was that people didn’t like that it was new/different than what they were expecting, which was really not the issue for me or my friends. Also it was just a speedrun of parts of Episodes V and VI)
I think that I’m “too close” to Star Wars to see it as a financial asset rather than a beloved universe full of characters and stories that I adore, but I don’t think that “literally just rehash the Original Trilogy for two movies and barely acknowledge any other part of Star Wars until IX” was a good idea
Rey deserved her own story. and Luke deserved to not be retroactively robbed of his
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as for George Lucas, I do think that years of backlash over the Prequels sucked the fun out of it for him. Also, who doesn’t want four billion dollars? it was a sweetheart deal for Disney, of course
the sad thing is that this meant the end of Clone Wars, because Disney took one look at Lucasfilm’s budget and was like “OH NO YOU CANNOT SPEND THAT KIND OF MONEY ON A CARTOON” which is why Season 6 was paid for by Netflix and why Maul: Son of Dathomir was a comic
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I love Star Wars Rebels and I’m not trying to knock the show at all, but the budgetary difference was palpable. Clone Wars did have it a little easier because of the Clone Troopers (all having the same face), but on Rebels, you notice that 90% of the Imperials are the same guy wearing a hat with his visor obscuring most of his face. market scenes show just a few people (but plenty of Storm Troopers)
the designs of the main characters -- Ezra, Hera, Sabine, Zeb, Kallus, Thrawn, Kanan, etc -- are great and loving and detailed and most of those change a little over time, but there’s a reason that we only see so many planets on Rebels. look at the huge armies and crowds in Rebels. my friend @drunkkenobi​ is the first who pointed out to me that in Clone Wars, you sometimes see lines of ships (Space Traffic) and each ship in line will be unique, distinct from the others
it’s not Rebels’ fault that they didn’t have that kind of budget. that’s also why their space battles (and space ships) never quite look right. meanwhile, for Clone Wars, if they wanted a particular scene or ship that went over their planned budget, all that they had to do was ask Uncle George
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eccentric billionaires funding expensive media isn’t necessarily the most sustainable model for storytelling, but it sure worked out well for Clone Wars and for The Expanse
(Jeff Bezos personally called up the head of Amazon Prime programming, who had already been considering acquiring the extremely good but expensive show, and was like “hey the cast from this show is at a thing where I am, I’d love to just tell them that their show is saved, give me it?” and we saw as many new locations in Season 4 as we did in the first three seasons)
but streaming -- where you actually get money directly from customers who then, through their activity on your platform, show you exactly what they want to see aka what is keeping them on your platform -- offers a new opportunity for high quality genre media. remember, scifi and fantasy were EVERYWHERE in the ‘90s and the early aughts, and then because too expensive for regular TV unless they had huge audiences. only through streaming do we have these new Star Treks, The Witcher, and the real possibility of a new Stargate series
why do I bring up streaming? because
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The Mandalorian goes to show that Disney can 100% do good Star Wars. Rebels was good, despite its budget, but can you imagine how much better it would have been if it had aired on Disney+
as with the DC movies (three of which are good and I’m also excited for Birds of Prey), the solution to the our-movies-made-a-lot-of-money-but-aren’t-strictly-speaking-good is literally just “let the people who do the cartoons make the movies”
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and now we’re getting a final, seventh (half) season of Clone Wars! twelve episodes looking better than the show has ever looked!!
if you’re like me, you probably thought to yourself “gee, only 12?” and, cynically, you figured that it’s a trick -- announced at ComicCon in 2018 to build up the first wave of hype for Disney+
and it is ... but it 100% worked on me, I signed up for Disney+ and will pay anything for Clone War
my HOPE is that this is a test run to see if people really like high-quality animated Star Wars stories enough to continue with it. there’s only so much clone wars that one can cover (my suspicion is that we will see Ahsoka fake her death during Order 66 in these eps, so yep, that’s the end of the Clone Wars right there)
imagine a well-written series with everything that Clone Wars had in terms of content and visual quality, but it’s set after Episode IX. to my frustration, IX ends with effectively the same worldstate as VI which essentially means that nothing much happened in the Sequel Trilogy. but imagine a series set after IX. we could see a new set of (Force-wielding) characters. we could see Rey, Finn, Poe, and Rose during some episodes. Rose could finally get to do something that’s not an insulting fool’s errand (she deserves so much better!!!!!)
we don’t need a new Big Scary Empire/First Order thing, just organized crime and pirates and Hutts and bounty hunters and individual planet systems going to war as the characters try to assemble a NEW New Republic (gods I hate the unchanged worldstate)
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now, I know that Star Wars Resistance is not ... reassuring. this is the only screencap that I have from it because I couldn’t get into it. it’s not the animation (I enjoyed Tron Uprising and Iron Man: Armored Adventures and this is the same kind of deal), but three things:
-I watch Star Wars for the Force primarily; other stuff can be cool but I need the Force
-I will never care about ships racing and really I don’t care about an individual ship flying; I’m a Command Ship kind of space nerd
-apparently the writing doesn’t improve much during the first season. people tell the main character to not do something, then he does it, and disaster ensues. that’s ... it’s fine, it’s fine to exist as a show, it’s just not for me
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obviously, not all Star Wars media is for me, but when something -- like TLJ or the Sequel Series as a whole (even though VII and IX are enjoyable) or Resistance -- disappoints me, I would never accuse it of “ruining Star Wars”
Star Wars is a whole franchise. the breadth of canon isn’t all wiped away by some disappointments. was the MCU ruined by Age of Ultron? no. it was a bad movie but from the same franchise that gave us The Winter Soldier and Thor Ragnarok. hell, Dawn of Justice doesn’t “ruin” Wonder Woman or Aquaman or Shazam. bad movies aren’t contagious
for the past several years, the Entitled Dude crowd has felt empowered. they were radicalized in the altright/redpill/MGTOW/meninist/nazi/gamergate/comicsgate/etc spheres of the internet and now they just have a reflex where they see any sort of representation and decry it as “SJW,” which they also seem to think is a bad thing
in the same way that well-meaning people on tumblr can get radicalized into being antis/puriteens, people with certain vulnerabilities on reddit or youtube can get sucked into a world that tells them that they are the default and that other people existing is “political” in media and in real life, and that people being upset by outright cruelty towards them is both funny and means that the cruel person is the victor. they need therapy and studios need to not listen to them
unfortunately, sometimes there are movies that are bad despite having things like solid representation. Ghostbusters 2016 was a delight, but my friends and I with whom I saw TLJ (all of us queer feminists) left the theater angry. we’ve bitten our tongues a lot (even if it seems otherwise) because publicly criticizing the film too often leads some incel monster to chime in with agreement, and we’re just like
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the redpillgate crowed et all is a natural ally of conservative white evangelicals, even though the former group is generally made up of New Atheists (the short version is atheists who hold socially conservative views because racism/misogyny/transphobia benefit them without using christianity as an excuse). it’s kind of like how terfs will side with conservative hate groups because, though they’re natural enemies, they both despite trans people just for existing
unfortunately, when you’re looking at who went to see a movie or who hated it, not everyone posts with an ID card saying exactly their demographic. which is only going to make studios like Disney even more nervous about including queer content in Star Wars and in the MCU (I mean real queer content with characters whose names don’t have to be searched on a wiki)
that was a bit of a tangent, but yeah. sorry if I missed anything
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thecorteztwins · 4 years
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What endears you so much to the X-Men fandom?
Well, I don’t really like the FANDOM per se, as in the fan community, but I guess I love the content because I got into it at a young age. And I think I got deep into it, and stay deep into it, because of the dearth of lore, and how there’s SO MUCH OF IT, but it’s also not something you HAVE to understand in its entirety. There’s lots of little niches to fixate on. Like I can just purely be interested in one character or one group or one era. There’s also the fact that there’s always new material, but also a huge backlog of established material. When I fixate on things obsessively, a problem is that it eventually runs out. Like there just isn’t any more content for me to consume after a certain point. But X-Men is so huge that there’s always something else in there for me to get into. One thing leads to another---Emma Frost got me into Sebastian Shaw got me into Shinobi Shaw got me into Fabian Cortez got me into Exodus. And of course new content is always coming too, but I’m one of those curmudgeons who takes a long while to warm up to anything new---like I ignored 2010s stuff for ages til now, and only started paying attention again because some of my dead faves came back---but it’s fine because I can stick with my 80s and 90s bit characters, and there’s still plenty there for me to play in and track down and examine. And when I’m ready for it, tons of new stuff to pick from for what I’ll like next! The message fantasy aspect sometimes makes it (and fandom) frustrating but it does also make it unique among superhero comics, and fun to analyze in how well or badly they’re handling that message. I really enjoy analyzing writing and characters and what’s trying to be said here vs what actually ends up being said, and what seems intentional or not, etc., and the message of X-Men crosses over pretty well with my feminist inclinations and general social politics. Back to the sheer volume of how much is there, it also lets me get my grubby mitts on lots of underused or abandoned characters and flesh them out, which obviously is a very fun thing for me! I guess I could do that for, idk, background characters in Harry Potter or something just as easily, but for whatever reasons the ones in Marvel, especially X-Men, are what catch me. I think it’s because these characters, even though they ended up not being important at all in the long run, were usually INTENDED to become very important when they were originally written. Like Fabian and Shinobi were really meant to replace Magneto and Sebastian for keeps, but then that didn’t happen, Haven was clearly being set up for something greater but her creator left and she was killed off, etc. And that residual passion attracts me, the feeling these characters had so much more to give, like the Hellions. Of course, these feelings are very frustrating at times too, like my passion over the mistreatment of Madelyne Pryor. But that’s still PASSION, that’s still INVESTMENT, that’s still me CARING about this, so even the negative stuff keeps me hooked too! Finally, I made friends here via this fandom, which as cheesy as it sounds, is probably a big factor in my sticking around. I never got online and started discussing Harry Potter or Sailor Moon, but I did for X-Men, and people started talking back, and it’s led to a lot of personal connections, big and small, that I really value.
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davidmann95 · 5 years
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So, what's the deal with Kingdom Hearts? I mean, it's a Disney/Final Fantasy crossover, right? Hard to see why would that cause such dedicated whatever.
I’ve had this in my drafts for a while, and given today’s the series’ 17th anniversary it seems like the time to finally get back and finish it. Simple answer: the music slaps and you just want the soft children to get to go home.
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Long answer: Even now people joke about the baseline absurdity of a universe in which Donald Duck can go toe-to-toe with Cloud, and while I think 17 years in we’re past the point where it’s time to accept that this is just a part of the landscape for these characters, yes, that does remain objectively bonkers. It’s not a natural, intuitive combination like your JLA/Avengers, this is Mortal Kombat vs. DC Universe-level “well, I suppose they both exist in…the, uh, medium of visual storytelling” stuff, other than I suppose that they both tend towards fantasy in this case. And then that whole wacko premise got hijacked by Tetsuya Nomura for an extended epoch-spanning drama driven by labyrinthine, (occasionally literal) dream logic mythology where it’s genuinely impossible to tell at this point what’s being thrown in by the seat of the creators’ pants and what was planned out since day one, pretty much casting aside the franchises that were in theory the main appeal as relevant parts of the plot even as you still hang out with Baymax from Big Hero 6. Step back even a touch, and there will always be a whiff of derangement about the entire affair - it’s simply baked in at this point.
My controversial opinion however: it’s actually good. There are structural issues and awkward moments and aspects ill-served, I’d never deny that, but even diehard lifelong Kingdom Hearts fans tend towards prefacing appreciation with at least two or three levels of irony and self-critique. I suppose it’s in part a response to the general reaction to it I mentioned before, but no, I absolutely think these are genuinely good, ambitious stories build on a foundation that’s still holding strong. An important note in service of that point: Winnie the Pooh, maybe Hercules, and with III Toy Story aside, I have basically zero childhood nostalgia for any of the properties involved. Wasn’t a huge Disney kid outside maybe very very early childhood, and only dabbled with Final Fantasy after the fact (still intend to play through XV someday though). It won me over young, yes, but on its own.
The building blocks help: the characters designs are great, the individual Disney settings in their platonic representations of various locales and landscapes make perfect towns packed with quirky locals to roam through on your quest, the Final Fantasy elements are tried and tested for this sort of thing, the original worlds each have their own unique aesthetics and touchstones and come out lovely, by my estimation the gameplay’s fun adventure/slasher stuff even if it’s had ups and downs over the years, the actors largely bring it, it all looks pretty, and as noted, the score is as good as it gets. They’re games that look, sound, and play good made up of component parts that unify into a sensible whole. And for me, the scope and convolution of the plot that so many leap at as the easy target - with its memory manipulations and replicas and time travel and ancient prophecies and possessions and hearts grown from scratch and universes that live in computers and storybooks and dreams - is half the appeal; I live for that kind of nonsense. Not that folks aren’t justified as hell in taking jabs at it, but I’ll admit I often quietly raise an eyebrow when I see the kind of people I tend to follow having an unironic laugh at it given *gestures toward the last 40 years of superhero comics*.
All that through is ultimately window dressing. The most powerful appeal of Kingdom Hearts is I suppose hidden if you’re going by commercials and isolated GIFs and whatnot, and even the bulk of the content of the average Disney world, charming as they are. It’s deceptively easy to pick out something else as the fundamental appeal too; even if I’d call them incredibly well-executed examples of such the character archetypes it deals in are relatively broad, and while it handles the necessary shifts in its tone from fanciful Disney shenanigans to apocalyptic cosmic showdowns for the heart of all that is with incredible skill - and that might be its most unique aspect, and certainly a critical one - a lot of that comes down to raw technical ability on the part of the writers, appropriate dramatic buildup, and demarcation between environments and acts of the story.
The real heart of the matter, to speak to my typical audience, is that Kingdom Hearts in a profound way resembles 1960s Superman comics and stories inspired by the same: it’s 90% dopey lovely cornball folk tale stuff, until every now and again it spins around and sucker punches you in the goddamn soul with Extremely Real Human Shit. Except here instead of being lone panels and subtext, it builds and builds throughout each given adventure until it takes over and flips for the finale from fairytale to fantasy epic.
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That can probably be credited directly to Final Fantasy creator Hironobu Sakaguchi suggesting to Tetsuya Nomura to try treating this weird gig seriously instead of as the licensed cash-in it seemed destined to be, since if this didn’t have a soul the target audience would recognize it. But in spite of that seriousness, it’s perhaps its most joyfully mocked aspect in its entirely unselfconscious dedication to making Hearts and Feelings and Light and/or Darkness the most important things in the universe that lets it do what it does. It’s childish in the most primal way, absolutely, but what that translates to is that there aren’t cosmic or personal stakes that swap places as major or subsidiary at any given point, because in this world they’re always literally the same thing. There’s no major relationship where the fate of a primal power or a last chance at salvation doesn’t ultimately hang in the balance depending on how it shakes out, and there’s no prophecy or ultimate weapon or grand scheme that doesn’t have direct, fundamental ramifications on the life of an innocent or the memories that define them or whether they’ll ever be able to find a place to call home. ‘Hearts’ is an all-encompassing theme, whether in strength of will or redemption or questions of personhood or the ties that bind us, and by making it a literal source of power, it lends personal dimension to the unfathomable universal and the grand weight of destiny to whether or not someone can come to terms with who they want to be or apologize to those they’ve wronged. It’s a world where emotional openness and personal growth ultimately works the same way and achieves the same results as doing calisthenics in five hundred times Earth’s gravity does in Dragon Ball. and it’s tender and exuberant and thoughtful enough where it counts to take advantage of that as a storytelling engine.
That’d be why Sora works so well as the main character, because he straddles the line most directly between those poles. He may stand out as a spiky anime boy when actually next to Aladdin and the rest, but when it comes down to it he’s a Disney character, just a really nice, cheeky, dopey kid who wants to hang out with his friends and go on an adventure and believes in people really really hard. As the stranger in a strange land he’s a tether to a wider, sometimes more somber and weighty world when he’s sticking his head into the movie plots, but when he’s in the midst of stacked-up conspiracies and mythic wars that make all seem lost, he’s the one whose concerns remain purely, firmly rooted in the lives of those connected to him. Other characters get to go out there into bleak questions of self-identity or forgiveness, but while he might wrestle with doubt and fear Sora’s the guy who holds the ship steady and reminds all these classic heroes and flawed-yet-resolute champions and doomed Chosen Ones what they’re fighting for by just being a really good dude.
Given superhero comics are my bread and butter it doesn’t come up much, but Kingdom Hearts is really about as foundational to the landscape of my imagination as Superman and company, and while 100% that’s in part because it came into my life early it didn’t take hold by chance. It manages its stakes and its drama in a way and on a scale unlike just about anything else I’ve ever seen (even prior to getting to the weird mythology stuff that’s so profoundly up my alley), and somehow the aesthetics and gameplay and dialogue and all the million and one details that needed to come together to facilitate that story joined together into something that’s become one of the most curious, beloved touchstones of its medium. It’s a small, lovely bastion of warmth and sincerity in a way that only feels more like a breath of fresh air with time, playing out over decades a bunch of kids’ journeys to try and find the people they love most and help them and go home together when everything in the universe seems to be against them. It’s special in ways that will for me always be unique and meaningful, and I’m glad it seems to have plenty more in it before it’s through.
And seriously THAT MUSIC.
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silver-falling-star · 5 years
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for the first person OC asks: i started to go through and pick individual numbers and then realized i was picking basically all of them so fuck it, all of them for chris & shannon
Oh sweet jesus, okay ima just put this under a readmore b/c this is gonna get long.
1. What is your name?
Shannon: “Shannon Miller”
Chris: “Chris Mitchell”
2. Any nicknames?
Shannon: “Shay, and any petnames my girlfriend has for me.”
Chris: “Kind of hard to make a nickname out of a one syllable name.”
3. Gender stuff?
Shannon: “Cisgender woman.”
Chris: “I’m genderfluid and prefer they/them pronouns.”
4. Sexuality stuff?
Shannon: “My sexuality is girls.”
Chris: “I have more important things to do than date people. I’m ace.”
5. How old are you?
Shannon: “I’m 43, though I probably look older.”
Chris: “32 in 2012, 52 in 2032. I’m older than Shannon by 9 years.”
6. Any distinguishing traits?
Shannon: ��My hair is always dyed some vibrant color, and my clothes outside of work are very flashy.”
Chris: “I try to look as basic and androgynous as possible. But I guess my hair is about as fiery as a Weasley. Now if I’m in my hero suit, I guess the fact that I look like some mutated freak is pretty distinguishing.”
7. How did you get your scars?
Shannon: “I’ve got some scars that have long since faded from dumb shit I did as a kid.”
Chris: “My nose is dented from when a kid threw a rock at my face when we were playing baseball with a rock and a stick. Though…. the big scar on my back comes from radiation and fire burns.”
8. Anything you’re ashamed of?
Shannon: “Id… rather not talk about that.”
Chris: “Plenty, starting with anyone who’s died as a result of my actions.”
9. Do you have any pets? Do you want any?
Shannon: “No pets, but both mine and Aliza’s schedules make having any pets difficult. Maybe when we retire.”
Chris: “I have two cats, Wellington and Fae. Wellington is a four year old tabby I found in the wheel well of a car, Fae is about a year old black cat I adopted from the shelter.”
10. How would you describe yourself?
Shannon: “Athletically chubby butch with great hair and an even greater fashion sense.”
Chris: “Androgynous ginger mechanic with no distinguishing features. Looks like if you mixed a jock and nerd together.”
11. How would your friends describe you?
Shannon: “Well to quote one of my friends: ‘That bitch who switched my nameplate and didn’t tell me until I got an email from the SAC about it.’“
Chris: “Hopefully something like ‘Determined and willing to help.’ I don’t want to put words in her mouth though.”
12. How would your enemies describe you?
Shannon: answered here
Chris: “I honestly couldn’t give two shits.”
13. What are the top three songs you can’t stop listening to right now? 
Shannon: “Running in the 90′s is always a classic, Smash Mouth by All Star is good meme material, and Honeybee by Steam Powered Giraffe because I’m a sap for a good love song.”
Chris: “Can’t Stop Me Now by Queen, Sweet Caroline by Niel Diamond, and Dancing Queen by ABBA. I have a thing for the older music.”
14. Do you have an aesthetic and how would you describe it? 
Shannon: “The 90′s personified, because I love how bright it all is. Contrasts with the black suits I wear to work everyday.”
Chris: “Practical, durable, and unnoticeable.”
15. How do you normally dress? 
Shannon: “At work I wear black tailored suits, usually with some colorful tie. Off duty I wear bright windbreakers, baggy jeans, and anything that really screams lesbian honestly. Oh and you can’t forget the heelies.”
Chris: “Blank t-shirt, cargo pants with plenty of pockets, and converse. When I’m working in the shop it gets covered with a heavy duty set of coveralls.”
16. How do you normally wear your hair? 
Shannon: “Pixie cut with the sides shaved close, usually dyed some bright color.”
Chris: “Just touching the base of my neck and swept back. If I’m working in the shop, I have it pulled up into a short ponytail. When doing hero work my hair is shoulder length and unkempt. I’ve tried brushing it out, trust me, never stays.”
17. Who is closest to you? 
Shannon: “Aliza, my girlfriend.”
Chris: “Winnie. I trust her with my life.”
18. Who have you lost?
Shannon: “I’d rather not talk about that.”
Chris: “More people than I’d have preferred to lose before I’m 70.”
19. How do you feel about your family?
Shannon: “It’s complicated. They raised me and cared for me and empowered me to pursue my dreams, and I’ll always be grateful for that. But when you’re from a small town in a rural area, they aren’t the most accepting of the whole sexuality thing. They’ve gotten better, but I can tell they’d honestly wish I would settle down with a man. Sucks for them though, I’m perfectly happy where I am. My brother is the one exception who’s accepted me from day one, and I’m grateful to him for that.”
Chris: “They’ve been nothing but supportive of me and my interests. I was worried when I came out that they’d reject me, but instead they warmed up to me changing my name and my fluctuating pronouns. My parents have worried about me of course, I am their oldest kid after all who doesn’t exactly fit the mold of what my hometown might call normal. They also basically adopted Winnie as their fifth kid after meeting her once, they’re a loving kind of people. My siblings are great. We get on each others nerves sometimes and definitely have had our rough spots, but in the end we’re there for each other. Even if my little brother is a little shit. I can only hope they’ll take the truth of my superpowers and being a superhero as well as they have everything else.”
20. How do you feel about your culture?
Shannon: “What culture, I’m from hicksville USA, we got farmland, coal mines, and racism. I guess our music is nice but everything else feels like it doesn’t even really exist.”
Chris: “I’m from an area with a bunch of mountain people. Our culture involves hunting, illegal shine stills, meth labs, and pot farms. Don’t go into the wrong side of the hollar or you might not come out, all that. Though the sense of community there is pretty strong, even if its very much a ‘you grew up here so you’re one of us’ way. I can take parts of it and leave others.”
21. Is there anything either would dislike about you?
Shannon: “Yes to both and its mostly that I’m gay and dating another woman.”
Chris: “I should hope my family doesn’t dislike me. As for my uh, ‘culture’, my gender identity for sure. I’ve had the odd look here and there growing up. And some classmates not quite sure what to make of me.”
22. Any regrets?
Shannon: “Loads, but I try not to let them control me. What happened in the past is in the past.”
Chris: “More than I care to admit and I get more every day.”
23. Any vices?
Shannon: answered here
Chris: “My video games I guess. I dunno’ I don’t think I have that many. Bad habits sure, vices eh, take it or leave it.”
24. Any phobias?
Shannon: answered here
Chris: “My old boss figuring out I know what he did, random facilities conveniently in the middle of nowhere, the government locking my ass up as a test subject, I could go on.”
25. Any triggers?
Shannon: “Explosions, not a big fan of fireworks because of it.”
Chris: “Explosions, gunshots, head trauma, my anxiety can be a trigger sometimes if I’m stressed out enough honestly.”
26. Any hobbies?
Shannon: “Skateboarding, fishing, camping, going to the gym, things that keep me active honestly.”
Chris: “Engineering new tech, video games, I stream on twitch from time to time. I still also enjoy reading comics and building complicated lego sets.”
27. Is there someone or something you would die for?
Shannon: “Aliza, justice, my team, if I have to go down so a criminal can be apprehended, then so be it.”
Chris: “My family, Winnie, saving the people who need saving.”
28. Are you an optimist or a pessimist?
Shannon: “I try to be an optimist, otherwise I’d end up being very bitter on the job.”
Chris: “I’m in the middle, and it entirely depends on the situation.”
29. Are you an introvert or an extrovert?
Shannon: “Introverted-Extrovert. I enjoy people but I need my alone time.”
Chris: “Introvert. I’m fine with small groups but I don’t like large crowds. Though, I have to put on an extroverted front as Equinox. Equinox is more of a people person.”
30. Are you brains or brawn?
Shannon: “More brawn than brains but I’m not stupid.”
Chris: “Why not both?”
31. Are you passive or aggressive?
Shannon: “More aggressive than passive in a work setting. At home I’m passive.”
Chris: “More aggressive.”
32. What are you best at?
Shannon: “I am very talented at finding good campsites.”
Chris: “Creating new technology. I am an engineer by education.”
33. What are you worst at?
Shannon: already answered
Chris: “I’m pretty shit at shooting a gun larger than a pistol.”
34. What is something you want to be good at but are really bad at?
Shannon: “Skating, just so I can prove to Aliza that I can indeed master any form of wheel based sport.”
Chris: “Managing my anger.”
35. What’s your place in your world or the world you’ve entered?
Shannon: “I’m a special agent at the National Agency of Superpowered Persons, or NASP. I help manage the superhero team that protects Detroit.”
Chris: “I’m a mechanic by trade and one of the world’s first superheroes when the occasion calls for it. Recently picked up the hobby of unwillingly being flung through alternate dimensions trying to find our way home. Hopefully we end up doing what the main character in Quantum Leap couldn’t do and get home.”
36. What’s your place in your peer group?
Shannon: “A fellow agent and occasionally boss. Friend group is different but you said peer group not friend group so eh.”
Chris: “I honestly don’t know. My peer group is limited to my friend Winnie and two bank robbers I’m still trying to get a handle on.”
37. How do you feel about your story?
Shannon: “Well aside from the trauma, I feel okay about it. Could do with superheroes who don’t break the law on a regular basis but you take what you can get. Not that all of them do that.”
Chris: “I just hope I can get some fucking rest soon. All this stress is going to make me go grey before I’m ready for that. Or it could kill me, who knows at this point.”
38. How do you feel about your author?
Shannon: “They suffer from executive dysfunction and more of the story exists in their head than on paper. But thats fine.”
Chris: “I have two and I only vaguely know what one of them has planned for me.”
39. Do you know your ending? How do you feel about that?
Shannon: “Yes and I’m not looking forward to it.”
Chris: “Yes and no. I know what one of them would LIKE to make my ending, but who knows if that will end up being what happens in the prime universe.”
40. Any AU’s you wish you lived instead?
Shannon: “I do quite like the idea of being a bartender with the other three fed characters in the biker AU. That’s got lots of fun antics going on in it.”
Chris: “The everyone lives AU is significantly less painful and more meme-filled.”
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