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autistichalsin · 29 days

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In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn't limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.

Stop me if you've heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn't happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.

Sounds awful familiar, doesn't it?

Isabel Fall's case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.

More specifically, she used the phrase "I sexually identify as an attack helicopter" to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.

But... well, if harassers ever bothered to read the things they critique, we wouldn't be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.

A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn't all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.

Only... we know this type of person, the fandom harassers, don't we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.

So some time later, Isabel deleted her social media. She is still alive, but "Isabel Fall" is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.

Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.

It's heartbreakingly familiar, isn't it? Many of us in fandom communities have been in Isabel's shoes, even if the outcome wasn't so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of "the community" as a nebulous undefined entity.

There's a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:

The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader. This kind of nuance gets completely worn away on Twitter, home of paranoid readings. “[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”

A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why "proship", once simply a word for common sense "don't engage with what you don't like, and don't harass people who create it either" philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it's an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It's an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side's faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.

It's not about joy. It's not about resonance with plot or characters. It's about hate. It's about finding fault. If they can't find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.

And that's if they even went so far as to read the work they're critiquing. The ones they don't bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it's bad, it's fetishism, even if the story is about how the victim escapes. If a trans writer uses the title "I Sexually Identify as an Attack Helicopter" to find a framework to dissect rainbow-washing the military-industrial complex, it's unforgivable. It's a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who "deserve it." Because once you are Bad, there is no action against you that is too Bad for you to deserve.

Isabel Fall's story follows this so step-by-step that it's like a textbook case study on modern fandom behavior.

Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection... they zeroed in on the discomfort. "I Sexually Identify as an Attack Helicopter"- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can't even type out the words "kill" and rape", instead substituting "unalive" and "grape." We don't deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.

So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn't be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.

Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; "there is a callout thread against them" is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.

So Isabel was doomed, naturally. It didn't matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.

And that's the key; pay for it. Punishment. Revenge. It's never about correcting behavior. Restorative justice is not in this group's vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.

And that's what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.

And that's... fandom, anymore. That's just what is done, routinely and without question, to Bad people. Good people are Good, so they don't make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.

Isabel Fall's harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, "more, please." It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.

Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It's a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).

It's a deeply toxic environment and I'm sad to say that Isabel Fall's story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I'm sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don't think we can ever go back to peaceful "for joy" engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.

#isabel fall #fandom #proship #proshippers please interact #proship please interact #profiction

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zillychu · 9 months

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I’ve gotten a WAVE of asks about this AU, so I decided to flesh it out some more and answer some of those questions!

I’ll probably polish this extended summary up at some point and submit it to AO3. But for now, here’s a rundown of my thoughts–please feel free to send more questions! I’ll update this post if I get any more. But if you’re someone who wanted to write fic for it, don’t worry, you don’t need to take my headcanons as gospel. It’s a pretty basic AU honestly lol

Summary:

The portal accident results in a violent explosion that wipes out the whole block, and condemns all of Amity Park. Danny haunts the city for 100 years, before Sam and Tucker find him.

Setup:

In the 1920’s, 19-year-old Danny went into the incomplete portal on his own, hoping to help out his parents. Ripping the portal open through unnatural means created a huge burst of energy that resulted in a massive explosion. A good portion of the Amity Park population died, many were injured, and the ones on the fringes relocated–Amity was quickly deemed too dangerous due to the excess ectoplasm in the area that attracted ghosts.

While the disaster was in Amity, the fallout was seen around the globe. Before, natural portals were rare, short-lived, and rarely allowed ghosts to fully slip into our realm (the most severe cases being on par with poltergeists that most people didn’t believe in). Now, natural portals pop open frequently around the world, large enough to allow the entirety of a ghost into the physical plane. They’re more common the closer you get to Amity, but they happen enough elsewhere that this change was something of a small apocalypse before people settled back down and found out how to combat at least some of their new, permanent neighbors.

Danny is unaware that he’s only half-dead, believing he’s a full ghost. He ends up sticking around Amity, unintentionally making it his haunt. His grief and guilt over causing the death of his loved ones (and many others) makes him isolate and avoid human contact. Though he has, at times, scared nosy people away from the city in a mix of territorial instinct–and to get them to leave before a less friendly ghost finds them.

Ghosts are much more of an uncontested danger in this AU. Lesser ghosts are practically mindless, and while stronger ghosts are capable of reason, their interests are limited. They’re highly territorial, possessive, and often destructive. Most worrisome is that they also like to snack on the life force of anything alive. No one is sure what dictates a ghost’s propensity to attack or hunt the living for their life force since ghosts don’t exactly experience hunger. At least, not the way we do. If a human is rescued before their life force is fully drained, they can make a full recovery–though humanity has still not yet found what this “life force" is.

And since the Fentons’ research died along with them, there aren’t many tools available to the public to protect them from ghosts. Most homes have standard ghost shields and some weapons are available on the market, but certified ghost hunters are required to take care of anything more powerful than your average spook.

Sam and Tucker met in high school, and are now rooming together for college very close to the Amity border. Rent is surprisingly cheap when you’re a stone’s throw away from a condemned area crawling with ghosts. Sam is the one who drags Tucker along with her fascination over finding out more about the city, and its largely mysterious demise. Sam is aware of the danger, but feels ghosts have a place in this world just like everything else, and does exercise caution–like one would while foraging in the woods with a known tiger population.

What she and Tucker weren’t expecting was to run into a ghost that felt almost human. One that hasn't hurt them, not for lack of trying–while being powerful enough to walk past ghost shields without so much as a flinch. The long white hair is familiar in the whispers of the ectobiologist community, but there’s no way it could be the rumored ghost king Phantom, right?

About Danny:

He has very long hair, claws, and black sclera. His hazmat suit is more torn and ragged, with exposed hands and feet that fade into a burnt black.

His hair tends to float a lot on its own. It can start morphing into fire under duress.

He does still technically have gloves and boots, they've just charred and melted into his skin towards the ends. He can't take them off in his ghost form. His hands and feet have a leathery texture that's tougher than the rest of his skin.

The white of his hazmat suit is both supposed to look like flames, and also a battered look representing his more violent, explosive death.

Overall, he appears rather listless and sad, with an unnerving air of danger around him–even for a ghost.

Danny’s “ghost sense” comes out as white smoke.

He does breathe black smoke at times, usually when agitated.

He's already fought and defeated Pariah Dark by the time Sam and Tucker find him, technically making him the Ghost King. This is heavily speculated by ghost experts, despite there being no real proof beyond a massive battle that scarred Illinois. He has not donned the Ring or the Crown, and captured sentient ghosts are hesitant to answer questions surrounding him. Danny basically has the throne but doesn’t do anything with it, and finds it meaningless enough to routinely forget he has the title. He only fought Pariah because he knew otherwise, humanity would have perished. A lot of ghosts are scared of him because he's so hard to figure out, and he's strong.

Danny is usually very quiet and speaks softly, because his lungs were damaged in the blaze that half-killed him. He's technically healed since becoming a ghost, so it's more of a compulsion due to the traumatic memory. That, and he’s just… very forlorn and distant, shy around humans who don’t seem to understand how dangerous it is to keep hanging around him.

His memories pre-accident are extremely fuzzy. He knows the very basics of who he was, but specifics have been muffled due to trauma and isolation. He routinely forgets human habits, etiquette, etc. and tends to act more like a full ghost with some odd quirks.

He does try to scare Sam and Tucker off numerous times. Unfortunately for him, they realized they shouldn't have been able to escape a ghost that strong–but they did, because he let them.

Sam and Tucker think he's mute at first! He doesn't speak a word to them until several encounters later, when he fumbles his whole scary act and saves them from another ghost.

He’s still half-ghost, though he doesn’t figure this out until Sam and Tucker come along trying to unravel the mysteries behind the Amity catastrophe. Physically and emotionally, he’s been stuck for 100 years–so his human form is still 19. It’s unclear at this point if he can age normally like a human as long as he stays in human form, or if he’s immortal.

Danny's family did not turn into ghosts, though he sometimes worries he'll find them in the afterlife as shells of their former selves. He doesn't know if it's better or worse that he's not sure he'd recognize them.

(Danny also still has some living family. Take a guess.)

Yes, he knows how to Wail. Understandably, he very rarely uses it. You do not want to witness this.

Danny :) is not immune :) from the allure of eating a human's life force :)))

#danny phantom #au #zilly art #I just wanted to draw a boy with long hair and claws how did this happen #fire core au

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knightjpg · 3 months

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Brick by Brick

You have his favourite tea on hand. You ask him what he'd like for dinner this weekend. One time you opened the door for him within seconds of buzzing, like you'd been as eager for his visit as he was. And maybe most devastating of all: you routinely start making too much food for even Simon to finish.

tags: 🔞construction worker simon/neighbour reader, unprotected piv, oral (f receiving), size kink, brief mention of simon's childhood abuse

part 1 | part 2

After that things shift, just a little. You still sit with Simon while he works, handing him tools he teaches you the names of; still try to convince him to get pay for his work around the house.

But you have his favourite tea on hand. You ask him what he'd like for dinner this weekend. One time you opened the door for him within seconds of buzzing, like you'd been as eager for his visit as he was.

And maybe most devastating of all: you routinely start making too much food for even Simon to finish.

“Thought you might want some leftovers for lunch,” you tell him, holding out two tupperware boxes. “If you're working those long hours you have to eat right, you know?”

When Simon opens them at home, just before tucking them away in his work bag for tomorrow, his chest clenches. It's not just leftovers. There's dried beef jerky, a pack of crackers that go well with coffee, and a fist-sized chunk of banana bread. And—

A little note.

His heart hammers against his chest when he unfolds it. It's nearly dark out, crickets chirping soft and low somewhere beneath the window. The only sound in his kitchen is the ticking of a clock.

Good luck today! Don't work too hard :)

“Christ,” he mumbles, fingers tracing over the ink. Pretty. Like you. Like every fucking thing you do.

Summer is nearing its end, and Simon is running out of excuses. Part of him feels proud to see the house shape up to the best it can be, but over the months the boxes have nearly all disappeared. He knows—has helped you unpack God knows how many books. Helped you put together a new bookcase, even.

But if he's no longer useful, what's keeping you from closing your door on him? Dread rises sharp and fast in Simon's throat when he thinks about a dark, cold home waiting for him as his only company. He passes your door on the way home, more often than not sees your silhouette against the warm light of your window. Illuminating the hard dirty edges of him.

You've started feeding him, this big mean watchdog, and he might choke on his leash if you stop now.

“Hello, what is that?”

Simon sharply yanks his lunch away from Johnny's grabby paws.

“None f’your business.”

“Is that bloody banana bread? You've got to be fuckin’ me.”

“That's homemade,” Kyle says unhelpfully from just behind Simon's shoulder.

“Piss off,” Simon grumbles.

Johnny does not, of course, piss off. Instead he grins, cheeky and wide. “Didn't know y’had a bird, Simon.”

“Fuck,” Kyle groans. “Is that roast beef? That smells so good. Where'd you get this?”

Johnny snorts. “More like who's he blackmailin'.”

Simon glowers at Johnny, then says through a mouthful, “My girl.”

If there'd been any hope of them dropping it, it's gone now. Simon realises his mistake as soon the words leave his mouth and Kyle and Johnny light up.

They're incessant. Dog him at every opportunity—who is she? What's her name? What's she look like? Show us a photo, Simon, dinnae be so selfish.

Simon suffers it for a week until he slams his gloves on Price's table and threatens someone's going to end up in the cement mixer by the end of the day if he doesn't do something about it.

They quiet down after that, though they can't help but ask after you every now and then—even Price, who despite his congratulatory shoulder clap admits he wishes he had a sweet thing of his own.

And the lunches keep going. As do the notes, every one of which Simon keeps carefully tucked away in a box at home. He didn't find one last night, and he suppresses the wave of disappointment. Maybe you forgot. Maybe you were just tired, and maybe he's grown too comfortable with your casual affection.

So when a little piece of paper that was stuck to the bottom of the lid flutters onto the ground the next day Simon is unprepared. The two seconds of surprise cost him—Johnny dives after it like a hawk and scoops it before it's barely touched the concrete.

“You little shit—”

Simon's at him immediately, and Johnny, delighted by what he thinks is a funny fucking little game, twists and dodges while fumbling the note open with one hand.

“Looking forward to dinner tonight. Be safe today,” Johnny reads before Simon snatches it from him with a hard shove to his head. “Aww, Simon, you lucky shite. C’mon, give us one o’ those cookies, aye? If you're goin’ home to a candle lit dinner.”

“Get your own cookies,” Simon huffs, and curls one arm around his tupperware protectively while he eats.

Looking forward.

So is he.

“Simon!”

Simon whips his head around and catches you stepping out of your car with a wave. You've arrived home just after him today, and his breath catches in his throat when he sees your dress flutter prettily around your legs.

You're dressed up all nice today—must've been at university, then. Simon doesn't know which he likes better: the shorts you wear at home or the glimpse of cleavage he gets when you wear a nice work blouse.

His dick throbs when he holds his own hand up in greeting, hanging back just to get those few extra seconds with you.

He's not sure why today is especially bad. Probably doesn't help that every time he jacks off in the shower you're the one he thinks of, imaging your pretty lips wrapped around his cock. It's hard to resist the indulgence after a long hard day of sweating and laying brick, then coming home and only getting to look, not touch. He doesn't want to stain you with his filth, but what's he supposed to do? He wants you.

And his desire has sat festering in the confines of his rib cage for months. It curls his hands in tight fists so he doesn't reach for you by accident the way he does in his dreams, keeps him from leaning in to taste your lips to see if they're as sweet as your cobbler pies.

“Alright?” he asks when you get closer. You feel off, distant, and when you nod it feels like it's more for his sake than for the truth of it.

“Yeah. Um.” You adjust the strap of the bag on your shoulder, shifting on your feet. “I wanted to let you know I can't do dinner tomorrow. I'm, um, I have a date, so...”

The spin of the world stutters for a second.

Simon sucks in a quiet breath. “That so.”

“Yeah.” You look up at him with a sad little smile. Not the kind of face you'd expect from someone who just scored a date, but Simon is too wrapped up in his misery to notice. “How was your day?”

Normal. Unsuspecting. Good, even, until you told him some twat is taking you out to dinner.

“Fine,” he hears himself say. Adds, “Watchin’ a match tonight.”

An excuse—an out for both of you. You won't have to feel obligated to ask him if he'd like to come ‘round for a meal, and he won't have to pretend he doesn't feel like throwing up.

“Go Manchester,” you reply with a smile.

Just like Simon, they don't score.

He waits up for you. It's pathetic, really—that of all things this is what gets him to dig around for a pack of smokes. Been mostly clean ever since you moved in next to him, his half-hearted attempts to quit finally mounting up to something with real resolve.

He doesn't want to taste nicotine when he eats your meals.

Even threw out his lighter. Which means when he finds a crushed, dust-caked pack with only one cigarette in it behind his couch he has to light it with a match and shaky hands.

It tastes awful. But it's familiar, and sometimes he craves the burn even when he sees his dad putting out his own cigs on Simon's legs behind his eyelids.

The evening grows colder around him, late summer skies tinted with dark purples and blues. It's quiet in the neighbourhood. He's the only one out this late—everyone else has retreated to the comfort of their homes, ready to turn in for the night.

It should feel peaceful, but all Simon feels is anxious and on edge. Not even the smoke calms his nerves.

Should he back off, leave you to the happiness you deserve? Throw everything away in one last shot, ask to take you out like he's wanted to forever?

Words are no good, but he's tried so desperately to show you that he'd do just about anything if you asked. To let you know that underneath his gruff silences he doesn't bite the hand that feeds him and that he'd rip anyone else to shreds for raising a finger against you.

Simon's head lifts when his ears pick up the rumbling of a car. Is it...?

It is.

Lamplight flashes over the cobbled street, and then the rumble of the engine turns off with a click.

You're alone—thank God. Simon doesn't know what he would've done if you'd taken your date home.

You look worn out, and not the happy kind after a successful lay. Just tired—to the point where you almost don't notice him and jump when you do. You take a startled step back from his hulking silhouette leaning against the stone little fence curling around all the houses along the street you share, before pausing and asking in a soft voice:

“Simon?”

And because he's a masochist he asks, “Y’have fun?”

He expects a yes. At best a non-committal shrug—at worst an enthusiastic smile. But you look down at your shoes, chew your lip, and say, “No.” A breath. “No. It was awful. He was a twat, and he tried to feel me up under the table, and he's been hounding me at university for months, and I got so sick of it I just said yes but now I'm going to have to email HR and ugh—!”

Your voice breaks on the last sentence and you sniffle, turning your face away from Simon so you can give it a quick wipe with the back of your hand.

He's up on his feet in an instant, trying to take slow breaths so he doesn't act on the overwhelming urge to hunt down the wankstain and crush his fingers so he can never fucking touch you again. Your dog bites without warning or remorse, and everything in him wants to show your sad excuse of a date just how sharp his teeth are.

But he can't. You're hurting, and that's more important than breaking some bloke's nose.

And so Simon tries for softness as much as he's capable of it, large scarred hand hesitantly landing on your shoulder. It's all the coaxing you need to lean into his touch, and when Simon shifts a little closer your head falls on his shoulder. He burns with a different kind of fire.

“Sorry,” you sniffle. “I'm okay, I really am, it was just such a—such a—”

“S’alright,” Simon rasps. He pets your hair and strokes your back with a clumsy touch, unsure of how far he should, can, is allowed to go. “Y’should've called me. Would've come t’pick you up, maybe sock him a new one.”

He'd do more than that if you'd let him. He'd take you home and made sure the only time you cried was when he worked his fat cock inside you.

Christ, he's going to hell.

“I didn't want to bother you,” you say in a small voice.

“Sweetheart. You're never botherin’ me.” You let out a shaky sigh, and Simon tucks your head under his chin a little more securely. “Woulda made sure y’got home safe.”

It's quiet, then, save for the sound of a car driving away somewhere down the road. Simon doesn't say anything else. He doesn't want to break the spell that you're under. You feel so soft in his arms, his sweet bird, finally come home to where you belong.

“I kept wishing it was you.” Your voice is so soft he almost doesn't catch it, but before he can process it you pull yourself out of his embrace, cursing under your breath. “Sorry. Sorry—forget I said that. I'm... I'm gonna go home.”

Simon's hand shoots out and grabs your wrist. You stare at him with big wet eyes that has the pit of his stomach swoop low.

“Y’wish it was me?”

His voice is low and rough, strained with want.

Your cheeks burn and you avert your eyes, though you don't pull your hand away. “Sorry. Ignore me, I'm just...”

“I'll take you,” Simon says a little too quickly. “Anywhere you wanna go. Dinner. Movies.” He pauses, trying to remember what people do for fun. “The library.”

There. You hiccup a little laugh, finally, and the beginnings of a smile tug at your mouth.

“The library?”

Simon smiles a little, too. “Anywhere you want,” he repeats. Even the fucking library.

Your gaze drops to your hands, and you carefully turn your palm against his. “I think I'd like that.”

Simon swallows and lets his fingers intertwine with yours. “Yeah?”

“I don't really care where we go, though. If it's with you.”

Jesus bloody Christ.

“Okay,” Simon says, voice tight. “Alright. We'll—we'll figure it out. We'll go somewhere.” A breeze hits you as he says it, and you shiver. “...Right now let's just get you home.”

You nod, the fatigue overtaking your features again. Simon walks you all the way to your door, squints against the night sensor he installed himself.

You hover in the doorway before opening your mouth, closing it, then take a small step forward to rise on your toes. Simon's heartbeat kicks up under your hand where you steady yourself on his chest, and then he feels your lips press against his cheek. It's his bad one, the one with the nasty scar from a bar fight long ago.

“Thanks,” you say softly.

“Yeah,” he manages, tongue sticking to the roof of his mouth. “’Course.”

The door closes with a soft click.

When you mention wanting to hike out on a trail nearby Simon, true to his word, makes it happen. It's not so bloody hot anymore and it's nice, hearing the birds chirp overhead. Nice to exist in a world where everything is washed in shades of mottled green, hearing the dirt crunch under his feet.

It relaxes him. Makes his muscles untense. You promised him a picnic at the end of the trail, and to Simon's delight he succeeds in coaxing you to feed him bites of your homemade sandwiches in the midst of tall grass and meadow flowers.

When you get home, sweat and sun lingering on your skin, Simon has full intentions of dropping you off at your doorstep and wishing you a good night. Maybe get another kiss if he's lucky.

And he does—but you linger, soft lips hovering over his cheek. His fingers curl and uncurl against his sides, waiting and wondering.

“Please kiss me?” you breathe on his skin, and that's all it takes.

He surprises himself with the intensity of it, but fucking hell, he's wanted you for so long. His shoulders hunch, neck bent low, and he slots his mouth over yours. Your little fingers grab at his shirt for balance, and he pushes you against your doorframe. Every time he pulls away you make a small noise of protest and chase his lips, and though Simon hasn't had a drop of alcohol today he feels well on his way to hammered.

“Do you want to—please come inside—?”

Simon groans and rests his forehead against yours. Fuck. “I want to—want t’do this right,” he rasps.

You exhale with a shaky breath. Your cheeks are flushed, eyes glittering like stars. Simon's stomach lurches at seeing you want him. “Right, um. Of course. I just—I've thought about... about you. For a—a really long timmf—”

Simon groans into your mouth. He cups your cheeks, one hand sliding to hold you at the back of your neck. A sweat breaks out along his spine when he imagines you at night, in your bedroom, fucking yourself with your little fingers. Whimpering his name...

“Yeah? Y’want me to take you to bed, sweetheart?” he murmurs, and you shiver.

The two of you barely make it past the door until Simon is stealing the breath from your lungs again. He's wanted this for so long it's a little hard to stop, even if it's to break apart for air. Miraculously you seem to want it as much as he does, seem as desperate for his touch as he is for yours.

When has anyone wanted him this bad? When has he ever felt like he'd die on the spot if he didn't get inside you right the fuck now?

He doesn't need to ask you where the bedroom is. This place has felt his touch almost as much as yours, has shaped up into a cosy little home that is part of him, too. Like he wants to be part of you.

Simon simply scoops you up and carries you straight to bed, forgetting to be gentle when he deposits on the mattress. His head is buzzing, his heart is thundering, and he needs you now.

Fortunately you don't seem to mind much. Your hands immediately fly to his belt, tug at the metal impatiently, then fumble with his zipper with trembling hands. Simon pulls your top over your head, throws it somewhere on the floor without a care followed by his own.

“Lie back,” he husks, and makes quick work of your trousers. Pauses just for a second to take in the growing wet patch of your panties.

“Simon,” you whine softly.

He drops to his knees and slides his large hands over your thighs, transfixed. He smooths over the goosebumps on your legs, presses a kiss to your knee.

“Want me t’take these off?” he rasps, snapping the band of your panties. You lift your hips in silent assent. Simon helps you shimmy off your underwear and suppresses a moan when a string of sticky arousal clings to the fabric—then follows it right to the source.

You gasp when he kisses your folds before gently spreading them with big warm fingers. “Sweet little cunt,” Simon mutters, and then he goes to town.

He starts with slow, wet licks, feeling out what you like and what's too much. He keeps it light for a while just to feel you squirm and to hear your breathing turn ragged, then backs off just when your knees start trembling. He smiles when you whimper his name with a desperate little “please".

“Such good manners.” His breath washes over your clit, and your hips try to twitch away from him. “Proper sweetheart, yeah?”

It's great fun, playing with you, but his cock is throbbing painfully and he's leaking everywhere, and he very much intends for you to end the night feeling so blissed out you let him sleep next to you.

So Simon hoists you closer, hooks your thighs over his shoulder, and sucks on your clit until you're sobbing his name. He holds your hips down by splaying one big hand over your stomach because you're a sensitive little thing, bucking away from him when he's not nearly done with you yet.

It's cute, seeing you lose yourself to the pleasure. It's also really fucking hot. Simon slowly pushes one finger in you and groans when you clench around him.

“Simon,” you whimper. “Oh, please, please—”

Such a good girl, begging without him telling you to. Simon crooks his finger, and your next breath is a stutter of moans before your whole body tenses and you cum on his tongue.

Simon hums approvingly, keeping his motions slow and steady so you ride it out all the way. When you whine and wriggle away from him he lets up, wiping at your slick covering his chin.

Best meal you've cooked him by far.

“Oh,” you sigh. “That was... Give me—give me a minute...”

Simon chuckles and rises from his knees to crawl over you and steal a kiss. “Feelin’ good, princess?”

“Princess—” you let out a breathless laugh, but even in the low light of your nightstand lamp Simon sees the colour rise in your cheeks. Liked that, did you? You blink up at him, a sweet satisfied smile on your lips. “Mhm. So good. Come here?”

Your hands trail over his sides, stroke over the light hair trailing down his stomach. Simon shudders when your knuckles brush over his cock and he shucks off his trousers further to give you better access.

When you wrap your hand around him he drops his head into the crook of your shoulder and moans. The twitch of his hips is involuntary, too desperate to chase his pleasure to stay put.

“Next time,” you whisper while pulling him forward, spreading your legs wider to fit around his hips, “I want to feel you in my mouth.”

“Jesus,” he groans. It takes everything in him to not just slide in. “We need a condom?”

“I'm clean,” you murmur against his jaw. “On birth control. If you want we can—”

“Fuck yeah I do,” Simon says, and you laugh. Soft eyes when your hands slide over his shoulders, brush through the short hair on his neck. Simon watches your face while he lines himself up without blinking, and he's rewarded with the flutter of your eyelashes, the parting of your soft lips.

Your brows scrunch together at the first few inches, and he kisses you sweetly to make you relax. Simon knows he's not small, and he groans when you clench around him.

“Good girl,” he whispers against your hair. “Good girl. Just like that, yeah? Takin’ it real well. Just like that.”

He slides in a little deeper. You shiver and mewl and beg him for more, and he gives it to you. Anything you want.

“Simon,” you whimper. “Feels so—oh, you feel so good. More, please, please—?”

Simon brushes the hair from your forehead, keeping his thrusts long and slow and making sure to kiss your cervix each time, just because your breath stutters so prettily every time he does.

“Fuck,” he groans. “Fuck, you're so—such a tight little cunt. Couldn't wait any longer, could you? Jus’ had to have me?”

You nod immediately and empathically, eyes glassy with arousal. You try to answer him, but the only thing you manage are airy moans that sound like his name.

That's alright. Don't need to talk. He knows what you want to say; he feels the same. Simon catches you in a messy kiss while lacing his fingers with yours. Yours. Mine.

He shoves his free hand between your two bodies and finds your clit, circling it until he's found the right rhythm that has tears gathering in your eyes. He could live on that for the rest of his life, of hearing you mindlessly stuttering his name while your body tenses up and your head drops back and those pretty lips part in a choked moan—

“Christ,” Simon grits through his teeth, sweat dampening his brow. Your cunt flutters around him, soft little flower in full bloom that, with another thrust or two, has him falling apart as well.

Both of you moan at the feeling of his cum spurting hot and thick in your waiting womb. Simon rocks against you slowly to make sure you get every last drop—birth control or not.

He kisses you on the comedown. You melt into his touch, butter and honey, running your fingers through his hair until Simon shifts you around so you're curled up against him.

In another minute he'll get up and get you a washcloth before tucking you in and kissing your bare shoulders. He'll wrap himself around you before sleep takes you, make sure that he's the last thing you see and hear and touch.

For now he lets himself bask in the present. In having a sweet little bird clinging to him for comfort and giving him more than he could ever ask for in return.

Simon doesn't think you quite realise what you've gotten yourself into, in giving this big ugly watchdog your affection. He's not a king or a prince; not even a knight, not like the ones you read so much about. Simon wouldn't exactly call himself chivalrous or genteel.

But he's just as devoted and twice as vicious. He'll belong to you, and you to him, and from the moment he saw you he was oath-bound.

He'll have to steal a ring or two to measure which size is right. It'll take some work to knock down the walls between your two houses, but he'll ask the lads for help. Simon knows you'll win them over right away if you cook dinner or bake them something sweet.

And maybe in time he'll have to try his own hand at baking. He always did want to put a bun in the oven, and Simon just knows that if you're the one to do it with him—

It'll come out perfect.

#cod mw2 #cod x reader #ghost cod #simon ghost riley #ghost mw2 #simon riley #ghost x reader #ghost/reader #simon ghost riley x reader #x reader #this should've been a 20+ chap slowburn but I'm just not patient enough for that

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toweringclam · 4 months

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So I think I figured out what Fifteen's problem is. Not as a flaw in the writing, mind. A flaw in the character.

Every New Who Doctor has been a reaction to the trauma of the Time War.

Nine raged

Ten ran

Eleven repressed

Twelve wallowed

Thirteen regressed

Fourteen finally admitted he had a problem and sought help.

And Fifteen, I'm certain now, relapses.

Fifteen started out doing great. All his trauma processed. Ready to face the world. And maybe at first it worked (though sadly we didn't get to see his many offscreen adventures with Ruby). But like... you don't stay better. You have to work at it. And he's very much not doing that.

There's a brittleness to his good cheer. Be it the gods of chaos, the loss of a lover, or his first real confrontation with racism, he doesn't deal with adversity very well. He breaks down, he hides, he acts like everything's fine. It's not fine though. He's not okay. He might've dealt with his problems, but he didn't equip himself with the tools needed to deal with new problems.

He's gonna crack eventually. We can already see it happening.

#doctor who #dr who #fifteenth doctor #fifteen #ncuti gatwa #ncuti!doctor #15th doctor #the doctor

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crossbackpoke-check · 1 year

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what are ur thoughts on the winners room trope?

ooooo okay surface level analysis: i like winner’s room fics :)

etwas tieferes: i think it’s cool that it’s (afaik) unique to hockey fandom and i enjoy the way it integrates a lot of unspoken rules in hockey with desire/makes them a physical/tangible reality… also the narrative potentials/world-building it opens up can be fun because there’s not really a set of rules for the “winner’s room” trope. are there in-universe rules? who gets chosen? who’s exempt? who gets to pick? where’s it going down? is it the entire room or one guy? what if your (ex)boyfriend is on another team? does somebody need to be taught a lesson or do you need to remind someone who got traded you still love them? also, most important, winner’s room gives you the chance to put two random-ass guys you saw interact for 0.002 seconds and went “hmmm. interesting” about into a Situation and i love that

#yeah buddy!! i love answering questions!!! unironically i have so many opinions!!!!#refraining from putting this in the main text but had to go: yeah who doesn’t love a good g*ngb*ng #it also doesn’t just have to be a bunch of dudes fucking though per always: i think winner’s room fics can bring up interesting dialogues #about the idea of bodily autonomy and self-sacrifice or sacrifice in sports #every fic can utilize a trope their own way so you might have lighter versions or heavier versions and #tw: sa #dub-con/CNC elements which. given the truth of SA and abuse in hockey it’s valuable to have tools to explore and i feel like i need to #address that when i talk about this? obvi dead dove do not eat for some fics re:winner’s room but i think a lot of them do talk about #control and power to some extent if you were to do a deep literary analysis. which we don’t need to. sometimes it’s enough to read a fic one #time because you liked the main pairing and didn’t know SHIT about the flyers and then come back to it years later and absolutely lose your #goddamn mind about the fact that actually you DID know about travis konecny before you thought you did and at one point there were all these #guys that you now know and love who were just like. random fuckers in the sides of the fic. i tend to do that a lot bc i will read for #nearly everything (if i love u. i will read your works even if i don’t know anything about the fandom and also i am always willing to jump #on new ships) so also tangentially i think winner’s room fics are a lot of fun because you can see a lot of different interactions between a #lot of guys like not only is it this guy and this guy but also this guy and that guy and these two interacting around the sacrifice etc etc #tangled web many layers und so weiter. not sure if any of that makes sense but also i’m gonna tag for mentions of sa/wjc/hockey canada stuff #i don’t even really know if winner’s room functions as well even in other sports bc of the Team Identity in hockey & cultural context #liv in the replies #winner’s room can be layered with SO many other kinks and tropes and aus and also just like. i like it & that’s probably all i needed to say #also obvi re: rules for trope there aren’t ever any there’s just some popular variations and we can kinda see some of those forming #but i’m not even sure if winner’s room has its own tag on the archive? i’d have to check i know i have a few saved in my bookmarks at least #OH also if you made it this far. wasn’t sure if this was like a ‘do u got recs’ or a ‘what’s your moral stance’ or ‘hey is this something ur #into’ so. good faith good vibes y’all and if this wasn’t what u meant please elaborate the question i do love answering things #ty for the ask!!!!#for the record i do watch hockey like the leonardo dicaprio pointing meme finding milliseconds of interaction to go HAHA GAY NARRATIVE about

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khruschevshoe · 5 months

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You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.

The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.

It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.

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just-ornstein · 4 months

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[JK] My first job was as an Assistant Producer for a video game company called Interplay in Irvine, CA. I had recently graduated from Boston University's School of Fine Arts with an MFA in Directing (I started out as a theatre nerd), but also had some limited coding experience and a passion for computers. It didn't look like I'd be able to make a living directing plays, so I decided to combine entertainment and technology (before it was cool!) and pitched myself to Brian Fargo, Interplay's CEO. He gave me my first break. I packed up and moved out west, and I've been producing games ever since.

[JK] I loved my time at EA. I was there for almost a full decade, and learned a tremendous amount about game-making, and met the most talented and driven people, who I remain in touch with today. EA gave me many opportunities, and never stopped betting on me. I worked on The Sims for nearly 5 years, and then afterwards, I worked on console action games as part of the Visceral studio. I was the Creative Director for the 2007 game "The Simpsons", and was the Executive Producer and Creative Director for the 2009 game "Dante's Inferno".

[JK] I haven't played in a long while, but I do recall that after the game shipped, my wife and I played the retail version for some time -- we created ourselves, and experimented with having a baby ahead of the actual birth of our son (in 2007). Even though I'd been part of the development team, and understood deeply how the simulation worked, I was still continually surprised at how "real" our Sims felt, and how accurate their responses were to having a baby in the house. It really felt like "us"!

Now for some of the development and lore related questions:

[JK] So I ended up in the incredibly fortunate position of creating the shipping neighborhoods for The Sims 2, and recruiting a few teammates to help me as we went along.

Around the same time, we started using the Buy/Build tools to make houses we could save, and also bring them into each new build of the game (correcting for any bugs and incompatibilities). With the import tool, we could load Sims into these houses. In time, this "vanguard QA" process turned into a creative endeavor to define the "saved state" of the neighborhoods we would actually end up shipping with the game.

On playtesting & the leftover sims data on various lots:

Basically, we were in the late stages of development, and the Save Game functionality wasn't quite working. In order to test the game properly, you really needed to have a lot of assets, and a lot of Sims with histories (as if you'd been playing them for weeks) to test out everything the game had to offer. So I started defining a set of characters in a spreadsheet, with all their tuning variables, and worked with engineering to create an importer, so that with each new build, I could essentially "load" a kind of massive saved game, and quickly start playing and testing.

It was fairly organic, and as the game's functionality improved, so did our starter houses and families.

The thought process behind the creation of the iconic three neighborhoods:

I would not say it was particularly planned out ahead of time. We knew we needed a few saved houses to ship with the game; Sims 1, after all, had the Goth house, and Bob Newbie's house. But there wasn't necessarily a clear direction for what the neighborhood would be for Sims 2. We needed the game to be far enough along, so that the neighborhood could be a proper showcase for all the features in the game. With each new feature that turned alpha, I had a new tool in my toolbox, and I could expand the houses and families I was working on. Once we had the multi-neighborhood functionality, I decided we would not just have 1 starter neighborhood, but 3. With the Aging feature, Memories, a few wacky objects, plus a huge catalog of architectural and decorative content, I felt we had enough material for 3 truly distinct neighborhoods. And we added a couple of people to what became the "Neighborhood Team" around that time.

Later, when we created Strangetown, and eventually Veronaville, I believe we went back and changed Pleasantville to Pleasantview... because I liked the alliteration of "Verona-Ville", and there was no sense in having two "villes". (To this day, by the way, I still don't know whether to capitalize the "V" -- this was hotly debated at the time!)

Pleasantview:

Anyway, to answer your question, we of course started with Pleasantview. As I recall, we were not quite committed to multiple neighborhoods at first, and I think it was called Pleasantville initially, which was kind of a nod to Simsville... but without calling it Simsville, which was a little too on the nose. (There had also been an ill-fated game in development at Maxis at the time, called SimsVille, which was cancelled.) It's been suggested that Pleasantville referred to the movie, but I don't think I ever saw that movie, and we just felt that Pleasantville kind of captured the feeling of the game, and the relaxing, simple, idyllic world of the Sims.

Pleasantview started as a place to capture the aging feature, which was all new to The Sims 2. We knew we had toddlers, teens, and elders to play with, so we started making families that reflected the various stages of family life: the single mom with 3 young kids, the parents with two teens, the old rich guy with two young gold-diggers, etc. We also had a much greater variety of ethnicity to play with than Sims 1, and we had all new variables like sexual orientation and memories. All these things made for rich fodder for a great diversity of families. Then, once we had family trees, and tombstones that carried the actual data for the dead Sims, the doors really blew open. We started asking ourselves, "What if Bella and Mortimer Goth could be characters in Sims 2, but aged 25 years? And what if Cassandra is grown up? And what if Bella is actually missing, and that could be a fun mystery hanging over the whole game?" And then finally the "Big Life Moments" went into the game -- like weddings and birthdays -- and we could sort of tee these up in the Save Game, so that they would happen within the first few minutes of playing the families. This served both as a tutorial for the features, but also a great story-telling device.

Anyway, it all just flowed from there, as we started creating connections between families, relationships, histories, family trees, and stories that we could weave into the game, using only the simulation features that were available to us. It was a really fun and creative time, and we wrote all of the lore of Sims 2 within a couple of months, and then just brought it to life in the game.

Strangetown:

Strangetown was kind of a no-brainer. We needed an alternate neighborhood for all the paranormal stuff the Sims was known for: alien abduction, male pregnancy, science experiments, ghosts, etc. We had the desert terrain, which created a nice contrast to the lush Pleasantville, and gave it an obvious Area 51 vibe.

The fact that Veronaville is the oldest file probably reflects the fact that it was finished first, not that it was started first. That's my guess anyway. It was the simplest neighborhood, in many ways, and didn't have as much complexity in terms of features like staged big life moments, getting the abduction timing right, the alien DNA thing (which I think was somewhat buggy up until the end), etc. So it's possible that we simply had Veronaville "in the can", while we put the last polish on Pleasantville (which was the first and most important neighborhood, in terms of making a good impression) and Strangeville (which was tricky technically).

Veronaville:

But my personal favorite was Veronaville. We had this cool Tudor style collection in the Build mode catalog, and I wanted to ship some houses that showed off those assets. We also had the teen thing going on in the aging game, plus a lot of romance features, as well as enemies. I have always been a Shakespeare buff since graduate school, so putting all that together, I got the idea that our third neighborhood should be a modern-day telling of the Romeo and Juliet story. It was Montys and Capps (instead of Montagues and Capulets), and it just kind of wrote itself. We had fun creating the past family trees, where everyone had died young because they kept killing each other off in the ongoing vendetta.

[JK] You know, I have never seen The Lone Gunmen, and I don't remember making any kind of direct references with the Strangetown Sims, other than the general Area 51 theme, as you point out. Charles London helped out a lot with naming Sims, and I'm pretty sure we owe "Vidcund" and "Lazlo" to him ... though many team members pitched in creatively. He may have had something in mind, but for me, I largely went off of very generic and stereotypical ideas when crafting these neighborhoods. I kind of wanted them to be almost "groaners" ... they were meant to be tropes in every sense of the word. And then we snuck in some easter eggs. But largely, we were trying to create a completely original lore.

[JK] Well, I think we kind of pushed it with The Sims 2, to be honest, and I remember getting a little blow-back about Bunny Broke, for example. Bunny Broke was the original name for Brandi Broke. Not everyone found that funny, as I recall, and I can understand that. It must have been changed before we shipped.

We also almost shipped the first outwardly gay Sims in those neighborhoods, which was bold for EA back in 2004. My recollection was that we had set up the Dreamers to be gay (Dirk and Darren), but I'm looking back now and see that's not the case. So I'm either remembering incorrectly (probably) or something changed during development.

In general we just did things that we found funny and clever, and we just pulled from all the tropes of American life.

[JK] The alien abduction started in Sims 1, with a telescope object that was introduced in the "Livin' Large" expansion pack. That's when some of the wackier ideas got introduced into the Sims lore. That pack shipped just before I joined Maxis in 2001; when I got there, the team had shipped "House Party" and was underway on "Hot Date". So I couldn't tell you how the original idea came about, but The Sims had this 50's Americana vibe from the beginning, and UFOs kind of played right into that. So the alien abduction telescope was a no-brainer to bring back in Sims 2. The male pregnancy was a new twist on the Sims 1 telescope thing. It must have been that the new version (Sims 2) gave us the tech and flexibility to have male Sims become pregnant, so while this was turned "off" for the core game, we decided to take advantage of this and make a storyline out of it. I think this really grew out of the fact that we had aliens, and alien DNA, and so it was not complicated to pre-bake a baby that would come out as an alien when born. The idea of a bunch of guys living together, and then one gets abducted, impregnated, and then gives birth to an alien baby ... I mean, I think we just all thought that was hilarious, in a sit-com kind of way. Not sure there was much more to it than that. Everything usually came from the designers discovering ways to tweak and play with the tech, to get to funny outcomes.

[JK] Possibly we were just testing the functionality of the Wants/Fears and Memories systems throughout development, and some stuff got left over.

[JK] I can't remember, but that sounds like something we would have done! I'm pretty sure we laid the groundwork for more stories that we ended up delivering :) But The Sims 2 was a great foundation for a lot of continued lore that followed.

I once again want to thank Jonathan Knight for granting me this opportunity and taking the time from his busy schedule to answer my questions.

#BURNING LORE QUESTIONS FINALLY ANSWERED!! :D #the sims 2 #ts2 #sims 2 #ea games #ea #electronic arts #sims #the sims #strangetown #veronaville #pleasantview #jonathan knight interview #the sims 2 development #sims 2 development #sims 2 beta #I'm so glad I got this opportunity man.

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thedisablednaturalist · 1 year

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Literally all the shit rich people have turned into luxuries are stuff many disabled people need (or would need to manage their pain but can't afford it)

Comfy ergonomic chairs

Indoor pool/hot tub (therapy bath)

Massages on the regular

Aides (rich people call them servants)

Yea even a cook who makes you special meals (perfect for people with special dietary needs and for those with severe allergies, as well as people who are in too much pain or are otherwise unable to cook)

Elevators in your house (even small ones just for groceries, my rich aunt has one in her beach house!)

Rich people don't buy these for fun I hope but custom powerchairs are obscenely expensive. It pisses me off when I see another person invent "the wheelchair of the future!" Which then is literally never fucking used because none of us can afford it (and insurance definitely won't pay)

Indoor gyms or even personal exercise equipment. Hard to go out to a gym somewhere else when you're disabled, especially if you are immunocompromised

Outdoor spaces to relax in. It's literally vital for your mental health to at least see the outdoors. I'd rather be bedridden in a sunroom (with retractable blinds) than a shitty apartment with one tiny window.

There's even freaking health retreats these people go to regularly. There's a fibromyalgia retreat in new york where they basically take care of all your needs while trying different treatments and seeing which ones help. Either it's heaven or making money off of scamming desperate people who are able to scrape the money together to go.

Private planes, which I honestly think shouldn't exist, but one that specifically catered to people with disabilities (spaces for wheelchairs/other mobility devices, accessible handicapped airplane bathroom, anxiety reducing tools, trained medical personnel and care team)

Also customized cars, except instead of making gas guzzling racecars to joyride in while everyone else is trying to get to work, cars with electric ramps, lifts, doors, cars customized for someone with limb differences. Those cars where you can roll your wheelchair right up to the wheel. Fuck even self driving cars once they are no longer deathtraps.

Skincare products that are safe for sensitive skin like eczema but also actually work

Nice-looking clothes customized to fit limb differences, access points, look good in wheelchairs, colostomy bags, etc. while also being comfortable and not fast fashion.

Dental care!!! What the fuck why is this shit so expensive!! I don't want my teeth to fall out!! (Disabled people usually need more dental care bc we have a harder time keeping up maintenance)

Rich people go and splurge on all of these even though they don't need them while calling disabled people selfish for begging their insurance for even one of these.

#disability #chronic disability #chronic pain #chronic illness #fibromyalgia #spoonie #wheelchair #wrenfea.exe #i hope one day i can get even a small therapy tub #bc hot water therapy is one of the best things for my pain #and swimming is the only painless exercise i can do

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petermorwood · 6 months

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