#there's SO many unanswered questions still

[bakugoushotwife]

in my opinion, gojo’s storyline has been handled so so poorly i can’t help but think it’s intentional. it is not bad writing to kill a character—even a beloved character. i know most people will dismiss my criticisms because gojo is so beloved to me and so many others. i’ve said before that i don’t mind if he died. does it hurt? of course, and i would still cry and be sad about it. but there is a beautiful way to do it. with respect and honor for his legacy—for what he has done for your manga, the characters in it, and audiences worldwide. but no…gege chose the path of horror and disrespect. at certain points i’d say to myself, well. this is a dark manga. but essentially gojo is the only character that receives this treatment. since the beginning—since suguru left him, he’s been wondering if he mattered because he was a person, or if he only mattered because he was powerful and useable. we certainly fucking answered that question. he is a weapon and nobody ever cared about him at all!!!

and we knew he was being used—he knew he was being used, but he is selfless. so he did it for his kids. for megumi and yuuji and yuuta—he wanted them to be safe. in these flashbacks it’s exceedingly clear that he knew he would die. again—that’s not my issue. gojo dying to sukuna makes plenty of sense and it would hurt to leave it there. but to give us an afterlife scene where he’s presented a choice—north and south—that concept lead nowhere, that’s truly fucked up. to leave all the subtle clues and hints for no reason but to keep people reading and theorizing his return is fucked up. to continue to use his imagery to promote your manga when you know he’s not even honored in your manga is fucked up. we don’t get a funeral or a grave for him. no one’s spoken about him in chapters despite him fighting for hours against sukuna and damaging him so much that yuuji could win, nothing. yuuta wearing him like a costume and no one is horrified about it. i thought his students WERE different. they weren’t jujutsu society yet. that’s why gojo was their teacher—shaping them into better human beings. how am i supposed to trust in their future when it seems they’re just as cold and heartless as everyone before them? no one has honored gojo in any way since the moment he died. and they’ve forgotten about him. he spent his entire life fighting and no one can even say thank you. gege intentionally used gojo to promote the end of his manga because he knows that gojo fans make up at least half of his fanbase so had we stopped reading when he died, he would have lost a lot of traction. he baited us intentionally, cruelly, and something that transcends storytelling. i’ve truly never seen a mangaka have this sort of vitriol for one of their characters and the people that love him.

we spent the entire last chapter talking about some random fucking mission when we have several unanswered questions and concerns. i thought gege said he wanted this ending to be shocking and something you didn’t see in shonen? tying everything up neatly where no one has any trauma or grief for what they’ve experienced, everyone comes back to life except the one character you hate specifically and choso, defying your own power structures and having everyone laughing into the sunset is exactly how shonen ends so what in the fuck is he talking about??

let me disclaim, this is not megumi hate at all. i love him very much and i am so happy he’s back with the group but like. he shouldn’t be able to even walk. he tanked unlimited void for over 6 minutes whenever that length caused irreversible damage to sukuna himself. not to mention the countless black flashes. so what the fuck? he doesn’t mention gojo at all?? the first time he laughs in this manga is after he reads a note written by his dead fucking caretaker about his dead fucking father? like i don’t believe. random open ended kenjaku/suguru mention just to piss me off, an absolutely no mention of gojos sacrifice or how they’ll miss him. i’m sick to my stomach. gege defiled his memory both in the story and outside of it. wow.

P.S. SUKUNA CARED MORE ABOUT GOJO THAN ANYONE ELSE (SUGURU IS NOT INCLUDED IN THIS I MEAN HIS STUDENTS AND SOCIETY)

[writingquestionsanswered]

hi! me and my co-writer ans in the planning phase. we dont how to end out story. its an abrupt ending, when tension an high and we dont know how to pick that moment or how to create that moment. thanks!

Stuck on Cliffhanger Ending

Even if your story has a cliffhanger ending, the story still needs to follow basic story structure:

Through the setup and rising action, you make numerous promises to your reader by laying out threads and posing questions. The climax and falling action should resolve the main conflict, and the resolution allows you to tie up most of those loose threads and answer most of those unanswered questions.

Cliffhanger endings happen during the denouement, at a crucial moment when a significant question or plot component is about to be resolved. Again, you want the main conflict to be resolved and most of the loose threads to be tied up, but this particular unresolved component will be something that won't ruin the story if it isn't answered right now (or ever). Usually, the answer is just about the be revealed when something surprising, shocking, or suspenseful happens to interrupt it. To figure out a good cliffhanger moment in your story, you first have to figure out your purpose in having a cliffhanger. Are you trying to draw the reader into reading the next book? Or are you simply trying to end with a gut punch?

If you’re just looking for a gut punch (with or without a coming sequel), look for an unanswered question that doesn’t need to be answered in order for the story to be resolved. For example, maybe one of the story’s many questions was the parentage of your orphaned protagonist. If the identity of the parents isn't crucial to understanding the story, and if you've already laid out options, you could have the character in the process of finding out when someone bursts through the doors and makes an important announcement. If you're going to have a sequel, it could be an announcement that sets up the conflict of the sequel... like that the antagonist they just vanquished has escaped the dungeon and taken refuge in the mountains. If you're not going to have a sequel, you would want it to be something that doesn't ignite a new story that will never be told. For example, maybe the protagonist is just about to open a book that reveals who their parents are, and then someone bursts in and says, "You've got visitors!" When the protagonist asks who it is, the character says, "Your parents..." Those are good gut punches. They'll leave your reader reeling, speculating, and wishing for more, but you're not leaving anything crucial unresolved.

Another example would be when your characters have spent the whole book fighting and triumphing over an alien invasion, and after all of the mourning, celebrating, and rebuilding, your character goes to bed one night, turns off the light, and hears the telltale hiss of one of the aliens. Again, GUT PUNCH! Is there really an alien left alive? Is it going to hurt or even kill the protagonist? Does this mean the fight’s not over? Does it mean the fight is really just beginning? There are lots of questions, but the answer could just as easily be, “It wasn’t really an alien, it was the wind. Or, it was the air conditioner turning on.” So, you’re not leaving the actual story unresolved. Your protagonist isn’t dangling off the edge of a building when the last sentence ends.

If you’re trying to draw the reader into reading the next book, you generally want to end with a new or re-stated question… and I don’t mean a question that you literally ask. I mean a question that the reader will ask themselves based on whatever you’ve laid out. For example, the reader might think, “The protagonist defeated the evil king in this battle, but the evil king is still out there. Will the protagonist be able to defeat them once and for all?” Or, it could be a new question that’s presented during the resolution. Like, maybe the protagonist defeated the antagonist in this big battle, but at the end, during the big celebration, a message is delivered to the protagonist letting them know the antagonist has struck again, in a new place this time. And your protagonist tells another character to gather the rest of the team. The reader is left with the question, “Where did the antagonist strike and what was the result? How will the protagonist respond? What will happen next?” Again, nothing of the main conflict is left unresolved. That’s a successful cliffhanger ending. :)

Happy writing!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[moonpaw]

how can i sleep knowing one piece is gonna end in 5 years

[rainofthetwilight]

need people to look at this tweet because oh my god, FINALLY someone said it

[thehargreevesfam]

Hiii I needed to hop back on to say s4 was dogshit

[rexxdjarin]

so like…we’re getting a Rex’s Clone Rebellion series with Echo and Emerie now right? ….right?

Because surely that can’t be it????

Echo leaves with Emerie to help Chuchi on Pantora

Rex wasn’t in the finale. Neither was Gregor or Howzer.

Where is Cody? Where is Wolffe?

There is so much more to Rex’s story that isn’t finished yet and I am delulu in hoping that with may the 4th being only a few days away that they will announce Rex’s solo show.

Because his story and this storyline deserve to be told in their own show.

[cursezoroark]

afterthoughts

[the-knife-consumer]

"Yona was just added bc Nintendo wants people to stop shipping sidlink!" Literally what the hell are you talking about

[foldingfittedsheets]

Every fifth ask I get about my ask tag I’m gonna reblog one of the existing times I’ve addresses it.

[hayscodings]

i haven’t watched the entire episode yet but for a show as thoughtfully written as doom patrol i find laura’s ending half-baked if somewhat cliche. it’s exactly what i would have expected from a typical show, which seems antithetical to a series as subversive as doom patrol but i guess in the end they decided to lean into old tropes and tried and true predictability

[poebrey]

simultaneously find it fascinating that dsc s4 made it canon that both Spock and Michael were running off all the time because wow were Sarek and Amanda questionable parents and also wondering if Lake Yuron is the same shore we see Sarek meditating at when he realizes Michael is leaving because awww

[randomnameless]

@zeroabyss replied to your post “@zeroabyss replied to your post “Since I'm...”:

Yes dead. Rhea wouldn’t have given up the chase otherwise, nor is she implied to have dedicated any military force to finding him at any point innthe current days. We know they were eventually called the 10 Elites because Nemesis and the rest pretended Maurice was dead the moment he became a Beast and disappeared, and History likewise remembered it as only ten. Nothing in the game suggests Rhea thought Maurice was still out there, and she absolutely would not have let him live if she knew he was around due to knowing she made sure to hunt down the other ten.

​Bear in mind in Nopes Maurice being part of the Elites is documented, and they later became the 10 Elites (rather than 10+1) because of the "curse" associated to that Crest.

The same book suggests Maurice became "unhinged" after a battle in Gronder - so before Tailtean?

Rhea hunting the Elites is, imo, fueled by both vengeance/retribution but also by the wish to recover whatever was left of her siblings - Maurice "slained" a Holy Warrior and was still hoarding Blutgang - Rhea wants to recover relics (it's the reason behind Constance and Yuri's paralogue in FE16 and it's mentionned in Balthus'!).

Imo, even if Maurice died in a ditch, Rhea would have wanted to "recover" the relic.

So, in a way, the hunt for Maurice should have been both a hunt to rekt him - if he was alive - and a hunt to recover what was left of Bob - the Nabatean who became Blutgang.

Now, in the modern times, we know there are rumours and legends about a demonic beast in Mircea's forest, I can't fathom Rhea/the CoS not knowing a thing about it (hell, why weren't they asked to deal with this issue?) so why wasn't she taking care of him?

As Rhea the Archbishop, maybe she mellowed a bit and adopts a more "reaction" approach, if a relic pops up she will acquire it, but she won't send her people look behind every rock and box if there's a relic inside.

But as Seiros the Warrior? The same Seiros who went to war and spent around 100 years to hunt Nemesis? Who continued to hunt the Elites after Nemesis' death? This Seiros would have let Maurice escape or Bob remain in the ditch Maurice died in (if Maurice died)?

I can't see it - unless there is some event that makes her drop the "Warrior" persona and adopt her more passive "Archbishop" persona - which is what this headcanon (lycaon's death) tried to explain :

Seiros the Warrior is so gung-ho on avenging her dead siblings and "recovering" them that she cannot protect the future (Lycaon's supposed golden rule and the happily ever after ending post WoH!) and the present (Lycaon as a person? Especially if he was her kid!), so Archbishop Rhea (and her many names!) will try to oversee the present - if there is a relic around she'll recover it but she won't exclusively focus on it and won't spare attention to Momo when there are people who currently need her help right now (just like relics though, if there is an opportunity or occasion where Archbishop Rhea can face Momo or meet him, he's dead meat) - and the future - her rez Sothis plan.

[velvetjune]

I love the ambiguous ending of Alan Wake 2. This might be because I interpreted it optimistically, but the reveal that Alice is still around and has been the one helping Alan and Saga in the dark place was incredible after the despair of seeing her last video messages. and for that to lead to Alan (and the player) realizing it’s not a loop, but a spiral—that he’s not doomed to forever be trapped, but that he can rise out of this. This acknowledgment by Alan was the first step towards that ascension, rather than spiraling into further self-destruction. It might not have been a definite answer, but it was hopeful.

The Logan phone call cliffhanger was painful to end at, but for the same hopeful reasons and Saga having battled the dark place amplifying her existing doubts and anxieties, I’m choosing to believe Logan is safe! I still want more answers in the future, since multiple people are now in the dark place and characters like Mr. Door and Zane remain mysterious, but I like that this game wasn’t as clear as ’Alan escapes the dark place.’ It was an exploration of what the dark place is (to different people), being an artist, self-destruction and doubt, and so much more. Despite the first and second game both ending in the dark place, the journey and development the characters went through made a world of difference for what could possibly come next.

[andersdotters]

The interesting thing about Spina Di Rosula is that while they are an organization that seems like a force for good for the most part (despite having a mafia aesthetic), they also hire "cleaners" and set bounties wanted dead or alive.

[shima-draws]

why i have bad feeling this pokemon scarlet and violet dlc gonig to be arven or penny get kill by legendary?

Nfndnfnd WHAT there’s absolutely no way they would do that,, like a 0% chance. I will admit it was surprising to see them actually address the topic of death in the games but Penny and Arven are A. Main characters and B. Actual children, I really don’t think Gamefreak would go so far as to depict actual child death onscreen. You don’t have anything to worry about anon

[fefairys]

how many times is someone on tumblr gonna tell me “i’ll get back to u after work” and then i never hear from them again 😔