“I go to settle one cataclysmic deity conflict...
“ NOW, I have THREE MORE ELDER GODDESSES TO REGISTER-
“-when I have ONE who WON’T LET ME REGISTER HER NEW NAME AND PRONOUNS-
“-NOW there is another HUMAN BREACH I HAVE TO LOOK INTO-”
........
“...what did he just say?”
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Voice actors are NOT the same as actors.
It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.
Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.
The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.
This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.
Actors are not the same as voice actors.
And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.
I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.
People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.
Voice Actors ≠ Actors.
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I'm also so mad at Garp. Like I knew I would be. He is that kind of character. He knows that on some level the marines are bad. That they are too corrupt. He, like Koby, thought he could be a force for good, and saw the evil that pirates were doing. But that's because the marines are a lot better at hiding their evil.
He walked into Impel Down, past the tortured screams, took the elevator down past Levels 1 - 4 where even Level 1 was enough to make Vice Admiral Momonga feel sick to his stomach at the treatment of the prisoners with light sentences.
Garp then goes to a chained up Ace, who presumably went through a lot of torture, who has done much less evil than Blackbeard – the man the marines just let into the warlord club – and laughs. He berates him and Luffy for not being Good Marines like he wanted them to be. And when Ace begs to be killed, Garp just tells him nothing can stop that now, knowing ace wants to be killed there - before whitebeard can risk himself to rescue him.
And of course Ace brings up their blood and their fathers as why he and Luffy turned out the way they did. But as we see, the real reason Ace is a pirate is because Whitebeard was the only one to act like a father to him. And that role that was supposed to be GARP'S job.
Garp's belief, even when facing all of this, is that the marines are still the lesser of two evils. Or perhaps he just doesn't believe another alternative is possible. And I guess until Luffy came about, it really wasn't.
So he'll tolerate the Celestial Dragons and turn a blind eye to slavery, though he won't let himself be promoted so he doesn't have to report to them (out of sight out of mind). He'll visit Luffy and the strawhats with Koby on a friendly visit and promise not to take them in, and then attack Luffy's new ship with firepower enough to kill some of them and certainly with the goal of capturing them and putting Luffy in Impel Down. And he'll visit Ace in prison before he dies, though do absolutely nothing to help the kid he swore an oath to take in, who he already failed.
The tragedy of Garp is that he tried to do the right thing at every turn, but unfortunately was wrong every time.
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