On the MSATD News
I didn't have time to post a knee-jerk reaction (which those of you from the Downton days know I was apt to do - thank you to all my long term mutuals of my side blog for sticking with me through those days), as I saw the news as I was getting ready to head out for work and it's been… a bit of a day.
Suffice it to say… I am devastated. And my initial reaction was (well after cursing), that it should have ended with S4, but with a different (happier) conclusion. It's called Miss Scarlet AND THE DUKE for a reason. And after all that happened in S4… it really feels like… what was it all for?? Especially if they knew WHEN FILMING THIS?? "Goodbye for now" is NOT "goodbye forever." They really, really really fumbled this.
There's a lot of theories going around, and I will admit it's too hard for me to listen to Stuart's new interview, but going off what other's have said and the parts of the transcript I did manage to read… I just cannot feel like this was actually his decision unless there's something else going on with him (either in his personal life or maybe he has some secret role he's got, because supposedly he hasn't worked since he did ADR on S4). He's been the captain of the ship, and he has always been enthusiastic with discussing the show and had just great insight into playing William. It doesn't feel like he himself was ready to move onto other things (and that's not even how it's worded - some BS about how the show needed it him to be gone for ~longevity~ of the show), like I've seen with other actors are on shows (e.g. Dan Stevens). He still promoted S3 (which came out in the UK after they filmed S4), he still even promoted S4! He was an executive producer for S4!!! Nothing makes sense!
So if it's due to RN… why keep having the other characters say William was only going to be gone a year? Why bother to have the flashback? why bother to have him stay at at Eliza's to recover?? hell I'm surprised they just didn't keep in the coma then--
But really, why even bother to have Eliza write to him? Or have Ivy say what she said to her?? The time apart was supposed to be them looking at their options. They literally foreshadowed him joining Eliza at her agency upon his return. So… what happened?
If it was actually for personal reasons that Stuart left, he has a right to his privacy. But then they should have rewritten S4 to be the end then, since they knew all this time. I can't believe we are getting the full story on this, one way or the other. The more and more I think about it... I do think it was RN's doing though.
Just two nights ago I drafted up a whole meta extolling how one of the best things this show has done has been how they developed William and how he grew as a character. The progression he made as he not only accepted Eliza having a career but encouraging her. His mentorship of Fitzroy. How he came from nothing, from a teenager living on the streets, to become an inspector at Scotland Yard. But they have chosen to toss that all out the window.
Who knows, maybe S5 ends with Eliza deciding to go to New York. But it doesn't seem like they are handling this like Babington's absence in Sanditon. They will make Eliza quickly fall for someone else, and slap fans in the face who have been following their friends to lovers slow burn for five years (because we had to wait for S2 in the first place thanks to the pandemic). And what sucks is that we still got promo saying they are in love with each other. From Stuart, from Kate, from Rachael New herself. We have still gotten promo promoting the romance. Why not have them have a big fight then or something, idk. They gave us hope. And you know what Fellowes says about false hope.
So I'm just supposed to believe that William gives up on Eliza and doesn't return…? No, I cannot. As much as we hated the deaths on DA when they wrote out actors, at least those characters still died in love with their spouses. And while I'd still be foaming at the mouth in anger if they killed him off… yeah.
William's last lines of the show is a flashback including him saying "is it all worth it?" And the answer is… no it's not.
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7 from the February Nosebleed Club prompts for Jo/Egan🖤 - @lostloveletters
7. "pinky," Bucky Egan/war correspondent OC.
@mercurygray or @basilone didn't know they were collaborating with me on this but they did:)
If she’s keeping count, this is the second time Bucky Egan has acquainted his fist with someone’s face on her behalf.
That she knows of. If she’s keeping count.
Someone. William. Her William. Was. If he’s anyone’s William he’s not hers anymore, as he stumbles back, his fingers grasping at the worn, smooth wood of the bar. Rubbing his jaw as it makes a noise that curdles her stomach. He tries to hit back but he’s too stunned, too fuzzy from the beer, and Bucky just leans back and lets him miss.
His shoulders slope towards her like an aside, as he demonstrates with his hand. Behind them, the publican starts making noises, about the lack of respect, the threat of throwing them all out. It’s all true. She’s seized by a sudden flight in her feet, but he’s standing here next to her, and she doesn’t move. “See, just like I told you, gotta keep the thumb in like this-”
William runs his tongue over his teeth, his voice ragged and angry and different. “Jo.”
She opens her mouth to speak — to say, she doesn’t know what — but all John does is stand between them, the threat of more should someone dare try, the blood rushing in her ears.
The woman William had been chatting up — the one in the blue dress — the one whose name she does or doesn’t know — is gone.
And he leaves. Turns and leaves like a coward before she’s had the chance to throw the ring in his face. Not that she's one for that kind of display, but considering that her companion, tall enough that he has to watch his head for the beams, had just been moved to fisticuffs completely sober, well-
It all sounds different now, in her voice. Breaking, light. “John.”
“You alright, Captain?” he says, before he catches himself, realizes what she’s just called him. She’s not a captain tonight anyway, and maybe that’s one in her army of mistakes. Her trousers, her blouse, the medallion beneath the neckline. She wears it now instead of keeping it safe.
Is it raining outside? It smells like it will, or did, when she pushes through the door, the air thick and almost warm. He follows her out, the bike or two parked outside and a jeep. Around the side of the pub, a quiet path.
“Jo.”
What is she supposed to say? William doesn’t think she deserves to be here. William doesn’t think anything she writes is any better than anything any man with a byline could spit up. And she’d agreed to marry him. She’d thought that was ok.
And John-
The day they’d come back from the scrapped mission, the one she’d been allowed to observe. Observe. A miracle she can hardly still believe, in more ways than one. Dumb luck, more like. It still sets her heart racing, if she thinks too hard about it.
The ground beneath their feet again, and her knees knocking together and her ankles, the relief. The scarf damp against her collarbone. I knew you’d get up there, he’d said. You don’t let us tell you no. Mention how good I looked flying past you n’ Buck, alright?
Like it wasn’t a question.
“Jo, tell me you don’t think he’s got the right to do that to you.” She’s frozen, like something could wind back what just happened. Her eyes fill with tears. He sees them, she knows he does. She’s still wearing the goddamn ring. She shakes her head, the smallest noise.
"What do you want, Jo, huh?” The question moves through his whole body, his arms, his hands. He means it, every word. You want me to find him and hurt him? I’ll do it. You want me to go kill a guy, I’ll go kill a guy. I do it all the time, it’s easy. “What do you want?"
You.
It’s a shock in her chest, for the times she’s thought it before. Like a match lighting in a dark room.
Quieter now, his eyes trained on her. “What do you want?”
“You to kiss me.”
He stops. Only a second, trying to see her in the dark-dusk, against the trees and the tangled hedges, the last slivers of fading light.
She’s looking up at him, watching him, before he stoops, so close that she can feel the curls against his forehead. A breath, that shaking pause, before he presses his lips against hers. Seeking her. He doesn’t taste like the beer he hasn’t drank, only toothpaste and the smell of aftershave, and warmth, and a little sweat.
Her top lip in both of his, her hands at his jacket, her fists balled like she’ll drown.
“Easy there,” he says, the words dancing with a laugh, the complete absence of meaning it. She can’t help it, the stupid grin on her face, his hand cupping her jaw, his thumb on her cheek. The way he doesn’t stop kissing her.
The smallest stuttered noise in the back of his throat, the kind she feels in her hips. God-
“John-”
“Say that again.”
She whacks her palm lightly against his shoulder, pulls it back slow as his tongue catches at her front teeth. “Won’t push my luck on a Bucky, then-”
“Since when-” she says, and he wants to laugh again, how breathless she sounds. He’s here, he’s here, for how long, for how long- “Since when don’t you push your luck-”
He smiles against her mouth. The noise of people leaving the pub, or coming in. She straightens up, but he doesn’t pull all the way back. “If that’s all it took to get you to smile-" The back of his neck is warm under her hands, the short hair. He’s a little breathless too, the kind that stops her heart. “Am I better?”
Her lips press the soft spot against the side of his mouth, so firm she feels the gums beneath. “What do you think, Major?”
He’s beaming, here in the dark. “I think I like it when you call me Major.”
“Do you, now?”
“Or John.” He presses his thumb against her chin, her bottom lip.
“Or Bucky.”
Soft against her ear, his voice. “Or Bucky.”
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