#they just need to get together already

[alexbrecks]

Brady: No, I will not accept the call. Kristen: What? He declined my call?

[shmaptainwrites]

wtiting is so hard because like i want them to kiss but they can't kiss yet, it's too soon 😔

[flymmsy]

So if you're telling me Durge was the first person to be tadpoled, and Gortash tadpoled his parents...

Gortash not only showing up to Flymm Cobblers unannounced, despite avoiding his parents for decades in the same city, seeking revenge driven by his abandonment issues ...but give me absolutely unhinged Gortash who shows up ALSO driven by grief and loss and rage.

Give me a Gortash who is a new brand of scary. This is not the ruthless politician. This is not the arms dealer. This is not Bane's Chosen. This is something foreign even to himself that verges on madness.

He shows up at their door disheveled in a way he would never allow himself to be. He smiles wide, his only intention to harm, and laughs and laughs through the tears streaming down his face.

[bluerosefox]

"Daddy! Mommy's is having Ellie!"

Everyone in the Batfam knows Jason keeps secrets.

Secrets he'd take to his grave a second time if he had to.

But to think one of those secrets would be about the fact he had a secret family.

And the only reason the Batfam found out was because apparently their secret (grand)daughter/sister-in-law Jazz/Jasmine was in labor and their (great)grandson/nephews Danny (Daniel) and Dan (Dante) called him while on a Red Hood job with the rest of the Batfam to panicky tell him their baby sister Ellie was on the way early.

Red Hood books it away from the fam to his bike while asking to put Kori or Roy on the phone.

Oh boy.

[ruporas]

cheers to the future of humanity (and the future of us)

[ID: Digital illustration in color of Vash and Wolfwood from Trigun. The illustration takes place during the ship/home arc, specifically chapter 21. At the center, Vash is grabbing Wolfwood by the collar and pulls him into a kiss in the middle of a celebration. The pair is colored in vibrant warm hues while their surroundings are colored in cooler colors like green and teals. Luida, Brad, Meryl, and Milly are shown amongst the crowd, occupied in the celebrations as Vash and Wolfwood share a moment by themselves at the center. END ID]

[hedgehog-moss]

One mistake I made a lot when I started learning English was writing both the auxiliary and the main verb in past tense—as in, "Did the rain stopped?" My English teacher had to really drill this grammar point into my head, she was like "the point of 'did' here is to indicate past tense, there's no need for another time marker." Me, genuinely baffled: "Why not?" Teacher: "Think of the 'ed' in 'stopped' as having migrated to the beginning of the sentence and become 'did'. So it's no longer in 'stopped'." Well I was sad to see it go. I pointed out that in French you'd say "The rain (itself) has it stopped?" and 'the rain' feels welcome to stay even though the whole point of the pronoun 'it' should be to replace it in a quicker way. But it would be sad if the noun & its pronoun never got to hang out together so we keep both <3

My teacher had a British look on her face that made my middle-school self wonder if maybe she thought my language wasn't optimally designed, and then she said that in English it would feel clunky to give the same piece of grammatical information twice, and "if you use 'did' then the -ed in 'stopped' doesn't add anything." That just sounded offensive, I mean since when do letters need to add something to a sentence? isn't it enough that they adorn the end of words & frolic with the others in friendship. If it bothers you so much just don't pronounce them. Idk, "did the rain stopped" felt so right to me. In the end my teacher said that "The rain has it stopped?" with the redundant pronoun is the more formal French phrasing anyway, and I was like yeah true we'd rather say "is it that it (itself) has stopped to rain?" and I felt like this really proved my point and I think she felt the same way

[sketchy-tour]

Wanted to try my hand at a more sort of story book look! Been a minute since I made a piece like this!!!!

Oh I love these three so so much. Dandy sticks out so much compared to the primary colored pair hehe

[ecstarry]

reg finally accepting a ride home from his co-worker james but traffic is so bad it takes them an hour and a half to get to reg’s place and first they fight over james’ music taste and reg is like let me put my playlist on and james loves it and they talk and talk the entire time and don’t even notice how long it took them and after that james keeps driving reg home and eventually they make a collective playlist to listen to and finally they go out and they date for a while and one day reg goes to james’ place and realizes they live so far aways and james drove him home not because it was on his way but just because he wanted to get to know reg

[kelocitta]

In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-

Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.

To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)

And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.

Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.

The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.

They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri

[whetstonefires]

Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?

I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.

So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.

What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.

Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!

But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.

There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.

The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.

Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.

Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.

The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.

Incels, basically.

It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?

So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.

He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.

So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.

But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.

And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.

[strawberrybyers]

i truly would not be mad if nancy breaks up with jonathan and tells steve to move on. and for vickie to tell robin she’s not interested but is willing to be friends. so nancy and robin decide they need to hang out after a long day of heartbreak and throughout their convos of explaining everything that’s been going on, they realize they have feelings for each other. i truly would not be mad at that. in fact, that’s exactly what i want to happen 😌

[34saveme34]

perfect together

[epicfirestormer]

[jklpopcorn]

crying and sobbing i was supposed to draw doodles of my ocs but instead all there is is Siffrin

they're so shaped i have to draw them

also

100% :)

[caligvlasaqvarivm]

Okay challenge mode. You are a therapist and Eridan Ampora from Homestuck has just walked right out of his intro page into your office. How do you fix him?

put him and karkat in a room with a pile of stuff and tell them they can't leave until they've jumped into it and talked about their feelings

[divineandmajesticinone]

KIMI TO YUKITE SAKU (2024) I 1.04

"I, Namunosuke, will protect you for the rest of my life. Please... One more time..."

Bonus: