#they’re so tragic my heart is genuinely broken

[snakerdoodlle]

It’s nearly 2 AM and I’m literally crying over Cal and Maven rn

The way Cal defended Maven and stood by him until the very end, being the only person who still loved him despite everything. Cal hanging on to any kind of hope for his brother that he could, searching desperately for someone that could possibly help him. Cal putting off the inevitable for as long as possible, never wanting to give Maven a death sentence but being forced to by the court/Scarlet Guard with so much regret behind it. Cal knowing that it’s not Maven’s fault. Cal blaming himself for years and years for never seeing what was happening to his baby brother, and for never shielding him from his mother. Cal going to Maven’s body first when finding him and Mare. Cal burying Maven on Tuck with the hopes that maybe at last, the broken, lost boy he knew could finally have peace. He promises he’ll always keep Maven with him, he’ll never let him go, never let him be forgotten in his memories. He gave Maven a proper headstone, he made sure his brother could have what little honor he was able to offer. It also basically served as Cal’s final message. Cal will always love Maven, he will always regret what happened, he will always wish he could’ve changed things, he will always have guilt weighing on his shoulders, even if it eases with time. Cal will never abandon Maven like so many others.

And then the way Maven spared Cal the final blow, letting Cal believe he was truly gone despite it being a lie. He hurt Cal just to save him the much worse pain it’d have caused him if he knew the truth. Cal would’ve done anything to try and save Maven if only he’d known, and Maven was aware and didn’t want Cal to go through that. They both knew nothing would’ve come of it, but none of that mattered to Cal ever. He would’ve been willing to do anything.

I am so unbelievably emotional over these two brothers good god

[butchcarmy]

Pov.

Carmen comes home and hears the reader SOBBING, so he worries something terrible happened but it turns out she's just cooking and chopping onions really irritated her eyes.

LMFAOOO this is so silly. Like he’s instantly so concerned that they’re crying he doesn’t even see the onions out on the counter.

“I’m home,” Carmy calls out as he steps through the front door. The Chicago cold has him bundled up in a thick scarf and beanie, both of which he’s tossing onto the foyer table.

“Hey Carmy,” you reply, but the minute he hears you, he knows something’s off. When he sees you walking towards him, his stomach drops.

You’re hastily wiping at your cheeks with the back of your hand. There’s tears all over your face, even more raining down as you walk towards him. You sniffle, and it sounds like your nose is stopped up with snot. It sounds like you’ve been crying really hard.

“Baby, what’s wrong?” He’s immediately at your side, running his thumbs over the tear tracks on your cheeks. When he realizes that isn’t enough, he starts wiping at your face with the end of his sleeve. “What happened?”

“Oh, it’s—it was just—“ You sniffle, your tears stifling you, and Carmy genuinely feels something in his heart crack.

“Did something bad happen? Did someone hurt you?” He’s racking his memories across the past week, searching for something he must have missed. “If someone did anything bad to you, I’ll fucking—“

“Onions,” you blurt out. “It’s just onions, Carm.”

“…Onions?” He pauses wiping at your face, which has now broken into a smile.

“I was just chopping some onions for dinner tonight.” He looks over into the kitchen, and sure enough, there’s diced onions on a cutting board. “That’s all.”

“Oh.” His hands drop to his side. “Sorry, I just thought…”

“Is it bad that I kinda enjoyed that? It was really sweet. I would kiss you, but I have snot all over my face.” You’re running back into the kitchen to grab some tissues to blow your nose. Carmy trails awkwardly behind you.

“It’s been a while since I sharpened your knives. I’ll do it soon, so the onions won’t make you cry as much.”

“You really don’t have to.” You throw a snotty tissue away before grabbing another. “The onions were just particularly sad today. They were telling me the most tragic stories.”

“Well, they shouldn’t be making you cry so much,” he huffs, way too defensive for a joke about some onions, but he revels in the way it makes you laugh.

“They won’t now that you’re around.” You finish wiping your face off. “Wanna help me finish up here? If you’re not too tired, that is.”

“Sure, I’d like that. Just one thing, though.”

You don’t get a chance to ask what it is. He pulls you in for a kiss.

Stupid onions. At least it got Carm to fuss over you.

[graceshouldwrite]

4 Ways to Get Back Into Your WIP

You know when you might have taken a long break, worked on other projects, talked to other people about it, and basically did EVERYTHING to get yourself back into it, but it’s not working?

Even though you still want to LIKE your WIP and work on it? 

These tips are based on my own experience dealing with that feeling. I went through something like that for around a year, but now, I’m getting past it and returning to my main WIP more excited than I’ve been for a long time! 

1. List out WHAT you don’t like and fix it

COMMON CORE ISSUES:

Plot + Subplots? 

They might seem too (among other things):

lackluster

complex

unnecessary

confusing

You might not know how to:

develop the plots

make them believable

add the scenes you want without giving the book 800+ pages

choose scenes to cut to fit the word count goal...

Characters?

A BIG ONE: some writers try to force themselves to like X character for whatever reason (e.g. based them on a specific aesthetic, felt forced to add specific rep, etc), but they just DON’T. 

Or, maybe:

you don’t know how to develop your characters

their group dynamic is too difficult to write/doesn’t make a lot of sense

your character voices, personalities, or appearances might not be distinct enough

Prose?

You might:

want to add more humour (prose is too depressing and atmospherically dark)

want to add more gravity (prose is too comedic and romantic)

want to shift from past to present tense, want to tell story from another POV, etc. 

Organization?

OFTEN, the book’s just TOO COMPLEX with all the characters, subplots, etc. and it’s too intimidating to try to sort out all the mess that’s your WIP 

SO…

The lists I gave you are most of the big, common issues. Once they’re sorted into SPECIFIC types of problems, don’t they get less intimidating to look at? 

I know you might think, gee, Grace, these problems will take [insert comically large time frame] to solve. 

Well, if you genuinely want to like your project again and work on it, DO IT.

Slowing down your WIP finish date is worth it if it helps you get back into it. If you never get back into the project, you’ll NEVER FINISH IT. Late > never.

Heck, you might not even be too late—you might find yourself back in the passionate fever you were when you started it, and be in the headspace to write furiously :) 

I think you know how to solve these broken-down problems. Some require more sheer line-editing, while others require big executive decisions (e.g. getting rid of a character or rewriting an entire subplot/the plot). But, it will be worth it when you start to love your project again.

2. Remember why you started it 

Before each project, write a STATEMENT OF PURPOSE at the beginning of your doc to remind you why you’re writing this story in the first place. If you didn’t do this, it’s not too late to start one now! 

It could be something as close to heart as “I want to express how unrequited love feels,” or something as grand as like “I want to write a tragic allegory of the political and economic state of the world that explores human nature” (I am projecting in both of these examples, but you get it). 

Something SPECIFIC is a lot better for this than things like: “I told X this story idea and they liked it,” or “I promised to write this for X,” or “I want to tell this story just cuz.” These latter examples probably won’t fill you with passion. 

3. Listen BEYOND your WIP playlists. Look at images BEYOND your WIP aesthetics 

Many people think revisiting your old playlists / boards help, but that often contributes to the staleness!!!! 

Instead, by purposefully expanding your scope of consumed media, you open yourself up to more inspiration and ideas of where you want to take your project.  New images and new songs will give you new ideas on atmosphere, mood, scenes, and so much more. 

4. Compare your WIP to a similar book you like

You know THAT BOOK that comes to mind whenever someone asks you which book is your favourite/impacted you deeply? Think of how your book will impact readers in the same way. All the emotional turmoil and mental enlightenment That Book gave you is what YOU will give to the readers who resonate with YOUR book one day!

The author of the book you’re thinking about went through drafts, edits, and maybe even wanted to give up at some point, (LIKE YOU!) but pushed through it. Now, their book is on the bestseller list/on a bookshelf/a classic (whatever appeals to you)!  Don’t stop before YOUR book is there, too. 

∘₊✧────── ☾☼☽ ──────✧₊∘

instagram: @ grace_should_write

A LOT of this comes from personal experience; I had this mental tussle with my main WIP a while back, so I hope this helps anyone else dealing with the same problem :)

Hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated <3333

Happy writing, and have a great day!

- grace <3

[painttoolyamanaka]

consider: shino sai friendship. the autism bros.. their parallel play would be incredible

YOU ARE SOSO RIGHT ANON and even though I made a post about them already, I’m willing to say it SO MANY TIMES, they’d be incredible friends to each other.

And NOW, I have an excuse to expand on my Shino-Sai friendship ideas, thank you anon 🫶

shino 🤝 sai

younger brothers with tragically young deceased brothers who they miss a lot

I like to think their relationship really progressed after the war, when Shino learned about Torune and ROOT. He could vaguely remember the masked men taking Torune away in his place but Shibi refused to talk much about it because of the grief of losing a child. There was only one ROOT member that might have anything to tell him about his brother before he died and it was Sai.

Sai didn’t know much, but he attempted to tell Shino everything he did know. At first, it was just the basic shinobi report/rundown. Then, he talked about Torune and Fuu and their relationship from what he saw. Sai didn't know much because Danzō made sure to keep the ROOT soldiers apart but he went on a mission or two with Torune and he seemed to genuinely be a good guy, even if he was a bit withdrawn. Sai apologized for not knowing much but Shino cried and told him it was enough. Just knowing his brother wasn't completely broken-in and emotionless, that even if it was terrible, Torune still had the ability to love made him break down. Sai tried his best to comfort him through it.

And that's when they became friends. I think after that, they hung out a LOT. Sai would randomly show up in Shino's house (you know how people headcanon that Kakashi just shows up through the window. well, I think all ANBU do that and Kakashi is the only one polite enough to slam open your window as a warning. Sai and Yamato are just 🧍‍♂️ in your living room).

I think Shino never really got many guests, especially since the Aburames are like the reserved bug family, so he's absolutely delighted to have another friend over that's not his team. He can show Sai his clan's huge bug collection and Sai will not bat an eye at a giant spider in the living room. He'll probably say hello to it.

Shino, pointing at a giant spider in the corner: This is Fluffy she's very sweet but people are scared of her a lot so just don't scream and you'll be fine. Sai, internally: How does one befriend big spider? Hmm...

I also think that after the war, Sai moved from the apartment Danzō gave him and into a small house or something, as a fresh start now that ROOT was disbanded. I know in my heart that Shino is the friend you would call on to help you move.

They try their best to make everything match but then Sai’s house ends up monochrome and Ino has to step in 😭

I think a big part of their relationship is just them understanding each other. Autism parallel play is real!!

Shino can tell on some level that Sai is like him. They’re strangely similar actually, I think they resemble each other more than Sai ever resembled Sasuke, especially later in life.

Shino, standing nearby Sai, waiting for him to start a conversation:

Sai, knowing Shino is right there and waiting for him to start a conversation:

Shino: You’re just like me :)

Sometimes they’ll just talk about every niche topic under the sun, and sometimes they just accompany each other. Shino will be walking around and then see Sai following him, and then ask Sai if he wants to help him do whatever mundane thing he’s doing. And Sai will do the same for Shino.

Imagine like two baby ducks following each other around all day, that’s them.

I also think in Boruto, Shino asks Sai to teach art lessons often. Sometimes his students need a break, and other times he just wants Sai to teach for a bit, because he can see how much Sai enjoys sharing his craft.

Shino: And now a special guest for class…

Inojin and Sumire, internally: please don’t let it be dad please don’t let it be dad please

Shino: Sai!

Sai: Hello! :D

Inojin and Sumire:

(The class loves him but he is still a Dad. Very embarrassing at times, and his Dad jokes are either out of pocket or horribly cheesy)

so, YEAH, anon is very right, those two are best friends and I think they’re really close after the war! It took me sometime to make this so have a little doodle of these two trying to pick a carpet! 💖

[onlyjaeyun]

The way I’m shaking like a leaf… She cried? Oh my gosh. She really feels not so great about herself right now… Poor baby 🥺 I hope Hoon says something or does something to make it better. An offhand comment. Some amazing aftercare. Something! Oh my gosh I was literally shaking after reading. But knowing Hoon he’ll just go beat the shiz out of somebody over it.

I am very curious to see if he’ll mention it or ignore it or what. Literally I’m just so excited for what happens next.

Like I just know they’re in their head about each other. I saw your beautiful thought about the skating rink and I wondered whether there are moments when they’re together that their bodies and minds remember what it was like to hold each other. They had to trust each other so much to be partners. Know each others unspoken communication and body language and they never forgot. That’s probably why they’re so good together in bed. I just have it in my head that she looks down at him—meeting his gaze when he’s about to taste and her mind flashes back to that same face so much younger and happier. Eyes filled with affection and laughter—all for her—all about her—and it’s so painful and beautiful at the same time that she has to turn away… There’s such a tragic beauty to losing love in childhood. Your heart and innocence is just frozen there in your memories… When I tell you this chapter broke my heart…

Like I know he doesn’t want to care but I would be willing to bet in that moment, when he saw her cry, he had that same kind of flashback, you know? Her tears probably always tore him apart because her smiles were so beautiful. Maybe once upon a time it broke him to see her in pain… and maybe he hates that it still does. Maybe that’s why Jaemin had to suffer. Because he can’t (shouldn’t want to) fix what’s broken in her anymore so he settles for breaking what broke her instead.

It’s all there… you painted this incredible world filled with emotion and it’s all there and I just let myself drift in it sometimes. That’s really the magic of a truly good story with really amazing characterization like yours…

I haven’t had time to write in a long time. I miss it so much, and stories like this make me remember why. I hope you know that you really are that talented.

I really can’t wait for more. I just love this story. It’s a lovely highlight to my day. I look forward to it. When I was writing I would get anons and followers that would write me long paragraphs and daydreams about my characters and my stories and my worlds (especially The Alpha—I used to receive NOVELS about that story) They always made me smile because I knew it meant that they were as invested in the world and characters I created as I was. So I hope me sending you these daydreams doesn’t make you frustrated or uncomfortable. To me, creating a world that is rich enough to daydream in is the highest achievement. And you really have done that. Thank you so much.

STOP you know one thing i LOVE about writers who read? they just send you comments like this so casually like bestie you just wrote the most beautiful and well thought through commentaty on my work and i just wanna say i love and appreciate you so much.

i always see your comments and asks and replies and i cant lie they never fail to make me tear up. maybe its your phenomenal way with words or just the way it feels so kind and genuine but either way i just wanna say that i genuinely and truly appreciate every word you've sent my way 🥺

the fact CH is such a big part of your day is smth i will forever keep close to my heart and honestly i dont even wanna comment on your thoughts bc theyre so beautiful and ive been thinking about them so much yet have not find the right ways to reply. i love and appreciate you so, so so much i hope you know that 🥺💗

[reuinx]

Red Lights (Yelena Belova x Reader)

Summary: You've been having a tough time lately. It's Yelena's goal to brighten up your day. The day takes the form of an afternoon spent in Yelena's car teasing, laughing, and singing. It looked like the day couldn't possibly get any better until tragedy struck.

Prompt by Anon ask: “Kissing your lover’s forehead as they’re dying in your arms but reader is dying please and thank you “​

Word Count: 2,047

Paring: Yelena Belova x Reader

Warnings: Brief mention of blood (Gore kept extremely minimal), tragic accident resulting in death.

Translations:  Malishka (Baby),  Dorogoy (Love)

Masterlist

Have you ever had those days when nothing goes right? You miss the bus, you say the wrong thing, you lose your temper, and you spend the rest of the day wondering what you could have done differently? It was one of those days. Using this logic, you are faced with a dilemma - you don't want to stay at home, but you don't want to stay alone either. You tentatively texted Yelena to see if she was free; she was. Summer heat caressed your exposed arms, leaving you with sun-kissed skin. 

Despite the heat of the summer, you kicked pebbles across the ground like a child. The sound of her approaching car preceded your sight. The noise of her exhaust was followed by the blaring of Babooshka by the brilliant Kate Bush on her radio. Typical Yelena. She was driving her obnoxious yellow Ford Mustang; it was convertible. She made sure she knew that. It was her pride and joy, and she loved nothing more than it; well, she did love something more than that car, you.

Parking along the footpath, she had the roof down, and her blonde hair was flowing. While one hand was on the steering wheel, the other was hanging outside her window. In a pure white shirt, she exposed the muscles tense in her arm. Her sunglasses slowly slipped down the bridge of her nose as she peered over at you. She was undressing you with her eyes. She was chewing gum; she moved her lips slowly to match her motion.

“Still moody are we, Malishka?” Yelena called out from her car. The smile on her face was always devilish. Even though today didn't go as planned, you felt like it would be heaven on earth with Yelena.

“No”, You replied flatly as Yelena pushed her sunglasses back up to hide her eyes; she turned to face straight ahead of her as you made your way towards the car.

“I’m going to keep doing it until you admit you’re moody.”

“Keep doing wha-“ Before you could finish, She shoved her hand down on the horn as the already noisy auto began honking. Those who passed by started looking at the car with wonder. Redness flushed your face as you raced to the car.

“Yelena! Stop!”

“Mhm?”

“I’m not-“ You swiftly shook your head as the horn continued its outcry. She was stubborn, but so were you. She always won; there was no fighting with Yelena.

“I’m moody!” The moment you admitted it, she took her hand off the horn, resting her head back against the headrest as she stared up at you with a toothy grin.

“God, I hate you. You know that right?”

“Nah, you love me actually.” She was right about that. Yelena leaned across to open the door for you as you made your way to the passenger side. After entering, you shut the door behind you and automatically turned down the radio.

“Trying to go deaf are you?”

“Mhm?”

“I said are you trying to go deaf?”

“What?”

“I said- Oh forget it! Stop teasing me. I’m just looking after you!”

“What are you, my mother?”

“Feels like it sometimes, El.”

“Ha,” Yelena grumbled. Your laughter today was finally made possible because of Yelena's reaction. You were comforted by her. Talking to your person always made your worries go away. Yelena tutted and pulled your seatbelt into the latch plate as she leaned over your body, grasping your belt to make sure it was secure. Yelena put the car into gear as it began to move, the engine rumbling to life as she drove at the appropriate speed. She would never dream of speeding with you in the car.

“Do you want to talk about today?”

“No no, it was just one of those days.”

“Good, I don’t have to kill anyone...”

“No killing anyone.”

“Unless…”

“No”, You shushed her as you glanced at her with the corner of your eye; Yelena was smiling. She looked genuinely happy, which was a relief to you. She radiated happiness onto you; it was impossible to escape.

“It’s a beach day today.” The comment came from Yelena.

“Are you going to throw me in?”

“Actually… I’m still debating it.”

“What’s the pros and cons?”

“Con is that you’re pissed.”

“What’s the pro?”

“It will make you laugh.” You hadn't encountered anyone with the same kind of personality as her. Selflessness characterized her. Her heart was pure gold. Although she was tough, when her walls were broken, she became the softest person you'd ever met. It was easy to love her. She reached over for your hand; she took it in her hand before placing your hand on the clutch. To change gears, she held her hand yours, moving your hand in the desired direction. She was reluctant to let go but eventually cleared her throat to ask. Freeing your hand.

“Will you change the CD, Dorogoy?”

With ease, you opened the glovebox and located the CD binder. The 2000s saw a lot of popularity with these. Not now. Yelena's argument "It can fit so many CD's in it!" She wasn't wrong. It did. There was tons of CD's from all different genres in it. She bought CDs of the songs you played on your phone, not just the ones she liked. Even though she hid it from you, you started to notice when her binder began to fill up. You flicked through the CD’s until one caught your attention. As you saw a blank CD with writing on it, you paused. "For You" is spelled in Yelena's impeccable handwriting. While her eyes rested on the road, you turned to look at her, returning your focus to the CD. Yelena was smiling softly at you while you were busy changing CDs.

“You made this for me?”

“I did. I wanted to make you a playlist and well, there’s no Bluetooth so I did the best I can.”

“You’re too sweet. But… You do know downloading music and burning it on a CD is pretty illegal.”

“If your worrying over me downloading music, you should see what else I do” Yelena released a chuckle as the music played from the radio. You leaned over as you adjusted the volume up as the song The Chain by Fleetwood Mac came through.

“I know you like them wood people”, Yelena murmured under her breath. Suddenly, you felt the excitement in your stomach rise. What else was on this CD? We get so caught up in the big things when we fall in love with someone. The little things are always the most important. You weren't just going to sing; you were going to perform as well. As you sang at the top of your lungs, you began to sway in your chair.

“And if you don't love me now -“ Your hand clenched as if it was holding an invisible microphone as you held it to Yelena’s lips. She smiled, licking her lips as she finished the lyric.

“You will never love me again.” She sang without hesitation, and while her voice is usually harsh, it was smooth and soft this time. When you heard her singing, you burst into laughter and clapped your hands in glee. The music picked up, and your hands moved with the lyrics. You didn't miss a word. Yelena was beginning to tap with the beat of the song on the steering wheel, laughing at how passionate you had gotten.

“I could listen to you forever.”

“Unlucky for you, you have forever with me”, You chirped out as Yelena frowned, turning her head quickly to glance at you.

“Why would that make me unlucky?”

“I’m a pain in the ass.”

“True but you’re my pain in the ass” She sounded more and more sincere with every word she said. Your singing continued unabated. As soon as the next red light came on, Yelena slowed her car down to a stop. It was now possible to see the beach. You were too busy performing for nobody to notice that Yelena was watching you. When she saw you happy, her eyes glowed with childhood excitement. All she wanted was for you to be satisfied. Because you were focused on the big things like the beach, you missed the little things like how Yelena looked at you. Anyone would kill for the kind of look she gave you. Yelena’s expression suddenly changed when you looked at her, her face filled with horror. She wasn’t making a face at you but something behind you.

“What’s wrong?” Suddenly, everything went black. You lost all sense of time and purpose of self. Feeling an overwhelming sense of emptiness, you thought it overtake you. You felt alone. Yelena? Where was Yelena? Was Yelena okay? Had you fallen asleep? There was a noticeable pressure in your chest, almost as if it was being squeezed. You felt your lips tingle, and your lungs fill with air.

"Hey!" A distorted voice echoed inside your head, and you couldn't understand what was being said or even who it was?

"Wake up! Please wake up!" It was beginning to become more legible until a voice broke through the silence.

"Malishika!" Yelena, it was Yelena.

The world was blurry as your eyes snapped open. As you blinked rapidly, flashing lights obscured your view of the figure above you.

"Stay with me, stay with me please." You now knew what the pressure on your chest was; Yelena had been pressing hard and fast on the center of your chest. It was her rescue breaths that tingled your lips. The haze in your vision was clearing as you could see Yelena. It was evident from her face that she had been crying. Spikes of blood could be seen on her face as sweat ran down her forehead. It wasn't her blood. It was yours. 

In your disorientation, you did not know where you were. You were lying on the road when you suddenly remembered being in the car. Your eyes focused on Yelena's car as you tilted your head to look past her. Now you know what Yelena saw behind you. As you were sitting on the passenger side, a car ploughed straight into you through the red light. Yelena must have rescued you from the wreck. With growing dizziness and fatigue, your eyes began to flicker shut. The feeling of Yelena grasping your cheeks caused your eyes to dart open.

"Don't you dare close your eyes on me. I've lost everyone, I can't lose you too. I just can't. Please. Please don't go anywhere.. Just stay. Please just stay. I need you, god I need you. Please." She was begging you, pleading with you. The moment you tried to move, your body refused to react; you were powerless. With one hand on your stomach, she firmly grasped it. It was now clear that her previously pristine white t-shirt was heavily stained red. You felt queasy thinking that was yours.

"Hey, I'm okay. I'm okay baby. It's okay." You managed to whisper out as your voice was weak.

"It's not okay, it's really not okay. I don't know what to do! I can't stop the bleeding" Yelena's voice was firm, her jaw extending with the words she spoke as she tried to contain herself. She sobbed, her eyes flicking upward.

"It's okay, El. You can stop. Just stop."

"Don't fucking say that, don't ever fucking say that. You aren't going anywhere, you aren't. This is not a goodbye! Don't give me that bullshit. The paramedics will be here soon, they will! " She snapped.

"Baby, it's okay. It's going to be okay. Yelena? Do you hear me? "I love you. I love you so much. You know that, right?"

"I love you. God, I love you. Don't forget that, you hear me?" Yelena dipped her head down as she slowly pressed her lips against your forehead. She placed her free hand into your locks of hair as she slowly began to run her fingers through the strands of your hair.

"Baby?" She called out one last time. Your eyes locked onto her green eyes, admiring them one last time. The world around you faded to grey; the last thing you heard was Yelena's scream.

[tokoyamisstuff]

Tender Ch. 1 - Loki x Mute! Reader

Summary: Even though Loki doesn’t understand why the new member of the Avengers should be kind to him of all people, he doesn’t want you to stop either.

Warnings: Loki being depressed, the Avengers being kinda mean, mentions of Torture and Death

Words: ~2100

[Story Masterlist] [All of my Works]

All eyes were on him again.

As soon as Loki would step inside, the previously lively room would fall completely silent. Well, it’s not like he wasn’t used to being the involuntary kill-joy...

Usually, the God of Mischief craved attention, may it be positive or negative - most of the time being the latter. But lately, after months of having all those distrustful and hostile glares piercing holes into him, he’d rather wish for the ground to swallow him whole.

“Umm, so...I gotta go.” Natasha was the first one to flee the unpleasant atmosphere, not even putting the energy into mutter anything else than a cheap excuse on her way out. Clint wordlessly followed her close after, but not without shooting the Odinson one last, spiteful look.

Loki on the other hand was picking on his hands, a nervous habit he had inherited from his mother. As much as he tried to avoid meeting their eyes, the tensioned aura they were emitting making him feel close to breaking down completely - but he would never give them the satisfaction to witness this, he swore to himself.

And yet: Maybe he should just leave. Disappear, forever.

Although he’d never admit, Loki had grown very tired of his life following this stirr path, unable to diverge into a new direction. Everything he did would ultimately bring death and destruction upon mankind, inflicting fear in the hearts of all people.

His whole existence was based on being condemned to fail - just for others to reach their ‘glorius purpose’.

“Great” Tony scoffed. “Now they’re gone. Well done, prince of nothing.” Steve cut his friend off, clearing his throat very exaggeratedly.

The god still hadn’t moved from the doorframe of the conference room, while all others were already sitting on the oval-shaped table. He didn’t got what all that fuss was about. If Steve didn’t insist him to attend this emergency meeting, he’d just have gone about his usual business and avoided everyone as good as he could.

“C’mon, brother” Thor sighed, well knowing that if his brother was to stay in the team, it would ultimatively drive a wedge between them. All that pressure in the air was straining for everyone, including himself. 

Tony on the other hand was pretty chill about everything, aside of being passive-aggressive. This was probably due to their similar coping styles.

Even though his near-death-experience back when he stopped the Chitauri was still eating on his mental health, he’d prefer glossing over it with stupid jokes and overly confident behaviour. “No sassy remark today, Reindeer Games?”

Stark was leaning back in his chair, arms crossed as he rose an eyebrow on the god, who only muttered a hoarse “No...not today.”

Yeah, it was kind of his style to break the unsettling silence through puny comments or self-glorifying speeches, to distract from his own insecurity.

But right now, he was just so damn tired.

Of this planet and it’s people, as well as the humiliating circumstances he had to dwell in. The fact that he was a prisoner at the Stark Tower, amongst his worst enemies. Being forced by his brother to keep up this meaningless act, as if he’d ever be seen as a team member or ally - when in reality, he was but a slave to the people he once ought to reign.

Just like back on Asgard: Never one of them, never belonging. No way to break free - for his true self was something to be loathed.

However, first and foremost the one thing he was especially tired of was himself, for he couldn’t get out of his own skin. Not only could he never be considered a hero, let alone be redeemed.

After all the atrocities he had commited due to Thanos’ torture and the tesseract’s influence,  now that he woke up from that naive dream of power stilling the emptiness in his dark heart, there was nothing left for him - other than to be haunted by his crimes until the mercy of death would overcome him.

“Well” Steve began, slamming his palms on the desk to attract everyone’s attention. “As you all know, we are welcoming a new team member today.”

“They all know?” Of course they wouldn’t let him in on such sensitive information. Not that he minded either way - one Avenger more or less, it didn’t matter how many people hated him in here.

“Please, come on in.”

Loki cleared the entrance when he heared Tony’s words, turning around in anticipation of another dull creature like the Hulk to torment him - but his calm demeanour dropped completely at this unusual sight:

“Y-You?!”

That was simply not possible! The last time he had seen you was almost a year ago, and you were on the brink of death at that!

“For everyone that doesn’t know yet: Her name is Y/N Y/L/N. She is one of the victims HYDRA experimented on, and they succeeded in forming an artificial mutant.”

Steve went on and on explaining about your powers, but Loki’s head had already turned on autopilot, the only thing he could concentrate on being how the hell you of all people ended up here.

All these months, he was desperately trying to get any information about you, all of his hints ultimately leading him to dead ends - and in the end, tragically believing in your imminent death.

The memories were still painfully vivid in his mind: It was his first mission together with the Avengers, at a HYDRA hideout with most likely no civil survivors.

Actually, he had planned to make his escape right when the others engaged in a fight, wandering the hallways of what resembled a torture chamber rather than a laboratory.

On the walls were several instructions, about a serum that might cause a human to mutate if they were exposed to unbearable stress - pain being the most effective method, apparently.

Yet instead of finding anything useful for his personal gain, he found you: A  beautiful woman, yet emaciated and lying in a puddle of her own blood. At first he thought you to be dead just like the others - but as soon as your faint whimpers drang to his ears, he burst the cell you were trapped in open, rushing to your side immediately.

“Shh...” the god scooped you up from the cold stone floor, wrapping his cloak around your broken body. “Everything is alright now. Your savior is here.”

Loki gasped as he felt your hand stroking his cheekbone, even through all your pain and weakness wanting to bid your hero this due respect.

“Hel...you humans are such fragile creatures...” Loki muttered under his breath, cursing his own lack of talent when it came to casting healing spells. “Hang in there, look at me!”

Your eyes were teary and bloodshot, yet not less fit to bring across a message no words ever could: Incredible gratitude, and admiration.

He could tell you were close to passing out when your hand left his face, falling limp to the side. But he held you firmly in his arms, not once stopping to utter sweet words of encouragement as he made his way to the ship, leading you into safety.

“Your world in the balance, and you bargain for one man?”

Those were the words he once directed at Black Widow - but only now he understood her attempts.

Saving one person could never make up for all the lives he had destroyed - and yet he knew that for you, it would mean the world none the less.

In one way or another, with your life at his mercy, he began to finally grasp the preciousness of life, and doing everything in one’s might to protect it.

“Reindeer Games” Tony tapped on his shoulders, making Loki wake from his pondering. “I’d appreciate if you didn’t scare her away on the first day already.”

Oh.

Just now he was noticing his own grim expression, having towered over your much smaller form this whole time with furrowed brows.

“My apologies” was his firm response, but you only shook your head, trying to tell him it was not a big deal.

So this was what you looked like when you’re not imprisoned, he realized when he took in your physique.

Much to his pleasure, all of your wounds had seemingly healed, and you finally gained some much needed weight. Like this, you looked so much more healthier - and most definetly even more bewitching than he remembered you.

If people had let him know, would he have visited your sickbed, aiding you towards health again? Who knows...

Yet somehow, he dwelled in the thought of you being able to lead a happy life now that you were free - which made your decision to seek out the Avengers in wish for more battles even harder for him to accept.

“You are incredibly strong, Lady Y/N” Loki spoke firmly, everyone else rolling their eyes at his usual exaggeration - but you knew he meant every word. “Be sure of my eternal respect.” 

The God of Lies’ eyes widened in excitement when you directed a warm smile at him, knowing for sure that this one was genuine. It wasn’t like those fake smirks the other Avengers gave him out of politeness, or the mocking laughs when they were making fun of or excluding him.

No - that one was just pure affection. And it left him in awe.

“Thank you for saving me back then” you signed, just for Loki shooting you a puzzled look.

“What, I thought the all-tongue knows every language?” Tony yelled, as inconsiderate as always. Thor was quick to explain on his brother’s stead, him still being deeply invested with you. “Every spoken one, yes. ASL is not one of our fortes.”

Usually, Loki had always been a quick thinker. But right now he was to bewildered by your appearance that thinking straight was out of the question.  

What language were they speaking of? And why have you not been saying anything up until now? Maybe his presence was making you uncomfortable, after all? Should he leave on your behalf?

To make it easier for him to understand, you rolled down your turtleneck, revealing the unsighty scar that covered your whole throat.

There were not many people bold enough to come close to the God of Mischief without warning, yet suddenly you simply took his hand and slowly led it to your neck.

How could you be so naive and offer someone like him such a vital spot?! He’ll never get the human philosophy...

And yet, the flabbergasted god hesistantly let his hand run over the scar, while you opened your mouth to no avail - for 11 months already, no tone would leave your vocal cords.

“I’m incredibly sorry...” Loki whispered with a sorrowful tone, while the others just stared in disbelief. “If only I was able to heal this wound back then...”

What a puny god he was...and an even more pathetic wanna-be-hero at that...

He would try to take a few steps back, but you took a hold of his hand, squeezing it with both of yours, that cheerful smile not faltering in the slightest.

“Please, don’t be sad. I’m only alive thanks to you!” Bucky, whose cousin was mute as well, translated what you were signing for Loki. His tone sounded quite irritated, not fitting those meaningful words. “I only wanted to join the Avengers because I want to be just like you. You’re my idol!”

Those words touched him deeply, igniting a flame inside of him he thought long to be defunct. Was it hope?

Of course it was not nearly enough to pull him out of that deep, dark hole he felt trapped in for as long as he could remember - yet somehow, he now felt that it was not impossible to escape.

While the others were cringing at your declaration, making jokes about ‘choosing wrong idols’ or would plainly not believe Loki to have a positive effect on anyone, the two of you would just stare at each other in silent admiration.

Shyly, you signed yet another word for him - and this time, Loki would know what you mean from pure intuition. 

He smiled.

For the first time in what felt like forever, Loki was able to smile again, just thanks to your heartwarming welcome. And he was still blissfully unaware about what effect you could have on him, if he was brave enough to let you close.

One thing was sure: You literally had him wrapped around his finger from the very start.

[inky-quilled-dragon]

Watched No Way Home thrice in the past week and aside from re-motivating me to get back to TS:ODAFTC i just cant get over how fucking AMAZING it is.

Toby and Andrew (all the returning actors tbh Alfred was amazing) gave INCREDIBLE preformances and just looked so damn happy to be there, Dr. Strange in his weird jobless uncle era, the sly callbacks to other MCU projects (and although not nearly enough Irondad mentions there were some tony nods) Peter and MJ being couple goals and so fucking sweet, Ned IN HIS SUPERHERO ERA, every interaction being spot on perfect and realistic (particularily with the Peters^3), the themes and the consistency and the OW MY HEART and the humour is ON POINT and you can just tell the vast majority of the people who made it really genuinely love Spider-Man and all his friends and enemies

Plus: ALL THE TRAGIC PEOPLE I’VE BEEN CRYING OVER SINCE I FIRST WATCHED THE OG MOVIES WITH MY DAD THEY SAVED THEM THEY GET TO LIVE HAPPY NON EVIL LIVES AAAAAKSKAHDJAGSKSKDB AND I’LL BE HONEST THE WHOLE “SAVE THEM ALL” PLOT IS THE MOST PETER PARKER THING TO EVER EXIST AND THEY PULLED IT OFF PERFECTLY

And ya i hate the ending because yk i have a heart and that heart does not like being broken but i do get it and tbh i hate it primarily because im so worried they’re gonna completely fuck it all up down the line. It could be good, but seeing as this is the MCU im super worried.

Anyway this has no point other than being a No Way Home appreciation post. Good day to you all.

[therealvinelle]

How do you believe Carlisle feels about Esme? How would their break up go? Would he ever cheat on her? I mean like emotionally?

He loves her.

I don’t doubt that his feelings for Esme are genuine, that he respects and cherishes her and wishes to spend his life with her. Esme, too, worships the man.

My complete lack of faith in this ship comes from the fact that they’re together for the wrong reasons and not compatible. 

The Bad Beginning

Carlisle had spent centuries searching for likeminded, he never did. In the end he succumbs and starts creating his own, first Edward and then Esme, and to his joy they both agree to do the diet.

Esme’s transformation was entirely an impulse on his end. He saw this delightful, vivacious young woman he’d known ten years ago lie broken and dying in the morgue, a Jane Doe declared dead, she was all too easy to steal. She was too far gone for him to have time to think it over, and so he went «alright let’s do this. I imagine it seemed rather like God had sent her to that morgue specifically. We learn from Midnight Sun that romance wasn’t on his mind at all (even if it was, that wouldn’t make their marriage more functional) and he expected nothing of her. He bit her because he didn’t want Esme Platt to die.

Esme, of course, wakes up into this new life under surreal, heavenly circumstances. Her child is still dead - but here is the mythic, pedestaled Dr. Cullen, now her savior and more wonderful than ever. To back myself up with the books:

Esme had already been in love with Carlisle—much to his shock—but not through any mystical, magical means. She’d met Carlisle as a girl and, drawn to his gentleness, wit, and otherworldly beauty, formed an attachment that had haunted her for the rest of her human years. Life had not been kind to Esme, and so it was not surprising that this golden memory of a good man had never been supplanted in her heart. After the burning torment of transformation, when she’d awakened to the face of her long-cherished dream, her affections were entirely his. (Midnight Sun, chapter Bloodtype)

Carlisle, on his end, hadn’t had the idea at all until Edward said “Dude, she’s into you, go for it.”

I’d been on hand to caution Carlisle about her unforeseen reaction. He’d expected that she would be shocked by her transformation, traumatized by the pain, horrified by what she’d become, much as I had been. He’d expected to have to explain and apologize, to soothe and to atone. He knew there was a good chance that she would have preferred death, that she would despise him for the choice made without her knowledge or consent. So the fact that she had been immediately prepared to join this life—not really the life, but to join him—was not something he was ready for.

He’d never seen himself as a possible object of romantic love before that moment. It seemed contrary to what he was—a vampire, a monster. The knowledge I gave him changed the way he looked at Esme, the way he looked at himself.

More than that, it was very a powerful thing, choosing to save someone. It was not a decision any sane individual made lightly. (sic)

I’m not entirely void of authorial intent - I get that this was supposed to be romcom where the cute nerdy guy has no idea the girl is interested. 

But, what I see is that after centuries of being alone, never finding anybody who shared his values, Carlisle finally has these two people who share his ideals, the only two in the world. He’s had countless friends, but it never worked out because of that damn diet. But, now he has these two people, and one of them is a beautiful, kind, wonderful woman who’s in love with him.

I imagine falling for Esme was easy. It was just so perfect, simply by being Carlisle Cullen he could make her happier than any other man, and given their shared diet, he wanted her by his side always, just as he did Edward. And this was it for him, really, to Carlisle Cullen Esme might as well be the only woman in the world because she’s the only one who'll share his lifestyle. He also felt responsible for her.

I don’t at all doubt their sincerity or affection for one another.

However, they did not fall for each other for each other’s sakes. Esme fell for the ideal since childhood, and Carlisle fell because she was perfect. Stick them in an AU and it won’t happen.

The Slippery Slope

Where they run into trouble is firstly that Esme doesn’t share these ideals, nor value human life for its own sake. Now, I’m not asking her to be a saint - but over the course of these books we had some lapses that I find pretty damning. 

She wanted Edward back in Forks, when this would almost certainly mean the death of Bella Swan, simply because to Esme having Edward nearby > a person’s life. This wasn’t the case for Carlisle, he made it extremely clear he wanted Edward to leave.

During the “Kill Bella?” vote, she was in favor of whatever meant Edward would stay.

Carlisle, having failed to get anywhere with talking sense into Edward, sends him home to his mother for an intervention. What happens next is that Esme gives Edward her blessing to eat the delicious girl if he wants to. Now, we can’t know specifically the talk Carlisle and Esme had before this, but I can’t imagine it was this. Also, damn, what a miscommunication.

Esme simply doesn’t have a problem with the deaths of individual humans, and she will put her loved ones above all other things, even if it’s a minor inconvenience. Keeping Bella alive only becomes her priority after Edward makes it clear he wants this.

Now, Carlisle’s standards have been worn down over the centuries, he just wants his family to try not to eat people on purpose, that’s how low the bar is. Tragically for his marriage, Esme is stumbling over said bar.

The further trouble they run into is that I don’t think they’re very compatible people.

Esme means well, but she’s peculiar, to put it extremely nicely. Her ambition in life is to LARP the human life, right down to being a master chef of something her species can’t eat, which could be sweet if she did other things. She doesn’t, the closest she gets is designing homes for her family. There’s being single-minded, and then there’s Esme, who appears to have honed herself into someone who exists only to be the housewife.

This leads to bizarre behavior - for instance in Midnight Sun when Edward has realized he’s in love, he sits around laughing to himself like a lunatic while playing the piano. Something happens with Rosalie, who runs out of the house in humiliation. Esme, responding to all this, gives her infamous “the best and brightest of us all” pep talk.

It’s just such a weird scene, even accounting for the inhumanity of Twilight vampires this is weird.

Mostly, thought, it is Esme’s interests and desires in life that I find so at odds with Carlisle’s. She wants to be an improved human, living the shinier, better, life without actually embracing the inhumanity of vampirism, while Carlisle is doing the human thing because he wants to be a doctor and save lives. Before that, he was travelling the world, living with normal vampires, using his eternity to study and pursue meaning in life. Now, they end up in the same place, with similar goals - wanting to blend in with humans - but the motivation is the polar opposite.

Which in turn means that as the world turns and their lives inevitably change, the way they live will have to change. This will spell trouble.

There’s also me having a strong suspicion these two don’t have much of a physical relationship, if any. Meyer specifically referred to their relationship as spiritual, and that fits the vibe we get from them in the books. Quite notably, Rosalie and Emmett were impossible to be around when they were newlyweds, while Carlisle and Esme weren’t a problem at all. 

Not to mention what Esme longed for all those years was very much an ideal of a man, which to me doesn’t immediately point to a very physical attraction.

The Penultimate Peril

Would he cheat on her, you ask. Answer is yes, they’re both cheating emotionally with Edward. No. 

He’s with her because he wants to be, and feels responsible for her. More, developing the kinds of feelings necessary for an emotional affair isn’t really on the table for him, since everyone else in the world is either a. one of his kids or the Denali, b. an unrepentant man-eating demon. So, unless Tanya’s feeling frisky, Carlisle doesn’t have anybody to cheat with.

(I’m here defining an emotional affair, which as I understand it is a bit hard to define, as a romantic, but non-physical entanglement. The cheating party has to know their partner wouldn’t be cool with it for it to count in my eyes.)

As for physically cheating on her, nope. God no, not ever. Unless something really convoluted like the plot of Blue Moon unfolded, but that’s really more a case of Esme pimping out her husband to her daughter-in-law, so everyone’s to blame here.

The end

I think the breakup can happen in any number of ways, but I think either way it will be sudden. 

These two aren’t going to go “you know, I think we’ve grown apart” because Esme would never acknowledge that nevermind walk up to Carlisle and say it, and if Carlisle realized things aren’t working he’d still want to stick it out for her sake.

I think it’ll be sudden, it’ll happen as the immovable object that is them is hit by an unstoppable force. One will go someplace the other can’t follow. Maybe when the Cullen coven splits down the middle, and they’re on each their own side of the chasm, or maybe some other cause entirely.

It’ll devastate them both, but given the people these two are, I think it’s inevitable.

[smallblip]

Forever Fifteen

Levihan | Part I of Good Bones | written for Levihan Week 2021- Memory (day 6)

It’s on Ao3! https://archiveofourown.org/works/33635872

“Hello stranger…”

Hanji doesn’t have to look behind her to know who it is. Already, she’s pulling a cigarette case from the inner pocket of her jacket. She holds one out to her side, and with a brush of cold fingers against hers, it’s gone. Her heart beats out of her chest.

Oh be still! We’ve been through this before! This should be as mundane as- doing the laundry.

She turns to face him, scanning him from his nice dress shoes to the way his hair is slicked back, an exaggerated simper on her face.

“What’s a handsome stranger like you doing in a place like this?”

He scoffs. “The party’s not over yet…”

“I know…” she replies, tilting her head to get a better look at her company. “I’m just watching…”

He follows her gaze to the courtyard below the balconies, to where Jean is sitting with Mikasa. Just- talking.

“Happened right under our noses…” Hanji chuckles. Oh right… she mutters when Levi gestures for the light. There’s a little fumbling because of Hanji’s penchant for pockets, but she finds the box of matches eventually. She strikes one and holds it close to Levi. A bright little light that burns embers into the greys of his eyes. The dark circles under his eyes have made a permanent home under his skin, and there are now lines carved into the shadows. When did those get there?

As always, Levi is the first to look away.

“You wouldn’t happen to have anything to do with that would you?” He raises a brow.

Jean is now laughing at something. Levi clicks his tongue in annoyance. In the many years he has known these damned kids, he hasn’t once laughed at anything Mikasa has to say. Jean must be a fool then. Jean is a fool because he listens too well to Hanji. Listens when she tells him he should go for it if that’s what he wants. Tell her a good pickup line, swap a few jokes, share a little fruitcake. Easy.

Hanji gasps dramatically, “as Commander of the Survey Corps, I would like to remind you that I am well aware of the policy against fraternisation!”

“That never stopped you…” Levi answers. But oh it has. The people who knew them as lovers are now dust. And now the rumours speak for them, past prefixed to lovers as a way to explain the familiarity, as a way to grow the distance.

Oh it has stopped them.

“Never stopped you either… If only they knew the great Captain Levi wrote crazy ol’ Hanji Zoë a love letter in his youth…” Hanji chuckles, a little too brave so it must be the alcohol, because she feels anything but brave lately. Her laughter is a little too bright for the night. A little too beautiful and familiar that it makes Levi smile. There’s a spray of pink on his cheekbones. The thought of people knowing the details is mortifying to say the least. But no one will know. This secret will be buried in a shared grave. A cosy little grave that gets a little damp in the summer. But they’ll brave the heat. Good things happen in the sun. Good for the linens too. Just- not good enough to untether the smell of Hanji’s skin from the fabric of his sheets.

“Do you remember what was in that letter?” She continues.

He doesn’t look at her now. His gaze is fixed on Jean’s fidgeting and he thinks of his own attempts at romance. His own little love story that blossomed beautifully and died tragically as they grew older. When they were put in charge for lives outside their own. When Erwin had named Hanji the next in line for the cursed role of Commander. One last night with her. One kiss and a handshake and a- hello stranger, my name is Hanji Zoë.

Levi. He had replied, just Levi.

He remembers Pyxis’ smug little “maybe your boyfriend can help with the mission” and Hanji’s vacuous, unthinking “oh he’s not my boyfriend anymore…”. The look on Pyxis’ face had been one for the books- a genuine surprise from coming by two pieces of information. So they are exes. The rumours were true. Menacing Levi and Kooky Zoë. Levi had launched a kick at Hanji’s shin under the table. Never in Levi’s life had he wished so much for the earth to swallow him whole.

“No…”

He says. It’s not lying if she knows what he really means. If she can tell, between each drag of her cigarette, what he’s thinking.

And she can. Oh she can.

He lets the memory dance across his eyes. That night at the pub, two kids puffing out their chests so they wouldn’t rouse suspicions (not that people care much in the Underground), listening to the men sing songs about love. Oh what Levi would give be young again. To look at Hanji, really look at her for the first time and have his mind play static on loop. To realise that for the rest of his life he’ll only be mesmerised by her.

She chuckles. Another drag of her cigarette, two taps to watch the ash drip. A wink.

“We must be getting old then, Levi…” She says, “in a few years we’ll be a couple of old prunes, you and I…”

Levi smiles at her. He’s never really thought about the mechanics of growing old. But he thinks the image is nice. Of Hanji tracing pruny fingers along the length of his pruny skin where the crescent scars sit in the leather of his skin. And he’ll remind her of the time when they kids, because that’s what old couples do right? Tease each other endlessly, talk about the ambiguity of the good old days, reminisce over long walks? Levi wants the complete works. He laughs to himself, a private little joke that simmers to a murmur-

Four-eyed prune…

It’s a little later when Hanji decides maybe it’s time to stop eavesdropping and get back to the party. The musicians announce the last dance of the night. The trumpets trail after the saxophone and the sound is something grand. And Hanji asks Levi if he wants to dance, because she’s a sucker for romantics, even though she’ll never admit it. And she knows Levi is too. And Hanji thinks life must still be pretty sweet if she’s dancing with her ex lover with a sea of memories between them and the abject refusal to explicate the boundaries of exes. Because it’s hard to forget. Because it’s hard to wash your lover’s scent from your sheets. No matter how hard you scrub, no matter how much the sunlight eats at the fabric and bleaches it. So much so that Hanji thinks it’s all in her head. The smell of his skin, the taste of cigarettes on his tongue- he only smokes with her, only with her- the ghost of his breath against the shell of her ear.

And Levi’s heart is beating out his chest.

Oh be still! We’ve been through worse! We scrubbed at the sheets until our fingers were raw and pruny, remember?

But with Hanji it’s hard to catch a break. He knows. He’s dealt with this for so long that he doesn’t even flinch when she tells him-

“You’re my best friend, Levi…”

But she recognises all the signs. The slight twitch of the corner of his lips, the creasing of the skin between his brows, the sadness in his eyes so bright that she has to avert her gaze.

“Do you tell all the boys that when you dance with them?”

He answers. And she hears the rhythmic grate of the sheets against the washing board.

Forgetting is hard.

“I don’t dance with other boys…” She replies, channeling Hanji Zoë at fifteen- was it sixteen? Seventeen? Eighteen maybe? Hanji Zoë who would sneak into the boy’s barracks to make out with her boyfriend in the dead of night and scurry back under the sheets before anyone found out. “You know I like you the most…”

“Good…”

He says. And he’s Levi- a few years older than she had been, a little too curt, a little too much misplaced possessiveness, thinking to himself that maybe love isn’t so icky and banal. Thinking maybe this is what his mother had promised him. This is all that’s beautiful.

He leans his chin against her shoulder, wrestling against the caution thrown at his beating heart.

Let them talk. Let them say we were lovers in a past life. Because that’s all we are.

Hanji presses her temple against his. The familiarity is jarring in all the ways a stain is. Bright mustard yellow against white cotton, evidence of a split second stupid decision to eat on the duvet. This is a cumulation of mustard moments then- a stain so big the entire world turns yellow.

“I like you the most too…” Levi says, voice low like this is a secret. Like as if the whole of Paradis Island doesn’t already know.

Hanji chuckles, and the vibration that spreads from her bones to his makes him blush. He knocks his temple against hers. Stupid Hanji. Stupid mustard stain.

“Liar…” she laughs. The word is a breath that caresses his cheek. But she knows him- this boy Erwin collected from the underground city. He got under her skin and she proceeds to make it her job to get under his. She had greeted him with scars on his forearm and in return, she walked away with a bruised eye, a broken nose, and an epiphany. And in the years after- the good years- they do what every teenager would do-

fuck around and fall in love.

Levi pulls apart, and in that moment, his lips brush against her neck- fleeting casualness befitting a hey big idiot. It’s the hottest day in the history of mankind but I’ll brave the stickiness to kiss your sweaty neck. Befitting a lifelong stain of a crush on a stain of a human being that will never quite go away.

It’s hard to forget.

Hanji watches as Jean crosses the hall back to where Connie and Sasha are. A sheepish grin plastered on a bright red face. The two tease him endlessly and as always, Jean swats them away, trying to maintain his cool. Hanji knows nothing really happened, but his reaction can only mean hopeful possibility. She smiles.

“Hey, do you think we would’ve worked out?”

Hanji asks when they’re walking back to the barracks, her jacket concealing a few bottles of alcohol. The other bottles have found their way to Levi’s reluctant hands. They’ve been through this before. It’s okay now. After all, comfort is a stained duvet. Soon, she’ll have to bid him farewell with a goodnight, stranger. But for now, Levi answers without looking at her.

“Yeah…” he replies, matter of fact, “we’ve got good bones…”

Oh be still! Hanji feels betrayed that her heart- a wretched thing so broken- still beats the same for him- this beautiful stain of a human being. This moment is living, breathing nostalgia. What had they been before one another? Menacing Levi and Kooky Zoë. How could anything bad ever happen to them. She grins at him.

“The best…”

[theravennest]

Let’s Talk About Shang Chi...

I just got back from seeing Shang Chi and the Legend of the Ten Rings. I had a great time with it. Just a lovely experience.

The fights were dope. The music was rocking. The actors’ performances really sold me on everything. I loved all the Xianxia elements. Y’all know fantasy worlds are my JAM!

But it was the characters that really drew me in. Every one of them were pitch perfect for me. The final act got a little jumbled, imo, but the characters and their dynamics were so good that it was enough for me to completely forgive and overlook the somewhat messy final battle. 

The story had a lot of heart. It was so personal and so anchored in real emotions. I highkey fell in love with all the main characters. I love their journeys and their complex  and grounded relationships with each other. I really liked the movie’s examination of grief, loss, and pain and the lengths people will go to in the wake of being overwhelmed by those feelings.

Let’s dig into it! This is gonna be a whole discombobulated mess, I just know it. lmao

***Spoilers below the cut!***

I really felt for Shang Chi, Xialing, and Wenwu struggling to figure out how to be a family again after they were all broken in different ways by the loss of Mama Ying Li. And each one of them trying in their own way to heal from it, some to extremely destructive degrees. 

How Wenwu treated his kids after being consumed by grief and violence was so utterly messed up but in two completely different ways. 

He treated Xialing like she was anathema, like she was literally nothing. Even when they were older and she had grown into an adult, he barely spoke to her in the entirety of the movie, could hardly even look at her. Partially because she looked like her mom and he retreated utterly from the pain of that, and partially because he constantly underestimated her in favor of her brother. This, of course, seeded the resentful tension between Xialing and Shang Chi from the start.

I’m a real sucker for sibling dynamics, as you all know. They’re my favorite types of family-oriented stories. (Side note, I really love the way the MCU has dedicated several stories to sibling relationships. It’s like my favorite thing in the MCU as a whole.)

I completely ate up the harsh and tricky relationship between Xialing and Shang Chi. Shang Chi completely let her down when they were kids, for her POV. (Not really his fault, he was a scared and traumatized 15 year old. Totally understandable.) But there is something to be said about the fact that she was also a child. A child dealing with her mom’s death too AND her dad’s aloofness. Then she was utterly abandoned by her brother. It’s no wonder she never quite forgives him, even though they mostly team up in the movie. They still have a lot to work out between them.

I really loved that she took on leadership of the Ten Rings at the end. The moment Shang Chi said she was “dismantling” their dad’s empire, I knew what was up. Though, the softy in me does hope that eventually they can find true reconciliation between them. I’m excited to see what we’ll see from her in future movies as a potential enemy of Shang Chi. It’ll be really interesting to see how Shang Chi tackles having to go up against his little sister.

And Shang Chi!!! OMG! Let’s talk Shang Chi and Wenwu now. When Wenwu drop kicked him into the ground and started the blame game for Mama Ying Li’s death like bro!!! I was so heated. He was 7 years old. A whole baby! She died because your thousand years of violence and conquering shit finally came home to roost. 

But that one line when Wenwu said Shang Chi’s 7 year old self “just stood there and watched” while his mom was killed actually revealed so much about Wenwu’s character. (The cutting way Tony Leung, a literal legend, delivered that was masterful, btw.) 

I actually think that it was the first time Wenwu has ever verbalized that he blamed Shang Chi for Ying Li’s death. Like maybe he’s always felt that way and all this time he was partially punishing Shang Chi for what he thinks of as a failure to protect or help the woman who meant so much to them.

Like, yes, he was training Shang Chi to take his place with him in the Ten Rings as an assassin but maybe he also wanted Shang Chi to kill his mom’s murderer as penance for letting her die in the first place.

Of course, it’s clear to see that Wenwu was absolutely shifting his own feelings of conflicting guilt onto his kids. Guilt that his past as a warlord is what got her killed. But also guilt that he put down the Ten Rings in the first place when if he had stayed a warlord, this never would have happened. But also the bone deep knowledge that if he hadn’t put down the Rings, Ying Li might never have stayed with him and loved him in the first place.

When Shang Chi threw it back at him that Ying Li probably wouldn’t love the person Wenwu had returned to, Wenwu looked so shook up. Phew! Perfect emoting from Tony Leung in that moment.

Honestly, Wenwu was having a very tragic and confusing time of it in this movie. Which is probably how that creature from beyond was able to find a crack in his psychic defenses and lure him to the gate. I had a lot of empathy for him even though I disagree so much with what he did to his kids, emotionally.

I really respect the fact that the movie never lost that sense of compassion for all of their feelings including Wenwu. I also respect that the movie really gave them space to grieve not just the loss of Ying Li but also the resulting dissolution of their happy family.

It’s just too bad that Wenwu’s grief made him push his kids away instead of pulling them closer. He completely emotionally abandoned them. A thousand years of power and supremacy yet he was broken because he never in that time fully learned how to process his emotions in a healthier way and his kids paid the price. They could’ve leaned on each other and on the love they found with Ying Li to help them get through but alas that’s the tragedy of the movie. 

I really wanted somehow for Shang Chi to make it through to his dad before he went too far to come back again. I genuinely did not want to see Wenwu die at the end. I wanted him to live and see Shang Chi’s changing dynamic with his father continue. I wanted to see him finally acknowledge his daughter as his true heir and see her accomplishments (dark though they will likely become considering the “softer” version of her is the one that ran an illegal fight club in Macao lmao).

Though I am happy Shang Chi got through to him enough at the end for Wenwu to save Shang Chi’s life, willingly pass the rings onto his son, and somewhat accept his own death after a thousand years of life. That was such a poignant moment between them. And I wonder if in that instant, Wenwu had the thought that in dying he’d at least see Ying Li again.

(Side note: I really hope his soul and the souls of everyone that got eaten were freed when Shang Chi killed the monster. I really want them to be able to move on to the next phase of existence. I really hope they weren’t destroyed after being eaten. I want Wenwu to reunite with Ying Li even in the afterlife, gotdamnit! Sue me, I’m a romantic.)

Let’s talk Simu Liu’s performance here for one second. He was incredible throughout. I completely bought into this strange but so real feeling that while he has a lot of anger towards his father, so much hurt, he also felt a lot of heartache and love for who Shang Chi wanted him to be. And the strange desire to want to help a man who emotionally scarred him so badly.

Simu really brought both sides of Shang Chi’s journey to life. Like, he was tying to find his own path, reconcile with the mistakes he’s made in the past (his sister, killing his mom’s murderer), and facing up against his father’s ideals and expectations. But there was also a side of Shang Chi’s journey that was about finally understand both his sister and his father’s point of views, and of learning/embracing his mother’s history. 

That moment by the lake when he revealed to Katy that he had actually killed the man who killed his mother. Whew boy! The emotions were so poignant. Simu Liu played it like *chef’s kiss* beautiful.

Speaking of character choices, I really rate this decision to have him actually go through with the assassination. It puts Shang Chi in an interesting position emotionally and somewhat morally. Instead of having his breaking point be him unable to kill as his father wishes, it’s instead the feeling of guilt and shame that he actually did kill the man.

I wonder if he felt a sense of satisfaction before the disgust and shame settled in. Because Shang Chi literally watched his mom die, he probably initially wanted to help his father hunt down the man because of that bit of dark need for vengeance. Until he got it, and felt ashamed to fully face his mother’s memory afterwards.

I’m interested to see how future Shang Chi movies and Simu will dig into and unpack that little bit of darkness these events instilled in the character.

Let’s talk Ying Li for a second here. This woman was incredible. An incredible martial artist, for sure, a mystical guardian and warrior...but she was also just an incredible person in general. Mama Ying Li was so self-assured, so steadfast in her convictions. She struck me as someone who knows exactly what she wants and is never afraid to reach for it.

Fala Chen portrayed her with such grace, warmth, and strength of character. It was extremely easy to see why Wenwu fell in love with her. She met Wenwu, a literal thousand year old warlord, and through shear strength of character led him to put down his weapons and his empire to make a home with her.

This man threw away his entire shadow army of assassins, threw away his whole plan to literally demolish her village in the pursuit of power...in order to play Dance Dance Revolution with her and their kids. (The highlight of their romance and the family flashbacks, for me, tbh.) 

And I know it’s not necessarily...positive BUT there is something...hmmmm, crunchy in the fact that Ying Li so completely altered Wenwu’s life by simply loving him that when she died he was willing to raze the whole world to get her back, damn the consequences.

Trying to properly explore toxic and negative turns in previously loving family dynamics is such a difficult task to take on. I really liked the complexity of the Xu family. All the actors really sold the family side of things. It was an almost tangible thing how much you could see how the love they felt had turned bitter and painful over the years.

The final battle was epic and mind blowing (There was a fucking DRAGON flying around for gods’ sake!) but I do wish it had stayed a little more grounded for longer in the beginning of it when the Ten Rings were fighting the Ta Lo warriors. I wanted to see more of that fight before they had the turn to becoming temporary allies against the soul suckers. It became a little too much of a CGI mash, for me, in some parts of it.

Still, the emotional beats held and the core of the story of this grieving family trying to hold on to the tatters of their world stayed consistent even through the final battle. I can forgive a lot because of the strong sense of character and connection there.

Plus, it’s a comic book movie. Spectacle is the name of the game and at least this one had cool fantasy beasts and dope fight choreo. 

Anyway, I’ve rambled enough. Let’s wrap it up here. Suffice it to say, I had a wonderful time with this movie. I’m ready for the next one!

[phoebehalliwell]

on the subject of crackships.

in a prue lives, phoebeleo piperkyle pruecole paigeandy au (in which paige meets them in s1) how do u see it playing out and ALSO. do u see them all having kids still. this is so random i am so sorry (also i don't mean they have to be set from the get go and never get w anyone else but these would hypothetically be endgame)

i mean with phoebeleo like hard yes like in s2 when they're watching the baby at the end everyone's like phoebe ik you're gonna be a great mom you're gonna have like a million and one kids like mark my words and phoebe's real smitten about it like wow u really think you : ) i'd like to. guess i should probably find a guy first tho huh. but if that guy's already there bc it's leo and he's been here since season one i think they are easily first to have kids and first to get a full power of three the other three is definitely like another can of worms bc like.

okay so for paigeandy obvi we're starting andy's an old childhood friend of the halliwell's for the sake of cleanliness did not date any of them (if we're going messy tho dated prue hooked up once or twice with phoebe (not while dating prue, but neither of them ever mentioned it around prue bc well. yikes.) And piper had a major crush on andy for like. a decade. from ages 13 to 23) and he's a cop and does. stuff idk helps people and this lands him frequently in bed with social services which is. consistently. a pain in the ass. and he doesn't try to hold it against them bc they're clearly understaffed underpaid there's a lot to do but um jesus. and everyone in the precinct Hates having to go over there to do stuff bc you're just standing in the lobby drinking bad coffee for fifty minutes before you can even get a word in with the work and unlucky andy he drew the short straw ends up at social services and who should he meet there if not this gorgeous but really scatterbrained berkeley grad with a mouth like a sailor and a heart of gold and now um there's no need to draw straws at the station because andy straight up volunteers to go to social services just to see paige which she notices of course because like. were you jinxed or something? cursed? i've never known someone to draw the short straw so many times. and andy's like no i just um. like being hands on with my work i don't like leaving up to some dumb rookie with bad luck and paige is like oh don't worry i promise it is still being left to some dumb rookie with bad luck i mean i am right here blah blah blah banter conversation hint at a tragic backstory give it half a season and then it's official bf/gf shit and as far as charmed goes it's a prophecy about four sisters and the halliwells are like phew. dodged a bullet there lmao. until they do something only charmed ones could do and they're like Wait. Fuck. Is There A Fourth Sister Out There? so they find paige within the first hmm ten episodes or so.

so since we have both s1 phoebeleo and paigeandy i'd say they'd be on the fastest track but i feel like paige does have a lot more issues when it comes to getting married and having kids than phoebe does regardless i think by s4 they're married on track to have kids with pruecole we're doing the s3 introduction and the enemies to lovers arc we seal that with either a wedding at the very end of s4 or at the very beginning of s5 however kids is like. like they both want kids but prue has daddy issues and cole has mommy issues not to mention the charmed one/demon hybrid so they need to do some soul searching on that one. prue's probably pregnant by the end of s5 and has her baby halfway thru s6. paige may or may not have had kids at this point if they did they were kind of a whoopsies baby but she and andy r embracing it with open arms.

piperkyle imo is peak in a divorce/widower era it's been pitched like piperkyle au where he's not fucking insane piperkyle au where she's not brokenhearted piperkyle au where they're both normal happy people who then meet but like. nah. the appeal of them to me really is being the broken fucked up human being and feeling like you're kinda just gonna stay broken and fucked up bc you had your shot and you blew it so now you're here get used to it and then to have someone to meet someone who sees you so genuinely as you are that at first it's disgusting leave me alone i hate you but out of that just honest sight grows familiarity and comfort and before you even realized it happened love and jfc i'm in love with them???? but you realize that you're always happier when they're around you want to stay by their side and you don't even have to wonder if they feel the same because you just know they do because you Know each other and you don't have to wait for them to turn and run once they see who you really are because they know who you are they've known from the start saw the ugly the broken and vile and looked past that and saw the beauty and genuine love underneath like 🗣‼🗣‼🗣‼🗣‼. piperkyle consistently makes me insane. So. in order to hit this. we're bringing in dan. that's right, from season two to six (maybe just five but i'd like to have the pruecole arc wrapped up in a nice bow by the time we open up the next enemies to lovers) piper and dan give a relationship the old college try going from the honeymoon phase to the cringe failmarriage stage until it's eventually just time to call it quits like you literally can't move forward. so because of the delayed start piperkyle would def be the last to have kids but because this is a long slowburn full of character development and just like. vulnerable bonding moments i think that once they go official as a couple wedding and kids are not far off on the horizon i think if we close out a season (a hypothetical 9 or 10) with them getting together for the first time then we gotta burn some miles on the freak out denial stage because i always think that's funny that'll last half a season? maybe a third. and then by the end of the season we're looking at a wedding. by the end of the following season they def have a kid

superlatives!

most fashionable couple: pruecole

most likely to name their kids after dead relatives: piperkyle

most likely to break p tradition: paigeandy

most chill about dating a charmed one: phoebeleo (andy kyle & cole would all be way too willing to throw themselves into danger, leo trusts phoebe's foresight and knows when he needs to sit on the sidelines. it is a lesson all the other men still struggle with)

bonus round!

best bromance: 1st place: leoandy 2nd place: leocole 3rd place: colekyle

[cosmicjoke]

Alright, on to chapter 126 of AoT!  

I’ve been waiting to get to this chapter and talk about it a bit!

It’s, in a lot of ways, kind of the climax of the development we’ve seen between Levi’s and Hange’s character’s since the start of the time skip, and really since Hange took over as Commander of the SC.

One thing I want to talk about is Hange’s reaction at the start of the chapter, after they shoot that one soldier dead.  They’re crying, and while obviously this is in part because of the pain of having to turn against one of their own, the pain of having to choose, and pick one life over the other, this being Levi’s life over the soldiers pursuing them, when I first read this chapter some months back, my initial impression was that Hange was crying, also, because of the tragedy of the entire situation, in which both they and Levi, two veteran members of the SC, who had dedicated everything they had, from the beginning, to the salvation of humanity, were now being hunted by the very people they’d tried so hard to protect.  It’s an incredibly powerful image of Hange, their expression one of hardened determination, while a tear slides down their cheek, and it’s the next two panels, Hange going back to Levi, and telling him “There’s no one after us now.  Levi...” which really gave me the impression that their tears were for him too, for the helpless, vulnerable state Levi is in, for him being at deaths door, for the tragedy of their being betrayed by their own people, and how it’s led to this.  It strikes me as particularly heartbreaking, that Levi and Hange both were the most dedicated and selfless of soldiers for the Survey Corps, the two that in many ways most embodied the ideals of that group, to fight for and protect humanity, no matter the sacrifice to themselves.  Levi especially never expressed or conveyed any desire for himself, not even something as simple as curiosity, but fought only for the hope of one day giving humanity back it’s freedom.  I think Hange’s tears are shed here because of that, because they have to look at Levi like this now, broken, almost dead, ravaged and betrayed by the very people he fought and risked his life for again and again and again, unable to fight back as those same people now come to kill him.  That Hange had to kill two of those very people in order to protect Levi’s life is what, I think, is so tragic to them, what brings them to tears.  

Hange’s entire dialog in the forest, when they think Levi is unconscious still, reveals a lot too, I think.  They talk about how they’ll be on the run for the rest of their lives in the Yaegerist’s take control of the island, how they’ve now become “enemies of the state”, and that reflects, again, the tragedy I think Hange feels over their situation.  How it’s them specifically, them and Levi, who are now being hunted, all their previous contributions and dedication to humanity’s cause forgotten and thrown in the trash.  It’s reflected too in how we see the Yaegerist’s take up the chant of “Dedicate your hearts” twisting it to fit their own, deluded views and beliefs, perverting it until it loses all of his previous meaning.  “Dedicate your hearts” was what the members of the Survery Corps cried out in service to humanity, in service to humanity’s survival, it’s hope and freedom.  And now, the Yaegerist’s are using it as a cry for the destruction of humanity, for the eradication of everyone but themselves.  What Levi and Hange both fought for in their military service was to save humanity, they both represented that ideal in pureness and conviction, never wavering or straying from it, and so the Yaegerist’s specific persecution of them really highlights just how corrupted and perverted their own driving philosophy is.  That they wish to destroy the two soldiers who most encompassed in themselves the genuine ideal of the Survey Corps, the salvation of humanity, the desire to make a better world, a better future, a hopeful future, for the most people possible.  The Yeagerist’s want to stamp that out, and Levi and Hange are like the last, real bastions of that ideal in living, tangible form.  

I think that’s only emphasized in how neither Hange nor Levi ever consider for even a moment the possibility of giving up and letting Eren have his way.  Every other member of the SC, Armin, Mikasa, Jean, Connie, at some point, contemplated and even for a brief moment, accepted, that there was nothing they could do, and were going to stay on the island and just let the Rumbling happen.  They give up, even if only for a moment, and try to logically excuse that decision.  But Levi asks Hange in that forest, “If we keep running and hiding, what will that get us?”, and reminds Hange that he knows them too well to buy that they were ever genuinely thinking of staying there and doing nothing.  It isn’t an option, for either of them.  Inaction has never been something either of them could abide.  Levi specifically was drawn to Erwin because of his refusal to do nothing, to have the guts to make a decision, no matter the outcome, and Levi himself has always strived to act, to do the same and make a choice, and to commit to that choice fully, and accept the consequences.  So neither of them were ever going to give up, were ever going to just sit there and let the Rumbling happen.  Both Levi and Hange really affirm beyond doubt in this moment how deeply they embody the ideals and goals of the Survey Corps, to dedicate your heart, body and soul, for the sake of humanity.  To sacrifice your own hopes and dreams, even your very life, for that ideal.  It’s never even a question for them.  And them being the last two surviving members of the SC veterans, it only feels appropriate.  They were there before everything changed, when it really was just a pure and simple attempt to defeat the Titans and win humanity back their freedom, and there they remain, even after everything has changed, the circumstances, the stakes, the enemy, still fighting for that same goal, to save humanity.

I also just want to point out the look of total despair on Levi’s face when Hange asks him what happened with Zeke, and later on in the chapter, when they’re talking to Pieck and Magath.  I think Levi is burdened by a deep sense of regret here, which is something he always tries his best not to be, and it’s because he allowed Zeke to escape, which led to him making contact with Eren and setting this entire disaster off.  Levi chastises himself, saying “I screwed up.  I wasn’t able to figure out if he was truly ready to die... I let him get away again.”.  I think Levi is blaming himself for what’s happening, even though it’s really not his fault, it’s Zeke’s and Eren’s.  But Levi’s almost obsession with making choices without regret is born from, I think, a deep struggle to hold to that philosophy.  He tries so hard to believe in it, to live it, But I think Levi struggles with believing in it, with making a firm and unyielding choice, and pushing past whatever the consequences are to keep moving forward.  He’s someone who’s experienced so much pain and loss in his life, and because of that, because of those experiences and that grief, just over and over again having everything he’s ever loved and cared for ripped away from him, its made it only more of a struggle for him to carry on and not regret.  For all of Levi’s seemingly stoic, harsh exterior, it’s plain, I think, that inside, he’s in actuality the most deeply feeling, sensitive and compassionate character in SnK, and the most deeply affected character when it comes to the suffering and pain of others.  He understands it, and empathizes with it, more than anyone.  In some ways, Levi strikes me as almost brittle inside, so easily hurt, so easily moved to compassion and understanding.  He has a terribly soft and vulnerable heart. It’s why he’s so non-judgmental, too, I think, when he sees someone else struggling with their own choices, why he refuses to ever try and force others to agree with him, or convince them that he’s right and they’re wrong.  Why he tries, in his awkward but kind way, to comfort them.  Why he says again and again that he doesn’t know what is or isn’t the right choice.  Because he knows how hard it is.  Because for Levi, despite refusing inaction, and despite striving to always act and not regret his choices, he still has to live with and carry the weight of those actions consequences, the outcomes of his decisions, and he isn’t ever able to divorce himself from that, from the feelings of pain and sadness and heartbreak that comes with each loss, each defeat, each failure.  He feels too much, and too deeply, and he’ll always struggle to continue on, even as he refuses not to, even as he dedicates himself to it.  It’s precisely BECAUSE it’s hard for Levi to not regret, to keep fighting and acting, and push through his pain, that makes him so heroic.  He never succumbs to what I think are obviously real, probably at times overwhelming feelings of depression and despair.  He always keeps fighting, even as he’s drowning.  I think Levi is drowning all throughout this final arc, the waves of his sadness and struggle against feelings of hopelessness always threatening to drag him under.  But he never lets them.  He never stops swimming, never stops pushing towards the shore.  And that’s Levi’s true strength.  That refusal to give up, even when he’s filled with despair and regret.

One last thing.  I’ve never seen anyone else mention how Levi saved himself from dying when Zeke detonated the thunder spear by shielding himself with his own blade.  Levi tucked himself up against it and braced for the impact of the explosion.  If he hadn’t thought and acted quickly enough to do that, he probably would have died.  Well, just another example of Levi’s refusal to give in to hopelessness.  Anyone else probably would have.

[spockandawe]

I'll be boring and ask about xuexiao? I just can't decide if it's more fun for them to be happy or tragically canon

Xuexiao!!!!!!!!

Downsides: 

The biggest downside is that xue yang Fucked Up in a nearly-irrecoverable fashion before things could even get going, but him taking out Song Lan’s eyes was the only reason they were able to get to know each other later to begin with, and you know what, I haven’t talked about this ship in a while, and I forgot how much it hurts ;u;

Upsides: 

Literally everything. Even the massive Fucking Up. God, I just tabbed away from this and stared at my dashboard for like five minutes just thinking about everything I love about them, let me try to think about where to even begin, without just repeating my whole xuexiao tag, haha

Xiao Xingchen is horribly lonely, and deeply, quietly miserable. I want him to have a friend who is completely irreverent, teases him instead of babies him over being blind, can talk forever, and can make anything into a joke. I want him to have a friend who treats him like just another guy instead of an untouchable immortal or an object of pity. And instead of an easy mark! It’s a friendship where xue yang will casually con him into going to do chores because xiao xingchen can’t see him cheating, but where he’ll also explain the joke and tease him for being so easy to fool, and where he’ll also go out and menace the merchants who take advantage of his blindness to give him shitty goods.

(on the one hand, I live for how outraged and upset song lan is when he sees xue yang teasing xiao xingchen over being blind, but also... even though xiao xingchen is a sweetheart, I feel like one of the good ways to genuinely upset him is by treating him like he’s fragile or helpless. xue yang is maybe incredibly shameless for teasing him about it when it’s semi-partially his fault, but it also gives me feelings when I wonder about how many people over the years have been able to just treat xiao xingchen like a person)

And Xue Yang... I do also have a lot of feelings over what a novel and interesting experience it is for him to be liked. Or trusted. And on the one hand, I am positive he thinks Xiao Xingchen is impossibly stupid for trusting him in the first place, and I feel like the whole “fierce corpse” fiasco is at least partially a joke on this subject. But the fierce corpse thing stops, at some point, and Xue Yang stays. He’s a skilled cultivator, even if he has to conceal his identity, and other rogue cultivators have seemed to to pretty well for themselves in the world. But he stays here in this broken-down coffin home with this new family, and I feel completely confident in saying that he liked living there. He tried to hide the Song Lan thing so that he could keep peacefully living there. This was, very possibly, the first home he ever had where he was wanted.

Of course, there’s all that fucking up that xue yang does before he realizes that this is something he wants to preserve and keep and nurture. Which... this is a tragedy that I find very tasty, and the fucking up is an important part of that. But also, I do desperately want to see them actually work things out and struggle forward through the mess (with or without song lan, though a dead song lan really, really makes an already fraught situation extra, extra complicated)

On the tragedy front, my latest thing that hurts me so very deeply is how Xiao Xingchen’s goals and ambitions gradually... shrink over time, until all he wants is to live in this coffin home with his little family, and how Xue Yang ends revealing to him that with even these small goals and small ambitions, that for every important person in Xiao Xingchen’s life, he was either wrong about them (Song Lan) or believed them when they lied to his face (A-Qing and Xue Yang). In a situation where Xiao Xingchen doesn’t die right there, there’s so much potential in these people finding a way to express to Xiao Xingchen how much he’s loved and wanted, and for them to try not to panic in front of him, or overburden him with their needs when he seems so brittle and fragile. But we don’t get that! We get death, and this little family (+song lan) that cared about each other is absolutely shattered, and almost everyone is dead, and the only person who isn’t dead is absolutely miserable.

And it’s both so tasty and so painful just how much Xue Yang regrets things. I’ve talked at length about what he’s trying to communicate as things fall apart, and why he starts reacting badly and lashing out and trying to hurt Xiao Xingchen (*hurt Xiao Xingchen back). There were a lot of ways for things to end....  unhealthily and unhappily, but in an unhealthy and/or unhappy situation, there are ways to fix it, even if it takes time, even if it’s never the same as it was before. Instead, Xiao Xingchen ends up dead, he ends up too shattered to reanimate, and Xue Yang is forced to admit that this is a situation that can’t be fixed-- Not that he ever properly admits that, not that he ever completely surrenders, right up until the day he dies. But it breaks my heart to see him cleaning off Xiao Xingchen’s body and setting out two places for dinner, and seeing him realizing, even if he pulls himself back together and goes back to fighting despite the odds.

I honestly don’t know if I prefer the tragedy or a happy ending, because they’re both so rich in emotions that it’s almost impossible for me to choose one over the other. I do like happy endings much better than sad ones, but the book was never going to put the time into their relationship to take them past the damage that the “fierce corpse” thing did. And the tragedy that we get makes daydreaming about possible happy endings more... intense and tasty. They give me the sharpest, sharpest yearnings for them to experience Happiness, but Xiao Xingchen dies grieving and despairing, and Xue Yang stubbornly holds on, trying to find some way to get him back, until he dies too, holding onto an old piece of candy and the memory of being cared for.

They hurt me a lot, in ways that are good, but also intensely painful! There’s something about a relationship where two characters should be enemies and are enemies, but once that framing is taken away from them, they realize just how intensely they like each other. Of course, in this case, it’s setting Xiao Xingchen up for a miserable time later, and Xue Yang for a miserable time of his own after that, but it’s so deliciously bittersweet to see how happy they made each other, and how happy they could have continued making each other, if things were a little different. And, obviously, it gives me intense cravings where they somehow are given the opportunity to work through all the damage that was done, until they gradually manage to rediscover what it was about the other person that made them so happy to begin with.

[linkspooky]

hey, can you share your thoughts and opinions on dazai osamu's no longer human?(just the book and not in connection with bsd) i read it, i liked it, but i couldnt really relate to it. so im wondering if i should read the setting sun or not. what do you think abt this book?

I don’t think books really need to be relatable to be impactful, but context can help you understand it. In general my advice is the best way to understand a book is to read more books like it. Always, read more books. 

Sure, I can write a repsonse to the text though. The book, not the anime. (Ignore the picture of Dazai, he’s just there to look cute.)

The biggest and most important idea in No Longer Human (Ningen Shikakku).  The most literal translation of the title being  (人間失格)  "Disqualified From Being Human. I bring this up, because use of the character in the title has specific meaning.

人 (hito) : human, person 人間 (ningen): human Generally speaking, 人 is used for people, while 人間 is used for humans as a taxonomic classification. 

Much like English, the fact that a person is a human is usually a given, because in our world, we call those who are humane “people,” and only humans can be humane. Just like you wouldn’t usually count humans with “three humans” and say “three people” instead, the usual way to count three humans in Japanese would also be 三人 instead of 三人間.  “Human society” is 人間社会, etc.

Or to shorten  人 (hito) : human, person 人間 (ningen): human, biological.

So, there’s an extra nuannce there in the translation. The title of the book uses “ningen” as in the sense of taxonomical classification. So, it’s like saying “disqualified from being considered as a part of the human species.” 

I go this far in my intro because most consider Dazai’s work to be a response to Dostoevsky’s Crime and Punishment, (he name drops both Dostoevsky and the novel itself). Both of these novels portray society as a whole as an antagonistic force to one individual, who is considered an outsider to that same society. There’s a lot of similarities between the protagonists, both Raksolnikov and Yozo are terminally ill, show signs of mental illness, and both are characters who show incredible self-awareness and moments of self reflection while at the same time being unable to connect to the feelings or identify with the people around them in any healthy way. 

To connect back to my little rant on the translation of the title though, what could disqualify a person from being considered a human being? Well, they could commit a crime for instance. Then they’d be classified as a crimminal. 

Both protagonists of both novels are crimminals in a sense. However, that’s about where the similarities end. NLH is centrally about the main characters egoism. Society matters so little in NLH, society is just something that hangs ominously in the background to the outsider. 

Now there’s another novel by Dostoevsky that similiarly is recorded in a journal format, and is mainly about the main characters Ego.  Notes from Underground is considered to be one of Dos’s first existentialist novels. Existentialism (to oversimplify) in a sense of what does existing in this world mean? 

That’s why I say the central conflict is not with society itself, but rather within the character’s own head. The outsiders of society only exist within their own heads. Their main challenge is not to grapple with society, morality and law like Raskolnikov but rather to figure out what is inside their own heads and what they live for. 

Which is why the protagonists of both novels are terrible egoists. Their main personality trait is their egocentrism, or rather their inability or unwillingness to try to see or understand the feelings or experiences of others. They are first person narrators who only see the world from their own point of view, but they are not objectve narrators. The only thing they can see, the only thing they can relate to, the only thing they can convey is their feelings to the reader. 

F. Scott Fitzgerald writes a similiar novel from a similiar point of view in This Side of Paraidse, which shows the journey of one young man born into a rich family who grows up to not only lose the love of his life, but also to squander all his fortunes at the end of the story. However, Fitzgerald drops all pretense on what the story is about. The chapter titles are things like, the romantic egoist, the egoist considers, narcissus off duty, all the way to the egoist becomes a personage. 

The book ends like this. 

He stretched out his arms to the crystalline, radiant sky.

“I know myself,” he cried, “but that is all.” 

It’s an egoists journey to developing a personality. To way oversimplify again, ego is yourself that exists in your own head, personage is what you show to others. At the end of This Side of Paradise, the main character gains himself, while at the end of NLH the protagonist loses himself. It’s the same journey but in reverse, it’s a net loss, it’s tragic. 

NLH, This Side of Paradise, and Notes from the Underground are all about egoists who are aware of their own feelings, but aren’t aware of the feelings of others. They’re all ridiculously self absorbed individuals. That’s actually, like, the unreliable narrator trick of the novel. 

Yozo is sympathetic yes, he’s an outsider to society, but at the same time Yozo is not the helpless, miserable victim he portrays himself as. He is not the victim to a cruel society, one he comes from a place of privilege and two he becomes a perpetrator. Hence, the whole... crime and punishment allusions. It’s this added complexity to Yozo that’s what makes the book as brilliant as it is. Yozo is someone who is both victim and perpetrator, but he only sees himself as a victim and the story he tells paints him exclusively as a victim. 

But Yozo’s central problem isn’t society its himself. His conflict and greatest obstacle is always his own ego. The reason we read the book biographically, is because we see him grow up, or rather fail to grow up. As a kid he is sympathetic, as an adult he’s a pretty serial user of people. 

Yozo constantly asks for sympathy, but at the same time he’s not really one to sympathize with others. When he tries to commit suicide with a woman, he reports these events with no remorse at all. 

I removed my coat andput it in the same spot.

We entered the water together.

She died. I was saved. 

He seems real broken up about it. 

That’s also a pattern that repeats again and again with Yozo. If you want to see the real nature of Yozo’s character you should see how he treats both women and children. They exist to make him happy, to soothe his misery, and when they don’t he leaves them. 

Like, out of context. What does this sound like. 

What a holy thing uncorrupted virginity is, I thought. 

I had never slept with a virgin, a girl younger than myself. I’d marry her.

The few times we do meet outside characters we see that Yozo is someone referred to as a crimminal, but refers to himself as a victim. 

“Don’t be cheeky now, I for one have never been tied up like a common crimminal the way you have.” 

I was taken aback. Horiki at heart did not treat me like a fully human being.

If you read No Longer Human as a response to Crime and Punishment, you could even read the many women that Yozo falls into flings with and then promptly abandons as a response to Raskolnikov and Sonya. For Yozo, each woman he meets is his Sonya, they are meant to redeem him and bring him peace, and whn they don’t he leaves. Yozo someone missing the point that, Raskolnikov loved Sonya because he sympathized with her circumstances and suffering while Yozo really only ever cares about his own suffering. 

To bring the discussion back to Notes from the Underground. It’s a story divided into two parts, that really doesn’t work without the second part of the story. In the first part, as we are just fed the main character’s thoughts he looks like some kind of revolutionary philosopher. Then in the second we follow the character though a day in his life and he’s just sort of... socially awkward. He’s not some brilliant thinker, he’s just an outsider who can’t connect with others, like Yozo. The second part is necessary to underwrite the first because in the first part of the journal he looks like a champion, and in the second he’s just pathetic. He’s just some guy. Notes from the Underground also has one of my favorite lines in all of fiction. 

"They won't let me ... I can't be good!" I managed to articulate; then I went to the sofa, fell on it face downwards, and sobbed on it for a quarter of an hour in genuine hysterics. She came close to me, put her arms round me and stayed motionless in that position.

The protagonist encounters a young prostitute name Liza, he tries to save her at first, but then turns around and starts to treat her terribly and has a mental breakdown in front of her that ends in this line. She finds him pitiable, and comforts him in that moment. 

However, after this moment of comfort he then he goes back to treating her terribly once more. He yells at her, and she grows tired of him. He pays her and she leaves and that’s the end of that relationship. 

See it’s a moment that’s simultaneously, a moment of human connection, but also it shows how the protagonist regards other people and why he can’t connect to them. If you only use other people to comfort your loneliness, you’re going to end up alone either way. The same way the Narrator uses Liza, Yozo chronically uses women. 

However, at the same time. 

“They won’t let me... I can’t be good.” 

Is what I consider the most striking lines in all of fiction. It is both an avoidance or responsibility, and at the same time an utterance of the baisc human desire to be good. It's always everyone else's fault, the problem is with other people. Yet both Narrator, and Yozo want to be good people, they want to connect with others. 

Yozo and the Narrator are crimminals. They are bad people. (A person who has committed a crime isn’t necessarily a bad person but..) However, being a crimminal does not disqualify you as a human being. They are still people who are suffering. The secondary goal of a novel like Crime and Punishment is to show St. Petersburg as a city where everyone is human, and everyone suffers, good and bad people alike. Yozo and the Narrator are miserable, and there’s humanity in that misery. You don’t have to even connect to their feelings, isn’t it bad to see a person suffering? Doesn’t that elicit an emotional response because nobody wants to see other people suffering and in pain. That’s the basic humanity in these characters. Yozo and Narrator aren’t inhuman. They’re just like... normal people. They are anxious, avoidant. They are terminally insecure. They’re socially awkward. They understand themselves better than other people. Those are all just normal human sentiments shared by everyone, it’s just Yozo and Narrator are so egocentric they act like they’re the only people in the world.

Yet the same, just like the moment Liza sympathized with a man who treated her terribly and only saw her as a prostitute, people still sympathize with miserable people and want to ease the suffering of others. That’s why Dazai writes stories for miserable people.

I am writing a tired story for young readers,

not because I want to be different,

or because I am unconcerned with young readers’ tastes.

I write it rather because I know it will please them.

Young readers are tired and old themselves these days,

and my story can bring them no discomfort and no surprises.

It is a story for those who have lost hope.

                                                                       (Osamu Dazai, Of Women)

[fandomoverdrive]

Okay I just need to go on a rant about Whirl because I love him he might just be the most tragic character in the entirety of MTMTE and considering the candidates that’s a pretty hard position to cinch. Some of this is gonna have mentions re: self harm, suicidal tendencies/ideation, overall bad coping mechanisms etc so if that’s not your cuppa please scroll on. 

This gets long so here’s the obligatory read more. 

Let’s write “tragic” in flickering neon letters with the fact that Whirl’s first appearance in MTMTE, dropping the titular “how to say goodbye and mean it,” is a personal soliloquy delivered as he’s in the midst of constructing his own funeral pyre. Whirl is lost, directionless, trapped and unwilling to be such in a postwar environment. But how did we get here? 

Whirl is without a doubt a driven character. In the prewar functionist society, he had no qualms switching careers, risks be damned. Whether he’s always had a knack for disobeying authority or was simply driven by passion or both isn’t elaborated on, but he’s got a hell of a hardheaded streak that’s impossible to ignore. When destroying his business wasn’t enough to deter him from further rebellion, the Senate was happy to turn him into an empuratee and destroy not only the opportunity but the capability of continuing to rebel by pursuing his passion. This is what I’d personally consider the big ‘whump’ moment, less so the use and abuse as a pawn that followed but the point of trauma at which we begin to see Whirl’s psyche begin to twist.

From this point forward we see Whirl in and out of prison, let loose when he can be useful to someone else’s ploy and otherwise incarcerated for a buffet of offenses. No longer able to be constructive and having little if any control of his life, Whirl becomes aggressively destructive. In response to having everything he aspired toward ripped away from him, permanently, he builds a mental defense of bitterness and anger and paves over his black hole of self worth with a veneer of outright assholery. It’s here that he bares his metaphorical fangs and pushes - with gusto - anyone who might even suggest they’re trying to appeal to reason or get close to him as an individual. 

It’s hard to imagine, given even subtly different circumstances, that Whirl would not side with the decepticons for the war. While he’s single-handedly responsible for radicalizing Megatron towards violence, the ‘con intent at the start of revolution - that movement in society should be possible and a caste system based on alt mode is unethical - aligns quite nicely with what he’d already aspired to do with his life. His conscription to the side of the autobots is just another instance in which his autonomy is cast aside. 

Whirl is a tool. Whirl had a passion for watchmaking, but now he can’t, so his new passion is violence. Whirl is a gun and someone else has always told him where to point and all he’s ever been given for his cooperation is the blame of pulling the trigger. Whirl is an asshole, Whirl is unpredictable, Whirl isn’t a mech anybody would ever think twice about saving - the answer would always be no. Whirl wants to die. Whirl only wants to die on his own terms and he’ll be damned if he’s going to keel over under the orders of someone he doesn’t respect, for a cause he doesn’t believe in. 

A few years of this sort of treatment would be enough to drive anyone insane, let alone the millennia of warfare he suffered through. Worse yet is the one time he found a group, a team that was known for the unorthodox and taking on the big messy challenges, the Wreckers kicked him out. Whirl was too much for the mechs that were too much and there’s no way in hell that doesn’t still sting. 

That’s how we get here:

Whirl defends himself through isolation from others. He can’t be hurt by others if he never lets them close enough to be hurt by. In a hypersocial society, he has no close long-term friends, he is one of the few with no roommate aboard the Lost Light. He made himself as unpalatable as possible. He’s crass, he’s volatile, he makes it clear with every word and action that Whirl is first, you don’t mean anything, I’d leave you for dead in an instant..... But that’s not true, is it? 

Whirl is shown being completely, dramatically, self-destructively caring throughout the series. Between risking his life for the scraplet colony disguised as a protoform, participating in an untested spark jumpstart to save a life, coming up with a plan to rejuvenate Tailgate’s spark, and performing a spark transplant surgery on Megatron - without whom the world would never have been even a fraction as cruel to Whirl as it had been - Whirl is far from the most selfish character in the series. It’s in his nature, however, to deny such, to the point where he more than likely believes his own narrative that he’s irredeemable, self-absorbed, invincible, degenerate, and neither capable nor deserving of close interpersonal relationships. 

It’s also how we get here:

Whirl is one of the characters that we more frequently see in a state of disrepair. He fights passionately and recklessly, with no regard whatsoever to whether or not he makes it out of a scrum with all his limbs intact. Injuries like these, and those that he experiences elsewhere in the series, would put other mechs out of commission through pain alone, but as long as Whirl is conscious he doesn’t stop until the fight is over. 

As depressing as it is to think that Whirl is simply at this point accustomed to extraordinary pain, it’s even moreso to think about the more likely concept that he wants to be hurt. Whirl doesn’t have control of a lot that happens to him, but do you know what he does have control of? Who he chooses to shit-talk. More often than not we see Whirl being blatantly disrespectful of his superiors, and some of the more dangerous mechs aboard the LL. While obviously his intent when insulting Ultra Magnus isn’t to start a fight, harping on Drift (and subsequently getting cold clocked) or Cyclonus is a little more self-destructive in nature. 

While Whirl has been in therapy, we see during the encounter with Fort Max that he’d shared very little of what he actually considered traumatic with Rung. With no material to work with, Rung wouldn’t have been able to give Whirl instructions or advice as far as a healthy coping mechanism, and so I’m firmly of the belief that Whirl goes out of his way to get himself hurt as a way to have a vague sense of control. 

On his actions and guilt:

Whirl is immensely guilty. When he’s overcharged, he admits that everything feels like his fault - and unfortunately a lot is. Whirl believes he’s the bad guy, and he’s willing to take the fall for actions that others might find immoral. There’s a lot Whirl has done that he’ll likely never forgive himself for, even if he garnered the ability to start forgiving himself for the small things, but the character he’s created for himself has been part of him for so long that it’s near impossible to tell where to draw the line between caricature and his genuine self. 

At this point in time, Whirl is not capable of improving himself without external assistance. 

He has accepted (however wrongfully) that he is not cared about, trusted, wanted, or respected. 

His assumptions become self-fulfilling prophecy as he - consciously or not - works to perpetuate his image. Whirl is a dick, he’s unfazed by anything anyone says about him, if someone is insulting him they’re probably right, why bother arguing unless it’s with the intent to get in a fight? He doesn’t pay attention to others, he doesn’t pay attention to himself, nothing that anybody could say could possibly make a difference. 

Right? Right?

Wrong. Part of what makes Whirl so heart-wrenchingly tragic is that it is so incredibly clear that nobody has ever told him he mattered. Rodimus throws out what could be interpreted as a snide remark, “even the crazy bastard makes a difference,” and that aside sticks with him. Millions of years of warfare, of being a tool to use, an expendable soldier, a rabid dog to throw at their enemies, and not once did someone turn around and say he was anything good. He’s been thanked for saving lives, for contributions, for individual acts, but his reaction to Rodimus really cements in my mind that nobody has ever said that he, that Whirl, was important. 

Whirl is a broken character. He’s subsumed by his own self-hatred that he perpetuates and justifies with a mask of cruel indifference and aggressively abrasive snark. He’s alone, by what he thinks is his own choice but is really a horribly misguided attempt to keep himself safe. He’s got no potential for growth unless someone wants to force their way through his defenses in order to help him find the line between who he is and who he pretends to be in order to keep from being hurt. Whirl is terrified of abandonment, and guarantees that nobody will ever be able to leave him by never letting them come close to begin with. He’s not a good person, he’s violent and callous and has little regard for the consequences of his actions, but he is that way because of the life he was forced to lead. He falls into consistent patterns because he craves control, even if those patterns are self destructive. It’s proof of the little growth he was allowed during the course of MTMTE/LL that after their quest was over, he didn’t attempt suicide again but instead got into the revolving door of incarceration for petty offenses. 

All in all, Whirl is one of the saddest characters in any media I’ve consumed and please someone get this despicable bastard helicopter a new therapist and a stiff drink