#things I think about to cope

[starcurtain]

Another Haikaveh Fanfic I Want to Read

The Deshret reincarnation one, but the twist is that Alhaitham has known he's Deshret from the time he was tiny. The story isn't about how he regains his tragic lost memories of being the desert king--it's about how he does everything he possibly can to avoid having to do that job again. Forming some grand ambition to achieve power? Nope, not doing that. Seeking the means to overthrow Celestia via forbidden knowledge? I'll pass. Becoming a main character? Absolutely not. Al-Ahmar Al-haitham is going to live a peaceful life this time, thank you. He's going to study a basic subject (his own language), get a basic desk job, find himself a basic little house, and somehow convince the perfect perfectly-mortal guy he went to school with to marry him--

Destiny, of course, finds him anyway. (Really, Rukkha, really?) The Akasha is turned on the people, the sages seize control, and does this upstart baby deity ("Shouki no kami," pffft, like who even are you, kid?) think he actually has a snowball's chance in the Mare Javari with the minds of two of Sumeru's real god-kings set against him?

At least at the end of all this, with the nation of wisdom saved and Kusanali in charge as she is very welcome to be, Alhaitham can still go home and be normal with his Very Normal™ roommate!

("Alhaitham, listen... I know this isn't the best of times, but there's something I've been meaning to tell you. I'm not exactly... who you think I am...")

[clovreat3r]

Made in the Image of Bill

Closeups of the quality gets roasted (just like bills family) ->

[poorly-drawn-mdzs]

I want it back / I drag its dead weight forward.

[harmonictechnicality]

It’s the way Steve places a pin in that damn map of Hawkins. Two fingers, muddy knuckles. Fuck if Eddie knows the actual destination because all he can navigate is the curve of Steve’s index finger as he smooths out the edges of the map.

And it’s stupid, right? Because the world is folding in on itself and he’s looking at a guy in the kind of way Victorian novelists would only describe as ‘longingly.’ It’s objectively stupid. Probably some adrenaline bullshit that a doctor could explain with a brain scan.

The rest of the group has scattered, plotting amongst themselves. Pulling plans out of their asses. Finding layers of courage behind clues and cassette tapes.

Eddie should do that too. Plan. Make decisions. Do anything other than stare at the dirt underneath Steve’s goddamn fingernails.

“Please blink, Munson.” Steve says while clearing his throat. He’s been doing that a lot. Which is, like, understandable after coughing up lake water all night long.

He clears his throat again. “Show sign of life before I ransack the supply bag for that shit you call music.”

“That… shit?” Eddie spits out the words. Briefly forgets his swirly Steve feelings because of the fucking audacity on this guy. “Rightrightright, because Bob Seger is so fucking dignified, huh?”

“Uh-oh.” Dustin murmurs behind him.

“Because Old Time Rock and Roll is the highest ranking of ear candy?” Eddie searches through their duffel bag until he finds Steve’s Vecna Saftey Tape. Waves it around wildly as he speaks. “Forgive me. I didn’t know entry-level chord progressions were considered Carnegie Hall worthy these days. But by all means, call my music shit.”

He throws the tape at Steve’s lap before dropping back down to his seat on the couch.

“Well,” Steve smirks. “At least we know if the music won’t wake you up, mocking it sure as hell will.”

“Guys. Focus.” Nancy steps into the center of the room. Everyone nods, even Eddie. They listen intently to her directions. Henderson doesn’t interrupt her, not even once.

Nancy’s entire demeanor is charged with currents of determination. It’s honestly impressive. Truly. She could convince congress to change the fucking constitution if she wanted. Have the supreme court eating out of her palm with how persuasive she can be.

And the only thing that distracts her, is the same thing distracting Eddie.

Two fingers. Muddy knuckles.

Eddie follows her gaze back over to Steve. Her expression softening when she sees him.

It’s cruel and expected. Cruel that Eddie has to witness such softness, knowing exactly how it feels. Expected because wedding bells can practically be heard every time those two interact with each other. No one can deny that.

But knowing all this doesn’t stop the cruelty from squeezing Eddie’s stomach till his insides feel raw.

He swallows down his flimsy fantasies. Keeps repeating those words from back in the woods:

It’s jealousy, it’s jealousy, it’s jealousy, it’s-

“Hey, man.” Steve says.

Man? Not ‘Nancy, my betrothed?’ Not “Nancy, my muse?”

… Man?

Eddie blinks. Glances up to see Steve looking at him. “Your taste in music isn’t complete shit.”

Which isn’t exactly an apology. But the teasing scratches an itch in Eddie’s brain that he hasn’t be able to reach for a very long time.

“Yeah.” Eddie says. “I guess Bob Seger’s stuff is… intermediate. Assistant managerial-level chord progressions.”

He pauses. Then leans in and adds a quick, “At best.”

They both laugh a little. It’s cut short by Steve clearing his throat again. One of the many reminders that they’re not well.

That nothing they’re going through is fair. Not even in the same universe as Fair. Eddie’s eyes fall to the red markings around Steve’s neck. Wonders if that makes his cough hurt worse.

“Look.” Steve nudges Eddie’s arm. Pulls his attention back into this moment. “We’ve got this, okay?”

Eddie can’t exactly tell if there’s softness in Steve’s eyes - the same kind Nancy gives to him so freely. Or if it’s just regularly scheduled Concern. But it doesn’t even matter because Steve said that.

We.

‘We’ve got this.’

Him and Steve.

And, okay, was Steve referring to a collective ‘we?’ Sure, yeah. Obviously. But Eddie is allowing himself to wallow in delusion while the world’s expiration date remains questionable.

So he aims a lovesick smile at Steve and sighs. “Whatever you say, Harrington.”

[aq2003]

has anyone gotten the idea that odysseus' storyline in hades 2 is a depiction/exploration of trauma over his SA and how he's blaming himself for things that were out of his control? because that's the impression i'm getting from what i've seen. he talks about "goddesses" as his "greatest weakness" and that "he's not one to say no to them"...

when mel invites him to the bath, he brings up mortals having different standards for intimacy than gods and how it usually has a more romantic/sexual connotation. she then asks if he's uncomfortable and he has a startled reaction and brings up circe and calypso again (but never actually by name)

(this isn't ship/romance bait btw. odysseus knew mel as a kid and they're stated in-game to have a sibling/uncle-niece relationship)

also he grew apart from penelope after his return, but the game makes a point of showing that his love for penelope and telemachus is what drove him on at all so that element of his character isn't brought into question

[gabrielsbubblegumbitch]

Valentino making a lot of assumptions about Vox's life as a rich white guy and joking about Vox having an amphetamine-addicted wife who poisoned him for being such a bastard. Vox being unable to tell him that he was the amphetamine-addicted wife stuck in the kitchen.

Follow up to this post

[bethanysmiled]

Here, in this moment.

[konigsblog]

crazy, how the majority of my haters are either hypocrites, or are just straight up LYING. lmfao, i've written rape before and i apply appropriate warnings, but i've never ever written PEDOPHILIA. 😬

their username on tumblr is @asgardswinter, they have continuously mentioned me on their blog. it's literally creepy and clearly obsessive, lmfao, and lying about me writing pedophilia is real fucking weird considering they don't apply any further context or include any evidence to back up this claim...

i'd appreciate it if you reported their twitter account or blog for like harassment 😮‍💨

[turtleblogatlast]

Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.

Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.

So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.

In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.

Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.

It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.

Unfortunately, levity alone does not alter reality.

[athousandbyeol]

i can't stop thinking about this scene.

it was so light-hearted. sheng wang was all-smiley after finishing (perhaps multiple rounds) of revising and studying. but the lively atmosphere simmers down into this thick and stifling tension once jiang tian opens his closet.

honestly, if i were sheng wang, i would have so many questions too. why is he packing? is he going somewhere? but where? so, whatever sheng wang is thinking or feeling at the moment is valid (to me, at least, it is.)

i think it has so much to do with sheng wang's expression here (liu dong qin, the actor you are) that breaks my heart into tiny, million pieces.

it's in the way his eyes follows every movement of jiang tian, but particularly directed at the opened luggage, that has me thinking of sheng wang's fear of separation. the trauma he experienced when he was just a little boy.

i can't imagine how he felt when he saw his beloved mother collapsing to the ground—at the age so little to grasp the situation—to comprehend the meaning of sadness and grief and death.

he was broken. he was devastated. but those feelings as a child were just feelings. but the adult sheng wang now understood that those feelings come with bitter memories and realisations that death is inevitable, and death is permanent. his mother won't come back to him no matter how frequently she visits him in his dreams (and wake).

his heavy breathing. his fixated stare. that feeling of abandonment is washing over him again. they're coming in slow, steady and destructive.

so when jiang tian approaches him with the said book that has more extensive questions, he still can't look away. not until jiang tian realises that sheng wang's attention is now elsewhere.

and he finally asks,

i personally adore how benjamin acted this scene out. jiang tian immediately glances over at the luggage, somehow already knowing the context/direction of this conversation. (it's in the subtlety of benjamin's acting here that has me going nuts.)

when sheng wang asks this question, it reminds me of this scene in episode 1,

jiang tian was looming in front of sheng wang's house, wondering if he should stay or leave. possibly his only destination would be uncle ding's house. maybe he has nowhere to go, to be honest.

sheng wang immediately called him, voicing out his thoughts. and the context is similar—are you leaving?

although jiang tian answers sheng wang's question, not leaving him hanging the way he did in episode 1, it's still not enough. the reason being, as of right now, we're knowledgable of sheng wang's past. but what about jiang tian? we know nothing about him. we just know this boy is closed off and distant and cold and grumpy. but why?

these questions are the answers. but sheng wang doesn't know. not yet.

they could have just dropped the conversation here. but this is one of (the many) things i notice about sheng wang: he's always curious. always seeking answers. even in his studies, he would ask crab (i love you, friend) for the solution. and we saw some instances where jiang tian would share the method he used, etc, only to help him. and i think it's being presented at a different light here. sheng wang is waiting. he's waiting for jiang tian to give him answers.

as jiang tian says it's a habit, it might not be the answer sheng wang wanted, but it was needed, at least, only for the night.

it's so overwhelming to me how jiang tian has always been providing sheng wang with safety, happiness, anger, irritation, fun, answers and questions. how susceptible sheng wang is with everything jiang tian is. they are like mirrors reflecting one another. because for me, jiang tian is like a closed book, but i could understand him once i start reading. but sheng wang, he's more layered. he's open but also secretive. he expresses emotions, but not everyone reciprocates and understands him. not until jiang tian.

and i'm no longer sane in the head because of this.

[cruelplatonic]

my personal headcanon is the vees were unremarkable nobodies when they were alive. i just love it as a thematic throughline for them. they love to let the public of hell speculate on them being famed and acclaimed since before death, but the the truth is they were a d-list failed influencer that got by on cheap controversey and scamming, a broke junkie who burned every shaky bridge he ever had, and a worn-out broadcast production assistant with more rejected auditions and tossed out script pitches than he could count. nobody missed them when they were gone, nobody cared who they were until they were dead.

[necrotic-nephilim]

what's fun about shipping Tim with Dick, Jason, or Damian is he has, at some point, hallucinated all of them to comfort himself. even when he doesn't like them or particularly get along with them, he has to imagine/hallucinate them just so he has the power to go on. Tim's concepts of the Robin mantle and what it should be is so fun, because he respects the others through the Robin mantle. Tim worships Dick because he was the first Robin. he wouldn't be Robin if Jason hadn't died in the mantle. and a lot of his frustration with Damian is he feels Damian isn't honoring the mantle correctly. when you ship Tim with the other Robins you can't divorce their identities as Robin from it because Tim will always see them as a Robin first and that's so fun and fucked up. like.

batman (1940) #456

Tim perceiving Dick as *Robin* cheering him on, not Nightwing, which is the version of Dick that Tim actually knows? that's just. wild of him. he will always view Dick as Robin first, his personal hero but also the original of the legacy. his love for Dick is shaped by that.

and then of course, even when he's hallucinating/imagining Jason cheering him on, it's *still* through the lense of being reminded how Jason failed? subconsciously believing that Jason got himself killed because of his actions, and that being a lesson for Tim to learn from? Jason isn't a person to Tim, he's a moral lesson about how to be Robin. any potential idolization he could have of Jason isn't because he loves Jason, it's because of the lessons Jason's death taught him.

and then, even though him hallucinating TIm is from the New-52, which makes characterization all kinds of questionable, i do think it makes sense for TIm to hallucinate/imagine Damian after Damian's death in an attempt to cope with it.

teen titans (2011) #18

to an extend, he sees Damian's death as in part his own fault. and even hating Damian, Tim needs the comfort from this to cope with Damian being gone. he's angry that Damian even was Robin, and has to learn something from Damian's death and how it impacts the Robin mantle, and teenage heroes as a whole. like, Tim can pretend he hates Damian all he wants, even getting taunted by the image of Damian, but there's still an underlying love to their relationship.

i think that's just the fun of shipping Tim with any of them. you will never divorce Tim's views of them from the Robin mantle and how fucking Unwell he is about anyone else who's been Robin before or after him, to the point he has to hallucinate them comforting him when he's at his lowest. it's always going to be a little unhealthy, a little toxic, and driven by Tim's relationship with being Robin as well. i need more Tim being weird about Robin in these ships.

[sneez]

when you are here heaven is by my side [id in alt text]

[seasicksilver]

good old times

[giulzart]

But we just can’t keep away

When you know me like you do

It’s supernatural got me howling at the moon

[unnonexistence]

imo a core part of the newmann dynamic is like... you've got these two very very intelligent people who have spent most of their lives being Smartest Guy In The Room. which feels great! but also, it's very hard to form close and trusting relationships when everyone else sees you as Smartest Guy In The Room. and if you maybe don't have great social skills to begin with, you can't figure out how to compensate. and it's hard to build up solid self-esteem when the only thing people value you for is your intelligence, and a lot of them resent you for that, too. so really it is very very lonely.

and then they meet! and neither of them is the smartest guy in the room anymore! and that is both EXHILIRATING (omg! someone who gets me!) and TERRIFYING (the fragile pillar i built my whole self-esteem on is crumbling! help!).

they do NOT know how to cope with this. best they can do is being obsessed with each other.