I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears
I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!
The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.
More:
Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.
Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)
Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.
Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.
Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.
The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.
They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.
And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.
I could go on, but this is already so long. But yeah, I hope this gave you an idea.
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Favorite Mugi hcs?
Also if ya need someone to talk to my DMs are always open
Thanks for the question (and the offer)! <3
My Tsumugi headcanon currently falls into two separate things, so I'll share a bit from both!
The Twist Does Not Exist:
Tsum-Tsum! ...because then even her nickname is a reference. >.>;;
(Also some people make this zoom zoom to reference a certain Mazda commercial, but she hates that. It annoys her. The only person who gets away with this is probably Junko. Who also probably came up with the original nickname in the first place.)
Always has some sort of show on in the background while she's doing stuff (homework, cosplay, housework; Tsumugi is constantly tuned into something). Her favorite shows, she full in pays attention, she's not multitasking, she's analyzing, she's looking at art design, she's coming up with new cosplay ideas, but most shows are on in the background while she's doing something else.
There's kind of a scale with this - the more she cares, the less she does. Creating cosplay during the show is top tier of multitasking before she goes full in.
Has definitely worked in a cosplay cafe. At least once. At least once. (She's not comfortable about being in the spotlight, but it's easier when she's in cosplay as a character who loves the spotlight. Because then she's not her.)
Is drawn to louder, more energetic characters.
If she sees someone cute, she immediately wants to put them in cosplay. Like full-on sparkle in her eyes, will drag them into a bathroom/changing room, need. (If you've seen/read Fruits Basket - like Mine, from Ayame's shop! But Tsumugi and cosplay.) Kind of like immediately dragging Kaede to the bathroom to show off her cospox. That same energy. But for a different reason.
Actually does not have a lot of friends. She knows that the intensity of her interests can turn people off, so she doesn't talk much. But this backfires because it makes her come across as shy. Boring. Plain. She's not very good at fitting in with people's expectations. So she's pretty lonely, actually.
Tsumugi was actually a LOT more popular when she was in elementary school because she could make pretty clothes and kids like pretty clothes so everybody wanted her pretty clothes because she always looked pretty. But there's an age where, like, you grow out of sparkles and frills and big bows and all of that and kind of shove that off into only costumes or only cosplay, and when that happened, Tsumugi just. became. a background NPC in her own life.
Without cosplay, Tsumugi would actually be severely depressed. Cosplay lets her life have color; without it, everything is grayscale and monochrome.
The Twist Exists:
Tsumugi Shirogane is not her real name. It's an alias.
Her real name is Yuki Tsukasa.
Yuki - "snow" - because the fandom wiki says that one of the meanings for Shirogane is a metaphor for "snow" and Tsukasa because it means "director, boss".
Definitely dating the girl who got her into cosplay. They are together, they have been together for a long time, they've talked about kids, etc.
Most people don't know she works for Team Danganronpa, and even the ones who do don't know how high up she is in the company. Only her girlfriend knows she's one of the showrunners.
Yuki has gotten death threats from her work on Danganronpa. A lot of the people involved have. That's why her alias exists in the first place: everyone in the credits for a Danganronpa season uses one. Fans can be terrifying to Team Danganronpa, particularly the writers, which is why she just. doesn't talk about it.
(She loves her job. She's scared of fans. Reasonably so.)
Would absolutely live in her office if she didn't have a girlfriend to go home to. She's a bit of a workaholic. (She and her girlfriend definitely have fought about this. It didn't change anything.)
Since her co-showrunner's passing, Yuki has been under a lot of stress. They were very good at covering each other's writing weaknesses, and now she's under a lot of pressure to make the show just as good on her own as it was when there were two of them. (She has refused to take on another partner. Danganronpa is theirs. She has very strong opinions about this.)
A lot of characters in the shows have references to people she knows in real life, whether that's personality quirks or traits, or appearances, or even using their names. Most of it is stuff you wouldn't know unless you know.
Despite, as a writer, hating the unknown of having an audience-controlled character, Yuki doesn't hate K1-B0 as a character concept. She just hates the potential for destruction he has. (So she baked it into him from the outset.)
Her use of K1-B0 is actually really smart because Yuki had to accurately predict the way fans would react to any situation where they were given options to do things (I assume polls for major decisions or FTEs, and then those decisions set him on a specific script) - like she had to know they would spend all that time with Miu so that K1-B0 could get those upgrades, she had to make sure that those decisions wouldn't fuck up the script but instead lean into them and give him a good arc and involvement in the story regardless what the fans picked. Like Yuki has to have her thumb on the beating pulse of fandom to be able to do a good job with that, and I applaud her.
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Thinking about the structure of the Old Religion.
From what we know there's the Nine which refers to the High Priestesses of the Triple Goddess - powerful sorcerers who obtained immortality (unless killed by some form of magic), and performed important rituals of the Old Religion.
It is unknown if there was a High Priest equivalent, but Gaius in S1Ep13 does tell Merlin that "the High Priests have the power to mirror life and death". This suggests that perhaps there were High Priests of the Triple Goddess, and that they also had a Nine.
There's the Bendrui, women who failed to become part of the Nine. Just like those who eventually became High Priestesses of the Triple Goddess, they were chosen at birth for the priesthood - taken from their families and raised as initiates of the Old Religion. Despite their failure, Bendrui are practiced in potent magic, and appear to have above average gifts.
There's the Bloodguard, warrior priests who swore to protect the High Priestesses. They, like the High Priestesses, were the only people to ever set eyes upon the staff carved from the Rowan tree that grows at the very heart of the Isle of the Blessed.
It could be suggested that like the Bendrui, the Bloodguard could have been failed High Priests, but there is no evidence (other than the existence of the Bendrui, and the mention of High Priests) to truly suggest this.
It is also unknown if the Bloodguard served the Triple Goddess. It is possible that the priests served various different gods of the Old Religion, but due to their relation to the Nine specifically, it is likely these warrior priests served the Triple Goddess.
There's the Catha, which contains priests. (Alator is referred to being "of the Catha, warrior and priest", he also says "I'm a Catha priest").
It is unknown if they served the Triple Goddess, or a different god of the Old Religion (and we know they are priests of the Old Religion because Morgana says, "He's a Catha...priest of the Old Religion.").
They have their own language, however, suggesting that they are a unique culture, and perhaps even an ethnic group. (This is further supported by Alator saying Catha are trained from birth to master all physical pain, it is also said that they guard their ancient knowledge - which leans towards them being a people rather than just initiates of the Old Religion)
There's the Disir, the highest court of the Old Religion, made up of three women chosen at birth to be trained as seers and soothsayers. They are the mouthpiece of the Triple Goddess, and interpret her word. As Gaius says, "When they sat in judgement, their word was final". They pass on the runemark, which is both judgement and fate - it contains a person's guilt, as well as the path the gods have chosen for them.
There's the Druids, a peaceful people who worship the Old Religion and often possess magic. It's a part of their beliefs to help people in need of care, and therefore, those who weren't born a Druid can find a home amongst them (Morgana is one such example).
Moreover, the Druids look for children with the gift of telepathy to serve as apprentices (perhaps to keep them safe? perhaps to encourage their magic in childhood?). The Druids also have a tattoo of a triskelion somewhere on their body, perhaps as a part of a ritual (to indicate someone has become a Druid?).
While the Druids have an intimate knowledge of prophecy and destiny, especially regarding Emrys and the Once and Future King, they do not appear to be priests or priestesses in any form. Just like the Catha, they have their own language (called the Druid tongue and Druidic Runes by Gaius), therefore, it is possible that they too are a unique culture and/or an ethnic group.
There's the Isle of the Blessed, a sacred location of the Old Religion, said to be the centre of it, and the focus of its power - it is also where the power of the ancients can still be felt after the Great Purge. Artifacts such as the Rowan staff, the Cup of Life, and the Horn of Cathbhadh were kept there under the care of the High Priestesses. Furthermore, Morgana's healing bracelet was forged on Isle - suggesting that its power allowed for the creation of powerful artifacts (this is further supported by the Rowan staff which was carved from the tree that grows there).
In a deleted scene for S4Ep1, Morgause says when she was first brought to the Isle, the hallways were teeming with women - High Priestesses. Although it is said often within the fandom, canon never establishes if the initiates were trained on the Isle. This deleted scene, however, heavily suggests it.
There's the Caerlanrigh, a sacred spring within the Grove of Brineved. There, the Disir reside within a cave, where the spring feeds into an ancient pool - in which the Disir divine from. The old ways are at their strongest there, and it's at the very centre of their powers (whether Gaius meant the old ways or the Disir here is unclear).
There's the Cauldron of Arianrhod, a sacred site of the Old Religion. The lake contains the power of the White Goddess, who can be summoned to heal those affected by the Teine Diaga ritual. However, if such a person is tricked into entering the cauldron, their soul would be lost forever.
There's the Crystal Cave, said to be the birthplace of magic. It is filled to the brim with scrying crystals that show the past, present, and future. Taliesin used the cave as the source of his prophecies for the kings of old. And as much as the crystals can be controlled, they can force visions upon powerful sorcerers too.
The cave can also hold spirits within it, seen with both Balinor and Taliesin.
While this may have been the case for Merlin alone, the cave can restore a person's magic.
There are celebrations important to the Old Religion too, such as:
Samhain, a time of year where the people feel closest to the spirits of their ancestors, in which they celebrate their passing.
During Samhain it was traditional for the High Priestesses to gather on the Isle of the Blessed and perform a blood sacrifice to release the Dorocha. This was done on the stroke of midnight, when the veil between the worlds is at its thinnest.
Since the Dorocha do not roam free in the world throughout the series, it is suggested that a second blood sacrifice was done by the High Priestesses - perhaps before the night was through - to close the veil once more.
In Camelot, a feast is held as part of the celebrations. (This suggests that while the Old Religion and its practices were abandoned during and after the Purge, the heart of the religion and its holidays were never replaced).
Beltane, a time of year where the High Priestesses would gather at the Great Stones of Nemeton and summon the spirits of their ancestors with the Horn of Cathbhadh. It opens the door to the Spirit World and allows the person who blew the horn to see and speak with their ancestor of choice.
In Camelot a feast is held as part of the celebrations (which much like Samhain seems indicate that the Old Religion has been around for so long that it cannot be removed from society entirely - that the people clung onto some traditions, including the royal family).
There's the Gods of the Old Religion, the Triple Goddess, the White Goddess, and Nemaine. It could be implied that the White Goddess, and the Earth Mother Nemaine are part of the Triple Goddess, but it is just as likely for them to be separate gods.
If so, the Triple Goddess is heavily associated with the Nine, destiny and fate, and the immortality of certain sorcerers. Perhaps she is also associated with the balance of the world, due to the power over life and death being tied to the High Priestesses and supposed High Priests.
The White Goddess, however, appears to be associated with one's soul and healing. It was only her power that could heal and retain Gwen's soul after Teine Diaga ritual.
The Earth Mother Nemaine is related to Gean Canach, as it is said her tears forged the creature. The book Gaius reads from has more information, and from what can be deciphered, it says that Nemaine first wept at the slaughter of war, resulting in the Gean Canach crawling out of the Earth's belly (there is more written on the page, but it is impossible to tell what it says). This suggests that Nemaine lives within the Earth's core, and that she is indeed associated with nature and living beings as her name implies.
Furthermore, since she wept at the slaughter of war, she is perhaps the god of life itself, but not of the entire cycle. And due to the Gean Canach's abilities, to devour and drain a sorcerer of their magic, it is likely that this war's slaughter was brought about by magic.
It is possible that The Earth Mother Nemaine could be related to the Pool of Nemhain. Despite having different spellings in the show (the subtitles), they have extremely similar pronunciations (even if it is a bit different). Perhaps they are unrelated, but if they are one and the same, it could be suggested that the Earth Mother is connected to death as well as life, due to the pool being the last of the Five Gateways to the Spirit World. (This contradicts what is analysed in the above paragraph, but this post is meant to speculate multiple possibilities.)
Honourable mentions:
It could be suggested that the Quest Ritual was once part of the Old Religion. It includes the heir to the throne of Camelot transcending their body in order to receive a vision of a quest. This quest is meant to prove their worth to the people, and their worthiness of the throne. The heir prepares themself by cleansing their body and dressing in white robes. They spend an entire night kneeling on the floor, barefoot, with their eyes closed.
Due to how Arthur reacts in the morning when Uther pulls him out of it, and how sacred the entire process appears to be, it is as if the heir is actually gifted with a vision of a quest. This is supported by his reaction, as he looks dazed when relays what he has seen. Therefore, it seems as if the ritual includes some form of magic due to the preparation, and if so, then it's likely it was a practice of the Old Religion (specifically for the heirs of Camelot? Due to Camelot's association with the very heart of magic?)
It has been around for hundreds of years, so it is not outside the realm of possibility that the Quest Ritual is so old that the general consensus has forgotten its ties to the Old Religion, or much like Samhain and Beltane, it is perhaps so baked into society that it couldn't be abandoned.
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In S1Ep13, Merlin says that the "Old Religion died out centuries ago". Even in Series 1 this is far from true, but later seasons make this remark seem entirely ignorant. If anything, this sentiment comes from a post-Purge society, where the structures of the Old Religion no longer exist. Perhaps it is even propaganda that Uther pushed forward as people became more fearful over the years, turning away from the old ways despite once practicing such beliefs (and for the people of Camelot, still practicing some of those beliefs).
It is possible this was a retcon but if so then it's directly retconned in S1Ep13 when it's revealed that Nimueh is a High Priestess.
Anyhow, in response to Merlin's ignorance, Kilgharrah says, "The Old Religion is the magic of the Earth itself. It is the essence which binds all things together. It will last long beyond the time of men".
This shows that the Old Religion doesn't just refer to the religion and the gods, but rather it is the very magic that makes up the fabric of the world, and as Balinor says in S2Ep13 it's either a part of you or it isn't. This suggests that it is indeed not just a religion, but the very world, the Earth, magic.
He also goes on to say that Merlin must "find those who still serve it", which shows that Uther very much didn't succeed in eradicating the structure of the Old Religion entirely, at least at that point in the show. And perhaps that anyone could serve it, even after the very structure collapsed.
All this is to say that the Old Religion is extremely pagan. The structure itself is vague perhaps because Old Religion is personal, it is vague. The differences between the High Priestesses, the Catha, and the Druids make this clear. Following the Old Religion's beliefs, traditions, and holidays is personal and spiritual because it varies, because there is no wrong way. Because there are no set rules or a real structure at all. The High Priestesses had power, yes, but this seems to come directly from the Triple Goddess herself, rather than a societal standing.
Nimueh was at court, and she was Uther's friend, but she was also very quickly thrown from the court after Ygraine died. And yes, the High Priestesses went to war with the Ancient Kings, but that appears to be a difference in factions, rather than let's say the Christian church and its power over the centuries.
Therefore, I propose that the Old Religion as a religion was loose in its structure, that it never died out like Merlin said (which does seem to be a post-Purge sentiment), but instead simply changed and evolved, and continued to exist even after the Purge, with its holidays in Camelot, and with the Druids and their practices/beliefs.
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Overall, the information we have on the structure of the Old Religion is vague and patchy. This was perhaps intentional so the writers could work around existing canon to introduce new concepts without being constricted by their past worldbuilding. But that's getting into the Intentional Fallacy, so I'll leave that there.
It appears that the High Priestesses had the most power in society, due to their past wars with the Ancient Kings, and their sheer power and knowledge. Not to mention their artifacts and control over creatures like the Fomorroh.
But there are different beliefs and structures to the Old Religion, like with the Catha and the Druids, suggesting that there are multiple ways to worship and follow the Old Religion.
The many sacred sites show that there are different powers and sources to the Old Religion that have different purposes. Like how the path to the Cauldron of Arianrhod was lined with banners for pilgrims, not to necessarily summon the White Goddess, but to visit the site. Or how the Isle of the Blessed is a powerful religious site, while the Crystal Cave is a fairly legendary and unknown place that few ever get to see.
In conclusion, the Old Religion is vast and has many facets to it. There is some structure, but it doesn't seem entirely necessary in order to follow the Old Religion. And in reality, it is inherent to the Earth, it is magic itself.
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