They’ve already almost kissed (don’t get me wrong I LOVE it) but it’s making me worried that I’m gonna have like fifteen or less glorious relationship episodes and then the rest will be about Billiards
she says he won't let her get a dog, which is fine, because they're in an apartment, and that's the kind of thing people say about their partners. he won't let me get a dog. and you're at a dinner party and you tilt your head a little to the side just like that dog he won't let her get, because is this the thing that's going to upset you? you don't know every corner of their relationship, she could be joking, they could have had so many healthy conversations about the dog, right, and maybe she's not letting herself get the dog because of money and time and whatever. but, like, she did say let
and she wants to move away from his hometown and he wants to stay and then he tells you with a wink and a conspiratorial stage whisper don't worry i'll convince her and she laughs about it - so clearly this is something they laugh about. but you do just stand there and stare at him like what the fuck, man. you can't say what you want to say which is why do you get the final say on everything because they're both obviously aware of the other person's stance on this and have obviously had private conversations about it and what are you going to do about it except make a scene and then he'll be mad at you and call you one of those bitches behind your back and she'll cut you off, which is a loss that doesn't feel worth it just because he makes you a little skeeved out every 3rd comment
and they both agree he just isn't the type to get flowers which is fine because everyone shows love differently, and are you really gonna judge someone based on their sense of individual relationship responsibility? maybe he's constantly cleaning her car and writing her poems and making her furniture or something. maybe she doesn't even like flowers and this is perfect, actually. and no you couldn't date him, obviously, ew; but like, she tells you she's happy. you almost send her a tiktok that says don't be 25 and the cool girl that doesn't need anything, you'll hate not getting flowers at 30, but that's like, starting drama & you shouldn't start drama needlessly.
and you're a little older than her but not so much older you can pull the whole trust me on this one babe thing and besides that wouldn't have worked anyway (when does it ever) and besides you have trauma so you and your therapist both agree that you're always looking for a problem even when there isn't one. and you tell yourself that just because you see them for 15 minutes every month does not mean you can identify every single red flag based on a single shitty half-joking(?) comment
and besides, what are you going to do? she says i actually wanted another stand mixer but thankfully he stops me when i'm about to spend too much money and you're standing there like are you okay? is this normal? is this just something people say? and again - what are you going to do?
to your therapist you try to language it - it's not, like, any of my business. but sometimes, doesn't it feel like - you should do something. there's got to be something, right? you've tried dropping little hints but they sail right through and you've tried having a single serious conversation and she got upset because why does it matter to you, yes it's different but we're happy, it doesn't need to make sense to you and you're like. really unwilling to push a boundary about it anymore; because the truth is that you know logically it shouldn't matter to you, as long as both parties are happy.
and besides, you've been wrong before. it's just... like, every time you see them both, something else happens, some kind of shiver down your spine like do you even hear each other when you talk. it's their strange, bickering orbit. just the way he's on his phone through dinner or watching sports instead of helping in the kitchen or, fuck, another one of these little throwaway comments he makes about we'll see about that, babe. she laughs when he calls her passions stupid shit and meanwhile she gets him tickets to see the knicks and he tells you well at least she's smart about something and still! it's none of your business.
you say get the dog anyway and she laughs. like, this is is you being funny. and not you saying - no really. get the dog. get the dog and get out of here. pack up and start running.
the way people are reacting to chappell roan simply saying she does not want to be harassed in public is weird as fuck. “i don’t think she’s cut out for same if this is how she acts” WHAT???? HUH?????? SHES NOT CUT OUT FOR FAME BECAUSE SHE DOESNT WANT TO BE SHOUTED AT IN THE STREET AND CONSTANTLY BE FOLLOWED BY PEOPLE ???? the entitlement you freaks are starting to have is insane, w the mindset of “we gave them their career so they should let us do whatever want to them” 😭
Duke, GMing a game for the other bats would be fucking fantastic, because he knows what makes a bat tick
Duke, who prepared a lasagna of paranoia, just layers and layers and layers of suspense to get everyone's hackles up and even the big bat jumping at shadows. there are puzzles, riddles, and twists littered all over the game world
Steph is the only one who manages to keep grounded enough to actually solve the mystery and she Does rub it in Tim's face for all eternity
i think collectively we have been too focused on the part of that one tango stream where etho talks about his insane desk setup that we got distracted from him saying HE PLAYS GUITAR???????
whenever i think of how nikki's personality has changed from her first game to her latest i get so emotional.. bring back silly lazy genki girl nik </3
I realized I made some notes on how different characters fight in mob psycho, and I never posted them. here you guys go, for any reference needs
Mob: mostly simple attacks, not very showy, just waves his hand and uses telekinesis/exorcizes something, doesn’t move around much. As ???%, much more destructive, psychic force seems to just emanate off of him and destroy everything
Teru: VERY mobile, throws himself around with telekinesis, puts his whole body into the attacks and tends to use moves from normal fights (punches, slaps, kicks, etc). Utilizes a variety of psychic techniques with flexibility, very creative. Piss stance, necktie sword. Much more flashy than Mob
Ritsu: uses powers to throw people/things around. While Mob and Teru attack with just psychic blasts, Ritsu tends to use his powers to grab other things as an attack (grabbing the delinquents and throwing them against each other, throwing the Claw guards against the wall, picking up cars to sandwich Shimazaki between them). Uses his environment creatively (fire extinguisher smoke screen against Shimazaki). More flashy than Mob, but not as mobile as Teru. Hand gestures for Drama
Shou: sneaky + speed + bomb!! Tries to be as evasive as possible using invisibility/speed (probably telekinetically enhanced?) to hit from behind, using either telekinetic force (his stomp in his introduction, the shockwave hit on ???%) or his charge bomb attack. Potentially uses speed/evasive moves as defense instead of the barriers we see most everyone else use
Serizawa: likes to channel his powers into an object (umbrella, business cards). Uses that object as a shield, sword, or something to blast psychic powers out of. Not very mobile in season two, moves around much more in the yokai fight. Not particularly flashy, but looks cool regardless
Reigen: deception/surprise!!! Either tricks people into thinking he’s going to do something else and then attacking, or just outright taking them by surprise and attacking before they know what’s going on. Usually doesn’t have a follow-up move, just does the one attack and hopes for the best. Prefers to bluff his way through a situation
Kaeya had always been an efficient and hard-working individual (he had to be to support Diluc in the background as his brother rose thru the ranks after all).
He has so much free time because he completes all his work way ahead of schedule. And if he still has enough time, he adds more to the workload in secret.
And once all of that was done and over with, he makes time for everyone. He has to. He feels as if every moment has to be given to someone else.
No one knows how he does it. No one has to know.
Every mission has a dozen strategies in line, and every battle plan is made with efficiency in mind. His perfect record will not be tarnished. He can't risk it (even if it baffles others that he would willingly activate a ruin guard just to prevent a failed mission. Jean disagrees with his methods, but Kaeya can say that the results say otherwise)
He needs to be quick.
Efficient.
Perfect.
And so he comes and goes like the wind.
Kaeya values time because he knew every second counted. He can't just stand there as if he were frozen. Time could run out in an instant.
Kaeya had only been late once his entire life.
He'd rather he never be late ever again.
It took one day of being of being imperfect for everything to fall apart. On that tragic day...had he gotten there on time... then maybe...
.
.
.
" Come on, let's get moving, traveler. We're not frozen in place after all. " Kaeya teasingly says. He stiffles a giggle at the traveler's exhasperated sigh.
"Yeah yeah, we've heard enough of you calling us a slacker. Can't you be a bit more patient?" Paimon whines at him.
Kaeya snorts, but acquiesces, hiding the shaking of his hands at the thought of being idle.
He imagines hearing a clock ticking.
Kaeya knows that that is his own problem. He tries his hardest to relax as he waits for the traveler to finish whatever they're making on the alchemy table because, seriously, it is supposed to be a relaxing day. There's nothing major going on, and his schedule is once again empty as intended. What's the hurry?
Kaeya taps his foot on the ground as he waits. He wishes he could take his own damn advice when he tells others to relax.
When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.
(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)
The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.
For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.
In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.
I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)
I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.
The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.
This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.
I also, of course, have done many figure, gesture, and master studies...
These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.
What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.
The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.
And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.
It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.
This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!
Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part
But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...
There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.
I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.
I hope even one thing in here helped you! Sorry it's so long.
Got my hands on a Ultra Analysis BNHA book from a library
Some points I liked (I focused more on 1B since they don't get a lot of attention)
1B once had a Tetsutetsu BBQ. They heated him up and cooked food on him. He proceeds to ruin it when he declares his sweat is the salt to their food
Yui is canonically the prettiest first-year
Mineta has no sex appeal at all, but he thinks being a hero will make him lucky
Class B does respect Monoma. He's sharp-minded, witty, and has a way with words
Monoma sometimes wanders into 1A's dorm just to throw down a mean speech, and heads back to 1B
Juzo probably isn't helping Monoma's confrontations with 1A, since he just always asks him why he can't say it to their faces whenever Monoma complains about them
Shiozaki tries to be polite even in a fight
Pony hosts anime parties, so 1B knows a lot about anime. Vice-versa, they teach her Japanese, and everything nasty is Monoma's fault
Tokage was a gyaru
Tsuburuaba, Kaibara, and Kuroiro get worked up whenever they talk about girls
Manga likes Kenranzaki
Awase's family runs a small factory. He also restrains Monoma whenever Kendo isn't available
1B likes hearing Rin say "Aiyah", so he does it for them
Kamakiri is obsessed with cutting into things
Class B's play was really successful
Tamaki is scared of Kirishima's energy
1C was planning a send-off party for Shinsou for his upcoming hero transfer. They didn't doubt he would make it, ever since the Sports Festival
Shishikura (meatball Shiketsu boy) might've chosen Shiketsu because he likes the uniform's hat
Nakagame and Yo are dating
Tsuyu's family gets to spend a lot of time together now, since their parents' busy jobs have calmed down
Tsubasa (devil wing kid in Midoriya's memories) suspiciously lost touch with Midoriya and Bakugo in middle school (his Wiki page confirms Garaki - his grandfather - turned him into a Nomu)
Torino likes goofy gags. This rubs off on All Might (ex. when Midoriya thought he died when Torino fell with ketchup. People don't know whether to laugh or be concerned)
Nighteye has yellow streaks in his hair as a homage to All Might
Nezu likes worming into tight, dark places, so he likes Aizawa's scarf. They went into detail, describing why Nezu likes it, such as material to crawling in, etc.
Recovery Girl has to travel around Japan regularly to help people with her Quirk (as in, she uses her Quirk to help them. Healing Quirks are SO rare)
Hojo, Tabe, and Sestuno are kept in the same jail, so at least they're not separated
!!! FLASHING LIGHTS WARNING!!! [IM NOT FUCKIN AROUND!!]
REACHED THE CUSP OF 'THIS MAY NEVER BE ABSOLUTELY FINISHED N IF I DONT SHOW IT NOW, IT WILL NEVER SEE THE LIGHT OF DAY.' SO HERE, A PROJECT IVE BEEN ORBITING AROUND UHH SINCE 2021 OR SO.
I found this old update blurb from Audrey on one of the early EC interviews and it just made me realize what the pattern likely is with these stories.
OG will end and its “part 2” will be Advent Children. Its “part 3” will be Dirge of Cerberus. This one will take the longest to complete then. The whole arc will end with Genesis though lmao.
Crisis Core will end and I am guessing its “part 2” will be Before Crisis. This one may not be totally correct, but it makes sense to me. I’m gonna bet that’s the pattern right now.
Finally, First Soldier is most mysterious, but wouldn’t it be interesting if it had three parts like OG? I can see part 3 dealing with the rest of Glenn’s storyline if part 2 is mainly about Sephiroth getting Masamune. Crisis Core-era Wutai would be interesting to see, especially with Glenn leading the way.
We could see what happened between him and “Sarruf” (Hi Rufus), and I’ll bet by the time it all concluded, part 3 of the Remake would be close to release. That would set us up for Wutai and more answers on the main story:
Also, a lot of fans on Japanese twitter keep saying they think parts of First Soldier will be included in part 3 at the start?? I really think it would be dope to see glimpses of this story on the “big screen” 🥺
It’s seriously my fav spin-off thing besides Crisis Core.