#this destroyed me entirely

[casscainmainly]

Poster Jason whips out anytime he's forced to interact with the Batfam.

[beebfreeb]

If I saw a nutcracker nobody could stop me

[bleakbluejay]

you motherfuckers have no concept of what "land back" or "decolonize" even mean. you're too busy demonizing entire groups of people, terrified, shitting yourselves, that they'll do even half of the horrors to you that you've done to them for decades or centuries. this shit comes off as hella racist for real. you hate arabs so much. you hate first nations people so much. you hate black people so much. even if you sympathize with them, you can't fucking bear the idea of them gaining freedom, independence, autonomy, safety, because you're so, so scared they'll hurt you back and cause chaos in the streets. these same people who just want to rebuild. who just want to go home. who just want to see their families again. who just want food. who just want medical care. who just want dry, warm shelter. you're so focused on the ideas of colonization, of "us vs. them", of one people displacing the other for a state to exist, that you cannot comprehend coexistence, and your only idea of peace is if an entire group of people were just gone and dead.

grow the fuck up. for the love of GOD, grow the fuck up.

[beescake]

as a fellow arasol enthusiast you have a godtier arasol take but i would humbly like to suggest what if aradia was taller than sollux, just a little consideration 🥺

massive considerations!!!!! ^^

jumping straight into this fully expecting everyone to be familiar w @hamsterlover38, singer of the arasol national anthem 👀

simple feelings complicated emotions

[ruporas]

endless love!

[ID Two drawing collage pages of Vash and Wolfwood from Trigun Maximum. In the first collage, top corner, Wolfwood looks upwards disgruntled with a flushed expression, lying against a pillow, as his hair is being pet by Vash's hand. Next shows Vash and Wolfwood from behind, Wolfwood with his top bare and hickies covers around his nape area. Vash lifts hair away from his nape and asks, "More?" Wolfwood nervously says, "No." Next is a side profile of Vash, his arms around Wolfwood from behind while Wolfwood rests his hands against Vash's arms. Next to this are two smaller drawings; Vash turns to Wolfwood and says repetitively, "Wolfwood, Wolfwood..." Wolfwood, not looking at him, says "What?" He finally turns his head and looks shocked as he exclaims, "So close!" Vash says plainly, "You just noticed?" Below these is a drawing of Vash and Wolfwood sitting together as Vash kisses and hugs him from behind with his right arm around Wolfwood's neck and his left hand around his side. He also has his right leg propped against Wolfwood's knee. Bottom of the page has a comic. Wolfwood looks annoyed, speaking to himself, "Where is that idiot?! Need to get out of town before--" A chat bubble exclaims, "Wolfwood!" The next panel shows Vash running from the townspeople, small text saying "Get him! Vash the stampede!". Wolfwood, mad and about to pull the Punisher off his shoulder, says, "Argh, you fucking dumbass!" Vash exclaims, "Ah, don't!" before pulling Wolfwood into a quick kiss. He then tugs on Wolfwood's collar and says, "There's no need to shoot, just run!" Wolfwood stammers, "R-right..." with a flushed, dumbstruck expression.

Second collage; Top left, Wolfwood spoons Vash in bed, his arms around his chest and the other beneath Vash's head. Vash has his hand on top of Wolfwood's as he sleeps while Wolfwood lies awake. Behind this drawing is faint sketches of Vash's face. In a small panel, Wolfwood hides in Vash's neck as he mumbles to himself "Stop. Stop thinking embarrassing things, Wolfwood..." Beneath this drawing is another of them in bed, Vash now turned to Wolfwood and a hand on his cheek as he kisses him good morning. In a simpler style, Vash wraps an arm tightly around wolfwood with the text "snork mimimi" next to him while Wolfwood says, "We need to get up. Spikey! HEY!" In this corner, there are faint sketches of Vash and Wolfwood; one of them looking at each other; Vash kissing Wolfwood's forehead; Wolfwood saying, "Hand" with an outstretch hand and Vash says "ok" behind a drawing of them holding hands, both turned away from each other shyly. Next is a 4 panel comic. First shows Wolfwood's face getting squished by Vash's hands with the text "squish" around his face. Next, his cheeks are stretched with the text "Chee--" Wolfwood then hits Vash's face with his palm, exclaimining "That hurts!" The last shows Vash on Wolfwood's lap, smiling to himself as he continues to have Wolfwood's face in his hands. Next to this is another comic; A close up of their hands, Vash holding Wolfwood's with both of his. He then kisses the palm of Wolfwood's palm and says, "They're soft!" Wolfwood looks at him with flushed cheeks, "There's no way that's true..." END ID]

[bertoyana]

charles and erik with each other: oh dear, oh dear. gorgeous 🥺👐 charles and erik with the villain of the week/the x-men: K1LL YOURSELF 🔥🔥🔥

X-Men: First Class (2011) | X-Men Apocalypse (2016)

[ladystoneboobs]

such a shame that edmure hasn't yet gotten to meet the only member of his family truly proud of his great victory of the stone mill. so proud she even believed he could destroy tywin on an open battlefield too! ofc if she knew robb/catelyn/brynden blackfish's opinion on all that, she'd no doubt be influenced by her mother's and big brother's thoughts of the uncle she hadn't met before, but it's not like either is in any position to tell her now. maybe that's the one silver lining of the rw, if/when edmure and arya there's nothing to stop her congratulating him on his defeat of tywin lannister.

[heretherebedork]

Joe was convinced Ming would never change but this? Ming trading his privacy in the hope that Joe would see him and come back? This is the first moment that Joe truly believes that Ming is changing. That this can be real. That Ming means everything he says.

Because Ming changed in so many ways but this was a way that showed Joe exactly how much he meant.

I love angry Ming. This boy was gonna commit a murder in a crowded theater in front of fans and cameras. No hesitation. Nothing. The only thing holding him back was Joe himself. Tong would have been punched right in the nose, right there, if not for him.

And, again, it's about how Ming has grown. It's about how he changed from losing Joe and from getting him back. It's how Ming isn't the same selfish person he was then, he's still damaged and hurt but he's not the same.

Ming has changed. And Joe knows. Joe, who has loved Ming all along but never let himself because he knew the risks, sees how Ming has remade himself in his love and his loss. And Ming still aches and Ming still doesn't know how regulate a single emotion but he does it all for Joe. He does it all with more self-awareness and with love and with this knowledge of who people really are.

And Tong is the real monster here. As we all know. Right off the cliff.

(But Joe is tired and he doesn't want to fight and Ming is scared, so scared, so hurt, aching and screaming inside and the family that supposedly loves him is what's going to destroy the one person that Ming actually loves. And, for the first time, Ming doesn't go after Joe. Because he showed Joe all his love and all the ways he changed and, in the end, he was still destroyed by the family that forces him to hurt himself and in the end he will choose that destruction for himself)

Ming chooses this. He lets Joe walk away so he won't be hurt by what happens but he still tells his father, he still stands in front of his mother and Tong and says I am not yours. I am Joe's and I am my own.

This is Ming's final growth. To stand up to the people who are using him and say no more, to say that he will choose the pain and the loss and the isolation over this loneliness, over being used, over the fear that has always been held over his head. To step out on his own for the sake of love, to say all of this without Joe there but rather because Joe isn't there.

[181kmh]

i want to send logan sargeant and max verstappen to a rage room together

[essektheylyss]

I am now thinking about Essek as, essentially, Anna Ripley for the Ruby Vanguard, and it's genuinely horrific to imagine but it's not a real timeline so it's hilarious. It is so funny in concept. He's a glorified postdoc with no mandatory ethics trainings, no future, and nothing to lose. Also he just got handed the power of a thousand suns with absolutely no oversight and a mandate to "do your worst".

This has such extreme "horse loose in a hospital" energy. No one knows what Essek will do next, least of all Essek! He's never been in control of the power of a thousand suns before! He's as confused as you are!

[mewtwo24]

Not to be That Guy but like.

Am I the only one that can't stop thinking about how Tianlang-Jun says about Luo Binghe that he pretends to be cold-hearted like his mother. The hint of fondness there, the heartache in that utterance.

Like it drives me absolutely insane. Imagining her putting on a front of strength, cold and driven and unrelenting. Why does TLJ say that about her. Did she secretly look for solutions that meant reconciling with demons instead of hurting them when her sect wasn't looking? (I wonder this because I feel like his weird fondness for SQQ would lowkey track if it's connected to the woman he once loved.) Did he mean that she was tasked with basically assassinating him and she fell in love with him instead (re: failed step one)? Did he mean that she was fond and doting in her own way (e.g. conceding he was attractive, paying for his exploits and humoring him)? Did he mean that, like LBH, she thought that power would be the thing to protect her--and that it was disguising a person who was deeply and privately wounded? All four????? I don't need sleep I need a n s w e r s

Did she know about the Huanhua Palace Master's skeevy ass intentions before she met TLJ? Or did those only come to significant light after she fell in love with TLJ? Is that why she never anticipated that level of betrayal, because initially she had no intention of being with anyone romantically? And HHPM just assumed she would be under his thumb forever?? Was she furious at her own indiscretion or did she try to use the pregnancy as a bargaining chip, a way to try to stop the immortals of Cang Qiong Mountain from attacking TLJ (plus the bonus of marriage entrapment no takesies backsies this is where LBH gets it from)? Did she try to use that claim on her to dissuade HHPM from his covetous advances, framing herself as tainted so that she could finally escape? Did she dream of a life by TLJ's side, far away from Cang Qiong Mountain?

Like. Literally every single permutation of what this could mean guts me to hell. Do you ever just cry about tianxi because I--[loud bawling noises]

[jeeliebeeliegoomiebear]

On Isolde and Many Doors (and One Key)

Thinking about Isolde and how she feels like she is constantly trapped in a small cramped room full of 1 million doors. Each door represents a presence that haunts her, an identity that lives inside her that calls to her from beyond the grave, a new mask to dawn.

If every person in the world were to have a room, most would have just one door, their own. But not Isolde.

Isolde feels like an empty vessel who is only there to serve as a point of entry for other people and their spirits. She has been forced to become so repressed by her environment, upbringing, and her nature as a medium that she finds it easy to forget herself. Her “self” is not someone she has ever been allowed to know.

The room grows increasingly smaller, claustrophobic and strangling her with pressure as the amount of doorways in it only increase, every new person she meets a new doorway she is plagued with, a new voyeur who has granted themselves full access to her life and her body. Something she is now willing to let them do. It is easier that way. Easier to let someone else command her vessel, something that never solely belonged to her to begin with. An escape from all the pressure, the expectations, the perfection demanded from her. It is something she should do. The duty of someone like her. Something to hide her wretched face from view, to give the people what they want, to uphold her family’s legacy. A performance that was never allowed to end. Each new door lead right back to that.

The only exception is Kakania. The only person Isolde believes has ever really seen her as more than a host for other identities or something to mold into shape, prop up as a set piece. A perfect lady. The star of Vienna. A tragic heroine. A dangerous hysteric witch. A curse manifested. The only one who was ever interested in finding Isolde’s door and that door alone. When she is with Kakania, a new door does not appear in that ever shrinking empty room, although at first she expects it to. For the first time she meets someone and is not greeted with a new ghost to haunt her. Not a door. But a key. A key that Isolde knows can unlock her own door, even when she herself cannot find it.

[avocado62524]

[sparxdoodles]

vash the stampede more like vash the little guy am I right

[warlenys]

first bit of this fucks but then ?? what “implication that he’ll be okay” bitch he’s gonna kill himself

[crippled-peeper]

I don’t like when people lump all “childhood traumas” together and completely ignore the fact that not all traumas in childhood are interchangeable or something you personally understand