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#this entire scene there's so much perfection
nighttimealone · 2 days
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Cw: Nsfw (gym owner+ your personal trainer Simon)
Simon notices you the moment you step into the gym. nervous, pretty, looked entirely out of place. He greets you with a nod and a gruff “Hello” when you saunter to the counter and look up at him timidly. Gleaming doe eyes meeting his and a bit intimidated by his presence.
“I want…want to sign up for the course…” your voice comes out soft and quiet, still a bit scared by the wall of man in front of you. His lips curl upward slightly, though his schedule is pretty tight already, but he doesn’t mind squeezing time out just for a cute and beautiful girl like you.
“The only time I’m free now is 21:00.” Simon said, asking if you’re okay with it, and you agree without a doubt. This is the gym closest to your place, and has the highest rating among others, you don’t mind if the session will start a bit later in the night.
He’s a great personal trainer, like the what the comments say on the internet. He’s meticulous, knows how to effectively improve your stance. You’re not sure if it’s normal for personal trainers to stand this close when you’re squatting, so close that you can feel the heat radiating off him, his breath fanning on the nape of your neck. maybe he just wants to make sure you won’t accidentally hurt yourself, you think to yourself after few sessions with him.
Simon can’t forget the first session, you step into the gym with the sports bra and gym shorts, hair tied into a high bun that shows off your flawless neck, he wonders how smooth it will feel when he runs his fingers along it. His chest touches your rear when you’re lifting weights, “In case your grip slips.” He tells you when he sees the confusion in your eyes. His eyes glued on your hips when you just finished few reps of lying leg curls, ass cheeks so nice and supple, you breathe a bit fast as you keep lying on the training machine, unaware of him try not to form a boner from ogling at your moist lips and the contours of your body.
You’re a bit frustrated with the progress you made so far, asking him if you’re not working hard enough. Your slight pout is too adorable, and he resists the urge not to swipe his thumb over your bottom lip. “You’re doing alright, give your body some time to build muscles.” Simon reassures you, but he can still see the chagrin on your face. You’re stressed out, he can tell, and as your personal trainer, it’s his job to help his student unwind, yeah?
The disappointment and anxiety are thrown to the back of your mind when he sits on the bench in front of the mirror, two fingers deep inside you, twirling and pressing the gooey spots with you moaning on his lap.
“Look at the mirror, sweetheart, look how beautiful you look when your little pussy’s swallowing my fingers.” His other hand move to your chin, turn your head towards the mirror. You can see his smug smile even with that disposable mask on, his fingers shoved deep into your cunt, bring out your profuse juices when he drags his fingers out. The scene is too embarrassing, your cheeks flush with arousal and shyness when you shift your gaze away from the mirror.
“Look at the mirror, love.” His tongue clicks twice, tone firm without any space for you to reject, so you obediently look back, let out a high-pitched sweet whine as you watch how his cock sinks into your tight cunt, pussy lips pushed aside to fit his fat cock. “Fucking pussy so tight, so perfect…fuck…” He inhales deeply, landing a soft swat on your bum and makes you yelp at the comfortable sting.
He definitely didn’t choose to schedule your session this late, that no one will be in gym except you two, so he can bend you over every surfaces here and fuck you till you squirt all over the nearest wall. His hips never cease, shows you how much stamina and strength he has as the best personal trainer. Pinning you over the machine you did lying leg curls, the angle of the it allows your ass to arch up and let him drive his pierced cock deeper, each piercings knead and glide through your spots one by one every time he slams his hips back.
When your thighs’ twitching even harder than they were after your leg days, you looking up at him with dazed eyes, entirely blissed out from how many mind blowing orgasms he gave you, Simon lifts you up again, easily maneuver you to hook your knees over his elbows, he pushes his cum-drenched dick inside again, still rock hard and ready to wrench yet another release from your heavenly cunny. He walks you to the mirror again, every steps makes his hips bucks and cock thrust up in the force, and all you can do is moan and whimper. “too much, too much Simon…”
But He only huffs out a laughter at your words while he stops in front of the mirror, giving you the full view to the reflection—your fucked dumb expression, thighs spread widely and supported by his strong arms, pussy swollen and clit peaks out from the folds, yet your tight walls still massaging his cock nicely as if you’re trying to please him.
“So perfect, princess. look just right when you’re in my arms.” Simon presses a kiss to your shoulder, adjust his grip and let your weight help him to reach the deepest, the tip of his shaft rest against your cervix. “Let’s have the next round on the leg press machine, yeah? I know you hate doing leg press the most, maybe you’ll be more pliant the next time, because you know how I’ll make you soak that seat after the session ends, hmm?”
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noobsoconfusing · 2 days
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‘pothead? more like pot no head!’ hamzahthefantastic
summary: hamzah and you get high together very often, however this time is different, as you both take too much and end up greening out in different ways.
warnings: awkwardness, inexperienced hamzah and reader, cum, cringe.
>_<
“holy shit! holy f-fuck!” hamzah rubbed his heavy eyes, staring half lidded at your limp body passed out on his lap.
damn, he felt so overstimulated. his senses failing on him, per usual.
the smoke surrounding the living room –and yourselves– felt thick, almost like he could munch on it if he wanted to, and each time he breathed in he felt even more zooted.
and ow, fuck! you looked so beautiful. the light freckles, almost invisible, surrounding specific areas of your face, and then some imperfections that hamzah considered perfect on you –the same he considered ugly on him– you had dark circles under your eyes, and messy hair that covered your face almost entirely, but still he was able to peek at your flushed cheeks.
‘no! hamzah, stop! she could be fucking dead!’ –he thought to himself, regaining an ounce of consciousness through the warm haze that filled his brain and body.
“hey…” he shook your body, trying to keep his eyes off of your torso, though it was almost impossible for him. hamzah’s eyes drifted down, sheepishly admiring how the oversized shirt you were wearing –that yeah, in fact was his– rode up..
but as he kept shaking your body with his bigger hands, he realised you were far gone. that, of course, scared him shitless.
“oh my god..!” hamzah considered calling martin, but it was roughly 4 am, he wouldn’t be awake.
hamzah felt like he was losing the ability to breathe properly. his heart was beating so fast and blood going to every single direction inside of his body.
literally every single direction. fuck. oh no.
“y/n, are you… are you awake?” hamzah saw double lines, so fucking high. “oh god she’s dead, she’s fucking dead…” he felt like crying he was so fucking panicked.
and the scene was quite funny, tense even. how was he going to tell the police that you guys got super high that you probably had a heart attack? even worse! how was he going to explain the stupid fucking hard-on he had been resisting to beat since the fucking weed settled on him?
crying with a stupid hard-on was pathetic. crying stoned out of his damn head, with his possibly dead roomie laying next to him was dumb.
everything was dumb! nothing made sense to him at that moment, ugh, so confusing!
crying next to the girl he yearned for, the girl he liked since he first saw in that roommate application was beyond pathetic. and you were both high.
“oh god, please!” he yelled so fucking loud, which made you scramble out of your slumber. “i know you hate me! doesn’t matter cause you’re uh, like, you’re dead, but oh god! i like you.. so much and.. man i just…wanted to smoke with you… maybe make out… maybe even dip it! but y/n please don’t, uh, don’t kill me in my sleep too! oh my fucking god!” he rambled as he slurred his words from how high he was.
hamzah had this problem. one of many. where he would overthink and panick and talk his brain off as if his body had no power over him, only his thoughts. that maximised when he was zooted.
due to his extreme yapping, you found yourself awake on the couch, but you couldn’t move or speak. your limbs felt floaty and numb and your body felt so lightweight that you wondered if you were human still.
but hamzah’s greened out voice was getting on your stoned nerves
“mmm…” you slowly opened your eyes, red as fuck. “hamzah, a-are you tweaking?” your voice groggy after smoking only turned him on even more, and he felt so bad for thinking lewd stuff about you.
his eyes blew up wide, like two round red leds. he threw himself into your smaller frame, engulfing you in a big hug. he groaned out of satisfaction.
groaned again when he felt your body so close to his. so warm. so soft.
“holy fuck! you’re not dead! oh shit, y/n i fucking love you, i love you i love you, god i was scared shitless..” as high as he was, he meant it, he had been wanting to admit that for such a long time but sober he didn’t have the balls to.
you gave into the embrace and snuggled closer to his warmth. his words vague, though you cherished them and how sincere he sounded, it was almost impossible to concentrate in that state of mind. all you could do was enjoy the proximity.
so comfortable, so nice, and..
“im sorry im hard..!” hamzah pulled away from the hug to look down at his almost unbearable boner. his eyes wide and glossy like marbles looked at you like a kicked dog asking for help.
you see, in his right mind he wouldn’t even mention it, he wouldn’t even look at its direction. but he was definitely not in his right mind, right?
he surely knew how to silence a room.
“huh?” you stared at him confused and rubbing your right eye, pouting. looking like a fucking goddess. so cute. so beautiful it made hamzah wanna just explode.
here comes the world vomit. high trait of his.
“im sorry i have a boner. like, okay, it’s so painfully hard that i feel sorry because weed, well, weed makes me super fucking horny and on top of that you’re here and i think you’re so pretty and i love you so oddly much… im sorry i got a boner,” he swallowed the knot inside his throat. “i am sorry, so sorry. i love you though? is that weird? do you think it’s weird?..”
seconds that felt like hours passed and you would just switch stares between hamzah’s reddened face and the notorious bulge inside his grey sweats.
he felt like dying. and you were just sitting there, looking fuckable and so pretty, and he was just melting there waiting for a reaction from you, trying not to burst like a teen.
hamzah almost felt as if the high was gone from how nervous he got, but feeling sober was way worse.
you got closer, but it was like you were being pushed by an invisible force. like a magnet attracting you to hamzah’s shivering body.
your hands trembled badly.
no, you did not know what possessed you to crawl over him and caress his face, he was sweating cold, and his eyes far gone intoxicated.
“w-what are you…?” you laughed at how he pronounced the sentence, your giggles almost like a whisper.
tension so dense it could be cut with a knife
the eye contact was stupidly intense, both of your gazes drowsy and tired, eyes heavy and itchy from the smoke around you.
when your hand moved south, hamzah’s eyebrows knitted together and his mouth fell open wide, choking a whine. it was extremely weird how a little touch could make him feel so excited, and got him even harder, if it was even possible…
“dude, you’re bricked…” you said, feeling him up through the grey sweats.
he subconsciously thrusted his hips upwards to your hand, which you quickly moved away, earning a pathetic moan from him.
“nooo, owww!” he pouted, eyes teary.
it was funny.
“no! hey!..” he pleaded, grabbing your hand and trying to place it over his boner again, but you giggled at his impatience and swatted his bigger palm away. “y/n! p-please, h-hey, you can’t just..” he shrieked desperately. “please?”
hamzah was willing to jerk off right then and there, not minding your presence. even better for him, he would cum to your image, to your feel, to your sight.
that would totally cross the roommate line, wouldn’t it?
neither of you were experienced though, and as fucked up as you were, you also didn’t wanna ruin it, ruin whatever was going on between you two.
you got too nervous. nervous at the sight of him so fucked out over nothing. you never had a guy like that, never so desperate for you. or a guy at all. hamzah made you feel so stupid, so weird inside. so warm.
oh, so nervous…
“uh, do you want another hit?” suddenly, you got up looking for the rest of the blunt. too lightheaded to function. too nervous to continue. a good excuse.
hamzah stared at you in disbelief. then down at his pants. then at you again. he smiled, but it was such a hot smile. he looked so good, so fucked up.
“we are pretty cooked though, don’t you think?”
you shrugged. “whats the worst that could happen?”
so you grabbed the special blunt on the night table, and the lighter too. slid it into your mouth and lighted the pre rolled, you inhaled and swallowed the smoke in, turning over to hamzah and then blowing out the smoke on his face.
he stared at you with his mouth wide open, trying to take some of you in. so drunk on you.
and so, the worst thing that could happen, happened.
hamzah felt like he lost balance, his eyes rolled back into his skull and tried to reach for your hand to hold while a gutural moan erupted from the back of his throat, just as he emptied himself in his sweats..
came untouched. just at the sight of you blowing smoke out on his face.
“f-fuck, im so so so sorry, i didn’t… i- i just, i don’t know… you’re so pretty and…” he started rambling yet again and you felt so silly.
your gaze softened on him, and hamzah felt less embarrassed when he realised you weren’t angry or grossed out. your soft eyes felt gentle and he knew you weren’t judging him.
“it’s fine… i guess.” you avoided staring at the wet puddle forming inside his pants, and he giggled nervously too.
time passed by, maybe not really. you felt as time flew by too slowly, and found yourself lost in hamzah’s big eyes again. both of you staring at each other while sitting on the couch, the blunt consuming itself far forgotten but still creating smoke.
hamzah cleared his throat. “i feel sticky.”
“i bet you do.” you replied.
“have you ever…” he started but you quickly interrupted him.
“no head, hamzah!”
>_<
yay first small fanfic here ^_^ unbelievably cringe though, might have to kms.
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yanderes-galore · 2 days
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for rq period: yandere tmnt03 donnie concept?
I'll try my best! He isn't as fleshed out as the others in 2003... So I'll try my best ^^; Sorry if it's vague, I'm more well-versed in 2012 and Rise.
Yandere! 2003! Donatello Concept
Pairing: Romantic
Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Manipulation, Controlling behavior, Stalking, Tracking, Jealousy, Kidnapping, Cameras, Picture taking, Delusional behavior, Isolation, Drugging, Forced relationship.
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Donatello is one who puts those around him before himself.
He often neglects his own needs at times just so he can care for his loved ones.
He's the smartest of the four turtles, a clever inventor and tactician.
He values education and science more than his actual ninjutsu studies at times.
He's a pacifist and isn't as physically resilient as his brothers from what I've seen.
Yet he's still a decent fighter with his quick wit and planning.
He always comes prepared, always tries to think things through...
Similar to his other iterations, he would try to plan things out in his obsession.
Things need to be perfect to make a plan work for him.
Donatello is often gentle and calm, never wanting to cause unnecessary harm.
He rarely loses his temper and I imagine this version of Donnie isn't all that... confrontational.
Not many of them are, but still....
The only time this turtle is ever violent or aggressive is when he's mutated into a large monster.
That's it.
For the most part... You being his obsession isn't that bad.
As long as you're okay with mutant turtles.
He honestly just seems like he'd be such a respectable sweetheart to you as his obsession.
Although he does seem to know... too much?
As expected, Donatello would research his obsession like they're his newest project.
As sweet as he is, he's keeping track of everything you do.
He's not possessive since he's usually against confrontation.
However... He is obsessive and protective.
Donatello knows all sorts of things about you.
He knows more than any of your closest friends, in fact, at some point he'll know more than your own family...
Or even yourself.
Donatello soaks in information like a sponge.
The moment he learns something new about you, he's noting that down like his life depends on it.
Now... Donatello would have all sorts of information about you.
He has a notebook or two dedicated to you.
He just lacks the courage and confidence to actually do anything with said info other than stutter and stare.
Donatello is socially awkward.
He's caring and attentive towards you and your well-being...
Yet struggles on how to express his overwhelming feelings towards you.
It's not like he can tell you about his notebooks...
Or why he knows all of this info....
While you're unaware, Donatello gets to work with scraping up any sort of info he can find on you.
He stalks you everywhere.
He puts trackers on your clothes, belongings, car...
This turtle has your entire routine memorized.
Donatello has to be careful when speaking with you as his obsession continues.
He may accidentally say something he shouldn't know...
Only to make you both awkwardly stare at one another before trying to change the conversation.
Donatello tries so hard to impress you.
He gets into all the things you like, he builds new inventions and gadgets just for you to look at them.
Just a warning, if you take a phone from him, you are definitely being tracked now.
Donatello just seems so socially awkward and relaxed when you speak to him.
You have no clue how unhinged he is behind the scenes.
Donatello stays up late at night to track you, research you, watch you...
But you're oblivious.
You just see him tired and think he's overworking himself again.
Being cared for by you just adds to his obsession.
Donatello no doubt sets up cameras in spots you frequent and is always recording for himself.
That and he has secret photos he took of you at night, keeping them tucked away in his room.
Donatello is infatuated with you.
It's quite obvious to him... The notebooks, footage, pictures, tracking...
His habit of leaving home to follow you....
Donatello knows he doesn't deserve you.
Why would you?
He's a mutant turtle, you're a human.
You may not view him as a monster... yet you certainly wouldn't date him.
That breaks his heart...
But part of him still wishes to believe you can.
He can't stop thinking about such a fantasy, actually...
He dreams of it... dreams of you...!
He imagines protecting you, dating you, your praise, hugs, kisses...
He just imagines what it would be like to love you.
Such a thought nearly drives him insane.
While he is normally calm and able to control himself...
Imagine if he snaps and just decides to take you away.
In his delusional mind, Donatello thinks you'll understand.
In reality you won't... You don't understand his twisted mind.
Donatello is desperate for your love.
Desperate to the point he slips something in your food or drink... just to catch you when you fall into his arms unconscious...
Then he locks you somewhere no one will look... surrounded by pictures he took and cameras watching your every move...
With ropes around your body as you lay on a makeshift bed.
It may not be much now...
But he's planned out everything!
Your new relationship (which he just forced upon you) will begin just as he's dreamed it!
Except... Donatello needs you on your best behavior first...
He knows you may be nervous about your first date together... yet he'll try to compensate!
Your first date is tied up in a sewer surrounded by pictures of you that you didn't know existed.
He's so delusional when he has you.
He doesn't understand why you're so scared.
It's just him!
You know him, right? (You thought you did.)
He's your best friend! Soon to be boyfriend, actually!
He can't wait to start.
He can't wait to hold you, touch you, kiss you, love you...
But he must be patient!
He'll take things slow for you...
You may be nervous and scared now... But don't worry...!
You'll warm up to him eventually... Then he can continue to make things perfect between you! Just like in his fantasies!
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spirits-n-giggles · 3 days
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Must.... conclude.... Beetlejuice story.... after.... 2nd.... movie....
Go on this journey with me
(slightly edited for a better flow.)
Picture it:
A few years goes by....
Astrid and Lydia had become inceperable after their Halloween from hell and live together, but she eventually talks about wanting to experience dorm life for her first year of college. Lydia is happy for her daughter but is now afraid of being alone, not entirely sure what might happen with so many dreams that always plagued her sleep since the resurgence of ☆he who shall not be named☆ - and I want them to use that line as much as they used "keepin' it real."
The house on the hill will become internationally known as the notorious "Lydia Deets' Haunted Arthouse", she didn't have a show anymore, but that didn't stop her reputation from growing exponentially after the Halloween fiasco. People wanna buy this property for millions of dollars, but Lydia will be too afraid of whatever might happen to anyone, should they ever meet the demon from her nightmares, so she keeps the house by using some of Delia's fame funds to keep the home in their name - something Delia would HATE lol - but Lydia doesn't wanna actually be in the house.
Betelgeuse is stuck in the underworld, trying to hide from a revived Delores that continues to terrorize the afterlife, only now she is destroying the place. If the Sandworm can't kill Betelgeuse, how tf is it gonna kill Delores? Wolf Jackson is of course on the case, but things are getting out of hand. This makes Betlegeuse a prime target for anyone with a soul that might wanna rat him out. And there are PLENTY who wanna rat him out. Trying to find a way out or a way to kill the broad, he has to get creative as he stays in hiding. And where is the perfect place to hide? In a certain model town in a certain model home.
Rory will be undead and use his winning personality to act like he worships the ground Delores walks on so she doesn't suck out his soul. She will say she wants Betelgeuse and wants to kill Lydia. He is cool with that and says he will help her achive that goal. He will then become her lacky and tell her how pretty and perfect she is to keep the target off his back. He will be terrified of her but this will gradually make her love Rory and this can cause some potential fun for future scenes.
Lydia has nightmares that always involve Betlegeuse, even some can involve them going on wacky cartoon adventures from the show, but they'll be creepy and dark and stop-motion because Burton. She tries therapy, but it will end up being a bust. It's hard finding the right therapist with someone as much truama as her. OH MY GOD HAVE MICHAEL KEATON PLAY THIS CHARACTER!!!!! (Nice little nod to movie 2) It will freak her tf out thinking she's seeing Betlegeuse everywhere!
This will cause her to become a shut-in after getting rich off the royalties of selling her personal story - a melodrama of love and the loss of two parents after a lifetime of hauntings from their psychic daughter. She sells this story to various people who want to write it into something. She will end up reading raving reviews about a live theater production of her story called "Ghost House" or "Scared Sheetless" after a graphic novel that was released or some shit. Supernatural levels of meta. Might as well! :D
After a particular dream that ruffles Lydia awake in her own apartment, (the dream at the end of movie 2 maybe?) something strange will happen to the house on the hill, causing Lydia to go back and figure it out. Astrid will hear of this and not want her mom to be there alone and goes with her to help solve the mystery. Lydia thinks she knows what (or who) it is and doesn't want Astrid to come along, but she does anyway.
Hiding there in the model, Betelgeuse will see that she and her daughter have returned, thinking she's finally come to her senses and come back to him lol. Betelgeuse gets desperate for Lydia's attention in the best way he knows how - dreams. They've got a psychic connection, and he's done it plenty of times, but now it's for business as well as pleasure.
It would be some kind of earthquake that shakes the hill. Being careful and walking around whatever damage was mysteriously done, some locals say its another haunting and they want to tear the large house down and make something new. Aatrid can hear these comments and relay them to her mom. This will start making Lydia curious about the history of the hill this house was built on, especially since it's so close to the graveyard (the same place Betlegeuse was buried in the model in movie 1)
So she goes on a hunt in the small town, expands it a little, maybe even find the Mainlands old shop? This can parallel with expanding the afterlife while Betlegeuse is trying to find allies. Betelgeuse tries to round up anyone he knows that he can trust - literally anyone from the past - gotta bring Catherine O'Hara and Gena Davis back, right? Stop motion her in as a ripple in dimensional shifts or something and just use her voice. Richard would help as a thanks for helping his kid in the past, and I KNOW we can get Bob back if we tried.
Lydia can end up learning about some of Betlegeuse's history - finds a picture of an eerily familiar couple - but all this place knows is that they were just two of the MANY that were tossed in mass graves on this land centuries back but they don't know details other than they came from Italy. She will make it a mission to go to their original resting place to try to get more info. She's rich. She can do that. (Their love story was in Italy, right?)
Getting to Italy, Lydia learns the urban legend of a murder suicide of some nutorious bad couple who was known for terrorizing the nights in their hellrsising escepades, but after they were dead and buried, the two lovers corpses, along with many other discarded corpses of dead evil people, were moved out of their original land and brought to a new land to be buried there - getting rid of unwanted individuals so they could bring in the industrial revolution. There will be several names, but two will stand out along with a picture -- Delores and another name that's crossed out. Make it Lawrence, lol. Isn't that Betlegeuse's name in the cartoon?
"Betlegeuse?" Lydia whispers.
“Mom!”
“S-sorry."
Astrid tags along with her mother, happy to travel and hunt creepy shit again. Her dad would be proud. This time she won't meet a boy but maybe a girl who was also doing her own research for school. Jeremy was technically her first experience with a boy, and it's possible to stray away from reminders of bad experiences and kids experiment at this age anyway. It will be a cute goth girl who is a fan of Lydia's old show and is one of the first girls Astrid's age to ever actually be nice to her. A nice connection. This could also be a ploy to pull Lydia back into BJs world again, too - yay twists! She can maybe be an illegal ghost girl looking for help from Lydia because she thinks the paranormal human can help everyone in the afterlife.
Underworld is in chaos, and here is a rift between worlds after so many souls had been taken from the afterlife. There's no more order, reality is breaking, and the only way to get everything back in order is to destroy the soul sucker and release the souls she has absorbed. The more she absorbs, the more power she gets.
They get home, and another shift happens between worlds, and with so much death in the afterlife, it's causing serious problems in the real world and Astrid has an idea to maybe call someone for help. Lydia shuts it down, but more rifts and earthquakes happen. She will have another dream of him trying to get her to call his name. And maybe she can awaken in a living nightmare caused by the rift between worlds, and they are both almost killed (by a sandworm, why tf not!!!) before calling Betlegeuse for help.
Get real 'out there' and put those practical affects to good use and let the shenegins begin! As much as I love watching Betelgeuse try to marry Lydia, there is no attempt at marriage this time. There's too much to do. "I just saved your life, now you can help me save mine and finally kill that soul sucking witch for good.”
“No games. No tricks.” Lydia warns.
“I'm not the trickster in this relationship babe,” he wickedly grins, “but we can get back to that after we save our asses. You're coming with me.” Have him turn into a tour guide as he shows off different aspects of the afterlife thays falling apart before the three of them eventually have to run from people who have allied themselves with Delores to find Betelgeuse.
Imagine the reunion of seeing Rory with Delores. Imagine crazy shit that can magically appear to help end the story. Hell, have the goth girl Astrid meets to come back and redeem herself at the end. I dunno. She can appear and admit to being Delores daughter (before meeting Betelgeuse) and thats why she was at the same place Lydia and Astrid went in Italy to find answers- she was too.
This relationship can parallel Lydia and Astrid's positive one- have Delores sacrifice her daughter to start her sacrificial rite for power, and her daughter never forgive her (I swear I am just pulling this out of my ass) have the girl hold vengence for her mom and she can give Lydia the dagger that her mother Delores killed her with that still has the young girl's cursed blood on it. She says to use it to kill Delores, but Betelgeuse is the only one strong enough who can get close enough to do it.
With so much chaos and so many souls taken, anything can happen in the underworld, and chaos ensues. Maybe even break in to see glimpses of the afterlife, perhaps they see a glimpse of hell and see how Jeremy is being tortured (it will be a silly Tim Burton way). They can see part of the great beyond maybe wave at Delia (and the back of Charls’ head) too?
They finally meet Delores and she will say she is over Betelgeuse, happy with her new pet Rory. It's a shock for Lydia to see Rory there but isn't surprised to see him so desperate to fawn after Delores. Satisfied with the new power she’s gained, Delores prefers to keep Betelgeuse alive to torture him.
Lydia will give Betelgeuse the dagger so he can pop her like a bubble and all the souls she's consumed will escape and go back to their soul holders. But why waste energy killing Betelgeuse when Delores can just use him? She is able to levitate him up but Lydia, Astrid, and the goth girl work together to pull him back down. - this is where the goth girl can suddenly enter for the final fight!
Seeing her daughter makes her angry, and seeing her help her foes pisses her off. Delores grows in size to show her strength, and ordering Rory to take care of those little girls. Little goth girl and Astrid go after Rory and Lydia will get a plan -
"Oh... you're not into him anymore, huh? So... you wouldn't care if I did this?" And Lydia pulls that fucker in to kiss him. (This feels very Phantom of the Opera coded.....) Just a peck is enough for Delores to RAGE and she goes full attack mode. She goes after Lydia and Beletgeuse steps in front of her and kills Delores with whatever magical shit her dead vengeful goth daughter supplied, lol. (And I'm talking full jack sparrow stabbing the kraken slow mode scene) Epic as shit!!! Delores daughter will then rest in peace.
Astrid will then ask herself, “Now why the hell can't I connect with humans like I can with ghosts?”
“Family trait, unfortunately.” Lydia says feeling Beletgeuse's breath literally go down her neck with his close proximity. "At least they didn't try to suck you into marrying them."
End it with Lydia being recruited by Wolf Jackson to find those who have been lost in the real world or something. Make it to where she and Betelgeuse have to work together to keep the plane between the living and the dead closed with her as the keeper of the house.
Have the house be the main character in the end!!!!
Betelgeuse will turn to Lydia and say, "So, you're not the marrying type, eh? I'm fine with that-" He'll try to pull her in for another kiss, but she'll push him away.
"Nooo! No-" He lets her shove him to the floor, "I just knew something like that would save your ass. That's what you asked for right? Now we’re even." He quickly jumps back up. "I know jealousy when I see it.”
"You sure do." he inches closer to her, but she crosses her arms looking away, seemingly uninterested.
"Betelgeuse...”
"I can wait, honey. I know you want me." He flexes as he slowly walks away with pride. "No one can resist ‘the juice’ once they've had a taste." He winks.
Astrid groans for her mother, but Lydia just looks to him like she always does.
"Betelgeuse..."
"You will be the one to kiss me again, babes." He holds his arms out in his iconic way. "I got all the time in the world." He thinks this is the end.
"Betelgeuse."
Hmmm.... he doesn't disappear?
But he does give a wicked smile.
Turns out when killing the spirit of the soul sucking witch, the souls did escape, but her power had to be absorbed by someone, and Betelgeuse didn't... really... need.... help with obtaining more power, did he?
Would he be like demi-god state now? Why the hell not? Give me an Astarion evil ending kind of transformation. Give me love and deepspace realness. (google those). Go the whole nine and make him HOT AND SCARY in the end. Michael Keaton is attractive. It's doable! Antihero status! Make it wild! Demigod!!!!
Imagine THAT being interested in you, Lydia. I don't think you'd say no.
End it with his new form levitating and him saying that that iconic voice and green glowing eyes. "It's Showtime."
Throw in a musical number somewhere, a little justice for Bob and you have a lovely story.
There. Done.
I don't think a 3rd will be made, and if there is one, I don't think it would be this ^ stupid! Lol
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super-nova5045 · 1 day
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cannot articulate my thoughts for the life of me so sorry for this one.
i think killing bunny was the catalyst for henry’s breakdown which seems strange because if anything henry seems the most blasé about the entire affair. however i think in a way henry and bunny are narrative foils of each other. bunny is all-american, “unintelligent”, athletic, WASP-y, big family, conservative, unserious like 24/7 yet in hindsight the most normal and stable of the group and thought to be wealthy. whereas henry is quite LITERALLY rather uneasy on the eyes, chronically ill, small and unloving family, very rich, very solemn, rather liberal about his sexuality (the whole bacchanal…) and SUPER detached from reality, quite literally making him the most unstable. because who in their right mind kills someone and is like “arghhh that was so freaking epic 😍😍😍”
and i think it comes from this greek/shakespearean idea of temperaments and different moods, the idea two people can balance each other out because they’re tied together by some transcendental string. by killing bunny, he’s immediately sick by it as his migraines come on and he acts weird at the funeral (i think from both the stress and the guilt). i mean the dude literally wipes grave dirt on himself, and i think it’s because he’s SO unstable and unbalanced that he’s entirely vacant and detached, completely ungrounded from reality, because BUNNY was the one who grounded him, who told him “bro this is insane”, who was the constant reminder that henry is unfortunately human, a human with flaws and weaknesses, not a god.
i think then that it’s also interesting that henry is sort of above love, especially heterosexual love. yes he “loves” camilla but it’s in a really weird, unbalanced way. iirc (it’s been a few months since i read the novel) most of them are a bit shocked by it. henry even refuses to acknowledge it (that whole fuck scene with charles). he seems entirely disinterested in camilla as a person and sees her more as something to protect, something to fuel his saviour/god complex. what i then find interesting is that when camilla and charles start to rebel against this, and he can’t kill charles or camilla (camilla thought he would) to get rid of this evidence that he isn’t a perfect protector, a perfect person, he kills himself, which in a way protects the rest of the group.
unlike richard, who later believed henry brought him into the murder so he could perhaps make a scapegoat of him, henry completely excludes bunny from ANYTHING that involves the bacchanal and the murder, despite bunny being his oldest friend and closest for the most part friend. i think it’s been said quite a bit that bunny could’ve been a little less horrified by the murder if he was just included in the bacchanal, because he’s so clingy and has serious rejection issues. i think, in a weird way, henry was trying to protect bunny but also protect bunny’s perception of him as a “good friend” who had his back - ie his protector. and as soon as bunny’s rose-tinted glasses are broken, henry turns the tide against him and kills bunny.
richard mentions a fatal flaw a lot, the thing that sets a character spiraling and usually kills them. however, none of the mains die except for henry and bunny - most of them live miserable, but free, lives. they’re protected by bunny and henry’s sacrifice. they will forever perceive henry as their saviour in a way, even if he had to die for it, even if bunny had to die to preserve this perception. ultimately, bunny (and bunny’s death) was the reason the group got into so much shit, the reason henry had to die. bunny was his weakness - the thing that kept him stable by calling out his blatant flaws and god complex, the thing that, by dying, therefore lead to his detachment from reality and eventual death. so therefore i don’t think henry’s fatal flaw is his detachment; i think it’s bunny.
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track four: to break an engagement words: 0.8K tw: none taglist: @lxvebelle , @that-daughter-of-hephaestus find track three here note: not really my favourite piece of work, but it does set the scene
HAWTHORNE MANSION IS COLD AND uninviting. You’re going to marry into this house, this family, but it doesn’t look like it might be yours.
In your mind, you know that you can make the house look like yours, but you’re looking for reasons to not marry Grayson. It’s not that you don’t want to.
It’s just that you don’t know him.
He’s perfect in the limited societal events he chooses to attend; doesn’t drink more than one glass of any drink provided, his name never appearing in gossip sheets. There is nothing about him that could possibly be a valid enough reason to break off the engagement.
Unless he has a secret double life that might endanger your own life. 
You haven’t forgotten the voices you heard in the walls of your home, talking about your wedding to Lord Hawthorne, malicious sounding and rather creepy. 
You want to tell your mother about this, you really do. You would’ve done it, too, if she weren’t so excited that her daughter was getting married.
In the drawing room of Hawthorne House, Grayson sits beside you, careful not to let any part of his frame touch yours.
There was one problem about him.
He was too damn gentlemanly.
Skye and your mother are talking about the marriage banns and the engagement festivities on the other end of the room, pretending as though they really don’t care about anything that you and Grayson might talk about.
You should tell him that you hadn’t orchestrated this entire engagement, but he looks cold.
Just like the house.
You take a deep breath. You open our mouth.
And right at that moment, he leaps up, walking away from the seat like it burned him.
You’re confused, and you notice that Skye and your mother have stopped talking, instead choosing to look at Grayson.
He smiles, and it looks rather forced, and when he looks at you, his hand extended, you’re sure that he’d do anything to get out of this engagement.
“I was hoping if you’d like to take a go at the hedge mazes.” He begins. “You weren’t able to see much the last time you were here.”
Oh God, he absolutely hates you.
Still, you plaster a smile on your face and take his hand. “Of course, my Lord. Is it alright if we do so, Mama?”
“Oh, yes. I doubt Ms. Skye and I have any qualms about this. Do take a maid with you.”
You roll your eyes. “Sure, Mama.”
With a maid trailing five steps behind you, Grayson Hawthorne leads you into the maze, and your head supplies you with a mental image of him killing you when the maid is lost in the hedges,
You snort.
“Something funny, Madam?” He seems less on edge here in the maze. 
“Just… imagining,” you say.
“Imagining.”
“Hmm.”
Uncomfortable silence takes over the space the two of you stand in. 
“This is ridiculous.” You start. “You obviously do not want to marry me,” you untangle your elbow from his, “and I don’t want to marry you—and please do not take offense to that, Lord Hawthorne, I’m sure the two of us would rather wed people we know instead of people we do not.”
He looks surprised, and opens his mouth. You keep going on, not stopping at all.
“And the worst part is we can’t break the engagement or my honout will be lost, damn it all.”
“...you do not wish to marry me?” He asks, and if you didn’t know better, you’d think he was a bit offended.
“I don’t.” You confirm. 
He nods. “And you wish to break the engagement?”
“Yes.” 
He nods again. “As do I. Of course, it is not because of you—you do seem like a rather lovely person. I’ve just never felt the wish to marry.”
You grin. “Glad that this was sorted. Now, how are we going to break the engagement?”
Grayson smiles at you, one of those half smiles that you’ve always found attractive. “We drag society into this love affair.” He states, as though it was obvious. 
“Pardon?”
“Once they notice that you and I have no feelings towards each other, word will spread. It will reach my mother, and then yours. They, in turn, will be pressured by our delightful society to invalidate this marriage out of sympathy for you.”
“And if that doesn’t work?”
“We stage an extremely heated argument where you can scream falsehoods about me to my face and announce that you do not wish to marry me. Truthfully, this method is far more effective; but it would have me lose my dignity.”
The maid catches up behind you, and your elbow is intertwined with his again. “What do you say, my Lady? Are you ready to fool the proper English society?”
He looks straight in your eyes, and there’s a challenging glint in his. “When am I never?”
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Ethan Landry during his girlfriend’s birthday.
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• Ethan would be the first one to wish you a happy birthday, as he waited until midnight to send you a cute text.
• Ethan would also wait for you in front of your place early in the morning to steal you away before you could go to school. Ethan would show you his cutest puppy eyes to make you accept skipping school with him for your birthday.
• After you had obviously accepted his demand, Ethan would properly greet you by wishing you a happy birthday once again and taking you in his strong arms to spin you around happily. You would have to beg him to stop as Ethan giggled during the spinning hug.
• Ethan would put you back on the ground and sneakily get out of his backpack a big plushie that you really wanted for a long time. The way you thanked him by covering his entire face with little kisses would bring a beautiful beaming smile to Ethan’s face.
• Ethan’s plan for your birthday was very simple but enough to make you both very happy. You and Ethan would spend the entire day and night cuddling and watching horror movies together on his couch. You both loved horror movies a lot and to watch them together as you were snuggling close to each other while talking and kissing was making your birthday special and perfect.
• Ethan would whisper sweet nothings in your ear as he kissed your neck during a boring scene, telling you how much he loved you, that you were the prettiest girl his eyes had ever seen and that he was lucky to have such a perfect girlfriend like you.
• Your fingers were intertwined with Ethan during the entire time as your bodies were glued to each other. As time went by, you and Ethan spent most of the time making out and dry humping rather than really watching the movies.
• And Ethan couldn’t let your birthday go without him giving you one or two orgasms just with his mouth and fingers while you so beautifully laid on his couch as your fingers tightened around his pretty curly hair.
• To end the day - or night - Ethan would cradle your body in his loving embrace as he was lulling you to sleep in his cozy bed. Ethan would be so lovey-dovey with you as your eyes were beginning to close out of exhaustion, his hand gently caressing your hair as you were laying on top of his chest. Ethan would murmur a last happy birthday in your ear with an I love you that sent butterflies in your tummy. You hid your face in the crook of his neck when you felt sleep overpowering you, Ethan wrapping his arms tightly around your waist and pressing his lips against your mouth in a warm kiss.
« Sleep well, my gorgeous birthday girl. »
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💗 Ethan Landry Masterlist 💗
Happy birthday @loveshydorky 💝
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galaxy-fleur · 1 day
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What did you think of Leon and Ada's new relationship in the remakes? Meta wise
I think it's an interesting and more nuanced take on their relationship! Which I definitely like. I see no point in judging OG RE2's love story between them, no matter how cliché and nonsensical it is. It's a product of its time, and it's charming in its own cheesy way. Teenage me cried over Ada's death in there, so I do have a soft spot for it.
But the Remakes offer a fresh interpretation of what happened between them, and I'm definitely interested to see where they will take their relationship in the future (that is if they do, because I wouldn't mind them just having separate story arcs from now on).
If we're talking actual analysis, I'll put down my thoughts. I don't know if you can call it a full-on analysis per se, as it's more just me writing out my personal interpretations on things. So keep that in mind please!
Long post under the cut. I'm talking almost 4k words and way too many shitty gifs (I have no time to make them all polished). I have way too much to say. I'll basically be going over their entire relationship throughout RE2R and RE4R so... yeah.
RE2R and RE4R are two games that offer a full story for Leon's character, and that's a very awesome thing that Capcom has done. I'd even say it's one of the best things they've done with RE recently. Making RE4R feel like a direct continuation to Leon's arc in RE2R makes total sense, and it makes many scenes in RE4R that much more satisfying to play through.
While RE2R does end on a somewhat positive note (much like every RE game has to), Leon's arc in it is very much negative. He loses more than he gains, he's unable to save anyone, and his good intentions end up being used against him. Claire ends her RE2R story by saving a little girl she has come to care for. Leon ends his RE2R story by losing the G-sample, 'losing' Ada without getting much, if any, closure from her, and not saving even a single person he has encountered. Claire and Sherry don't really count in Remake-verse (which I kinda don't like) because their storylines mostly happened separately from each other.
And that's not mentioning that he gets (assumedly, and I am very much hoping we'll finally see more concrete scenes of how it all happened in Remake-verse) pretty much kidnapped and forced into a life he never wanted right after. To say that Leon can't get a break in RE2R is like saying nothing at all. Poor guy gets put through the wringer on every level.
Now, onto his relationship with Ada, and how it ties into everything... It should be said that, while he obviously grows to care about her throughout their short time spent together, he remains suspicious of her. RE2R Leon is naive, but I often feel like people make him too naive. He's not an idiot. He tries over and over again to get answers from her, and he clearly feels apprehensive with her. And I mean... that makes sense. While she does save him multiple times, she keeps her distance from him.
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I'd say he starts opening up to her on an emotional level after witnessing Robert having to kill off his own daughter. He directly confronts her, demanding for answers and voicing his drive to do what's right. In a way, that's him showing his vulnerability to her. And Ada uses it against him. After all, it's a perfect opportunity to play on his (rather naive) determination to be the hero to help her achieve her own goals. Ada is also the only figure of 'authority' he has at the moment. Even if her claim of being FBI seems kinda off, she's the only one he has.
And I'll go over Ada and how I interpret her later. For now, just keep in mind that her using Leon is more of a gray area than just some horrible, disgusting thing. I'm just going over the events from Leon's viewpoint here.
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So, they team up. Ada starts softening up to him. They share light banter with each other: 'A: After you. L: Gee, thanks.' She expresses concern over his safety (the alligator scene). I'd say that's the point where he starts to care for her on a more personal level from before. As you would.
Him taking a bullet for her was instinctual. I'd say it's a more pivotal moment for Ada's character here rather than Leon's. In Leon's case it's moreso her taking care of him right after that matters. He directly mentions it to her later on (at least I'm pretty sure his 'you protected me' referred to that). I'd say him waking up to find himself tucked in with her coat and his wound taken care of was the moment his 'I care because it's another person who's in this with me' turned into 'I care because I feel genuine attachment to this person'.
Was it romantic? I'd say that's left for you to interpret how you wish. I like to think of it as him just caring for her as a person. Leon is someone who cares very deeply for others, and he's always striving to be the protector to those around him. I kind of think that someone caring for him when he's weak and vulnerable is something that is very meaningful to him. Now, Ada saves him multiple times at that point. But that's the first instance of her arguably going beyond what's needed. Sure, taking care of his wound was necessary, although she could have just let him be as he was for all we know. But tucking him in on top of that? Yeah, that's an obvious 'I care' gesture.
From then on, Leon is following Ada because he wants to trust her. And I do want to ring this home. He wants to trust her. Doesn't mean he does trust her. Because even though he shows genuine care for her, it's clear that he knows she's might not be telling him everything.
He wants her to trust him, so that she'll tell him what she is keeping from him. So that he can trust her.
The kiss scene is a perfect representation of exactly that, I'd say. Honestly, I'll just link this analysis right here, because I pretty much interpret it in almost the exact same way. But I'll go over it in my own words as well.
Leon's growing frustration is in full display here. He turns around from her, he paces, he tries to appeal to her. To just trust him enough to be honest with him. It's clear that he knows Ada might not be telling everything, but he chooses to believe her regardless.
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Hence the exchange that follows this:
Ada: 'Hey Leon, trust me?'
Leon, walking up to her: 'Trust me?' (Reversing her question)
Ada: 'Honestly, if I didn't, you'd probably be dead.' (A genuine answer as far as we know, but it's not one Leon wanted to hear, so he shakes his head, mutters 'Right.' and walks off.)
And I do feel like Ada knows that Leon is suspicious of her here. Her reaction once he walks off comes off as kind of panicky to me. She knows she might be losing him, and she can't have that. So, she once again appeals to what she knows is his weak spot. His drive to help others and 'save' the city. It does work. Somewhat. But he's still swaying, so she does the first thing she thinks of. She kisses him.
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She, quite literally, cuts off his line of thought so he stops thinking about it. Because him thinking is dangerous for what she's really doing here.
I think it would be very disingenuous to say that that was a kiss of love or affection. It is not presented as such, nor is it addressed that way in all. It was Ada's last attempt at stopping Leon from questioning her any further. How much of it was her focusing on her goals, and how much of it was her effort to 'protect' him from potentially figuring out the truth, is left to your interpretation. But whatever intentions she had, good or bad, it was a kiss of manipulation.
It does shut Leon up, as he's visibly stunned. He doesn't even say anything at that. He just stares at her, then at her hand on his knee. Now, here's the tricky part of it all. Do I think Leon felt romantic affection/attraction to her here? On some level, I'd say yes. But it's definitely no 'love at first kiss' or anything like that. He's confused, mostly. While he spent arguably little time with Ada, it was a time full of meaning. Surviving side by side and protecting one another is no small feat. And Ada did show her care for him.
I think, he chooses to trust her in that moment, because he, once again, wants to believe in her. Even if her kiss felt out of nowhere, and so much of what she says (or rather doesn't say) makes no sense. He chooses to trust her because he wants to think that she's a good person who cares for him.
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And so, we come to the pivotal bridge scene once he learns the truth. I do like how he confronts her in a blatantly emotional manner rather than logical. It's not so much about her being a mercenary itself, as it is about her using him and lying to him. That's what he's actually confronting her about, whether he realizes it or not. That's exactly why he tells her to shoot him, fully resolute as he holds her gaze. He wouldn't do that if he was just trying to apprehend a criminal like a good cop would (as he tries to present it at first).
But, he never gets that closure or resolution he was aiming for. Ada lowers her pistol. He breaths out shakily, probably wanting to continue talking, to figure this out. But he doesn't get that.
I do think Ada telling him to take care of himself as her 'last words' is a very painful thing for him. Because it leaves him with no actual closure on what happened between them. Ada chose to not harm him, and her last words to him are ones of selflessness. But she also lied to him and used his vulnerabilities to achieve her goals. And it's not like Leon knows anything about her occupation, and just how much she's involved with it on an emotional level. Maybe she's someone forced to do this against her will. Or maybe she enjoys doing such dirty jobs for all he knows.
That's the thing. Leon doesn't know. And that must be both frustrating and painful. He's basically left questioning all of his interactions with her, how much of it was genuine, whether she was honest with him at all.
And, most importantly, his time with Ada basically proves to him that his drive to protect and save, his willingness to give people the benefit of the doubt - is a flaw, and a weakness. It directly ties into his arc in RE4R. (And his relationship with Krauser, in a way, but I won't go over it here.)
He throws away her bracelet on the train, and I think that kind of shows that he chooses to believe in the pessimistic way of interpreting their time together. He throws it away because he doesn't want to hold on to something that reminds him of her. And, simultaneously, of his mistakes.
Now, let's go through the same events from Ada's POV, shall we? It's a bit more challenging, since we don't get to be in her shoes, but it's still a fun exercise.
Ada's initial interactions with Leon are ones of annoyance. She basically scolds him like a kid for always getting in danger and acts like saving him is a chore. But chooses to help him out regardless. I think it speaks of her humanity despite her line of work. It's an interesting dichotomy that follows her every single appearance pretty much, though not much is done with it (thanks Capcom). But yeah, despite her visible annoyance with him, she saves him time and time again.
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She doesn't visibly soften up to him up until that same Robert scene. She's pretty observant from what we can tell, and she probably already had a good idea of Leon's righteous nature, but it's the first instance of her actively playing into it instead of making small snide comments about it ('Trying to save the world?' 'Good luck with that.'). That doesn't mean she doesn't care, though. It's subtle, but the little sighs and changes in her facial expression do show that she's at least a little bit conflicted at the prospect of lying to him on such a huge level (though you can't see most of it with her sunglasses).
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It's one thing to say a passing lie about you being an FBI agent, and it's completely another to play the long game by using someone like that. But she needs to accomplish this task, and it already proved to be more difficult than she expected. Remember, Racoon City was Ada's first time dealing with anything of this sort, too. She might be a mercenary, but it's not like she had to deal with zombies and B.O.W's before that. She's out of her depth, and she has someone pretty much offering themselves to her as her assistance.
So, she takes the risk.
While she does join in some passing banter with Leon after that, she still keeps her distance. She's dry and mostly unemotional in her mannerisms. Remember how I said that Leon taking the bullet for her was more pivotal to her in the story? Let's go over that.
It would be disingenuous to say that Ada is a complex character, unfortunately. Most of the complexity she does have, we pretty much have to add on to ourselves. Hell, I'm doing it right now with this entire section! Capcom is doing a way better job with her in the Remakes, but she's still pretty flat as a character. Maybe this'll (hopefully) change in future installments. But for now, we work with what we have.
Either way, we do know that Ada is someone who's self-sufficient and chooses to work alone. She keeps her distance from everyone, and she lives by 'everyone for themselves' ideology. Basically, a total opposite of Leon's 'protector' role. All that to say... someone taking a bullet for her is definitely not something she would expect. On some level, specifically because she would never do that herself. Especially for someone she basically just met. But Leon risks his life for her. Furthermore, telling her to go ahead instead of anything else.
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I think that's the moment Ada starts caring for him on a personal level. Maybe she feels like she should repay him for this. Or that she owes him a debt. Regardless, she takes care of him and tucks him in, before proceeding further.
That care only grows once they reunite. Now she's the one injured, and he takes care of her, despite her protests: 'I can do it myself'. Ada is self-sufficient, but Leon offers her his companionship time and time again. We don't know whether that's something she lacks in her life or not. We don't know enough of her as a character to say that. But she's obviously someone who's not used to getting help from others. Again, on some level, because she doesn't do that herself.
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Remember, while Ada did save Leon numerous times before, she always acted visibly frustrated by it, like it was a chore she was forced into, despite her choosing to help him herself. Leon, on the other hand, is quick to offer and insist on helping out, very much eager to do that for her. She already made the choice to use him, but now she learns that he's a genuinely good person with a kind heart, and not just some stupid naive rookie.
And so, the kiss scene, again. I already said that her kiss feels like a last-ditch effort to stop Leon from questioning her any further. And I do think she acted on impulse. Thus why she follows up with a hand on his knee and the: 'I'm counting on you'. And I, personally, think she kind of regretted doing that right after. Or maybe felt extra conflicted about the whole ordeal as a whole. The way she slouches and sighs heavily once Leon leaves is very reminiscent of that. It's kind of a mix of 'Fuck, I messed that up, didn't I?' and 'What the hell am I going to do after this?'
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It also should be noted that Ada never meant to tell Leon the truth. It would be convenient for both of them. Leon would feel like he did something good, and she would complete her mission with no further issues. Both sides win. But... things go haywire. And she's confronted with the consequences of her initial choice to use him.
It'll be silly to say that Ada doesn't care for Leon. If she truly was this heartless mercenary some would like her to be, she would shoot him on the spot. Her pistol being empty doesn't really matter, either. Leon was basically offering himself up to her, again. Even without any bullets on her hands, she could have easily knocked him out or something.
But, she can't bring herself to hurt him. Because Leon really is a good person that doesn't deserve that. And she knows that, and she cares for him on a personal level on top of it all. We don't know what she was going to do, before Annette shot her. Maybe I'm actually talking out of ass here, and she really was planning on knocking Leon out cold. But, we'll never truly know.
And her last words for him are to take care of himself. Because, in a way, Ada, more than anyone, knows just how selfless Leon is. On some level, it's a wordless 'I'm sorry', if you wish to interpret it that way.
Boy, was that a lengthy mess! Their first introduction to each sure was tumultuous. But we still have RE4R to go through! Though it'll be more about Ada than Leon.
Nevertheless, let's talk about Leon's interactions with Ada. I think we all know he's noticeably harsher and colder to her. It's an interesting change, and it does show that he feels resentment towards her for what happened in Racoon City. We don't know how his initial conflicted feelings morphed into this resentment, but they did.
I don't think nearly enough people mention that he's genuinely being very damn rough with her in their little sparring session. While yeah, you could make an argument that he's holding back, he's not being careful either. Ada has to put in actual effort to fight him off, which she doesn't even succeed in because he takes her off-guard with his intensity.
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And he also puts the sharp end of his dagger to her throat. Just to rub more salt into the wound.
I don't think this was him wanting to hurt her or threaten her, though. It was more of a show of strength. Ada approaches him by taunting him and teasing him, like she can do whatever she wants to him. But he's not that same naive rookie anymore. And he shows her exactly that.
A kind of: 'Don't think you can play the same trick on me twice, or you might get burned' message. A message that I think Ada does get.
As for him smirking at her, I don't think that's him being 'happy' to see her or anything. I think that's just him being amused that she still thinks she can play him like that. He grows all cold and distant with her right after.
Leon obviously has a grudge that he hasn't let go of. I actually like how he's almost needlessly petty with her in RE4R. Making snide remarks, calling her heartless and dismissing her on numerous occasions. It shows that he does care. If he didn't, he would cooperate with her with no further complaints on his part. He's purposefully being cold to her to show that yes, he is still upset about what happened, and he will use every opportunity to demonstrate exactly that. It's petty and kind of childish, in a way. But it makes sense for him, and it adds extra flavor to their relationship at this point in time.
Though, he does offer an opening to her in the boat.
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'Have you changed, Ada? Or are you trying to use me again?'
It's a good parallel to his: 'Trust me?' In RE2R, and both phrases are used for a similar purpose.
He gives Ada an opening to trust him and be open with him. One that she doesn't take, again: 'What do you think?'
She gives him no answer. Just like she didn't in RE2R. I think, in a way, that kind of gives Leon an answer by itself. He trusts Ada and relies on her when push comes to shove, but he doesn't give her any more openings from then on. I'd say that's his 'I think we both know this is where we go our separate ways' moment.
With Ada, things are way more complicated, in a good way. Separate Ways gave us so much to work with, and that's amazing.
Throughout Separate Ways, we see Ada bouncing back-and-forth on what she wants to do. She's initially very cold and resolute in her job, helping Leon out more like a passing convenience than anything else. She does still help him, though. She's still dealing with the dichotomy of what she presents herself as, and what she actually acts as.
I really like her confrontation with Luis in particular. She's cutthroat and blunt. Almost chillingly so. And she only relents once Luis mentions her own infection. Him telling her of Leon's infection has little effect.
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'And why does that matter to me?'
I think that's a question she's asking herself just as much as Luis here. Though, she's still in her cold, self-sufficient mercenary role here. To be honest, I find her relationship with Luis in particular much more interesting in RE4R, but since we're talking about her and Leon here, I'll just say that Luis is the catalyst to her change (so to speak, Ada doesn't really change as a character per se, I'll elaborate on that later). Not Leon.
She confronts Leon face-to-face, quickly being met with the truth that he is not as easy for her to push around now. And I do think she has zero bad intentions there. She was genuinely just playing around and teasing him. Only to figure out that that approach won't work at all. It's kinda cute, honestly. So, she gives him an opening of her own instead. She tells him to leave Ashley, to prioritize his own safety over hers. Because that's what she would have done in his place. Leon is quick to shut that down. Something that Ada probably expected, as she just huffs and gives a knowing 'Right.' to that.
That's the moment Ada knows Leon hasn't changed. Not really. He might be colder, more ruthless and dangerous, but he's still that same guy, wanting to protect others, no matter what. She knows she'll have no success in swaying him at that point. Hence why she tells him exactly that on the boat later.
The next pivotal scene, I'd say, is her watching Ashley wake up and learn of Luis' death. Ada mostly treats Ashley like a nuisance, something Leon has to protect. Because that's his job. But in that moment, she sees the genuine connection they share with each other. She sees that Leon cares. And not just because Ashley is an innocent person he has to save, but because it's Ashley.
Ada's arc throughout Separate Ways is not that connected to Leon, which is a good thing. Similarly to Leon concluding his story from RE2R by saving Ashley and proving to himself (first and foremost) that he can protect someone he cares about, and that his humanity is a strength, not a weakness, Ada learns to accept herself, too. She's visibly conflicted at the start of SW, but by the end of it, she knows what she has to do, and she made peace with that. Her hesitating before going against Wesker in the facility is one of the last moments of her hesitating with her intentions.
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But, again, that scene is more about her and Luis. Luis is very important to Ada's character in SW, and I think that's neat.
While the scene itself is kinda awkward, her encountering Ashley during the final battle is another arguably important one. Her watching Leon and Ashley before that was about her witnessing Leon's care for her. Now she sees that Ashley fully reciprocates that care. They are on equal ground with each other.
And so, the final scene between them. I already said that Leon settled on his answer concerning Ada before that. But Ada makes one final opening to him. It's a selfish one. After all, what exactly would happen if Leon agreed to come with? Would they just leave Ashley to die and fly off into the sunset? On some level, I think Ada knows that what she's asking is unrealistic, especially for Leon. But I think it also speaks of her progression throughout Separate Ways. Ada learns to be more genuine with herself, even if it means being selfish or asking something that she knows will be rejected.
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So, she shoots her shot one last time. Leon gives his answer. Ada is not surprised by it. But she is visibly upset by it. She knew it was coming, though.
So, they do exactly that. They go their separate ways. At least for now.
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sammaggs · 2 days
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1x02 Diefenbaker’s Day Off | Emblematic
If I were trying to sell someone on due South (as I so often am) and wanted to give them an idea of what this show is at its very core, I would pick this scene.
Fraser in the Brown Uniform CHECK
Fraser having a full conversation with his deaf half-wolf CHECK
Diefenbaker being low-key a sassy bitch CHECK
Fraser completely flustered over meeting a woman CHECK
Fraser putting a full jug of milk directly into his cupboard instead of the fridge due to the above CHECK
Diefenbaker's eyes changing depending on the shot because they had to use a stunt husky for his reactions CHECK
Fraser as The Mountie clearly not the entire picture CHECK
It's just pitch-perfect and I love it so much
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misspoetree · 1 year
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KinnPorsche + Text Posts: Anniversary Edition
FAVOURITE SUPPORTING CHARACTER(S) - Tay | Big
[many more text post memes]
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Okay now I'm curious about your TMA/Gravity Falls crossover. Is it like the cast of TMA get a cartoony summer adventure or is it like the cast of Gravity Falls have to deal with The Horrors? Or is it something else?
See this fic enchants me because it’s sort of both. One of the Rules of the fic is that the characters absolutely must maintain the conventions of their genre. So it’s the TMA universe and all of its grimdark cosmic horror grappling with the metaphysically displaced Mystery Twins, who operate on cartoon logic.
So it’s a lot of:
Elias: As you can see, you are all quite trapped. Under the contract, you cannot quit and you cannot kill me, so I suggest you all--
Mabel and Dipper: *exchange a look*
Dipper, stonefaced: *shrinks him with the size changing gem*
Mabel: *picks him up by his blazer and puts him in a jar*
The TMA crew: *staring*
Dipper, clapping once: so that's him handled.
Tim, completely broken, having to sit down: what
Dipper: I mean he can't do his evil machinations when he's like two inches tall in a jar and he's not going to die either so--oh uh Mabel? You put holes in that jar right?
Mabel, already going through Elias’s wallet and pocketing the cash: I can't be expected to think of everything Dipper
Dipper: I'm sure he's fine there, there was some air to start with and--we'll add holes. We'll add some holes
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okitanoniisan · 7 months
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new rgg fans will never know what they missed back in ye olden days of the fandom (like, 2019), doubly so now that scott strichart's deleted his twitter and jon riesenbach's privated. twitter was so fucking fun and then whatever-the-hell at sega of america happened and caused a fucking snowball effect and now we have shitass localization and resulting discourse that makes every release nigh unbearable, misinformation, confusion, people complaining about "bad writing/mischaracterization" not realizing it's because of the shitass english loc, i'm sitting here like jesus christ these loc bitches massacred saejima's character voice, people will never see him as he was intended, as original yakuza 5 localization Correctly painted him, and now they're coming for kiryu. god help us. we used to be a proper fandom. before everyone was subjected to the remastered localizations and shaky eng characterization. no one had even played yakuza 3-5, people still called morning glory "sunshine" orphanage, kiryu was our only protagonist and people still called him "boring", it was beautiful...
anyway gaiden uses affective instead of effective because the current localization team is full of careless dumbasses who don't give a fuck about ensuring they're using correct english grammar and this is not an isolated incident
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#ada speaks#ive been playing through the series again from 0-5 and. yeesh#it goes from LIFE IS GOOD. LOC IS GOOD. to. oh.#yakuza 5's original localization is near perfect and they couldve made it better but instead#they opted for the cost cutting approach and decided NOT to retranslate and instead#just fucking. re-localized the localization and SO much is wrong. so much.#im playing simultaneously with a friend (myself on ps3 them on pc) and seeing the differences#and it happens in y3r and y4r too where#the original line is localized > the remastered line takes it and runs with it bc they have no original translation context#ie. in 3 rikiya says he likes 'wild' dancers. (re: strip club) it gets localized to be him liking 'aggressive' dancers.#in 3 remastered he says he likes AGGRESSIVE DOMINEERING WOMEN and that gets his Gears Turning#or. in 5 shinada says that uno is 'a little sad up top' re: his hair. and 5 remastered he says 'kinda mopey'#because they misunderstood the original english loc and so. completely fucked up the line to mean something else entirely#its like broken telephone#the same is SOMEHOW also happening in 8... i dont know HOW but somehow it fucking is#meanwhile im revisiting zero and going OH YEAH GOOD CHOICE. THAT MAKES SENSE. GREAT WRITING. WOW THAT'S AN A+ INTERPRETATION OF THAT LINE.#i miss the old loc team so bad. bring me back.#its mostly frustrating because i can see the shitass eng writing and still enjoy the game beneath it (unless it's not voiced.) but#i feel so bad for everyone flying blind and forced to take the loc at face value#its been like this since lost judgment but the main story was Fine (if a bit rushed) because. scott was still doing his thing#the substories in lost judgment also felt like they were of the same calibre (shit.) as remastered and. idk.#it seems like its been a shitshow at SoA behind the scenes for Years#and it shows.
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I have a big google doc thing where I keep track of media and stuff (putting everything in loosely ranked categories), which is mostly just for my own reference so I know what tv shows I've already seen before, etc. and I never really look back through it, typically just a quick "okay, watched two movie in the past 8 months, need to quickly slap them somewhere in the lists. okay. done. save document. exit". But today I was actually reading through some of the old notes and there are like... MULTIPLE places where my comment is basically "It would have been good if it were about elves" or "I wish there was a fantasy show made in this same style" or "It's well made, but I just keep thinking about how I would like it more if everyone was an elf or was in old 1700s costumes" or etc like...... lol.... Most biased media ranking system on earth blatantly made by someone with an extremely hyperspecific range of narrow interests. It'd be like if a food reviewer only had 5 foods they actually liked, so they'd just go to a pizza place and be like "eh, the pizza was okay, but I just think it would be better if it was cereal instead. :/ ...2 out of 10"
#Which.. I mean... I am allowed to be biased because literally it's just for my own personal reference (or occasionall#y to send to friends or something if we're discussing the topic) so like.. nowhere am I saying 'I am the god of perfect taste and these#rankings are objectively the absolute truth and everyone should have my same opinion' or anything#BUT still.. it's funny to me sometimes#'Succession would be 100x better if it had the same cast/character quirks and shaky camera style and#acting choices/weird dialogue and general concept etc. EXCEPT it takes place within an elven noble family or something#managing the family business and everyone is in fantasy costumes now'' like.....okay...... but it's NOT that way..soo... thats not the show#''I like the acting style/general tone of Fleabag but i don't care for any of the characters or any of the subject matter and I wish it was#set in the 1800s and had vampires and was about magic instead'' okay..... again... you are making up an entirely new show in that case lol#OR my other beloved typical complaint ''The concept is good but theres too much plot and action and not enough people just sitting#around doing nothing and exposition dumping world and character lore'' ''this needs more goofy sideplots and filler episodes''#''this Drama was too dramatic I think it should be more lighthearted & people need to sit around doing nothing just being weird more often'#''the Action Movie was ok except for the action scenes - which I skipped through all of- but I liked the costumes and worldbuilding'' etc.#ERM sorry your plot has too much plot. also elves have to be included somehow. bye#BUT SERIOUSLY!!!!!! I literally genuinely believe that any show I like (or even dislike) could ALWAYS be improved greatly by#putting people in fantasy or historical costume/setting/etc... why the FUNK would I want to see bland jeans and cars and cell phones#when I could see elaborate velvet cloaks and fantastical landscapes and interior design and innovative takes on historical or#magical technology or etc. etc. etc. I LIVE in the modern day. I see it all the time!!! BORING! stinky!! boo!!!#ANYWAY... another social divide for me.. People love to bond by discussing media. which is hard when I'm like#'I literally will not watch something at all unless it fits into one of these 10 extremely specific categories which are all i care about i#the entire world''.. I say this and yet I still dislike most fantasy or historical things I've watched lol. ok TWO main criteria then!!#it must 1. be in a different world or time period. 2. be goofy silly. Nothing ever has BOTH. It's always overly serious boring drama action#fantasy/history stuff OR it's comedic lighthearted but with modern day characters... WHY.. anguish and woe and so on..#ANYWAY jhjnk... at least I can make that divide. Some people seem to project their own personal preferences and get really emotionally#defensive if you say you didn't like something - as if the fact that they DO like it is some Objective Truth or something rather than just#opinion/preference based. I can still easily say ''this is well made/well written/acted/good in a technical sense/has a lot of#points of appeal that most people would be drawn to/etc'' and admit that it's a GOOD show probably. I just PERSONALLY think its#bad because my tastes are very narrow. Some things ARE actually made badly but. things are not bad INHERENTLY just bc they dont suit ME lol#Better to recognize/accept whats odd about you and be peacefully aware of it than just being mad at everyone all the time for not fully#agreeing with you even when you're the one with the Weird opinion in that case lol.. I am right though :3 but.. lol... still. i get it
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essektheylyss · 11 months
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me @ me, rereading my own fic: op you were insane for this. icb this was written for me in particular.
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shy-sapphic-ace · 1 month
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I JUST FINISHED CARDCAPTOR SAKURA WHAT AM I SUPPOSED TO DO WITH NY LIFE NOW 😭💕
#oh my gosh I am so in love with this cute lil show#I loved this so so much! (okay the next few tags are going to be me gushing about this show)#and it’s SURPRISINGLY queer for a kids’ anime from the 90s??#anyway Sakura and Shaoran are so cute :)#and Touya and Yukito are also so cute!! <3#but also? Yue/Touya/Yukito is canon in my heart#Touya gets two boyfriends for the price of one :)#oh oh and a canon nonbinary character!! that was pretty awesome#really though if I ignore the few weird ships this show is like perfect!!#so cute and happy and really well-made#the artstyle was fun and the characters were actually so good!#TOMOYO MY BELOVED#she’s perfect and I love her with my entire heart#her and Sakura are so so cute (but not as a ship cause. cousins)#and I just learned that Tomoyo and Meiling is a ship and I’m?? kind of in love with that idea??#oh and one more thing— that scene where Sakura tells Yukito she has a crush on him?? FUNNIEST THING EVER#she says ‘I really like you…’ and he’s just like ‘oh you like me just like your dad? :)’ and then. he was right#I just thought that was sooo funny#and THEN she said ‘oh so you’re in love with my brother?’ and he just said ‘yeah :)’#and then she gave him her blessing#urghhhh cute#really though Touya and Yukito… the boyfriends ever <3#when I started watching this show I was looking for something happy and fun with a bit of gay#and that’s exactly what I got <3#plus a few bonus beloved background characters I’ll always love <3#cardcaptor sakura#(my beloved)
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uranium-city · 1 year
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guys i really hate to say it but Abe's kind of been the highlight of the last two episodes for me & feels most in character to his S1 counterpart when compared to the other main characters 😭
ALSO him & Joan had more genuine chemistry in the one hospital scene than JFK & Joan have had all season & as a member of the JoanFK nation i am frustrated
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