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#this film would be black and white until there's a smidge of colour that pops right out at you
non-un-topo · 11 months
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In another life I'd be making weird avant-garde films that get either 2% or 80% audience ratings
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arabrot · 4 years
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Who Do You Love by John Doran
Who Do You Love?
We drove 5,000 miles of barbed wire.
You’d think that by travelling that distance around a country you could get the measure of it. Especially if the country was only 361 miles from top to bottom and even less from East to West. You’d be thinking reasonably but not accurately.
Despite journeying the equivalent of one fifth of the circumference of the entire Earth in 31 days, all we got to see was the road itself. England endless. What we experienced was just a percentage of a splodge, a smidge of a blotch on the coastal fringe of Europe that deserved neither the sobriquet Great, nor the title United. How did such a small area of land contain such extravagant lengths of major road? In the same way that a human body could house a tapeworm 33 metres long. Probably not comfortably but hopefully not fatally either. Undoubtedly, in May 2015 - general election month - England had beauty to spare: it’s just that none of it was visible from the motorway.
We met on the forecourt of a petrol station near an airport. Heat haze was already starting to rise from the tarmac. The Driver was dressed immaculately in a tight-fitting black suit, shades and wide-brimmed black hat. His concession to non-monochromatic decoration was silver chains carrying cocks and crosses. He looked like Asa Hawkes, the “blind” preacher from Flannery O’Connor’s Wise Blood - but much thinner. He tipped the brim of his hat hello. This was not his stage hat but his everyday hat. His stage hat, the kind of prairie Stetson featured in the opening scene of Holy Mountain was massive and kept in the kind of box that suggested it was an essential part of a drum kit. It had its own carefully allotted slot in the back of the van with the tons of amplifiers, speaker cabinets, guitars, synthesizers, boxes of books, suitcases full of clothes and bags and bags of oranges we were taking with us. There was only one way to fit all of this stuff into the vehicle, and packing it correctly was like 3-D Tetris. All it took was one giant, impractical hat in the wrong place and then everything had to be taken out again and reloaded in the correct position.
He was the colour of milk, which made the angry red scars up either side of his neck all the more vivid. He looked like the missing link between human being and some future race of Lovecraftian eel-men who would be able to breathe via gills under water.
As well as me and the Driver, there was the Passenger. She looked more like she had stepped straight from the set of Bladerunner than a Jodorowsky or John Huston movie. This was to be their last tour as boyfriend and girlfriend as they were headed straight to a deconsecrated church in rural Sweden to get married as soon as the trip ended. I was merely a temporary guest in their world. A road voyeur with a month long pass.
Within minutes of setting off we hit the M25 we became enmeshed in May Day traffic. I realised that most of the month was going to be spent looking at slow moving traffic on motorways.
But just as driving to Brighton was slow and painful, leaving it the next day was a dream. On the motorway, time stretched and contracted simultaneously in temporal doppler effect. The days seemed longer but time blistered, popped and broke apart pleasantly as the brain switched down a few gears into a near pure experiential mode. There was little to worry about. All I could do was count the pylons and pretend I had a flamethrower to aim at UKIP billboards and hoardings; to luxuriate in motorway sign typography and listen to Maggot Brain as loud as it would go. Miles Davis’ Agharta was the soundtrack to us speeding out of the south up the M1 towards the Rainy City. Al Foster’s ringing, open hi-hat was our fuel. And then it was nothing but John Coltrane, Electric Wizard and NOMEANSNO until we reached our destination. It started raining the second we hit Stoke. And then before long we were on the Mancunian Way heading for Piccadilly in torrential rain, parking the van under a tangle of flyovers. When I planned this jaunt it was a thing of beauty. I took an AA road map and unfolded it until it covered half the floor space in my tiny living room. I took a sheet of stickers from my son’s Thomas The Tank Engine magazine and created a spiral of towns and cities, first round the edges near the coast and then spiraling in toward the centre. Our proposed journey looked like an occult temporal and spatial message only discernable from the god perspective. What I planned was a perfect thing. But after you plan your perfect thing what happens is this: promoters start phoning you up or emailing you. ‘We’ve double booked you with a Stereophonics tribute act’; ‘There’s actually a bar mitzvah on that day’; ‘It’s Record Store Day.’ And then the perfect thing falls to pieces. By the time we hit the road the perfect thing looked like that terrifying film of a spider on LSD trying to spin a web. And there was only one thing worse than a spider on LSD trying to spin a web and that was a spider on caffeine trying to spin a web.
We stopped for several coffees en route to Sunderland the next day. The weather was beautiful. Fields of golden rape seed glowed under a blue sky. But I gave up counting the UKIP billboards. There were just too many. The purple pound signs zipped past in a blur. We’d been on the road for five days and I hadn’t seen a single sign for Labour. It was almost a relief when we passed a huge hoarding in an arable field next to a broken tractor which proclaimed: “Prepare to meet your Lord!” We pulled in soon after to stretch our legs in front of a petrol station that shared a forecourt with a sex shop wrapped in a large tarpaulin hoarding, proclaiming: “Under new management!” Next door was a garden centre flying a row of ten confederate flags and two Union Jacks. There was a knackered and rusty jet stream caravan serving up plastic cups of filter coffee.
It became clear early on that the Travelodge was our friend. Every Travelodge the Driver, the Passenger and I shared was identical. A family room. One double bed, one fold out couch bed, minimal decoration, very interesting mass produced art, scant furniture, tea making facilities and a portable telly, often chained to the wall. The Travelodge may have had less furniture in it than the average bail hostel and may sometimes have smelled like a suburban pet shop from 1984 but it was totally fine as we were low ranking touring musicians and writers, not visiting dignitaries from Saudi Arabia.
After Leeds, our Travelodge was situated in a motorway retail park so the following morning we walked just a few hundred yards to the Toby Carvery for breakfast. Pushing open the double swing doors we were confronted by a man in stained chef’s whites, with hair pushed under a light blue plastic turban crowning a jowly and crimson face. He was methodically and noisily applying a large cleaver to a foot long cylindrical sharpening steel with a schnick-schnick sound.
“Hello!” said the Driver cheerfully. “Are you Toby?”
The chef looked up slowly and a pendulous and translucent bead of sweat swayed under his nose. His eyes were like drill holes in gammon. Bruised udders of flesh were hanging below each of his nicotine-stained ocular orbs. He was possibly the most hungover man I had ever seen. He jawed away silently, his eyes flickering dully with rage as he started straightening up. The BPM of metal on metal increased. The three of us circled round him gingerly and headed rapidly for the breakfast counter past tables rammed full of people who looked like they were about to die. I had never seen so many morbidly obese people in one place at one time. It was like God’s waiting room with unlimited fried egg.
Oh England, you are sick.
It was only £5 per head and you could eat as much as you wanted but the choice was only bacon, sausages, roast potatoes, black pudding, fried egg, fried bread, beans and mushrooms. The thrill of the open road. Unlimited roast potatoes and bacon for breakfast.
(We spent just one night at the supposedly more upmarket Premier Inn, and it was relatively more luxurious but due to its incomprehensible automated reception machine, it took us an hour and a long conversation with two angry Premier Inn employees to gain access to our room. “Getting into this hotel was like the opening scene from a new episode of Black Mirror”, said the Driver, a recent convert to the show. “There’s nothing like waking up in some shitty English town, before eating some shitty English breakfast before driving slowly down some shitty English motorway for 12 hours before loading into some shitty English venue and playing a shitty gig to ten people before going to some shitty Travelodge just to watch a really well made English TV series which explains to you exactly why everything is so fucked”, he told me gleefully.)
Any hotel room was actually very much like home as long as you had a laptop, a handful of Nick Cave CDs, some Right Guard and a copy of Threads on DVD, which happened to be the exact contents of my overnight hotel bag.
Waking up in another identical Travelodge on another identical Motorway retail park the next day I realised finally that this was literally the worst place for a writer to be during general election month. Nowhere had wifi that worked. It was like being in a bubble of ignorance for 31 days. We had to choose these parks to minimise the chances of the splitter van getting stolen with all of our gear inside it. Every Travelodge we stayed in was essentially the same, surrounded by a handful of other outlets - a Toby Carvery or a Harvester or, if you were really unlucky, both of them. Then maybe also a Costa, a Boots and an Esso petrol station as well. They were all accessible from a motorway roundabout that wasn’t really near anything other than either an airport, a prison or an industrial estate. A vague hangover from reading JG Ballard as a schoolboy led me to believe that there would be some kind of mind-expanding nourishment to be had from this aspect of the venture but these motorway retail parks were all identical. They were the most co-opted and least free spaces of all.
After breakfast, outside, sitting on a wall drinking a cup of tea in the sunshine, I looked intently at a semicircle of rooks surrounding a single bird of their own kind. They were slowly advancing in toward it. The bird in the middle was stock still and not moving. It didn’t look like a friendly encounter. The Driver and the Passenger came out and joined me. The parliament were just about to attack the accused in order to peck it to death but just as the corvine jury bore down, they were disturbed by a loud noise from above. The Red Arrows flew over the Travelodge in formation causing them to scatter  It felt almost as if the Driver existed in a bubble of weird, uncanny, apocalyptic and esoteric events that moved with him wherever he roved. But it was also as if he barely noticed any of them. I stood pointing at the sky.
“Yes, yes” he snapped irritably as if he was sick of seeing this kind of thing. “Let’s get in the van and get off otherwise we won’t get to Digbeth in time.”
That night I dreamt that the solid iron core of the Earth was about to slough us all off until the planet stood raw and bleeding in space, just roiling magma with no skin to contain it. The utter indignity of being born between waves, the scions of a pusillanimous age we were all about to be cast into the void with the filthy scab of a country we called England. A flat and unmagical land. A depressing and tawdry place. When I opened my eyes Toby was stood in the corner of the room, sharpening his cleaver, schnick, schnick, schnick, schnick. Empty eye sockets carved out of rancid, fly-blown gammon.  
“We have to stop eating lunch at the Harvester!” I sprang out of my fold out bed and shouted at the Driver and the Passenger, waking them from their sleep. “The full rack of ribs is fucking killing me!”
Fuck the Harvester. Fuck Toby Carvery. All of the clothes that were hanging off me on May 1 were now snug and it was only May 12. My ears were ringing with the premonition of some future blue cheese dressing related pulmonary event.
It was easy to see how ruinous life on the road could be, even when you didn’t drink or do drugs. I felt sorry for younger bands who felt they had to go out partying every night after shows. After a couple of weeks it must end up hellish.
The road to Hull was paved with UKIP signs. Only Necrosis by Cadaver played at ear disrespecting volumes kept us sane. It was dark as we drove into town and ghosts lined Ferensway waiting to greet me. The cinema where I’d had my first date in town, the pair of us just turned 18 - watching Shirley Valentine no less, saying, “Imagine being that old” about Pauline Collins and Bernard Hill - was now a bingo hall. The war memorial that I regularly drank sherry in front of on a bench. The Welly nightclub where I saw a punter swan dive off a balcony and go headfirst through the corner of a formica table. When they took him out on a stretcher there was a blanket pulled up over his face. And then down past my old house on De Grey Street and into the car park of the Adelphi. And then the ghosts waved us back out of town.
The drive to Great Yarmouth was gruelling and 13-hours long because of traffic - we got stuck behind no less than three serious road accidents. Bodies strewn across baking tarmac. Bloodied travellers weeping in incomprehension at the hard shoulder. Slow moving the traffic might have been but at least we had plenty of long albums to listen to. Just like a mattress in a shared student house or the narrative flow of the Bayeux Tapestry - Kendrick Lamar’s To Pimp A Butterfly sagged in the middle but it was very, very long, making it ideal for the van.
Eight hours later, after the show, we flew down the A47 unimpeded like we were clinging to a rocket, listening to Slayer albums sequentially at full volume, gabbling like a bunch of four-year-olds as we went. By the last day, I felt like I was about to die and constantly on the verge of tears. I didn’t want it to end. It was the best of times. It was the worst of times. It was the worst of times. It was genuinely the worst of all times. And yet I’d crawl over broken glass to be able to do it all again right now.
You know, if you really want to get the measure of a country don’t drive round it. Take a train or walk. Maybe buy a bicycle or a skateboard or something.
We drove 5,000 miles of barbed wire and parked the splitter van by the roadside.
John Doran, Bangkok, Thailand, December 2017
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