final redraw of the day: this um. piece from 2018!
and of course the screencap it was redrawn from
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genuinely irritated about the prevalence of brother-sister character designs where the brother has a huge nose and the sister has a tiny nose. 1) why are you a coward who hates the joy and beauty of women with big noses 2) have you looked at any real human siblings lately 3) why do you appear to think the nose is a secondary sex characteristic
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i really like the hc that magic loved arthur and protected him until merlin came into the picture but very specifically bc it means his idea of like. the laws of physics and How Nature Works would be completely warped. the reason why all those miraculously falling branches didnt raise any questions? its been happening to him his entire life
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The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.
Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.
Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.
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