#this is so beautiful and galaxy brained

[merakiui]

hiii mera!!

imagining azul as a type of cannibalistic octopus, on your first night together he’s spent so long hyping himself up and grueling over whether or not he’s content giving himself to you, eventually coming to terms with it and deciding to make the event as romantic & easy to clean as possible. when the deed is done, he’s so anxious and pathetic and practically withers away as he looks at you,,, he knows what comes now… but when your teeth don’t tear at his flesh, he looks at you with confusion, a bit disappointed by the lack of development, but far more relieved. He asks and you explain that humans don’t cannibalize their partners,,, and it clicks. so many others can come back and brag about their partners and he’s a bit embarrassed by the revelation, but SO relieved. it’s a cute thing, he’s so excited to continue living with you

random thought though,, not very thought out LOL he knows not of porn in this situation

wet dreams consist of getting it on and him jumping awake as you lurch towards him with a hungry maw,,, imagining on the first night he just brings a bunch of snacks in hopes that it’ll save him, chip bags littered about like rose petals

thank you for reading,

lionfish anon :]

AAAAAA YES YES. OTL Azul who is only familiar with mer courtship and sex customs, so he's fully prepared to give himself to you after he spends so much time mulling it over. Aaaaa he's so cute, preparing so many snacks to make sure you're well-fed and too distracted to think about eating him after the fact. Azul being too worried to do anything face to face, so he fucks you from behind instead. Later, when he learns you won't be devouring him after sex, he becomes more confident holding you closer and fucking you in intimate positions that allow him to look at you. <3

I think he'd have some of the best snacks as well. orz all of your favorites along with some of his favorites, too. The snacks being scattered like rose petals is so silly to imagine, and he'd probably look so proud about it as well. Something like,,,, look at what a good mate he is, providing you with an abundance of food (please don't eat him) and he'll take good care of you when you've eaten your fill of snacks (please PLEASE don't eat him).

Unintentional tako rizz (which was really just Azul trying to ensure you wouldn't cannibalize him afterwards lol). He's just too cute!!!!!

[snackugaki]

and the template here: https://twitter.com/KarlaDoodlesPen/status/1495943787138408457

That's my girl since i was 12 in 1997 and that's my girl at 38 in 2023

[officersnickers]

Women ~ 💖

[dreadfuldevotee]

there are two wolves inside you: One that wants Yaz and 15 to meet sosososo bad, the other that doesn't RTD to want touch Yasmin Khan with a 50 foot poll

[crystal-lillies]

Oh my GOD

HOPE.

HER!!!!

SHE!!!!!!!!!

IS THAT WHY HOPE BEATS ANTILIFE AND THE DARKNESS AT THE END OF EVERYTHING, BECAUSE SHE DID???

OH MY GOD I LOVE THAT EVEN MORE NOW.

NEIL GAIMAN @neil-gaiman I AM SCREAMING!!!!!! THAT'S SO GOOD!!

[hawkinsp0st]

changed my blog title cuz we need to be discussing this LMAOOOO

[pandorumblue-blog]

*blorbo squawking*

[jokerownsmysoul]

re your most recent post's tags:

#I want him to share with me the things he loves and himself

arthur would just hand you a mirror and just stare at you til you understand and then he'd giggle and kiss your cheek and press his forehead against yours.😭😭😭😭

Omg girl 😭😭😭😭 legit I giggled when I read this and then burst into tears 😂😂💀💀 he would!! 😭😭😭 this image is so soft, I can't express what it did to my silly heart but for some reason it hit me hard idk 😭💙 he feels so affectionate I could hear him. 🥹💙 these puns are a weak spot and this was so comforting and tender to read but also so funny as well I'm 🥹🥹🥹💙💙💙 thank you for sending this, I'm aware I sound very silly right now but it really soothed me and made my day so much better I'll be cherish this forever istg 🥲🥹 I know that if roles were inverted he would do the same for you! 🥺💙

[fromcainwithlove]

Klay calling jordan “his rookie” . feeling a bit insane over this.

i’ma need a source for this but also YES he is his rookie. putting this under a cut because i feel i’m about to get wordy.

in ways i think klay might have taught him more just because jordan looks at him in a different way. with steph, you can just see how jordan is devoted to him. totally under the sway of his god given charisma. when iggy said he still plays the game just to protect steph’s legacy—that’s how feral steph makes people feel. just by being him.

with klay, i think jordan is less thunderstruck and more appreciative. i also think about how they both went on individual journeys over the last three years, journeys that were parallel in some ways but also complemented each other. klay had all of the talent and knowledge, but his body needed to get strong again. jordan had talent and strength, but he needed experience. he soaked up klay’s wisdom, and i wonder how much klay might have experienced through him.

srsly tho, how wild do you think steph feels about it?? that is clearly HIS rookie he fed it and cared for it and took it for walks for TWO AND A HALF YEARS. he’s fuming. he’s uncomfortably jealous and he doesn’t even know who he’s more jealous of.

[sysig]

Such interesting happenings between page turns (Patreon)

[ariaste]

The Magic Trick You Didn’t See: Being An Analysis of Good Omens Season 2

(or: Neil Gaiman, Your Brain is Gorgeous But I Have Cracked Your Sneaky Little Code And Have You Dead To Rights*) (*Maybe)

***

Soooooo I just spent the last 48 hours having a BREATHTAKING GALAXY BRAIN EPIPHANY about Good Omens Season 2 and feverishly writing a fuckin16,000 word essay about the incredible magic trick that @neil-gaiman pulled off. 

Yes, it’s long, but I PROMISE your brains will explode. Do you want to know how magic works? Do you want to know what Metatron’s deal is (I’m like 99% sure of this and it’s EXTREMELY FUCKING GOOD)? Do you want to know about the Mystery of the Vanishing Eccles Cakes and the big fat beautiful clue I found in the opening credits? Do you go through the whole inventory of Chekov’s Firearm & Heavy Artillery Discount Warehouse? 

Here is the essay, go read it: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ When ur done u can tell me I’m an insane crackpot, and u know what, i won’t even be offended

In case you don’t know whether you want to bother reading the whole enormous thing on google docs, I’ve put the first couple sections of it under the cut. JUST TRUST ME OKAY, HEAR ME OUT, THIS IS VERY EXTREMELY COOL, NEIL IS GOOD AT HIS JOB--

Proem

A dark theater. The rustling of the audience: clothes, breathing, whispers of anticipation. The lights come up. A man enters, stage left. He is a magician—a master magician—and he performs for you a magic trick so good and so subtle... that you don’t even notice you’ve seen it. 

You know there must have been a trick—after all, you came to the theater to see a trick performed, didn’t you? And he claims to be a magician. So there had to be a trick somewhere. There had to be.

But maybe there wasn’t. Maybe there was just a man on a stage, talking to you, telling you a story with a strangely unsatisfying ending you didn’t quite understand. 

I know. This is a weird beginning to an analysis essay. But hear me out, because I have to explain the mechanisms of the stage before I can show you what the trick was, where the trapdoor was hidden, and how Neil Gaiman pulled the whole thing off so gently and elegantly that you didn’t notice a thing. Ready? Here we go.

The Facts As We Know Them

Let us begin by establishing a baseline—some fundamental, logical assumptions that underpin the magic trick. These will seem obvious as soon as I say them, which is precisely the point: They are self-evident, loadbearing foundations for my entire argument, and if I don’t point them out, I’m going to sound like a crackpot conspiracy theorist. (Which! To be fair, I might be. I could easily be wrong about all this—but I don’t think I am.)

Our baseline, loadbearing assumptions that preface my Grand Unified Theory of Season 2: 

1. Neil Gaiman is extremely good at his job.

2. Neil Gaiman loves these characters and wants with all his heart to do them justice; likewise, he has a great deal of respect, love, and admiration for Terry Pratchett and is striving VERY HARD to write the show the way Terry would have been happy with.

3. The devil, as they say, is in the details: Neil Gaiman and the entire Good Omens cast/crew are fully capable of doing extremely subtle detail work, as conclusively proven in Season 1 Ep 6, specifically the whole sequence of the body-swap scenes.

With me so far? Great.

The Elephant In The Room

Season 2 was... odd. It was odd, wasn’t it. This isn’t a matter of whether you loved it or hated it—there was just something odd going on.

I spent the entirety of my first viewing very much enjoying myself and being very happy to be back with these characters and this world, but I was also liveblogging to my groupchat as I went, and a theme soon began emerging:

“Neil, what are you doing? Where are you going with this?” “What in god’s name is going on here? I’m so lost lmao.” “What is going on with the music situation?” “WHAT ARE YOU DOING HERE NEIL” “zombies, ok, I trust u to pull this all together in the end, Neil, but I still don't know what you're up to” “What is going on LOL” “Incredibly what is going on here” “NEIL! WHAT IS HAPPENING!” “Literally what is happening” “Neil Gaiman why have you constructed a regency au for mystery VIBES reasons” “just????????? lesbians????????? dancing what's HAPPENING. just all the background characters are gay here ok sure sure sure NEIL GAIMAN WHAT IS HAPPENING--” “mmmmmmm neil what u doin”

All these are copied verbatim from my liveblogging, and apparently I am not the only one to have this reaction. And to be clear, I was having a good time! I came out to this theater to see a magic trick, and this Neil Gaiman guy on stage is a master magician—but I didn’t see the trick, even though there must have been a trick. 

At first, I wasn’t sure how I felt about the season. I wanted to like it! Indeed, there were many things that I liked about it! But I felt a bit muddled and jumbled up and confused—I felt like there was something I didn’t understand about it, and so I couldn’t yet understand how I felt about it either.

I started chewing on this question in a friend’s DMs: Why is season 2 so fucking odd? What is going on here, Neil? What are you up to? The matter of whether he was up to something was never in question. I knew that he had to be up to something. Writers are always up to something, and as I watched season 2, it was as if I was watching Neil scamper around the room with a mischievous expression as he messed with things here and there and made little tweaks and adjustments to the arrangement of all the Chekov’s guns he’s stockpiling on the mantelpiece. 

You see, Season 2 has some very bad writing in it. HANG ON, DON’T ARGUE WITH ME YET! THIS IS NOT A JUDGMENT CALL!! This is the rug that the trick’s secret mechanism is hidden under!!! This is the hidden mirror that makes the trick work!!!!! This is the trapdoor in the stage!

Yes, of course I will explain myself.

Neil Gaiman is a master magician, but I am a pretty damn good magician myself—I’m a professional fantasy author who has published nine books, and I teach workshops for apprentice writers online and at universities—and if there is one thing I have learned about the process of achieving mastery of your craft, it is this: 

Regardless of what medium they’re working in, the apprentice artist is concerned primarily with achieving realism via an expansion of their control—control of their brush strokes as they paint a photorealistic eye; control of their deck of cards, the mechanisms of their magic tricks, and where the audience’s attention is being directed; control of all the little factors of voice, plot, character, setting, suspense and surprise that go into writing a good story. However, the master artist has achieved that control—so much so that it often looks effortless to an untrained eye—and sometimes the master artist returns to a messy, amateurish style simply because they have control even over this too. 

As an example, consider Picasso and his entire body of work. He begins as an apprentice focused on achieving control, doing portraits of people that look like people—like what we expect a portrait of a person to look like. Then, as he grows in skill and gradually achieves mastery, he pulls away from realism. He develops a style, he experiments with faces that don’t look like any human alive  colored in ways that do not appear in nature. He expands his control. His work becomes abstract. Towards the end of his life, he starts experimenting with what’s called “Naive art”, something that a 5 year old could theoretically draw... but you have to achieve mastery before you can do it on purpose and have it look good. 

On one hand, Neil Gaiman is extremely good at his job. On the other hand, Season 2 has bad writing in it.

What does that tell us?

Well, we know from our Baseline Assumptions that Neil Gaiman is simply too good of a writer to fuck up through garden-variety clumsiness and lack-of-control the way an apprentice writer would. Additionally, he cannot fuck up by accident in this case because I am positive that the man is scrutinizing his work on Good Omens far too closely to let anything slide—for Crowley and Aziraphale’s sakes, for David and Michael’s sakes, and especially for Terry’s sake. The stakes are sky-high, and he cares too much to write a weird, kind of “bad” season by accident.

Which leaves only one option: He did it on purpose.

(Am I sounding like a crackpot conspiracy theorist? Baby, you ain’t seen nothin’ yet. I’m gonna get SO MUCH MORE CRACKPOT.)

If he did it on purpose, then the natural question to ask is: WHY!?!?!??

It’s a great question. Not “Why?” in terms of why he as an individual person with emotions would decide to do that, mind you. More like, “What purpose does this serve for the structure of the narrative?” There is a story he is intending to tell, and out of all the choices he could have possibly made, for some reason this one was necessary and correct in order to achieve that end goal—so what was that reason?

See? Intentionality. He knows exactly what details he left in, and he did it on purpose. (Editing! It’s important!)

So there has to be a reason. It’s like when a master magician “casually” rubs an itch on his nose—why did he do that? What is he sneakily slipping into his mouth by hiding it under the excuse of this little gesture that does not even register to you as meaningful? (If you haven’t watched enough stage magic to know what I mean, watch this.)

This question is, of course, impossible to simply answer out of thin air without any further evidence. It is a dead end—so we must adjust the question and come at it from a different angle.

The one I settled on when I was chewing on this was: Well, okay, what do I mean when I say “bad writing”? What is it about S2 that makes it feel so goddamn odd?

The Pledge, The Turn, and... The Conspicuous, Expectant Silence

There are three parts to a magic trick: Pledge, Turn, Prestige. 

First, the Pledge: You show the audience something ordinary. Second, the Turn: You make that ordinary thing do something extraordinary, like vanish. Third, the Prestige: You bring the ordinary thing back.

To quote the 2006 film The Prestige just after its explanation of the first two parts: “You want to be fooled. But you wouldn’t clap yet, because making something disappear isn’t enough. You have to bring it back.”

You have to bring it back.

When I teach apprentice writers, I call this a “setup-payoff cycle”. Achieving control and dexterity with this tool is crucial, because the setup-payoff cycle is the engine of the story—it’s what makes the story run. You can have a setup-payoff cycle at any scale—I have read ones that were a single sentence long; I’ve read ones that were two books long. Additionally, all jokes, no matter how long they are, are structured on a setup/payoff cycle. These cycles work precisely the same way a magic trick does:

You set up the audience’s expectations. (Optional but generally considered stylish and elegant: You give those expectations a firm jolt to throw the audience off-balance.) You pay off the audience’s expectations in a way they weren’t expecting, while saying “TA DA!!!!” really loud with your arms flung wide.

Audiences really like this. A setup-payoff cycle executed just right makes the audience’s brains light up like Times Square and hammers on their mental “reward” buttons like nothing else. It’s like you’ve personally handed them a cookie and a gold star. They go wild for this.

Here’s an example of a setup-payoff cycle, though it’s not a perfect one—and you’ve probably heard it before, so you’re not going to be throwing chairs and tearing down the theater from sheer glee:

The Setup: Knock knock. Who’s there? Banana. Banana who? The Jolt: (the joke starts over and repeats several times without reaching the payoff (aka the prestige) while the audience grows more and more annoyed and frustrated about the unfulfilled expectations, until finally...) Knock knock. Who’s there? Orange. Orange who? The Payoff: ORANGE YOU GLAD I DIDN’T SAY BANANA?

Good Omens Season 2 feels so fucking odd because the setup-payoff cycles are incomplete—nearly all of them are, and the ones that do close the loop do so in really weird ways which, as a professional author, make me feel kind of, “Bwuh?????? But where’s my cookie? Excuse me??? Sir???? Neil????? My cookie, tho???”

When I realized this, when I finally put my finger on why the whole season was giving me some uncanny valley heebie-jeebies, a chill ran down my spine. (The rest is here: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ I’M GOING TO GO STARE INTO THE ABYSS NOW BYE)

[maimochies]

𝐕𝐄𝐑𝐈𝐓𝐀𝐒 𝐑𝐀𝐓𝐈𝐎 has been called many things in his lifetime, but smitten is not one of them. Many believed him to be cold and calculating, sometimes even cocky, enamored with only what he thought to be worth his attention and time.

You were everything he wasn't familiar with — soft lines instead of sharp, bright colors that followed you around wherever you went, serving a reminder to him about just how dull his life actually was. It wasn't even something he ever considered, how the cold stone statues and dusty pages had consumed him so far down a dark rabbit hole that any inkling sign of faltering light was something he'd shy away from.

" Beautiful, isn't it?" you had murmured to him during the exhibition, awe dancing in your eyes like tiny stars, sparkling with the brightness of a thousand galaxies.

His lips parted as he turned his eyes and at first he stumbles over his sentence, as if his brain and his heart can't decide who gets a turn first. He splutters and coughs before he straightens himself, chest puffed out a little bit and says, "Well, the backstory behind it is far more fascinating, though not many people are aware of how deep it's history goes."

You blink up at him with those bambi eyes, wide and innocent — fuck, what would they look like filled with tears of pleasure? no, no, he can't be thinking like this —

"Care to enlighten me?"

"Of course."

Veritas, a man of cold calculation and symmetry, finds his world tilting on an axis he cannot steady the day he stumbled into you during that art exhibition. But maybe the world is just as pretty when it's upside down.

[bluerosefox]

Courting Chaos (to Balance)

A KlarionxDanny brain worm that has spawned

Tim Drake, aka Red Robin gets kidnapped suddenly and very randomly by Klarion in the middle of a JL and others meeting.

Leaving with a

"I'LL RETURN HIM WHEN HES NO LONGER USEFUL JUSTICE LOSERS!"

And fire and chaos in his wake.

While the JL, and others scramble to figure out what Klarion has planned this time, Tim manages to break free of whatever Klarion had used to kidnap him only to find himself on a couch and Klarion nervously petting Teekl on his lap while also sitting in a chair across from him.

When Tim goes to demand to know why Klarion kidnapped him Klarion finally speaks.

"Okay, I wanna strike a deal. I won't bug you or your little Young Just US buddies if you help me ask someone out..."

"...What the fuck Klarion?" Was Tim's only response.

-x-x-

So it turns out, every so often the three main entities and actual factions of Order, Chaos, and Balance get together to well discuss things happening in certain Realms, worlds, and timelines. Basicly to touch base, see where everyone was at. Etc etc.

Order was Order. Chaos was Chaos.

Very simple.

Both could be bad. To much order caused restraint and could snuff out growth. To much Chaos could get out of hand and cause ruin.

Both could be good. Order help stabilizes worlds and builds their future. Chaos allowed creativity to roam and brought forth wonderful things.

And Balance.

Well Balance was the very scales that kept both sides in check. They were neutral grounds. The ones that normally oversaw the meetings as well. And despite their low numbers they held powerful entities that more than made up for it.

Balance did their best to keep things in check, sure they do have their own preference sometimes and allowed the scales to tip a tiny bit but always corrected it later if it tips to much.

It was at this meeting, a meeting even Klarion knew better than to do anything too chaotic, pranks were fine but nothing too much, and had been chatting with a newcomer to the side of Chaos (Danielle, call me Ellie, Phantom. She did some heroing on the side but liked causing chaos in her wake to do so, he liked her so far though.) When the bells for the side of Balance to appear announced them.

Ellie had smiled brightly and said her brother was coming with his mentor, turns out her brother was apart of the Balance group which meant that he was strong, strong enough to need a mentor.

He watched as the members of Balance walked, teleported, flew, and other means into the meeting halls. And then froze when his eyes caught sight of him.

Floating next to a blue skined being that was switching ages was a beautiful otherworldly person.

Snow white hair that wisped upwards oh so softly. Glowing green eyes that were cat-like with their piercing glance. A galaxy cloak hanged around his shoulders and seemed to shift with each movement. Star like freckles decorated his face and seemed to glow a soft bluish white. A crown made of ice and aurora lights floated above his head as well.

All in all Klarion couldn't keep his eyes off of the being at all. He nearly spat his water out when Ellie commented that was her brother Danny, or rather.

High King of the Infinite Realms, Daniel 'Danny' Phantom. The Great One. Defeater of the Tyrant King. The Halfa. The Peaceful End. The Balance of the Undead. (And his mentor was the Ghost of Time itself. THE very Keeper of Time, Kronos original form himself.)

Klarion honestly didn't know what to think or rather what emotions he was feeling when he spotted Danny, nor why his face felt so hot and red when the young man looked over at them and smiled. (He was smiling at Ellie but Klarion for some reason hoped it was for him as well)

It wasn't until halfway in the meeting when a rather ingenious prank that Klarion, Ellie, and a few others had set up went off... thing was it strong enough that it had hit Danny's side of the meeting and had hit him.

Now, again pranks were okay but only after the meetings. It was one of the few rules many, even those in Chaos, took seriously because once it was done and over they could go do their things. So for it to happen in the middle of a meeting means someone set their time on the prank wrong and add the fact it hit a person on the Balance side...

Yeah not good.

Only...

Only instead of getting angry, even Clockwork who was seated next to Danny was chuckling, Danny threw his head back and laughed about it. And his laugh... was very cute.

And before he knew it, Klarion had already fallen.

-x-x-

"So yeah.... Since you have a boyfriend and know how to date in this modern age, I need your advice."

".... Klarion just because I'm dating Bernard doesn't mean I know how I did it..."

"Bernard? I thought you were dating that one Supes?"

[quicksilver-daydreams]

what if i ugly?

[intermundia]

in defense of padawan haircuts: do ewan and hayden both have lovely hair that is part of what makes them ever so beautiful? yes. but padawans are monks in training so they're not supposed to be fuckable treats for the eye. they have funky hair that marks them as members of their order!! awkward, uncool, unlovely haircuts that make them look like dork ass home-schooled losers. their silly braids advertise the length of time they've studied as a proxy for their deepening commitment to the order and mastery of the jedi arts!! they have a stubby lil nerf tail because it's traditional and tradition is sometimes awkward (and idk some cultures actually enjoy hair in that style!! they're not supposed to look like usamericans maybe) and like.. the order also maybe doesn't want its baby jedi to be fashionable trend setters with glossy flowing locks for good reason!! look what happened when anakin was too pretty!! he was so fuckable it broke the system and ruined his life and the entire fuckin galaxy, maybe the council should have made his haircut worse. his hair should have been so deeply tragic it distracted padmé from his sharp jaw and pouty lips. obi-wan should have completely nuked his charisma stat from orbit before shipping him away to naboo (his game was already terrible, so he was halfway there!! just make him terrible to look at too!!) sexy hair needs to be earned with knighthood, once they know you're truly committed to the jedi way. curls and mullets are a privilege not a right!! the padawan haircut is like training wheels for non-attachment, like.. leave them alone!! their brains aren't done cooking yet. their hair is so bad it's good, just like the prequels ok. i'm bleeding out on this hill but you. Cannot make me leave

[piratefishmama]

There was just something magical about a good Renaissance Faire. Something in the air that set Eddie’s little crow brain alight with excitement. Especially around December when Christmas loomed around the corner and snow dusted the ground.

Be it the shiny trinkets dangling from wooden hooks amidst the old wooden stalls, be it the haggling voices of stall vendors and customers, all dressed in garbs they’d likely sewn, dyed, modelled themselves, the smells of the food stalls, the glow of twinkling fairy lights reflecting on the snow, the music played on lutes and sang from haybales for gathering crowds, be it the energy of likeminded folks all there to be a little bit weird, joyously, freely, without shame or judgement.

He could be himself there.

Dressed to the nines in layered fabrics purposefully aged and torn to simulate era appropriate wear and tear. His hair held silver trinkets, tied up by lengths of dark fabric in a messy up-do that’d taken Wayne a good few hours to figure out, and would no doubt take them both a hell of a lot of huffing and puffing to remove without cutting it out later. He had a cloak made out of a thick set of curtains he’d thrifted, dyed, and repurposed.

He had his bag, something he’d sewn himself out of extra fabric from those curtains, made with plenty of little pockets and places to put his spoils, he’d saved up for months to get as much out of this faire as possible because things weren’t CHEAP there.

Most things were handmade, most things were lovingly crafted by gifted individuals. He didn’t even want to haggle, he had money specifically for the faire! He was going to spend money on the endlessly talented individuals at the faire!

He got himself a new journal, leather bound with thick blank pages for sketching in. it was embossed with intricate swirling patterns around a pentagram that he’d absolutely get shit for if he ever pulled it out in public but it was beautiful, and it had a cool swing lock clasp.

He got himself a pretty necklace, wire wrapped with a fancy gem that he’d keep safe to use as a prop at some point.

He found some beautiful homemade dice, made in such a way that it looked like liquid moved inside of the dice, little flecks of glitter sloshing around a cloudy liquid inside the green tinted gold leaf inlaid resin with every roll, beautiful, eye catching, immensely satisfying to his little crow brain. Surprisingly enough they were the most expensive purchase he’d made at the faire, tiny little dice, fifty whole dollars. Not the most expensive thing he’d seen there, but definitely the most expensive thing he now owned from the trip.

They came with an incredibly pretty velvet dice bag though, which he hadn’t expected to get as a little freebie but the girl at the stall winked at him when she handed it over and wasn’t that a trip. The fabric was dyed to look like some kind of galaxy, with little silver and gold stars embroidered into it.

It made those dice a steal and he would treasure it and them, always.

He perused the fabric stalls, getting himself a cool hand painted scarf, detailed with a beautiful dragon that he’d find a good frame for later to hang up because it would not be worn, no siree. He grabbed a cool hand carved wooden mug for Wayne that looked like something straight out of a Viking’s mead hall, he’d give it to him for Christmas.

He got himself some food. He watched a joust, got a photo with the riders and their horses, one of which tried nibbling his hair, tipped the riders, and very quickly found himself running low on cash.

All that scrimping, and saving, and dealing… worth it. So very worth it.

So sue him if he looped back around and walked through again, he couldn’t afford much of anything else, he’d spent his last ten spot on a fridge magnet, had five left for gas station snacks on the way home, but that was fine, he could take photos, he’d borrowed Gareth’s camera, Gareth would have come but his parents had one stipulation for him attending the faire, and that was taking his failing grade in biology, and upping it to something that at least predicted a pass before thanksgiving.

He’d failed, and no amount of grovelling could fix it. No Ren Faire for you good sir!

Jeff was out of town with his family on some ‘visit all the out of state family members before Christmas snowstorms lock everything down’ country wide tour. And Dougie couldn’t get the time off his part time job to go.

So Eddie had promised plenty of photos to show them what they missed out on.

It was the very last stall at the end of the strip that caught his attention. Maybe it was the way the dying sunlight hit it, or the way the wind caught the chimes dangling from its flimsy rafters, he felt… called to it. Drawn to it like a moth to a flame and who was he, but a lowly little moth, to ignore the call of the fire?

So he wandered over, let himself be drawn in, offered a friendly little finger wave to the greying woman sat behind a makeshift counter wrapped in shawls and decorated in silver jewellery that jingled as she worked a single crotchet hook into a slowly coming together wine red shawl. The woman offered him a simple bow of her head and a small smile in response but no sales pitch.

No conversation of any kind really, she simply sat there while he looked, crocheting away without a care in the world. He could appreciate that, not being bothered by pushy sales tactic, especially when he had so few funds left to play with, he always felt guilty when he couldn’t afford what they were selling.

Like why was he even there if he had no money to spend?

The old woman didn’t do that, allowing him to wander through her surprisingly large stall full of little trinkets and goodies uninterrupted, which was for the best because had she spoke, he might not have stayed long enough to spot it. Amidst the little boxes decorated with carved patterns and pretty gemstones, amidst the scarves, crocheted bags, amidst the leather work belts, and wallets sat a single, solitary little bottle.

Sealed with a cork coated in wax and pressed with a decorative seal in a shape too worn down to really make out but obvious that it’d at one point had a shape. The bottle was hand blown, not manufactured, lightly frosted a dark brown to a brilliant amber around its square base, the colour crept up the smooth sides towards its seal, like a diamond in shape.

The bottle wasn’t empty either.

Much like the dice that’d caught his crow brain hook line and sinker earlier, this little bottle was filled with some kind of liquid. It swirled like a galaxy inside, and at the centre a brilliant light that looked like it held its own sun, always at the centre of the swirl, never distorting or shifting out of place, eternal in its circular flow.

It was warm in his hands. He didn’t even realise he’d picked it up.

“Two dollars.” Eddie damn near jumped out of his skin, whirling around, the bottle tight in his grip. That old woman had moved. And she’d done so with a quiet stealth some might attribute to a ninja, which was impressive considering how much jewellery she wore.

“Huh?” So eloquent of him.

“Just two dollars, child. The bottle? It is… calling to you, yes?” He couldn’t place her accent, something foreign, European maybe, he had no idea but it definitely didn’t sound any parts American. “I take two dollars for it, will bring you luck.” He looked back to the bottle, eyeing the swirl that still held its pattern even as he’d jostled it, like nothing could knock it out of its gentle swirl, then back to the old woman.

What was two dollars, really?

He had five left, if nothing else the bottle could make a really cool prop, and if it did bring him luck, then hey bonus. Who was he to argue with a mysterious old lady at a Renaissance Faire? “You uh… you got yourself a deal, ma’am.” She smiled brightly at him, eyes alight with both happiness and… something else, something that reflected in the light that he didn’t think hard enough about. She accepted the five dollars he had left, she gave him his change, and a little paper bag filled with tissue to hold his new purchase, which he didn’t really need as he put it right into his own bag after receiving his change, and then she sent him on his way, uncaring as to whether or not he wanted to look at her other wares.

He’d gotten the bottle. Nothing else mattered apparently. Maybe he should have found that suspicious, but why would he?

As soon as he left the little stall, all thought of it seemed to wash away from his mind leaving him freely wandering back to the entrance where his trusty steed, his Van, awaited him to take him home. Blissfully unaware of the little bottle he’d just purchased. Blissfully forgetful of the stall he’d visited, of the old woman he’d just met, of her smile, her eyes, her mysterious accent.

All of which was for the best, really, as if he’d thought about it, if he’d taken a single moment to stop and look back to the little stall at the end of the row, the little stall that held more treasures than it should have been able to for its size, if he’d looked back to wave his goodbyes to the old woman and her treasures, he’d have found nothing.

No stall, no woman, no trinkets or treasures. Just a single row of recycling bins and benches.

But he didn’t look back.

Definitely for the best.

Part 2