#this merits it

[ink-ghoul]

I hope Doc swears in his next episode

[pusheen]

[most-normal-eccles-cake-ignorer]

The products of trying to recreate what was going on outside the frame during the kiss. (for ENTIRELY SCIENTIFIC purposes)

@actual-changeling altered my whole outlook on life with this post about Aziraphale's left hand (I'd only been looking at his right hand) and I couldn't stop thinking about it, so I painted the rest of the fucking owl (and his bf).

so normal about this

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[anneapocalypse]

So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.

[fabcreature]

you know what, since we've been talking about how annoying it is when people react like "what drugs were they on when they wrote this 🤪" when someone is creative, i just wanna say

everyone who says "HOW IS THIS A KIDS' MOVIE 😱😱", when a kids' movie is a little bit out of the box and features dark or deep imagery and meanings, owes me one thousand euros

[ajcrawly]

[lastoneout]

Saw a post talking about this and didn't want to derail it, but like, honestly, at this point, I'm becoming less and less tolerant of people acting like straight/cis passing privilege is a real, very serious thing that needs to be taken into consideration every time someone speaks on queer issues bcs I swear to god the only time I ever see it actually brought up is when someone is trying to deny someone else a seat at the table. Like first it was used against bi+ people to explain why we're not queer unless we're in a same gender relationship, and then it was used to shit all over ace and aro people for not being "visibly queer", then they turned on nonbinary people who "look cis", and now I see people throwing it at trans men for some reason like???? This is legit becoming an exclusionist dogwhistle to me. Any merit to this concept is completely obliterated by assholes who are so addicted to playing oppression olympics they're meticulously crafting pokemon type advantage charts to categorize all the gays based on who actually has "real" problems and who doesn't, it's agonizing.

Like putting "straight/cis passing privilege" up on the shelf next to "comphet" until people can learn how to use it in a way that doesn't invalidate someone else's queerness.

[midnight-els]

"Captain, you're not going to give up, are you?"

Star Trek Voyager | 5x16 "Dark Frontier - Part 2" Star Trek Prodigy | 2x09 "The Devourer of All Things - Part 1"

"Vice Admiral Janeway, [...] there are larger matters at stake here!"

[deerteatime]

im having very strong feelings about AI art in this chilis tonight. [ID in alt.]

[biggest-gaudiest-patronuses]

demanding a series in the same vein (heh, vein) as Dexter/Hannibal wherein a prolific serial killer plays cat & mouse with the police--except the serial killer in question is a preteen schoolgirl. this would make for compelling television due to the fact that middle school frequently causes girls to become deranged, and more media should reflect this

[bbqhooligan]

what in the sam hell is this. by god you people are dogs.

thabkfully someone said it

[fernsnailz]

sorry these kinds of comments have been really pissing me off recently lol

[whomst-the-hell]

“Tammy Thompson,” says Robin, voice choked.

“But Tammy Thompson is a girl?” says Steve, feeling the full effect of Russian drugs and not seeing what Tammy Thompson has to do with him being rejected right now.

“Steve.”

“Oh.”

So maybe he does see what Tammy Thompson has to do with him getting rejected right now.

Ok.

“Did you OD over there?” fear is audible in Robin’s voice.

He steels himself.

“You know… I was never looking back. At Tammy, I mean.”

“That doesn’t really- Thanks, I guess,” Robin sighs.

“No, I- hm. I wasn’t looking at Tammy because… because Eddie Munson sat in front of me in Ms Click’s class.“

“Steve?” Robin looks confused, but there is a hesitant kind of hope blooming on her face.

“And he always wore those rings, you know? And they’d, like, shine in the light. And he had all those fucking chains so even when he managed to shut the fuck up, he was never quiet and- and- fuck. “

“Steve.” Robin’s eyes are wide, understanding dawning on her face.

They sit, facing one another across a bathroom stall, smelling of blood, sweat and vomit. They aren’t alone anymore.

They never will be again.

[dr3amfyr-e]

brat. - j.v. ( w. 4.5k )

꒰ in which the boy you see every summer enrolls in the same university as you. ꒱ — modern!jacaerys velayron x reader

୨ ⎯ i cannot stress enough, football means ⚽️ not 🏈. childhood-friends-to-lovers, but you have to get through my 2000 word psychoanalysis and backstory first. light angst. mention of the death of a parent. lots and lots of talk about the velaryon-targaryen-hightower family dynamic. light make out action. reader's family is implied to be wealthy enough to have a summer home. almost everyone lives au. set in the uk, not westeros. omitted daemon rhaenyra marriage because there’s no way to to make it even semi-normal. realizing now i omitted daemon entirely erm sorry. pushing the laenor agenda bc he’s my favorite character. this is abhorently long. extreme overuse of the em-dash. uhh the perspective is wonky in a few places. will prob get a pt.2. ⎯ ୧

i had to write this twice. i'm offering this to you with shaking hands, like a peasent child begging for coins. i may write a part two because i have more to say, but i don't want to figure it out rn.

On the cold January morning that Jacaerys Velaryon-Targaryen was born, the media went into a frenzy. 

The Targaryens were old money, their fortune rooted a century back in good investments. Historically adept at finding their way into things, the empire had a string to pull in every industry. From art and law to technology and shipping, if business prospects looked good there would be a Targaryen investment.

And then there were the dogs — regal greyhounds, with long, thin bodies and sleek coats. The Targaryens bred them as far back as bloodline records went. The pups were never for sale; sometimes they were used as show dogs, and successful show dogs they were, but more often they were pets. It was a status symbol, to nonchalantly own such a coveted creature. 

The Targaryens were idolized in the public eye. They were all stunning, with sharp features and silver hair, and each member of the family seemed to possess a Midas touch. But, where Valyrian blood ran hot, so did the press. It was no surprise when magazines started to turn a profit from silver heads plastered across their glossy covers. It was the price that came with God-like aristocracy.

From editorials to gossip columns, people devoured the insider life of the untouchables. When Aemma Targaryen died, there was a four-page spread in nearly every magazine; complete with pictures and quotes. Business papers filled with opinion pieces about Rhaenyra’s inheritance claim to her family’s empire; magazines exploded with the announcement of her engagement to Laenor Velaryon, and subsequently Viserys’ marriage to Alicent Hightower, the daughter of his lawyer. 

When Jacaerys was born, reporters lined up outside of the hospital doors. There were cameras and microphones and crew trucks, and Rhaenyra hated it. It wasn’t the way she wished to welcome her child into the world — swarmed by people who didn’t know nor care for him.

Laenor had always been good at navigating the attention, and Rhaenyra was constantly grateful. So, when he pulled his gaze from the babe and steeled himself to deal with the onslaught of reporters outside, tears pricked at her eyes. Appreciation, exhaustion, adoration? She couldn’t be sure. 

Looking down at her son, she thought, he’s perfect. He had a smattering of dark hair, and he was quiet but not concerningly so. Wispy lashes fell upon his cherub cheeks, and when he eventually blinked up at her his eyes were dark. He looked nothing like her — she didn’t care. 

She refused to talk to anyone outside of her family, and had the curtains in her private room drawn. To expose her son, her heart, to the prying eyes of the bored masses with nary a care for his well-being was a nightmare. She wouldn’t have him exploited. 

At the time of Jacaerys’ birth, she and Laenor had been married for a little over a year. Laenor’s father, Corlys, managed the bulk of the import and export for Viserys’ company. Corlys was a good man, he hadn’t dreamed of marrying his son off. But Laenor and Rhaenyra were both in the same impossible situation: the wiles of youth mixed with the ever critical public. 

They had both fallen into scandalous relationships, both preyed on by paparazzi. If they married one another, it would save face for both of their families. Plus — both being the eldest and heir, this would clear the expectation of a dignified marriage. They agreed to leave each other to whatever youthful fun they wanted to have, as long as everything was discreet. 

Both the Velaryons and the Targaryens kept a summer home in Dragonstone, a private community in coastal Wales. It was the perfect place for Rhaenyra and Laenor to begin their life — far from her father, close to his parents, and out of the line of sight for any nosy journalist. 

The public eye had looked to other things by the time Lucerys was born, two years later. Again, Laenor dealt with the small gathering of reporters with the utmost grace, and Rhaenyra submitted a written statement. 

Alicent divorced Viserys that same year. 

As she watched her boys grow up, full of energy and life, Rhaenyra thought, there was no one better to parent with than her best friend — a title Laenor had rightfully earned. They hadn’t had much choice in knowing each other, and they certainly would never have chosen to be married, but he made a bearable roommate. They had things in common; they liked the same music, and the same men. They drank the same wine and frequented the same restaurants. And, they both loved their boys. 

As Jace and Luke grew up, they found the best company in each other — the school in Dragonstone was so small, though, that there were very few other options. They both played on the school’s small football team, and Jace took piano lessons while Luke learned to fence. Where Jace was driven by emotion, Luke was level-headed; where Luke was cautiously quiet, Jace spoke his mind. It was an ideal childhood, the Welsh coast was an idyllic backdrop to grow up upon, with the sea in their backyard. 

They were ten and eight when Joffrey was born, both excited for their new brother. Their mother brought him home, bundled in a soft red blanket. The boys sat on the couch beside Rhaenys and stared at him for upwards of an hour. 

Hardly a week had passed when Harwin Strong died. He was a family friend, a frequent presence in their home and life — Jace and Luke had been upset by this, of course. 

In time they came to understand the situation fully. Jacaerys first, fitting the pieces together with the evidence he found in the mirror. Neither Rhaenyra nor Laenor had dark hair, like he and his brothers. 

His matriline was uncontestable though, as he grew into himself. He possessed the same nose, jaw, brow, and high cheekbones that Rhaenyra wore. The comparisons between the two became more frequent as he grew older, and he found himself to be quite proud to look like her. 

Her attitude lived in him as well, the temperament she had been so notorious for as a girl festered in her eldest son. She had once been christened ‘The Princess of Dragonstone’ after flipping off a reporter at their summer home. Jacearys earned it for himself when he was fifteen, after loudly berating a reporter. He had been defending Luke, but no one seemed to care when they deigned him ‘The Prince of Dragonstone’. He took it with grace, claiming that he couldn’t help but be his mother’s child.

It instilled a sense of public propriety he strove to uphold. 

Rhaenyra remarried the same year — to Alicent Hightower — and moved her children from Wales to London. It took a while to adjust to the new life — Jace liked his new school, but he detested his step-brothers. No matter how hard he tried, he couldn’t come around to the idea of living with Aemond and Aegon, who took so much pleasure in making he and his brothers miserable. 

After the first month, Jacaerys fell in brilliantly. He performed well in school, quickly being enrolled in the advanced literature and history courses. He got on well with his peers, and made a number of friends. He joined the football team and spent his Sunday afternoons learning piano concertos. 

Living in London made him a more publicly prominent figure in his family's legacy. He knew how to play his role as heir; he carried himself perfectly — confident and charming and elegant. He didn’t particularly like being in the public eye, but there was a certain sense of satisfaction when he did something to receive positive public attention. 

King’s Landing, much like where he had grown up, was a community reserved for the upper echelon. Situated in Northwest London, and surrounded by wrought iron gates, it was regal and dignified. The house had high, vaulted ceilings, large stained glass windows, and more than enough bedrooms. It rained more, Jacaerys noticed in the first month. When it had rained in Dragonstone he would watch the droplets bounce off the sea, where it lapped at the sandy bay. Here the rain splattered unceremoniously upon the pavement. 

For as wonderful as life in London had turned out, Jacaerys found himself longing for what was left behind in Dragonstone. Laenor lived there still, and while he called often and visited as much as he could, it wasn’t the same. Jace’s childhood bedroom remained, along with all of the memories in the house he grew up in. And his friends. There was an assortment of people he only saw between late May and early September; the children of the other seasonal residents. The number had dwindled in years past, with fewer of them returning for break — favouring more interesting places, like Ibiza or Rome, as they got older. 

Far too few of his childhood friends he kept in contact with, especially after the move to London. You were the exception. 

He was grateful, on days when it stormed in London, to receive a silly text or too-long voice note. It made things feel less dull — you had a way of doing that. 

He took to reading theory around the time he turned seventeen. It’s queer theory, at the suggestion of his cousin Baela, who lent him his first Judith Butler book. He finished it that weekend. 

His aunt Laena and her two daughters lived in London, and Jace found a close comrade in Baela. She played competitive tennis and listened to riot grrrl, she was much cooler than him and he knew it. Her bedroom held two massive bookshelves, and she let him pillage her collection for De Bouvier and Didion and Gay. Hours were spent lying across the floor in Laena’s house, studying, or reading, or talking. He enjoyed Baela’s company more than any of his school friends, favouring anything with her over anything with the boys from his football team. 

His youngest sister, Visenya, turned one around the same time. Baela, staying with Jacaerys while he babysat one night, inducted him into the eldest daughter club. 

“You’re so keen on driving your siblings around, and taking care of them. Plus, aren’t you your mother’s closest confidant?” She asked. 

True, Jace supposed. He was the oldest of Rhaenyra’s children, and the most responsible of his brothers and step-siblings. His mums both worked full time, they were busy but as involved as possible. Jace just did the menial things. He made Joffrey breakfast, picked Luke up after school, and watched Visenya when necessary. He didn’t mind.

Baela argued that he should mind. 

He had been a sensitive child, more so than his brothers, but it made him incredibly emotionally adept as he aged. So many boys his age prided themselves on stoicism, but that was never something Jace felt connected to. He always felt things too deeply to bottle them up — it accounted for the occasional temper that flared up when he was upset, but also how empathetic and kind he was. 

Jacearys was set to graduate with honours in the first week of May. It was three months before when college acceptance letters began to appear in the mail. He had applied to a number of places, and been accepted everywhere. The University of the Vale was where his hopes hinged though. 

Just after Valentine's Day, it showed up. The envelope was wide and stuffed full, and sealed with a wax stamp. His acceptance letter was on the very top of the stack of papers — the thick paper heavy in his hands, as he admired the blue printed border and silver flocking. 

Rhaenrya sorted through the informational packets while Jace reread the letter. Part of him couldn’t believe it was real.

He sends you a picture of the letter, and you respond in kind with one of an identical nature. 

You hadn’t planned to go to the same university, but it certainly was a happy coincidence. 

After graduation, he was beyond excited for the reprieve that Dragonstone granted. The promise of early morning hikes, and evenings spent on the beach — the once empty house, full of life and bustling with bodies. 

You were the first thing Jacaerys thought to look for when he set his bags down in the summer home. 

It was late May, and you were guaranteed to be out of school. I’ll text after I unpack, he thought, pulling clothes and books from his suitcase. 

His room in Dragonstone had once been his childhood bedroom. The walls were a warm tone of white, and the small bed was still covered with his blue and white checkered duvet. Piano scales and pictures of his brothers and friends adorn the walls. There was a soccer trophy on the back edge of his desk, something he had won when he was eleven. It was stuffy from nine months of stagnance, but familiar all the same. 

He pushed the curtains back from the window to let sunlight filter into the dusty room, gazing down at the beach, when he spotted your figure. He was quick to rush downstairs, out the backdoor, and across the stone path that leads from the patio to the beach. He greets you with a call of your name and a tight hug, sunglasses perched atop his head and linen shirt half buttoned. 

It had been a year since he’d last seen you. You had kept in touch during the school year; Jace favoured Snapchat and FaceTime, delighted with the pleasure of seeing the mundane things you were up to. There was a nearly constant text thread, and voice memos passed back and forth. But, it all paled in comparison to physical company. 

He abandoned his housekeeping duties, keen to sit on the beach and talk. And you did so for hours, about everything and nothing. He tells you about his last year of school and listens as you do the same. When the sun dipped past the treeline, he leaned back on his elbows, watching the water crest on the sand. He felt more at ease than he had in a while, enraptured by the ease of your presence. The conversation flowed, there were no awkward lulls and no pressure to talk about something dignified. It was comforting to be so close to someone who didn’t see much of his life in London — you knew the best version of him. 

Your friendship had always felt like that, from a young age. On days that smelled of sunscreen and sea salt in his mind, you would meet in the mornings and depart past dark and then do it again the next day, never tiring of each other. Your parents knew his, so you had always been welcome in his home — invited or not. You had shared a bed during sleepovers, drunk from the same cup, and fallen asleep on the couch during movie nights countless times. Quick glances and imperceptible expressions were a language you communicated in, reading each other without words. In your presence, Jace was the most comfortable.

The summer slipped away as it always did, taking long nights and leaving memories of sand and sunshine. The days were ambled away in the water, on rocky hiking paths, or in the meadow that sat a mile away from all of the homes. 

Jace had started The Hobbit before school ended — most days he found himself sprawled out in the park or on the beach, reading. He had also taken to running with his dog, Vermax, in the mornings. He relied on the serotonin boost to start the day, and with no football to play a jog was a decent alternative. 

When the summer drew to a close, the typical melancholy that befell the return to the real world wasn’t present in Jace’s mind. He presumed it had everything to do with the fact that he would see you every day now

You have one college class together — a nine a.m. medieval literature discussion. 

Clinging to familiarity in the new environment, he glued himself to your side for the first week of classes. He memorized the way to your dorm, meeting you outside every morning to walk together to your first lessons. The meandering conversation was a good start to the day, and he silently relished in your tired eyes and quiet voice, not yet used to the early schedule. 

On Friday he all but begged you to come back to his dorm after the discussion; it was your only class that day so you had given in. You hadn’t seen his living quarters yet, and he wanted to spend time with you, worried for when your schedules would fill up and you would lose room for each other. 

The discussion had been mind-numbing. You reviewed the same syllabus as the lecture, and went over the same rules and policies as every other class. With the thirty-five minutes remaining, the teaching assistant made everyone watch an incredibly monotone video about the history of medieval England. 

Jace linked his arm into yours in the hallway after class, pulling you to the doors. The cool morning air was refreshing, waking you up more as you walked across campus. His dorm building was new and modern, seventeen floors with grey siding and big windows. It was private housing, clearly expensive. 

He had a single room with an adjoining bathroom and a small common space. The walls were typical dorm white, with laminate wood flooring. Joffrey’s school photo is hung on one wall, the frame clearly decorated by the child with glitter and string. Scattered across the other walls were photographs in thin silver frames, a large world map, a clock, and a cross-stitch of a rainbow stag beetle.

Sitting on the couch, you observed the unframed photos that lay across the coffee table, inspecting a leggy grey dog as you plucked it from the pile, “Who is this?”

Jace leaned into your side, gazing at the photo, “My mum’s dog, Syrax,” He reached over you to tap the picture, “Syrax is my dog’s mum.” 

He slipped his hand into yours as you walked with him to his second class of the day.

In the third week of school, Jace asks you to attend a mixer for a pre-law society with him. He doesn't know anyone, and doesn't want to be alone at the party. You meet at his dorm at a quarter-to-six so you can walk to the event together. 

The dress-code is emi-formal, and when he opens the door to you his hair is slicked back with water and he smells like his cologne — musk, sandalwood, and amber. 

“Are your clothes pressed?” You ask, grinning at his freshly ironed slacks and the three buttons undone on his shirt. 

He rolls his eyes, locking the door behind him as he escorts you down the hallway. The walls of the elevator in his dorm are mirrored, and you laugh at him when you catch him taking pictures of himself. He makes you take one with him, and sets it as his lock screen. 

The mixer was in the dean of law’s massive house, buzzing with young people in smart outfits. Jace abandons you about fifteen minutes in, spotting a group of poli sci majors from his social psychology class. 

From his childhood spent between galas and his mother’s business meetings, Jace was good at navigating these situations. He was charming, leveling the professors with charismatic smiles and confident posture. He was good at holding an intelligent conversation, discussing theory and strategy. 

You were on the patio, watching the stars, when he found you an hour later.

His arms brushed yours as he leaned against the railing, “Sorry for leaving you,” His voice was quiet, and he stared at your profile, watching the way the moonlight illuminated your skin. 

You wave his apology off and make him buy you coffee in recompense on the way home. 

You’re stood talking together on the quadrangle a few weeks later, a cup of hot chocolate warming your mitten-less hands, when you realise just how cold it’s gotten. It's just too cold for the thin jacket that you try to sink further into, hiding from the wind that bites at your delicate skin.

Jace watches you shiver, observing your lack of appropriate attire. 

“Are you cold?” He asks, reaching out to run his hands up and down your arms, half to warm you, half to gauge how thick your jacket is. Not very. 

You nod, “I didn’t check the weather this morning.” 

He sighs with exaggerated exasperation and slides his arms around you, careful of the paper cup you held. Of course, he’s worn the right coat, and you feel the downy material of his hood against your cheek as he rubs your back to generate some warmth. You smell the cologne on his collar and the expensive shampoo he uses; he grumbled something about taking better care of yourself. 

Then, one particularly cold Friday morning he has forgotten his coat. Dressed in a hoodie, he mirrors your excuse from the week prior, smiling sheepishly — face flushed from the chilly air, dark curls blowing around his head like a halo. You take pity on him, slipping your scarf off. You loop it around his neck, tucking the ends down into the collar of his sweater, and leave him with a fond peck on the cheek; his skin is cold. 

He's appreciative, though the scarf does little against the cold wind cutting through his sweater. Still, he doesn't give the scarf back. 

With the cold, comes midterms. You’re the first person Jace asks to study. 

Your dorm room is closer to the central part of campus, and thus a shorter walk in the bitter cold. Jace brushes snow out of his hair as you unlock your door, ushering him inside. It's small. Two twin-sized beds, one on each wall, with nary enough room for two bodies between them; a desk is crammed into the small space between your bed and the window. You let him take the desk, spreading your books and notes out across your bed.

Your dorm is old, and the room has very little ventilation. Despite the frigidity outside, the room is stuffy and almost hot with both of your bodies inside. An hour into studying Jace shrugs off his heavy, knit sweater and pushes his glasses up into his hair. 

“What are you working on?” You ask, leaning forward. You’re bored, working on the same power point you started yesterday. You want to talk to him, though he doesn’t seem keen on the idea

He doesn’t look up from typing as he speaks, “Analysing The Art of War.” 

You shut your laptop, bent on distracting him, “The book?” 

He nods but doesn’t give a verbal response. 

“Who's that by?” You ask, fighting to suppress a grin

This time he does look up, glaring at you over his glasses, “Sun Tzu.” 

His tone is short, but it's amusing to annoy him so you grin, suppressing a giggle, “Sounds very interesting.” 

“What do you want?” He asks after a beat, still holding your gaze. 

You shrug, “Nothing. I’m bored,” 

The next time you study is even less productive, school work discarded on his floor in a matter of minutes. 

“We can’t be trusted to work together,” He tells you, watching as you calculate his astrological chart, geometry homework forgotten. 

You attend your first college party together in November. When you arrive at his dorm, he’s dressed much more casually than normal. 

You reach out to tug at the thin silver chain peeking out from his shirt collar, “This is fun,” You tease, giggling, “Aiming to impress tonight?”

He rolls his eyes in mock-offence, turning you around by the shoulders to shove you out of the doorframe. 

The lights in the house are dim, and they strobe slowly through different colours. It’s too dark and too bright all at once. The music is almost unbearably loud and people are packed in like sardines, it’s all incredibly overstimulating. 

When he senses your unease, Jace takes your hand, pulling you tight against your side to lead you through the throng of bodies. He’s looking for someone, but you’re unsure who, and he canvases the whole space before giving up on finding them.

The backyard of the house is quieter, but the ground still vibrates from the bass of the music. People are scattered about, smoking cigarettes and sipping from bottles of cheap beer. 

You both learn what Jell-O shots are, and make out in the bathroom back at his dorm. It’s not the first time you’d kissed each other, trying it a few times in your adolescence just to see what it was like. But this is different, tipsy and sloppy, as you giggle into his mouth. 

It's forgotten in the morning, when you wake up in his bed still dressed in your going-out clothes, head pounding.

But then it happens again, the week before finals.

You had stayed at the library far too late studying, leaving the pair of you to walk back to his dorm in the dark. It's positively frigid, cold December air whipping snow into your face. 

There are still snowflakes in your hair as you shed the thick coat you’re wearing, pulling off your gloves and hat. 

There's a bottle of wine in Jace’s freezer, left by Aegon the weekend before. It's expensive and rich and red, and Aegon would likely skin you if he found out you were drinking it — but, that's part of the fun. There's a baking show on the small television, and you’re curled into Jace’s side to steal some of the warmth from his body.

When the program lulls he brings his hand to your hair, combing through the tangled strands. You pay it little mind, leaning into his touch as you watch a contestant on-screen whip macaron batter. His fingers slide down to your jaw, turning your head so your eyes meet his. He’s studying your face, cheeks flushed from the wine or the cold. 

The attention is odd, and you giggle nervously under his gaze. His hands come to cradle your jaw as he leans towards you, nose brushing yours. The air is charged with an unusual tension, his mouth a breath away from yours. 

When he kisses you, he’s slow and gentle, his whole body angled into yours. Everything feels warm, a welcome contrast to the weather outside, and you chalk it up to the glasses of wine coursing through your bloodstream. 

It's pleasant, different from times past; this certainly doesn’t feel like an innocent, experimental kiss. It's heated, tinged with passion. He uses the placement of his hand to ease your jaw open, tongue sliding slowly into your mouth. 

There's a vibe, something you hadn’t felt before with him. It's communicated through the gentle touch of his hands, and how his breath hitches when you kiss him back with the same sort of force. 

The moment is broken by the announcement of a winner on the television. His hands slide down, resting on your shoulders, pulling your frame into his. 

You don’t talk about it afterwards.