#this relationship could've been cool if they explored it more

[nyababymao]

Anyone else feel like neteyam should've had a hinted romance between him and aonung like lo'ak and tsireya did?

Cause i feel like because he was destined to be death fodder, neteyam doesn't really get a character arc and instead just has like character points in regards to other characters to help *their* character developments. Like he's a good soldier son to contrast against lo'ak and further define the conflict between lo'ak and jake and a good older brother so as to be the mediator when his siblings get into conflicts and fights and that's all still good character points but unlike lo'ak, who has an implied love interest, bond with a special animal, and explored internal conflict; kiri who has her oddly intricate and well-controlled connection to the sealife, her deeper friendship with spider, and her own internal conflicts regarding her mother; and spider, who has his frustrating love-hate bond with his recom father, his strained relationship with neytiri, and the gap that comes from him being human biologically but na'vi in everything else; neteyam really doesn't have any personal character points or conflicts that gets explored.

Him being the good soldier son is only ever discussed in comparison to lo'ak as the rebellious son and not really a conflict that he also has with his father that later gets resolved like lo'ak's, him used to being the future leader of his clan is just never explored even though I feel like that would have been a huge part of his character, his relationship to jake and neytiri ends up being more build up for their reaction to and effects of him dying rather then any development for neteyam himself, and even the idea of him feeling pressured by being the oldest son is in a way given to lo'ak when he says he and aonung are the same because both they feel pressure. I mean I'm sure they do but I get the feeling if neteyam wasn't originally planned to be death fodder, he would've been involved during that moment.

The entire movie, neteyam just feels overly sidelined in comparison to rhe other characters and is only ever brought up to be further compared to lo'ak or to play 'the good son'. He doesn't really get any personal goals or drive or anything that is his arc and his alone. And it's a shame because I feel like they could've added in an aonung/neteyam background romance and gave him that tiny bit of personal character development.

I mean, aonung and neteyam were already interacting quite a bit(for how minor their contribution to the plot is, I’m not saying they had many interactions overall) between that glance they gave each other when they first met to when they fought each other and they could've built upon that to quietly imply a romance happening in the background. Maybe one big scene where they make up and aonung apologizes for endangering lo'ak and that leads into a small moment of "i get it, being the eldest and future leader is tough" kinda thing. Then some little moments of them exchanging words like 'goodnight's or netting fish together in the background, etc....and then having aonung uncharacteristically wail in agony and anger when neteyam's body is brought back. He was already crying at neteyam's funeral gathering so it really would not have been too hard to give neteyam this little piece of character development. Not to mention it would've then been a great way to lead into aonung getting a bigger role in a third movie.

I just think it would've been cool if neteyam was explored more then what we got and this is one way they could've done it. And it’s like, if lo’ak and tsireya gets to be love interests, why can’t neteyam and aonung be too? You can’t say it’s because lo’ak and tsireya has more chemistry or is more well written/developed because they literally start liking each other and their relationship is hinted at literally the second they first laid eyes on each other 😐

[am-i-the-asshole-official]

AITA for headcanoning deadnames for trans characters for symbolism purposes?

im a trans guy (minor if it matters) who's been a fan of this one show for a little over a year. none of the characters are canonically trans, but there's a lot of trans allegories to be drawn from the material if you're me or my mutuals at least. the two main characters are both male and i ended up developing an au where they're both explicitly transmasc as a way for me to just explore trans themes in an alternate narrative. i haven't begun writing it yet but definitely plan to once i feel like it's solidly locked in my brain, and i've been sharing snippets & concepts every so often.

part of this was thinking of how they would've chosen their current names, and name symbolism got me considering what they would've changed them away from as well. one character i thought could've initially been named after his mother so i can draw contrasts between the two, and the name i decided on for her has a meaning that highlights her relationship with her father (and the character's relationship with his father in turn); it's also the name of the character's daughter figure in the show. a lot of the other main character's backstory kind of revolves around his dead sister, so i thought by making his deadname that sister's name then i could turn that into an allegory about transness and childhood and sibling death (and sororicide but we don't have time to unpack all that). i don't plan on ever explicitly referring to the characters by their deadname in the narration, except maybe in an ironic tone, but i think it would be cool to sort of sprinkle in references as subtext to just give the readers something more to chew on.

the thing is i've seen posts around talking about how nice it is to make trans characters/headcanons without once considering their deadnames, or how weird it is for people to consider them, and i definitely agree with the sentiment; one of the biggest goals for many trans people is for their past selves to be completely irrelevant, and i feel a bit guilty for perpetuating something so painful for the general community.

but i still don't think i'm an asshole in any way since these are literally just characters and obviously i'm not going around talking about real people's deadnames or anything. i just don't want to make people uncomfortable/trigger dysphoria if they find someone talking about deadnames for a trans charactsr they're attached to (i've definitely had that happen myself when reading trans fics, enough that i had to stop reading, and i don't know how you'd even tag for something like that). if the general gut reaction to this ask is negative then i'll probably consider just not talking about the deadnames unless someone asks about it, since they're not crucial to the plot at all, just some uhh not so fun tidbits.

anyway sorry this is so long for something i feel like might be a non-issue that i'm overthinking. if you somehow guessed the fandom have a chocolate 🫀 if you're one of my few mutuals who knows who i am from the details of the au then um pretend you didnt see this post.

What are these acronyms?

[starstriix]

Jo's dynamics with other characters are all usually fun and engaging due to her being such an entertaining and adaptable character herself; but they can honestly be so much more interesting if people explored them a bit more?

For example, take Jo and Lightning. They have a hilarious dynamic with Jo having to deal with Lightning's stupidity and learning to manipulate his self-centeredness to her advantage. Except one thing I don't see explored enough is their similarities??

They're both overconfident athletes who are willing to do bad shit in order to win. It makes me think that Jo might’ve had a similar upbringing to him where she had to deal with the pressure of winning? Like, a cut-throat attitude doesn't just develop out of nowhere. Except whilst I think Lightning's ego developed from being constantly praised (and eventually pressured with having to live up to others' expectations), Jo might’ve been constantly belittled and underestimated (for yknow, being a girl) and she would've had to work hard to achieve recognition from others. Episode 6 pretty much confirms that she uses a false bravado and anger to cover up feelings of insecurity. I just think their possibly similar yet different upbringings and perspectives would be cool to explore.

Jo and Zoey is one of my favourite duos! They definitely should've become friends; I think they would've been a fun dynamic, and gen 2 could've used a proper female friendship. I think them both having the "Not like other girls" aspect is quite interesting?? As well as them both initially lacking actual friendships (with Zoey's lonely childhood, and Jo's... Just Jo) which is. Pretty common amongst the gen 2 girls. Huh

Zoey could've been a MUCH more interesting character (I always just use the cool epic version of her I have inside my head). Let her be weirdddd or let her be super basic and intentionally pose as "indie" to seem cool and different. Maybe she looks down on other "basic" girls to cover up how she feels insecure around them for being weird and having unconventional interests herself idk. I think the dynamic of both Zoey and Jo hating on pretty, popular girls and overcoming that is super neat. Especially since they're both something that the other hates; Zoey is a typically feminine girl and Jo is a jockette. Let them become friends and be like "okay well you aren't so bad" and then eventually stop judging other girls for being "feminine" or "basic" pleaseeeee it'd be so good. Even better: let ALL the revenge girls be friends. I just want them to be happy OKAY? Okay.

Finally, Jo and Cameron! Another duo I'm fond of. Awesome brains/brawns combination, and the whole arc of Cam standing up to her and Jo respecting him for it is absolutely peak. Jo's elimination in roti was pretty much perfect, but I also think she could've worked well in the finale. Her being a combination of brains and brawns would have encouraged Cameron to use both, which would be a neat callback to Jo's earlier line of needing to get physical in TD. (Still think she should've rooted for Cameron over the guy who insisted that she was a dude for most of the season but whatever)

I haven't really seen this take on their dynamic, but the whole thing of Cameron's development being stunted from the over-protective environment of his upbringing and Jo being toughened by the harsh environment of hers adds a fascinating layer to their relationship. Whereas Cameron was prevented from being able to properly grow up and experience things like normal teens, Jo grew up way too soon and put more focus into winning than making positive relationships and allowing herself to just be a teenage girl (I personally believe Jo got the """tough love""" treatment). Idk I just think this would be cool to delve into and see how their opposite childhoods impacted them and their core values when interacting with each other

Cameron clearly saw her as both a role model and an opponent, which is a really fun dynamic! She was a bully, yeah, but she also presented herself as someone who was always in control and knew what she was doing, so it's understandable that Cam looked up to her. She was pretty much the opposite of overprotective too, which is probably what drew Cam to her since she didn't coddle him (and instead made fun of him LMAO). And of course, Jo learned to not underestimate the tiny nerds and gave her respect in the end. Super fun and intriguing duo, and probably the only td pair I would actually compare to siblings.

So yeah basically I think we should start looking into TD relationship dynamics more because they're awesome and filled with potential. Especially Jo's because she is the best ever and if you think otherwise then you're wrong

Also have a gold star if you just read through all of that ⭐️ great work soldier

[pain-is-too-tired]

I'm gonna be projecting a lot with this one but-

I wished Rick would've explored family dynamics/relationships more.

Specifically, about the dead.

There is a few times were Rick brushes on family that isn't just character's parents that are dead/ never really able to meet a character.

One in relation to characters we've met- Hazel and Bianca.

I seen some mention I believe idea of "mourning someone you never met" with Hazel. But I think it isn't just cause she struggles with feeling she's just a replacement to her.

I think would've been interesting see her grappling with the fact that she has a sister she'll never meet.

Bianca isn't just Nico's sister, though of course their connection is stronger blood wise, but she's also Hazel's.

A sister she never met. Who she knows died why she's in the underworld. I think would've been interesting to see her have moments where she wished she got to know her. Where she craves that bond.

And think could be even more interesting to pair that with the Sammy and Leo situation.

Leo likely grew up hearing a lot about his family, including Sammy. Maybe even his mother mentioning that he's sometimes like him.

I think would've been interesting if that was one the stories he clung to on the run. His aunt wanted nothing to do with him, his mom was gone, and high likely lot of his other family members were gone too before then.

Maybe he clung to those stories in a sense to feel he's still connected to his family?

Than he meets Hazel, who unlike Leo had much more time with Sammy. Who looks at him and see Sammy first.

I think that could've made interesting interactions. Either he even more so hangs out with her to hear about Sammy. Or maybe he has a tiny sense of resentment. That someone he hardly knows got to know Sammy more than just through stories.

Again, mourning someone you never met.

I think it actually was a missed opportunity. Hazel lives in the shadow of Bianca's death, why Leo lives in the shadow of Sammy's. Both grappling with that. That been part of how their friendship is intertwined. It isn't just one sided "you look like a guy I was close with/ might've dated" but also "You got to know someone in my family I grew up wishing for a connection to."

In a similar vain,I wish we got more of Percy thinking about his mortal family.

We learn about his grandparents and great uncle in the first book. That Sally's parents died in a plane crash. Yet despite that it doesn't really go much further other than Estelle being named after Sally's mom.

Percy's fear of flying, which we somewhat see in tlt, is mainly based on Zeus.

But think that at least his grandparents being in his thoughts as well would've made sense.

I think it would've been a cool comparison to have his feelings on his grandparents and great uncle, who he heard plenty about but never met, be clashed with his thoughts on his immortal family.

Jim and Estelle were kind and helpful couple,Sally was young when they died but likely still had some fond memories. And what she didn't know her uncle might've told her.

Percy already struggles between his mortal and immortal sides in his life. Usually represented with Rachel.

But imagine part of that being his crave to have known his mortal grandparents and great-uncle. To recognize that part of him.

He's Sally Jackson's son, Jim and Estelle Jackson's grandson. That's still apart of him.

Actually, given how the show seems to be focusing on family in terms of the gods, I think that would be interesting to explore that concept there.

We didn't get the mention of his grandparents in the first season (that I can remember at least). But there's room to explore it later on. I mean, Sally very much is not game for Percy calling Kronos grandpa. And if that is explored more than just a joke it be sweet to see a scene of her talking about her parents to him.

Heck, maybe a scene were Kronos/someone else brings up Kronos as Percy's grandfather and we get a call back to the "I'm Sally Jackson's son" with him going "I'm Jim and Estelle Jackson's grandson!" Instead.

Just- ugh 😭 weak for family dynamics like that. I think it's just something you don't see very much, but at least with me I have these kinda feeling of wanting a connection with lot of family I never got to meet. Especially when you're told you look like said person.

You hear stories and just...get this longing? I don't how to explain it hdgd

But yeah. Family dynamics my beloved.

[honeycreammilkshake]

hello there honey i really enjoyed your analysis on sukuna and yujis relationship they're so overlooked by the vast majority of the fandom despite being the mcs and it makes me happy some of us appreciate their dynamic i might be unsatisfied with geges overall handling of the story and how it took so long to really focus on these two but he wrote them very compelling despite everything. it makes me frustrated because it could've been even more of a punch if we didn't focus so much on everything else and i adore some characters but it came at the expense of not doing enough with his mcs which even if some people don't want them to be its still yuji and sukuna.

anyhow a small little detail i wanted to point out about 265 is yuji up to that point had been treating and referring to sukuna as a curse, but while in his domain while they're fishing he baits him by saying "cant the strongest sorcerer do this?" and its baiting him obvs and hitting at his ego but he still referred to him as a sorcerer and he's the only one to do so to my knowledge everyone else including himself refers to him as the king of curses, something that he was seen as by everyone since the heian era, a curse, and that he still believes he is right to 268. i really wanted gege to expand on why yuji sympathies with him, we can deduce why and it he clearly does but i wanted to see his exact thoughts what changed, maybe he found out by gojo about his family when he talked to him and realized sukuna was his relative? i mean there's more reasons why he sympathized with him clearly as you very well pointed out in your post but still this is why im dissatisfied with the writing they could've explained it better.

what are your thoughts? i hope we get to focus on yuji at least in the next chapters or im going to lose it. do you have any hope that sukuna ended up accepting yujis offer? i think the scene ended abruptly... i want them back together its so frustrating and while it fits and i can see gege leaving it like that it just doesn't feel right to me

hi, jenjen!! (do you mind if i call you that?)

thank you so much for reading that mess of a post. i had a lot of sukuita feels and just spilled my thoughts in one entire go. it's sad that they're so overlooked because they're unironically the best thing about jjk. like yeah there's a lot of cool characters in jjk but sukuna is literally a god of chaos and devastation that somehow got stuck in the body of an unhinged teenager who would sacrifice his own life for strangers.

they're two different extremes trapped within the same body, but as the story goes on we see they're a lot more similar than they first appear. like yin and yang, the two extremes that often oppose each other but are also inseparably complimentary to each other. there is soooooo much to explore with that dynamic, and i'm forever heartbroken we didn't get to have more focus on these two because they are honestly amazing.

anyhow a small little detail i wanted to point out about 265 is yuji up to that point had been treating and referring to sukuna as a curse, but while in his domain while they're fishing he baits him by saying "cant the strongest sorcerer do this?" and its baiting him obvs and hitting at his ego but he still referred to him as a sorcerer and he's the only one to do so to my knowledge everyone else including himself refers to him as the king of curses, something that he was seen as by everyone since the heian era, a curse, and that he still believes he is right to 268.

your point about that one scene in 265 is so goooood <3

as you said, up until that point yuuji had only been referring to sukuna as a curse, even though that's not technically true. but to yuuji, sukuna is more of a curse than some curses are. this is part of my theory that yuuji is the only one that sees right through sukuna. almost everyone else admires sukuna or only sees him as something to test their strength against.

yuuji is the only one who actually hates sukuna. yuuji even wants to destroy him because he knows sukuna is a murdering, cannibalizing force of death and devastation. and sukuna hates yuuji because the brat represents everything that goes against sukuna's cursed and selfish nature.

they both stand for everything the other hates, yet it's so interesting that they somehow understand each other better than anyone else does. (more on that later >.<)

what i really love about this scene is yuuji's teasing nature. he's not being mocking or sarcastic. he's both stroking sukuna's ego and, with light playfulness, is giving him a kind of recognition (as a sorcerer, not a curse) that nobody else has. you were completely right with that, jenjen.

and it's just so sudden that it happens. actually, everything about this chapter was so sudden and unexpected.

the fact that sukuna is willfully going along with all of this when he would strike down and destroy people for daring to even order him about (like nanako and mimiko). yet he indulges yuuji over and over again.

yuuji is literally telling sukuna what to do, but sukuna doesn't even reprimand him. actually, he pays attention to yuuji. (also i love how everything is always so "special case" and "different" with them like that don't even know how they arrived in yuuji's little mind palace and sukuna looks freaked out about it but he still listens to yuuji, he still does whatever yuuji asks him to... that's truly amazing.)

this scene in particular was really interesting to me. as you pointed out earlier yuuji only ever referred to sukuna as a curse and treated him like one, too. during his conversation with mahito, yuuji says that his purpose in all this is to just kill curses, sukuna especially, as that's the end goal of everything yuuji did.

yet here yuuji is, decidedly not killing sukuna and instead giving the king of courses his entire life story. yuuji's being the most open and vulnerable about himself than he's ever been, and it's all for the infamous king of curses who cares only for himself, the enemy yuuji hates and wants to see destroyed.

yet the way sukuna remains uncharacteristically quieter through all of it, looking like he's honestly reflecting or considering what yuuji just said, and how he gives this meaningful pause after yuuji describes how empty the town he was raised in became. yuuji says he expected it to be that way and sukuna looks almost thoughtful about that.

something similar happens a little bit later on when yuuji's talking about how there's a smaller amount of insects now than when he was younger.

what i noticed about both of these moments is that yuuji is talking about changes that happened for him. changes in the place he was raised and changes in the life he used to see more of that he doesn't now.

sukuna isn't affected by change. he's the strongest, he does whatever pleases him and doesn't care about anyone but himself. but yuuji cares about these little things, these changes that affect him, these small details that stay in his memory. that's such a contrast to sukuna's mindset, which is that every human tastes fleeting. and here yuuji is, sharing his memories about these tiny things with sukuna, these "tastes" that have stuck with him. because it's little details like yuuji losing his slime toy or drinking sweet milk tea when it snows that makes him who he is as a person. but does sukuna have any kind of memories like these? anything that connects him to being human like yuuji? maybe that is why yuuji is showing sukuna all these everyday normal things. he knows sukuna doesn't have memories like this, so maybe showing him yuuji's own might trigger something in him, something deep down. he wanted sukuna to open up with him too, maybe.

all of this is such a strong contrast to how other sorcerers and curses treat sukuna. they only approach him with the intent to try to overpower him or maybe to try to gain his favor. yuuji isn't doing anything like that. he isn't bargaining or making violent demands. there's no fighting. it's the most tender they have been with each other so far. (sukuna not killing yuuji the moment that brat asked him to do anything is sukuna being tender imo... he would have crushed anyone else for daring to do such a thing.)

it's just... it's so fascinating how yuuji hated sukuna for being so inhuman before, but now he's suddenly treating sukuna like he is human. he's acknowledging that sukuna was human even if the king of curses doesn't want to be seen as that anymore. and it's beautifully complex and should have been explored far deeper.

i really wanted gege to expand on why yuji sympathies with him, we can deduce why and it he clearly does but i wanted to see his exact thoughts what changed, maybe he found out by gojo about his family when he talked to him and realized sukuna was his relative? i mean there's more reasons why he sympathized with him clearly as you very well pointed out in your post but still this is why im dissatisfied with the writing they could've explained it better.

i am right with you on this one, too. chapter 265 was almost like a dream for me. jjk is hardly romantic at all. even a lot of other action manga includes at least a little romantic subplot... yet the most romantic scenes we get in this series are these date-like interactions between sukuna and yuuji, who supposedly hate each other, yet i guess they're out there doing archery together??

(sukuna getting another perfect archery shot just to impress his demanding little boyfriend <3 i love how serious he looks here, too, he's really playing up that coolness factor)

you also made another great point about how yuuji suddenly took a lot more emotional interest in sukuna now than he did before. i wonder if that conversation yuuji had before gojo died was about sukuna being related to yuuji? maybe part of him lit up on the inside because he actually has family, even if it's the murderous demon god that wants to destroy him and everything that he loves? or maybe he felt some kind of closeness while sukuna was inside of him that he misses now?

i really wish that we got more scenes like this with these two. i want to understand yuuji's thought process for trying to reason with sukuna and to maybe even get him to open up, too.

it's sad that gege took so long to focus on these two again. there were so many more interactions we could have had, so many more meaningful insights into both of their characters.

but this chapter did a lot all in one take.

i said earlier that sukuna and yuuji understand each other really well, and i believe that's true because not only are they the only ones who spent so much time being soul-crushingly close to one another, they also get under each other's skin far more than anyone else does. sukuna loves to torment yuuji because he knows just how caring and compassionate yuuji is. he rubs it in that he killed thousands of people during the shibuya arc and that he possessed the body of yuuji's friend. but yuuji also knows just how to rile up sukuna and he fights sukuna hard, he never gives up, and i think sukuna secretly admires that about yuuji.

and this chapter showed us how they understand each other yet again.

this conversation, to me, shows two very important things. one is that, despite already feeling it's a lost cause, yuuji still tries to convince sukuna to accept the mercy he's showing him, to understand yuuji's perspective as well. but sukuna's response to this is more layered than it first seems, in my opinions.

as we've seen, sukuna uses a lot of backhanded insults and contradicting statements with yuuji. he simultaneously calls the brat weak and uninteresting, but is disappointed when yuuji lost against choso (sukuna was paying a suspicious amount of interest during that fight scene for someone who considers yuuji to be so worthless) and looks reluctantly impressed or even surprised at yuuji's abilities.

yet when anyone else gives sukuna a hard time or challenge, sukuna shows them respect or even gives them praise. he does no such thing with yuuji, at all. in fact, all he does is mock and discredit yuuji, so sometimes the actual words he uses is a roundabout way he's actually acknowledging yuuji getting under his skin. and i think his words here, "i'm astounded at how spineless you are," can be taken as a form of that reluctant and contradicting acknowledgment.

even if sukuna doesn't accept what yuuji is saying, i think he knows yuuji is being sincere. he has to feel like he's guarded against it though, so he easily dismisses yuuji, and that's why my second important thing from this conversation is how yuuji still doesn't give up.

sukuna knows yuuji can kill him. he's getting back up into a corner now. but instead of going in for any kind of demands, yuuji is giving sukuna mercy. a second chance. a choice.

even though he knows sukuna refuses to see things yuuji's away, to accept yuuji's ideals of valuing life, he still offers a chance at mercy for sukuna.

sukuna, who has deliberately proved over and over again that he doesn't deserve mercy or empathy, and yuuji understands this. he accepts that sukuna is unsympathetic and a monster.

even when sukuna is dying, yuuji shows him that mercifulness once more. he's far more gentle and compassionate to him than sukuna deserves.

the fact that he still wants to live with sukuna. either a longing for family or the closeness they once shared when yuuji was his vessel or both. he genuinely cares about sukuna. and i think sukuna knows that.

so that's why it's another insult to undermine yuuji's efforts and empathy when sukuna says this offer is yuuji just "acting the fool" when i think he knows truly that yuuji wouldn't be so unserious about such a big thing.

but one thing that hit me hard is how sukuna calls the brat by his full name this time. something he has never done before. just like yuuji called him a sorcerer that one time too. it's like sukuna's admitting deep down he was touched, but he just can't accept yuuji's mercy. that would kill his persona, his reputation as the king of curses. it would make him more human. and he refuses to be anything but inhuman.

the original japanese had quotes around "curse" and that was important for a reason. sukuna wanted to be seen only as a curse would be seen.

as gojo said. love is the greatest curse of all. and sukuna is the king of curses. so it's very fitting indeed that sukuna died in the hands of perhaps the one person who ever really saw him, or understood him, or loved him.

thank you for your ask btw, jenjenpup. i really loved reading your thoughts on this. thanks for bearing with me on all my rabid rants about these two. i hope i answered your ask well enough.

so glad to have you in the sukuita cult, too <3

[liketwoswansinbalance]

I am really curious to see your take on Aric and Japeth's relationship. I mean, the beloved author and creator of the series have addressed this issue with 'in their own sick wicked way they had loved' so yeah it's cannon cool. But I feel like the further implications of this? We saw evil 'unable to love'/ 'only ever have true love'. From what I remember Japeth mentioned Aric more than once, how they would write letters to each other how Aric 'begged' for Japeth to come to him but Japeth never did so and then bro spent the last of his life trying to bring Aric back to life. There are so many implications, the dynamics, the context, everything, but I love how you theorise and explore all sorts of ideas so I can't help but wonder how you view all of this :D.

Thanks for taking the time to read this and have a great day/afternoon/evening/night!

Sorry to disappoint, but I should probably start off with the fact that I don't ship Japeth and Aric. While I like Japeth, partly in thanks to @discjude winning me over, and further recognizing the tragedy surrounding him, his relationship to Aric never canonically does him any favors. And, with Aric, I think I'm apathetic enough towards him that I don't actively hate him; I just don't care about him. In truth, if not for Aladdin's pitiful existence actively hammering on my nerves, Aric would probably be my least favorite character.

The first thing I want to address is that Evil being "unable to love" or "only Evers have True Love" is actually false, despite the many times the series puts forth this claim. Yes, we are explicitly told this "fact" in book 1, but the book's point was to subvert/deconstruct the myth.

First, by the end, with her self-sacrifice, Sophie proved Evil's capacity to love, meaning: Evil being unable to love is just a commonly-held belief in the Woods, not the absolute, be-all, end-all truth.

(And the belief could've been perpetuated by "Rafal's"/Rafal's way of running his institution that literally shapes the Wood's perceptions and the future. Alongside this claim about love, consider the existence of the Doom Room, created to punish a singular mutinous class of first-years, based on a now-revised philosophy about Nevers' learning from harsh treatment and (probably) disproportionate retribution that an excessively stubborn dead man already too entrenched in his old ways never had the chance to change because he died—and this is all aside from the fact proven by the display at the very first Circus of Talents, that Rafal's students did indeed learn better when he finally listened to them and mentored them as an equal in their position (as Fala). In addition, the statement: "Nevers learn from deprivation" similarly reveals how the Woods really do generalize about Nevers—until Sophie, the "exception" and iconoclast, comes along.)

Second, Sophie's non-romantic True Love at some point was said to be Agatha, and I think this established fact is consistently maintained throughout the series, even if other elements overshadow it, so not only Evers can have True Love.

My take on Japeth and Aric is that Japeth's love for Aric, however twisted or sincere it was, drove him to become the Snake, follow along with Rhian's Camelot ambitions and initial staging-terrorism-and-hostage-scenarios plot, and commit all his other, duplicitous, villainous acts throughout TCY, later by his own will, which is a motive I find fascinating (and contradictory about the nature of the Woods' Good and Evil souls, whenever Japeth is set next to the rather grey Rhian).

So, while Japeth's devotion to Aric could be viewed as romantic, it's just not appealing to me, personally, due to the relationship's ambiguous one-sidedness in particular. And, I think I once may've read something about Japeth as a Never fighting for True Love (or his perception of "True Love") and Rhian as an Ever fighting for power (the Nevers' ideal fairy-tale ending) being ironic or inverted in some way. That's also some world-building fodder to consider, or even just another point that could overturn the Rules as we know them, yet again. I'm not surprised by that subversion honestly. Japeth is very much like his parents. Nearly every SGE villain Soman has ever written has been motivated by the pursuit of love, or by the overwhelming force of their own (often obsessive) infatuations (with the exception of somewhat flatter, less-developed, secondary villains, like Aric, Vulcan, Marialena, and Peter Pan).

Also, thanks for the compliment!

[i-dont-know-nor-care-go-away]

St:SNW rant

I just saw the most amazing gifset of that moment in momento mori where chapel tells una "it's like giving birth through your mouth" (edit : it was @startrekuniverse who made the dope gif set, I love you btw)

Una and Christine are the MOST UNDERRATED dynamic. Genuinely I need to see them interact more. I've said before I don't think that T'pring is Christine's character mirror foil or whatever bc she isn't really. Una is the opposite of Christine.

Una is so put together. She is the literal poster person of first officers. She is always put together and just radiates dignity. (Somehow she gives like. Teacher vibes but I can't see her teaching a specific subject?? Maybe she just authority-s so hard I'm getting confused idk) She has been trying to be the picture perfect officer for years. She said it her self, she worries how people would see her (as an illiyern(fuck spelling I'm tired)) if she wasn't Ms. "She's beauty she's grace she's gonna punch you in the face" Because she hasn't ever had the chance to exist in starfleet without that threat of being discovered, she holds her self to this impossible standard that she some how achieves. Outside of that, she is a silly little workaholic who loves her job a little too much at times. (I mean. Tbf it's STARFLEET I'd also love it)

Compare that polished, put together-Ness of a first officer to someone who didn't even technically join starfleet, Chrsitine is part of an exchange program. (I'm only considering snw, sorry) Christine is bouncy and open as soon as we meet her, she sasses back at La'an and jokingly flirts with spock. She has the worst bedside manner and loves to chase people down hallways. Her reaction to Una bring Illiriyan was basically "I'm not a cop, I'm cool with it" She radiates weird girl in the best way possible. We see her be messy in relationships and goof off here and there. (Can you tell I hyperfixate on her all the time?) Uhura is "unburdened by conversational boundaries" and will say things on accident, Christine will say the weird thing and she will say it with her chest.

Christine is so unabashedly herself while Una is always on duty as the first officer, so professional. Una ties a lot of herself to her job and Christine loves science to the point she will chase it to other planets, she isn't tied to the ship.

There is so much space for tension and conflict between them. I can see Christine making a joke during a hard time and Una snaps. Maybe Una makes a tough call command wise that Christine disagrees with because they could've done something, the head vs the heart. They would also make an excellent team, Una with her tactical experience while Christine has science and leaps of faith.

You know those videos where the magnets are on a track and they collide really hard and the thing in the middle gets fucked up? That's what I want with them. I know im seeing the shrimp dynamics but I swear something there is worth exploring I SWEAR

[verosvault]

🚨SPOILERS FOR EPISODE 8 OF BURROW'S END!!!🚨

Dimension20 "Burrow's End"

Episode 8

Timestamp: 15:11

Video Length: 4min. & 52sec.

I can't fully explain how powerful this scene is to me. One thing I love about Dimension20 is the fact that they're never afraid to roleplay the hard situations and the hard talks. It's-

I love how Tula has this hard conversation with her mom and she isn't afraid to tell her mom that she has an obsession with power and control. Ava really seems like she's at a loss for words, and it's understandable, because she's being called out on it....and it's hard. It's because Ava feels so much guilt and shame for losing Ken. The same feeling that Tula probably feels for losing Geoffrey. Ava chooses to feel guilty and tries to forget what happened... while for Tula, her losing Geoffrey is a constant reminder to her that you have to always be careful because so many bad things can happen? It's like- ugh. I don't even know if what I said is right..but that's... that's how I feel and it's so strong.

I wish I could have a talk with my IRL mom like this. In a way that she can just understand and apologize. Which, Ava didn't apologize right away, she did it later on. But I don't even think my IRL mom has apologized to me for so much. She just guilt trips me and says that she failed to raise me...or whatever. And I'm like...if I could have a talk with my mom like Tula did with Ava, and my mom actually just sat there and tried to actually understand what I was saying, I really feel like my own relationship with my mother would grow. 🥲 It's crazy how they have these types of talks in a show like this!! It's SO REAL and they're just playing a game of D&D! It's insane!!

And like- Viola standing up for Tula! Ugh! It was SO NICE! I LOVE Viola and Tula's relationship SO MUCH! How Viola sees Tula as a role model for her own self! I'm- It's so amazing! Tula and Viola are definitely my faves this season! I just can't with them! Rashawn did such a GREAT JOB with this season and I want to see her in more seasons! She gets so involved and attached and I can't even explain how much I enjoyed her in this season!! 😭✋

Also, Lila trying to comfort Ava near the end because Lila felt a little bad for her. Ava was getting cornered, but...the reason Ava gives for thinking and feeling that way...it kind of makes sense? Even though it's not the best thing to say or even think about and put onto yourself mentally. About like, when something bad happens, just finding someone to put blame on or saying that you haven't done enough or telling your own kids that when they lose someone. That's so tough. It's not right. But I can see why someone would feel that way. It's like- always wishing you could've done more. Because if you did more, then things like that "won't happen". But the truth of the matter is that sometimes things are just out of our control...and we have to have an understanding of that. Sometimes there really just isn't anything that could've been done. :/ As sad as that is...that is basically what Thorn was describing to Ava. Sometimes, life just HAPPENS! And you can't do anything but stand and watch.

I love how this season is scary but is also able to explore these super interesting family themes! I love it so much! It's so relatable in multiple ways and it's insane because these are stoats! It shouldn't be this relatable but it really is! I love watching shows that involve strong family dynamics! (One of the many reasons why I also love "The Umbrella Academy"!)

Family is strong! And it's so cool to see a family grow mentally, emotionally, and physically! My relationship with my family isn't the best. But it's cool to see the people inside of a family trying to talk things out and improve their relationships with each other so that they can finally bond and become stronger! 🥺 The messages here are so strong and powerful and I don't even know how else to say it or explain it in words! 🥺🥺🥺 This has been such a strong, and heartfelt season! 😭✋❤️

[necrotic-nephilim]

I know you like Young Justice 98 so I have to ask what you think of my favorite problematic girl Greta Hayes.

I LOVE GRETA SO MUCH.

Greta Hayes is my favorite bbygirl ever. i think her backstory is super interesting and i wish DC had done more with the whole Warder concept, exploring other Warders and what her relationship could've been with them. i just love the like. duality of her? the way she appears pretty shy and timid but has this really deep, explosive anger to her. she's a hot mess and i love her dearly, she can do no wrong in my eyes. the only moment i didn't like with her was when she and Steph fought, but i blame that more on the writers bc "two girls must have a crush on the cool main character and fight over him" just happens a lot in comics.

i lost my shit when Stargirl: Lost Children brought Greta back. i'm so happy she's back around and i think Lost Children was an interesting plot to explain the concept of all of these teenage heroes and sidekicks getting lost to comic book limbo. i wish Anita had also been in Lost Children but, i'm happy for the scraps of Greta we got bc if you'd asked me before if we would ever see her again, i would've said probably not. i hope the New Golden Age stuff does more with her and i'm delusional that we'll see her reunite with Young Justice, or at the very least Bart, since that's who she mentions being friends with in Lost Children.

i do ship her with Tim, i fear. i think her crush on him was really cute and how much faith she had in him. and him being the one who was able to talk out of working with Darkseid? just very cute vibes. i do also like GretaSteph, but GretaTim is rlly fun and i wish we had more content of it. whether it be an unrequited love situation where she has to watch him grow up while she's trapped as her age in this life/death limbo, or them actually trying to make it work. i crave to use her more in fanfic, i just haven't thought of stories to easily slot her into yet.

anyway, i love her, she's a doll, she should've been in Young Justice (2019), begging DC to do something with her now that she's officially back in the continuity. give her a mini or something pls DC my kingdom for content of my dumb angry ghost child.

[dexdia]

Highly considering doing a Seven Deadly Sins rewrite myself bc man there's so much missed potential and honestly a lot of things that don't make sense or haven't been gone over enough-

My biggest gripe being the Goddess race, we barely know anything about them, the archangels were said to be oh-so-strong but 3 of them died not to long after being introduced- And my biggest gripe is that the author definitely pulled that "Bloody Ellie" thing out of his ass during the fight with Demon King Zeldris.

Like man, even the Demon race feels so lacklustre..

Oh! And don't get me started on Chaos!! Especially since its literally the entity that gets put into Arthur who's the main antagonist and villain of the sequel series!!!

Like, I'm pretty sure we don't know about chaos until it's actually revealed,,

Like in my mind, if I was to add/redo things- One of the things I'd do is make the Supreme Deity into a religious figure, being praised as the "Benevolent Goddess" among humans, setting up basically a religion- And maybe this could stem into the magic, such as human believing that the magic they hold was a blessing of the Supreme Deity.

And maybe also set up a clearer hierarchy system among the Goddess and Demon race.

I just want the Goddess race and Supreme Deity herself to play a bigger role cause man I don't really like how she was defeated within like the final 20 minutes of that one film.

Because I think it'd be so interesting to have humans actively worshiping the Goddess race, specifically dedicated to the Supreme Deity and the archangels.

Also, I'd have Chaos introduced a lot earlier- who knows, maybe I could throw in like a group that are worshippers of Chaos.

Tbh I'm just spit balling but it's mostly bc I'm so frustrated at simply how bad the author is at writing- Cause I feel like a lot of the time, he throws in ideas just because he thinks it's cool and doesn't elaborate and explore said ideas.

As I mentioned earlier, the whole "Bloody Ellie" thing ( a character who was established a pacifist in the Gloxinia + Drole flashbacks thing) as well the thing with Helbram where he talked about how fairies were captured and had their wings torn out (I believe we never hear anything about it again after Helbram tells us it), honestly many things.

Also, I just thought of another thing I'd change- Instead of having Derieri, Tarmiel and Sariel die useless deaths, I feel like we could've had Ludociel fight Esta/Mael when the Mael reveal happened bc I feel that would've been so much more impactful-

Because imagine, Ludociel finally fights the person who he thought "killed" his brother and before he goes for the finishing blow, the spell corrodes away and Ludociel is left with the shock and horror that he nearly killed his own brother.

And one more thing or else I'll be ranting forever, have Meliodas' and Elizabeth's relationship questioned and have them actually have to go through challenges

Have people question as to whether or not it was their relationship that trigger started the holy war, have other characters question the way he acts towards current Elizabeth, have Elizabeth have questions herself and wonder if the war was worth it- Let them have arguments!!

I think the only one they technically had was when Elizabeth wanted to rejoin the adventure at the start of season 2 if my memory serves me right.

But yeah.

It's just those little tweaks and add-ins that really begin to flesh it out to its potential, imo.

Anyway, rant over before I continue ranting up to 30k+ words more.

[fencecollapsed]

☕️+ nightmare time episodes??

alright we're gonna do a lightning round for these, imagine me rolling up my sleeves

The Hatchetfield Ape-Man - a good silly time, nothing too special lore-wise but that doesn't mean it should be skipped, people who say it's skippable just hate fun I think /hj

Watcher World - the vibes are IMMACULATE and this story is the prime example to me of what Nightmare Time stories should be at their best - further explorations of pre-established characters and relationship dynamics

Forever & Always - I wish the clone reveal was foreshadowed better and that they hadn't cut certain details in the YouTube release, but I love droid23 so much that those minor grievances don't matter that much to me

Time Bastard - I think it's deeply funny that Ted got himself put in the torment nexus and murdered by his best friend, get wrecked Spankoffski

Jane's A Car - TOP tier Nightmare Time story, painfully underrated, a great character study of Tom. oh my dearly beloved Jane's A Car they could never make me hate you

The Witch in the Web - good introduction for Holloway and Duke, and does a good job expanding the world of Hatchetfield in a way that feels pretty natural. Hannah Foster I would burn down all of civilization to see you happy

Honey Queen - the BEST Nightmare Time story, does a phenomenal job contextualizing and exploring Linda as a character, and has genuinely my second favorite ending of the whole series it's so delightfully and horrifyingly dreadful

Perky's Buds - the fact that Emma's only solo story isn't character focused bothers me personally and I. hate the nighthawks I think they are annoying, but I've come to accept that my gripes are largely preference based and this kind of story in general just isn't my thing. I don't like it very much but it's whatever I respect it for what it is

Abstinence Camp - good and fun, it was a great intro for the main NPMD trio, almost too good to the point that I think Steph and Pete were better utilized here. Grace is at top form as always though

Daddy - I've liked this story more each time I've watched it, like I forget how funny it is every time. I really like what it does with Frank, exploring him as a more well-rounded guy than the cartoonish capitalist archetype he was in BF, it's cool it's neat

Killer Track - I love what this story does for Miss Holloway, her role in this story sold me on her as a character more than her first appearance did, it expanded her just the right amount to make her more engaging and sympathetic

Yellow Jacket - everything about the Foster sisters and Ethan makes me want to eat a brick I am sad about Hannah and Lex forever and this story is very good, I need the Orbweaver story focused on Lex right now immediately

and just in the interest of completionism I've included one for Hey Melissa under the cut for anyone who wants to count that one

Hey Melissa - great concept, dogshit execution. I'm a little obsessed with this story because I don't like it but I think it could've been really good if they'd just done another draft or two. as is I think it relies too heavily on the shock value to succeed at being an actually good story, but y'know, it was cut for a reason, I've mostly made my peace with it. mostly.

[littleeyesofpallas]

As much as I've always been pretty critical of the Lost Agent arc, and the Fullbringers as a concept, and the way their individual powers were handled... There really were a few little nuggets worth exploring that I wish there had been better plot accomodations to do so with.

I love the whole animist idea, I just don't know that it fit very well into the Bleach world building. The idea of imbuing spirit and power and indeed a Heart into inanimate objects, especially in the context of Ichigo and Ginjo having lost shinigami powers in different ways, COULD have made for a really fascinating parallel with zanpakutou if it had been even lightly explored.

And while the idea of the Fullbringers getting their innate powers as a consequence of hollow attacks on their mothers was wildly and needlessly arbitrary, I DO wish they'd interrogated the Hollow-like nature of those powers. We got a few back stories more or less just establishing that they were all a little toxic, but not all in ways that reflected the Hollow M.O. it didn't come as a conflict of powerful desire and overindulgence. It didn't manifest as a need to consume and destroy those close to them.

It could have been really interesting to see more of how a human can have an innately hollow like personality or impulse problems. It could have been cool to see how a familiarity with hollows spiritually could have resulted in a natural need to manifest a mask, but the mask is the Fullbring, but the Fullbring is more like a zanpakutou and its shikai than like a hollow mask. So instead of putting the best of yourself into a sword that can look you in the eye and offer you power in exchange for self respect and understanding you put the worst of yourself into an object and it gives you power in exchange for indulging in your compulsions and fixations.

Really the best version of this that we got was Riruka, where her "love" is literally possessive and manifests that first time as her abducting the boy she's basically stalking. And basically no one else got this kind of relationship with their Fullbring

Arguably Yukio replacing his negligent parents with his videogame world sort of touches on a version of it as well, but he's given such a passive role in that dynamic that it doesn't quite reflect on him so much as on his parents. If anything it could have been interesting to see his life as not as bad as he'd convinced himself it was, but that he actively chose fantasy over reality, rather than being pushed towards it by circumstance.

Alternatively it could have been cool to see how the Fullbring itself could've been hollow-like. In the way a hollow puts itself into its mask, a Fullbringer puts themselves into their objects. Is the spirit given to that special object benevolent, or even ambivalent, or is it a repository for all its user's negative thoughts and feelings? Does it grow stronger only as it serves to mask more and more of their self hatred and identity issues? Like the initial threat of the inner hollow swallowing and consuming an identity that Hirako threatens Ichigo with, could the Fullbring itself have threatened to consume its user? If you put enough of yourself into the object, and the object gains power and identity, is it possible that one day the object contains more of "you" than you do? Does it begin to want power on its own? Does it start to take more of that power, that emotional investment, that connection, that heart from its human user?

It would have been an interesting vehicle for Ichigo's arc if the Fullbring has explicitly been powered by unhealthy obsession and the substitution of a fetish totem in place of real interpersonal connections: if Ichigo's implicit flaw had been his attachment to his powers as an extension of his need to protect others. The way Riruka's flaw was in how she loved people onesidedly, literally objectifying them. The way Yukio's flaw was in how he retreated into a fake reality while neglecting the real one in a desperate need for control.

[royboyfanpage]

What's a relationship Roy has with someone that you feel is very underrated and should be talked about more?

Thank you for the ask! Sorry it took me so long to answer

Honestly, I can't pick just one. There are so many people who I feel could've had a super cool dynamic with Roy had they been allowed to interact more. I mean, there's his partner-in-disco Mal Duncan-

And everyone talks about Grant and Bart, but there's not enough talk about Terra II-

And then he and Kory have always had the potential for such a sweet dynamic (OUTSIDE OF SHOWS AND VASTLY OOC COMICS FROM THE EARLY-MID 2010S)

And then, while Vic and Gar are obviously the inseparable duo, I think they'd also make a pretty neat trio with Roy!

So yeah! I can't choose just one because there are sooo many that could be further explored, both in canon and by fandom :)

[empydoc]

SOUL EATER AU milo & sweetheart

check out the masterpost here!

welcome to a redacted soul eater au post! here, i try and discover what it'd be like if you merged the soul eater world and mechanics within the redactedverse. this is the fifth post in the series of posts i'll make regarding the individual characters and their listeners! we've got milo & sweetheart on the menu. enjoy!

༺♰༻

milo — soul type: weapon weapon type: morningstar flail compatible with: sweetheart

as mentioned before, werewolves are more commonly weapons than meisters. this is because shifting forms comes naturally to them. milo is no exception to this commodity! he's currently wielded by his meister and partner, sweetheart, and has the unique ability of being able to change the 'ball' part of his weapon form by will.

werewolf souls are distinguishable, and most werewolves in this universe tend to seek other werewolf partners due to the fact that their partnership is incredibly important and sometimes pack-related. milo is someone who doesn't really care for such a custom.

i actually changed milo's weapon choice several times. from nunchucks to maces, i couldn't decide. then, when i found out what the 'ball and chain' weapon was called (a flail!) i figures 'absolutely yes, that's him!'. i will say, though, sweetheart wielding nunchucks would be so cool...

༺♰༻

sweetheart —  soul type: meister strongest meister ability: wavelength control - an ability all meisters hold, but skilled meisters are able to use their wavelength on the offensive resulting in it's own attack. compatible with: milo

stealths are a unique sort of empowered individual who's portion of magic transfers to their soul. this results in stealth weapons having the ability to cloak themselves, and stealth meisters having the ability to cloak their soul wavelength with ease. sweetheart is no exception to this ability.

apart from that, stealths have no other differences to other human meisters/weapons. even so, there's a stereotype that 'quieter'/'reserved' individuals wield or are wielded by stealths, which isn't necessarily the case for milo and sweetheart.

originally sweetheart was going to be a weapon, because i wanted to explore the 'invisible weapon' concept more, however when i decided to make milo ALSO a weapon, i kind of got confused. eventually i figured i could live with sweetheart being a badass meister, but i'll forever ponder on what could've been ...

lite backstory: for every post i make for the characters, i'll add some au backstory to really fill in some details you may be curious about!

milo and sweetheart went into their relationship deciding against working with one-another as weapon/meister partners, but instead, focusing on their personal relationship.

as a direct reflection of how they hadn't planned on becoming romantic partners, eventually the two got into some trouble relating to sweetheart's job, and milo came as great assistance both in weapon and werewolf form. eventually, realising only after that sweetheart had no problems wielding him, they had a great conversation about how their compatible forms could be used for the better.

[ooops-i-arted]

ahsoka still calling anakin a 'good master' after everything he fucking did to her oh my god, ENOUGH!

cowboy hat man won't give it a rest. he wants to throw ahsoka in everything and have her ascend to glorified creator's pet status, but he still can't figure out how to feature her without making her whole worth and existence about anakin. a two year relationship that ended with the master nearly murdering his padawan gets to be highlighted repeatedly, as if it was the most emotionally resonant thing to ever happen to ahsoka and anakin. instead of literally any other relationship that could be explored more.

screw ahsoka's other relationships from the jedi temple or the clones. she can hang out with rebels characters who are reduced to hollow husks of themselves while she has the charisma of a plank. but let's remind everyone how special and awesome she is because anakin was assigned to her for a short time. ahsoka is almost fifty years old now, were the options really that limited? screw respecting anakin's kids who achieved their own legacies and played important roles in the rebellion, defying what he chose to become. luke and leia are barely present in these galactic events and it's rare for their names to be mentioned at all. and who the hell is padme at this point?

ahsoka's writing has been unimpressive for a while now and i haven't cared about her story beyond fandom osmosis. but her show probably isn't even servicing people who actually liked her from tcw anymore, it's about whatever caters to filoni's warped perception of these characters.

Not only is it egregious because we know Anakin is a child murderer, Ahsoka NEVER moves on or comes to terms with it! She just keeps wallowing in it so Filoni can wank off to Anakin licking Ahsoka's butthole. Also: two years. There's no way she's near as speshul to him as Padme (the woman he was in love with for 10+ years and his wife) or Obi-Wan (his Master who was like a brother to him, again for over a decade) or Shmi (his freakin' mother and likely his one point of stability in a chaotic childhood as a slave). Don't even tell me that if Anakin was dropped in the World Between Contrived Time Travel he would save Ahsoka over any of them lmao. Or drop her like a hot potato if he had to choose between Ahsoka and Luke, his son and the last remnant he has of Padme (her son), Obi-Wan (guarded and trained by), Shmi (her grandson) and pretty much the one person he was able to commit an act of true, unselfish love for (killing Palps).

I do feel bad for the fans since I've seen plenty of comments that it's "not her" and that RD's portrayal is just so flat and devoid of smirky smugness/cheekiness/whatever. I personally may hate it but it is part of her character. And you're right, why is it only people she isn't connected to? She barely knew the Rebels crew and mostly as Fulcrum, so a professional relationship, not a friendship. Not to mention Sabine being forced into a Jedi Padawan role despite NEVER showing Force sensitivity or any interest in being a Jedi, and she lived with two of them for years. She had plenty of opportunity to ask Kanan if she wanted to be trained! But nah, we gotta give Ahsoka a Padawan and throw in some forced girl power stuff on the side. (As a former little girl who deeply craved female representation in the male-dominated stories I loved, I can tell you, little girls can tell when it's forced.) (Also Sabine choosing to force herself into a Jedi role out of grief for missing Kanan and Ezra instead of actually being into it or confronting her feelings of loss could've been a really interesting character moment. But nah.)

Side note but I also find it interesting that Rex is barely in this show. Wasn't Rex Ahsoka's clone counterpart? They're very close friends? He's still alive and kicking and could help her out? That would be a really cool relationship to explore? Or did Filoni realize he can't whitewash a real Māori man the way he can animated clones?

(Also I saw this ask before bed and woke up thinking about Mara Jade and Jaina Solo, a female teacher-student relationship that was so badass, and now I want Mara Jade being Rey's teacher and helping her confront her relationship to Palpatine and Rey having the guidance of someone who Gets It, can you imagine. We could've had it alllllllll)

[superkooku]

A missed potential in Hades (the game)

Ok, listen. I'm a fan of Supergiant Game's Hades (haven't played Hades II yet. Because my PC is a potato and I hope the full version will be in PS4). Yes there are bothersome inaccuracies, but...

The characters are fun, the game is surprisingly not repetitive yet consistent, the mechanics are cool, Hades and Persephone are actually compelling (a miracle in mythology retellings). And Hypnos is a fun lil goober.

But I feel like there was one huge missed potential. No, I'm not complaining about Dionysus for the 100th time or OdyPen being tossed in the trash in Hades II (gosh I hope it's a fake out and they're still together 🙏🙏🙏).

I'm talking about this guy :

This is Asterius, better known as the Minotaur. Yes it's the third time I talk about him today, but I just had an idea for him that I want to share.

I actually like what Hades did with him ! Again, I have more positive thoughts about this game than negative.

I'd even go as far as to say this is the best version of Asterius I've seen, imo.

He's an actual character, capable of speech. He's not always seen as Theseus' sidekick, even having his own moments with Zagreus. He's the more intelligent one, he's more human than Theseus and I love that about him. Like Achilles, but to a much higher degree, he mellowed down in the afterlife and lost his murderous rage.

The ironic friendship with his murderer is also very cool.

But we could've done so much more with this wonderful concept. Hades is essentially a game about mending broken relationships: Persephone and her family, Orpheus and Eurydice, Achilles and Patroclus, Thanatos and Hypnos... but Theseus and Asterius never really contributed to the main plot. They're just kinda there, doing their own thing.

I think adding ONE element would change everything, an important part of the Underworld (so Zagreus can interact with it) and something interesting for both Theseus and Asterius : the three judges. More specifically Minos.

A plotline where Minos and Asterius' abusive relationship will be discussed and Theseus actually being a good person for once and standing up for his friend.

Maybe with Minos apologizing and seeing that Asterius isn't a monster. And Zagreus being the catalyst for fixing the relationship, because in all those encounters, he learned to know who Asterius is.

Bonus point if Ariadne and/or Phaedra are mentioned. I see the latter appearing. Heck, maybe the former in a "Dionysus wants to resurrect her" storyline.

But this post is about Asterius and Minos. Between the underworld themes, the broken family of Crete, Asterius' humanity, Theseus humbling himself, it'd have been integrated so seamlessly !!

Just by adding a room for the three judges, with whom Zag regularly interacts, or fights as bosses, or just NPCs like Charon/Chaos with unique gimmicks.

Maybe fun interactions with Radamanthus and Aeacus too, though I have less ideas for them.

Please tell me there's a fanfic out there exploring that ! Or that Hades II will somehow do it 🙏.